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Focus 2020 Pioneering Women Composers of the 20Th Century
Focus 2020 Trailblazers Pioneering Women Composers of the 20th Century The Juilliard School presents 36th Annual Focus Festival Focus 2020 Trailblazers: Pioneering Women Composers of the 20th Century Joel Sachs, Director Odaline de la Martinez and Joel Sachs, Co-curators TABLE OF CONTENTS 1 Introduction to Focus 2020 3 For the Benefit of Women Composers 4 The 19th-Century Precursors 6 Acknowledgments 7 Program I Friday, January 24, 7:30pm 18 Program II Monday, January 27, 7:30pm 25 Program III Tuesday, January 28 Preconcert Roundtable, 6:30pm; Concert, 7:30pm 34 Program IV Wednesday, January 29, 7:30pm 44 Program V Thursday, January 30, 7:30pm 56 Program VI Friday, January 31, 7:30pm 67 Focus 2020 Staff These performances are supported in part by the Muriel Gluck Production Fund. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and use of recording equipment are not permitted in the auditorium. Introduction to Focus 2020 by Joel Sachs The seed for this year’s Focus Festival was planted in December 2018 at a Juilliard doctoral recital by the Chilean violist Sergio Muñoz Leiva. I was especially struck by the sonata of Rebecca Clarke, an Anglo-American composer of the early 20th century who has been known largely by that one piece, now a staple of the viola repertory. Thinking about the challenges she faced in establishing her credibility as a professional composer, my mind went to a group of women in that period, roughly 1885 to 1930, who struggled to be accepted as professional composers rather than as professional performers writing as a secondary activity or as amateur composers. -
Ether Music and Espionage. a History of Art Dealing in the United States
LANDSCAPE WITH FIGURES: place. European dealers such as Alfred A History of Art Dealing in Knoedler and the Scotch-Irish William the United States. Macbeth recognized the value of the American By Malcolm Goldstein. Oxford Univ. product, and American dealers such as Peggy Press. 370 pp. $30 Guggenheim promoted and supported Euro- In 1937 Peggy Guggenheim, whose Uncle pean modernists. Solomon founded that famously circular The narrative lingers at midcentury, when the museum, opened an art gallery in London. author was a poor student traveling down from Hilla Rebay, the German artist who was help- Columbia University to 57th Street to buy ing Solomon amass his collection, chided the paintings he could ill afford, on installment. The fledgling dealer: “It is extremely distaste- dealers he met then—Grace Borgenicht, ful...when the name Guggenheim stands for Edith Halpert, and Antoinette Kraushaar— an ideal in art, to see it used for commerce. were informed, generous with their time, and Commerce with real art cannot exist. You not unprincipled. By Goldstein’s reckoning, will soon find you are propagating mediocrity; they, and those who followed them (especially if not trash.” By 1940, Peggy had closed her Betty Parsons, Sidney Janis, and Leo Castelli), London gallery—not because she took Rebay’s genuinely advanced the cause of serious art. point, but because she hadn’t turned a profit. While Goldstein gives scant attention to art She went to Paris, checkbook in hand, buying dealings’ last few confused decades, no one a picture a day on the cheap for her own little could yet call them historic, and perhaps no one museum. -
New Juilliard Ensemble Photo by Claudio Papapietro
New Juilliard Ensemble Photo by Claudio Papapietro Juilliard Scholarship Fund The Juilliard School is the vibrant home to more than 800 dancers, actors, and musicians, over 90 percent of whom are eligible for financial aid. With your help, we can offer the scholarship support that makes a world of difference—to them and to the global future of dance, drama, and music. Behind every Juilliard artist is all of Juilliard—including you. For more information please contact Tori Brand at (212) 799-5000, ext. 692, or [email protected]. Give online at giving.juilliard.edu/scholarship. iii The Juilliard School presents New Juilliard Ensemble Joel Sachs, Founding Director and Conductor Stella Chen, Violin Alvin Zhu, Piano Regina De Vera, Narrator Tuesday, October 2, 2018, 7:30pm Peter Jay Sharp Theater SUNBIN KIM Four Studies on Darkness—After Mark Rothko (2018) (b. Korea, 1990) Black, Red and Black Rust, Blacks on Plum Green Divided by Blue Black on Grey (played without pause) World premiere, commissioned by NJE JOSEFINO CHINO TOLEDO Agos (2017) (b. Philippines, 1959) Text: Joi Barrios-Leblanc Regina De Vera, Narrator World premiere Intermission AKIRA NISHIMURA Mirror of Stars (2010) (b. Japan, 1953) Alvin Zhu, Piano First performance outside Japan VIRKO BALEY Violin Concerto No. 1, “Quasi una Fantasia” (1987) (b. Ukraine, 1938) Lacrymosa Dies Irae Lux Aeterna Agon Stella Chen, Violin An 80th birthday salute to the composer This performance is supported in part by the Muriel Gluck Production Fund. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and the use of recording equipment are not permitted in this auditorium. -
INSTRUMENTS for NEW MUSIC Luminos Is the Open Access Monograph Publishing Program from UC Press
SOUND, TECHNOLOGY, AND MODERNISM TECHNOLOGY, SOUND, THOMAS PATTESON THOMAS FOR NEW MUSIC NEW FOR INSTRUMENTS INSTRUMENTS PATTESON | INSTRUMENTS FOR NEW MUSIC Luminos is the open access monograph publishing program from UC Press. Luminos provides a framework for preserv- ing and reinvigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org The publisher gratefully acknowledges the generous contribu- tion to this book provided by the AMS 75 PAYS Endowment of the American Musicological Society, funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation. The publisher also gratefully acknowledges the generous contribution to this book provided by the Curtis Institute of Music, which is committed to supporting its faculty in pursuit of scholarship. Instruments for New Music Instruments for New Music Sound, Technology, and Modernism Thomas Patteson UNIVERSITY OF CALIFORNIA PRESS University of California Press, one of the most distin- guished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activi- ties are supported by the UC Press Foundation and by philanthropic contributions from individuals and institu- tions. For more information, visit www.ucpress.edu. University of California Press Oakland, California © 2016 by Thomas Patteson This work is licensed under a Creative Commons CC BY- NC-SA license. To view a copy of the license, visit http:// creativecommons.org/licenses. -
ST/LIFE/PAGE<LIF-006>
D6 life happenings | THE STRAITS TIMES | FRIDAY, NOVEMBER 9, 2018 | Boon Chan Media Correspondent recommends Picks Gigs WANG LEEHOM ‘DESCENDANTS NEON LIGHTS FESTIVAL 2018 OF THE DRAGON 2060’ WORLD The third edition of the music and arts festival is spread TOUR IN SINGAPORE out over three nights. The headliner today is Malaysian Since he last performed in Singapore singer-songwriter Yuna (right), tomorrow is American rock in 2012, Chinese-American singer- band Interpol (comprising, above from left, Sam Fogarino, songwriter Wang Leehom (left) Paul Banks and Daniel Kessler) and Sunday is Caribou, the got married and is now the father of stage name of Canadian musician Dan Snaith. three children. His last album A.I. Love WHERE: Fort Canning Park, Fort Gate, 51 Canning Rise (2017) has signs of doting fatherhood MRT: Bras Basah WHEN: Today, 6pm; tomorrow and all over it, in tracks such as Dearest Sunday, 2pm ADMISSION: From $99 for an adult standard and World Without Tears. single-day pass from Sistic (call 6348-5555 or go to WHERE: Singapore Indoor Stadium, www.sistic.com.sg) 2 Stadium Walk MRT: Stadium WHEN: Jan 5, 7pm ADMISSION: $188 to $328 from SportsHubTix (call 3158-7888 or go to www.sportshubtix.sg) JOKER XUE SKYSCRAPER WORLD TOUR 2018 IN SINGAPORE The hits of Chinese singer- songwriter Joker Xue (left) include Ambiguous, Animal World and Like The Wind – and that is just off his latest album The Crossing (2017). He is also known for tracks such as Actor, Ugly, What Else Do You Want From Me and many more. Expect the singer-actor-host to deliver the goods in this much anticipated show, his first big-scale concert in Singapore after performing at a private event at Marina Bay Sands in February. -
Interpol Live Issue 60
FEATURE Photo: Olivia Desianti INTERPOL AT takes a rideLIVE with Interpol’s FOH engineer, Harley Zinker. Just don’t touch his water. Text: Mark Davie Slow and trembling, like a junky trying to types. One of those – an A&R guy for Capitol (a build a house of cards, a hand moves deliberately subsidiary of EMI) by the name of Dave Ayers over the crowd barrier towards a stash of bottled – ‘discovered’ Harley in the way only A&R guys water near the FOH mix position, its path can. “You have to get out of here,” Dave decided. closely monitored by two dilated pupils the “We know you’ve worked in studios, we know size of ten cent pieces. “Hey! … Hey! Get your you’re pretty smart, so we want you to come hands away from my stuff!” bellows Harley on tour and do the sound for this band we’ve Zinker, FOH engineer for Interpol. Harley’s just signed.” “Okay,” was Harley’s reply; an warnings become increasingly dire until the uncomplicated response that’s opened doors for perpetrator staggers away with security on his him around the world. tail. Apparently he doesn’t make it very far: Having never been on tour before, and never one of Harley’s friends reports with a chuckle mixed a live band, the label packed him off to moments later that “he spewed his guts out just the now-defunct Brownies, a little 200-capacity round the corner”. “Well, he should learn how club in New York, for a two-day boot camp to handle whatever he was on,” is Harley’s frank on live mixing. -
Atmospherics Steven Connor
Atmospherics Steven Connor What would the sun be itself, if it were a mere blank orb of fire that did not multiply its splendours through millions of rays refracted and reflected, or if its glory were not endlessly caught, splintered, and thrown back by atmospheric repercussions?1 Radio, or, more strictly because more broadly, wireless signalling, unleashed a dream of absolute communication and universal contact. Contemporary communications – or the material imagination which makes sense of them – still have as their ideal horizon a universe of absolute transparency and traversibility. In such a world, everywhere will be maximally accessible to everywhere else, and delay, obscurity and interference will be done away with. It will be the opposite of Hobbes’s vision of ‘war of all against all’: rather, it will the communication of all with all. Atmospherics are the buzzing fly in that utopian ointment. W .E. Ayrton’s evocation of this world during a lecture given at the Imperial Institute in 1897 has frequently been quoted: there is no doubt that the day will come, maybe when you or I are forgotten, when copper wires, gutta percha covering, and iron sheathings will be relegated to the museum of antiquities. Then when a person wants to telegraph to a friend, he knows not where, he will call in an electromagnetic voice, which will be heard loud by him who has the electromagnetic ear, but will be silent to everyone else, he will call, “W here are you?” and the reply will come loud to the man with the electromagnetic ear, “I am at the bottom of the coal- mine, or crossing the Andes, or in the middle of the Pacific.” Or perhaps no voice will come at all, and he may then expect the friend is dead.2 There are two features of this that are worth comment. -
Carlos Santana
1 Sommaire Actualités 30 ESP Forest GT Arched Top Carlos Santana, 4 des classiques, des pointures mais pas d’album 31 Boss ME-25 6 Serj Tankian, Imperfect armonies 32 Ibanez Ashula SR2010 7 Anathema Amorphis 9 revisite Amorphis Le baluche vu par Les cours de 11 Phil Collins Pure Reason Revolution, 13 l’inattendu vous attend Guitare Live Spiritual Beggars, 15 rock tradition Guitare Acoustico-Percussive : Optimiser Sufjan Stevens 34 rapidement son jeu 17 entre folk et électro... Virgin Steele, Débuter à la basse : 18 contre vents et marées 37 la main gauche 20 Interpol, un avenir incertain ? 39 Des arpèges pour transcender vos solos, part.1 22 ZEM 40 Colorer son jeu avec les cordes à vide, part. 1 Banc d’essai 26 Schecter Hellraiser solo 6 43 De bonnes bases pour débuter : le pull-off 27 Schecter custom solo 6 Leçon CAGED 27: 46 La gamme mineure naturelle 28 Vigier GV Métal 29 Vigier GV Wood 48 Plans du mois (Carlos Santana) 2 Editorial www.guitare-live.com MAGAZINE Rédacteur en chef Kévin Cintas [email protected] On collaboré à ce numéro Richard Chuat Nicolas Didier-Barriac Geoffroy Lebon Manu Livertout Guitare Live Pascal Vigné Phil Elter N°66 Ruddy Meicher Novembre 2010 Aymeric Silvert Réalisation graphique Nicolas Del Castillo [email protected] Crédits photos ous en conviendrez, il est assez deux ratés ? Même dix ? Voilà donc une Couverture Christian Rose/Fastimage étrange de faire la couverture de bonne occasion de parler d’un véritable Phil Elter ce joli mois de novembre avec un Guitar Hero. -
Síntesis Informativa Matutina
Dirección de Divulgación Cultural SÍNTESIS INFORMATIVA MATUTINA Martes 14 / 08 / 2018 SECRETARÍA DE CULTURA CAPITALINA Custodia no debe ser indefinida El legado de Octavio Paz no puede cederse indefinida mente a instituciones como el DIF, El Colegio Nacional, ECN, o la Secretaría de Cultura de la Ciudad de México, porque se trata de bienes de la nación y dicho legado está protegido por la Constitución en el artículo 73 fracción XXV y el 4 párrafo 12 comentó a Excélsior, Arturo Saucedo, especialista en políticas de patrimonio cultural. Dijo que la Secretaría de Cultura, SCf, sí está obligada a mostrar la parte del documento donde se verifique la existencia de la supuesta previsión testamentaria dejada por Paz antes de morir, sobre la cual se ha amparado la decisión de depositar su archivo en ECN, debido a que es una decisión que afecta al patrimonio cultural de la nación. “La autoridad sí está obligada a mostrar no todo el documento, pero sí esa parte donde toman como fundamento una decisión que afecta al patrimonio de la nación. Están obligados y al negarlo están pisoteando nuestros derechos culturales en la medida en que no nos muestran que existe un fundamento de su decisión y que no se trata de inacción, ignorancia, omisión o colusión para desaparecer un bien”, afirmó; además, aseveró que la SC debe aclarar si ECN será custodio o depositario del legado compuesto por libros, cartas y otros documentos, debido a que existe una gran diferencia jurídica entre ambos términos. Y apuntó que dicha custodia sólo podría realizarse bajo la figura legal de contrato o comodato (Excélsior, Secc. -
The Thing About Microphones
Title The Thing About Microphones Type Article URL https://ualresearchonline.arts.ac.uk/id/eprint/14244/ Dat e 2 0 1 6 Citation Wright, Mark Peter (2016) The Thing About Microphones. Leonardo Music Journal (special issue on Sound Art), 26. pp. 60-63. ISSN 0961-1215 Cr e a to rs Wright, Mark Peter Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected] . License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author The Thing about Microphones MARK PET ER WRIGHT This article examines the microphone and its connective political and people Theremin has other stories, one of which involves his nonhuman ecologies. A media archaeological excavation of Leon pivotal role in a covert eavesdropping operation at the height RACT Theremin’s role in the development of a specific bugging device (“The of the Cold War. Thing”) facilitates discussion throughout. Situating the microphone within ABST a networked history of power relations and ethical consequences, the Theremin was the creator of a unique listening device author draws upon contexts of surveillance, parasites and horror in order (bug) that was housed within the carved front of the Great to ask whether microphones are agential actors and, if so, what the Seal of the United States. Presented as a gift on 4 July 1945 to consequences might be. Averell Harriman, U.S. ambassador to Moscow, the plaque was mounted on a wall inside his Moscow office [3]. Unbe- knownst to Harriman or any other U.S. -
Marcaje Personal Del PRI Contra FRANCISCO DOMÍNGUEZ
25 DE OCTUBRE DE 2010 • AÑO Xiv • NO. 556 1 AÑO XIV NO. 556 $5.00 M.N. 25 DE OCTUBRE DE 2010 Adolfo Ortega Osorio, titular de la CEDH, enfrenta una serie de acusaciones en su contra al interior de la Comi- EN CRISIS... sión y, nuevamente, piden su destitución ALFRedo RodRÍGUEZ Complots” fallidos, presuntos espiona- “jes y hasta una visitadora despedida es el saldo de una semana polémica para la Comisión Estatal de Derechos Humanos (CEDH). Todo empezó a mitad de la semana anterior, cuando se filtró una conversación hecha en una red social en donde la visitadora Em- ma Lambarri Malo planteaba a la diputada priista Dalia Garrido tener una reunión para exponerle la situación que se vive al interior de la CEDH. Tras conocerse en los medios, se canceló la reunión y este viernes, al filo del cierre de la edición, Lambarri había sido despedida. A eso se le añaden las denuncias de Salvador Alberto Sosa Ocampo, quien tiene deman- dada a la CEDH por despido injustificado. Página 11 Marcaje personal del PRI contra FRANCISCO DOMÍNGUEZ ALEJandRO NIETO El PRI va por la joya de la corona electoral: Querétaro capital. Desde febrero ha lanzado una serie de acusaciones contra el alcalde, de origen panista, Francisco Domínguez. El fuego lo abrió el propio Domínguez Ser- vién cuando criticó el programa estrella del gobierno estatal priista, Soluciones. El regidor y dirigente estatal priista, Braulio Guerra Urbiola, anunció una ruptura de re- laciones. Poco después ‘firmaron la paz’. FOTO: Victor Pernalete Después vino la amenaza de juicio político contra Francisco Domínguez por presunta- mente haber aceptado el patrocinio de una EN OPINIÓN empresa en un viaje al extranjero. -
Nikki Blonsky
Cover_JulyHAIR07:Cover_Aprilfaris 6/7/07 2:04 PM Page 1 july 2007 | volume 8 | number 7 HARRY SHEARER SPEAKS FOR THE SIMPSONS MOVIE EMMA Who is WATSON ON HARRY POTTER AND THE ORDER Nikki OF THE PHOENIX Blonsky? SHIA Only the best story to come LABEOUF out of Hollywood this year. TALKS TRANSFORMERS We chat with the young star of the summer’s feel-good movie, PUBLICATIONS MAIL AGREEMENT NO. 40708019 PLUS: HELEN MIRREN, DIANE KEATON AND OTHER STARS PONDER PLASTIC SURGERY HS Famous 6/1/07 9:49 AM Page 1 BIG SCREEN STYLE MOVIE EVENT THE 10xPOINTS† ON THESE PARTICIPATING HAIR PRODUCTS & MORE IN-STORE 1 URBAN LINES 2 LIVE CLEAN™ 3 JOHN FRIEDA® FRIZZ EASE® 4 JOHN FRIEDA® COLOUR GLAZE 5 LIFE BRAND® BOTANICALS ® 1 2 3 4 5 6 6 HERBAL ESSENCES HAIR COLOUR 7 SALON GRAFIX® 8 SILKING® 9 SUAVE® 10 L’ORÉAL STUDIO LINE® 11 GARNIER® 100% COLOR 12 SAMY® 13 CHARLES WORTHINGTON 7 8 9 10 11 12 13 USE YOUR SHOPPERS OPTIMUM CARD WHEN YOU BUY ANY TWO PARTICIPATING HAIR PRODUCTS AND BE AUTOMATICALLY ENTERED TO WIN A TRIP FOR FOUR TO A HOLLYWOOD MOVIE PREMIERE* PLUS YOU’LL RECIEVE A JOHN FRIEDA GIFT BASKET & A VISIT TO THE JOHN FRIEDA SALON IN L.A. SO YOU & YOUR ENTOURAGE CAN ARRIVE AT THE PREMIERE IN STAR STYLE! YOU CAN’T STOP THE BEAT IN CINEMAS JULY 20 Offi cial Canadian Retail Sponsor of Hairspray † Some restrictions apply, see cashier for details. Offer valid Saturday, June 23 to Friday, July 20, 2007. * No purchase necessary.