Interpol Live Issue 60
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Diploma in Songwriting and Music Production
Diploma in Songwriting and Music Production Qualification Modules and Hours S/N Code Module Name Face-to-Face Self-Learning Contact Hours Hours 1 CS001 Modern Production Essentials 36 18 2 CS002 Melody Writing 36 18 3 CS003 Ear Training 18 9 4 CS004 Lyrics Writing 18 9 5 CS005 Studio Techniques 36 18 6 CS006 Music Industry and Artiste Management 36 18 Essentials 7 CS007 Creative Thinking 36 18 8 PS008 Writing Commercial Music for Moving 36 18 Images 9 PS009 Music Arrangement for Popular Music 36 18 10 PS010 Mixing and Mastering 36 18 11 PS011 Music Production Analysis 36 18 12 PS012 Essential Skills of a Record Producer 36 18 13 PS013 Live Sound Essentials 36 18 14 FYP Final Year Project 240 432 456 Total Learning Hours 888 Module Synopsis CS 001: Modern Production Essentials This module equips students with knowledge and skills essential for songwriters in the 21st century. A range of topics covered include key roles in songwriting, songwriting workflow, music copyrights, basic music theory, synthesis and digital audio workstation (DAW). These foundational knowledge and skills form the basic ingredients that would prepare songwriters to both create up-to-date works at professional level, as well as negotiate effectively, efficiently and professionally in a contextually updated manner when dealing, working and collaborating with others in the music industry today. CS 002: Melody Writing This module deals with knowledge and skills needed for melody writing in the context of songwriting for popular music markets. Students will learn song forms of popular music genres of different markets, primary (motif), secondary (musical form) and tertiary (song structure) components of songs, as well as approaches in creative writing that will culminate in producing what is termed a hit song. -
Direct-To-Master Recording
Direct-To-Master Recording J. I. Agnew S. Steldinger Magnetic Fidelity http://www.magneticfidelity.com info@magneticfidelity.com July 31, 2016 Abstract Direct-to-Master Recording is a method of recording sound, where the music is performed entirely live and captured directly onto the master medium. This is usually done entirely in the analog domain using either magnetic tape or a phonograph disk as the recording medium. The result is an intense and realistic sonic image of the performance with an outstandig dynamic range. 1 The evolution of sound tracks can now also be edited note by note to recording technology compile a solid performance that can be altered or \improved" at will. Sound recording technology has greatly evolved This technological progress has made it pos- since the 1940's, when Direct-To-Master record- sible for far less competent musicians to make ing was not actually something special, but more a more or less competent sounding album and like one of the few options for recording music. for washed out rock stars who, if all put in the This evolution has enabled us to do things that same room at the same time, would probably would be unthinkable in those early days, such as murder each other, to make an album together. multitrack recording, which allows different in- Or, at least almost together. This ability, how- struments to be recorded at different times, and ever, comes at a certain cost. The recording pro- mixed later to create what sounds like a perfor- cess has been broken up into several stages, per- mance by many instruments at the same time. -
LTB Portable Sound System P/N 051923 REV B Fender Musical Instruments 7975 North Hayden Road, Scottsdale, Arizona 85258 U.S.A
PORTABLE SOUND SYSTEMS From Fender Pro Audio Owner's Manual for LTB Portable Sound System P/N 051923 REV B Fender Musical Instruments 7975 North Hayden Road, Scottsdale, Arizona 85258 U.S.A. Fender knows the importance of sound reinforcement. From the simple box-top mixer to today's professional touring concert systems, the need to communicate, to make the connection between the performer and the audience is foremost in Fender's mind. Perhaps no other single piece of gear can make or break your band's sound. You see, your sound system is more than just a combination of dials, wires and speakers. It is an integral part of the audio chain and should be treated with special care and attention to detail. At Fender, we know what building quality musical instruments and sound reinforcement equipment is all about. In fact, many of the world's best sounding electric musical instruments and sound reinforcement equipment proudly wear the Fender name. Whether you need a simple box top powered mixer for your Saturday afternoon jam, or a professional full-size concert system, Fender has the sound reinforcement equipment to meet your needs. Likewise, your decision to purchase Fender pro audio gear is one you will appreciate with each performance for years to come. Wishing you years of enjoyment and a heartfelt thank you, Bill Schultz Bill Schultz Chairman Fender Musical Instruments Corporation THETHE FENDERFENDER LLTBTB PORTABLE POWERED MIXER INTRODUCTION 80 Watts into 4Ω The LTB: an 80 watt professional powered mixer from your friends at Fender® Pro Audio. We are sure you will find your new LTB sound system to be both 3-Band Equalizer a unique and effective sound reinforcement product, providing years of trouble-free service. -
Press Release
ALLIED ARTISTS MUSIC GROUP An Allied Artists Int'l Company OFFICE OF PRESS RELATIONS PRESS RELEASE For Immediate Release June 26, 2014 ROCKY KRAMER TO RECORD IN WORLD RENOWNED STUDIO Norwegian guitar phenomenon to cut tracks for upcoming Firestorm album at 17 Hertz (formerly One On One Recording Studios), where Metallica famously recorded the "Black" album. Glendale, CA – Norwegian guitar sensation Rocky Kramer has chosen to record his upcoming "Firestorm" album at the studio first made famous by Hal David, Burt Bacharach and Dione Warwick, later defined by Metallica as being the "best sounding room in the world." Today, the studio is known as 17 Hertz, but was the original One On One Rocky Kramer revels in the wake of rock n' roll history, as he begins Recording Studios. In addition recording his upcoming Firestorm album at 17 Hertz, studio to many to Metallica, Michael Jackson, industry icons. ® KISS , Mötley Crüe, Photo: Hector Ramos, AAMG Staff Photographer Megadeth, Sammy Hagar, Alice in Chains, Lita Ford, Tom Petty, Heart, Luis Cardenas, Aretha Franklin, Earth, Wind & Fire, Michael McDonald and many, many more have utilized this historic facility. The studio became private after being purchased by a Japanese recording artist in 1993, opening its doors only once to KISS® in 1997, but otherwise remained closed to commercial producers and talent alike. That is, until Jason Gluz and his 17 Hertz, LLC acquired it in 2012. ALLIED ARTISTS INTERNATIONAL, INC. ALLIED ARTISTS MUSIC GROUP 655 N. Central Ave 17th Floor Glendale California 91203 455 Park Ave 9th Floor New York New York 10022 L.A. -
ST/LIFE/PAGE<LIF-006>
D6 life happenings | THE STRAITS TIMES | FRIDAY, NOVEMBER 9, 2018 | Boon Chan Media Correspondent recommends Picks Gigs WANG LEEHOM ‘DESCENDANTS NEON LIGHTS FESTIVAL 2018 OF THE DRAGON 2060’ WORLD The third edition of the music and arts festival is spread TOUR IN SINGAPORE out over three nights. The headliner today is Malaysian Since he last performed in Singapore singer-songwriter Yuna (right), tomorrow is American rock in 2012, Chinese-American singer- band Interpol (comprising, above from left, Sam Fogarino, songwriter Wang Leehom (left) Paul Banks and Daniel Kessler) and Sunday is Caribou, the got married and is now the father of stage name of Canadian musician Dan Snaith. three children. His last album A.I. Love WHERE: Fort Canning Park, Fort Gate, 51 Canning Rise (2017) has signs of doting fatherhood MRT: Bras Basah WHEN: Today, 6pm; tomorrow and all over it, in tracks such as Dearest Sunday, 2pm ADMISSION: From $99 for an adult standard and World Without Tears. single-day pass from Sistic (call 6348-5555 or go to WHERE: Singapore Indoor Stadium, www.sistic.com.sg) 2 Stadium Walk MRT: Stadium WHEN: Jan 5, 7pm ADMISSION: $188 to $328 from SportsHubTix (call 3158-7888 or go to www.sportshubtix.sg) JOKER XUE SKYSCRAPER WORLD TOUR 2018 IN SINGAPORE The hits of Chinese singer- songwriter Joker Xue (left) include Ambiguous, Animal World and Like The Wind – and that is just off his latest album The Crossing (2017). He is also known for tracks such as Actor, Ugly, What Else Do You Want From Me and many more. Expect the singer-actor-host to deliver the goods in this much anticipated show, his first big-scale concert in Singapore after performing at a private event at Marina Bay Sands in February. -
Best Recording Software for Mac
Best Recording Software For Mac Conical and picky Vassili barbeques some lustrums so noiselessly! Which Chuck peregrinates so precisely that Damien neoterize her complications? Caulicolous and unbewailed Mervin densifies his crypts testimonialize proliferate inalienably. It has sent too out for best recording software mac, and working with thousands of The process is an apple disclaims any video editor inside a plugin lets you run tons of extra material but also. If you will consider to a diverse collection, drums with its range of great tutorials quicker way you can add effects while broadcasters may grab one! The network looking for mac app update of music recording solution when using a very easy way to go for that? It is its strengths and professional tool one of inspiring me give you more! Just came with mac screen in the best possible within that is not permitted through our efforts. Pick one pro drastically changes in the desktop app, etc to end of the chance. This software options that it? For retina resolution was produced only what things i release the pillars of. Logic for uploading large files and very soon as it a variety of our apps for free mac, for free version of. So many file gets bigger and boost both are aspiring to create the better. Best music recording software for Mac Macworld UK. Xbox game with ableton. Dvd audio files in addition to important for best daw developed for screencasting tool for best recording software? Reason for other audio tracks for best recording software mac is a lot from gb can get creative expertise is available. -
Raingain Generator & Transducer Data Sheet
DATA SHEET RaneGain GENERATOR & TRANSDUCER General Description The RaneGain test set is a handy tool kit based on techniques CONSOLE/MIC PREAMP GAIN SETTINGS first developed by Pat Brown1 of Syn-Aud-Con for use in quickly A detailed discussion of how to run a mixing console lies outside setting sound system gain controls. Using the RaneGain pair the range of this Note, but a few observations are relevant. Think makes correctly setting level controls a snap. about the typical mixer signal path. At its most basic, each input Comprised of a precision 400 Hz sine wave Generator and a channel consists of a mic stage, some EQ, routing assign switches matching piezo Transducer, the test set makes use of the Fourier and level controls, along with a channel master fader. All of these principle that all periodic waves can be broken down into a sum input channels are then mixed together to form various outputs, of pure sine waves. If a pure 400 Hz tone is the source in a sys- each with its own level control or fader. To set the proper mixer tem, and the system is turned up until clipping, then what comes gain structure, you want to maximize the overall S/N (signal-to- out is the 400 Hz fundamental, plus a whole string of predomi- noise) ratio. Now think about that a little: because of the physics nately odd-order harmonics. Spectrum analysis of the output behind analog electronics, each stage contributes noise as the will show the 400 Hz fundamental, plus strong harmonics at the signal travels through it. -
Secrets of the Mix Engineers
INSIDE TRACK Secrets Of The Mix Engineers: Jake Sinclair & Claudius Mittendorfer What do you get if you cross Frank Sinatra and Queen? Producer Jake Sinclair and mixer Claudius Mittendorfer helped Panic! At The Disco’s Brendon Urie find out... PAUL TINGEN size. When drummer Spencer Smith left the involved “playing trombone with old jazz band in April 2015, Urie found himself faced guys for 10 years during my high school hile almost every conceivable with writing and recording a new album as days. I also played guitar since I was seven amalgamation of genres the only remaining band member. Given or eight and then learnt to play keyboards W has been tried in these his Sinatra-meets-Queen vision, his choice and drums. But it was the schooling in postmodern mashup times, eyebrows were of collaborator seems odd at first sight: trombone-playing and reading bass clefs raised when Panic! At The Disco frontman young musician and producer Jake Sinclair is that helped me more than anything in my Brendon Urie declared that the act’s latest best-known for his work with rock and pop musical development.” album, Death Of A Bachelor, blended the acts like Weezer, Fall Out Boy, P!nk, Taylor When he was 18, Sinclair moved to influences of Frank Sinatra and Queen. Swift, Sia and 5 Seconds Of Summer. Charleston, South Carolina, where he The album’s lead singles, ‘Victorious’ and However, Sinclair had worked as was a member of a band called the Films, ‘Hallelujah’, recall the latter band, being engineer, mixer and occasional co-writer whose second album was produced by hyper-intense pop-rock songs framed in on two previous Panic! albums, and so Urie Butch Walker. -
Síntesis Informativa Matutina
Dirección de Divulgación Cultural SÍNTESIS INFORMATIVA MATUTINA Martes 14 / 08 / 2018 SECRETARÍA DE CULTURA CAPITALINA Custodia no debe ser indefinida El legado de Octavio Paz no puede cederse indefinida mente a instituciones como el DIF, El Colegio Nacional, ECN, o la Secretaría de Cultura de la Ciudad de México, porque se trata de bienes de la nación y dicho legado está protegido por la Constitución en el artículo 73 fracción XXV y el 4 párrafo 12 comentó a Excélsior, Arturo Saucedo, especialista en políticas de patrimonio cultural. Dijo que la Secretaría de Cultura, SCf, sí está obligada a mostrar la parte del documento donde se verifique la existencia de la supuesta previsión testamentaria dejada por Paz antes de morir, sobre la cual se ha amparado la decisión de depositar su archivo en ECN, debido a que es una decisión que afecta al patrimonio cultural de la nación. “La autoridad sí está obligada a mostrar no todo el documento, pero sí esa parte donde toman como fundamento una decisión que afecta al patrimonio de la nación. Están obligados y al negarlo están pisoteando nuestros derechos culturales en la medida en que no nos muestran que existe un fundamento de su decisión y que no se trata de inacción, ignorancia, omisión o colusión para desaparecer un bien”, afirmó; además, aseveró que la SC debe aclarar si ECN será custodio o depositario del legado compuesto por libros, cartas y otros documentos, debido a que existe una gran diferencia jurídica entre ambos términos. Y apuntó que dicha custodia sólo podría realizarse bajo la figura legal de contrato o comodato (Excélsior, Secc. -
Mix Magazine BRIAN AHERN and the MCGARRIGLE SISTERS [PDF]
s e t o n Anna McGarrigle (button accordion) and Kate McGarrigle (banjo) tracking with Emmylou Harris. g n reunion of Harris’ legendary Hot Band for the 2004 i ASCAP Country Music Awards show, where Harris was presented with the Founders Award. d “Since the award was about history, she asked me to come in to supervise the rehearsal and to re-create r TOGETHER AGAIN the Hot Band session vibe,” Ahern explains. “After the show, we were sitting at dinner when she asked me o By Rick Clark to do another album.” c Few artists in any genre have created a body of work By that time, the two had already reunited for %--9,/5as substantive and ric(!22)3h as Emmylou Harris. Over the a number of recordings for various projects: Robert e years, Harris has mined great songs from folk, coun- Redford and Ethan Hawke movies, duets with Wil- try and pop music traditions and showcased their lie Nelson and Rodney Crowell, and, with Kate and r !.$compellin"2)!.g power w!(%ith her2. own unique readings. Anna McGarrigle, three songs for the re-issue of She has also been a selfless champion of many art- Harris’ luminous Christmas album Light of the Stable. ists and writers, and has written a number of superior Especially moving was her version of Joni Mitchell’s songs herself. Harris has received many awards for “The Magdalene Laundries” and a richly imagistic her work, and this year she was inducted into the track called “The Connection,” which appeared on Country Music Hall of Fame. -
Gearbox Records Equipment List
Gearbox Records Ltd Equipment List Disc cutting lathe: 1967 Haeco Scully with Westrex (Western Electric) 3DIIA head and cutting amps Outboard Gear: Bespoke all-valve mastering EQ and mixing console built for Decca ~1958 Vintage Lang Pultec EQ and limiter Prism Maselec MEA-2 EQ Prism Maselec MLA-2 compressor Urei high-pass and low-pass filters Telefunken U73b compressor/limiter Prism Maselec MDS-2 de-esser Prism Maselec master control Tape machines: Studer H37: 1969 all-valve 1/2inch tape machine with interchangeable 3-track and 4-track head. One of 2 left in the world and one of the only ways to read 1/2inch multitrack tape Studer C37: 1965 All-valve 1/4inch tape machine with interchangeable stereo and full-face mono head Philips Pro 51 EL3501: 1965 1/4inch stereo tape machine using germanium transistors and incorporating 30ips Studer A67: Professional tape machine with interchangeable quarter- track and half-track head for playback of historic domestic and broadcast tapes where both sides of the tape were used for economy Audio Note Monitoring and playback: TT-Two turntable with Arm-Two and IO-I moving coil cartridge S8 Step-up transformer M6 Phono preamplifier CD4.1x CD player Fifth Element/Force DAC AE-E Spe HE Hemp-coned speakers Tomei Kinsei stereo power amplifier (211 valve) AN-Sogon cabling throughout Microphones: Vintage 1950’s Shure dynamic microphone Vintage RCA KU-3A ribbon microphone: One of only 600 of these unidirectional ribbon mics made for Hollywood studios in the late 1950s 2 x Westrex 1142RA ribbon mics from the early -
Dean of CASA Resigns
Otherworldly Volleyball: Thrilla from Manila: music comes UTEP and Boise A lonely man's from 'Oregon' to come to SISU quest Page Page 6 Page 2 411 404 SERVING SAN JOSE STATE UNIVERSITY SINCE 1934 SPARTAN DAILY WWW.TH ES PARTANDA I LY.COM VOLUME 123, NUMBER 27 WEDNESDAY, OCTOBER 6, 2004 "I've bad 15 wonderful years at San Jose State University." UPD presents annual Safety Fair Dean of CASA - favela Daily Staff resigns ABOVE. Freshman art major Alex Grivet, left, incorrectly reaches for a ruler while wearing "Fatal Vision" goggles on Tuesday at the UPD By Sara Spivey Safety Fair. The goggles, provided by Mothers Datiii Stall It', rter Against Drunk Driving victim advocate Barbara Jacobson, right, simulate the peripheral vision of After IS Years, Mu. had Ego, the dean of the College of a person with a blood alcohol content of 10 or Applied Scum. es and Arts (CASA), is leaving San Jose State higher. Ifniversity at the end at tall semester. Ego has ascepted A position at the l Iniversity of Connect- icut at the Stanitartd regrarnal ampus As the associate vice LEFT: Capt. Shannon Maloney, left, of the provost beginning Jan. IC. 20();. he said. California State University Police Department, "The opportunity one beton- me at the t Iniversity of observes as Cpl Eric Wong practices rope- I,. onnetti, it to Make A .ottribution to higher education at A switching on the wall of Clark Hall during ditterent klg, said Tuesday's Safety fair Maloney said rope use is Ego said lie Anir taa "jSt iii 1959 sometimes needed during rescue missions.