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Theremin Elyse Luray

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Theremin Elyse Luray Episode 802, Story 3: Theremin Elyse Luray: Our last story looks at a Soviet era musician whose popular invention made just enough noise to keep his private life quiet. It’s February 14th, 1928: Valentine’s Day at Carnegie Hall. A star-studded audience gathers to hear Soviet inventor Leon Theremin play the curious instrument that bears his name. There are no strings, nor a keyboard. Theremin’s hands never even touch the instrument. And the sound…is otherworldly. The theremin takes America by storm. The Radio Corporation of America even starts mass producing them, wanting to put a theremin in every home. But even RCA could never have predicted what impact this instrument – and its inventor – would have on America. Now, a collector from Santa Fe, New Mexico, thinks he may have discovered a rare theremin, handmade by the inventor himself. Andy Baron: when I saw this, I was just blown away by the possibilities. Elyse: I’m Elyse Luray, and I’m meeting Andy Baron to see—and hear—what he’s got. Wow. This is strange. What is it? Andy: Well, it’s called a theremin. And it’s an electronic musical instrument. It was invented by a Russian scientist named Leon Theremin. Elyse: It kind of looks like a piece of furniture almost to me. How do you play something like this? Andy: Well the interesting thing about this instrument is that it’s played without touching it at all. Elyse: He explains how the instrument works using electrical signals emitted through the antennas. When you disturb the signals with your hands, it creates sound. Andy: This antenna controls your pitch. This antenna controls your volume. Elyse: Can I play it? Andy: Sure. 1 Elyse: Sounds like The Three Stooges. This is really hard to play. Andy: Well, actually, what they say about it is it’s the easiest instrument in the world to play, and the hardest one to play it really well. Elyse: Where’d you get it? Andy: I bought it from an online auction service about two years ago. Elyse: Andy explains that most theremins were factory-made in the 30’s and 40’s by the Radio Corporation of America, RCA. But inside his, he found a curious label. Theremin Studio. 37 West 54th street, New York City. Theremin space controlled musical instrument. What do you make of that label? Andy: Well, as I understand it the inventor, Theremin himself, built a few instruments and, the label to me says that this could be one of them. Elyse: So what do you want to find out? Andy: I’d love to know if this is one of the instruments that Leon Theremin built. Elyse: Let me spend some time looking it over, I’ll see what I can uncover, and I’ll get back to you. First of all, I’ve never seen a theremin before. I do see some knobs on here that look period to me, probably around the 1930’s. As for the tubes, I can tell they’re period, but I can’t give you a certain date. And down here I found a number. It says 235. So, that tells me it’s either a serial number or a manufacturer’s number. To me, it looks like it’s factory made. but the label looks handmade. The paper does look old. It has foxing and browning to it, which is oxidation and wear that happens over the years. Up here on the top is Theremin Studio. That’s a typestyle I place to the 1930s or early 40s. And the characters down here look like they were made from a typewriter that I would date to the same period. Do we have a Theremin built by the inventor himself? Leon Theremin was born in Russia in 1896, and he invented the theremin in 1920. This is interesting: Theremin even caught the attention of one of communism’s founding fathers. Russian leader, Vladimir Lenin, loved the invention so much that in 1926 he sent Theremin on a highly publicized 2 international tour to promote Russian technology. The last stop on his tour was America in 1927. When Theremin’s ship arrived in New York, he was already a star. Reporters and photographers mobbed the inventor. He gives dozens of sold out performances and captures newspaper headlines all over the country. Although only intending to stay in the U.S. for a few months, Theremin’s success led him to settle in New York. In 1929, RCA paid him $100,000 for the rights to mass produce the theremin. And comparing Andy’s cabinet to an RCA, they look identical. In fact, they even have the serial number in the same spot. So does Andy really have a custom built theremin? Or is it just a stock RCA with a perplexing label? Albert Glinsky spent 13 years researching and writing his critically acclaimed biography of Leon Theremin. So, Albert, here’s a photograph of the theremin that I’m investigating. And, the person who owns it, in New Mexico, believes that Leon Theremin may have made it. What do you think? Albert: Theremin really only made I’d say probably less than a dozen hand theremins like that when he was in the U.S. so that would be pretty unique. Elyse: He says it was the distinctive sound Theremin’s instruments made that captivated his American audience. Albert: People thought he was sort of conjuring up the music out of nowhere. There was some speculation even at that time that maybe electrical music would actually substitute for acoustic instruments in the future. And, just replace whole orchestras, and we would no longer have any need to play pianos or violins or anything. Elyse: Albert tells me that’s why RCA thought the theremin was going to be the next big thing. He says they promoted the theremin as the universal musical instrument—as easy to play as it is to walk—and promoted Theremin along with it. So, basically, he comes here to promote Russian technology but ends up like this celebrity. Albert: Yeah, but he wasn’t really just here to promote technology. That was on the surface of it and I think that’s what the Soviets wanted everyone to believe. But it was really a Trojan horse situation where he was really being sent here to do industrial espionage as well. Elyse: He was a spy? 3 Albert: Yeah, he really was. Elyse: And how do we know that? Albert: Well, in his later years he talked about it. He was very open about it. Elyse: Albert interviewed the inventor in the early 90’s, who told him about his time in the United States, and how the theremin helped his spying. Theremin’s contracts with companies like RCA gave him access to private factories and plants where he could take notes and report back to his superiors. Albert: He said, one way to get information out of people is to tell them what you’re doing and then they kind of say, oh, well, you know, we’re doing something like that, and they open up. And that was one of his tricks. So he talked about that. Elyse: Theremin returned to the Soviet Union in 1938. The inventor told Albert how, ironically, his closeness with American business had led to his arrest under Stalin, and 8 years of imprisonment in a camp for scientists. Have you ever seen anything like this before? Albert: I’ve never seen a label like that, but that certainly is his address, 37 West 54th street. But I’m really not sure what this would be doing inside an RCA theremin. Elyse: Albert says he’ll check his files to see what he can find. Meanwhile, he suggests I look at an original RCA theremin to compare to Andy’s. He puts me in touch with Rob Schwimmer, an original member of the New York Theremin Society. He explains how theremins enjoyed a renaissance in the 1950’s. Rob: They had all the sci-fi movies, where all of a sudden the sound became synonymous with flying saucers and aliens and stuff like that. Elyse: He also says the theremin found its way into 60’s pop, used by artists like Led Zeppelin. 4 Rob: This one’s maybe from 1959 it was made by a guy named Robert Moog. Elyse: Moog, Rob tells me, invented the first commercial synthesizer—the instrument that hugely influenced music in the 1960s and 70s. Rob: And all of a sudden here’s this instrument that makes zillions of unheard sounds. The Doors used it and then Switched-On Bach came out, which was entirely synthesizer and, Moog Synthesizers wouldn’t exist without the theremin. It revolutionized everything. Everything. Elyse: So then there’s really a direct link between Theremin’s work and the birth of the electronic music? Rob: Absolutely. All electronic music…this is kind of the source. Elyse: Did Theremin know about how important his work became in this country? Rob: Theremin disappeared and was in Russia for a long, long time. He had no idea of what was going on with his instrument. Elyse: Can we take a look at the RCA? Rob: Sure. Elyse: Rob says there are very few early pre-war RCA theremins still around. But he’s managed to locate one. Ah, now this looks like what I saw online. Can we take a look inside? Rob: Sure. Elyse: But that’s where the similarities end.
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