National Endowment for the Arts National Endowment for the Arts Washington, D.C.

Dear Mr. President:

I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1983.

Respectfully,

Frank Hodsoll Chairman

The President The White House Washington, D.C.

March 1984 Contents

Chairman’s Statement 2

The Agency and Its Functions 6

The National Council on the Arts 7

Programs 8 Dance 10 Design Arts 36 Expansion Arts 52 Folk Arts 72 Inter-Arts 86 Literature 100 Media Arts: Film/Radio/Television 116 Museum 134 Music 166 Opera-Musical Theater 214 Theater 224 Visual Arts 248

Office for Public Partnership 266 Artists in Education 268 State Programs 274

Office for Private Partnership 278 Challenge 280 Advancement 286 Office of Policy, Planning, and Research 290 Fellowship Program ~for Arts Managers 293 International 296 Research 299 Special Constituencies 302

Appendix 306 Statement of Mission 309 Touring and Presenting Policy Statement 311 Financial Summary 314 History of Authorizations and Appropriations 315 Chairman’s Statement

The descriptions of the 5,247 grants listed in this An­ that the National Endowment has "been a strong nual Report 1983 represent the rich variety of ar­ catalyst in providing matching grants, advocacy, and tistic creativity taking place throughout the country. information." They are testimony to the central importance of the Based on the advice of the National Council on the arts in American life and to the fundamental fact that Arts, we have recently adopted a Mission Statement the arts are not only alive, but in many cases, (see Appendix) that defines our role as a partner in flourishing. support of the arts in this country. The Mission State­ Let me reaffn’m certain basic principles: ment summarizes the purpose of the Endowment in ¯ Support of the arts is "primarily a matter for two simple phrases: private and local initiative." This felicitous phrase ¯ To foster the excellence, diversity, and vitality from the declaration of purpose in our enabling of the arts in the United States; and statute underscores Congressional recognition that ¯ To help broaden the availability and appre­ arts support has historically been and should re­ ciation of such excellence, diversity, and vitality. main largely a matter of private, local concern. Our The first of these goals is simpler to achieve: to unique American system has drawn thousands of identify the best of our nation’s artists and arts our citizens into the role of patron. No single voice organizations and provide them with some level of or set of tastes dominates. The vitality and plur­ support and federal recognition based on peer alism of the arts in America would be undermined review. This is done directly through our single- and if this broad nature of support tilted too far in one multiple-discipline programs in order to assist the direction or was left ~n the hands of too few deci­ creation, production, presentation/exhibition, and sion makers. preservation of art of the highest level and of national ¯ There is, nonetheless, an appropriate role for or regional significance. the Federal Government. We should, through the The second goal, availability and appreciation, re­ Endowment, continue our role of enhancing and quires a strategy that over time will reach all strengthening excellence in, access to, and ap­ Americans. What is at stake here is nothing less than preciation of the arts. In performing our mission, the completeness of the American spirit. Understand­ we will continue our efforts to encourage new and ing and appreciation of art in our society is an essen­ increased non-federal support--public and private. tial part of understanding what it is to be an ¯ The Endowment’s decision making is based American. In both of these efforts, we will need to primarily on the principle of peer panel review and work closely with our public partners: the state and advice from the National Council on the Arts. This local arts agencies. system has served the public interest, creating Let me now turn to some of the specific efforts we both the fact and the appearance of due process. are undertaking to achieve our mission. We aff’n~n again the importance of this review system. Recognition Let me also affn’m this administration’s commit­ We believe the Endowment must continue to exer­ ment to the work of the Endowment. President cise leadership in recognizing excellence wherever Reagan remarked last May: "... We support the we find it, particularly in those areas where recogni­ work of the National Endowment for the Arts to tion is not so easily attained. I speak specifically of stimulate excellence and make art more available to the experimental, seldom performed or exhibited, more of our people... The Endowment also en­ ethnic, and longer-term. courages private support. We owe a great deal of In May 1983, the President and Mrs. Reagan rec­ thanks to the members of the National Council on ognized six artists and six patrons of the arts at the the Arts..." More recently, Vice President Bush White House. During a luncheon organized by the said in an address to the Business Council on the Arts President’s Committee on the Arts and Humanities, Chairman’s Statement 3 the President asked me to explore with the Congress place and the different interests of the different the possibility of creating a national medal in the arts. parties (see Appendix). We have been working with the Congress to estab­ ¯ In Dance, we are beginning (in partnership lish such a medal, which would be presented by with the Rockefeller Foundation and Exxon) a new Presidents to outstanding artists and patrons for project to provide dance company residencies for their contributions to artistic excellence. The Na­ new choreographers. This is particularly needed tional Council on the Arts, the Endowment’s prin­ in the field of ballet. cipal advisory body would recommend the artists and ¯ In Theater, we are undertaking a new initia­ patrons to be honored. tive to strengthen the use of ongoing ensembles. The artistic benefits of a repertory company Programs system, like the Royal Shakespeare Company, are In the disciplines, we have been looking for longer- recognized. While this effort will not be appropriate term opportunities that can help the various fields for all theaters, it will enable some theaters to ex­ to move forward. We have completed nine meetings pand the potential of theater artists (actors, ac­ with experts in dance, design, media, music, opera- tresses, directors, set designers, etc.) to work musical theater, state and local arts support, theater, together over time on different artistic touring and presenting, and visual arts. Based on productions. these meetings and advice from both our panels and Partnership the National Council on the Arts, I would note the following: We have strengthened, and will continue to ¯ Our Design Arts Program has been revised to strengthen, our public and private partnership ef­ concentrate more on advocacy, particularly with forts. Some of these are reflected in my description regard to the economic benefits that accrue from of program initiatives: good design and cultural facilities, development of The Local Arts Agencies Initiative: At the En­ design competitions, and adaptive reuse of aban­ dowment’s last reauthorization, Congress empha­ doned public buildings (e.g., schools, railway sta­ sized the need for the Endowment to address in some tions, etc.). concrete way the local nature of the arts. This issue ¯ We have increased emphasis on the Challenge had already been the subject of extensive discussion and Advancement Programs to assist capital for­ with our partners, the state and local agencies, and mation to permit arts institutions to achieve a the National Council on the Arts. We have made a greater capacity to take risks and produce their beginning by establishing the Test Program of Sup­ general repertoire with excellence. These pro­ port for Local Arts Agencies (approved in November grams are coordinated by our Deputy for Private 1982). The Test Program is designed to test the abili­ Partnership. ty of the Endowment to leverage sustainable in­ ¯ We are continuing to provide funding to assist creases in local government support for the arts, im­ the independent production of feature films and prove the processes for administering these monies programming in the arts by public television. With at the local level, and improve planning (both among the American Film Institute, we have started a state and local public agencies and among arts institu­ new and comprehensive initiative to deal with the tions and their private supporters). problem of film preservation. We are exploring a In June, this program received 43 applications in­ similar effort in the area of video preservation. volving 212 local arts agencies from 27 states. The ¯ We have begun an effort to supplement our Local Test Program Advisory Panel met in Sep­ national fellowship programs (in Visual Arts and tember and recommended for funding six State-Local Media Arts) with regional fellowships to provide Partnership Grant applications and five Direct recognition and support of artists in all parts of the Grants to local arts agencies. These 11 Fiscal 1984 country. grants were recommended at the November 1983 ¯ To assist connections between artists and com­ meeting of the National Council on the Arts. mercially controlled distribution and exhibition Efforts in Arts Education: The need for improved systems, we have instituted a program to publish arts education (kindergarten through twelfth grade) short stories in ten daily newspapers. We hope to has emerged as a priority in virtually every artistic supplement this with the best of the nonprofit list discipline area. It has also become a priority for state this year. We are also exploring relationships be­ and local arts agencies and the National Council on tween the commercial and nonprofit world in the the Arts. Building on the Artists in Education ex­ areas of music, theater, media, and visual arts. perience, we will seek to engage educators and ¯ We have recently adopted, on the advice of the schools, as well as artists and arts institutions, in an National Council on the Arts, a new touring and attempt to make the arts more a part of the lives and presenting policy statement, recognizing the experiences of all Americans. market place in which touring and presenting take Let me now describe some of the efforts we are 4 Chairman’s Statement

either undertaking or exploring: for the block funding provided by the Endowment. ¯ Members of the arts community and arts edu­ The health of public support for the arts at the caters attended Education Secretary Terrel Bell’s state level is indicated be the continued steady National Forum on Excellence in Education in In­ growth in annual state appropriations to state arts dianapolis in December 1983. With the consent of agencies. State appropriations for FY 84 have in­ the Department of Education, we have urged state creased by 9.5% to a new high of $135,423,900. The arts agencies and artists in education coordinators appropriations of 44 state arts agencies now exceed to make sure that the chief state school officers in the annual basic grants they receive from the En­ each of their states are aware of the importance dowment. Also worth noting is increasing commit­ of arts education, as rec.ognized indirectly by the ment to the arts by states other than New York. National Commission on Excellence in Education Whereas in Fiscal 1977, New York accounted for 52% and directly by the College Board’s Academic of all state arts appropriations, in Fiscal 1984, it ac­ Preparation for College: What Students Need to counts for 26%--exactly half of the earlier percen­ Know and Be Able to Do. tage. Since the establishment of State Programs in ¯ We have undertaken a study to identify and 1966, state arts agencies have received appropria­ assess arts education programs in New England tions totalling over $1 billion. and New York, and to examine the public and pri­ Private Sector Support: In the private partner­ vate support systems that sustain these programs. ship area, we also have reason for optimism. The ¯ We are exploring ways to use the unique capa­ President has established a Committee on the Arts cities of television in the area of arts education. A and the Humanities to encourage additional private research and development phase and two test pro­ support. At the Arts Endowment, we have estab­ grams for a television series exploring the arts is lished an Office for Private Partnership to coordinate being considered in cooperation with the National the many efforts that our agency has always made Endowment for the Humanities, the J. Paul Getty to stimulate additional private funding for the arts. Trust, and the Children’s Television Workshop. The record of our Challenge Program is well ¯ We are looking at possible ways to assist the known. $110 million in federal funds have generated education efforts of our arts institutions. Arts over $800 million in new and increased private fun­ organizations all over the country, particularly ding with many of the efforts still underway. We ex­ museums and performing arts groups, have exten­ pect the private side of the Challenge Program to sive outreach and educational activities. exceed $1 billion as the Challenge Grants we an­ The quality of teaching is of tremendous impor­ nounced a few months ago are matched. We have also tance in determining educational success or failure. doubled the size of our Advancement Program and The program of summer seminars for secondary ]?roadened it so as to strengthen smaller institutions school teachers initiated by the Humanities En­ in all fields. dowment was remarkably successful and we are We are also working on a variety of specific pro­ considering a similar approach in the arts for both jects to link the private sector in areas of national arts teachers and regular classroom teachers. importance where private funding has been less evi­ ¯ Finally, we are exploring a variety of possible dent. Examples include our partnership with the approaches to bring increased and improved arts Rockefeller Foundation, A T & T, Warner Com­ education to local school districts. We plan four munications, and the New York State Council on the regional meetings to explore these possibilities. Humanities to assist the Brooklyn Academy of Public Sector Support: We are continuing our ef­ Music’s Next Wave Touring and Production Fund. forts to develop closer and more effective coopera­ Last summer, we encouraged Continental Telecom tion among the public sector supporters of the arts to assist the second annual National Heritage at the national, state, and local levels. We regularly Fellowship Awards. I have already mentioned the consult with other federal arts supporters--such as partnership with the Rockefeller Foundation and Ex­ the National Endowment for the Humanities, the In­ xon on choreography residencies. We are looking for stitute for Museum Services, the Smithsonian In­ partners to replace A T & T regarding the Bell Or­ stitution, the United State Information Agency-to chestra Tour and to secure additional funding for coordinate our respective programs and avoid public television programming in the arts. (I should duplication of funding. Our Office of State Programs, note that it was the Getty Foundation which ap­ which administers the Endowment funds set aside proached us for using television in arts education.) for state arts agencies, has helped the state and Of great encouragement is the fact that 1981 and regional arts agencies support thousands of arts pro­ 1982 witnessed real increases in giving to cultural jects each year. These projects represent state and institutions for the first time since 1976; this was so, regional responses to local needs and demonstrate notwithstanding the 1981 Economic Recovery Tax our conviction that the states and regions should Act. Private funding, as recorded by the American determine their own program choices and priorities Association of Fundraising Council, went from $2.96 Chairman’s Statement 5

of the Endowment’s support and of its ability to ex­ billion in 1980 to $3.35 billion in 1981 to $3.67 billion in 1982 (excluding the capital portion of the Getty ercise leadership in support of the arts. More impor­ bequest). The most recent figures from the Business tantly, the private local sources of support for the Committee on the Arts show that in 1982, corpora­ arts remain healthy and continue to grow. With in­ tions contributed $506 million to the arts--an increase flation and interest rates now down, our prospects of 32% over 1981, notwithstanding a 45% increase for the future are looking good. Our art and artists, in corporate earnings. These figures, while not like all our citizens, depend on it. precise, show a continuing and growing commitment on the part of the private sector to our nation’s culture.

In conclusion, there remains a steady bipartisan Frank Hodsoll support for the work of the Endowment. There is Chairman an ever growing recognition of the catalytic nature National Endowment for the Arts The Agency and Its Functions

The National Foundation on the Arts and community, using federal resources to develop and the Humanities promote a broadly conceived national policy of sup­ In 1965 Congress created the National Foundation port for the arts. on the Arts and the Humanities as an independent agency of the executive branch of federal govern­ Chairman of the Endowment ment. The Foundation consists of the National En­ The Chairman of the Arts Endowment is appointed dowment for the Arts, the National Endowment for by the President of the United States, with the ad­ the Humanities, and the Federal Council on the Arts vice and consent of the Senate, for a term of four and the Humanities. The Foundation is a legislative years. The Chairman provides overall direction to the umbrella concept; it has no administrative or pro­ work of the Endowment. By law, the Chairman gramming identity separate from its components. makes final decisions on policies, programs, proce­ dures, and the awarding of all grants and contracts. National Council on the Arts Formed in 1964, the National Council on the Arts Endowment Panels preceded by one year the establishment of the Na­ The panels serve the individual Programs of the En­ tional Foundation on the Arts and the Humanities. dowment much as the National Council on the Arts The Council is composed of the Chairman of the serves the Endowment as a whole. Together the National Endowment for the Arts, who serves as Council and panels provide a system of professional Chairman of the Council, and 26 presidentially ap­ peer review to evaluate applications, identify pro­ pointed citizens who are recognized for their know­ blems, and develop the policies and programs ledge of the arts, or for their expertise or profound through which the Endowment responds to chang­ interest in the arts. The Council is mandated by law ing conditions. to advise the Chairman on policies, programs, and More than 600 private citizens serve on these procedures. It also must review and make recommen­ panels, whose membership rotates regularly. dations on applications for grants. Panelists are appointed by the Chairman with the Council members serve six-year terms, staggered advice of the staff and Council members, as well as so that roughly one-third of all the Council rotates organizations and leaders in the field. every two years. Methods of Funding National Endowment for the Arts Grant money authorized by Congress comes to the The National Endowment for the Arts, an indepen­ Endowment in program funds, the Treasury Fund, dent agency of the federal government, was created and Challenge Grant funds. Most direct grants to in 1965 to encourage and support American art and organizations and individuals come from program artists. Its major goals are to foster artistic ex­ funds. Program grants to arts institutions must be cellence by helping to develop the nation’s finest matched at least dollar-for-dollar. creative talent, to preserve our cultural heritage in The Treasury Fund arrangement allows private all its diversity, to make the arts available to wider, donors to pledge gifts to specific Endowment more informed audiences, and to promote the overall grantees. Each pledge frees an equal amount for the financial stability of American arts organizations. grantee from the Treasury Fund, which is main­ The Endowment serves as a catalyst to increase tained at the Treasury Department. Grantees must opportunities for artists and to spur involvement in then match the combined total of the donor’s pledge the arts by private citizens, public and private plus the Treasury Fund disbursement. organizations, and the states and communities. The Challenge Grants are awarded for projects that agency does not direct or interfere with the creative contribute to the long-term financial stability of activities of individual artists or arts organizations. grantee organizations and must be matched on at Rather, it acts as a partner with the arts-support least a three-to-one basis. National Council on the Arts

Frank Hodsoll Members with terms expiring Members with terms expiring Chairman in 1986: in 1988:

Members with terms expiring Kurt Herbert Adler C. Douglas Dillon in 1984: Conductor/Opera Producer Arts Patron/Trustee Ross, California New York, New York Thomas P. Bergin Educator Margo Albert Allen Drury Notre Dame, Indiana Performer/Arts Administrator Novelist Los Angeles, California Tiburon, California Norman B. Champ, Jr. Arts Patron/Trustee Arthur I. Jacobs Celeste Holm St. Louis, Missouri Arts Patron/Trustee Actress Fernandina Beach, Florida New York, New York Martin Friedman Raymond J. Learsy Museum Director Robert Joffrey Minneapolis, Minnesota Choreographer/Artistic Director Arts Patron/Trustee New York, New York New York, New York Jacob Lawrence Samuel Lipman Painter Erich Leinsdorf Seattle, Washington Conductor Critic/Publisher New York, New York New York, New York Bernard Bias Lopez George Schaefer State Arts Agency Director Toni Morrison Producer/Director Santa Fe, New Mexico Author/Editor Grand-View-on-Hudson, Beverly Hills, California Maureene Rogers New York Community Theater Director Robert Stack Montgomery, Alabama I.M. Pei Actor Architect Los Angeles, California James Rosenquist New York, New York Painter William L. Van Alen Aripeka, Florida Lida Rogers Architect State Arts Agency Director Wilmington, Delaware Robert Shaw Jackson, Mississippi Conductor Atlanta, Georgia

Jessie A. Woods Arts Administrator Chicago, Illinois

Rosalind Wiener Wyman Arts Patron/Administrator Los Angeles, California Programs Dance Design Arts Expansion Arts Folk Arts Inter-Arts Literature Media Arts: Film/Radio/Tele vision Museum Music Opera.Musical Theater Theater Visual Arts

11 Dance

Dance Advisory Panels Bob Altman Robert Gladstein Robert Lindgren General Manager of WHYY Assistant Director and Artistic Director Philadelphia, Pennsylvania Ballet Master North Carolina Dance Theater San Francisco Ballet Winston-Salem, North Carolina San Francisco, California Charles Atlas Murray Louis Filmmaker Artistic Director New York, New York Camille Hardy Dance critic and writer Murray Louis Dance Company Mary K. Bailey Chicago, Illinois New York, New York General Manager Aman Folk Ensemble Nancy Mason Hauser Donald McKayle Los Angeles, California Filmmaker, dance critic Choreographer Los Angeles, California Sherman Oaks, California Art Becofsky Executive Director Anne Hawley John Mueller Exechtive Director Director Cunningharn Dance Foundation Dance Film Archive New York, New York Massachusetts Council on the Arts and Humanities Rochester, New York Trisha Brown Boston, Massachusetts Artistic Director Marcia Preiss Trisha Brown Dance Company Mary Hinkson Artists’ representative New York, New York Dance teacher, former dancer Poughkeepsie, New York New York, New York Martha Clarke Jackie Radis Artistic Director Ken Hope Choreogr~her, Program Director, Crewsnest Director of Fellows Program MoMing Dance and Art Center New Milford, Connecticut MacArthur Foundation Chicago, Illinois Chicago, Illinois Richard Contee Tina Ramirez Executive Director Ian Horvath Artistic Director Dayton-Hudson Foundation Artistic Director Ballet Hispanico of New York Minneapolis, Minnesota Cleveland Ballet New York, New York Cleveland, Ohio Senta Driver Rena Shagan Artistic Director Bert Houle Dance management consultant Harry’s Foundation Artistic Director New York, New York New York, New York Bert Houle Mime Theater San Francisco, California Suzanne Shelton Betty Empey Dance critic Executive Director Bill T. Jones Dance History Professor Los Angeles Area Dance Co-Artistic Director University of Texas Alliance Foundation for Dance Promotion Austin, Texas Los Angeles, California New York, New York Mikki Sheperd Carolyn Evans Jane Koock Director of Community Services Director of Performing Arts/ Grants Coordinator Brooklyn Academy of Music Touring and Presenting Texas Commission on the Arts Brooklyn, New York California Arts Council Austin, Texas Sacramento, California Allegra Fuller Snyder SaliAnn Kriegsman Filmmaker, dance historian Joel Garrick Dance Writer and Consultant Professor of Dance President Smithsonian Institution University of California Boston Ballet Washington, D.C. Los Angeles, California Boston, Massachusetts 12 Dance

Gus Solomons Paul Taylor Sue Weil Artistic Director Artistic Director Senior Vice President of Solomons Company/Dance Paul Taylor Dance Company Programming New York, New York New York, New York Public Broadcasting Service Washington, D.C. Kent Stowell Liz Thompson Artistic Director Executive Director Roland Wilson Pacific Northwest Ballet Jacob’s Pillow Dance Festival Producing Director Seattle, Washington Lee, Massachusetts and General Manager Musical Hall Center for Ivan Sygoda Brenda Way the Performing Arts Associate Director Choreographer and Founder Detroit, Michigan Pentacle Management Oberlin Dance Collective New York, New York San Francisco, California

Program funds: $8,805,566 Dance Grants Treasury funds: $ 300,000 547 grants

Choreographers’ To provide funds for any project or activity that will further a Fellowships choreographer’s development. Program funds: $422,000 104 grants

The following choreographers received $8,000 each:

Anastos, Peter G. Griffin, Rodney Nagrin, Daniel New York, New York Philadelphia, Pennsylvania New York, New York Armitage, Karole Houlton, Loyce Perez, Rudolph New York, New York Minneapolis, Minnesota Los Angeles, California

Carvajal, Carlos K. Jaroslow, Risa Stein, Daniel A. San Francisco, California New York, New York Milwaukee, Wisconsin Cunningham, James H.M. Keefer, Kristine Kelly Summers, Elaine L. New York, New York Cambridge, Massachusetts New York, New York Deal, Melvin E. Meehan, Nancy C. Tolbert, Alyo Clem Washington, D.C. New York, New York Chicago, Illinois Douglas, Helen, E. Monte, Elisa Wilde, Marc New York, New York New York, New York Ojai, California Goslar, Lotte West Cornwall, Connecticut

The following choreographers received $3,000 each:

Alum, Manuel A. Bahr, Jill Eathorne Bernson, Kathryn and Stormy Mullis New York, New York Memphis, Tennessee New York, New York Anderson, Deborah Barsness, Eric P. Bobrow, Carol A. Columbus, Ohio New York, New York Chicago, Illinois Attix, Karen L. Becker, Jill M. Buckley, Timothy R. San Francisco, California New York, New York New York, New York Babcock, Craig Bergmann, Elizabeth H. Buntz, Gina E. Rockaway, New Jersey Cypress, California New York, New York Keeler, Emily R. Radis, Jackie S. Burham, Rika Chicago, Illinois New York, New York San Francisco, California Byrd, Donald Kessler, Michael P. Ragir, Judith S. Valencia, California New York, New York Chicago, Illinois Caniparoli, Val W. Keuter, Cliff Salinger, Susan S. San Francisco, California Menlo Park, California New York, New York Cheng, Maria Lorea, Roberto Scheibman, Bonnie S. Minneapolis, Minnesota New York, New York New York, New York Chmelar, Robin D. Lund, Gary L. Schick, Pamela Salt Lake City, Utah New York, New York Seattle, Washington Dannenberg, Helen Martyn, Rhonda K. Shang, Ruby San Francisco, California San Francisco, California New York, New York Dickinson, Theresa Matthews, Virginia G. Shapiro, Linda J. San Francisco, California San Francisco, California Minneapolis, Minnesota Erkert, Jan K. McCusker, Daniel W. Siebert, Beth Chicago, Illinois New York, New York Iowa City, Iowa Farley, Alice P. Miller, Timothy G. Siegenfeld, William New York, New York New York, New York Scarsdale, New York Feniey, A. Molissa Montoya, Rosa Slater, Deborah New York, New York San Francisco, California San Francisco, California Fisher, Ellen M. Morris, Mark W. Small, Robert S. New York, New York Hoboken, Ne~ Jersey New York, New York Fleming, Libby Komaiko Mosohen, Michael J. Sohl.Donnell, Linda J. Chicago, Illinois New York, New York Los Angeles, California Soil, Beth E. Frank, Diane Moss, Judith H. Cambridge, Massachusetts New York, New York New York, New York Sparling, Peter Gibson, Albert Nash, Matthew D. Bronx, New York New York, New York New York, New York Guggenheim, Isadora Nielsen, Douglas R. Stewart, Melanie Chicago, Illinois New York, New York Philadelphia, Pennsylvania Hamby, Douglas J. Nireuska, Pola Streb, Elizabeth A. New York, New York Washington, D.C. New York, New York Harling, Pamela Katherine Okada, Kimi D. Taylor-Corbett, Lynne E. New York, New York San Francisco, California Rockvflle Centre, New York Osgood, Amy D. Turocy, Catherine M. Harms, Rachel A. New York, New York New York, New York Chicago, Illinois Hon, Jan Huei Packer, Myrna Vernon, Charles R. Seattle, Washington New York, New York Woodberry, David P. Irwin, William M. Padow, Judy I. San Francisco, California New York, New York Lexington, Massachusetts Jones, John F. Pearson, Sara Young, Martina L. Teaneck, New Jersey New York, New York Los Angeles, California Kantor, Paul B. Perrnn, Wendy B. Zane, Arnold M. Cleveland Heights, Ohio New York, New York New York, New York Kaye, N. Pooh Plevin, Marcia Zompakos, Stanley S. New York, New York W’mston-Salem, North Carolina Atlanta, Georgia Porter, Claire M. Teaneck, New Jersey 14 Dance

Fagan, Garth For one year of a three-year choreographer’s fellowship. $8,000 Rochester, New York Lamhut, Phyllis For one year of a three-year choreographer’s fellowship. New York, New York Paxton, Steve For one year of a three-year choreographer’s fellowship. East Charleston, Vermont

Grants to To promote artistic development, administrative and financial stability, and Dance Companies increased visibility and community support for professional dance companies during the 1982-83 season. For budgetary reasons, Dance/Inter-Arts/State Programs Presenting/Touring Initiative grants were also funded in this category. These grants are combined with identical amounts in the Inter- Arts Program to increase the quality and quantity of dance presentations throughout the nation. Program funds: $767,857 Treasury funds: $300,000 117 grants

Aims of Modzawe To amend a previous grant for rehearsal support for Dinizulu Dancers, $1,302 Jamaica, New York Drummers, and Singers.. Aman Folk Ensemble To amend a previous grant for rehearsal salaries and production costs. Los Angeles, California 2,604

Arts Catalyst Alliance To amend a previous grant for Nina Wiener and Dancers. 1,042 New York, New York Atlanta Ballet To amend a previous grant for promotional materials and a rehear­ 3255 Atlanta, Georgia sal period. Ballet Foundation of Milwaukee To amend a previous grant for administrative and artistic costs for 1,953 Milwaukee, Wisconsin the Milwaukee Ballet Company.

Ballet Theatre Foundation For rehearsal salaries for dancers and artistic staff of the American 13,019 New York, New York Ballet Theatre.

Ballet West To amend a previous grant for the home season, rehearsal costs, and 9,765 Salt Lake City, Utah a new work by Helen Douglas.

Bella Lewitzky Dance Foundation To amend a previous grant for a new work by Bella Lewitzky for 1,953 Los Angeles, California the company. Bert Houle/Sophie Wibaux Mime To amend a previous grant for the creation of new works and other 1,628 Theatre artistic costs. San Francisco, California

Boston Ballet To amend a previous grant for the 1982-83 season. Boston, Massachusetts

Changing Times Tap Dancing Company To amend a previous grant for performances and workshops. New York, New York

Chicago City Ballet For dancers’ salaries during rehearsals. 2,604 Chicago, Illinois 17,020 Choreographics To amend a previous grant for the salary of the artistic director. Berkeley, California 1,042

Cincinnati Ballet Company To amend a previous grant for rehearsals and a media campaign. Cincinnati, Ohio 3,906

Cleveland Ballet To amend a previous grant for new ballets and restaging of one work. Cleveland, Ohio 7,812 Dance 15

Coming Together Festival of Dance To amend a previous grant for the restaging of one work for Vanaver 765 and Music Caravan. New Paitz, New York 977 Concert Dance Company To amend a previous grant for a new work for the company. Watertown, Massachusetts 918 Crowsnest To amend a previous grant for the creation of new works and a rehear­ New York, New York sal period. Cunningham Dance Foundation To amend a previous grant for artistic costs for the Merce Cunningham 13,019 New York, New York Dance Company. Dan Wagoner Foundation To amend a previous grant for artistic costs and a marketing campaign. 1,953 New York, New York Dance Collective/Mass Movement To amend a previous grant for artistic costs and a marketing project. 782 Lexington, Massachusetts Dance Kaleidoscope To amend a previous grant for the creation of a new work for the 459 Indianapolis, Indiana company. Dance Solos To amend a previous grant for support of a home season. 1,302 New York, New York Dance Theatre Foundation To amend a previous grant for artistic and marketing costs for the 9,114 New York, New York Alvin Alley American Dance Theater. Dance Theatre Seattle To amend a previous grant for a development program for the Bill 612 Seattle, Washington Evans Dance Company. Dance Theatre of Harlem To amend a previous grant for a rehearsal period and staging of works. 14,972 New York, New York Dance Visions To amend a previous grant for a new work. 651 New York, New York Dance in Maine Foundation To amend a previous grant for a self-produced season in New York 1,302 Brunswick, Maine City. Dances and Drums of Africa To amend a previous grant for a rehearsal period and administrative 1,953 Brooklyn, New York costs. Danceteller For a new work by artistic director Trina Collins and the salary of 5,765 Chambersburg, Pennsylvania the director of development. Dayton Contemporary Dance Guild To amend a previous grant for rehearsals, consultants, and travel. 1,563 Dayton, Ohio Dean Dance and Music Foundation To amend a previous grant for a new work for television. 3,906 New York, New York Dimensions Dance Theatre To amend a previous grant for rehearsals and a home season. 459 Oakland, California Don Redlich Dance Company To amend a previous grant for a co-produced season with Phyllis 1,302 New York, New York Lamhut Dance Company and Annabelle Gamson. Eglevsky Ballet Company To amend a previous grant for expansion of the number of 3255 of Long Island performances. New Hyde Park, New York 18th Street Dance Foundation To amend a previous grant for the creation of a new work. 1,302 New York, New York Foundation for Dance Promotion To amend a previous grant for artistic and management costs. 1,302 New York, New York Foundation for Independent Artists To amend a previous grant for a second home season. 949 New York, New York Foundation for Independent Artists To amend a previous grant for the creation of a new work. 782 New York, New York Foundation for Modern Dance To amend a previous grant for the creation of a new work and ad­ 1,953 New York, New York ministrative costs. 16 Dance

Harry’s Foundation To amend a previous grant for new works. 1,563 New York, New York Hartford Ballet For two new ballets by guest choreographers Peter Martins and 1,953 Hartford, Connecticut Rodney Griffin. 12,765

Harvest Dance Foundation To amend a previous grant for the creation of a new work by Rosalind 1,302 New York, New York Newman. Hieronymus Foundation To amend a previous grant for a self-produced home season and the 977 New York, New York creation of a new work. House Foundation for the Arts To amend a previous grant for film documentation and a rehearsal 4,167 New York, New York period. Houston Ballet Foundation To amend a previous grant for creation of a new work by Farren Dyde. 1,953 Houston, Texas

Hubbard Street Dance Company To amend a previous grant for rehearsals, a commissioned work, and 1,563 Chicago, Illinois administrative costs.

Joffrey Ballet, Foundation for the For a new work by Laura Dean, a revival of John Cranko’s Jeu de 10,416 New York, New York Cartes, rehearsals, and research into tour posm%ilities and use of cable 68,075 television.

Jose Limon Dance Foundation To amend a previous grant for a documentary film, the addition of 2,604 New York, New York new dancers, and a rehearsal period.

Kahn, Majors and Dancers To amend a previous grant for hiring a booking manager and 1,042 New York, New York rehearsals.

Kansas City Civic Ballet Association To amend a previous grant for production of Kiss of Fate by Todd 1,953 Kansas City, Missouri Bolender. Kathryn Posin Dance Foundation To amend a previous grant for the creation of a new work and the 918 New York, New York engagement of a company manager.

Kei Takei’s Moving Earth To amend a previous grant for the creation and rehearsal of a new 1,302 New York, New York work.

Kinetikos Dance Foundation To amend a previous grant for activities for Dance/L.A. 612 Los Angeles, California

Kipnis Mime Theatre To amend a previous grant for a creative rehearsal period and revivals 1,042 Brooklyn, New York of older works. Los Angeles Area Dance Alliance To amend a previous grant to TNR: The New Repertory for ad- 651 Los Angeles, California ministrative expenses.

Luboviteh Dance Foundation To amend a previous grant for the creation of new works and costume 2,865 New York, New York costs.

Lucinda Childs Dance Foundation To amend a previous grant for the creation of a new work and a rehear- 3;255 New York, New York sal period.

Lynn Dally Dance Company To amend a previous grant for the administrative expenses and ar- 1,953 Los Angeles, California tistic costs for the Jazz Tap Ensemble.

Margaret Jenkins Dance Studio To amend a previous grant for the creation of a new work and addi- 1,302 San Francisco, California tional performances.

Maria Benitez Spanish Dance To amend a previous grant for the creation of a new work and a self- 1,953 Company produced home season. New York, New York Martha Graham Center For a rehearsal period for repertory maintenance, two revivals, and 7,161 of Contemporary Dance a new work by Martha Graham. 46,800 New York, New York Maryland Dance Theatre To amend a previous grant for administrative costs and the creation 977 College Park, Maryland of a second home season in North Carolina. May O’Donnell Concert Dance To amend a previous grant for rehearsals and promotional materials. 765 Company New York, New York Dance 17

1,302 Mid-Man Dance Foundation To amend a previous grant for new works, archival videotapes, and New York, New York a self-produced home season. New Dance Theatre To amend a previous grant for a new work and marketing costs for 1,302 Denver, Colorado the Cleo Parker Robinson Dance Ensemble. New Hampshire Mime Company To amend a previous grant for booking expenses. 459 Dance Theatre Portsmouth, New Hampshire New York City Ballet For a creative rehearsal period to maintain works by George Balan­ 107,199 New York, New York chine, Jerome Robbins, and Peter Martins. TF 39,965 New York City Hispanic-American To amend a previous grant for a new work, a revival, a rehearsal 3255 Dance Company period, and a self-produced home season. New York, New York NikolaisfLouis Foundation for Dance To amend a previous grant for a new work and a rehearsal period 1,302 New York, New York for the Nikolais Dance Theatre. Nikolais/Louis Foundation for Dance To amend a previous grant for a new work and a rehearsal period 1,628 New York, New York for the Murray Louis Dance Company. Nikolais/Louis Foundation for Dance To amend a previous grant for Murray Louis Dance Company’s 2,500 New York, New York 1981-82 home season. Nikolais/Louis Foundation for Dance To amend a previous grant for support of Nikolais Dance Theatre’s 2,000 New York, New York 1981-82 home season. North Carolina Dance Theatre To amend a previous grant for rehearsals, a new ballet, and a home 32.55 Winston-Salem, North Carolina season. Oakland Ballet Company and Guild To amend a previous grant for the restaging of two works. 3255 Oakland, California Oberlin Dance Collection To amend a previous grant for creation of works, a home season, and 1,563 San Francisco, California the engagement of a ballet mistress. Ohio Chamber Ballet To amend a previous grant to establish a second home season. 2,604 Akron, Ohio Orchestra of Our Time To amend a previous grant for a new work. 1,042 New York, New York Original Ballets Foundation To amend a previous grant for a home season for the Eliot Feld Ballet 3255 New York, New York Company. Pacific Northwest Ballet Association To amend a previous grant for production costs and the salary of the 3,906 Seattle, Washington comptroller. Paul Taylor Dance Foundation To amend a previous grant for the creation of new works, revivals 11,717 New York, New York of two works, and a serf-produced home season. Pennsylvania Ballet Association For dancers’ salaries for the 1982-83 season prior to performances 83,397 Philadelphia, Pennsylvania of Tschaikovsky’s Nutcracker. Philadelphia Dance Company To amend a previous grant for the staging of a work. 1,953 Philadelphia, Pennsylvania Pick-Up Performance Company To amend a previous grant for the creation of a new work, a paid 2,930 New York, New York rehearsal period, and a home season. Pilobolus To amend a previous grant for the creation of new works. 651 Washington, Connecticut Plexus To amend a previous grant for rehearsal and creation of new works. 459 Takoma Park, Maryland Primary Performance Group To amend a previous grant for a home season and publicity costs. 1,042 New York, New York 1,042 Ram Island Dance Center To amend a previous grant for a home season and publicity costs. Portland, Oregon Red River Dance and Performing For the creation of a new work by artistic director Kathy Gasper and 3,459 Company home and regional performances. Fargo, North Dakota 18 Dance

Repertory Dance Theatre To amend a previous grant to increase the number of home 977 Salt Lake City, Utah performances. Rinker Cervetti Dance and Music To amend a prewous grant for a new dance work and the position 1,042 Brooklyn, New York of a company administrator. Rio Grande Union To amend a prewous grant for the creation and rehearsal of a new 1,953 New York, New York work. San Francisco Ballet Association To amend a prewous grant for a home season, rehearsals, and pro­ 11,580 San Francisco, California duction costs. Solomons Company-Dance To amend a prewous grant for a rehearsal period and marketing. 612 New York, New York Transmedia Kinetrics Coalition To amend a prewous grant for a rehearsal period, the creation of a 1,042 New York, New York new work, and marketing costs for Kenneth King and Dancers. Trisha Brown Dance Company To amend a prewous grant for the creation of a new work and a self- 2,604 New York, New York produced home season.

Twyla Tharp Dance Foundation To amend a prewous grant for the creation of new works, a rehear­ 8,463 Brooklyn, New York sal period, and audience development. 30285 United Mime Workers To amend a prewous grant for a creative rehearsal period. 1,000 Champaign, Illinois Valerie Huston Dance Theatre To amend a prewous grant for the general manager’s salary and a 1,563 Santa Barbara, California rehearsal period. Washington Ballet To amend a prewous grant for additional performances. 1,953 Washington, D.C. Zero Moving Dance Company For a rehearsal period. 4,906 Philadelphia, Pennsylvania

Zivili Kolo Ensemble To amend a previous grant for an additional self-produced season. 765 Granville, Ohio

Dance/Inter-Arts/State Programs Presenting/Touring Initiative

Affiliated State Arts Agencies For dance presentation fees for Iowa, Minnesota, North Dakota, and $31,000 of the Upper Midwest South Dakota. Minneapolis, Minnesota

Alaska State Council on the Arts For the dance component of the council’s touring program and fees 10,750 Anchorage, Alaska for dance presenters in the state. California Arts Council For artists’ fees for a dance touring and presentation project to en­ 24,750 Sacramento, California courage presenters to be more creative in their programming.

D.C. Commission on the Arts For a grant program that provides artistic fees to out-of-town dance 5,000 and Humanities companies that specialize in ethnic or avant-garde dance forms. Washington, D.C.

Great Lakes Arts Alliance To present residencies by nationally recognized dance companies in 27,500 Cleveland, Ohio Illinois, Indiana, Michigan, and Ohio.

(Hawaii) State Foundation on For presenters to program up to five dance companies for the 1983-84 7,500 Culture and the Arts season. H~nolulu, Hawaii

Mid-America Arts Alliance For 20 companies to be in residency presentations for 15 weeks within 32,500 Kansas City, Missouri a five-state region. New England Foundation for the Arts For regional presenters to present nationally known dance companies, 17,500 Cambridge, Massachusetts and for a contemporary dance presentation with the Jacob’s Pillow Dance Festival.

New York State Council on the Arts For upstate New York presenters to program non-traditional ethnic, 25,000 New York, New York or out-of-state dance companies. Dance 19

Pennsylvania Council on the Arts, For artists’ fees for out-of-state dance companies programmed by Commonwealth of presenting organizations in Pennsylvania. Harrisburg, PennsylvarLia Southern Arts Federation For artists’ fees to presenters in the Southeast for dance company 30,000 Atlanta, Georgia Texas Commission on the Arts To assist presenters in Texas with artists’ fees for engaging out-of- 25,000 Austin, Texas state dance companies. Virgin Islands Council on the Ar~ For a one-week residency by the Dance Theatre of Harlem. 7,500 St. Croix, Virgin Islands Western States A~ts Foundation For the presentation of dance companies by consortia in the founda- 25,000 Santa Fe, New Mexico tion’s ten-state region. Wisconsin Arts Board For 13 weeks of residencies by nationally known dance companies 6,000 Madison, Wisconsin presented by the Wisconsin Performing Arts Network.

Dance Company Includes two subcategories: Performance grants help companies improve and expand their performance activities at home and on tour, increase earned Grants income, and improve the cost-effectiveness of all performance-related ac­ tivities during the 1983-84 season. Creative and Management grants help companies with projects during the 1983-84 season that best serve their ar­ tistic and management needs. Program funds: $4,958,089 193 grants

Performance

Aims of Modzawe For dancers’ salaries for performances during the home and touring $5,765 Jamaica, New York season of the Dinizulu African Dancers, Drummers, and Singers. Aman Folk Ensemble For two weeks of performances at home and on tour. 28,825 Los Angeles, California Art of Black Dance and Music For home and regional performances throughout New England. 5,765 Sommerville, Massachusetts Atlanta Ballet For a residency at the Brooklyn Center for the Performing Arts. 10,377 Atlanta, Georgia Ballet Foundation of Milwaukee For residencies and tearing throughout Wisconsin and the upper 28,060 Milwaukee, Wisconsin Midwest. Ballet Theatre Foundation For salaries for dancers and other personnel for the 20-week season New York, New York of the American Ballet Theatre. Ballet West For additional home seasons; a second home in Ogden, Utah; a sum­ 92240 Salt Lake City, Utah mer residency in Aspen, Colorado; and expanded touring. Bella Lewitzky Dance Foundation For the 1983-84 touring season. 20,754 Los Angeles, California Bert Houle/sophie WHmux Mime Theatre For promotion, production, and presentation of the home season and 5,765 San Francisco, California six weeks of touring. Boston Ballet For a one-week regional fall tour in 1983. 17~95 Boston, Massachusetts CDS Dance For five weeks of tearing, mostly in the mid-Atiantic region. 5,765 New York, New York Changing Times Tap Dancing Company For a one-week performance workshop devoted to tap improvisation New York, New York and composition. Cincinnati Ballet Company For artistic and marketing costs of a six-week tour for the 1983-84 Cincinnati, Ohio season. 20 Dance

Cleveland Ballet For a home audience development plan and the ad~tion of a full-time 23,060 Cleveland, Ohio group sales coordinator. Crowsnest For three weeks of residencies and touring, including publicity for 7,740 New York, New York the 1983-84 season.

Cunningham Dance Foundation For the company’s 1983-84 touring and home season. 44,967 New York, New York Dallas Civic Ballet Society For an additional week of performances in Santa Fe, during the 11,530 Dallas, Texas 1983-84 season. Dan Wagoner Dance Foundation For participation at national booking conferences, expanded promo- 12,000 New York, New York tion and booking, a home season in New York City, and self-promotion of touring performances. Dance in Maine Foundation For travel, production costs, dancers’ and manager’s salaries and per 5,765 Brunswick, Maine diem, and publicity costs for the 1983~4 performances by Indrani and Sukanya: Classical Dances of India. Dance Kaleidoscope To increase home performances by the company during the 1983-84 5,765 Indianapolis, Indiana season. Dance Solos For a one-week performance series in New York City for Annabelle 5,765 New York, New York Gamson. Dance Theater Foundation For two self-produced home seasons at City Center and a nine-week 172,950 New York, New York U.S. tour by the Alvin Ailey American Dance Theater. Dance Theater Foundation For a 13-week U.S. tour by the Alvin Alley Repertory Ensemble. New York, New York Dance Theatre of Harlem For the company’s domestic performances during the 198384 season. 145~278 New York, New York Dances and Drums of Africa For self-produced performances in New York City, an elght-week 11,530 Brooklyn, New York U.S. tour, and promotion and beoldng costs. Daniel Nagrin Theatre and Film For a three-week home season and promotional and videotape 5,765 Dance Foundation expenses. New York, New York Dayton Ballet Association For a second home performance season in Youngstown, Ohio during 5,765 Dayton, Ohio 1983-84. Dayton Contemporary Dance Company For the company’s 15th anniversary home season, featuring promi- 11,530 Dayton, Ohio nent black choreographers. Dean Dance and Music Foundation For touring and promotional costs for the Laura Dean Dancers and 23,825 New York, New York Musicians. Don Redlich Dance Company To support three weeks of the spring 1984 touring season. 5,765 New York, New York Eglevsky Ballet Company of For additional performances in Long Island and Queens. 23,060 Long Island New York, New York Foundation for Dance Promotion For a two-week domestic tour and marketing of a New York season 11,530 New York, New York for the company of Bill T. Jones/Arnie Zane. Foundation for Independent Artists For four weeks of touring, a home season, and publicity costs for Eiko 6,636 New York, New York and Korea. Foundation for Independent Artists For costs of a New York season and domestic touring for Charles 8,071 New York, New York Moulton and Dancers. Foundation for Modern Dance For a home season at the Joyce Theatre and touring in the U.S. for 28,825 New York, New York the Erick Hawkins Dance Company. Foundation for the Joffrey Ballet For a four-week home season at City Center, spring and summer 172,950 New York, New York tours, two self-produced seasons in Los Angeles, and self-produced seasons in other cities. Foundation for the Vital Arts For a two-week season and a promotional campaign for the Eleo 9,305 New York, New York Pomare Dance Company. Dance 21

Harry’s Foundation For three months of national touring, promotional costs, and a two- 11,530 New York, New York week tour by the booldng manager to survey potential touring sites. Hartford Ballet For promotional materials and a field representative to work with 17~°95 Hartford, Connecticut regional presenters to determine new touring sites. Harvest Dance Foundation For a seven-week tour of the U.S. and a self-produced home season 11,530 New York, New York for Rosalind Newman and Dancers. Hieronymus Foundation For rmtional touring for Bowyer and Burggeman American Comedie. 6,918 New York, New York House Foundation for the Arts For the 1983-84 touring of Meredith Monk/The House and the New York, New York Meredith Monk’s Repertory Touring Company. Hubbard Street Dance Company For 16 weeks of touring during the 1983-84 season. 5,765 Champaign, Illinois Jose Limon Dance Foundation For touring during the 1983-84 season. New York, New York Kansas City Civic Ballet Association For a direct-mailing project to increase subscriptions and financial 17~295 Kansas City, Missou~ support from individuals. Kentucky Dance Council To hire a marketing director and develop and distribute new promo­ 11,530 Louisville, Kentucky tional materials for the Louisville Ballet. Louis Falco Dance Company For the company’s 1983-84 domestic touring and the creation of 10,000 New York, New York videotaped promotional materials. Lubovitch Dance Foundation For seven weeks of touring and the investigation of new marketing 34,950 New York, New York approaches by the booking agent. Lucinda Childs Dance Foundation For the home season at the Brooklyn Academy of Music. 5,635 New York, New York Lynn Dally Dance Company For the production of new promotional materials and the 1983-84 home 13,836 Los Angeles, Caiiforuia and touring season for the Jazz Tap Ensemble. Margaret Jenkins Dance Studio For promotional materials, travel, and salaries during the perform­ 6,918 San Francisco, California ing season for the Margaret Jenkins Dance Company. Maria Benitez Spanish Dance For six weeks of national touring and a one-week home season. 17~95 Company New York, New York Martha Graham Center of For a three-week home season and ten weeks of domestic touring 103,770 Contemporary Dance for the Martha Graham Dance Company. New York, New York May O’Donnell Concert Dance Company For touring and a home season. 5,765 New York, New York Mid-Man Dance Foundation For a one-week self-produced home season; six co-sponsored concerts 12,683 New York, New York in six cities; and promotion, marketing and sales costs for the Joyce Trisler Danscompany.

New Dance Theatre For a six-week national tour and a two-week home season with the 5,765 Boulder, Colorado Denver Symphony Association for the Cleo Parker Robinson Dance Ensemble. New York City Ballet For a portion of the company’s travel expenses and per diem costs 200,000 New York, New York to the Saratoga Performing Arts Center, the Kennedy Center, Miami Beach, and Chicago. Nikolais/Louis Foundation for Dance For a six-week domestic tour and promotional support for the home 17~95 New York, New York season of Murray Louis Dance Company. Nikolals/Louis Foundation for Dance For the Nikolais Dance Theatre’s ll-week domestic tour. 34,590 New York, New York North Carolina Dance Theatre For the costs of the company’s home seasons in Winston-Salem and 29,793 Winston-Salem, North Carolina Greensboro during the 1983-84 season. Oakland Ballet Company and Guild For the company’s touring activities and promotional programs. 13,836 Oakland, California 22 Dance

Oberlin Dance Collective For a marketing campaign. 8,071 San Francisco, California Ohio Chamber Ballet For the company’s home seasons in Akron and Cleveland, and the 20,000 Akron, Ohio addition of a third home season in another city in Ohio. Original Ballets Foundation For five weeks of domestic touring, home seasons at the Joyce Theatre 80,710 New York, New York in New York City, and the development of additional marketing aids. Pacific Northwest Ballet Association For performances in Portland, Oregon, and the purchase of a por­ 34,590 Seattle, Washington table stage-lighting system for home and touring performances. Paul Taylor Dance Foundation For a four-week self-produced home season at City Center and par­ 115,300 New York, New York tial support for 12 weeks of domestic touring. Pennsylvania Ballet For home performances during the company’s 1983-84 season. 138,360 Philadelphia, Pennsylvania Pick-Up Performance Company For New York City performance seasons and touring costs. 11,530 New York, New York Pilobolus For a three-week tour in the midwest during March 1984. 10,320 Washington, Connecticut Pittsburgh Ballet Theatre For artistic salaries, transportation, and promotional costs for the 17,295 Pittsburgh, Pennsylvania company’s 1983-84 performances. Ram Island Dance Center For the Ram Island Dance Company’s home season, regional and na­ 8,648 Portland, Maine tional tour, and for a marketing campaign in consultation with FEDAPT.

Rio Grande Union For a home season for Douglas Dunn and Dancers. 8,000 New York, New York San Francisco Ballet Association For three home seasons, a week’s residency in Hawaii, and regional 145,278 San Francisco, California touring throughout southern California. Theatre Flamenco of San Francisco For three weeks of regional touring and production of videotape pro­ 5,765 San Francisco, California motion materials. Trisha Brown Dance Company For the company’s 1983-84 home season and preparation expenses 11,530 New York, New York for touring. Twyla Tharp Dance Foundation For Twyla Tharp Dance Company’s domestic tour and three-week 69,180 New York, New York New York City performance. United Mime Workers For the 1983-84 season of performances and residency activities.. 5,765 Champaign, Illinois Valerie Huston Dance Theatre For performances of the "New Choreographers Season." 4,500 Santa Barbara, California Washington Ballet To improve marketing techniques to increase earned income. 5,765 Washington, D.C. Zero Moving Dance Company For performances throughout the northeastern U.S. 5,765 Philadelphia, Pennsylvania

Creativity and Management

Acme Dance Company For .artistic director Jamie Cunningham to create a new work. $5,765 New York, New York Aman Folk Ensemble For a rehearsal period, the new position of marketing coordinator, 28,825 Los Angeles, California and new works by resident choreographers Richard Crum and Leona Wood. American Authentic Jazz Dance Theatre For the revival of Pepsi Bethel’s The Blues and The Minstrel. 5,765 New York, New York Ballet Theatre Foundation For a rehearsal period for the dancers and artistic staff of the 98,005 New York, New York American Ballet Theatre. Dance 23

Ballet West For a rehearsal period, the restaging of Bouranville Divertissement, 74,945 Salt Lake City, Utah and the presentation of a new work selected from the 1982-83 choreography workshop.

Bella Lewitzky Dance Foundation For a rehearsal period for repertory maintenance and a new work 13,836 Los Angeles, California created by artistic director Bella Lewitzky. Bert Houle/Sophie Wibaux Mime For the creation of new mime pieces by Bert Houle, a rehearsal period, 15,000 Theatre salaries, promotional materials, and production expenses during the San Francisco, California 1984-85 season. Bert Houle/Sophie Wibaux Mime For the creation of new works, a rehearsal period, and a video 11,530 Theatre documentary of the creative process and development of the perfor­ San Francisco, California mance style of the Mime Theatre. Black Dimensions Dance Theatre For hiring a full-time manager and a part-time administrative assis­ 5,765 Oakland, California tant, an audience development and fund-raising campaign, a residency andnew work by guest choreographer Fred Benjamin, and a rehear­ sal period.

Boston Ballet For a new ballet created by artistic director Violette Verdy, and 28,825 Boston, Massachusetts engaging guest choreographer Choo San Goh and an additional teacher and coach. CDS Dance For a new work created by resident choreographer Anna Sokolow 5,765 New York, New York and the hiring of a manager for Daniel Lewis Dance -- A Repertory Company. Chicago City Ballet For a creative rehearsal period for the company. 23,060 Chicago, Illinois Choreographics For a new work by artistic director Wendy Rogers for the Wendy 6,750 Berkeley, California Rogers Dance Company. Chuck Davis Dance Company To support the positions of assistant director, director of academies, 11,530 Bronx, New York and booking manager. Cincinnati Ballet Company For a rehearsal period and a new work created by guest 28,060 Cincinnati, Ohio choreographer Joseph Duell. Cleveland Ballet To support paid rehearsal periods during the 1983-84 season. 57,650 Cleveland, Ohio Coming Together Festival of Music For rehearsal periods, a videotape for documentation and promotion 5,765 and Dance of the company, and the position of business manager/concert New Palt~, New York promotion. Concert Dance Company of Boston For the acquisition of a work by guest choreographer Murray Louis 6,918 Watertown, Massachusetts for the Concert Dance Company and preparation of a television documentary. Crowsnest For the position of director of development. 6,918 New York, New York Cunningham Dance Foundation For the creation of new works by Artistic Director Merce Cunningham 98,005 New York, New York and the continued collaboration between Mr. Cunningham and film director Charles Atlas in the creation of film]dances. Dan Wagoner Dance Foundation For the creation of a new work by Artistic Director Dan Wagoner, 9224 New York, New York a rehearsal period, an additional administrator, and a fund-raising consultant. Dance Base To hire a creative sales and marketing consultant for Laura Glenn 5,765 New York, New York and Gary Ltmd]Two’s Company. Dance in Maine Foundation For a rehearsal period for repertory maintenance for Indrani and 5,765 Brunswick, Maine Sukanya: Classical Dances of India. Dance Miami To hire a full-time development director. 5,765 Miami, Florida Dance Theater Foundation For rehearsals; a new work created by Artistic Director Alvin Alley; 69,180 New York, New York and new works by guest choreographers Donald Mckayle, Murray Louis, and Louis Falco for the Alvin Alley American Dance Theater. 24 Dance

Dance Theater Foundation For rehearsals and the creation of new works by guest choreographers 11,530 New York, New York Louis Johnson, Diane Grey, Aria Marie Forsythe and Bill T. Jones for the Alvin Alley Repertory Ensemble. Dance Theatre of Harlem For the staging of Marius Petipa’s Giselle by Frederic Franklin, an 104,923 New York, New York eight-week rehearsal period for repertory maintenance, and the l~r­ ing of an assistant director of development. Dance Visions For dancers’ rehearsal salaries, additional management personnel, 8,648 New York, New York and a new work by artistic director Dianne McIntyre for Sounds in Motions.

Dance Visions For the preparation, rehearsal, and performance of a new dance work New York, New York by artistic director Dianne Mclntyre, with music composed and per­ formed by a well-known jazz artist during the 1984-85 season. Dances and Drums of Africa For choreographers’ fees, and videotaping of the company’s reper- 5,000 Brooklyn, New York toire for use in a publicity campaign. Dances We Dance To restage Doris Humphrey’s Invention by artistic director Betty 5,765 Honolulu, Hawaii Jones. Danceteller For a full-length dance work created by artistic director Trina Collins. 5,765 Chambersburg, Pennsylvania Daniel Nagrin Theatre and Film For the re-editing and maintenance of Daniel Nagrin’s films and 11,530 Dance Foundation videotapes converting them into cassette format. New York, New York Dayton Ballet Association For performances for elementary school students during the 1984-85 8,000 Dayton, Ohio season. Dayton Ballet Association For the services of development consultant. 5,765 Dayton, Ohio Dayton Contemporary Dance Company For increased rehearsal periods for repertory maintenance and the 5,765 Dayton, Ohio creation of new works. Dean Dance and Music Foundation For hiring a development director and for the creation and rehear- 28,825 New York, New York sal of a new work by artistic director Laura Dean. Eglevsky Ballet Company of Long For a new work created by guest choreographer Joseph Duell. 10,000 Island New Hyde Park, New York Foundation for Dance Promotion For new promotional materials, booking costs, rehearsal period for 11,530 New York, New York the creation of new works, and a feasibility study for computerizing financial and mailing information for the company of Bill T. Jones]Ar­ hie Zane. Foundation for Independent Artists For a rehearsal period for repertory maintenance and the creation 5,765 New York, New York of a new work by artistic director Billy Siegenfeld, with jazz score composed by Charles Blenzig for Billy Siegenfeld and Dancers. Foundation for Independent Artists To support Eiko and Korea in reconceiving their 1977 work Fur Seal 5,765 New York, New York as a 30-minute videotape program. Foundation for Modern Dance For a new work created by artistic director Erick Hawkins, a 17~95 New York, New York 30-minute film documenting some of Mr. Hawkins’ choreography by film producer Lee Caplin, and a consultant to work with the manage­ ment concerning fund-raising. Foundation for Modern Dance For the 1984-85 home and touring season, a part-time publicist, and 48,130 New York, New York other promotion costs for the Erick Hawkins Dance Company. Foundation for the Joffrey Ballet For new ballets by guest choreographers Jh-i Kyllan and Laura Dean 80,710 New York, New York and a ten-week rehearsal period. Foundation for the Vital Arts For salaries for dancers and artistic personnel during rehearsals and 5,765 New York, New York salaries for administrative staff of the Eleo Pomare Dance Company. Harm’s Way For Rachel Harms to create a new work and rehearsal salaries for 9,000 New York, New York dancers for the 1984-85 season. Harry’s Foundation For the creation of two new works. 5,765 New York, New York Dance 25

Hartford Ballet For a rehearsal period for repertory maintenance, a new work by 13,836 Hartford, Connecticut artistic director Michail Uthoff, and the restaging of works by Paul Taylor and Jose Limon. Hartford Ballet For new works by guest choreographer Rodney Griffin during the 15,000 Hartford, Connecticut 1984~5 season. Harvest Dance Foundation For the creation of a new work by artistic director Rosalind Newman New York, New York for Rosalind Newman and Dancers. Hieronymus Foundation For a series of new works by artistic director Bob Bowyer and the 11,530 New York, New York engagement of a company manager for Bowyer and Bruggeman American Ballet Comedie. House Foundation for the Arts For the positions of an artistic director and development]member­ 17,295 New York, New York ship director and video documentation. Houston Ballet Foundation For producing the Choreographers’ Workshop, which provides op­ 17,295 Houston, Texas portunities for emerging choreographers to present works during the company’s 1983-84 performance season. Hubbard Street Dance Company For a rehearsal period for repertory maintenance and the positions 9224 Chicago, Illinois of company manager and production stage manager. Ile-Ife Black Humanitarian and To restage three works for the Arthur Hall Afro-American Dance 5,765 Culture Center Ensemble for the 1983-84 season. Philadelphia, Pennsylvania Jose Limon Dance Foundation For a rehearsal period for repertory maintenance and a new work 11,530 New York, New York created by artistic director Carla Maxwell for the Jose Limon Dance Company. Jose Limon Dance Foundation For moving tour booking to an in-house operation during the 1984-85 20,000 New York, New York season. Kahn, M~iors and Dancers For the creation and rehearsal of a new work by artistic director Han­ 9,950 New York, New York nah Kalm, and the position of company administrator for the Han­ nah Kahn Dance Company.

Kahn, Majors and Dancers For a rehearsal period for repertory maintenance, the creation of a 8,000 New York, New York new work by Hannah Kahn, and the restaging of an earlier work dur­ ing the 1984-85 season.

Kentucky Dance Council For the New Works Program during the 1984-85 season, including 8,000 Louisville, Kentucky three new ballets choreographed to commissioned scores. Louis Falco Dance Company To begin paying the executive producer. 10,000 New York, New York Lubovitch Dance Foundation For a new work by artistic director Lar Lubovitch, the addition of 17~95 New York, New York a work by a guest choreographer, and hiring a booking agent. Lucinda Childs Dance Foundation For a new work created by artistic director Lucinda Childs and a New York, New York six-week rehearsal period for repertory maintenance. Lynn Dally Dance Company For rehearsal periods, the creation of new work, and a full-time com­ 16,142 Los Angeles, California pany manager for the Jazz Tap Ensemble. Margaret Jenkins Dance Studio For a new work by artistic director Margaret Jenkins and a fund- 6,918 San Francisco, California raising cousuitant for the Margaret Jenkins Dance Company. Maria Benitez Spanish Dance For a five-week rehearsal period for repertory maintenance and a 13,836 Company new work by guest choreographer Milton Meyers. New York, New York Martha Graham Center of For a rehearsal period for repertory maintenance, the revival of old 51,885 Contemporary Dance repertoire, and the creation of new works by artistic ~lirector Mar­ New York, New York tha Graham for the Martha Graham Dance Company. Maryland Dance Theater To stage Victoria Uris’ Sea Dreams, and add a female dancer to the 5,765 College Park, Maryland Maryland Dance Theater. May O’Donnell Concert Dance Company For a new work created by artistic director May O’Donnell. 5,000 New York, New York May O’Donnell Concert Dance Company For the creation of a new work by May O’Donnell and a two-week 8,000 New York, New York rehearsal period during the 1984-85 season. 26 Dance

Mid-Man Dance Foundation For a full-time administrative associate and new works by guest 9224 New York, New York choreographer Annabelle Gamson and artistic director Milton Meyers for the Joyce Trisler Danscompany. Morca Foundation of the Spanish Dance For the reconstruction of six major dance styles from the 19th-century 6,000 Seattle, Washington Spanish classical Bolero era by artistic director Teo Morca for the Morca Dance Theatre. Moving Earth For the creation of a new work by artistic director Kei Takei. New York, New York New Dance Theatre For a new work for the Cleo Parker Robinson Dance Ensemble by Boulder, Colorado a guest choreographer, a new work by artistic director Cleo Parker Robinson, and the paid position of general manager. New Jersey Ballet Company For a full-time administrative position. 5,765 West Orange, New Jersey New Life Dance For a collaborative new work created by Sara and Jerry Pearson for 5,765 New York, New York six dancers. New York City Ballet For a creative rehearsal period for repertory maintenance and 144,125 New York, New York reconstruction. New York City Hispanic-American For dancers’ salaries during rehearsals and the staging of a dance 23,060 Dance Company by a guest choreographer. New York, New York Nikolais/Louis Foundation for Dance For new works for the Nikolais Dance Theatre created by artistic New York, New York director Alwin Nikolais, and a rehearsal period for repertory maintenance. North Carolina Dance Theater For a rehearsal period, and a new work by associate director Salvatom Winston-Salem, North Carolina Aiello. Nova Dance Foundation For hiring full-time administrative personnel and commissioning a New York, New York new work by guest choreographer Lynne Taylor-Corbett for Joan Lombardi Dance Company for the 1984-85 season. Oakland Ballet Company and Guild For the restaging of works by Ruthanna Boris and Agnes deMille, 11,530 Oakland, California an improved fund-raising program, and rehearsal periods. Oakland Ballet Company and Guild For a marketing and audience development plan, domestic touring, Oakland, California the revival by Patrico Whiteside of Eugene Loring’s Time Unto Time, and the restaging of Le Beau Danube and Green Table daring the 1984-85 season. Oberlin Dance Collective For new works and the position of executive director. 8,071 San Francisco, California Oberlin Dance Collective For one work each by 0DC choreographers Brenda Way, Kind 20,000 San Francisco, California O’Kada, Pare Quinn, and Katie Nelson; a national tour in May 1985; and the salary of a full-time assistant to the general manager. Ohio Chamber Ballet For a new work by artistic director Heinz Poll and a part-time develop- 17~95 Akron, Ohio ment coordinator. Original Ballets Foundation For artistic director Eliot Feld to create new ballets and for rehear- 23,060 New York, New York sal periods for repertory maintenance prior to the Feld Ballet’s home and touring performances. Osgood Dancers For touring expenses for the 1984-85 season. 6,000 Chicago, Illinois Pacific Northwest Ballet Association For nine weeks of rehearsal for dancers, and for hiring a develop- 23,825 Seattle, Washington ment associate and development secretary. Pantomime Circus Foundation For four weeks of rehearsal and engagement of a development 6,918 New York, New York director. Paul Taylor Dance Foundation For the creation of new works and the revival of old ones by artistic 69,180 New York, New York director Paul Taylor for the Paul Taylor Dance Company. Philadelphia Dance Company To hire an adminstrative assistant, touring agent, and a management 13,836 Philadelphia, Pennsylvania consultant to monitor Philadanco’s overall operations. Dance 27

Pick-Up Performance Company To support the creation of new works by artistic director David Gor- 23,060 New York, New York don, four weeks of rehearsal, and the continued experimentation with videotapes to be used as part of the live performance. Pilobolus For a new work by artistic director Moses Pendleton. 11,530 Washington, Connecticut Pittsburgh Ballet Theatre For domestic touring and guest choreographers to coach the dancers 15,000 Pittsburgh, Pennsylvania and stage new ballets during the 1984-85 season. Pittsburgh Ballet Theatre For rehearsal periods and guest teachers to coach the dancers. 11,530 Pittsburgh, Pennsylvania Repertory Dance Theater For a new work by guest choreographer Remy Charlip, hiring guest 17,295 Salt Lake City, Utah teachers, and a four-week rehearsal period. Rinker/Cervetti Dance and Music For a creative period for artistic director Kenneth Rinker and the 5,765 New York, New York creation of a new work. Rio Grande Union For a new work by artistic director Douglas Dunn and a four-week 5,765 New York, New York rehearsal period for Douglas Dunn and Dancers. San Francisco Ballet Association For a rehearsal period for repertory maintenance, the commission- 87,628 San Francisco, California ing of new works by resident choreographers, and the addition of an existing ballet by George Balanchine. Sidewalk Dance Theatre For a seven-week touring project and hiring a full-time manager dur- 8,000 Knoxville, Tennessee ing the 1984~% season. Sidewalk Dance Theatre For rehearsal salaries for dancers and the artistic director for the 5,765 Knoxville, Tennessee 1984-85 season. Small Dance Company For a full-time booking manager and the creation of a new work by 5,765 New York, New York artistic director Robert Small. Solomous Company/Dance To videotape the company’s lecture/demonstration, "The Wide Wide 11,530 New York, New York World of Sports and Dance." Transmedia Kinetric Coalition For a collaborative work by artistic director Kenneth King, composer 8,071 New York, New York W’flliam-John Tudor, and video maker Tim Purtell for Kenneth King and Dancers.

Trisha Brown Dance Company For a rehearsal period for repertory maintenance and the creation 23,060 New York, New York of a new work by artistic director Trisha Brown. Tulsa Ballet Theatre To stage La Sylphide for the 1983-84 season. 15,000 Tulsa, Oklahoma Twyla Tharp Dance Foundation For a rehearsal period for repertory maintenance and the creation 63,415 New York, New York of new works. United Mime Workers For a rehearsal period for repertory maintenance and the creation 5,000 Champaign, Illinois of new mime works for the 1983-84 season. Valerie Huston Dance Theater For four emerging choreographers to create new works and have them 5,765 Santa Barbara, California presented by the Valerie Huston Dance Theater. Washington Ballet For a full-time development officer and a part-time assistant. 13,836 Washington, D.C. Zero Moving Dance Company For a rehearsal period. 8,071 Philadelphia, Pennsylvania Zivili Kolo Ensemble For two new works by resident choreographer Pamela Lacko Kelley. 5,765 Granville, Ohio 28 Dance

To help individuals and organizations other than dance companies docu- Dance/Film/Video ment major works or extend the art of dance through the use of film and videotape. Program funds: $195,000 29 grants

Archdiocesan Communications Center For Video Free America to document five dance companies in the $2,500 San Francisco, California San Francisco Bay area. Armitage, Karole To produce a video dance with video-maker Charles Atlas. 5,000 New York, New York Barsness, Eric To produce a video dance with video-maker Bruce Pavlow. 2,000 New York, New York Brown, Carolyn To produce a film dance. 5,000 New York, New York California State University To produce a video program on the achievements in modern dance 10,000 Foundation of choreographer Hanya Holm. Chico, California Center for Southwestern Folklore For Bruce E. Lane to produce a film on the concheros, Mexican- 10,000 Santa Fe, New Mexico American dance groups in southern California. Charlip, Remy For the salaries and expenses for Mr. Charlip and five dancers dur­ 5,000 New York, New York ing the production of an experimental video dance. Contact Collaborations To complete the editing of archival videotapes of workshops and per­ 1,500 New York, New York formances on the development of contact improvisation since its in­ ception in 1972. Dance Theatre Workshop To document the work of 31 artists and companies and to continue 10,000 New York, New York the video choreographer collaboration project. Dunn, Douglas To videotape Mr. Dunn’s Pulcinella, premiered.~in spring 1983. 3,000 New York, New York Educational Media Associates For the reconstruction and documentation of Massine’s Bastien and 5,000 of America Bastienne with the Marin Ballet. Berkeley, California Folk Traditions To complete a film on three tap stylists in performance with historical 7,500 New York, New York footage and interviews. Foundation for Dance Promotion For the post-production and distribution of Mr. William T. Jone’s new 3,000 New York, New York videowork I Thought I Saw That, a collaboration with Mr. Thomas Bowes. Haleakala To document the work of 16 choreographers presented on the "Danc­ 5,000 New York, New York ing in the Kitchen" series. Haleakala To produce a program on the work of five young post-modem 6,000 New York, New York choreographers. Horn, Andrew For a film collaboration between filmmaker Andrew Horn and 2,500 New York, New York choreographer Daniel Nagrin. Jaroslow, Risa To produce a video dance in collaboration with John Burris, video 5,000 New York, New York artist. Los Angeles Area Dance Alliance For activities of the Dance/Video Center, including documentation 7,500 Los Angeles, California of area performances, making low-cost videotapes for area choreographers, and working with local choreographers to create new dances for television. Minnesota Independent For the documentation of the 1983 season of performances by area 3,000 Choreographers Alliance choreographers. Minneapolis, Minnesota Dance 29

New York Public Library, Astor, To continue the Dance Collection’s archival and preservation services. 40,000 Lenox, and Tilden Foundation New York, New York New York, Research Foundation of To film activities at the Black Dance in America festival in spring 1983. 10,000 the State University of Albany, New York On the Boards To document 12 dance performances during the 1983 performance Seattle, Washington season. Riverside Church in the City To document more than 60 artists and companies presented by the of New York Riverside Dance Festival in 1983. New York, New York Ross, Mary For a performance that integrates synthesized video images, slides, 3,000 Binghamton, New York dance and music produced in collaboration with Lois Welk. Schwartz, Michael For a video collaboration with choreographer Elizabeth Streb. 2,000 New York, New York Schwartz, Michael For the video archival projects of Danspace and YM-YWHA. 3,000 New York, New York Skye Pictures To produce a bilingual fdm featuring Ballet Hispanico of New York 15,000 Washington, D.C. City. WGBH Educational Foundation To create a program on American avant garde dance, produce a pro- 10,000 Boston, Massachusetts gram of works by a single choreographer, videotape local choreo­ graphers and provide copies to them, make available the dance ar­ chives and screening facilities free of charge. Wormser, Richard To videotape interviews with six women choreographers of the 1930s. 3,000 New York, New York

Grants to To enable experienced sponsors to present professional dance events of the Dance Presenters highest artistic quality. Program funds: $583,100 46 grants

American Dance Festival For "Festival/Africa," a celebration focusing on African and Afro- $35,000 Durham, North Carolina American dance styles; and "Commissions," a project to help young choreographers gain wide public exposure and create new works. Anchorage Concert Association For equipment rental, stagehand fees, and hall rental foes for the Anchorage, Alaska Anchorage Concert Association’s 1983-84 season. Asia Society To present dance programs, lecture demonstrations, and classes by New York, New York Asian artists residing in New York. Ballet Aspen For a two-week summer residency of Ballet West and week-long Aspen, Colorado residencies of two additional companies. Brooklyn Academy of Music For the Black Dance Festival that was presented in conjunction with Brooklyn, New York State University of New York and Street and Social Dance II. Brooklyn Academy of Music To present the Twyla Tharp Dance Company, Pacific Northwest Brooklyn, New York Ballet, and Dance Africa. California Institute for the Arts For an informal series of post-modem dance artists, including lec­ Valencia, California tares on the process and development of new dance art forms. Centerspace Dance Foundation For two performance series by three local dance companies. San Francisco, California Chinese American Arts Council To present five Chinese-American dance companies to the New York New York, New York dance community. College Community Sc~vices For the presentation of national dance companies on the Brooklyn Brooklyn, New York Center for the Performing Arts dance series. 30 Dance

Colorado Chatauqua Association For the Colorado Dance Festival, featuring performances, classes, Boulder, Colorado lecture demonstrations, and panel discussions by visiting artists. Columbia College To premiere works involving collaborations between choreographers Chicago, Illinois and composers, presented during Columbia’s 1983 fall performance series. Creative Time To present new dance performances by emerging dance companies 5,000 New York, New York at Art On the Beach. Cultural Council Foundation For a series of dance concerts presented at the Thelma Hill Perform- 10,000 Brooklyn, New York ing Arts Center. D.C. Wheel Productions For artists’ fees and management services for the 1983-84 performance 7,500 Washington, D.C. series at the Dance Place. Dance St. Louis For a five-week residency of the Joffrey II dancers and a series of 10,000 St. Louis, Missouri two performances by three smaller dance companies. Dance Theatre Workshop For the dance production project, which sponsors and presents dance 38,000 New York, New York artists and companies from New York and around the country. Dances We Dance To present modern and ethnic dancers, dance companies, and visiting 2,000 Honolulu, Hawaii guest artists at the Jones-Ludin Dance Center. Friends of the Arts For artists’ fees and promotional expenses for the second annual 5,000 Locust Valley, New York "Dazzling Dance" subscription series. Haleakala For "Dancing in the Kitchen," a series of performances by experimen- 12,500 New York, New York tal choreographers. Hartford Ballet To present two guest companies as a part of its major dance series. 15,000 Hartford, Connecticut Institute for Art and Urban Resources For the collaboration of choreographers and visual artists during the 5,000 Long Island City, New York 1983-84 performance season. Iowa, University of For a long-term residency of the Joffrey II dancers in summer 1983. 15,000 Iowa City, Iowa Jacob’s Pillow Dance Festival For artists’ fees and expenses related to the 1983 Jacob’s Pillow 25,000 Lee, Massachusetts Dance. Jacob’s Pillow Dance Festival For a two-week residency of the Paul Taylor Dance Company; an 20,000 Lee, Massachusetts eight-week residency by Michael Moshen; and an outdoor platform series called "Inside Out," which presents new dance with lecture- demonstrations. Kinetikos Dance Foundation For artists’ fees for the choreographer’s showcase for Dance/L.A. 2,600 Los Angeles, California Los Angeles Area Dance Alliance For artists’ fees, salaries, technical support, and advertising for 10,000 Los Angeles, California "Dance Kaleidoscope," an annual festival of California dance companies.

MoMing Dance and Arts Center To present local and touring companies. 10,000 Chicago, Illinois Oberlin Dance Collective For a contemporary dance series of new and experimental dance 12,500 San Francisco, California works. On the Boards To sponsor performances and teaching residencies by dance artists, 5,000 Seattle, Washington companies, and choreographers at the Washington Hall Performance Gallery or Meany Hall during the 1983 season. Painted Bride Art Center For "Dance With the Bride," a season of dance performances featuring 2,500 Philadelphia, Pennsylvania local artists and companies. Pittsburgh Dance Council For a series of work by contemporary and avant-garde choreo- 15,000 Pittsburgh, Pennsylvania graphers, a series of works by Pittsburgh choreographers, and a long- term residency by a visiting choreographer. Portland Center for the Visual Arts To present contemporary dance performances by emerging and local 10,000 Portland, Oregon performers, including a lecture by a dance critic during the 1983-84 season. Dance 31

Ravinia Festival Association For the Festival of American Dance series in 1983. 15,000 Chicago, Illinois Regional Arts Foundation For artists’ fees, production costs, and advertising for the dance series 12,500 West Palm Beach, Florida in 1983~1. Riverside Church in the City For artists’ fees and the salaries of management and technical staff 7,500 of New York for the presentation of the Riverside Dance Festival. New York, New York San Antonio, City of For artists’ fees for the 1983-84 season at the Carver Community San Antonio, Texas Cultural Center. San Francisco Bay Area Dance For the San Frandsco Ethnic Dance Festival and the New Dance Coalition Series planned in conjunction wth New Performance Gallery and CAL San Francisco, California Performances. Society for the Performing Arts For the 1983-84 post-modem dance series, involving three post~medern 10,000 Houston, Texas companies in performances and lecture-demonstrations. Spoleto Festival U.S.A. For the Spoleto Festival U.S.A., which includes a residency of the 20,000 Charleston, South Carolina Joffrey Ballet, the North Carolina Dance Theatre, and two smaller dance companies. St. Mark’s Church-in-the-Bowery To present works by emerging and experimental choreographers at 5,000 New York, New York Danspace. Stockton State College For artists’ fees for the presentation of three major dance companies 5,000 Pomona, New Jersey at Stockton State College and Glassboro State College. Virgin Islands Council on the Arts For a residency of the Nikolais Dance Theatre, including lecture 4,000 St. Croix, Virgin Islands demonstrations and master classes at the Island Center of St. Croix. Wajumbe Cultural Institute For the Black Dance Festival held during black history month in 2,000 San Francisco, California February, 1984. Walker Art Center To present dance residencies during the 1983-84 season. 25,000 Minneapolis, Minnesota Washington Performing Arts Society To support artists’ fees, promotion, and presentation expenses for 35,000 Washington, D.C. the society’s 1983-84 dance series.

Dance Touring Grants to sponsors that wish to engage American Ballet Theatre, New York Program/Large City Ballet, or the Joffrey Ballet. Companies Program funds: $1,399,990 19 grants

Ballet Theatre Foundation For travel and transportation for national touring of the American $299,590 New York, New York Ballet Theatre. Ballet Theatre Foundation For residencies by the American Ballet Theatre in Boston, Detroit, 171,600 New York, New York Chicago, and Los Angeles. Joffrey Ballet, Foundation for the For the self-presentation of a three-week residency of the Joffrey 117,000 New York, New York Ballet in Los Angeles. Joffrey Ballet, Foundation for the For travel and transportation for national touring of the Joffrey Ballet. 158,000 New York, New York Kennedy (John F.) Center for the For a one-week residency of the Joffrey Ballet. 19,500 Performing Arts Washington, D.C. Kennedy (John F.) Center for For a two-week residency by the American Ballet Theatre. 28,600 the Performing Arts Washington, D.C. Kennedy (John F.) Center for For a two-week residency by the New York City Ballet. the Performing Arts Washington, D.C. 32 Dance

Lewis and Clark College For a one-week residency of the Joffrey Ballet. 13,500 Portland, Oregon Minnesota, University of For a one-week residency of the American Ballet Theatre. 28,600 Minneapolis, Minnesota New York City Ballet For travel and transportation for national touring of the New York New York, New York City Ballet. Robin Hood Dell Concerts For a two-week residency of the American Ballet Theatre. 572O0 Philadelphia, Pennsylvania Rochester Philharmonic Orchestra For a half-week residency of the Joffrey Ballet. 9,500 Rochester, New York San Francisco Opera Association For a two-week residency of the American Ballet Theatre. 57200 San Francisco, California San Francisco Symphony Association For a two-week residency of the Joffrey Ballet. 36,000 San Francisco, California Saratoga Springs Performing Arts For a three-week residency of the New York City Ballet. 177,500 Center Saratoga Springs, New York Seattle, City of For a one-week residency of the Joffrey Ballet sponsored by Dance 19,500 Seattle, Washington Advisory Council. Shea’s O’Connell Preservation Guild For a half-week residency of the Joffrey Ballet. 9,000 Buffalo, New York Syracuse Symphony Orchestra For a one-week residency of the Joffrey Ballet. 18,000 Syracuse, New York Temple Beth Sholom of Greater Miami For a two-week residency of the American Ballet Theatre. 57200 Miami Beach, Florida

General Services To assist organizations or individuals who provide services to dance com­ panies, dancers, and choreographers on a national or regional level, or who to the Field increase the visibility of dance in their communities or regions. Program funds: $479,530 39 grants

American Dance Festival For the critic’s conference on the techniques of dance criticism. $5,000 Durham, North Carolina Association of Ohio Dance Companies For the newsletter, dance calendar, and video project, which serve 4,000 Cleveland, Ohio dance companies and organizations in Ohio. Caldwell, Kiah For Ms. Caldwell to participate as a Fellow in the Dance Program. 3,800 Aspen, Colorado Changing Times Tap Dancing For by Word of Foot, a bimonthly newsletter that serves the needs 5,000 Company of the tap dancing community. New York, New York Chicago Dance Arts Coalition To support membership services to presenters and sponsors of dance, 2,000 Chicago, Illinois an annual festival showcase of performing members, and development of a marketing campaign. Cunningham Dance Foundation For salaries and materials for the operation of the Cunningham Studio New York, New York as a low cost performance facility available to dance artists. Dance Notation Bureau To document dances of a wide variety of distinguished choreographers New York, New York by using Labanotation. Dance Theatre Workshop For membership services, including advertising, graphic design ser­ New York, New York vices, a promotion calendar, direct-mail assistance, and the Poor Dancer’s Almanac. Dance/USA To assist this national service organization for dance in developing 20,000 Washington, D.C. services such as communications systems to provide news and technical information, and a statistical data base for the dance field.

Dance Works To support Pentacle’s services to dance companies, including com- 20,000 New York, New York prehensive fiscal and payroll management, administrative represen­ tation, tour management, grant writing, a resource center, and home season public relations. Davis and Elkins College For the Mime Assessment Conference to assess the present condi- 10,000 Elkins, West Virginia tion, development, and needs of mime. Footpath Dance Company For administrative and promotional costs for Dance/Lab, a free rent­ 2,000 Cleveland, Ohio al facility that provides space and promotional services to small com­ panies seeking performance opportunities. Foundation for the Extension and For a management technical assistance program for professional dance 10,000 Development of the American companies. Professional Theatre New York, New York Foundation for the Extension and To conduct a dance management career program with Opportunity 3,000 Development of the American Resources for the Arts and Dance Theatre Workshop, designed to Professional Theatre introduce dancers and former dancers to dance management as an New York, New York option for a second career. Foundation for the Extension and For a program of administrative and consultant services related to 101,330 Development of the American artistic and administrative evaluation of professional dance companies, Professional Theatre service organizations, and individual choreographers throughout the New York, New York country° Foundation for the Vital Arts For promotion and space rental for the Interaction Series, which pro­ 4,000 New York, New York vides studio and theater space for dance artists to perform. Gottfried, Linda For a cooperative agreement to assist with the organization and ad- 16,900 Fayetteville, New York ministration of the Dance Program’s site visit system. Gotffried, Linda To extend Linda Gottfried’s Fellowship in the Dance Program. 4,000 Fayetteville, New York Haleakala For artists’ fees, publicity, and administrative services for the Kit­ 10,000 New York, New York chen’s national touring program, which promotes the careers of young choreographers and dancers.

Jacob’s Pillow Dance Festival For the Dance Program seminar held at Jacob’s Pillow for discus- 25,000 Lee, Massachusetts sion concerning the state of the dance field. Joy of Movement Foundation For a marketing campaign for a series of dance performances held 2,500 Cambridge, Massachusetts at the Joy of Movement StudiofI"neatre.

Los Angeles Area Dance Alliance For administrative staff, salaries, the improvement of membership 12,000 Los Angeles, California services, and a new program of management training services. Mid-America Arts Alliance For the Dance Network, which includes a series of newsletters, in­ 2,500 Kansas City, Missouri formation bulletins, regional meetings, and a resource book of the region’s dance community. Minnesota Independent Choreographers To support a production assistance fund for independent 5,000 Alliance choreographers in producing concerts and rehearsing new works. Minneapolis, Minnesota Movement Research For the studies project, consisting of dance and discussions by post- 2,000 New York, New York modern choreographers. Movement Research For workshops and performances by members of the post-modern 2,000 New York, New York dance community. National Association for Regional Ballet For the Craft of Choreography conferences, which enable 15,000 New York, New York choreographers to develop new ideas and gain wider exposure for new works. National Association for Regional Ballet For projects such as a national choreography plan, a board member 20,000 New York, New York handbook, a set and costume exchange, and regional festivals. New York Public Library, Astor, To hire staff to provide better access to materials in the Dance Col- 13,000 Lenox, and Tilden Foundation lection of the Performing Arts Research Center. New York, New York Dame

Oberlin Dance Collective To hire a manager for the Performance Gallery, a performance space San Francisco, California available for dance performances at low cost. On the Boards To support Choreography, etc., a monthly forum in which Seattle, Washington choreographers, musicians, and performance artists present new works. Performing Artservices To continue a program of services, including management, intern train­ 15,000 New York, New York ing program, and a manager trainee program. Philadelphia Dance Alliance To publish and distribute a monthly dance calendar for the 2,000 Philadelphia, Pennsylvania Philadelphia dance community. Red Wing Performing Group For salaries, a bimonthly calendar, advertising, and other services 2,000 New York, New York for the operation of P.S. 122 as a low-cost performance facility for dance artists. Rochon, Valerie J. For a national directory of African-American dance companies and 2,000 New York, New York ensembles distributed to arts agencies, presenters, universities, and participating dance companies. San Francisco Bay Area Dance For information and advocacy services to the Bay Area dance com­ 17,500 Coalition munity, including operation of a dance resource center and the publica­ San Francisco, California tion of a monthly dance calendar. Southern Arts Federation For a choreographic assistance project that will enable southeastern 9,500 Atlanta, Georgia dance companies to receive financial support for engaging guest choreographers. Theatre Development Fund For a dance voucher program, the publication of New York Onstage, 35,000 New York, New York and a ticket subsidy program. Washington Project for the Arts For a monthly calendar, advertising, and a network of local and out­ 5,000 Washington, D.C. of-town performers for WPA.

Design Arts

Design Arts Advisory Panels Michael Ainslie Muriel Cooper Gary Hack President, National Trust Director, Visible Language Associate Professor of Urban for Historic Preservation Workshop, Massachusetts Design, Massachusetts Washington, D.C. Institute of Technology Institute of Technology Cambridge, Massachusetts Cambridge, Massachusetts Emilio Ambasz President, Emilio Ambasz Sheila de Bretteville Hugh Hardy and Associates, Inc. Director, Women’s Graphic Partner New York, New York Center Hardy, Holzman,, Pfeiffer Los Angeles, California Associates Pamela Baldwin New York, New York Principal, Baldwin/Clarke Barbaralee Diamonstein Associates, Inc. President, Manifestations Anne Hawley New York, New York Executive Director, San Francisco, California Massachusetts Council on the Arts and Humanities Ellen Perry Berkeley Niels Diffrient Writer on architecture Industrial designer Boston, Massachusetts Shaftsbury, Vermont Ridgefield, Connecticut Dolores Hayden Associate Professor of Urban Peter Blake Ronald Druker Chairman, Department of President, Druker Company Planning, University of Architecture Boston, Massachusetts California Catholic University Los Angeles, California Washington, D.C. Barry Elbasani Principal Susan Jackson Keig Michael Brill Elbasani, Logan, Severin, Principal, Susan Jackson Professor of Environmental Freeman Architects Keig Design Design Berkeley, California Chicago, Illinois State University of New York at Buffalo Paul Farmer Carol Soucek King Buffalo, New York Assistant Director of Editor-in-Chief, Desigrwrs Comprehensive Planning, West Magazine LOs Angeles, California Catherine Brown Development and Research Principal, CITYWEST Department of City Planning Pittsburgh, Pennsylvania M. David Lee Beverly Hills, California Principal-in-Charge of Jean Paul Carlhian M. Paul Friedberg Urban Design Principal Principal, M. Paul Friedberg Stull Associates, Inc. Shepley, Bulfinch, Richardson, and Partners Boston, Massachusetts and Abbott, Inc. New York, New York Boston, Massachusetts Alan Levy Karen Gates Director, Center for Patricia Carlisle Management consultant Environmental Design Prhcipal Seattle, Washington and Planning Royston, Hanarnoto, University of Pennsylvania Alley and Abey M.J. Gladstone Philadelphia, Pennsylvania Mill Valley, California Founder/Director, The Publishing Center William H. Liskamm Adele Chatfield-Taylor New York, New York President, William H. Executive Director, Landmarks Liskanun, Inc. Preservation Foundation Reginald Griffith San Francisco, California New York, New York Executive Director, National Capital Planning Commission Washington, D.C. 38 Design Arts

Weiming Lu Michael Newman Donald Stastny Executive Director Chairman, North Carolina Principal Lowertown Redevelopment Arts Council StastnyfrCP Architects, PC Corporation Winston-Salem, North Carolina Portland, Oregon St. Paul, Minnesota Laurie Olin Gary Stonebraker Aaron Marcus Principal, Hanna/Olin Associate Dean, School of Principal, Aaron Marcus Philadelphia, Pennsylvania Architecture and Urban and Associates Planning Berkeley, California Joe Akinori Ouye University of Wisconsin Vice-President, Design Milwaukee, Wisconsin Scott Matthews Logic, Inc. Principal, Van der Ryn, Berkeley, California Donald Stull Calthorpe and Partners Principal Architect Sausalito, California John Pastier Stull Associates, Inc. Architectural editor, writer Boston, Massachusetts Margaret McCurry Los Angeles, California Partner, Tigerman, Fugman, John Arthur Templer McCurry Marvin Richman Regents Professor, College of Chicago, Illinois President, Olympia and Architecture York Equities Corporation Georgia Institute of Technology Mary McFadden Los Angeles, California Atlanta, Georgia President, Mary McFadden, Inc. New York, New York Jaquelin Robertson Louis Viramontes Dean, School of Architecture President, Plaza de Armas, Inc. William McMinn University of Virginia San Antonio, Texas Dean, School of Architecture Charlottesville, Virginia Mississippi State University Harry Weese Starkville, Mississippi Michael Robinson Principal, Harry Weese Vice-President and Associates Mary Means Vision, Inc. Chicago, Illinois Vice President of Cambridge, Massachusetts Program Development Michael Weinberger National Trust for Historic Lawrence Rosenblum President, Vermont Council Preservation President, URBANIMAGE, Inc. on the Arts Washington, D.C. Boston, Massachusetts Woodstock, Vermont Michael Milligan Adele Santos Margot Wellington Design Arts Coordinator Chairman, Department Urban design consultant Ohio Arts Council of Architecture New York, New York Columbus, Ohio University of Pennsylvania Philadelphia, Pennsylvania Larry Witzling Charles Moore Acting Associate Dean Professor of Architecture Sally Schauman School of Architecture and Urban Design, University Chairman, Department of and Urban Planning of California Landscape Architecture University of Wisconsin Los Angeles, California University of Washington Milwaukee, Wisconsin Seattle, Washington Sandra V. Moore Richard S. Wurman Associate Professor Paul D. Spreiregen Chairman, School of School of Architecture Architect, planner, author Environmental Design New Jersey Institute of Washington, D.C. Otis Parsons Institute Technology of Design Newark, New Jersey Bernard Spring Los Angeles, California President Grover Mouton Boston Architectural Center John Zeisel Artist-architect Boston, Massachusetts Principal, Building New Orleans, Louisiana Diagnostics, Inc. Cambridge, Massachusetts Design Arts 39

Program funds: $4,596,626 Design Arts Grants 222 grants

To enable professional designers in the early stages of career development Entering Professional or designers returning to the field after a prolonged absence to carry out Designer Project a specific design, research, or educational project. Fellowships Program funds: $116,889 12 grants

Barbero, Cynthia For a study for the reuse for recreational purposes of abandoned canals $4,400 Amherst, Massachusetts in New England. 2200 Belviile, Nicki To amend a previous grant to complete projects in the Design Arts Washington, D.C. Program. 3{),000 Innovative Design Fund For the Innovative Design]National Endowment for the Arts New York, New York Fellowship program for young designers. 16,160 International Design Education To enable promising young practicing professional designers to at­ Foundation tend the 1984 International Design Conference in Aspen. New York, New York International Design Education To amend a previous grant to provide fellowships for minority 30,000 Foundation students to attend the 1983 International Design Conference. Los Angeles, California 5,000 McClelland-Lesser, Ellen For a study of plant materials used in formal gardens between 1890 Northampton, Massachusetts and 1930. 5,000 Murphy, Mark E. For design construction and testing of a lightweight, three-wheeled Pasadena, California cycle-car. 5,000 Rodriquez, Roland For Urban Fact and Fancy: The City Observed and Imagined, an San Antonio, Texas exhibition and publication of 100 drawings with explanatory text. 5,000 Rosen, Deborah To prepare The Young Designer’s Notebook, an introductory text Woodbury, New York about the design field for elementary school children. 5,000 Schwartz, Frederic D. For research on and the design of dramatic outdoor lighting for civic New York, New York spaces, historic structures, and skyscrapers. 4,129 Speare, Sarah To complete a research project in the Design Arts Program. Washington, D.C. 5,000 Thomas, Mark To research and document art deco architecture in Louisiana. Baton Rouge, Louisiana

Individual Project To enable professional designers and other qualified individuals to carry Fellowships out specific design, research, or educational projects. Program funds: $375,940 38 grants

Barton, Cheryl To support design and planning for the reclamation of an abandoned $10,000 Nashville, Tennessee quarry in Gainesboro, Tennessee, for use as a community park ~nd facility for the arts. I0,000 Bigus, Richard L. To explore the use of typography as a formal problem of two- Athens, Ohio dimensional composition and as an art form. I0,000 Bloomfield, Julia M. To produce the initial graphic design and mock-up for a new architec­ New York, New York tural magazine. 10,000 Calthorpe, Peter To support research for one chapter of Sustainable Communities, Sausalito, California a book concerning community and town planning. 40 Design Arts

Carpenter, James For research and evaluation of the decorative, interior-design and 10,000 New York, New York energy-conserving properties of new types of glass for use in building construction.

Comp, T. Allan To complete work on a preservation study of Virginia City, a Na- 9,160 Seattle, Washington tional Historic Landmark, to serve as a prototype for historic preser­ vation in other western states.

Corcoran, Anne M. To write a book on landscape architect Dan Kiley. 10,000 Charlotte, Vermont

Costonis, John J. To write The Aesthetics of Place, Law, and Social Imagery in 10,000 New York, New York America, a book about public policymaking on aesthetic issues.

Crowell, Susan E. To investigate the use of ceramics in housing and building design. 10,000 Ann Arbor, Michigan

diDomenico, John To identify alternative design possibilities for an abandoned elevated 9,500 New York, New York rail spur on the West Side.

Dole, Philip H. To complete research on "Building in a Pioneer Landscape," a pro- 10,000 Eugene, Oregon ject concerning vernacular building in 19th-century Oregon.

Doxtater, Dennis To investigate the emergence and roles of formal design processes 10,000 Tucson, Arizona in developing societies.

Gill, Brendan To research and write copy for a photo publication on New York 10,000 New York, New York City’s 700 designated landmark structures.

Goldstein, Barbara S. To develop criteria for a new case study house program and design 5,000 Los Angeles, California competition demonstrating current innovations in multiple-family housing design in America.

Grese, Robert To analyze the work of pioneer landscape designer Jens Jenson. 5,000 Madison, Wisconsin

Hejduk, John For the final drawings, sketches, and support material for Rural 10,000 New York, New York Masque.

Hirshorn, Paul and John Blatteau For an analysis and publication on rowhouse building types. 10,000 Philadelphia, Pennsylvania

Jackson, Dakota For an innovative design of a compact desk dubbed by the artist as 10,000 Long Island City, New York a "self-cleaning desk."

James, Vanessa To experiment with unusual, inexpensive, and impermanent materials 10,000 New York, New York for costume and set design.

Kaiser, Harvey H. To research and prepare a manuscript on architectural historic land- 10,000 Syracuse, New York marks located in national parks in the West.

Knight, Carleton, III To investigate the relationship between architects and their clients. 10,000 Washington, D.C.

Levin, Edward To research and document examples of impermanent architecture. 10,000 Beverly Hills, California

Libeskind, Daniel To research and prepare a manuscript on the crisis of values in con- 10,000 Bloomfield Hills, Michigan temporary architecture.

Means, Mary C. To write a book on how the preservation movement will be affected 10,000 Alexandria, Virginia in the coming decade by major shifts in demographics and the finan­ cial markets. Moore, Steven A. For an architectural design study for a facility that will house per- 10,000 Brunswick, Maine forming arts groups and visual artists.

Polister, Richard To complete the film, Townscape: An Urban Ecology, a documen­ 10,000 St. Paul, Minnesota tary about architect, planner, and author Gordon Cullen. Prince, Keiko For research and site design for Harbor Theatre, an environmental 10,000 Cambridge, Massachusetts art project in Boston Harbor. Schumacher, Thomas L. For a comparative study of building facades, including an analysis 10,000 Charlottesville, Virginia of their formal composition. Sculpture in the Environment For the NEA/SITE Visiting Artists Program. 30,000 New York, New York 10,000 Shanor, Rebecca To complete research on the book, The City That Never Was. New York, New York Shapiro, Carol B. To examine arts facilities and arts districts and their roles in downtown 9,000 Washington, D.C. revitalization. Shibley, Robert G. To explore the efficacy of standardized design guidelines. 5,000 Blacksburg, Virginia Spears, Beverly B. For an architectural study of old metal-roofed adobe houses in nor- 9,730 Santa Fe, New Mexico them New Mexico. Stephenson, Thomas E. To organize and disseminate information on innovative wheelchair 5,000 Del Mar, California designs. 8,550 Sutton, David For an analysis of the federal government’s graphic design and print­ Arlington, Virginia ing activities as they relate to the Endowment’s Federal Graphics Improvement Program. Vergara, Camilo J. For an exhibit and catalogue entitled, "Ruins and Revivals: The Ar­ 10,000 New York, New York chitecture of America’s Deteriorated Inner Cities." Wellington, Margot For a study of the role of urban centers and how they enhance en­ 10,000 New York, New York vironmental design awareness in urban areas. Wood, Marilyn To develop the publication Cities in Celebration, and to document 10,000 New York, New York the work of celebration artists and specialists in related fields.

Senior-Level To provide time for accomplished professional designers to explore areas Sabbatical of interest or new approaches to design. Fellowships Program funds: $225,000 12 grants

American Academy in Rome $60,000 Rossant, James 15,000 New York, New York New York, New York Bakanowsky, Louis 15,000 Rudofsky, Bernard 15,000 Lexington, Massachusetts New York, New York Eames, Ray 15,000 Stern, Robert A.M. 15,000 Venice, California New York, New York 15,000 Feiss, Carl 15,000 Wines, James Gainesville, Florida New York, New York Frampton, Kenneth 15,000 Zeisel, Eva 15,000 New York, New York Rockland County, New York Olsen, Shirley 15,000 Zube, Ervin H. 15,000 Columbus, Ohio Tucson, Arizona 42 Ve nA

Design Demonstration For planning and design activities that demonstrate the practical nature of good design, such as feasibility studies, conceptual and schematic design, and planning and studies for design projects of special merit.

Program funds: $1,145,070 46 grants

American Institute of Architects For a national design competition for grammar school children to in- $25,000 Foundation troduce them to the art of the design process. Washington, D.C.

Atlanta Arts Alliance For the High Museum of Art to design a multi-sensory maze-like en- 6,908 Atlanta, Georgia vironment to complement "Sensation," a participatory exhibition about the five senses. Boston Redevelopment Authority For a national design competition for Boston’s Copley Square. Boston, Massachusetts Brooklyn Institute of Arts and For architectural design necessary to convert the museum’s 1907 Sciences McKim Mead and White designed boiler plant into a school of art. Brooldyn, New York Califomh, Regents of the University of For a design competition for the National Mathematical Sciences 15,000 Berkeley, California Research Institute on Berkeley’s campus. California, University of For the University Art Museum to sponsor an on-site national design 30,000 Santa Barbara, California competition for the design of an art museum in Santa Barbara. City Planning, Department of For a designer to create a comprehensive plan for the future develop- 15,000 New York, New York ment of property along the East River in Manhattan. Chandler, City of For an urban design competition concerning the adaptive re-use of 29,700 Chandler, Arizona Chandler’s historic town plaza built during the turn~)f-the-century City Beautiful Movement.

Cleveland Tenants Organization For landscape design technical assistance concerning use of vacant 14,437 Cleveland, Ohio and abandoned land in six neighborhoods in Cleveland. Denver Civic Ventures For a national urban design competition to design a new park above 15,000 Denver, Colorado an underground garage on a site adjacent to Denver’s Civic Center.

Federated Arts Council of Richmond For urban design and planning activities to prepare a design program 17,070 Richmond, Virginia for a new museum with a district-wide management plan to integrate the museum’s activities into a proposed development project in downtown Richmond.

Franklin, City of For evaluation and design strategies for the city’s major highway 4,625 Fr~dh, access route and downtown entranceway.

Friends of the Timberline For the architectural design of a museum located within the 12,000 Government Camp, Oregon Timberline Lodge.

Genesee Valley Arts Foundation For architectural fees for the development of schematic designs for 30,000 Rochester, New York a small theater. Hawaii Loa College For a unique design-build competition for a new media and perform­ Kaneohe, Hawaii ing arts facility for the college and community.

Indiana State Symphony Society For the architectural design phase for restoration of the Landmark 5,000 Indianapolis, Indiana Circle Theatre as a permanent home for the Indianapolis Symphony Orchestra. Institute for Urban Design For a Cleveland dvic design charette to identify design proposals that 20,000 Purchase, New York will transform a former industrial area in the Cleveland Flats into a cultural arts district. Intiman Theatre For design fees to convert an old movie house into a new resident 25,000 Seattle, Washington theater facility for the Intiman Theatre Company. Jacob’s Pillow Dance Festival For a competition for developing designs to landscape the site, reuse 30,000 Lee, Massachusetts existing structures, and create new facilities at Jacob’s Pillow. Des/fin Arts 43

Kansas State Historical Society For a preservation study of Nicodemus, Kansas, a National Historic 30,000 Topeka, Kansas Landmark District. Los Angeles Museum of Modern Art For a collaborative design and theatrical presentation combining the 7,500 Los Angeles, California talents of choreographer Lucinda Childs and architect Frank Gehry. Marquette University For the Committee on Fine Arts to commission the design for a new 10,000 Milwaukee, Wisconsin art museum to house the university’s permanent collection and ex­ hibition program.

Memphis State University For the Graduate Department of Planning to conduct a feasibility 15,000 Memphis, Tennessee study to reestablish a trolley system in downtown Memphis. Minneapolis Society of Fine Arts For the Minneapolis College of Art and Design to sponsor a national 30,000 Minneapolis, Minnesota architecture competRion to design a model for "New Housing for Non- Traditional Households." Mississippi State University For the Center for Small Town Research and Design to develop design 29,880 Mississippi State, Mississippi options for Madison, Mississippi. New Orleans Museum of Art For a national design competition for the expansion of the Beaux- 30,000 New Orleans, Louisiana Arts styled museum facility. New York Landmarks Preservation For a graphic design artist to develop a dear graphics system to coor­ 15,000 Foundation dinate all information materials for the commission. New York, New York New York Shakespeare Festival For the Broadway Theatre District Study and to support the de- 45,000 New York, New York tailed technical analysis required to produce a plan for the area’s preservation, development, and management. Newport News, City of For a design competition for the Newport Centre Cultural Arts 100,000 Newport News, Virginia Pavilion. Otis Art Institute of Parsons For the preliminary planning of International Student Design 01ym­ 5,000 School of Design pics, a new international design competition to coincide with the 1984 Los Angeles, California Summer Olympics. Parks Council To design a coordinated series of model street improvements and open 13,500 New York, New York space amenities along Third Avenue. 25,000 Pilobolus For the design of a new dance center for use as a performance arts Washington, Connecticut laboratory, rehearsal studios, and dance workshops. Preservation Alliance of New Orleans For the architectural design of historic streets, building facades, and 20,000 New Orleans, Louisiana new contemporary inffll buildings on vacant lots along streets in six different locations in historic sections of New Orleans.

Providence Foundation For a design study and implementation plan for the Providence water­ 27,500 Providence, Rhode Island front’s redevelopment. Richmond Foundation for the Arts For a public art and design competition to select works for 15 public 30,000 Richmond, Virginia sites to enrich and celebrate the Richmond Arts District. Savannah Landmark Rehabilitation For the Savannah Neighborhood Action Conference concerning the 10,000 Project role of design quality and historic preservation in inner city Savannah, Georgia neighborhoods. Save the Tivoli For an architectural feasibility study for the restoration of the historic 13,800 Washington, D.C. Tivoli Theatre. Suffolk County Public Works For the Public Works/Building Division to sponsor a national design 10,000 Hauppauge, New York competition for the creation of a new multi-million dollar county court complex.

Temple- University For a programming and schematic design feasibility study for the 30,000 Philadelphia, Pennsylvania adaptive reuse of a Romanesque-styled Baptist temple into a concert hall and performing arts center. Theater for the New City Foundation For an architectural feasibility study and schematic drawings for the 20,470 New York, New York adaptation and renovation of an underused public market into a com­ plex of three theaters. Thomasville, City of For a feasibility and conceptual design study for the reuse of the 15,000 Thomasville, Georgia Thomasvllle railroad depot. 44 Design Arts

Townscape Institute To conduct the Phonebook Placemakers Competition, in which the 29,970 Cambridge, Massachusetts phone company will solicit cover design for the 1984 Cambridge phone directory. Vera Institute of Justice To create model designs for single-room occupancy facilities for low­ 27,740 New York, New York income rental levels. Vision For the technical development of the design competitions initiative. 25,000 Cambridge, Massachusetts Yosemite Natural History Association For a landscape architecture study to evaluate the landscape design 29,970 Yosemite National Park, California implications of the general park management plan, goals, and policies. Yuma Crossing Park Council To devise a master plan for the future development of Yuma Cross­ 30,000 Yuma, Arizona ing Park, a National Historic Landmark.

Design For projects that inform the general public, designers, and decision-makers about the value and practice of design, the impact of design decisions, and Communication the relationship between design and human behavior. Program funds: $1,429,569 71 grants

Academy for Educational Development For Educational Facih’ties Laboratories Division to develop a publica- $140,000 New York, New York tion on how to reuse redundant public school buildings to benefit neighborhoods and communities.

American Institute of Graphic Arts For the planning phase of the first forum on the past, present, and New York, New York future of graphic design in America. American Institute of Graphic Arts To provide first-year funding to publish a quarterly journal on graphic 18~200 New York, New York design. American Society of Interior Designers To extend to several other cities the Historic American Interiors Educational Foundation Survey based on the pilot project in New York City. New York, New York Architects Community Design Center For a model marketing strategy and a services information kit to help 8,000 of New Jersey nonprofit community design centers sell design services to small ar­ Newark, New Jersey chitectural firms and other design clients.

Architectural History Foundation To prepare illustrations for a text for a publication entitled Campus: 6,000 New York, New York The Design of the American College. Architectural Research Centers To establish a designers’ computer software exchange program and 18,815 Consortium a means for communicating the collected results. Washington, D.C. Arts and Architecture Magazine To produce a special issue of the magazine Arts and Architecture on 6,500 Los Angeles, California utopias and futurism. Asian Neighborhood Design To produce a series of educational materials, pamphlets, audiovisual 20,000 San Francisco, California presentations, exhibits, and a handbook to inform the residential population of San Francisco’s Chinatown about design options for im­ proving small living spaces. Association of Neighborhood Housing To produce a documentary film on the history of physical change to 20,755 Developers one South Bronx tenement and the land it stands on, exploring the Bronx, New York reasons neighborhoods change physically and socially. Brattleboro Museum and Art Center For a plan for a traveling exh~ition on the design of the small garden, 21,700 Brattieboro, Vermont "Built Landscapes: Four Landscape Architects Designing Small Spaces." Buffalo Organization for Social To expand the text of a book entitled Do Buildings Really Matter? 20,000 and Technological Innovation Buffalo, New York Center for Building Conservation To complete a preliminary inventory of the archives at the New York New York, New York Architectural Terra Cotta Company in preparation for a publication distributed to design professionals. Design Arts 45

20,000 Central Park Conservancy To initiate a Central Park library and index of all planning and historic New York, New York materials relating to the park. 10,000 Colorado, Regents of the University of To create and disseminate an information planning kit to provide rural Boulder, Colorado communities with innovative design alternatives for mobile home site development. 17,500 Columbia University, Trustees of For "American Architecture: In Search of Traditions," an exhibition New York, New York accompanied by a publication and symposium prepared by the Graduate School of Architecture and Planning. 9,000 Columbus, City of For the Department of Development for the Greater Hilltop Area Columbus, Ohio Commission to produce a design workbook that includes guidelines for how to design and initiate neighborhood improvements in the Greater Hilltop area. 15,000 Committee on the Visual Arts To plan and produce "The Aesthetics of Progress," a major exhibi­ Cambridge, Massachusetts tion to describe design as a means of defining progress in the United States during the 20th century. 15,000 Craft and Folk Art Museum For an exhibition on American vernacular architecture, accompanied Los Angeles, California by symposia, catalog, and short documentary film. 20,000 Cranbrook Educational Community For Cranbrook Academy of Art’s "Design Michigan" program. Bloomfield Hills, Michigan 7,500 Cultural Council Foundation To produce American Arch~re Now, Part II, a series of videotape New York, New York interviews with a cross-section of contemporary American architects. 7,500 Cultural Council Foundation To produce Fashion: The Inside Story, a series of videotape inter­ New York, New York views with major figures in recent fashion design history. 2,347 Department of Housing and Urban For programs associated with an interagency agreement with the Development Department of Housing and Urban Development. Washington, D.C. 16,610 Educational Broadcasting To expand and update a film portrait on American architect Philip Corporation Johnson, as part of WNET-TV’s American Masters Series. New York, New York 8,575 Focus Productions To produce a documentary film of the renovation of Oakland’s grand Oaldand, California old movie palace, the Fox Theatre. 10,000 Friends of the Bluffs To produce a half-hour videotape documentary of the design alter­ Chelsea, Massachusetts natives proposed to improve barrier beaches in Massachusetts. 9,000 Friends of the Schindler House To prepare an exhibition to explore the past and future of plywood Los Angeles, California furniture design. 2,940 Friends of the School of Architecture To produce the second volume of Threshold, the journal of the School of Architecture at the University of Illinois in Chicago. 8,000 Gate (MargareO Institute For graphic design, printing, and dissemination of the institute’s Huntington, New York design guidelines on color systems for institutional environment. 30,000 Greater Washington Educational To produce a half-hour documentary film exploring the conflict be­ Telecommunications Association tween artistic processes and popular demands as illustrated in the Washington, D.C. design and construction of the Vietnam Veterans Memorial in Washington, D.C. I0,000 Group for Environmental Education For the graphic design and production of a manuscript for a book en­ Philaddphia, Pennsylvania titled The Notebooks and Drawing of Louis I. Kahn. I0,000 Hampton Institute For a two-day conference concerning black women in design Hampton, V’n-ginia professions. I0,000 Heritage Foundation of Arizona To conduct a conference and publish a report on the preservation of Tempe, Arizona historic adobe buildings. 5,450 Historic Albany Foundation To conduct a seminar for administrators and building maintenance supervisors of historic buildings of colleges, universities, and indepen­ Albany, New York dent schools concerning maintenance and management needs of older buildings. 15,000 Illinois, University of For the publication and promotion of the first two editions of Design Chicago, Illinois Issues, a journal of design history, theory and criticism on current topics in industrial and graphic design. 46 Design Arts

Institute for Urban Design To begin the research phase of"City Buildings," a project to collect 25,000 Purchase, New York and disseminate information on ways in which the arts can be includ­ ed in large scale commerical development projects in cities across the couutry.

Landscape Architecture Foundation To support a landscape architecture information clearinghouse. 18,000 Washington, D.C.

Landscape Architecture Foundation To assist in the completion and distribution of a short film by land- 12,000 Washington, D.C. scape architect Lawrence Halprin concerning design for all people with accessibility for the disabled. Lautman, Andrew For a contract to provide audiovisual documentation, production, and 20,794 Potomac, Maryland maintenance services for the advocacy initiative of the Design Arts

Maryland Institute For the College of Art to produce "Graphic Design: Idea to Image", 8,000 Baltimore, Maryland an exhibition revealing the decision-making process used by graphic designers.

Massachusetts Institute of Technology For the Committee on the Visual Arts to plan and produce "The 15,000 Cambridge, Massachusetts Aesthetics of Progress," an exhibition describing design as a means of describing progress in the United States during the 20th century.

Massachusetts Institute of Technology For the Film]Video Section of M.I.T. to produce a one-hour documen- 47,857 Cambridge, Massachusetts tary film on the planning and urban design process used in New Orleans, to prepare for the 1984 World’s Fair. Massachusetts Institute of Technology For the Laboratory of Architecture and Planning to produce a case 20,000 Cambridge, Massachusetts study handbook on an effective means of managing the art and business of design.

Municipal Art Society For the first year of a three-year series of urban design exhibits, in- 25,000 New York, New York cluding prevision of audiovisual and printed materials. National Conference of State To broaden the awareness and response of state legislatures to the 20,000 Legislatures value and practice of design in America. Denver, Colorado

National Trust for Historic To prepare and publish The Conserve Neighborhood Manual, a com- 5,000 Preservation in the United States munity assistance handbook to help citizens’ associations improve and Washington, D.C. preserve their own neighborhoods. National Trust for Historic To develop, produce, and disseminate an information and video 250,000 Preservation in the United States outreach program to inform rural leaders about viable design and Washington, D.C. preservation strategies in rural economic downtown revitalization projects.

Neighborhood Housing Services of To produce The Banner Neighborhood Journal, a neighborhood 3,500 Baltimore newsletter that provides information about local design and plan­ Baltimore, Maryland ning issues.

Neighborhood Housing Services of To prepare a brochure documenting the restoration of a small 1866 4,120 New Haven frame house in New Haven’s Neighborhood Housing Services District, New Haven, Connecticut which serves as a model for other rehabilitation and preservation groups. New York Foundation for the Arts To complete the production of The Greening of New York City, a one- 25,000 New York, New York hour film showing the transformation of vacant rubble-strewn spaces into gardens, parks, and city farms.

Ohio Arts Council For the Values and the Built Environment project, a joint effort by 21,720 Columbus, Ohio the Ohio Arts Council and the Ohio Humanities Council that fosters communication between the design fields and the public.

Otis Arts Institute of Parsons School For "Graphics in Motion," a traveling exhibition on the design of 15,000 of Design title sequences for motion pictures and television. Los Angeles, California

Partners for Livable Places For the first of a three-year public education program on design alter- 30,000 Washington, D.C. natives for parking structures.

Phoenix Art Museum For the Arizona Costume Institute to produce an exhibit on the work 23,158 Phoenix, Arizona of outstanding Japanese designers of textiles and ldmonos. Design Arts 47

Portland Public Schools For the "Architecture Alive"program, an alternative public school 6,000 Portland, Oregon learning experience that gives children an understanding of the built environment and a critical eye toward architecture. Project for Public Spaces For a three-part communication program on downtown public space 30,000 New York, New York design and management. Publishing Center for Cultural To reprint and distribute publications originally supported by grants 49,975 Resources from the Design Arts Program. New York, New York Purdue University To help support the 1983 LABASH Conference, a three-day national 15,000 West Lafayette, Indiana student assembly. Queens County Arts and Cultural To produce "Streamline Design: How the Future Was", an exhibi­ 20,000 Center tion that examines the formal and functional properties of the Flushing, New York streamline style popular in the ’30s and ’40s. Rhode Island School of Design To present an exhibition and catalogue on bentwoods and lamination 10,000 Providence, Rhode Island techniques for designing and manufacturing furniture. San Francisco Planning and Urban For a 20-minute film on design possibilities of San Francisco’s rooftops. 7,000 Research Association San Francisco, California Society of Illustrators For Graphic Artists Guild National to prepare guidelines and a manual 14,000 New York, New York for organizing graphic design competitions. Tennessee, University of To produce a traveling exhibition and catalog of the architectural and 17,050 Knoxville, Tennessee design projects undertaken by the Tennessee Valley Authority. Townscape Institute For a communication kit of design and planning alternatives to the 27,004 Cambridge, Massachusetts development of commercial franchise strips along entrance highways to towns and cities. Utah Arts Council To produce an exhibition of model houses collaboratively designed 20,000 Salt Lake City, Utah by designers and craftspeople. Vision To produce a pilot video magazine of the design arts for general 25,000 Cambridge, Massachusetts audiences. Walker Arts Center To plan "The 20th Century Poster," a comprehensive exhibition of 7,000 Minneapolis, Minnesota the art of poster design by significant graphic designers of our era. Washington State University For the initial planning of an illustrated survey of outstanding state 5,000 Pullman, Washington park designs that can be used as a design sourcebook by professionals, students of landscape architecture, and public officials.

Waterfront Center To publish the proceedings of an urban waterfront conference in 6,000 Washington, D.C. Washington, D.C. Waterfront Center To produce Caution: Working Waterfront, a publication about selected 7,000 Washington, D.C. creative design solutions to waterfront revitalization efforts. Wave Hill For an exhibit of photographs of American landscape architecture 20,000 Bronx, New York designs by photographer Mattie Edwards Hewitt.

Design Exploration For experimental and innovative research on design that seeks to define or Research resolve new or recurring design problems. Program funds: $431,922 21 grants

Better Bellevue Association To develop architectural design guidelines and rules for improving $11,920 New York, New York the design of obstetric units in hospitals. Buffalo Organization for Social and To research the effect proximity to windows has on the productivity 15,000 Technological Innovation and health of office workers. Buffalo, New York Capitol Children’s Museum For research on design alternatives to improve the graphic presen­ 5,000 Washington, D.C. tation of information displayed on computer terminals. 48 Design Arts

Colorado, University of For the Center for Community Development and Design to develop 19,762 Denver, Colorado methods that facilitate communication between designers and the visually handicapped. Georgia Tech Research Institute, For a study to determine the role architectural fixtures play in con­ 30,390 Georgia Institute of Technology trolling how people use and experience public open spaces. Atlanta, Georgia Illinois, University of For an ongoing study of residents’ preferences concerning the design 39,975 Urbana, Illinois of multi-family housing. Illinois, University of For research on the landscape design of homes in residential 18,700 Urbana, Illinois neighborhoods for the developmentally disabled. Institute for the Development of For the research of case studies that explore the synthetic process 15,000 Evolutive Architecture used by designers to explore, educate, or inquire about environmen­ Syracuse, New York tal problems. Maryland, University of For research that analyzes the often conflicting viewpoints of residents 40,000 Baltimore, Maryland living in tourist neighborhoods versus visitors who travel to these neighborhoods for leisure activities.

Massachusetts Institute of Technology For the Laboratory of Architecture and Planning to research the pro­ 38,480 Cambridge, Massachusetts cesses designers use to draw and develop projects, through an analysis of case studies from architecture, urban design, and landscape architecture. New York Landmarks Conservancy For the study and dissemination of information concerning new and 19,790 New York, New York existing methods for repairing and replacing masonry facade ornamentation. New York, Research Foundation of For the State University of New York at Buffalo to research the rela­ 10,000 the State University of tionship between urban infrastructure and urban development. Albany, New York Pennsylvania, Trustees of the For research that identifies economical alternatives for conserving 37245 University of or replacing ornamental metal trim on architecturally and historical­ Philadelphia, Pennsylvania ly significant buildings. Pittsburgh Presbytery For the Committee on Aging to research design alternatives for hous­ 10,000 Pittsburgh, Pennsylvania ing for the elderly. Rensselaer Polytechnic Institute To continue the development of an architectural thesaurus. 15,000 Troy, New York Southern California, University of For research on the use of outdoor spaces on housing sites for the 39,132 Los Angeles, California elderly. Texas Tech University For research in passive solar design and the contribution made by 5,000 Lubbock, Texas interior design elements. Urban Innovations Group To develop graphic diagrams illustrating design concepts described 9,830 Los Angeles, California by architects in their own writings. Washington, University of For the College of Architecture and Urban Planning to research 5,000 Seattle, Washington means of increasing the density of housing developments without adversely affecting quality of neighborhood environments. Wisconsin, University of For research that compares the two dominant and competing theories 13,592 Milwaukee, Wisconsin in the psychology of perception--the Gestalt and the Ecological--as they apply to visual perception in architectural terms. Wisconsin, University of For the School of Architecture and Urban Planning to conduct a study 33,106 Milwaukee, Wisconsin concerning planning and design competitions in the U.S. Design Arts 49

To provide federal and state agencies with professional guidance for Design Excellence upgrading publications and working environments through seminars, workshops, and educational materials. Program funds: $691,360 9 grants

Catholic University of America For arts administrator Margurite Villecco to serve temporarily in $55,415 Washington, D.C. the Design Arts Program. Department of Energy For programs associated with interagency agreements with the 585 Washington, D.C. Department of Energy. Department of Transportation For programs associated with interagency agreements with the 3230 Washington, D.C. Department of Transportation. Institute for Urban Design For a cooperative agreement to support the Design Excellence Pro­ Purchase, New York ject in public service, design theory, and design competition programs. Michigan, University of For a cooperative agreement for a Design Arts Program leadership 200,000 Ann Arbor, Michigan initiative to educate corporate clients about design to enable them to make responsible design decisions to assure excellence, cost effec­ tiveness, and efficiency.

Mississippi State University For arts administrator Allen Payne to serve temporarily in the Design 35,725 Mississippi State, Mississippi Arts Program. National Academy of Sciences To support the Advisory Board on the Built Environment and sup- 10,000 Washington, D.C. pert cooperation and collaboration between the Design Working Group and the Federal Construction Council.

Partners for Livable Places For a cooperative agreement to continue the National Design Infor­ 308,570 Washington, D.C. mation Clearinghouse and Economics of Amenity Program, in­ vestigate and disseminate information about model projects that reveal successful cooperation among public and private organizations to improve the quality of design in America, and administer a national network of design professionals who provide technical assistance and related services to the design field.

Smith, Peter For arts administrator Peter Smith to serve temporar~y in the Design 14,834 Washington, D.C. Arts Program.

Interagency For projects that benefit the design field as a whole. Program funds: $17,079 9 grants

American Institute of Graphic Arts To amend a previous grant to assist the private sector in selecting $4,124 New York, New York evaluators of candidates applying for federal government design jobs. Institute for Urban Design To amend a previous grant to assist the private sector in selecting 8,090 Purchase, New York evaluators of candidates applying for federal government design jobs.

The following persons received amounts to cover interagency expenses:

Anderson, Elaine $500 Hampshire, Gifford 1,115 Los Angeles, California Falrfax, Virginia

Brown, Catherine 100 Lozano, Henry 530 Beverly Hills, California Los Angeles, California 50 Desfiyn Arts

Odcn, Dick 805 Sanders, Marilyn Laguna Beach, California Los Angeles, California Rowan, Dick 1,165 Monterey, California

To assist professional organizations, nonprofit groups, and coalitions that Services to the Field advance the cause of design excellence. Program funds: $163,796 4 grants

American Institute of Architects To amend a previous grant to provide for additional expenses for $1,796 Foundation assistance in the selection of evaluaters for federal government job Washington, D.C. applicants in architecture and landscape architecture. Association of Collegiate Schools To amend a previous contract to provide additional workshops, a sym- 12,000 of Architecture pesium, and other activities in support of design initiatives. Washington, D.C. Environmental Images For a cooperative agreement to develop, produce, and disseminate Washington, D.C. public information materials on design issues. United States Conference of Mayors To develop, publish, and disseminate Innovations in Arts Funding, Washington, D.C. a comprehensive technical assistance guide for funding local arts activities. 52 Expansion Arts Exp ans ion Arts

Expansion Arts Advisory Panels Betty Allen William Daniels Richard Hill Singer, Executive Director Director Visual Artist Harlem School of the Arts Jubilee Community Arts Center Director of Museum Program New York, New York and Laurel Theater Native American Center Knoxville, Tennessee for the Living Arts Myrna Baez Niagara Falls, New York Visual artist, educator, Carmen De Novias painter Director Richard Hunt San Juan, Puerto Rico Xicanindio Artists Coalition Sculptor, visual artist Mesa, Arizona Chicago, Illinois Sandi Bagley Prindpal Max Ferrar Mako Iwamatsu Elma Lewis School of Fine Arts Art Director and Founder Actor, Artistic Director Dorchester, Massachusetts International Arts Relations East West Players New York, New York Los Angeles, California John Paul Batiste Poet, Financial Director Oliver Franklin Bill Jamison City of Dallas Arts Division Filmmaker, Film Consultant Executive Director Dallas, Texas Afr~American Historical Western States Arts Foundation Cultural Museum Santa Fe, New Mexico Joy Beaton Philadelphia, Pennsylvania Senior Staff Associate Woodie King Chicago Community Trust Edmund Barry Gaither Director, producer, fflmmaker Chicago, Illinois Director Director Museum of the National Center National Black Touring Circuit Jessie Brown of Afro-American Artists New York, New York Professor Emeritus Boston, Massachusetts Hampton Institute John Kreidler Hampton, Virginia Karen Gates Program Executive Director San Francisco Foundation Maxine Brown Seattle Arts Commission San Francisco, California Executive Director Seattle, Washington Louisville Foundation Naomi Larkin Louisville, Kentucky Sam Grabarski Director Musician, Executive Director Community Art Resources Peggy Cooper Cafritz Iowa State Arts Council San Francisco, California Chairman Des Moines, Iowa District of Columbia Commission Ruby M. Lerner on the Arts and Humanities Wanda Cody Harding Executive Director Washington, D.C. Actress, Director Alternate Roots Knoxville Arts Council Atlanta, Georgia Juan Carillo Knoxville, Tennessee Artists in Education Pearl C. Lomax Coordinator James Hart Playwright California Arts Council Grants Officer Senior Staff Writer Sacramento, Cal£fornia Detroit Council on the Arts A. Brown Olmstead Associates Detroit, Michigan Atlanta, Georgia Allen Chow Actor, dancer Angel Hernandez Ralph Maradiaga Director Professor of Folklore Fllmmaker, Co-Director Chinese American Arts Council Pima College Galeria de la Raza/Studio 24 New York, New York Director San Francisco, California Pima College Dance Company Tucson, Arizona 54 Expansion Arts

Dianne McIntyre John Saul Eleanor Traylor Dancer, choreographer Writer, Vice President Critic, Professor of English Director Chester Woodruff Foundation Montgomery College Sounds in Motion Bellevue, Washington Washington, D.C. New York, New York Victo~a Sharpley Lorenzo Trujillo Catherine Nelles President Dancer, choreographer Assistant to the President VishInc Assistant Superintendent and Program Officer Newton, Massachusetts Schools of Jefferson County C.S. Mort Foundation Lakewood, Colorado Flint, Michigan George Shirley Singer, Artistic Director Carmen Zapata Cynthia Pitts New School for the Arts Actress Board Member Montclalr, New Jersey President and Managing Inner City Arts Council Producer Milwaukee, Wisconsin Jack Skuce Bilingual Foundation Consultant for the Arts Edmundo Rodriguez Washington, D.C. Los Angeles, California Executive Director Plaza de la Raza Lenwood Sloan Los Angeles, California Dancer, choreographer Director of Interagency Program California Arts Council Sacramento, California

Program funds: $7,276,630 Expansion Arts Grants Treasury funds: $ 165,000 361 grants

Expansion Arts To assist professionally directed community arts organizations that provide programs in the performing arts, visual arts, media, design, literary arts, Organizations and interdisciplinary arts activities.

Program funds: $6,277,070 Treasury funds: $ 165,000 326 grants

Adelante For a theater workshop and performance program at Teatro Liber- $10,000 Tucson, Arizona tad of an original bilingual play for the Chicano community. African-American Cultural Center For the artist-in-residency program of the Paul Robeson Theatre 7,500 of Buffalo Workshop. Buffalo, New York African Heritage Dancers and Drummers For performances and a program that develop professional skills in 15,000 Washington, D.C. African traditional dance, percussion, and vocals.

Afrikan Poetry Theatre For two major poetry reading programs for the community of Queens. 6,000 Jamaica, New York

Afro-American Museum of Detroit For an exhibition and lecture series on African-American traditional 10,000 Detroit, Michigan and contemporary art.

Afro-American Total Theatre Arts For productions and theater instruction program offering classes on 50,000 Foundation all levels at the Afro-American Total Theatre. New York, New York Aims of Modzawe To support the Dinizulu Dancers, Singers, and Drummers; master 15,000 Jamaica, New York classes in African art forms; and guest lecturers and artists. Akwesasne Cultural Center For a program at the Akwesasne Museum designed to preserve the 14,552 Hogansburg, New York art forms of the Mohawks, consisting of seven training sessions in Mohawk art disciplines and exhibitions. Akwesasne Library and Cultural To support the Akwesasne Museum and a training program for preser- 10,000 Center ving art forms of the Iroquois. Hogansburg, New York Expansion Ar~s 55

Alabama State Council on the Arts For the performance and workshop program of the Wh-egrass Sacred 10,000 and Humanities Harp Singers, including performances, workshops, and training ses­ Montgomery, Alabama sions in and around the community. Alpha Omega 1-7 Theatrical To support the Young Adult Contemporary Dance Workshop, which 12,500 Dance Company provides professional arts training to inner-city youth. New York, New York Alternative Center for International Arts For five major exhibitions and a series of 30 concerts, workshops, 30,000 New York, New York and lectures. American Black Artist To support the Cultural Opportunity for Detroit Exchange (CODE), 20,000 Detroit, Michigan including exhibitions and seminars by local black artists. American Black Artist For an intensive residency workshop program that provides profes- 15,000 Detroit, Michigan sional training and career enhancement. American Dance Festival For local North Carolina dance companies to work with the Chuck 10,000 Durham, North Carolina Davis Dance Company. American Indian Community House For exh1%itions of new and experimental Native American art forms. 26,610 New York, New York American Indian Community House To develop and produce a new work based on the oral histories col- 10,000 New York, New York lected on experiences of the American Indian. American Lake-Veterans Administration For an artist-in-residence project at Veterans Medical Center. 15,000 Medical Center Tacoma, Washington Amigos del Museo del Barrio For a year-round series of painting, sculpture, and photography ex- ~s20o New York, New York hibitions at the School of Fine Arts. An Claidheamh Soluis For workshops and performances in music, dance, and theater reflec- 10,500 New York, New York tive of the Irish culture. Appalshop For Roadside Theater, Appalshop Print and Photography, and Ap- 55,000 Whitesburg, Kentucky palshop Radio to provide instruction and participatory arts activities in mountain communities throughout central Appalachia. Appalshop For a program of performances and exhibitions in the Appalshop 70,000 Whitesburg, Kentucky Center. Arena Players For an apprentice program for advanced students in the performing 10,500 Baltimore, Maryland arts. Art Resourc~ for Teachers and Students For intensive professional training for youth in the visual and per- 35,000 New York, New York forming arts of Hispanic and Chinese cultures. Artists Collective For a comprehensive training and instruction program with guest 30,000 Hartford, Connecticut master artists. Artists of Indian America For arts workshops for various Indian communities throughout the 15,000 Albuquerque, New Mexico Southwest, culminating in a concert program. Arts Council For Urban Arts’ professional instruction program in visual and per- 16,914 Winsten-Salem, North Carolina forming arts for children from low-income neighborhoods in coopera­ tion with the Sawtooth Center for Visual Design and the North Carolina School of the Arts.

Arts Council For a professional instruction program in visual and performing arts 15,208 Winston-Salem, North Carolina for children from low-income neighborhoods, in cooperation with the Arts and Crafts Association, the Little Theatre, and the North Carolina School of the Arts. Asian American Dance Collective To support the Performing Ensemble and a workshop and perfor- 7,500 San Francisco, California mance program in Asian dance. Asian Cine-Vision For the Asian American film and video exhibition series of films made 16,295 New York, New York by Asian American filmmakers, and an Amer-Asia cable exhibition that features video works and films programmed on Chinese Cable Television in New York City. Asian Cine-Vision For the Asian American Film and Video Exhibition series and the 20,000 New York, New York advanced Asian American video production workshop. Asian Multi-Media Center To support the professional theater component: Asian Exclusion Act. 10,000 Seattle, Washington Ballet de Puerto Rico For professional dance training in classical ballet, Spanish dance, and 20,000 New York, New York folk dance of the Americas. Ballet Folklorico de San Antonio For the folklore dance program of classes and workshops in Mexican 7,500 San Antonio, Texas and Spanish techniques. Ballet Theatre of the Virgin Islands To support professional training in ballet, modern dance, jazz, tap, 15,000 St. Thomas, Virgin Isiands and creative movement for children and adults, including performance workshops and a scholarship program. Baltimore Theatre Project For presenting guest performing groups and several special events, Baltimore, Maryland a summer music series in conjunction with the Maryland Institute of Art, and administrative support during the transition period of renovating their building. Basement Workshop For classes and workshops for emerging artists, poetry readings, 20,000 New York, New York gallery and performance series of interdisciplinary eollaboratious, and dance concerts by Morita, the resident dance company. Basement Workshop For classes and workshops for emerging artists. New York, New York Bayfront Nato For training in visual arts, dance, music, theater, and poetry; exhibits EHe, Pennsylvania and performances; a state-wide dance touring program; a traveling concert series; and services to local artists. Bayfront Nato For classes, lecture demonstrations, and the engagement of guest Erie, Pennsylvania choreographers. Bedford Stuyvesant Restoration For an outdoor art exhibition program and a performing arts series Corporation for outstanding professional, regional, and local artists. Brooklyn, New York Before Columbus Foundation For a series of workshops for aspiring writers, a poetry festival, and 25,000 Berkeley, California book exhibition to assist communication between small press publishers and would-be authors. Bilingual Theater Company To support a professional bilingual theater for the Corpus Christi area 15,000 Kingsville, Texas with performances in both English and Spanish. Black Dimensions in Art For a major exhibition featuring black women artists, including pro­ 5,000 Schenectady, New York duction of a catalogue, poster, and other special events related to the exhibition. Black Ghetto Theater Company For the professional theater arts workshop program and increased 10,000 Roxbury, Massachusetts musical productions. Black Repertory Group For professional training in drama, production, dance, and creative 5,900 Berkeley, California writing. Black Spectrum Theatre Company For professional training in all facets of theatrical production, audience 18,000 St. Albans, New York development techniques, and performing experience. Black Theatre Troupe For the actors-in-residence program and master workshops in dance, 29,000 Phoenix, Arizona vocal music, and technical skills for producing theater. Boys Harbor For support of the Harbor Junior High School of the Performing Arts 40,000 New York, New York and the Harbor Performing Arts Center, providing professional in­ struction and an apprentice program in the performing arts to youth in East Harlem and surrounding areas. Brandywine Graphic Workshop To operate three community art workshops in the visual arts. 18,000 Philadelphia, Pennsylvania

Brandywine Graphic Workshop To operate two training programs in printmaking for young artists 18,000 Philadelphia, Pennsylvania and a mural production workshop for professional artists. Brockman Gallery Productions For cultural programming for communities in south central Los 20,000 Los Angeles, California Angeles. Bronx Museum of the Arts To operate the museum’s six satellite galleries that serve predominate­ 10,000 Bronx, New York ly blue-collar, minority, and elderly residents of Bronx. Expansion Arts 57

20,000 Bronx Museum of the Arts For a 15-week workshop and seminar series on aspects of business Bronx, New York for the professional visual artist. 20,0~0 CA-FAM IlI For an exhibition and lecture program, and publication of Black Arts Washington, D.C. Review - Palarra. CA-FAM III For the Black Film Institute to continue its film exhibition series of 15,000 Washington, D.C. the work of emerging black filmmakers. Camera News For production-oriented film skills workshops providing hands-on use 32,015 New York, New York of film production equipment. Caribbean Center for Understanding For administrative costs for media training courses that provide voca­ 20,000 Media tional training in video production for community residents. St. Croix, Virgin Islands Caribbean Center for Understanding For a local media resource center to provide training workshops for 15,000 Media artists in video production. St. Croix, Virgin Islands Caribbean Dance Company For a professional dance instruction program, including preserving St. Croix, Virgin Islands folk dances of the West Indies, classes, performances, demonstrations, and lecture presentations. Casa de Amigos Community Center To hire a professional guest dancer to offer professional instruction 10,000 Houston, Texas in Folklorico dance. Casa Hispana de Bellas Artes For four m~jor concerts by Latin musicians and a series of perfor- 10,000 San Francisco, California mances of new poetry by Bay Area bilingual poets. Center for Positive Thought For programming in the performing and visual arts involving the 50,000 Buffalo, New York School of Movement, Drama, and Music; Kariamu and Company; and the Museum of African and African-American Arts and Antiquities. Center for Puppetry Arts For workshops, performances, and instruction given by nationally 15,000 Atlanta, Georgia renowned artists contributing to the development of the company’s skills. Central Pennsylvania Village Crafts For workshops and classes offering training in traditional and con­ 10,000 State College, Pennsylvania temporary Pennsylvania rural crafts. Central Pennsylvania Village Crafts For a master-apprentice training program in the art of quiltmaking. 10,000 State College, Pennsylvania Centro Cultural de la Raza For instructions in music and the visual arts resulting in presenta­ 24,000 San Diego, California tions that reflect Mexican, Indian, and Chicano cultures. Centro de Arte For training, productions, concerts, presentations, and exhibitions 26,000 Washington, D.C. by Ruminsonko, Teatro Nuestro, and Galeria. Centro de Artistas Chicanos For a barrio art program to include hands-on expe~ence and advanced 20,000 Sacramento, California workshops for artists. Chamber Dance Group For a dance training program, including professional instruction for 15,000 New York, New York minority students. Chicago Black Ensemble Theater For a season of 120 performances of four plays. 5,000 Corporation Chicago, Illinois Chicago Mural Group To support the Community Mural Project, for which three murals 20,000 Chicago, Illinois were crea~ed by local professional argsts on exterior and interior sur­ faces in Chicago.

Chicano Humanities and Arts Council To support bilingual theater development of Chicano performers, 7,500 Denver, Colorado writers, and theater artists through workshops conducted by Ahora Teatro Hispano. Chinatown Building and For workshops, classes, and exhibits in authentic Chinese visual and 10,000 Education Foundation performing arts. Philadelphia, Pennsylvania Chinese Culture Foundation of For visual arts exhibitions, workshops, a film and lecture series, and 20,000 San Francisco storytelling sessions on Chinese folklore and customs in Cantonese. San Francisco, California 58 Expansion Ar~s

Chinese Culture Foundation of For a four-part exhibition series presenting Chinese-American art 20,000 San Francisco forms. San Francisco, California Chinese Music Ensemble of New York For a music trahing program, including scholarships and a musician­ 10,000 New York, New York in-residence to enhance performances. Chinese Music Society of For the development of professional percussion skills, technique of 10,000 North America the bamboo flute, and ensemble playing related to traditional Chinese Woodbridge, Illinois music. Christina Cultural Arts Center For professional music training and celebration of Black History 17,530 Wilmington, Delaware Month with exhibits, performances, and workshops. Cinque Gallery For an exhibition program presenting the work of young and emerg­ 10,000 New York, New York ing minority artists. City Without Walls: An Urban Artists For group shows of three or four artists and special exhibitions of 9,500 Collective solo shows. Newark, New Jersey Cityarts Workshop To design eight murals and support the Resource Center, which pro­ 25,300 New York, New York vides exhibition space, lectures and slide presentations, a h~rary, and other arts services. Cityarts Workshop To plan and produce eight murals in the community and support the 20,000 New York, New York Resource Center, which provides exbXbition space, lectures, and other arts services. Clark Center for the Performing Arts For a multiethnic dance program, providing scholarships, vocational 31~200 New York, New York training in dance, and instruction in dance-related fields. Co-Real Artists For classes for young artists that culminate in performances. 11,990 Los Angeles, California Community Art Services Hawaii For dance ~truction and performances by Generations, and the live- 17,500 Hi]o, Hawaii in dance workshop program with recognized artists. Community Film Workshop of For an intensive training program in 16ram film production, an in­ Chicago ternship program, and a weekly film and lecture program open to Chicago, Illinois the public. Community Film Workshop of Chicago For vocational training in film and video production for artists and 25,000 Chicago, Illinois technicians. Community Music Center For artists’ fees for the music training program in western, Chinese, 30,000 San Francisco, California and Latin instrumental and vocal styles. Community Renewal Team of Greater For two exhibits of works by aspiring minority artists at the Craftery 14,716 Hartford Gallery, and workshops and lectures for artists, educators, and the Hartford, Connecticut general public. Community Renewal Team of Greater For exhibitions of minority artists at the Craftery Gallery and 14,150 Hartford workshops and lectures for the community. Hartford, Connecticut Community TV Network For a series of professional training programs resulting in the pro­ Chicago, Illinois duction of video programs for the community.

Compania de Teatro de Albuquerque For six major bilingual repertory productions by the theater tour­ Albuquerque, New Mexico ing company, the commission of new works by local playwrights through competitions, and performances of local writers’ works.

Compania Folklorica Puertorriquena To support seminars on Spanish dance and other traditional folklore, 9,427 San Juan, Puerto Rico and a performance program for rural communities throughout Puerto Rico. Concerned Musicians of Houston For jazz performances, workshops, and residencies offering music 18,000 Houston, Texas instruction. Creative Growth To establish a residency for Patrick Farley, a promising disabled 12,500 Oakland, California sculptor at the only art gallery in the country whose primary func­ tion is to exhibit professional quality art-work by the handicapped. Cresson Lake Playhouse For professional theater performances in the southern Alleghenies, 10,000 Spangler, Pennsylvania training of young artists in theater, and production of new plays reflec­ tive of the culture of rural Appalachia. E~pan~ion A~s 59

Cultural Council Fdundation For presentations in theater, dance, music, and video, including four 17243 New York, New York theater productions and ten performances for Charas. Cultural Council Foundation For an intensive dance training program by the Bronx Dance Theater New York, New York and performance opportunities for youth in the Bronx who seek careers in the arts. Cultural Council Foundation For a scholarship program at the Nat Home Music Theatre, including 15,000 New York, New York professional instruction in the performing arts and public performances. Cultural Council Foundation For Lnnari’s workshops and professional music, dance, and theater 5,900 New York, New York training programs° Dallas Black Dance Theatre For the regular performance schedule, the mim’-performance program, 10,000 Dallas, Texas the touring of the company, and lecture-demonstrations throughout metropolitan Dallas. Dance Exchange For a dance program of workshops, classes, and performances for 15,000 Washington, D.C. all ages. Dance Theatre of Harlem For the scholarship apprentice program offering trainin4~ in dance, 50,000 New York, New York music, and stage-craft; and a lecture demonstration program for special audiences. Dance Visions For workshops and performances in moderu dance by members of 17200 New York, New York the Sounds in Motion Company for the residents of Harlem. Dancers’ Workshop Company For the Reach Out Program, including advanced instruction for of California developing eareer-level dance skills and performance opportunities. San Francisco, California Dances and Drums of Africa For hiring a school administrator, teacher’s fees, and a community 10,000 Brooklyn, New York visibility campaign. Dances We Dance Company For a dance training program and lecture-demonstrations. 3,700 Honolulu, Hawaii Dashiki Project Theatre For professional training in theater skills, touring, and the new play 40,000 New Orleans, Louisiana project, which develops scripts by professional playwrights and per­ sons indigenous to the New Orleans region. Dayton Contemporary Dance Guild For a residency program that enables recognized dance artists to work 11260 Dayton, Ohio with the company. Dimensions Dance Theatre To provide administrative support for a program of intensive dance 10,000 Oakland, California training and performance in African-derived dance. District of Columbia, University of For an intensive screenplay writing workshop program and a film 15,000 Washington, D.C. lecture series on black~riented films at the Black Film Institute. Dixwell Children’s Creative Arts Center For a program of professional training in music, dance, and the visual 31,000 New Haven, Connecticut arts for talented youth working towards careers in the arts. Dixwell Children’s Creative Arts Center For career training in music, dance, and the visual arts for talented 31,000 New Haven, Connecticut youth. Don Quixote Experimental Children’s For 30 performances of a bilingual musical play based on New York 10,590 Theatre City life, featuring children in various roles. New York, New York Double Image Theater For workshops and classes in theater arts, dance, and music for the 10,000 New York, New York inner-city community. Douglass (Frederick) Creative Arts For writing workshops on the intermediate and advanced levels; and 30,000 Center workshops in acting and television production for aspiring television New York, New York writers, directors, actors, and technicians. Downtown Community Television Center For an intensive media service and television arts training program 12,000 New York, New York for New York City residents, a year-round apprentice program for youth in community television, a video equipment bank, and a street workshop mobile unit. Downtown Community Television Center For media services, including training workshops and apprenticeships, 15,000 New York, New York productions created for cable network, and an equipment bank. 60 Expansion Arts

Dume Spanish Theater For professional dance and drama workshops for the Borough of 20,000 Sunnyside, New York Queens and four theatrical productions performed in Spanish. Dunham Fund for Research and For the Institute of Intercultural Communications to offer classes, 125,000 Development of Cultural Arts workshops, performances, and exhibits in the visual and performing East St. Louis, Illinois arts; a ten-day drum and dance workshop by a master percussionist; a two-month dance residency for reconstruction of Dunham choreography; and master classes resulting in performances.

EcoTheater To produce original indigenous plays performed by local residents. 15,000 Hinton, West Virginia Ellington Fund For a professional training program especially for exceptionally 40,000 Washington, D.C. talented inner-city minority youth.

Ethnic Folk Arts Center For a folklffe festival featuring workshops in traditional dance and 35,000 New York, New York song;, and a concert series using musicians, singers, and dancers from different ethnic communities. Ethnic Folk Arts Center For administrative support for the production of two folklffe festivals, 35,000 New York, New York a series of three classes, and four concerts of ethnic music and dance. Everybody’s Creative Arts Center To support a multi-cultural performing arts center for the communi­ 10,000 Oakland, California ty in dance and music, and the "Prominent Dancers in Workshop" series.

Ewajo Dance Workshop For the dance choreography residency program. 5,000 Seattle, Washington Exceptional Children’s Foundation For making animated frims using art work, animation, and 10,000 Los Angeles, California photography skills, involving participants with a wide range of disabilities who are gifted in various art mediums.

Fairmont Theatre of the Deaf For production costs for sets, costumes, lights, and props; audience 15,000 Cleveland, Ohio development; four main-stage productions; and touring pieces in voice and sign language. Family For inner-city theater arts workshops in New York and New Jersey 35,000 New York, New York and the company’s theater touring program. Fantasia Ballet For a program of low-cost or free professional training in classical 10,000 Poughkeepsie, New York dance for minority and economically disadvantaged youth. Fifth Street Studio Theater For a weekly, multi-lingual poetry reading series, which includes 12,000 Los Angeles, California translations and discussions. Film News Now Foundation For career development workshops in fflmmaking and production. 20,000 New York, New York Fondo del Sol For activities reflective of several ethnic traditions in American 15,000 Washington, D.C. culture. Fondo del Sol For monthly exhibits with lectures, poetry reading, music perfor­ 15,000 Washington, D.C. mances, and videotapes that reveal the contributions to American culture of Hispanic, Native American, Caribbean, and black artistic traditions. Friends of Puerto Rico For the permanent exhibition of the Santos Collection and artists’ 15,000 New York, New York honoraria for presentations. Friends of Mission Cultural Center For exhibitions of artists traditionally excluded from mainstream 14,011 San Francisco, California galleries; and technical and professional assistance to developing art­ ists, curators, graphic designers, and public relations persons.

Friends of the Arts For four cultural centers to offer professional training and productions. TF 50,000 San Francisco, California Galeria/Studio 24 For a visual arts gallery, traveling exhibitions, and a curatorial ap­ 38,186 San Francisco, California prenticeship program. Gateway Dance Theatre For a dance training program to develop professional sldlls in multi- 10,000 Des Moines, Iowa ethnic dance. Grand Rapids Inter-Tribal Council For intensive training of four young Native American artists by 14,400 Grand Rapids, Michigan master artists. Expansion Arts 61

Great Leap For multi-disdplinary productions and presentations, including efforts 26,190 Los Angeles, California te increase the audience within the Asian American community. Great Leap For multi-disdplinary arts activities related to the production and Los Angeles, California presentation of major works, and the dissemination of those works with videotape and audio recordings to audiences in the Asian- American community. Greek Theater of New York For two Greek language productions for the Greek-American com­ 10,000 New York, New York munity, and a one-week tour of two bilingual theater productions. Green Mountain Guild To bring children’s theater to rural regions of Vermont and northern 2,500 White River Junction, Vermont New England. Group For an artist-in-residence, seminars, theater workshops, and the pro­ 7,500 Seattle, Washington duction of a new play.

Haight-Ashbury Arts Workshop For career development workshops, classes, and performances. 7,500 San Francisco, California Halght-Ashbury Arts Workshop For the development of creative potential and saleable skills through 17,120 San Francisco, California workshops, classes, and performances in the visual and performing arts for residents of the Haight-Ashbury community. Harlem School of the Arts For professional training programs in performing and visual arts for ’IF 40,000 New York, New York the youth of the Harlem community. Henry Street Settlement For New Federal Theatre’s training workshop program, including 46,000 New York, New York the black theater workshop, the Hispanic theater workshop, the teen drama workshops, and a technical workshop focusing on self-disdpline, speech, and communication skills. HemT Street Settlement For professional workshops, classes, and performances at the music 50,000 New York, New York center with a residency of the Frank Ashley Dance Company, pro­ viding instruction and performance experience.

Highlander Research and Education For workshops and training for Appalachian and southern musicians. 6,000 Center New Market, Tennessee Holiday (Billie) Theatre To support the Resident Acting Company in presenting origh~al plays 30,000 Brooklyn, New York by notable black playwrights. H.T. Dance Company For a professional dance training program including workshops and 15,000 New York, New York dance events committed to producing new Asian art forms. Hudson Valley Freedom Theatre For three m~ior productions and five special events in a newly 40,000 Newburgh, New York renovated theater. Hull House Association, Uptown Center For a series of residencies in photography, dance, and music that 10,000 Chicago, Illinois culminates in performances and exhibitions. Hull House Association, Uptown Center For the folk arts project, including presentations of ethnic art forms 10,000 Chicago, Illinois such as Cambodian dance, Laotian Hmong embroidery, Thai music, and Ethiopian basket-weaving. lbero..American Action League For support of individual professional training in music, drawing, paint­ Rochester, New York ing, dance, and photography; the Borinquen Dance Company and pro­ ductions; and exhibitions by Hispanic artists. Ibero-American Action League For professional training by the Borinquen Dance Company, and 162o0 Rochester, New York presentations and exhibitions by local artists. For nine series of four interdisdplinary arts classes taught by recog­ 15,000 Pittsburgh, Pennsylvania nized black, Hispanic, Oriental, Slavic, or Native American artists. Inner City Cultural Center For professional instruction in the performing and visual arts for 70,000 Los Angeles, California children and adults, and performances in theater, dance, and music. Inner City Ensemble For performing arts training programs in dance and theater tech­ 15,000 Patemon, New Jersey niques and a touring program. Institute for Contemporary Culture For activities of Ruminsonko, Teatro Nuestro, and Gaieria Inti. 25,000 Washington, D.C. Institute for the Study of African For classes in African music, culture, and dance; performances 7,500 Culture throughout the area; and administrative development. St. Louis, Missouri Inter-Tribal Indian Dancers For the presentation of traditional Native American dance, and 2,500 Tucson, Arizona demonstrations and exhibitions of Native American traditional art forms. International Art of Jazz For an intensive jazz workshop training program culminating in 20,000 Stony Brook, New York performances. International Arts Relations To support the performing company and its presentation of three ma­ 30,000 New York, New York jor productions, and the Hispanic playwrights-in-residence laboratory program. Jamaica Center for the Performing For workshops, residencies, exhibitions, and performances in the TF 35,000 and Visual Arts visual and performing arts. Jamaica, New York Japan Town Art Movement For administrative expenses, exhibitions, and graphic services for 30,000 San Francisco, California nonprofit arts organizations throughout the Bay area. Japan Town Art Movement For 20 art exhibitions for San Francisco Bay Area Asian communities 30,000 San Francisco, California and graphic services to Asian arts organizations throughout the nation. Japanese American Cultural and For monthly performing arts presentations of Japanese American art­ 25,000 Community Center ists and training in Asian instruments. Los Angeles, California Japanese American Cultural and For training in Asian performing arts, dance performances using 25,000 Community Center Japanese and modern dance techniques, and three artists-in-residence Los Angeles, California to train and incorporate Japanese-American artists into the community.

Jazzmobile For performances and a musical workshop program for talented young 50,000 New York, New York musicians. Joan Miller’s Dance Players For a short-term residency at Queens College and performances. 5,000 New York, New York Jubilee Community Arts For a community arts program, including instruction and performance 32,500 Knoxville, Tennessee of traditional southern higbJand music, dance, crafts, sacred harp sing­ ing;, and tours of musicians to rural areas.

Just Above Midtown To support the Black Art Fund, workshops, and exhibitions. 17,200 New York, New York Just Us Theater Company For four major productions, master workshops, classes, and audience 13,200 Atlanta, Georgia development for Theater of the Stars.

Kalihi-Palama Culture and Arts Society For classes, conferences, seminars, concerts, festivals, exhibits, lec­ 12,500 Honolulu, Hawaii tures, and demonstrations in the visual, performing, and ethnic arts and crafts. Karamu House For an extensive visual arts ceramics program, including lecture- 50,000 Cleveland, Ohio demonstrations, a recruitment campaign, exhibitions, and three master classes. Karamu House For theater workshops, concerts, and exhibitions with slide lectures 50,000 Cleveland, Ohio and master classes. Kenkeleba House For a series of visual arts exhibitions of aspiring artists from the 10,000 New York, New York community. Kentuckiana Metroversity For workshops in dance, music, and theater, and a model project en­ 10,000 Louisville, Kentucky abling artists to work with the handicapped through the production of special television programs for cable networks. Kitani Foundation For a community arts workshop series and artists-in-residence pro­ 20,000 Columbia, South Carolina grams for children and adults, including mini-matinee concert series of professional performances. Ko-Thi Dance Company For concerts, master classes, and workshops offering professional 11;210 Milwaukee, Wisconsin training in traditional African music and dance. L.A. Theatre Workshop For the production of four new plays, and training by guest direc­ 15,000 Venice, California tors, designers, playwrights, and choreographers. Expansion Arts 63

La Raza Bookstore For exhibition space and the annual poetry reading, featuring 14,910 San Francisco, California recognized Chicano poets and writers. La Raza Bookstore For Galeria Posada’s annual poetry reading festival featuring well- 10,000 Sacramento, California known Raza poets and musicians, and community cultural events. La Raza Silkscreen Center For an extensive workshop training program for local professional 9,570 San Francisco, California and aspiring artists in the techniques needed in silkscreen. La Raza Silkscreen Center For a traveling exhibition featuring silkscreen posters and prints pro­ 23,790 San Francisco, California duced during the past 11 years at the center. Laroque Bey School of Dance Theatre For training in drumming and dance techniques, with an emphasis 5,000 New York, New York on African traditions. Latin American Development Services For programs serving the Hispanic communities of Chicago. 15,000 Chicago, Illinois Latin American Theatre Ensemble For the development of performing artists through professional in­ 16,180 New York, New York struction and showcase touring productions for the Hispanic community. Latin-American Workshop For a series of children’s programs, including concerts, a bilingual 12,000 New York, New York puppet show, a summer graphics workshop, and on-going art exhibits. League of United Chicano Artists For the Baleria Tonatzins traveling visual arts exhibitions, and "Pop­ 14,050 Austin, Texas puri Cultural," a professional production highh’ghting traditional dances of various Hispanic cultures. League of United Chicano Artists For three musical presentations in city parks and community centers, 20,000 Austin, Texas two bilingual theater productions, two three-month residency pro­ grams, and support of Galeria Tonantzin. Lewis (Elma) School of Fine Arts For the teaching program of professional training, including ad­ 75,000 Dorchester, Massachusetts ministrative support. Ligu Estudiantes de Arte de San Juan For a series of visual arts exhibitions of works by local artists, spon­ 20,000 San Juan, Puerto Rico sorship of shows for young artists, a scholarship program, and a per­ forming arts program. Liga Estudiantes de Arte de San Juan For photography workshops, residencies, seminars, exhibitions, and 20,000 San Juan, Puerto Rico 20 photography shows that coincide with conferences. Little Miami Theater Works For training and for development of new scripts for plays, radio shows 12,000 London, Ohio and slide/tape presentations of oral histories from the community. Los Angeles Actors’ Theatre Foundation For the operation of E1 Teatro de la Unidad, a bilingual performance 6,000 Los Angeles, California troupe that provides training in bilingual performance techniques that culminates in national radio broadcasts in Spanish and English. Lower East Side Community For a musical workshop program leading toward public presentations 10,000 Music Workshop throughout the community. New York, New York Lower East Side Printshop For the printmaking program and the Keyholders program, which 15,000 New York, New York assists artists with career development. Manchester Craftmen’s Guild For advanced training in photography and ceramics, the Silver Eye 40,000 Pittsburgh, Pennsylvania Photo Seminars, and career development workshops in the visual arts. Mandala Folk Dance Ensemble For performances and workshops of international folk dances and 9,820 Cambridge, Massachusetts music for low-income elderly in Boston’s ethnic neighborhoods. Manna House Workshops For a music program for a multi-ethnic constituency, including in­ 20,000 New York, New York struction and concerts. Merit Program For a scholarship training program for gifted students and profes­ 10,000 Chicago, Illinois sional musicians, including performances. Metropolitan School for the Arts For professional individual music instruction and group instruction 25,000 Syracuse, New York in music, visual arts, drama, and dance.

Mexican American Cultural Center For 26 theater productions by the Mexican American Cultural Center 10,000 San Antonio, Texas National Ballet. Millan Theatre Company To support the season of the Millan Theatre Company and a develop­ 23,394 Detroit, Michigan ment program. 64 Expansion Arts

Milwaukee Inner City Arts Council For professional training for inner~ity youth in the visual and per° 25,000 Milwaukee, Wisconsin forming arts, two dance performances-demonstration projects, and two exhibits featuring works created by the students. Milwaukee Inner City Arts Council For an exhibition combining visual and performing arts, conducted 25,000 Milwaukee, Wisconsin by midwestern artists. Mind-Builders Creative Arts Company For workshops and performances in violin, piano, African dance, ballet, 10,000 Bronx, New York modern dance, and drama. Minneapolis American Indian Center For the development, promotion, and exhibition of visual art works 15,000 Minneapolis, Minnesota by emerging Indian artists from Minnesota; and education on Indian culture for community residents. Minority Arts Resource Council To provide exhibition opportunities for Afro-American and Hispanic 15,000 Philadelphia, Pennsylvania American artists in Philadelphia, and assist in the education of these communities in the worth of the art forms indigenous to their heritage.

Mixed Blood Theatre Company For professional training and eight mainstage productions using 11,875 Minneapolis, Minnesota minority actors. Moore, III, John L. To amend a previous grant for Mr. Moore to participate as a Fellow 7,300 Chillum, Maryland in the Expansion Arts Program. Mt. Vernon Fine Arts Cultural Center For quality professional training through the Open Cage Theatre 10,000 Mt. Vernon, New York drama and dance workshop, the Open Pen writers workshop, and guest artists for monthly seminars. Movimiento Artistico del Rio Salado For a training program for emerging artists and a series of visual 10,000 Phoenix, Arizona arts exhibitions of works by artists from the inner city and Chicano communities of Phoenix. Movimiento Artistico del Rio Salado For a series of visual arts exhibitions presenting works by artists 6,000 Phoenix, Arizona from Chicano and inner-city communities in Phoenix. Museo del Barrio For a year-round series of painting, sculpture, and photography ex­ 40,000 New York, New York hibition activities of the School of Fine Arts. Museum of African American Art For a four-phase exhibition program introducing African American 41,460 Los Angeles, California art history to new audiences. Museum of African American Art For the documentation of the contribution to the American art scene 29,864 Los Angeles, California of black printmakers in a special issue of Black Art Quarterly. Music Lab For an intensive course of jazz studies for talented young musicians 10,000 Kingston, New Jersey to work with seven leading jazz artists and give showcase performances.

National Center of Afro-American For two programs promoting black visual arts. 38,500 Artists Boston, Massachusetts National Center on Institutions To enable the Firebird Gallery to exhibit and sell quality art works 10,000 and Alternatives produced by institutionalized and handicapped artists, who then Washington, D.C. receive the proceeds of sales. Native American Arts and Culture For Native American crafts workshops, art exhibitions, oral history 18,000 San Francisco, California classes, and media documentations for the Bay Area Indian community. Native American Center for the Living For interdisciplinary arts presentations using Indian artists and 32,807 Arts craftspeople. Niagara Falls, New York Neighborhood Arts Center For an artist-in-residence training program and master classes in 30,000 Atlanta, Georgia music conducted by nationally known artists. Neighborhood Arts Center For workshops and professionally led master classes in the visual, 35,000 Atlanta, Georgia performing, and literary arts. Neighborhood Arts Center For Project Four Worlds, a formal after-school arts training program 10,000 Boston, Massachusetts in clay, wood, printmaking, and textiles. Netzahaulcoyotl Historical Society For writers workshops with multi-cultural authors, a poetry festival, 15,000 Berkeley, California and a book exhibition. Expansion Arts 65

New England Center for For a community exhibition and workshop program. 7,000 Contemporary Arts Brooklyn, Connecticut New Freedom Theatre For training and practical work experience in theater arts for gifted 20,000. Philadelphia, Pennsylvania inner-city residents, and a season of four major productions and 60 special performances. New Heritage Repertory Theatre For the production of three new plays and two 12-week training ses- 23,560 New York, New York sions in theater arts. New York Street Theater Caravan For the national touring program, workshops, and the development 20,000 New York, New York of new works to renew the touring repertory. Newark Community School of the Arts For an extensive scholarship music training program and the gifted 25,000 Newark, New Jersey student program, offering instruction to students with professional aspirations. Newark Media Works For apprenticeships for five aspiring media artists. 10,000 Newark, New Jersey Nguzo Saba Films To hire about 50 media artists to produce two films for television. 25,000 San Francisco, California Nuestro Teatro For performances of the bilingual theater throughout New York City. 12,000 New York, New York Nuevo Teatro Pobre de America For research and development of performances based on Puerto Rican 10,000 New York, New York humorist traditions and performance training workshops in Spanish. Ododo Theatre Foundation For administrative support, production costs for seven works, and 12,000 Tucson, Arizona touring. Off Center Theatre For a training program for developing artists in the performing, visual, 9,520 New York, New York and literary arts, and classes in technical skills for gaining employment. Olatunji Center of African Culture For administrative and artistic salaries for presenters of African 30,000 New York, New York dance, music, drama, and culture. Old Creamery Theatre Company For a rural theater touring program of performances and workshops 14,330 Garrison, Iowa in several states in the Midwest. Ollantay Center for the Arts To support the performing company that tours Latin American pro- 20,000 Smmyside, New York ductions to Hispanic audiences in New York; and the visual arts, theater, and literary programs.

Ollantay Center for the Arts For the center’s literature and visual arts programs. 10,000 Sunnyside, New York

Opera de Camara To develop media artists and works through workshops that express 8,000 Rio ~edras, Puerto Rico Puerto Rican culture. Painted Bride Art Center For artists’ fees for a season of multi-discipline events. 15,000 Philadelphia, Pennsylvania Painted Bride Art Center For an interracial exhibition/performance, workshops for poets and 18,000 Philadelphia, Pennsylvania playwrights, and admires" trative assistance to emerging arts organiza­ tions and individual artists. Pan Asian Repertory Theater For actors’ workshops, three staged readings, and the production of 21,400 New York, New York four plays. Parker (Charlie) Memorial Foundation For an inter-cultural professional instruction program in performing 30,000 Academy arts, music, theater, and dance leading to performances in the Kan­ Kansas City, Missouri sas City area. People’s Music School For a music training program. 13,365 Chicago, Illinois People’s Place of Greater Harrisburg For artists’ fees for monthly poetry readings and two multidisciplinary 6,000 Harrisburg, Pennsylvania presentations of poetry, dance, and music.

Performance Artists Nucleus To establish the facility as a program in Mariachi]Conjunto music, 15,000 San Antonio, Texas visual arts, and theater. Phelps Stokes Fund For an exhibition program and a film festival in coopei’ation with the 60,000 New York, New York Metropolitan Museum of Art and the Museum of Natural History. 66 Expansion Arts

Philadelphia Dance Company For professional dance training, performances, and lecture 30,000 Philadelphia, Pennsylvania demonstrations. Pickle Family Circus For a tour and workshop program of the performing theater com­ 15,000 San Francisco, California pany in rural areas and urban neighborhoods along the Pacific coast. Play Group For touring productions with workshops, and original theater presen­ 18,950 Knoxville, Tennessee tations for rural communities throughout the region. Plaza de la Raza For the professional arts training program in theater, dance, visual 35,160 Los Angeles, California arts, music, and interdisciplinary studies for the Hispanic community. Pontiac Art Center For extu~itions of works by black and Puerto Rican artists, and master 8,305 Pontiac, Michigan classes for career-oriented students. Printmaking Workshop For an outreach program offering workshops in visual arts that 16,000 New York, New York culminate in exhibitions. Printmaking Workshop For ten fellowships for emerging and mid-career artists of Asian, 22,000 New York, New York African-American, or Hispanic descent; and a traveling exhibition of works by minority artists. Prints in Progress For neighborhood fine arts workshops, student apprenticeships and Philadelphia, Pennsylvania scholarships, and exhibitions. Prints in Progress For professional training in visual arts, an apprenticeship and scholar­ Philadelphia, Pennsylvania ship program, and exhibitions. Pro Arts For a visual arts program, including workshops in exhibition prepara­ Oakland, California tion, pre-production graphic techniques, and an artist-in-residence program.

Producciones Estrella Roja For the production of murals in selected cities in Colorado using local 15,000 Pueblo, Colorado artists. Programs for Alternative Creative For a multi-disciplined arts training program. 10,000 Education Detroit, Michigan Public Art Workshop For mural-making workshops and studio art and photography classes. 10,000 Chicago, Illinois Puerto Rican Dance Theatre For a dance training program that includes workshops with profes­ 20,000 New York, New York sional choreographers, and community outreach programs. Puerto Rican Playwrights/Actors For a theater festival presenting new works by noted playwrights, 20,000 Workshop a film series, a gallery exhibition program, and special concerts at New York, New York the Actors Workshop. Puerto Rican Traveling Theatre For the theater training unit for Hispanic youth, and for the season 50,000 Company of productions. New York, New York R’Wanda Lewis Afro-American Dance To present free or low-cost professional concert performances in inner- 10,000 Company city Los Angeles and surrounding states. Los Angeles, California Reecuentro Cubano For support of two major art exhibitions of Cuban art, four seminars 15,000 Miami, Florida on Bata music, poetry recitals, and one original theater production based on the history and culture of Cuba. Rep, Inc. For workshops in theater techniques leading to three productions, 50,000 Washington, D.C. a children’s production, and Reader’s Theatre presentations. Rhode Island Black Heritage Society For artists-in-residence, a season of new black theater productions, 30,000 Providence, Rhode Island and visual exhibits for Rites and Reasons. Road Company To develop and tour company-derived original plays and workshop 17,500 Johnson City, Tennessee presentations that reflect the heritage of Appalachian communities. Robeson (Paul) Community Theater For classes, workshops, and performances to develop black artists 12,000 Group in the Pacific Northwest. Renton, Washington St. Louis Black Repertory Company For acting and dance workshops leading to regional touring 10,000 St. Louis, Missouri productions. St. Louis Conservatory For instruction and performance in dance, theater, music, and the TF 40,000 School for the Arts visual arts at the Casa Midtown School for the Arts, including master St. Louis, Missouri classes. Samahan Philippine Dance Company For rehearsals and presentations of new repertoire of Philippine 6,400 E1 Cajon, California dance. School of the Garden State Ballet For an instruction program for the Newark Dance Theatre, a com­ 20,000 Newark, New Jersey pany composed of talented minority youth. Self-Help Graphics For managerial and administrative support to estabish a new gallery, 21,690 Los Angeles, California an exhibition program, and classes in visual arts. Sign of the Times Cultural Workshop For artiste’ fees for the artist apprentice program in which four 15,000 and Gallery recognized local artists work with twelve apprentices selected from Washington, D.C. Region D Schools. Sign of the Times Cultural Workshop For the visual arts training program and exhibitions. 15,000 and Gallery Washington, D.C. Silvera (Frank) Writers’ Workshop For the Monday/Saturday Reading and Critique Series for 20,000 Foundation playwrights; the Larry Neal Writers’ Seminar Series, providing New York, New York master classes in playwrighting; and the Artistic Technical Assistance Collective, offering training in technical stagecraft.

Social and Public Art Resource Center To produce, exhibit, distribute, and conserve public art works that 18,000 Venice, California articulate American history or concerns. Society of the Third Street Music For classes, recitals by faculty and students, and the production of 20,000 School Settlement an original musical. New York, New York Society of the Third Street Music To support an arts center with instruction in dance, theater, and music; 25,612 School Settlement and for the Music Downtown concert series. New York, New York South Side Community Art Center For ten exhibitions in the exhibit gallery of the art center. 14,000 Chicago, Illinois South Side Community Art Center For ten exhibitions featuring major black artiste, fine arts classes, 14,000 Chicago, Illinois gallery tours, and jazz concerts. Southern Alleghenies Museum of Art For the exhibition calendar and activities at the museum’s two ma­ 17,500 Lorctto, Pennsylvania jor extension facilities located in Altoona and Johnstown. Spanish-English Ensemble Theater For professional training related to four dramatized readings 10,000 New York, New York culminating in one full production of a selected play. Spanish Theatre Repertory Company For performance of Latin-American or Spanish plays and a national 40,000 New York, New York touring program. Stage Hands For interpreting performances for the deaf using the technique of 10,000 Decatur, Georgia "shadowing," and for workshops on improving communications of live theater for the hearing-impaired. Studio Museum in Harlem For an artist-in-residence program for emerging artists and an in­ 50,000 New York, New York tern program in museology for minority professionals. Studio Museum in Harlem For an artist~in-residence program offering studio and exl~ition space 32,000 New York, New York for visual artists. Teatro Bilingue de Houston For children’s workshops, training for adulte, and theatrical 20,000 Houston, Texas productions. Teatro Campesino For the production of a passion play using and training community 20,931 San Juan Bantista, California non-professionals to participate in all aspects of production. Teatro Cuatro For workshops, an in-residence artistic director, and theater produc­ 10,000 New York, New York tions of original works from writer’s workshop. Theater of Universal Images For the Showcase Theater season consisting of four productions that 20,000 Newark, New Jersey showcase and enhance the professional sldlls of local artiste. Theater Without Bars For an acting and creative writing workshop program and produc­ 13,000 Trenton, New Jersey tions of original works. 68 Expansion Arts

Theatre Dance For dance instruction, lecture demonstrations by guest artists, and Christiansted, Virgin Islands the "Dance Me a Story" project. Theatre Guild of San Francisco For three theater productions, a playwright’s forum, a dance con­ San Francisco, California cert series, training for minority artists and other community members, and development of an alternate theater company. Theatre of the Performing Arts For a series of theatrical productions of contemporary black classics 12,000 Shreveport, Louisiana and instruction in various art disciplines. Theatre Unlimited For performance training, public presentation, and community 7,875 San Francisco, California workshop activities for the ensemble company composed partly of developmentally disabled artists. Tokunaga Dance Ko. For professional training in ballet and modern dance. 7,025 New York, New York Tomorrow’s World Center For career development services for emerging young artists, including 7,000 Washington, D.C. exhibitions, workshops, and sponsorship of three artists-in-residence. Tucson Commission of the Arts For the Southwest regional Indian Pow-Wow and craft show, presen- 12,500 and Culture tation of cultural dances; and demonstration seminars in Indian crafts Tucson, Arizona and culture. Union Settlement Association For East Harlem Music’s professional orchestra program, with 15,000 New York, New York musical training in the Latin style, including performances. Urban Gateways For performances and workshops by artists-in-residence in Chicago’s 50,000 Chicago, Illinois irmer~ity schools, featuring various ethnic traditions in theater, music, and dance. Urban League of Flint For classes, workshops, and performances in art, dance, and drama 15,062 Flint, Michigan at the McCree Theatre and Performing Arts Center. Verde Valley Art Association For 12 exhibitions of visual artists at the Fine Arts Museum of the 5,000 Jerome, Arizona Verde Valley Art Association. Verde Valley Art Association For 12 visual arts exhibitions. 6,000 Jerome, Arizona Virgin Islands Council on the Arts For an artists-in-residence theater program for local artists at the 12,500 St. Croix, Virgin Islands Island Center of St. Croix. Virgin Islands Council on the Arts For professional training to advanced students in calypso at the Island 5,000 St. Croix, Virgin Islands Center of St. Croix. Visual Arts Research and Resource For exhibitions, a festival in cooperation with the Metropolitan 36,800 Center Museum of Natural History, and the annual Caribbean Expressions New York, New York Festival.

Waianae Coast Culture and Arts For workshops in traditional arts to perpetuate the multi-ethnic 35,000 Waianae, Hawaii cultures in the Hawaiian Islands. Where We at Black Women Artists For an exhibition that commemorates the organization’s 13-year 8,000 Brooklyn, New York history to circulate among the boroughs of New York City.

Women’s Studio Workshop For workshops in printmaklng, silkscreen, handmade paper, etching, 10,000 Rosendale, New York offset drawing, and painting. Workshops for Careers in the Arts For work experience and professional training for exceptionally 2,685 Washington, D.C. talented youth from poor socioeconomic backgrounds in three units: Street Theater, Living Library, and CityScape-Magazine.

Writers in Residence For comprehensive performing arts workshops for Nassau County 12,500 Great Neck, New York youth, and traveling tours to other communities.

Xicanindio Artists Coalition For a workshop on the traditional Mexican folk art ofpapel picado, 18,000 Mesa, Arizona a concert series, and administrative support.

Young Filmmakers Foundation For scholarship assistance for minority artists interested in film and 16,480 New York, New York television careers. Young Filmmakers Foundation To provide 30 full and 15 partial scholarships for black, Latin, Asian, 18,000 New York, New York and Native Americans interested in film and television careers. Young Saints Scholarship Foundation For a community training program in theater and music, concerts, 20,000 Los Angeles, California and other performance events. 69

Your Heritage House For a fine arts training program in the performing, visual, literary, 30,000 Detroit, Michigan and media arts, which provides exhibition and performance opportunities. Your Heritage House For administrative salaries, a training program, and a national tour­ Detroit, Michigan ing exhibition.

To enable municipal arts agencies or private arts councils designated by a Cityarts city to provide financial and technical assistance to neighborhood arts programs. Program funds: $314,960 9 grants

Abilene Cultural Affairs Council To provide $17,000 for the city’s sub-granting program and $3,000 Abilene, Texas for admirListration. Brookhaven Council on the Arts, To provide $10,000 for the town’s sub-granting program and $4,960 Town of for administration. Patchogue, New York COMPAS To provide $33,000 for the city’s sub-granting program and $17,000 St. Paul, Minnesota for administration. Corpus Christi, City of To provide $15,000 for the city’s sub-granting program. Corpus Christi, Texas Cultural Council of Santa Cruz County To provide $17,500 for the sub-granting program and $7,500 for Aptos, California administration. Dade County Council on Arts and To provide $50,000 for the city’s sub-granting program. Sciences Miami, Florida Milwaukee Artists Foundation To amend a previous grant for support of the Cityarts Program. Milwaukee, Wisconsin Norfolk, City of To provide $50,000 for the city’s sub-granting program and $10,000 Norfolk, Virginia for administration. Riverside Arts Foundation To provide $50,000 for the city’s sub-granting program and $10,000 Riverside, California for administration.

To enable organizations to offer technical assistance and services to com­ Services to the Field munity arts groups. Program funds: $684,600 26 grants

African American Museums Association For three information programs concerning black museums, four in- $10,120 Washington, D.C. formation newsletters listing black museums and resource persons for each institution, and a promotional slide presentation. Alternate ROOTS For regional touring of professional artists and performing arts com- 15,000 Atlanta, Georgia panies throughout Appalachian communities, artistic exchanges, ar­ tistic and administrative technical assistance workshops, and the publication of a quarterly newsletter.

Arts Media Service For research, publication, and distribution of Grassroots and 260,000 Washington, D.C. Pavements; other media service publications; and development of a network of local arts organizations.

Association of Hispanic Arts For a technical assistance program and central information office for 50,000 New York, New York Hispanic arts organizations throughout the nation. 70 Expansion Arts

Black Theater Alliance of Chicago For a program of technical assistance workshops, a monthly newslet- 10,000 Chicago, Illinois ter and calendar of events, and development activites for 20 multi- disciplined member arts groups.

Bodacious Buggerrilla For the production of public service video for Expansion Arts 19,635 Los Angeles, California organizations in Southern California, Arizona, New Mexico, Colorado, and Nevada.

Chicano Humanities and Arts Council For provision of information on a regional level to Hispanic arts 20,000 Denver, Colorado organizations, a bi-monthly newsletter, workshops, promotional events, and forums. Chinese American Arts Council To provide technical assistance and services to emerging Chinese 14,950 New York, New York American arts organizations throughout the nation. Community Art Resource For a technical assistance program of minority artists and arts groups 17,500 San Francisco, California throughout the region. E Incorporated For an evaluation workshop for 48 Expansion Arts Program panelists. 30,020 Washington, D.C.

Ebony Talent Associates Creative For workshops, technical assistance services, a monthly newsletter 9,500 Arts Foundation and calendar, and development activities for members. Chicago, Illinois

Graduate School for Urban Resources For a variety of services for neighborhood artists, including provi- 17,500 and Social Policy sion of technical equipment, publicity, organizational development, and fiscal planning to culminate in a series of visual, performing, and literary events throughout the San Diego area.

Harlem Cultural Council To provide management and technical assistance to artists and arts 25,000 New York, New York organizations associated with the production of the Outdoor Summer Dance Mobile Festival, and for the Harlem Cultural Review. Hispanic Organization of Latin Actors To support a monthly newsletter. 5,000 New York, New York Hispanic Organization of Latin Actors For a monthly newsletter, theater training, and the Festival of Actors. 5,000 New York, New York Jackson State University To enable an outstanding arts administrator to serve temporarily in 53,445 Jackson, Mississippi the Expansion Arts Program. Jones, Kellie E. For Mr. Jones to participate as a Fellow in the Expansion Arts 3,430 New York, New York Program.

Lower East Side Printshop For a fine arts printmaking program, including classes that train 18,000 New York, New York groups in all aspects of silkscreen production; and the Keyholder’s Program, which recognizes outstanding artists by assisting in their careers.

Mi Raza Arts Consortium To provide services to midwestern Hispanic arts organizations and 9,000 Chicago, Illinois individuals, including workshops, conferences, seminars, and a bi­ lingual newsletter.

Mi Raza Arts Consortium For a technical assistance program for Latino arts organizations and 15,000 Chicago, Illinois individuals.

National Black Touring Circuit For technical assistance and audience development for touring of pro- 25,000 New York, New York fessional black theater, poetry festivals, and film photography exhibits.

National Conference of Artists For technical assistance services to more than 500 member artists 15,000 Washington, D.C. and arts organizations.

North Carolina Cultural Arts Coalition For a series of workshops in literature, music, theater, dance, and 12,000 Raleigh, North Carolina the visual arts.

People’s Theater Coalition For the coalition’s theater training program of classes, performances, 15,000 San Francisco, California forums, and festivals for theater professionals.

Spencer, Debra To amend a previous grant to enable completion of a Fellowship in 4,500 New York, New York the Expansion Arts Program.

Xicanindio Artists Coalition To amend a previous grant for Atlatl to provide technical assistance 5,000 Mesa, Arizona programming; marketing development; and dissemination of infor­ mation for Native American museums, artists, and cultural centers. Folk Arts

1983 OF GEORGIA A Celebration of

Saturday and sunday ~ September 24-25 Music, Food, Dance 12p.m. to 6 p.m., ’ ~ Piedmont Pa,~. A Outdoor E are Folk Arts

Folk Arts Advisory Panels George Abrams Ellen McCulloch-Lovell William Wiggins, Jr. Director Executive Director Department of Afro-American Studies Seneca Iroquois Vermont Council on the Arts Montpelier, Vermont Indiana University National Museum Bloomington, Indiana Salamanca, New York Michael Moloney Jay Anderson Musician, singer William Wilson Professor Philadelphia, Pennsylvania Director Department of Modem Languages Fife Folklore Center and Intercultural Studies Daniel Patterson Utah State University Western Kentucky University Professor of Folklore Logan, Utah Bowling Green, Kentucky University of North Carolina Chapel Hill, North Carolina Gloria Young Jacqueline C. DjeDje Exhibition and Publications Department of Music Ralph Samuelson Researcher University of California Associate Director Native American Art Los Angeles, California Asian Cultural Center Department New York, New York Philbrick Art Center Robert Garfias Tulsa, Oklahoma Dean of Fine Arts Nancy Sweezy University of California Potter, craftswoman Irvine, California Seagrove, North Carolina William Ivey Jeff T. Titon Executive Director Associate Professor of English Country Music Foundation Tufts University Nashville, Tennessee Medford, Massachusetts

Program funds: $2,804,650 Folk Arts Grants 228 grants

To enable nonprofit organizations to support such folk art activities as local Folk Arts festival, concerts, exhibits, and touring performances. Grants are also award­ ed for documentation of traditional arts through radio, film, and recording;, and for general assistance to the field. Program funds: $2,675,150 188 grants

Akwesasne Cultural Center For a 30-minute,16mm film documenting the uses of white kernel corn $20,000 Hogansburg, New York in Mohawk traditional arts and ceremonies. Akwesasne Cultural Center For field research and photo documentation of historic and contem­ 14,500 Hogansburg, New York porary Mohawk basketry to result in a photographic exhibit and an accompanying catalogue. 74 Folk Arts

Alabama, University of For a series of radio programs that feature live and recorded presen- 13,600 University, Alabama tations of black sacred music in the State of Alabama. Alaska Foundation, University of For the Festival of Native Arts, bringing together traditional Native 10,000 Fairbanks, Alaska Alaskan storytellers, dancers, and musicians for a week of public events.

Alternative Center for International For a series of 13 concerts by a magam ("mode or mood") ensemble, 12,000 Arts an important type of musical organization nearly universal in near- New York, New York eastern musical traditions.

American-Hungarian Educator’s To provide artists’ fees for a one-week series of workshops celebrating 7,000 Association traditional Hungarian music, dance, and embroidery. Bogota, New Jersey

American Indian Women’s Service For fees and travel costs for artists demonstrating traditional 1,000 League Northwest coast Indian art forms in conjunction with the Contem­ Seattle, Washington porary Western Native American Art Exhibit in Seattle.

American Place Theatre For salaries and travel expenses of artists participating in a two-week 39,100 New York, New York series of presentations of a traditional medicine show at the American Place Theatre, and for additional related programs at New York University.

American Society for Eastern Arts For a series of six concerts of traditional music from in and around 7,500 San Diego, California San Diego presenting local artists of Portuguese, Mexican, Southeast Asian, Philippine, Guatemalan, and African origins.

American Society for Eastern Arts For a one-year series of teaching workshops in the local Southeast 22,000 San Diego, California Asian community by traditional Laotian Hmong musicians, dancers, and pa ndau embroiderers.

An Claidheamh Soluis For a festival at Staten Island’s Snug Harbor Cultural Center, featur- 7,600 New York, New York ing Irish-American traditional performing arts, and for two local ceili dances preceding the festival.

Appalshop For five members of Roadside Theatre to collect material from local 5,000 Whitesburg, Kentucky traditional Appalachian storytellers to incorporate into their touring repertory.

Appalshop For a 16mm film documenting the life and music of traditional Ap- 27,000 Whitesburg, Kentucky palachian singer and songwriter Sarah 0gan Gunning.

Appalshop To complete a 16mm film documenting the history, songs, and the con- 14,000 Whitesburg, Kentucky tinulng aesthetic influence on American country music of the A.P. Carter family of southwest Virginia.

Apprenticeshop For master boat builder David Foster to supervise hands-on learn- 20,000 Rockport, Maine ing of the traditional construction of plank-on-frame heritage small crafts from the North American Seaboard. Arizona, University of To organize several Yaqui traditional events called, "Yo Owen 17,000 Tucson, Arizona Etehome (When the Elders Talk)," during which legends and tradi­ tional orations are recounted and ceremonial behavior and dress discussed and documented for tribal archives.

Arkansas Arts Council For a series of workshops to familiarize educators with the curriculum 9,000 Little Rock, Arkansas developed by the state folk arts program and for a field work assis­ tant to help establish additional liaison with the state’s folk artists.

Arts and Humanities Council of For artists fees and production expenses involved in the 1984 River 8,000 Greater Baton Rouge City Blues Festival. Baton Rouge, Louisiana

Association of Cambodian Refugees in To produce a cassette tape with a brochure of traditional Khmer(Cam- 2,400 Minnesota bodian) vocal and instrumental music performed by refugee Khmer St. Paul, Minnesota musicians now living in St. Paul Atlanta, City of For the fourth annual Festival of Georgia Folklife, expanded into a 19,000 Atlanta, Georgia state-wide event in honor of Georgia’s 250th anniversary. Berea College For the Celebration of Traditional Music, a festival featuring outstan- 1,500 Berea, Kentucky cling Appalachian musicians. Folk Arts 75

Boston Children’s Museum For a series of workshops and demonstrations by Japanese-American 8,500 Boston, Massachusetts traditional artists in the craf~ of Ningyo (rice paper dolls), Zad (tradi­ tional woven sandals), Veriage (handbuilt colored clay objects), and Roketsu-Zome (wax dye resist on paper or fabric). Boys Harbor For a series of performances of traditional Afro-Cuban music and 19,900 New York, New York dance at public performance sites and three series of workshops in Afro-Cuban dance, music, and drum-making. Buffalo, City of To bring traditional Basque dance and language instructors from Idaho 4,900 Buffalo, Wyoming and Nevada to the Big Horn Basque Club’s annual Assumption Day Festival. California Academy of Sciences For a 50-week series of programs in the Wattis Hall of Man, featur­ 15,000 San Francisco, California ing traditional artists from various ethnic communities in the San Francisco Bay area.

California, Regents of the University of To prepare a catalogue with sound recording of the Lowie Museum’s 24,800 Berkeley, California collection of traditional songs and narratives of California Indian groups, and for distribution of the materials among more than 83 tribes, rancherias, and Indian orgaaizations in the state. Cambodian Association of America For a series of workshops in traditional Cambodian dance held at the 7,500 Chicago, Illinois Cambodian Craft Center. Carroll County Historical Society To produce a half-hour videotape documentary on the art and life of 15,600 Berrysville, Arkansas traditional Ozark ballad singer Almeda Riddle. Carter Family Memorial Center For a weekly concert series of Appalachian traditional music and an 15,000 Hfltons, Virginia annual three-day festival by local traditional artists. Center for Southern Folklore For a series of weekend performances at Beale Street’s Old Daisy 36,0(D Memphis, Tennessee Theater that features traditional music and old-time musicians associated with Beale Street and with the mid-South.

Center for Southwestern Folklore For a 3~minute 16ram film documenting traditional Texas-style rid° 35,700 Cerrillos, Minnesota dling, featuring the dean of Texas fiddlers, Benny Thomasson. Channel 5 Public Broadcasting For a 30-minute videotape on Lige Langston, rawhide worker and 26,000 Reno, Nevada traditional cowboy singer. Chinatown Planning Council For a series of workshops in the performing and visual arts associated 5,700 New York, New York with Peking-style Chinese opera. Chinatown Planning Council For a series of advanced workshops in the performance of orchestral 5,700 New York, New York music accompanying Chinese Peking opera. Colorado Council on the Arts and For a 13-part series of short radio programs documenting the per­ 11,000 Humanities forming arts of Colorado’s traditional folk artists. Denver, Colorado Colorado Council on the Arts and To continue the position of the Colorado state folk arts coordinator 20,000 Humanities for a third year. Denver, Colorado 12,000 Columbus Museum of Arts and For the Chattahoochee Folk Festival, which features the traditional Sciences arts of the lower Chattahoochee Valley region of Georgia and Columbus, Georgia Alabama.

Commonwealth Council for Arts and For a series of presentations in schools by local Chamorran and Caroli­ 2920o Culture nean traditional craftsworkers, musicians, and dancers; several inter­ Saipan, Northern Mariana Islands island exchanges of traditional artists; and a one-month exhibit of local traditional visual arts in the CCAC Gallery. Community Music Center For a series of master classes and two concert performances in tradi­ San Francisco, California tional Chinese music. COMPAS For a performance of traditional classical Cambodian music and dance St. Paul, Minnesota by a seven-piece mahori orchestra and a group of trained dancers on the Cambodian New Year’s Day.

Consortium for Pacific Arts and To tour a company of traditional Hawaiian hula dancers and musi­ 12,500 Cultures cians to performances on Guam, Saipan, Tinian, and Rota. Honolulu, Hawaii Cowee Elementary School For a folk festival featuring traditional artists from the Macon County Franklin, North Carolina area. 76 Folk Arts

Cultural Council Foundation For ten concerts presenting lullabies and infants songs traditional 5,000 New York, New York to diverse ethnic groups of the Brooklyn area. Dallas Community Chest Trust Fund For a downtown folk festival, featuring the traditional music and crafts 15,900 Dallas, Texas of Afro-American, American Indians, and black and Anglo cowboys in and around Dallas. Dances We Dance For a series of nine performances of various dance traditions of ethnic 6,000 Honolulu, Hawaii groups resident in Hawaii. Documentary Educational Resources For a series of short films on fiddle styles of the northeastern states, 26,300 Watertown, Massachusetts featuring local virtuosos in New England, Nova Scotian, and French Acadian repertoire and techniques. Duquesne University Tamburitzans To complete cataloging the folk costume collection of the Tamburit­ 20,000 Pittsburgh, Pennsylvania zan National Folk Arts Center and mount an exhibition of traditional central European costumes in conjunction with the Pittsburgh Folk Festival.

Eastern Illinois University For field research, documentation activities, and the development of 28,100 Charleston, Illinois an exhibition focusing on the traditional arts of east central and southeastern Illinois. Fenway Community Development For a neighborhood festival featuring renowned blues artist Howard 5,700 Corporation Armstrong. Boston, Massachusetts Ferrnm College For a survey to identify and document traditional artists in Bedford 7,300 Ferrum, Virginia County to facilitate their participation in regional and local festivals and educational programs. Ferrum College For a master tape and interpretive booklet on black a capella quartet 10,500 Ferrum, Virginia singing from the Hampton Roads area of Virginia. Film Arts Foundation To complete Les Blues de Balfa, a 16mm film documenting Louisiana 5,000 San Francisco, California Cajun music. Film Arts Foundation For a 16mm film on the importance of corn as a symbol in Hopi art, 27,900 San Francisco, California with particular focus on ceremonial and religious activities. Film Arts Foundation To produce a 30-minute, 16mm film documenting the hand-carved 23,700 San Francisco, California replicas of 19th-century whaling ships and sailing packets of Cape Verdean-American artist Juaquin Miguel Almeida. Film Arts Foundation To produce a 16mm film documenting the life and music of blues ar­ 27,900 San Francisco, California tist Howard Armstrong. Florida, Arts Council of For a pilot state-based apprenticeship program, offering grants to 22,600 Tallahassee, Florida four Florida folk artists and qualified apprentices. Florida Folklife Center For a series of ten one-week folk arts demonstrations by Florida tradi­ 11,700 White Springs, Florida tional artists and craftspeople in the newly renovated Stephen Foster State Folk Culture Center.

Fort Mason Foundation For the Western Regional Folklife Festival. 3,000 San Francisco, California Friends of the Indiana Dunes To provide artists’ honoraria for the Duneland Folk Festival, a two- 3,000 Valparaiso, Indiana day event featuring traditional artists from northwestern Indiana. Georgia Sea Island Folklore Revival For the Georgia Sea Island Festival of local traditional arts and artists. 10,000 Projects Brunswick, Georgia

Glaser, Margaret To participate as an Arts Management Fellow in the Folk Arts 1,650 Washington, D.C. Program.

Governor’s Heritage Affairs Advisory For the position of director of state folklife programs. 26,000 Commission Harrisburg, Pennsylvania

Governor’s Heritage Affairs Advisory For two evening concerts and an afternoon crafts demonstration by 6,700 Commission traditional artists of south central Pennsylvania held in conjunction Harrisburg, Pennsylvania with a conference on folklore and oral history of the area’s ethnic groups. Folk Arts 77

4,000 Graham County Public Schools For a series of in-school workshops and a festival of traditional music Robbinsville, North Carolina and crafts from the Stecoah and Robb~nsville communities in western North Carolina. 20,300 Guam Council on the Arts and For a folk arts coordinator position at the Guam Council on the Arts Humanities and Humanities. Agana, Guam 10,300 Historical Society of Rockland County For a ten-week exhibition on the artistic traditions and customs of New York, New York the Eastern Orthodox celebration of Easter as practiced in the Rus­ sian, ~an, and Greek communities of Rockland County.

Hotevilla Bacavi Community School For workshops in spinning, dyeing, and weaving of traditional Hopi Board of Education blankets and tapestries conducted by master Hopi textile artist Hotevilla, Arizona Percy Lomaguahu. 15,000 Idaho Commission on the Arts To amend a previous grant to include preliminary field work for a Boise, Idaho major traveling exhibition of the folk arts of Idaho. 21,100 Idaho Commission on the Arts For the position of state folk arts coordinator. Boise, Idaho 30,000 Illinois Arts Council For the position of state folk arts coordinator. Chicago, Illinois Indiana Arts Commission For a series of one-week folk arts programs, featuring local artists 12,400 Indianapolis, Indiana and artisans presented in local h~raries in six communities throughout Indiana. 25,000 Institute for the Study of African For a festival of African performing arts and a series of performance Culture workshops. St. Louis, Missouri 15,200 Institute of Alaska Native Arts For an exhibition of traditional native basketry from seven major Fairbanks, Alaska cultural groups in Alaska, with accompanying workshops and demonstrations. Inter-American University of Puerto For a series of workshops in the Puerto Rican art of fine palmetto 7,700 Rico hat weaving followed by a one-day straw festival celebrating Puerto San Juan, Puerto Rico Rican fiber crafts. International Arts Relations For a major concert of Afro-Cuban music in honor of senior Cuban New York, New York music scholar Lydia Cabrera. International House of Philadelphia For an intern to plan and present a series of traditional arts presen­ Philadelphia, Pennsylvania tations in Hispanic, Black, Irish, and Italian Philadelphia communities, and to reorganize the Folklife Center’s slide and tape archives to allow greater community access to these materials. International House of Philadelphia For artists’ fees and fieldwork expenses for "Folk Arts in Philadelphia Philadelphia, Pennsylvania Schools," in which local traditional arts are demonstrated in classrooms throughout the city.

Intersection for the Arts For the traditional arts component of the 1984 Kmhmu New Year’s Santa Ana, California celebration in Stockton, California. Interstate Firehouse Cultural Center For a series of performances and workshops by five groups of tradi­ Portland, Oregon tional artists from Portland and San Francisco, including Japanese- American taiko dojo drummers, a Chinese-American lion dance group, master Ghanaian drummer Obbo Addy, and an Irish American in­ strumental ensemble.

Iowa State Arts Council For the position of Iowa state folk arts coordinator. 22,000 Des Moines, Iowa Irish Festivals To bring the "Green Fields of America" tour group of traditional Irish- 5,600 Milwaukee, Wisconsin American musicians to Milwaukee’s 1983 Irish Fest. Japan Town Art Movement For a traditional arts component of the San Francisco Oshogatsu, a 2,000 San Francisco, California festival celebrating Japanese New Year. Japanese-American Cultural and For festival performances and workshops presenting Japanese tradi­ 7,000 Community Center tional arts associated with Oshogatsu, the Japanese New Year’s Los Angeles, California celebration. 78 Folk Arts

Japanese-American Cultural and For a series of six concerts of classical Asian music and dance tradi­ 22,000 Community Center tions native to the Philippines, Japan, China, Korea, and Southeast Los Angeles, California Asia.

Jefferson National Expansion For a short-term internship with responsibilities in management and 4,200 Historical Association production. St. Louis, Missouri Jefferson National Expansion For artists’ fees for the eighth Frontier Folklife Festival. 10,000 Historical Association St. Louis, Missouri

Jubilee Community Arts For a one-year concert series of local traditional music in two Knox­ 26,900 Knoxville, Tennessee ville theaters and in local schools.

Kansas State Historical Society For the position of state folk arts coordinator. 22,300 Topeka, Kansas

Kansas State University For the fifth annual state-wide Kansas Folklife Festival. 9,000 Manhattan, Kansas

Kentucky Arts Council To expand the program of folk arts residencies in rural libraries to 15,000 Frankfort, Kentucky an additional library district.

Kentucky Arts Council For the Folk Arts in Rural Libraries program, identifying and presen­ 9,200 Frankfort, Kentucky ting traditional artists and craftsworkers in the Lincoln Trail Regional Library district of Kentucky.

Kentucky Center for the Arts To hire a director of folklore programming to identify and present 35,000 Louisville, Kentucky traditional arts and artists from Kentucky at the center and in outreach programs throughout the state.

Kenyon College For a long-playing record documenting a number of exceptional tradi­ 6,000 Gambier, Ohio tional Ohio fiddlers, most of whom have never been recorded.

Kenyon College For the 12th annual Gambier Folk Festival, featuring traditional ar­ 4,500 Gambier, Ohio tists from the central Ohio area.

Laredo Council for the Arts For a folk arts component in the 1983 Borderfest to feature quilting, 5,500 Laredo, Texas pinata-making, woodcarving, needlework, and other arts traditional to the region.

Lesley College Graduate School For fieldwork to identify and document traditional New England 10,800 Cambridge, Massachusetts storytellers to be presented in public and recorded on cassette tape for study purposes.

Loneman School Corporation For a series of workshops in the making of traditional dance regalia 5,000 Oglala, South Dakota conducted by a group of elder Lakota Sioux craftspeople.

Louisiana Folklife Program For the Florida Parishes Folldife Project, a conference and field 21,000 Baton Rouge, Louisiana survey in the panhandle parishes, resulting in an exhibit and catalogue of local folk art. Louisiana Museum Foundation For a folk arts coordinator at the Louisiana State Museum to survey New Orleans, Louisiana and evaluate local museum resources in the folk arts in Louisiana for eventual joint exhibitions and study projects.

Loyola University of Chicago For a series of mini-festivals at appropriate locations in Chicago that 15,000 Chicago, Illinois features various aspects of the Chicago blues tradition.

Maine Festival of the Arts To expand the festival’s folk arts program by providing additional 7,400 Brunswick, Maine artists fees and upgrading display and performance facilities.

Maine Maritime Museum To document and disseminate information and detailed drawings on 20,000 Bath, Maine the rigging of workboats traditional to the Maine coast.

Massachusetts Council on the Arts and To hire a state folk arts coordinator to collect data on existing folk 35,000 Humanities arts activities in the state, bolster the f’mancial base of support for Boston, Massachusetts these activities, and provide technical assistance to strengthen ex­ isting programs.

Memphis State University For a concert and reunion of Memphis-based old-time black gospel 9,500 Memphis, Tennessee quartets and an LP disc documenting their music, especially for local distribution.

Michigan State University For three-months support for the position of state folk arts 6,000 East Lansing, Michigan coordinator. Folk Arts 79

Milwaukee County War Memorial For a festival that features traditional family bands from various 10,000 Center ethnic and regional groups in the upper Midwest. Milwaukee, Wisconsin 17,500 Milwaukee Public Museum For a series of workshops, a concert, and a cassette recording featur- Milwaukee, Wisconsin ing traditional musicians from southeastern Wisconsin. Minneapolis American Indian Center For a series of public demonstrations in schools and other public Minneapolis, Minnesota facilities by traditional Chippewa and Sioux craftsworkers. Minnesota State Arts Board For the position of state folk arts coordinator. St. Patti, Minnesota Mississippi Arts Commission To set up a pilot state-based apprenticeship program. Jackson, Mississippi Mississippi Band of Choctaw Indians For a reservation-based program of instruction in needlework, Philadelphia, Pennsylvania basketry, beadwork, and drum making by traditional Choctaw ar­ tists, and for exhibits and demonstrations at two annual Choctaw In­ dian fairs. Mississippi, University of For artists’ fees and local travel costs for the third annual Oxford 10,000 University, Mississippi Folklife Festival. Missouri, University of To hire a special projects coordinator for the Missouri Cultural 43,300 Columbia, Missouri Heritage Center. 11,700 Museum of American Folk Art For 11 events of traditional performances held in conjunction with New York, New York a symposium and exhibition on religious folk art in America. National Council for the Traditional For the National Folk Festival held in the Cuyahoga National Park 15,000 Arts in Ohio. Washington, D.C. National Council for the Traditional For a tour to present old-time uncommercialized cowboy music, dance, 34,500 Arts and storytelling at approximately 15 major western concert sites. Washington, D.C. National Council for the Traditional For a tour by the Khmer classical dance troupe to six California cities 30,700 Arts that have the largest concentrations of Cambodians in this country. Washington, D.C. Nebraska Educational Television To amend a previous grant to include additional costs for seriptwriting, 3,800 Network narration, and editing for the series, Hand Me Downs. Lincoln, Nebraska New Jersey Public Broadcasting For the production of a 30-minute film documenting the traditional 17,900 Authority narratives, songs, and boat building techniques of New Jersey Trenton, New Jersey oystermen. 3,800 New Mexico Arts Division For a series of crafts demonstrations at Pecos National Monument Santa Fe, New Mexico by Hispanic and Native American traditional artisans of the surroun­ cling region.

New Mexico Arts Division For a 28-minute, 16mm film documenting the senior Hispanic folk 38,000 Santa Fe, New Mexico musicians of New Mexico and Colorado previously recorded for the radio series La Musica de dos Viefitos.

New York, Research Foundation of For the Center for Puerto Rican Studies to produce a film documen- 35,000 the City University of ting the Puerto Rican plena, a traditional music and dance form. New York, New York New York State Council on the Arts For a pilot state-based folk arts apprenticeship program to involve New York, New York 12 or more master artists and up to 20 apprentices. Nooksack Indian United Methodist To train young carvers in the construction of the traditional Nook- Church sack river canoe. Bellingham, Washington Northern Mariana Islands, For a series of workshops in coconut frond weaving by master artist 9,100 Commonwealth of the Balbina Norita Kintaro. Saipan, Northern Mariana Islands Northern College For two sets of LP discs that document traditional music of the Finns Ashland, Wisconsin and several other ethnic groups from the south shore region of Lake Superior. 80 Folk Arts

Ohio Arts Council For honoraria, travel, and supply costs of a project to research, docu- 6,700 Columbus, Ohio ment, and present traditional craft methodology, storytelling, and other verbal and non-verbal arts found in the western Lake Erie maritime region. Onion River Arts Council For a folk arts component in a festival of Vermont traditional music 9200 Montpelier, Vermont and crafts. Oregon School of Arts and Crafts For a series of classes for master artist Bua Sua Mua to teach the Portland, Oregon performance and traditional repertory associated with the Hmong kleng, a mouth-blown reed pipe organ. Our Lady of Sorrows Church For the reconstruction and painting of the reredos (altar screen) in Santa Fe, New Mexico the Arroyo Hondo church by local traditional artist, Marie Romero Cash. Pacifica Foundation To produce a series of half-hour radio programs on traditional musi- 11,400 New York, New York cians in Mississippi. Pacifica Foundation For 13 radio programs in the series, Music in the World, featuring 22,900 New York, New York traditional music of immigrant communities in the U.S. Peoples and Cultures For field work expenses and artists’ honoraria necessary to identify 18,700 Cleveland, Ohio and incorporate traditional artists and craftspeople in an ongoing ethnic neighborhood touring program. Phelps Stokes Fund For a series of 20 workshops in various Afro-Caribbean traditional 15,900 New York, New York arts, including storytelling, drumming, vocal chants, and costuming skills. Philipino Cultural Resource Center For a series of workshops, a community festival, and several slide 10,000 San Diego, California and tape presentations of local traditional Philipino arts and artists. Plaza de la Raza For a Mexican Folklife Project to locate previously unidentified tradi- 19,000 Los Angeles, California tional Mexican-American artists resident in the Los Angeles area to be followed by workshops and a two-day major festival. Plumas County Arts Commission To sponsor several apprenticeships in Maldu traditional basketry con- 3,500 Quincy, California struction and to document the technique for a subsequent educational exhibit. Positive Productions To complete a 16mm film documenting the life and music of tradi- 6,900 Washington, D.C. tional bluesmaker Flora Molton. Progressive League For the traditional arts component of the 1983 Africatown Folk 16,000 Prichard, Alabama Festival. Progressive League For the traditional arts component of the 1984 Africatown Folk 18,000 Prichard, Alabama Festival. Providence Department of State Parks For a one-year series of presentations in city parks by traditional ar- 26,500 Providence, Rhode Island tists of local ethnic groups, including Hispanics, Southeast Asians, Portuguese-Americans, and various Indian tribes.

Public Art Films For a 16mm film documenting newly developing folk arts of"break- 26,500 New York, New York ing," a dance form; and mural painting in subway cars originated and practiced by adolescents in New York City. Public Communication Foundation for For a series of short radio programs that document traditional ar- 7,800 North Texas tists of the Dallas-Fort Worth area for broadcast on NPR’s Morning Dallas, Texas Edition. Rhode Island State Council on the Arts For the state folk arts coordinator position. 3420o Providence, Rhode Island Roberson Center for the Arts and For "A Family Quilt Collection," an exhibit on a traditional art of 10,000 Sciences south central New York, including demonstrations and film showings. Binghamton, New York

Rocky Boy Health Board To retrieve, document, and disseminate the traditional music of the 27,900 Box Elder, Michigan Cree tribe resident on the Rocky Boy Reservation.

Sacred Harp Publishing Company For a series of 33 one-week singing schools in Sacred Harp choral 5,000 Temple, Georgia traditions in communities in Alabama, Florida, Georgia, and Mississippi. Folk Arts 81

15,000 Salisbury State College For a major exhibition showing the changes brought about in the folk Salisbury, Maryland art form of wildfowl carving by the work of master carvers Stephen and Lemuel Ward. Salisbury State College For a two-day festival featuring traditional arts and crafts from the 8,000 Salisbury, Maryland Delmarva Peninsula. 25,000 San Antonio Museum Association To research, interpret, and install an extensive exhibition of Mexican- San Antonio, Texas American folk arts from the greater San Antonio area. 2,400 San Jose State University Foundation For videotape documentation of the construction of a ceremonial canoe San Jose, California in the Micronesian Republic of Belau (Palau). Saratoga County Historical Society For a series of performances in approximately 40 county schools by 4,900 Ballston Spa, New York Sara Cleveland, blind traditional Anglo-American ballad singer and storyteller.

Sealaska Heritage Foundation To document and disseminate through tape cassettes and songbooks 30,000 Juneau, Alaska the traditional songs of the Tlingit, Haida, and Tsimshian tribal nations.

Seattle Arts Museum For a series of dance performances and narrative presentations by 25,500 Seattle, Washington Native American tribal groups from the Northwest Coast, held in conjunction with the exhibit, "Arts of the Northwest Coast: From Salish to Tlingit." 5,000 Seattle Cherry Blossom and Japanese For a production of buyo (traditional Japanese folk dance) at the 1983 Cultural Festival Committee festival. Seattle, Washington Self-Help Graphics and Art To expand the Pico Rivera School District’s arts-in-education pro­ 8,000 Los Angeles, California gram to include a series of workshops and demonstrations by four local Mexican-American folk artists. Sino-American Cultural Society For four performances of Chinese Peking Opera and workshops in 11,000 Bethesda, Maryland five Chinese-American afternoon cultural schools in the greater Washington area.

Society for the Study of Native For a series of master classes in the Brazilian art of capoeira, a highly 10,500 American Arts and Sciences elaborated improvised style of dance and music in a martial arts Berkeley, California tradition. South Carolina, University of For McKissick Museum to document traditional quilting practices, 20,400 Columbia, South Carolina aesthetics, and products in three regions of South Carolina; and for a traveling exhibition of quilts identified through this research. 9,700 South East Asian Design For a three-month exhibition of traditional Laotian textiles at the Seattle, Washington Thomas Burke Memorial Museum at the University of Washington. South Florida, University of For a 16mm film documenting "Diamond Teeth Mary" McClain, an 19,500 Tampa, Florida early gospel and blues artist. Southern Development Fund To survey, document, and present local Afro-American folk artists 20,000 Lafayette, Louisiana in small community events in order te design a long-term folk cultural program to meet community needs. Southern Illinois University For the exhibition, "From Mother to Daughter. Ethnic Patterns in 15,000 Carbondale, Illinois Handwork," a display of traditional women’s crafts from various ethnic communities in southern Illinois. 16,500 Southwest Parks and Monuments For the Santa Monica Mountains Folklife Festival, featuring tradi­ Association tional artists from folk and ethnic groups of the southern California Globe, Arizona region. Southwestern Alternate Media Project For a 29-minute, 16mm color film documenting the folk arts, music, 32,000 Houston, Texas and ritual customs included in Hispanic wedding traditions in northern New Mexico. Sun Valley Center for the Arts and For a series of workshops on regional folk arts of Idaho at the Nor- 420O Humanities them Rockies Folk Festival. Sun Valley, Idaho Symphony Space For 12 performances of traditional Sicilian marionette theater by 5,700 New York, New York master puppeteer Mike Manteo and his family company. 12,000 Theater Workshop of Boston For a n~or concert celebrating the Puerto Rican cuatro and the tradi­ Jamaica Plain, Massachusetts tional music associated with the instrument. 82 Fo/k Arts

Utah Folklife Center To bring western folk arts coordinates and other professional per­ Salt Lake City, Utah sonnel to the Fife Conference on Western Folklore and Arts for cooperative planning and discussion of possibilities for regional pro­ gram development. Utah Folklife Center For the position of assistant folk arts coordinator. Salt Lake City, Utah Vermont Council on the Arts For the folk arts program of the Vermont Council on the Arts and Montpelier, Vermont the position of state folk arts coordinator. Virgin Islands Council on the A_rts For a festival of Virgin Island quadrille dancing and demonstrations St. Croix, Virgin Islands of traditional crafts from the Virgin Islands and Puerto Rico, spon­ sored by the Island Center of St. Croix. Virgin Islands Council on the Arts For a series of weekly one-hour radio programs that features tradi- 7,500 St. Croix, Virgin Islands tional music and musicians of the Virgin Islands. Washington, University of For a nine-month residency by traditional Irish ballad singer Joe 10,000 Seattle, Washington Heaney in schools and colleges of the Puget Sound area. West Indian American Day Carnival To sponsor a series of 15 workshops in the traditional Caribbean arts 34,000 Association of mask and costume construction for carnival celebrations, and pro­ Brooklyn, New York vide start-up costs for a materials bank for costume makers. West Nebraska Arts Center For the Scottsbluff folk-artists-in-schools program and a series of coun- 14,600 Scottsbluff, Nebraska ty fair folklffe presentations coordinated by the arts center’s resident folklorist. West Philadelphia Educational For ten performances by local traditional musicians, dancers, and 2,900 Broadcasting Corporation storytellers, from various ethnic communities in the Spruce Hill Philadelphia, Pennsylvania neighborhood of Philadelphia. Western Carolina University For a series of folk-artists-in-schools programs involving short-term Cullowhee, North Carolina residencies by ten local traditional artists in five schools in the sur­ rounding mountain region.

Western Carolina University For a two-day workshop at the Mountain Heritage Center on southern 10,900 Cullowhee, North Carolina Appalachian and Irish traditional music and dance, held in conjunc­ tion with the opening of an exhibit, "The Migration of the Scotch- Irish People." Western Carolina University For the annual Mountain Heritage Day Celebration, sponsored by 4,000 Cullowhee, North Carolina the Mountain Heritage Center. Western New York Society for the For a concert of traditional Italian music and dance performed by 13,500 Preservation of Italian Folklore artists from local Italian-American communities. Buffalo, New York Western New York Society for the For a festival of Italian-American traditional arts at Artpark. 11,000 Preservation of Italian Folklore Buffalo, New York Western States Arts Foundation For a two-day meeting of a committee to plan a gathering of cowboy 1,500 Santa Fe, New Mexico poets in a western state in 1984. Whisnant, Susan S. To amend a previous grant to extend Ms. Whisnant’s participation 3,300 Baltimore, Maryland as a Fellow in the Folk Arts Program. Wilson (Warren) College For a 32-week local radio program featuring live and recorded per- 5,000 Swannanoa, North Carolina formances of traditional Appalachian music. Winston-Salem/Forsyth County S~hools For a one-week program of folk arts activities held in conjunction 8,500 Winston-Salem, North Carolina with North Carolina Heritage Week, and for one-day festivals in two junior high schools in the area.

Wisconsin Arts Board For a state folk arts coordination program, including introducing a 42,900 Madison, Wisconsin folk arts component into the Wisconsin artist-in-residency program, developing state-based folk arts apprenticeships, and encouraging a series of pilot folk arts projects around the state.

Wyoming Council on the Arts To amend a previous grant to hire a professional radio producer for 8200 Cheyenne, Wyoming a ten-program series on Wyoming traditional music and story-telling. Folk Arts 83

Folk Arts To enable performers or craftspersons to study with traditional masters in Apprenticeships their fields. Program funds: $39,500 23 grants

$1,500 Burke, Robert L. To study West African traditional drumming with master Ga drum­ Alexandria, Virginia mer Yacub Addy. Clark, Jonathan D. To study the Mexican guitarron with master guitarroncro Natividad 1,500 San Jose, California Santiago. 2,600 Cockerham, Ann O. To study traditional coverlet weaving with master artist A. David Terre Haute, Indiana Xenakis. 2200 Cook, Dennis G. To study saddlemaking and fancy leatherwork with master sad­ Hyrum, Utah dlemaker Glen Thompson. Dornfeld, Barry To study the art of West African drumming with master Ga drum­ 1,500 Philadelphia, Pennsylvania mer Yacub Addy. Engler, Elizabeth To study Irish fiddling with master musician Joe Murtaugh. 1,600 Berkeley, California Hansel, Steve L. To study traditional blacksmithing with master artist Gus Gadow. 1,500 Guttenberg, Iowa Hayashi, Arawana To study bugaku dance with former Japanese court master Suenobu 2,800 Cambridge, Massachusetts Togi. Heck, Vernon To study traditional blacksmithing with master artist Gus Gadow. 1,500 Guttenberg, Iowa Kann, Gregory D. To study traditional blacksmithing with master artist Gus Gadow. 1,500 Guttenberg, Iowa Keogh, Valeri To study traditional Irish accordion techniques with master musician 1,700 San Francisco, California Maureen Murtagh. Kikuchi-Yngojo, Robert E. To study the techniques and repertory of the Philippine Kulintang 2,100 San Francisco, California (gong row) ensemble with master artists Danongan Kalanduyan and Usopay Cadar. Marley, Danny To study traditional Westmoore pottery with master potters David 2,900 Seagrove, North Carolina and Mary Farrell. Marley, Danny To study advanced pottery techniques with master potters David and 1,500 Seagrove, North Carolina Mary Farrell. 1,400 Medina, Lazaro R. To study the singing style of Afro-Cuban religious music with master Tacoma Park, Maryland Afro-Cuban musician Hector Tavio. Miller, Bradley To study traditional blacksmithing with master artist Gus Gadow. 1,500 Guttenberg, Iowa 1,500 Pruitt, Dwain E. To study ornamental and architectural blacksmithing at John C. Camp­ Ringgold, Georgia bell Folk School with Francis Whitaker, and tool making with Jud Nelson.

Reilly, Michael J. To study traditional Irish music on tenor banjo and mandolin with 1,100 San Francisco, California master artist Miliosa Lundy. Schwarz, Peter H. To study Cajun fiddle playing with master musician Dewey Balfa. 1,500 Brodbeck, Pennsylvania Shrader, Erin M. To study traditional New England dance style fiddling with master 2,100 Seattle, Washington fiddler Rodney Miller. Singleton, Jon To study Appalachian fiddling with master musician Franklin George. 1,000 Takoma Park, Maryland Van Nest, Peter J. To study construction of the traditional Barnegat Bay sneakbox with 1,500 Brigantine, New Jersey master artist Edward Conldin. 84 Follc Arts

Wilpers, Michael W. To study traditional West African music with master Ga musician 1,500 Rockville, Maryland Yacub Addy.

National Heritage To recognize, through a one-time-only grant award, the nation’s most ex­ emplary master folk artists and artisans whose significant contributions Fellowships to the health and happiness of the nation have gone largely unrecompensed. Program funds: $90,000 17 grants

Barker, Sister R. Mildred For Sister Barker’s continuing contribution to excellence in the per­ $5,000 Poland Springs, Maine formance of Shaker hymns.

Cepeda, Rafael For Mr. Cepeda’s continuing contribution to excellence in the per­ 5,000 Santurce, Puerto Rico formance of Bomba and Plena music and dance. Hicks, Ray For Mr. Hick’s continuing contribution to excellence in the art of Ap­ 5,000 Banner Elk, North Carolina palachian storytelling. Hicks, Stanley For Mr. Hicks’ continuing contribution to excellence in the art of 5,000 Vilas, North Carolina storytelling, music, and instrument-making. Hooker, John Lee For Mr. Hooker’s continuing contribution to excellence in the per­ 5,000 San Carlos, California formance of blues guitar and songs. Manteo, Miguel (Papa) For Mr. Manteo’s continuing contribution to excellence as a performer 5,000 New York, New York in the Sicilian marionette theater tradition. Martinez, Narciso For Mr. Martinez’ continuing contribution to excellence as an accor­ 5,000 San Benito, Texas dionist and composer in the Texas-Mexican musical tradition. Meaders, Lanier For Mr. Meaders’ continuing contribution to excellence in the art of 5,000 Cleveland, Georgia traditional pottery. Riddle, Almeda James For Mr. Riddle’s continuing contribution to excellence in the perfor­ 5,000 Greers Ferry, Arkansas mance of traditional ballads. St. Pierre, Simon For Mr. St. Pierre’s continuing contribution to excellence in the per° 5,000 Smyrna Mill, Maine formance of French-American and New England fiddle music. Shannon, Joe For Mr. Shannon’s continuing contribution to excellence in the per­ 5,000 Chicago, Illinois formance of the Irish pipes. Stewart, Alex For Mr. Stewart’s continuing contribution to excellence in the art 5,000 Sneedville, Tennessee of woodworking and coopering. Thomas, Ada For Ms. Thomas’s continuing contribution to excellence in the art of 5,000 Charenton, Louisiana Chitimacha basketmaking. Toomer, Lucinda For Ms. Toomer’s continuing contribution to excellence in the art of 5,000 Columbus, Georgia qufltmaking.

Ward, Lem For Mr. Ward’s continuing contribution to excellence in the art of 5,000 Crisfield, Maryland carving and painting bird decoys. Williams, Dewey P. For Mr. William’s continuing contribution to excellence in the preser­ 5,000 Ozark, Alabama vation and performance of shaped-note songs.

Interagency Activities For travel and related expenses to enable the 16 National Heritage $10,000 Washington, D.C. Fellowship recipients to attend the awards ceremony in Washington, D.C. 86 In te~’-A

o 87 Inter-Arts

Inter-Arts Advisory Panels Betty Allen Dianne Gallert Cecil Lytle Soprano Executive Director Chairman of Music Department Executive Director League of Chicago Theatres University of California Harlem School of the Arts Chicago, Illinois San Diego, California New York, New York Michael Hardy Bruce Marks Judy Baca Director Artistic Director Visual artist Krannert Center for Ballet West Director the Performing Arts Salt Lake City, Utah Social and Public Art University of Illinois Resource Center Urbana, Illinois John Mazzola Venice, California President David Haugland Lincoln Center for Edward Block Director the Performing Arts Vice President Affiliated State Arts Agencies New York, New York Public Relations of the Upper Midwest AT&T Minneapolis, Minnesota Lawrence Miller New York, New York Director Patrick Hayes Laguna Gloria Art Museum Henry Bowers Executive Director Emeritus Austin, Texas Associate Vice Chancellor Washington Performing Arts of Student Affairs Society Carman Moore North Carolina State University Washington, D.C. Composer Raleigh, North Carolina Program Analyst Alan Kaprow New York State Council James "Plunky" Branch Interdisciplinary artist on the Arts Executive Director Rancho Santa Fe, California New York, New York Richmond Foundation for the Arts James Kearney David Nelson Richmond, Virginia General Manager Executive Director Spoleto Festival, U.S.A. Montana Arts Council Lee Breuer Charleston, South Carolina Missoula, Montana Artistic Director Mabou Mines Theatre Eric Larrabee Al Nodal New York, New York Writer Executive Director Board member of service Washington Project Nash Cox organizations for the Arts Executive Director New York, New York Washington, D.C. Kentucky Arts Council Frankfort, Kentucky Ann.Ellen Lesser Jan Oetinger Director Director Barnet Fain Millay Colony Arts and Lectures Program Businessman Austerlitz, New York University of California Santa Barbara, California Fain’s, Inc. Reynold Levy Providence, Rhode Island Executive Director Richard Oldenburg Robert Fitzpatrick 92nd Street YM-YWHA Director President New York, New York Museum of Modern Art New York, New York California Institute of the Arts Harvey Lichtenstein Valencia, California President Michael Palmer Brooklyn Academy of Music Poet, choreographer New York, New York San Francisco, California 88 Inter-Arts

Gaff Rector Ellen Thurston David White President Executive Director Executive Director University Musical Society Center for Arts I~formation Dance Theatre Workshop University of Michigan New York, New York New York, New York Ann Arbor, Michigan Steina Vasulka Video artist Santa Fe, New Mexico

Program funds: $3,243,828 Inter-Arts Grants Treasury funds: $225,000 228 grants

Includes three subcategories: Grants to Presenting Organizations improve Presenting their ability to present diverse, high-quality arts programming in their com- Organizations munities. Services to Presenting Organizations grants are awarded to state and regional arts agencies and service organizations to help presenters imo prove their skills. Dance/Inter-Arts/State Programs Presenting/Touring In­ itiative grants are combined with identical amounts in the Dance Program to increase the quality and quantity of dance presentations throughout the nation. Program funds: $1,734,680 Treasury funds: $ 180,000 120 grants

Grants to Presenting Organizations

Alternative Center for To continue an audience development program, improve earned and $12,000 International Arts contributed income, and improve the technical quality of the presen­ New York, New York tations at Alternative Museum. Anchorage Concert Association For a marketing campaign and fund-raising efforts for the Discover 20,000 Anchorage, Alaska Dance series and the celebrity series of music concerts. and/or service For audience development and to strengthen presentation abilities 20,000 Seattle, Washington for the 1983-84 season. Arts Council of Orange County To hire a marketing and audience development director and a fund- 10,000 Middletown, New York raising director for the Paramount Theatre. Arvada Center for the Arts and To aid in marketing and audience development efforts to increase 25,000 Humanities ticket sales, attendance, and membership contn%utions for the 1983~1 Arvada, Colorado season. Atlanta Arts Alliance For education programs, an audience development campaign, and in- 25,000 Atlanta, Georgia creased fund-raising activities. Atlanta, City of For media advertising for the 1983-84 season of programming by the 6,000 Atlanta, Georgia Department of Cultural Affairs. Bardavon 1869 Opera House To hire a consultant to assist with audience development and fund- 15,000 Poughkeepsie, New York raising by designing an automated system of data collection and retrieval.

Brooklyn Arts and Cultural Association To hire a development director and purchase paid advertising to in- 10,000 Brooklyn, New York crease the audience for the Downtown Cultural Center, which pro­ vides multi-media presentations. California Institute of Technology For the second phase of an audience development campaign for the 20,000 Pasadena, California 1983-84 season of multi-disciplinary presentations. California Institute of the Arts For the 1983-84 contemporary arts presentation season, including per- 25,000 Valencia, California formances by American artists in music, film, dance, and theater. Inter-Arts 89

California, University of For a comprehensive marketing audit to establish a framework for 20,000 Berkeley, California directing and distributing programming, marketing, and promotional resources for presentations in dance, theater, and music. California, University of To expand marketing efforts to include mass media advertising for 18,000 Los Angeles, California presentations at Royce Hall. California, University of For an audience development residency program involving profes­ 15,000 Santa Barbara, California sional artists and ensembles presented during the 1983-84 season. Cambridge Arts Council To form a friends organization to intensify public relations efforts, 10,000 Cambridge, Massachusetts and sponsor the artist-in-residence program. Centrum Foundation For the Festival of American Fiddle Tunes, the Poetry Symposium, 10,000 Port Townsend, Washington the Chamber Music Festival, Jazz Port Townsend, and the Interna­ tional Folk Dance and Music Festival. Chemung County Performing Arts To hire a director of development to implement campaigns to increase 15,000 Elmira, New York earned and contributed income for presentations at Clemens Perform­ ing Arts Center. Conununity Services For an audience education]outreach program, a corporate employee 27,500 Brooklyn, New York ticket program, and a group sales campaign for presentations at Brooklyn Center for the Performing Arts. Creative Time To hire a financial management consultant and director of public 18,200 New York, New York relations. Crooked Tree Arts Council For staff positions to assist in the expansion of the 1983-84 5,000 Petoskey, Michigan multidisciplinary presentations program. Cultural Activities Center To program outstanding emerging artists for the 1983-84 season. 7,500 Temple, Texas Dartmouth College, Trustees of For outreach activities, including workshops related to the 1983-84 13,000 Hanover, New Hampshire season of presentations at the Hopkins Center. DeCordova and Dana Museum and Park To present performers from the Boston area in a new opera by Otto 10,000 Lincoln, Massachusetts Peine and initiate an exchange program with Jacob’s Pillow in order to bring more dance to the museum. Denver Center for the Performing Arts For the presentation program of the center, including the Festival 30,000 Denver, Colorado Caravan that tours locally and the Black American Film Series. District Curators For artists’ fees, staff salaries, and advertising for the 1983-84 season. 5,000 Washington, D.C. Emelin Theatre for the Performing Arts For presentation costs for the 1983-84 series of chamber music, film, 10,000 Mamaroneck, New York jazz music, dance, and children’s presentations. Ethnic Folk Arts Center For an audience development and fund-raising project. 7,000 New York, New York Film in the Cities To improve public relations, audience development, and outreach for 20,000 St. Paul, Minnesota the 1983-84 season of multi-media presentations. Franklin Furnace Archive For the Sunday Night at the Performances series, which presents 5,000 New York, New York approximately 40 artists. Friends of the Arts To hire a full-time director of development for the 1983-84 season. 11,000 Locust Valley, New York Grand Opera House To help the center shift from a major concern with selling subscrip­ 12,000 Wilmington, Delaware tions to a new campaign aimed at single-ticket purchases. Hallwalls To hire a development director to carry out projects, including the 10,000 Buffalo, New York printing of an annual report and brochures for development purposes. Helena Film Society For audience development activities for the 1983-84 season. 10,000 Helena, Montana Hill (Thelma) Performing Axis Center For the 1983-84 season of solo and duo dance, gospel concerts, and 7,500 New York, New York theater presentations. Hippodrome Theatre Workshop For an expanded media campaign and development of audience- Gainesville, Florida information materials. 90 Inter-Arts

Illinois, University of For the 1983-84 season at the Krannert Center for the Performing 10,000 Urbana, Illinois Arts.

Interlochen Center for the Arts For ticket marketing for the 1983-84 season of presentations. 10,000 Interlochen, Michigan Intersection For the 1983-84 season of more than 300 presentations. 12,000 San Francisco, California Intersection For the San Francisco International Theatre Festival, including more 7,500 San Francisco, California than 150 performances of theater, dance, and music presentations. Iowa, University of To assist with marketing, audience development, and fees for non­ 35,000 Iowa City, Iowa traditional programs at Hancher Auditorium. Japanese American Cultural and For the 1983-84 season of presentations. 10,000 Community Center Los Angeles, California Jeweli (William) College To develop larger audiences through the use of an extensive direct 7,500 Liberty, Missouri mail campaign for the 1983-84 season. Kansas State University For an audience-development earned-income study to enable McCain 10,000 Manhattan, Kansas Auditorium to plan more effectively for future seasons. Kansas, University of For improved marketing for the presentations of music and dance. 7,500 Lawrence, Kansas Kenyon College To hire a presenting program admires" trator responsible for marketing 5,000 Gambier, Ohio and fundraising activities for the Kenyon Festival. Lehman College For an audience development marketing campaign for the 1983-84 7,500 Bronx, New York season of music and dance presentations at the Center for the Per­ forming Arts. Lincoln Center for the Performing For the 1983-84 season, including the Lincoln Center Out-of-Doors, TF 90,000 Arts the Community Holiday Festival, and the Great Performers series. New York, New York Lower Manhattan Cultural Council To intensify public relations and audience development efforts and 10,000 New York, New York promote alternative spaces in lower Manhattan. Madison, City of For outreach programs and for the 1983-84 season of presentations 13,500 Madison, Wisconsin at the Madison Civic Center. Maryland, University of For mail campaigns and local advertising for the 1983-84 presenta­ 10,000 College Park, Maryland tion series. McCarter Theatre Company For audience development, fund-raising activities, and programming 35,000 Princeton, New Jersey for young people for the 1983-84 season of performances of dance, theater, and music. Missouri, University of To hire an audience development and education coordinator for the 10,000 Columbia, Missouri 1983-84 season of dance and music presentations. MoMing Dance and Arts Center To introduce new audiences to MoMing, increase earned income poten­ 10,000 Chicago, Illinois tial, and continue offering a performance space for contemporary choreographers, new music composers, and other experimental ar­ tists in the Chicago area.

Music Hall Center for the To hire a marketing consultant and assist with staff positions in au­ 30,500 Performing Arts dience development. Detroit, Michigan Native American Center For the 1983-84 season of multi-disciplinary presentations in theater, 5,000 Niagara Falls, New York music, film, and the visual arts. Natural Heritage Trust For audience development and fund-raising activities for Artpark. 40,000 Lewiston, New York Nebraska, University of For development of private sources of funding through expansion of 15,000 Lincoln, Nebraska a support organization to obtain private grants and stimulate addi­ tional endowment sources. New York Shakespeare Festival For an audience development campaign for the multi-disciplinary 15,000 New York, New York presentations at the Public Theatre. Inter-Arts 91

92nd Street YM-YWHA For the 1983-84 season of presentations in music, theater, literature, TF 90,000 New York, New York and the visual arts. Norris (Dellora, A.) Cultural To aid with audience development efforts for the 1983-84 season. 10,000 Art~ Center St. Charles, Illinois North Carolina State University To hire a manager for development to increase contn~vutions through 14,900 Raleigh, North Carolina a fund-raising campaign for the Stewart Theatre. North Dakota, University of To hire a director of audience development and implement audience 8,000 Grand Forks, North Dakota development strategies based on surveys. Oberlin Dance Collective For artists’ fees, staff salaries, and expanded regional marketing for 10,000 San Francisco, California the Performing Arts Forum. Ohio University For artists’ fees for residencies by performers in community centers, 2,500 Athens, Ohio public schools, and senior citizen centers. Painted Bride Art Center For audience development efforts to coincide with a move to a per° 6,580 Philadelphia, Pennsylvania manent home accommodating larger audiences and requiring greater promotional efforts.

Palm Beach Festival For artists’ fees for the 1983~4 series of presentations of dance, music, 18,500 West Palm Beach, Florida and visual arts. Paramount Theatre for the For a multidisciplinary festival of theater, music, and dance 7,000 Performing Arts presentations. Austin, Texas Pennsylvania, Trustees of the For the Annenberg Center’s presentations of various theater and 10,000 University of dance attractions during the 1983-84 season. Philadelphia, Pennsylvania People’s Theater Coalition For an audience and fiscal development program for the 1983-84 10,000 San Francisco, California season. Performing Artists/Omaha To increase the audience, enhance the organization’s image, and 10,000 Omaha, Nebraska develop a larger and more effective support group of volunteers. Performing A~s Council of the For increased artistic activities of the Education Division in the Los 50,000 Los Angeles Music Center Angeles Music Center. Los Angeles, California Philadelphia All-Star Forum Series For audience development and fund-raising campaigns, and a plan 15,000 Philadelphia, Pennsylvania for increased solicitation of corporate, individual, and local founda­ tion assistance. Portland Center for the Visual Arts For artists’ fees, audience development, and program development. 14,000 Portland, Oregon Ravinia Festival Association For audience development efforts to increase earned income for the 25,000 Chicago, Illinois 1983 festival. Real Art Ways Raw Ink To hire a publicity, marketing, and education coordinator to identify 12,000 Hartford, Connecticut new audiences, promote programs for particular interest groups, and develop cooperative education endeavors with local and regional schools. Regional Arts Foundation For an audience-development project, the expansion of Young Folk 10,000 West Palm Beach, Florida Concerts, and an increase in the number of dance residencies. Rochester Philharmonic Orchestra For increased audience development and artists’ fees. 15,000 Rochester, New York San Francisco Performances For an expanded marketing campaign, the use of a marketing con- 15,000 San Francisco, California sultant, an enlarged subscription mailing, and a membership campaign for the 1983-84 season. Sangre de Cristo Arts and For an extensive marketing campaign using mass media and print 13,000 Conference Center advertising. Pueblo, Colorado Schubert Club To increase fund-raising and marketing efforts through hiring of a 10,000 St. Paul, Minnesota bookkeeper, reorganizing staff, and expanding programming. 92 Inter-Arts

Society for the Performing Arts For automation of the collection of subscriber information and major 15,000 Houston, Texas contributor data for presentations at Jones Hall. Spirit Square Arts Center To hire a director of development to build membership support and 25,000 Charlotte, North Carolina other contributed income and to present the Festival of New Art. Spoleto Festival, U.S.A. For the 1983 presentation schedule of Spoleto U.S.A. 50,000 Charleston, South Carolina Stanford University, Trustees of To expand the fund-raising program for Lively Arts at Stanford into 6,000 Stanford, California the business and corporate community, and for the program’s outreach efforts at schools, senior citizen centers, and community organizations.

Stockton State College For audience development, fund-raising, and program enrichment to 5,000 Pomona, New Jersey serve as a catalyst for raising additional revenue for the 1983-84 presentation series.

Summers (Elaine) Experimental For the 1983-84 season of presentations, including premieres of new 14,600 Intermedia Foundation works. New York, New York Unity Institute For fund-raising for the 1983-84 series of music, dance, and film 5,000 Montclair, New Jersey presentations. Urban Institute for Contemporary Arts For the 1983-84 season of presentations. 3,000 Grand Rapids, Michigan Virgin Islands, College of the For two staff positions in audience and fund-raising for the Reich.hold 10,000 St. Thomas, Virgin Islands Center for the Arts. Western Illinois University For the development of a friends of the arts organization to solicit 7,000 Macomb, Illinois funds from the private sector for the multi-disciplinary series of presentations.

Wilma Project To hire an audience development director. 14,000 Philadelphia, Pennsylvania Women and Their Work For development efforts, including increased communication with Austin, Texas foundations to promote support for innovative, cross-cultural 10,500 programs.

Young Men’s and Young Women’s For an audience development plan for the 1983-84 season. 5,000 Hebrew Association Wayne, New Jersey

Services to Presenting Organizations

Affiliate Artists To expand the Community Artists Residency Training Program $25,000 New York, New York (CART) and continue training new presenting organizations in the South and Midwest. Affiliated State Arts Agencies of the To develop a network for presenters within the five-state member 17,000 Upper Midwest region. Minneapolis, Minnesota Arizona Commission on the Arts For "Programming Risks and How to Market Them," a series of 7,700 Phoenix, Arizona workshops to aid in the presentation of art forms not commonly presented in Arizona. Association of College, University, For tuition assistance for participants attending four workshops in 16,800 and Community Arts Administrators 1983 to provide presenters with additional knowledge and sldlls. Madison, Wisconsin Maine State Commission on the For Maine State Art Sponsors Association to conduct management 7,000 Arts and Humanities training programs and establish a touring, block-booldng, and Augusta, Maine resource-sharing network with several other organizations in the New England and eastern Canada region. Mid-America Arts Alliance For the development of presentation sldlls within a five-state region 20,000 Kansas City, Missouri through the use of a consulting pool, a presenters’ exchange program, workshops, resource materials, and publications. Inter-Art~ 93

New England Foundation for the Arts For a pilot bi-national performance arts showcase and conference in 7,500 Cambridge, Massachusetts the fall of 1983 with Canada. Southern Arts Federation For eight workshops concerning the management and administrative 15,000 Atlanta, Georgia needs of southeastern presenters and producing arts groups.

Stanford University, Trustees of To develop and test the replication of the computerized forecasting 6,900 Stanford, California and budgeting program used for Lively Arts at Stanford, and to distribute the program to 250 presenters nationwide. Vermont Council on the Arts For the Green Mountain Consortium to provide aid to regional pre­ 15,000 Montpelier, Vermont senting organizations in developing management skills through workshops and technical assistance. Washington State Arts Commission For State of Washington Arts Presenters to develop a network with 10,000 Olympia, Washington northwestern presenters for block-booking performers, increasing per­ formance opportunities for regional artists, and providing manage­ ment assistance. Western States Arts Foundation To develop a regional network of presenters by strengthening state Santa Fe, New Mexico presenting systems that facilitate regional block-booking and providing information on management, booking, and marketing skills.

Dance/Inter-Arts/State Programs Presenting/Touring Initiative

Affiliated State Arts Agencies For dance presentation fees in the four-state region of Iowa, Min­ $31,000 of the Upper Midwest nesota, North Dakota, and South Dakota. Minneapolis, Minnesota Alaska State Council on the Arts For the dance component of the council’s touring program and fees 10,750 Anchorage, Alaska for the Anchorage Concert Association and other presenters in the state. California Arts Council For artists’ fees for a dance touring and presentation project to en­ 24,750 Sacramento, California courage presenters to take greater risks in dance programming. D.C. Commission on the Arts and For a grant program that provides artists’ fees to out-of-town dance 5,000 Humanities companies that emphasize ethnic, avant-garde, or nontraditionai Washington, D.C. performance. Great Lakes Arts Alliance For residencies by nationally recognized dance companies in the four- 27,500 Cleveland, Ohio state region of Illinois, Indiana, Michigan, and Ohio. (Hawaii) State Foundation on For Hawaiian presenters to sponsor up to five dance companies dur­ 7,500 Culture and the Arts ing the 1983-84 season. Honolulu, Hawaii Mid-America Arts Alliance For at least 15 weeks of residencies in the five-state region of Arkan­ 32,500 Kansas City, Missouri sas, Kansas, Missouri, Nebraska, and Oklahoma by 20 dance com­ panies from outside the region. New England Foundation for the Arts For the presentation of national dance companies by regional 17,500 Cambridge, Massachusetts presenters and a contemporary dance presentation component in con­ junction with the Jacob’s Pillow Dance Festival. New York State Council on the Arts For the presentation of nontraditional, ethnic, and touring dance com­ 25,000 New York, New York panies by new dance presenters in upstate New York by presenters who had previously discontinued or reduced their dance presenta­ tion activity. Pennsylvania Council on the Arts, For artists’ fees for touring dance companies presented by Penn­ 25,000 Commonwealth of sylvania presenting organizations. Harrisburg, Pennsylvania Southern Arts Federation For artists’ fees to presenters of dance company tours in the 30,000 Atlanta, Georgia Southeast.

Texas Commission on the Arts To enable presenters in Texas to engage nationally known dance com­ 25,000 Austin, Texas panies from all over the country. Virgin Islands Council on the Arts For a one-week residency by the Dance Theatre of Harlem on St. 7,500 St. Creix, Virgin Islands Thomas and St. Croix. 94 Inter-Arts

25,000 Western States Arts Foundation For the presentation of dance performances by consortia in the ten­ Santa Fe, New Mexico state membership region. 6,000 Wisconsin Arts Board To present residencies for 13 weeks by dance companies within the Madison, Wisconsin Wisconsin Performing Arts Network.

Interdisciplinary For projects of high artistic quality that involve two or more art forms, in­ cluding collaborations, special arts events, or projects that assist emerging Arts Projects artists working in interdisciplinary forms. Program funds: $819,590 57 grants

American Center for Students For 360 Degrees in Between Time, a collaborative work by video art­ $9,000 and Artists ist Joan Logue, choreographer Simone Forti, and composer Tod Paris, France Machover. 15,000 American Dance Festival For Young Composers and Choreographers in Residence, a training Durham, North Carolina project in which three choreographers collaborate with three com­ posers to explore the relationship between music and dance.

Art Series Program For the 1983-84 residency program, which provides performance op­ 7,500 Kutztown, Pennsylvania portunities for experimental and interdisciplinary artists. 5,000 Artmusic For composer Wendy Chambers to create and present large-scale con­ Brooklyn, New York temporary and video installations. 10,000 Birmingham Southern College For a four-day gathering of artists from the South, highlighting the Birmingham, Alabama regional heritage of narrative and storytelling and its impact on the contemporary performing arts. Brooklyn Academy of Music To establish the Next Wave Production and Touring Fund for large- 100,000 Brooklyn, New York scale interdisciplinary works that are created by major artists for presentation in several cities throughout the nation. Budapest-New York Theatre Foundation For Dreamland Burns, a multimedia performance work by Squat 13,000 New York, New York Theater Company. Byrd Hoffman Foundation For The Civil Wars: A Tree is Best Measured When It’s Down, a 75,000 New York, New York five-act, 12-hour work incorporating a musical score, post modern choreography, video and film by director-designer Robert Wilson. 10,000 Creative Time For a collaboration between Hugh Levick, composer and saxophonist; New York, New York Tony Ramos, video artist; Jeff Beer, composer; and Barbara Held, flutist.

Dance Theatre Workshop For Post Modern Times, a collaboration between video artist Den­ 11,500 New York, New York nis Diamond and circus artists Bill Irwin and Michael Moschen. Fiji Theater Company For Nosferatu, a collaborative piece by Ping Chong and Meredith 9,000 New York, New York Monk. 5,000 Film in the Cities For a residency project matching three established performance art­ St. Paul, Minnesota ists with three emerging interdisciplinary artists. Foundation for Independent Artists For Next President, a performance piece involving Tim Miller, 7,500 New York, New York choreographer and performance artist; and Kirk Winslow and Mike Glier, visual artists. Haleakala For a three-day symposium on performance art held at the Kitchen 4200 New York, New York in September 1983. Haleakala To continue an eight-month residency program for emerging artists New York, New York of various disciplines at the Kitchen. Hippodrome Theatre Workshop For "Caribbean Visual and Performing Arts," a one-week festival. 8,000 Galnesville, Florida Institute of Contemporary Art For a performance work by visual artist-composer John Dowell. 2,500 Philadelphia, Pennsylvania Inter-Arts 95

Institute of Contemporary Art To commission a new multi-media work by Laurie Anderson. 5,000 Philadelphia, Pennsylvania International Arts Relations For "Caribbean Expressions," including an Afro-Cuban musical 20,000 New York, New York theater piece by Jose Fernandez and Galt MacDermot, a retrospec­ tive by Puerto Rican artist Rafael Ferrer, a new work by Venezuelan choreographer Vincent Nebrada, and choreographer Talley Beatty’s Mexican work, Tres Cantos.

Islip Art Museum and Arts Council For Projects and Performances, a series of commissioned installa­ 5,000 East Islip, New York tions and performances designed for the museum space. Jacob’s Pillow Dance Festival For a collaboration between David Van Tieghem, composer and per­ 7,500 Lee, Massachusetts cussionist; Michael Moschen, circus artist; and David Wells, sculptor. Lenox Arts Center For a theatrical presentation of Les Fleurs du Mal, translated by 10,000 Stockbridge, Massachusetts Richard Howard.

Los Angeles Contemporary Exhibitions For the 1984 Inter-Arts Performance Festival, featuring establish­ 15,000 Los Angeles, California ed and emerging artists in the field of multi-media performance. Lost and Foundation for the Arts For the collaborative work, Sou/s, by choreographer Jennifer Muller, 5,000 New York, New York composer Stan Getz, writer Christopher Adler, and visual artist George Segal. Lower Manhattan Cultural Council For "Brooklyn Bridge Sound Sculpture," by Bill Fontana, and 15,000 New York, New York "Celestial Auspicious Occasions," a series of four public works by Donna Henes.

Lucinda Childs Dance Foundation For Formal Abandon, a collaboration between Lucinda Childs, 9,000 New York, New York choreographer; Power Boothe, visual artist; and Michael Reisman, composer. Mabou Mines Development Foundation For completion costs for Hajj, an interdisciplinary synthesis of video, 17,500 New York, New York theater, and music by Lee Breuer. Minnesota Opera Company For a series of musical and dramatic productions that complement 17,500 St. Paul, Minnesota Hockney Paints the Stage. Motion: The Women’s Performing For Singing My Mother to Sleep, a collaboration between Nina Wise, 10,000 Collective performance artist; Lauren Elder, visual artist; and Nina Holmgren, Berkeley, California playwright. Museum of Contemporary Art For Theatrical Territories, a collaboration between Lucinda Childs, 33,000 Los Angeles, California choreographer; Frank Gehry, architect; and John Adams, composer. Neighborhood Arts Alliance To support, "Stories, Songs, and Theatre: An Interdisciplinary Gather­ 5,000 San Francisco, California ing on Performance and Culture." New Arts Foundation For a new collaborative work by choreographer Nancy Karp, com­ 5,000 Emeryville, California poser Charles Amirkhanian, and visual artist Carol Law.

New York Foundation for the Arts For Touch Sanitation Show, a public performance event produced 10,(D0 New York, New York by Mierle Laderman Ukeles. New York Public Library, Astor, For administative positions in four branches of the Performing Arts 30,000 Lenox, and Tilden Foundation Research Center: the Music Division, Dance Division, Rodgers and New York, New York Hammerstein ArcbSve of Recorded Sound, and the Billy Rose Theatre Collection. New York School for Circus Arts To develop a multi-faceted circus arts troupe to exchange and expand 10,000 New York, New York their skills in mime, dance, and traditional circus arts. 185 Nassau Street Corporation For presentation of Lou’s Dream, a new performance work that in- 5,000 Brooklyn, New York dudes choreography by Eric Barsness with original compositions by Robert Sheff, Peter Gordon, Tim Schellenbaum, and Joseph Hannan. Performing Artservices For Return of the Native, a piece involving video, music, and perfor­ 15,000 New York, New York mance, drawing from the use of language in Thomas Hardy’s novel. Pro Arts For George Coates Performance Works to create a new work. 15,000 Oakland, California Pro Arts For a series of four interdisdplinary performances at the 1983 Oakland 10,000 Oakland, California Festival of the Arts. 96 Inter-Arts

-~ Re.Cher.Chez. Theatre For administration and artists’ fees for the development of inter 15,000 New York, New York disciplinary works. " Real Art Ways Raw Ink To commission six permanent sound installations by national and 10,000 Hartford, Connecticut regional artists. Redwing Performing Group For a series of performances incorporating theater, dance, video, and 5,000 New York, New York music. Santa Fe Council for the Arts For Intersections/Interchange, a series of multi-disciplinary events 10,000 Santa Fe, New Mexico that promote experimental contemporary work. Snake Theater For Dance of Machines, a collaboration between theater director 6,900 Sausalito, California Laura Farabough, composer Nick Urbaniak, video artist Ron Blan­ chette, and civil engineer Stephen A. Kambol for Nightfire Division. Snake Theater For Russia, a new interdisciplinary work by Antenna Division, in­ 7,750 Sausalito, California volving the experimental use of Sony Walkman cassette players as a device for audience interaction with performers on stage.

Studio Eremos For the production of As One, a collaborative work by composer Idris 3,000 San Francisco, California Ackamoor, visual artist Jon Green, and choreographer Rhodessa Jones. SumArts For the third annual "Sumfest," a multi-disciplinary arts festival that 7,500 Houston, Texas features dance, theater, media, visual arts, architecture, music, and contemporary jazz. Summers (Elaine) Experimental To complete Theater Piece far Chairs and Ladders, a collaboration Intermedia Foundation by composer Pauline Oliveros, choreographer Elaine Summers, New York, New York dramatist Herbert Shore, and Little Flags Theatre Company. Summers (Elaine) Experimental For a sound sculpture created for a large indoor environment by visual Intermedia Foundation artist Sari Dienes and composer Pauline Oliveros. New York, New York Theatre for the New City Foundation For Self." A Self-Centered Musical, a new work based on the concept 6,000 New York, New York of public street performance. Trisha Brown Dance Company For Set and Re-Set, a collaboration between choreographer Trisha 31,500 New York, New York Brown, visual artist Robert Rauchenberg, and composer Laurie Anderson. Twyla Tharp Dance Foundation For Re-Moves 1983, a theatrical re-enactment of the controversial 10,000 Brooklyn, New York 1966 premiere of Re-Moves. Ulster County Council for the Arts For Twelve Invitations to Six Events, a collaboration between six 20,000 Kingston, New York pairs of artists. Universal Jazz Coalition To commission eight new collaborative works. 15,000 New York, New York Walker Art Center For Gospel at Colonus, an interdisciplinary collaboration between 18,700 Minneapolis, Minnesota composer Bob Telson and theater director Lee Breuer. Washington Performing Arts Society For a series of collaborative, multi-media sound installations and 25,000 Washington, D.C. events included in New Music America 1983. Wooster Group For a new collaborative performance work incorporating film, theater, 21,040 New York, New York video, and contemporary literature.

To enable artists colonies and other artists’ workspaces to provide oppor­ Artists Colonies tunities for creative artists from various disciplines to pursue their work. Program funds: $173,000 Treasury funds: $ 25,000 10 grants

Cummington School of the Arts For a residency program that enables 80 artists to live and work in $10,000 Cummington, Massachusetts Cummington’s community atmosphere. Inter-Arts 97

Dorland Mountain Colony For artists’ residencies that include living and working spaces at 10,000 Temecuia, California Dorland Mountain Ranch. .Fine Arts Work Center To provide seven-month residencies to 20 emerging artists. 25,000 Provincetown, Massachusetts Institute for Art and Urban Resources For the national artists-in-residence studio program, which provides 10,000 Long Island City, New York 20 artists with separate studio space and living stipends in an urban setting. MacDowell Colony For residency fellowships for 200 writers, composers, and media and 35,000 Petorborough, New Hampshire visual artists. Millay Colony for the Arts For 60 one-month residencies for writers, visual artists, and 19,000 Austorlitz, New York composers. Ragdale Foundation For 130 residencies for writers, visual artists, and composers. 14,000 Lake Forest, Illinois Virginia Center for the Creative Arts For residency assistance for 240 writers, visual artists, and composers. 25,000 Sweet Briar, Virginia Yaddo, Corporation of For residencies for 140 writers, composers, and visual artists. 20,000 Saratoga Springs, New York TF 25,O00 Yaddo, Corporation of For the Fund for Artists’ Colonies to expand the joint publicity and 5,000 Saratoga Springs, New York fund-raising efforts of five artists’ colonies, including Fine Arts Work Center, Millay Colony, Rag~e, V’n-ginia Center for the Creative Arts, and Yaddo.

For activities that serve artists and arts organizations involved in more than Services to the Field one art form on a national or regional level.

Program funds: $516,558 Treasury funds: $ 20,000 41 grants

American Council for the Arts To expand the publications program to include books and periodicals $18,000 New York, New York on arts management. Arts and Business Council To develop new and evaluate current Business Volunteer for the Arts TF 20,000 New York, New York Programs throughout the country. Arts International For information services concerning international exchange oppor- 25,000 Washington, D.C. tunities for artists. Association for Resources and For management, information, and resource programs for Hispanic 20,000 Technical Services arts organizations. Bethesda, Maryland Association for Resources and To provide management assistance and information services and main- 9,000 Technical Services tain communication networks among Hispanic artists in 1984. Bethesda, Maryland Association of College, University, and For tuition aid to enable producing, presenting, and community arts 15,000 Community Arts Administrators managers to attend workshops on marketing the arts. Madison, Wisconsin Association of Hispanic Arts For the funding research program, which introduces corporate exo 9,000 New York, New York ecutives to Hispanic arts groups. California Confederation of the Arts For expanded information services and management-related seminars. 9,000 Los Angeles, California California Institute for the Arts For an outstanding arts administrator to serve temporarily in the 57,171 Los Angeles, California Intor-Arts Program. Center for Occupational Hazards To research and distribute health hazards information to perform- 10,000 New York, New York ing artists and museum managers through the Arts Hazards Clearinghouse. Inter-Arts

Chinese American Arts Council To expand management services to Chinese-American art groups in, 4,500 New York, New York the Mid-Atlantic region. Clearinghouse for Arts Information For expanded information and referral services for artists and arts 27,000 New York, New York organizations, and for a national conference of arts information centers. Cultural Alliance of Greater Washington For services designed to increase earned income and reduce expenses 14,100 Washington, D.C. of arts organizations and artists in the Washington area. Cultural Council Foundation For finanacial management and consulting services provided to more 18,000 New York, New York than 150 developing arts groups in the New York area. Film in the Cities To expand the sound resource program, which provides sound equip- 10,000 St. Paul, Minnesota ment to artists in the upper Midwest. Foundation for the Extension and To create, produce, and distribute new publications about marketing 13,500 Development of the American the performing arts, dance company management problems, and Professional Theatre strategic planning for arts organizations. New York, New York Graduate School for Community To expand and document marketing programs for visual, literary, 9,000 Development and performing artists in southern California. San Diego, California Greater Philadelphia Cultural Alliance For programs that serve the arts community, including collective ser- 9,000 Philadelphia, Pennsylvania vices, promotions, management consultations, and workshops. Jahns, Laurence To extend Mr. Jahn’s participation as a Fellow in the Inter-Arts 700 Washington, D.C. Japanese American Cultural and To plan and convene a national conference of Asian American arts 12,000 Community Center organizations in 1984. Los Angeles, California Martin, Robert To participate as a Fellow in the Inter-Arts Program during the fall 3,950 Santa Cruz, California of 1983. Massachusetts Cultural Alliance To expand the volunteer development and corporate services 9,000 Boston, Massachusetts programs. Metropolitan Council of the Twin To produce and distribute a handbook based on the fund-raising and 5,000 Cities Area audience development project, "Minnesota Jam." St. Paul, Minnesota Moloney, Mary Anne To extend Ms. Moloney’s participation as a Fellow in the Inter-Arts 3,300 Chicago, Illinois Program. Museums Collaborative To publish and distribute a handbook on starting programs similar 4,500 New York, New York to the cultural voucher model program. National Association of Artists To publish a comprehensive directory of interdisciplinary artists’ 4,000 Organizations spaces and develop a communications network of the artists manag­ Washington, D.C. ing these organizations. National Council on the Aging To broaden consultant services to artists and aging professionals who Washington, D.C. develop and maintain quality arts programs for older persons. National Guild of Community Schools To expand and improve management, consultation, and resource ser­ of the Arts vices to a broader arts constituency. Teaneck, New Jersey New York Foundation for the Arts To assist groups in other cities in developing short-term revolving 15,000 New York, New York loan programs similar to the Foundation’s model, and to aid in the expansion of the organization’s funding base. Opportunity Resources for the Arts For staff-search assistance to arts organizations in need of arts 10,000 New York, New York managers. Penjerdel Foundation For the Business Volunteers for the Arts/Philadelphia program, which 3,000 Philadelphia, Pennsylvania matches trained business executives with local arts organizations. Publishing Center for Cultural For programs that provide guidance on planning, preparing, and 15,000 Resources distributing quality, low-cost arts publications. New York, New York Richards, Suzanne To extend Ms. Richard’s participation as a Fellow in the Inter-Arts 2200 Washington, D.C. Program. Intet-A~ 99

Roddguez, Joe Bastida To amend a previous cooperative agreement concerning projects with 9~237 Arlington, Virginia the Endowment’s Division of Civil Rights. St. Paul-Ramsey United Arts Funds For the resources and counseling program, which provides guidance 9,000 St. Paul, ~mesota to artists in developing their business skills. Sangamon State University For fellowship assistance to arts administrators attending the 1983 13,000 Springfield, l~nois Sangamon Institute in Arts Administration. Southern Arts Foundation For audience development end public relations workshops, and for 20,000 Atlanta, Georgia consultancies with minority and emerging arts groups. Theatre Development Fund For assistance to arts groups in developing marketing and audience New York, New York development programs. Volunteer Lawyers for the For national activities that help artists and arts groups resolve legal 15,000 New York, New York problems, and create an increased awareness of the laws affecting art~ts’ creative efforts. Volunteer Urban Consulting Group To provide management services to local arts organizations and assist 13,500 New York, New York cities in developing similar consulting programs. Western States Arts Foundation To establish a management skills support network for emerging per­ 13,500 Santa Fe, New Mexico forming artists in the foundation’s ten-state region. Literature

+ lOl Literature

Literature Advisory Panels

William Gass, Chairman David Godine Walker Percy Fiction author, essayist President Fiction and nonfiction author Professor of Philosophy Godine Publishing Company Covington, Louisiana Washington University Boston, Massachusetts St. Louis, Missouri Carlene Polite Joy Harjo Fiction author Walter Arndt Poet, teacher Buffalo, New York Translator, educator Santa Fe, New Mexico Hanover, New Hampshire Gjertrud Sehnackenberg John L’Heureux Poet Daphne Athas Fiction author Cambridge, Massachusetts Fiction author Stanford, Caiffornia Chapel Hill, North Carolina Mary Lee Settle DeWitt Henry Fiction author Frederick Barthelme Editor, fiction author, teacher Norfolk, Virginia Fiction author Writer-in-residence Director, Creative Emerson College Roger Straus Writing Programs Boston, Massachusetts President University of Southern Farrar, Straus, Giroux Mississippi Josephine Jacobsen New York, New York Hattiesburg, Mississippi Poet, fiction author, critic Baitimore, Maryland Sara Vogan John Biguenet Fiction author Translator, educator Donald Justice Milwaukee, Wisconsin Associate Professor Poet, educator Loyola University Gainesville, Florida James Welch New Orleans, Louisiana Fiction author Philip Levine Missoula, Montana Richard Bjornsen Poet, teacher Translator, poet, educator California State University Dara Wier Professor of French and Fresno, California Poet Comparative Literature Director of Graduate Studies Ohio State University Beverly Lowry Tuscaloosa, Alabama Columbus, Ohio Short story author Geoffrey Wolff San Marcos, Texas Alan Cheuse Editor, fiction author, critic Fiction author Paul Metcalf Providence, Rhode Island Knoxville, Tennessee Fiction author Chester, Massachusetts Helen Wolff David Damrosch Editor, publisher Translator, educator Lynn Nesbit Hanover, New Hampshire Faculty member Senior Vice President, ICM Columbia University Jose Yglesias Literary agent Fiction author New York, New York New York, New York North Brooklin, Maine Peter Davison Linda Pastan Editor, poet Poet, professor AI Young Boston, Massachusetts American University Fiction author, scriptwriter, Potomac, Maryland teacher William Fox Palo Alto, California Editor, poet Margaret Peden Deputy Director Translator Nevada Council on the Arts Professor of Spanish Reno, Nevada University of Missouri Columbia, Missouri 102 Litzrature

Program funds: $4,325,137 Literature Grants 360 grants

Fellowships for To enable exceptionally talented published writers of poetry, fiction, transla­ tions, and other creative prose to set aside time for writing, research, or Creative Writers travel in order to advance their careers. Program funds: $1,507,500 114 grants

The following creative writers received $12,500 each:

Armas, Jose DeMarinis, Rick M. Inness-Brown, Elizabeth Albuquerque, New Mexico Missoula, Montana Ogdensburg, New York Arthur, Elizabeth A. Doerr, Harriet H. Jackson-Opoku, Sandra J. Waterville, Maine Pasadena, California Chicago, Illinois Bambara, Toni Cade Drake, Albert D. Jaffe, Harold Atlanta, Georgia Okemos, Michigan San Diego, California Banks, Russell E. Dukore, Margaret M. Kennelly, Tamara J. Concord, New Hampshire Honolulu, Hawaii Chicago, Illinois Bausch, Richard C. Engh, Mary J. Kenney, Susan M. Fairfax, Virginia Pullman, Washington China, Maine Baxter, Charles M. Eprile, Phillip Anthony Kerr, Baine P. Ann Arbor, Michigan Del Mar, California Boulder, Colorado

Beckham, Barry E. Erbe, Pamela M. Kotlowitz, Robert Providence, Rhode Island Kalamazoo, Michigan New York, New York Bernstein, Jane Erdrich, Louise K. Kuhlken, Kenneth W. Westfield, New Jersey Cornish, New Hampshire Chico, California Bliss, Corrine D. Farber, Thomas D. Leach, Peter South Hadley, Massachusetts Berkeley, California St. Louis, Missouri Boyle, Thomas C. Fetler, Andrew Lefer, Diane Tujunga, California Amherst, Massachusetts New York, New York Brinnin, John Malcolm Files, James L. Lueders, Edward G. Cambridge, Massachusetts Glenwood Springs, Colorado Salt Lake City, Utah

Brown, Claude Fleshier, Daniel E. MacDonald, David R. Newark, New Jersey Kalamazoo, Michigan Palo Alto, California

Carkeet, David C. Gleason, Judith I. Maiolo, Joseph C. St. Louis, Missouri New York, New York Duluth, Minnesota Casey, John D. Goodwin, Stephen Malone, Michael Patrick Charlottesville, Virginia Washington, D.C. Chicago, Illinois Christgau, John F. Gordon, Jaimy M. Manfred, Frederick F. Belmont, California Edwardsburg, Michigan Luverne, Minnesota Cliff, Michelle C. Gunn, Stephanie C. Merchant, Mary E. Montague, Massachusetts North Palm Beach, Florida Hamlin, New York Cole, Lewis tIannay, Allen B. Marello, Laura A. New York, New York Austin, Texas Reseda, California Crowell, Douglas E. Hearon, Shelby Martone, Michael A. Lubbock, Texas North White Plains, New York Ames, Iowa Day, Robert Henley, Charles Mason, Bobble A. Hays, Kansas Hattiesburg, Mississippi Mayfield, Kentucky Delbanco, Nicholas F. Hoagland, Edward Mathis, Dennis L. Bennington, Vermont New York, New York Petersburg, Illinois Literature 103

McConnell, Patricia E. Pierce, Constance M. Sorrentino, Gilbert Moab, Utah Brookville, Indiana New York, New York McCord, Howard L. Potok, Andrew Spencer, Elizabeth Bowling Green, Ohio Plainfield, Vermont Montreal, Canada McIlvoy, Kevin Pritchard, Melissa B. Spike, Maureen F. Las Cruces, New Mexico Evanston, Illinois E1 Paso, Texas Mclnerny, Ralph M. Ray, David E. Steiner, Robert South Bend, Indiana Kansas City, Missouri Boulder, Colorado Mebane, Mary E. Reid, Jan C. Stone, Robert A. Shorewood, Wisconsin Austin, Texas Westport, Connecticut Meredith, Don C. Richards, Susan N. Tallent, Elizabeth A. New York, New York Sadieville, Kentucky Eaton, Colorado Mungai, Jacqueline Pierce Sanders, Scott R. Targan, Barry D. Philadelphia, Pennsylvania Bloomington, Indiana Schuylerville, New York O’Brien, Daniel H. Sender, Ramon, Jr. Thacker, Julia Whitewood, ~outh Dakota San Francisco, California Cambridge, Massachusetts O’Brien, John C. Sotterburg, Fred S. Thomas, James W. Oswego, New York Oakland, California Salt Lake City, Utah Packer, Nancy H. Shreve, Susan R. Thomas, Lorenzo Stanford, California Washington, D.C. Houston, Texas Penner, Jonathan Shulman, Alix Kates Treister, Bernard W. Tucson, Arizona New York, New York New York, New York Perkins, David H. Silman, Roberta Welt, Elinor H. Kansas City, Missouri Ardsley, New York Fort Thomas, Kentucky Petroski, Catherine G. Silvis, Randall G. Yates, Richard Durham, North Carolina San Diego, California Boston, Massachusetts Smith, Dinitia E.R. New York, New York

$12,500 Barnstone, Willis To translate from Spanish the selected poems of Francisco de Quevedo Bloomington, Indiana (1580-1645). Birnbaum, Phyllis To translate from Japanese Uno Chiyo’s novel, Irozange (Amorous 12,500 Watertown, Massachusetts Confessions, 1935), considered Uno’s most distinguished work. Chabran, Myrtha O. To translate from Spanish Rosario Ferre’s Papeles de Pandora, a col­ 12,500 Brooklyn, New York lection of 14 short stories and six poems. 625O Cottreil, Jane E. To translate from Romanian the novel Vinatoarea regala (The Royal Columbus, Ohio Hunt, 1973) by Dumitri Radu Popescu. Dalven, Rae To translate from Greek representative selections of the poetry of 625O New York, New York 15 contemporary women poets who are widely published and ac­ claimed in Greece.

Goldstein, Sanford M. To translate from Japanese Shakko (Red Lights, 1913), a volume of 62.5O West Lafayette, Indiana 734 tanka poems by famous tankaist Mokichi Saito.

Lyngstad, Sverre verdensTo translate ende from {The Norwegian Road to the two Ends novels of the by Earth, Sigm’d 1933) Hoel, and Veien Troll­ til New York, New York ringen (The Troll Circle, 1958). Padgett, Ron To translate from French 31 stories by Guillaume Apollinaire, writ­ 12,500 New York, New York ten between 1903 and 1918. Roberts, Moss P. To translate from Chinese the novel San Guo Yan Yi, (Three 12,500 New York, New York Kingdoms), by Lo Guanzhong. 12,500 Rubin, David G. To translate from Hindi the novel Nirmala by Premchand. New York, New York 104 Literature

Schomer, Karine To translate from Rajasthani (a cognate of Hindi) 100 folk tales from 12,500 Berkeley, California the state of Rajasthan in western India. Tripi, Cecelia Liang To translate from Chinese the complete works of Liu Yung, an llth 12,500 Woodland Hills, California century poet regarded as the most important poet of his time.

Vo-Dinh, Mai To translate from Vietnamese up to 30 short stories published in south 6,250 Burklttsville, Maryland Vietnam between 1954 and 1973.

P.E.N. American Center For the Syndicated Fiction Project, in which a panel of distin- $120,000 New York, New York guished writers select previously unpublished short stories to be pub­ lished in ten participating newspapers throughout the nation.

Professional To support a limited number of national organizations that provide profes­ sional assistance to creative writers, and for unique literary projects not Development eligible for support in other categories.

Program funds: $643,236 18 grants

Associated Writings Programs For services to writers concerning job placement, general informa- $45,000 Norfolk, Virginia tion services, and publishing outlets for fiction and poetry.

Buck, Karen For an Arts Management Fellowship to work in the Literature 3,300 Brooklyn, New York Program.

Burk (Frederic) Foundation To support the American Poetry Archive, which maintains a valuable 43,115 for Education archive of 420 videotapes and 1,670 audiotapes of contemporary poets San Francisco, California reading from their own work, and which operates a lending library of these tapes.

California, University of For an outstanding arts administrator to work temporariily in the 29,929 Santa Cruz, California Literature Program.

Columbia University, Trustees of For the Translation Center’s services to creative writers and 53,000 New York, New York translators and its work to encourage and promote the art of literary translating.

Cultural Council Foundation To operate the Writers Room, a work space for writers. 7,500 New York, New York Cultural Council Foundation For the Print Center’s production and printing services provided to 33,000 New York, New York the noncommercial literary community.

Folger Shakespeare Library To hire a full-time coordinator. 10,000 Washington, D.C.

Generalist Association For the Prison Project, which provides donated literary magazines 12,000 New York, New York and small press publications to prison inmates and prison writing pro­ grams throughout the country.

Massachusetts Institute of Technology For an outstanding arts administrator to work temporarily in the 61,707 Cambridge, Massachusetts Literature Program.

P.E.N. American Center To support the programs of P.E.N. American Center, including the 75,000 New York, New York Writer’s Fund, providing grants and loans to published writers fac­ ing acute financial emergencies; the Freedom to Write Committee, promoting freedom of expression in the U.S. and around the world; the Public Education Committee sponsoring ethnic and foreign literature; the Prison Writing Program; and public information.

Poets and Writers To support the manuscript reading activity in Fiscal 1983 for 53,000 New York, New York fellowships awarded through the Literature Program. Poets and Writers For fees paid to manuscript readers for the Literature Program during 17,500 New York, New York Fiscal 1984. Literature 105

115,355 Poets and Writers For services and publications that provide practical information for New York, New York creative writers, including publication of Coda. 35,000 Teachers and Writers Collaborative For publication programs on topics concerning writers. New York, New York 29,180 Texas, University of For the American Literary Translators Association to provide ser­ Richardson, Texas vices to literary translators. Volunteer Lawyers for the Arts For a series of workshops concerning nonprofit incorporation and tax- 15,500 New York, New York exemption for small presses held in cooperation with the Coordm" ating Council of Literary Magazines. 3,650 Votaw, Marilyn E. To participate as a Fellow in the Literature Program during the fall Farmington, Connecticut 1983 session.

Includes four subcategories: Assistance to Literary Magazines grants help Literary Publishing nonprofit literary magazines that regularly publish poetry, fiction, plays, or literary criticism. Small Press Assistance grants support small, indepen­ dent presses that publish contemporary creative writing. Distribution Pro­ jects grants fund nonprofit organizations for the distribution of contem­ porary creative literature. Design Centers grants are awarded to organiza­ tions that assist in improving the typography and design of creative literary publications. Program funds: $1,350,751 127 grants

Assistance to Literary Magazines

$3,300 Abraxas Press For publication of two issues of Abraxas. Madison, Wisconsin 5,500 Agni Review For publication of two issues of Agni Review. Cambridge, Massachusetts 3,550 Ahem, Tom For publication and distribution of the fourth of the "Almanac" series Providence, Rhode Island of Diana’s Bi-Manthly. Alabama, University of For the tenth anniversary issue of Black Warrior Review. 3,000 University, Alabama 8,000 American Poetry Review For honoraria to contributors. Philadelphia, Pennsylvania American Scandinavian Foundation For honoraria to American translators for the Scandinavian Review. 2,400 New York, New York Antioch College For publication of The Antioch Review. 8,000 Yellow Springs, Ohio 3,600 Arkansas at Little Rock Alumni For publication of Crazyhorse, the literary magazine of the Univer­ Association, University of sity of Arkansas. Little Rock, Arkansas Arts and Humanities Council of Tulsa For publication of Nimrod. 8,000 Tulsa, Oklahoma 4,000 Auer, Thomas For publication of Bloomsbury Review, featuring reviews of noncom­ Denver, Colorado mercial, small books. Big River Association For publication of River Styx. 6,000 St. Louis, Missouri 8,000 California Institute of Technology For production of the magazine, Sulfur. Pasadena, California 3,500 California, University of For publication of Quarry West. Santa Cruz, California 106 Literature

Calyx For publication of Calyx: A Northwest Feminist Review. 8,000 Corvallis, Oregon

Carnegie-Mellon University For the tenth anniversary issue of Three Rivers Poetry Journal. 3,000 Pittsburgh, Pennsylvania

Center for Inter-American Relations For publication of Latin American Literature and Arts Review, wlfich 8,000 New York, New York presents Hispanic literature in translation. Chelsea Associates For publication of Chelsea. 8,000 New York, New York Chouteau Arts For publication of Chouteau Review. 4,000 Kansas City, Missouri

Clemson University For publication of South Carolina Review. 3,105 Clemson, South Carolina Columbia University, Trustees for For publication of Translation. 7,000 New York, New York

Confluence Press For publication of a special issue of The Slackwater Review. 2,300 Lewiston, Idaho Coordinating Council of For publication of Paris Review. 8,000 Literary Magazines New York, New York Coordinating Council of For services that provide information and assistance to literary 68,500 Literary Magazines magazines and small press publishers and editors, including promo­ New York, New York tion, exhibits of literary magazines at regional and national book ex­ hibits and trade conventions, regional meetings of editors and writers, and maintenance of an archival library of literary magazines. Cuddihy, Michael For publication of two issues of Ironwood. 7,500 Tucson, Arizona Cultural Council Foundation For bi-monthiy publication of American Book Review. 8,000 New York, New York

Generalist Association For publication of Pulpsmith. 8,000 New York, New York Giorno Poetry Systems Institute For production of a two-record set entitled, The 15 Year Anniver­ 8,000 New York, New York sary of Dial-a-Poem LP’s. Grand Street Publications For a promotional direct mailing to 20,000 names on the Reader’s 7,800 New York, New York Subscription List for the New York Review of Books. Great River Review For production of two issues of fiction from writers in the Midwest. 3,930 Minneapolis, Minnesota Halpern, Daniel For publication of two issues of Antaeus. 8,000 New York, New York Hollins College For publication of the Hollins Critic. 1,500 Hollins, Virginia Houston, University of For publication of Revista Chicano-Riquena. 8,000 Houston, Texas Indiana University For publication of Indiana Review. 7,260 Bloomington, Indiana Johnson, Curtis For publication of December Magazine. 3,000 Highland Park, Illinois Kansas State University Writers Society For publication of Literary Magazine Review. 2,190 Manhattan, Kansas Kentucky, University of For publication of Callaloo, a magazine of works by and about black 8,000 Lexington, Kentucky literary artists. Kenyon College For publication of The Kenyon Review. 3,850 Gambier, Ohio Literature 107

Kenyon Hill Publications For publication of New Eng/and Review. 3,000 Hanover, New Hampshire Lambert, Ann For publication of The Seattle Review. 3,000 Seattle, Washington Liddy James For publication of Cream City Revit~w. 2,595 Milwaukee, ~mco~in 2,800 Matsueda, Patricia For publication of four issues of The Paper. Honolulu, Hawaii McBride, John For publication of Invisible City. 3,750 San Francisco, California Mississippi Mud For production of four issues of the magazine and one retrospective 4,000 Portland, Oregon issue. Missouri, University of For publication of Missouri Review. 8,000 Columbia, Ohio Missouri, University of For the publication of the summer prize fiction series in New Letters. 6,550 Kansas City, Missouri Modem Poetry Association For publication of Poetry. 6,000 Chicago, Illinois Nethula Enterprises For publication of three issues of Nethula. 7,300 Washington, D.C. New England Foundation for the Arts For a comprehensive technical assistance program for small presses Cambridge, Massachusetts in the six-state region, including workshops; site visits by consultants; and telephone advice concerning financial management, fund-raising, legal issues, use of microcomputers, and distribution. New Mexico Institute of Mining For publication of New Mexico Humanities Review. 4,195 and Technology Secorro, New Mexico New Wilderness Foundation For publication of New Wilderness Letter. 6,000 New York, New York North Carolina, University of For publication of Carolina Quarterly. 3,500 Chapel Hill, North Carolina Northwestern University For publication of Triquarterly. 7,800 Evanston, Illinois O’Brien, John For publication of Review of Contemporary Literature. 6,000 Elmwood Park, Illinois Partisan Review For publication of Partisan Review. 8,000 Boston, Massachusetts Pig Iron Literary and Artworks For production of one issue of Pig Iron. 4,000 Youngstown, Ohio Ploughshares For publication of Ploughshares. 8,000 Watertown, Massachusetts Poetry Society of America For publication of Bulletin. 3,500 New York, New York For publication of Threepenny Review. 7,000 Oaldand, California Reed, Ishmael For publication of Quilt. 4,000 Berkeley, California Reynolds, Louise For publication of the New Renaissance. 8,000 Arlington, Massachusetts Rival-d, David For publication of Sonora Review. 2,000 Tucson, Arizona Self-Help Graphics and Art For publication of two issues of Chismearte, a Latino literary 8,000 Los Angeles, California magazine. 108 Literature

Silver, Barry David For publication of Malini. 2,000 Los Angeles, California Sobin, Anthony For publication of Ark River Review. 3,500 Wichita, Kansas Society for the Study of Native Arts For publication of two issues of Io. 8,000 and Sciences Richmond, California South, University of the For publication of The Sewanee Review. 2,930 Sewanee, Tennessee Southern Mississippi, University of For publication of Mississippi Review. 8,000 Hattiesburg, Mississippi Spirit That Moves Us For Editor’s Choice, a survey of noncommercial literary activity. 8,000 Iowa City, Iowa

Stephens College For publication of two issues of Open Places. 8,000 Columbia, Missouri Stephens, Jack For publication of Telescope. 3,300 Baltimore, Maryland

Tennessee, University of For publication of Poetry Miscellany. 1,000 Chattanooga, Tennessee Webster, Lee For publication of Another Chicago Magazine. 6,500 Chicago, Illinois West Virginia Wesleyan College For publication of Laurel Review. 1,740 Buckhannon, West Virginia

Western Kentucky, University of For publication of two issues of Plainsong. 3,990 Bowling Green, Kentucky

Western Washington University For publication of one issue of Concerning Poetry. 3,900 Bellingham, Washington

Small Press Assistance

Acoma, Pueblo of For Pueblo of Acoma Press to produce books for the Indian and non­ $5,000 Acoma, New Mexico Indian markets.

Bridwell, Tom For Salt Works Press to produce five volumes. 7,500 Graneda, Mississippi

Brown, Steven For Thunder City Press to continue the American Poets Profile Series. 6,875 Houston, Texas

Carnegie-Mellon University For CMU Press to produce six books of poetry. 10,000 Pittsburgh, Pennsylvania

Carolina Wren Press For production of five volumes. 7,000 Chapel Hill, North Carolina

Centrum Foundation For Copper Canyon Press to produce four volumes of poetry. 14,100 Port Townsend, Washington

Crawford, John For West End Press to produce two volumes of poetry. 4,525 Minneapolis, Minnesota

Dayton, David For Alembic Press to produce four volumes of poetry. 7,500 Plainfield, Indiana

Ellis, Donald For Creative Arts Book Company to publish three novels. 15,000 Berkeley, California

Georgia, University of For University of Georgia Press to continue its poetry publication 7,500 Athens, Georgia series. Literature 109

15,000 Halpern, Daniel For Ecco Press to publish two volumes of poetry and two short story New York, New York collections. 15,000 Houston, University of For Arte Publico Press to publish five volumes of Hispanic literature. Houston, Texas 5,400 Illinois, University of For the University of Illinois Press to publish four volumes in the Urbana, Illinois Illinois Short Fiction Series. 15,000 Institute for Publishing Arts For Station Hill Press to produce eight volumes. Barrytown, New York 9,450 Lange, Gerald For Bieler Press to publish four volumes of poetry. St. Paul, Minnesota 15,000 Latin American Literary Review For publication of four plays by Severo Sarduy and selected works Pittsburgh, Pennsylvania by Francisco Matos Paoli. Logbridge-Rhodes For publication of a volume of poetry by Octavio Armand and a volume 6,950 Durango, Colorado of prose by Jean Follain. Marylhurst College For Breitenbush Publications to produce Autobiography of Clyde 6,000 Marylhurst, Oregon Rice. McClellan, Leigh For Meadow Press to publish a volume of prose. 6,090 San Francisco, California 12,500 McDaniel, Judith For Spinsters Ink to publish two volumes. Argyle, New York 12,500 McPherson, Bruce For McPherson and Company to publish an anthology of experimen­ New Paltz, New York tal writings and a novel by Robert Kelley. 12,000 Messerli, Douglas For production of volumes by Sun and Moon Press. College Park, Maryland Missouri, University of For production of volumes by University of Missouri Press. Columbia, Missouri Nikolic, Djordje For publication of five volumes by Elpenor Press. 10,000 Chicago, Illinois 9,000 Oakland University To continue publishing bilingual editions of major Japanese poets in Rochester, Minnesota translations. Ortenberg, Neii For production of volumes by Thunder’s Mouth Press. 15,000 New York, New York Performing Arts Journal For publication of eight plays. 15,000 New York, New York 7,500 Petrosky, Patricia For Slow Loris Press to publish two books of fiction and one book Pittsburgh, Pennsylvania of poems. Pittsburgh, University of For University of Pittsburgh Press to publish four volumes of poetry. 6,000 Pittsburgh, Pennsylvania Pushcart Foundation For a cooperative agreement for which small presses are invited on 239,000 New York, New York a monthly basis to submit their best books to be judged by a contrac­ tual panel of well-known writers. Those books chosen by the panel will be promoted in book review sections of Sunday papers and in two influential trade journals for libraries and bookstores. Pym-Randall Poetry and For Pym-Randall Press to produce volumes. 7,500 Arts Foundation Roslyndale, Massachusetts 15,000 Reed, Ishmael For publication of volumes containing literature by minorities by Reed Berkeley, California and Cannon Company. Rice, Felicia For Moving Parts Press to produce two volumes of poetry. 7,000 Santa Cruz, California Society for the Study of Native Arts For North Atlantic Books to publish five volumes by unknown and 15,000 and Sciences virtually unpublished writers. Richmond, California 110 Literature

Sykes, Michael For Floating Island to publish five volumes of experimental prose 8,500 Point Reyes Station, California and poetry.

Teachers and Writers Collaborative For Fiction Collective to publish volumes of fiction. 12,500 New York, New York

Truesdale, C.W. For New Rivers Press to publish selected titles under the New Rivers 15,000 St. Paul, Minnesota Abroad series.

Vincent, Stephen For Momo’s Press to publish four volumes. 15,000 San Francisco, California

Walker, Scott For Graywolf Press to publish two trade editions of poetry collections. 12,500 Port Townsend, Washington

Watershed Foundation For Watershed Foundation to issue 16 cassette volumes of writers 12,500 Washington, D.C. reading their own works.

Young, Noel For Capra Press to publish two volumes of fiction. 9,000 Santa Barbara, California

Zavatsky, Bill For Sun to publish four titles of poetry, fiction, essays, and short 15,000 New York, New York stories.

Distribution Projects

COMPAS For Bookslinger to distribute and promote small press and literary $40,000 St. Paul, Minnesota magazines nationwide, mainly through bookstores.

Four Seasons Foundation To expand Small Press Distribution’s individual title selection option 40,000 San Francisco, California and for a comprehensive mailing to libraries, bookstores, and individuals.

Kansas Arts Commission For Midwest Distributors to distribute and promote small presses 5,000 Topeka, Kansas and literary magazines in the lower Midwest.

Maine Alliance of Writem and Publishers For distribution service that currently markets more than 300 books, 4,500 South Harpswell, Maine periodicals, broadsides, cassette tapes, and postcards through the mail, at bookstores, festivals, readings, and libraries.

New Mexico Institute of Mining For Swift Lizard to distribute and promote small press and literary 5,000 and Technology magazines in the region through quarterly visits to bookstores Socorro, New Mexico throughout Texas, New Mexico, Arizona, and Colorado.

Scgue Foundation For Segue Distribution to distribute and promote small presses and ~3,900 New York, New York literary magazines of new experimental writing.

Tompkins County Arts Council For Crossing Press Distributors to use nationwide sales represen­ 10,800 Ithaca, New York tatives for distribution and promotion of small press and literary magazines.

Watershed Foundation To continue support for the Poets Audio Center, a cassette distribu­ 11,400 Washington, D.C. tion series of work currently in fashion, work of most third world writers, and sound-text and other avant-garde poetry.

Writers and Books To distribute and promote literary magazines and small press titles 40,000 Rochester, New York and to enable the distributor to increase cooperative efforts with publishers.

Design Centers

Open Studio For services in design, typography, pre-press, printing, and binding $30,376 Barrytown, New York to individual writers, small presses, and other arts service organizations. Literature 111

Audience Includes three subcategories: Residencies for Writers grants are for develop­ ing audiences for published writers of poetry, fiction, and other creative Development prose. Audience Development Projects grants are awarded to a small number of organizations for the promotion of literature through cooperative literary promotion projects, regional bookfairs, exhibits of literary works, and syn­ dicated review networks. Literary Centers that offer a variety of activities receive grants for projects that benefit the literary community and its audience. Program funds: $823,650 101 grants

Residencies for Writers

Academy of American Poets For three lectures on American poetry at the Pierpont Morgan $9,800 New York, New York Library and 25 readings at the Donnell Library and Guggenheim Museum in New York City, the Harvard Poetry Room in Cambridge, and the Huntington Library in California. Alabama, University of For the visiting writers series, which consists of one-week residen- 8,000 University, Alabama cies for writers. Albany State College To support the four writers-in-residence during the 1983-84 academic 10,000 Albany, Georgia year. Allentown Community Center For a series of residencies sponsored by Niagara-Erie Writers at 10,000 Buffalo, New York various locations in a six-county area, including readings and writing workshops at neighborhood and community centers. Appalshop For four writers-in-residence to give a public reading and conduct 5,500 Whitesburg, Kentucky a writing workshop. Arizona, University of To support eight writers-in-residence at the Poetry Center as part 3,000 Tucson, Arizona of an annual reading series. Arkansas, University of For five one-week residencies by distinguished poets and fiction 7,500 Little Rock, Arkansas writers to include a public reading, lecture, and writing workshop for the community.

Arts and Humanities Council For three one-week residencies by three nationally prominent writers 7,490 of Greater Baton Rouge who give public readings, conduct writing workshops, and participate Baton Rouge, Louisiana in discussions and conferences with local writers.

Basement Workshop For nine one-month residencies and a readings series. 5,000 New York, New York Big River Association For 13 literature-in-performance programs. 8,000 St. Louis, Missouri Boise State University For six residencies as part of the Writers and Artists Series. 5,000 Boise, Idaho Bonifas (William) Fine Arts Center For a one-week residency at the Bay Arts Writers Guild. 1,000 Escanaha, Missouri Bradley University For three residencies during which writers lecture, give a public 5,050 Peoria, Illinois reading, conduct writing workshops, and visit writing and literature classes. Bucknell University For one nine-week residency by a major poet. 5,000 Lewisburg, Pennsylvania

Butler University For one 16-week poet-in-residence program designed to provide the Indianapolis, Indiana poet an opportunity to pursue personal writing projects and help develop new audiences within the community.

California, University of For three residencies during which writers give public readings and 5,000 Los Angeles, California conduct writing workshops. 112 Literuture

Centrum Foundation For three three-month residencies, a series of community readings, 9,000 Port Townsend, Washington a poetry symposium and fiction seminars. Cochise Fine Arts For the sixth annual poetry festival. 5,000 Bisbee, Arizona Cooper Union for the Advancement For four three-week residencies during which each writer gives a 9,000 of Science and Art public reading on the Cooper Union Forum. New York, New York Detroit Institute of Arts, For "Lines: New American Writing," a program of one public reading 5,000 Founders Society and a two or three day residency each month by 12 nationally recog­ Detroit, Michigan nized writers. Drake University To invite eight published poets and fiction writers to the campus for 4,200 Des Moines, Iowa brief residencies. 80 Langston Street Corporation To host six contemporary writers-in-residence. 4,500 San Francisco, California Film in the Cities For a one-month residency by a fiction writer who has adapted pub­ 4,700 St. Paul, Minnesota lished works into screenplays. Fine ArtsWorkCenter For a visiting writers program during which writers-in-residence give 5,000 Provincetown, Massachusetts readings to the public. Folger Shakespeare Library To support writing seminars given by poets reading at the Folger 2,335 Washington, D.C. as part of its Evening Poetry Series. Franconia, Town of For an eight-week residency for a poet at The Frost Place. 2,150 Franconia, New Hampshire Guadalupe Cultural Arts Center For eight two-week residencies during which each writer conducts 5,000 San Antonio, Texas two creative writing workshops; gives three public readings; and lec­ tures at local colleges, universities, and public schools. Hamilton College To support nine writers-in-residence, one writer for a one-month 4,500 Clinton, New York residency and eight writers for two days each. Hampshire College For four three-day residencies, including creative writing workshops. 3,000 Amherst, Massachusetts Hawaii Literary Arts Council To support the only state-~vide literary arts program in Hawaii. 9,950 Honolulu, Hawaii Houston, University of For three five-day residencies, including a public reading at the 4,800 Houston, Texas Museum of Fine Arts, writing workshops, and training to teachers of creative writing in the Houston schools.

Illinois Arts Council For the Readings and Residencies Program, which provides funds 5,000 Chicago, Illinois for nonprofit organizations to host residencies by Illinois writers.

India, Inc. For residencies by seven writers, including public readings and con­ 5,000 Atascadero, California ferences with local creative writing students. Institute for the Preservation and For two ten-week residencies, including public readings and writing 3,100 Study of African American Writing workshops. Washington, D.C. Iowa, University of For six residencies by three fiction writers and three poets. 5,000 Iowa City, Iowa Kansas State University For five short-term residencies for three poets and two fiction writers. 4,020 Manhattan, Kansas Kansas, University of For seven residencies of essayists, fiction writers, and poets. 5,000 Lawrence, Kansas Kentucky Arts Commission For three three-week residencies during which participants conduct 8,500 Frankfort, Kentucky public readings and writing workshops. Kentucky Research Foundation, For four residencies of women writers held in conjunction with the 5,185 University of sixth Women’s Writers Conference. Lexington, Kentucky Latin American Literary Review For one three-week residency, including public readings, lectures, 2,500 Pittsburgh, Pennsylvania and creative writing workshops. Literature 113

Lion Walk Performing Arts Center To support four four-day residencies for poets at the Academy of 4,825 Pittsburgh, Pennsylvania Prison Arts.

Maine State Commission on the For a series of five writers-in-residence in the state library system. 7,000 Arts and Humanities Augusta, Maine Manhattan Theatre Club To support 29 writers-in-residence during the 1983-84 writers-in­ 5,000 New York, New York residence series. Massachusetts, University of For Poems to a Listener, a program of readings and interviews on 2,450 Amherst, Massachusetts WFCRo Metropolitan Learning Community For the James Thurber Writer-in-Residence project held at the 10,000 Columbus, Ohio Thurber House. Michigan, University of For three five-day residencies, including public readings and student 4,875 Ann Arbor, Michigan seminars. Missouri, University of To support four residencies including public readings and writing 5,000 Columbia, Missouri workshops. Montana, University of For four one-week residencies, including a public reading, lectures, 5,000 Missoula, Montana and creative writing workshops. New England Foundation for the Arts To support the fourth year of the New England Live Literature 10,000 Cambridge, Massachusetts Program. New York, Research Foundation of For two four-week residencies. 5,000 the State University of Albany, New York New York State Literary Center For three residency programs for a four-county area. 3,850 Pittsford, New York Northeast Missouri State University To support one three-day residency by a writer. 925 Kirksville, Missouri Northern Iowa, University of For one two-week writer’s residency. 1,500 Cedar Falls, Iowa Northern Kentucky University To support four four-day residencies during which the writers give 6,155 Highland Heights, Kentucky public readings and conduct writing workshops. Oberlin College For three one-week residencies by one poet and two fiction writers. 2,550 Oberlin, Ohio Poetry Society of America For three five-day residencies by poets who are also translators. 2,000 New York, New York Portland Poetry Festival To support nine three-day residencies. 5,000 Portland, Oregon Radford University For one two-week residency and one two-day residency held in con­ 2,600 Radford, Virginia junction with the Highland Summer Writing Conference. Rockland Center for the Arts To support two four-month residencies and the Writers’ Roundtable 10,000 West Nyack, New York Series. St. Louis County Heritage and To support four three-day residencies for the Lake Superior Contem­ 5,000 Arts Center porary Writers Series. Duluth, Minnesota Salisbury State College To support two one-week residencies and four two-day residencies. 2,000 Salisbury, Maryland San Jose Poetry Center For two four-day residencies by nationally prominant poets. 5,000 San Jose, California South Carolina Arts Commission To support two eight-week residencies in two maximum-security and 5,000 Columbia, South Carolina two medium-security South Carolina prisons. South Dakota Arts Council To support the statewide "Writer Reads" program. 4,000 Sioux Falls, South Dakota Southern Mississippi, University of To support up to 11 short-term residencies during which writers give 7,500 Hattiesburg, Mississippi public readings and conduct writing workshops. 114 Literature

Stephens College To support four three-day residencies during the 1983-84 academic 4,910 Columbia, Missouri year. SUM Concerts To support five three-day residencies as part of the Contemporary 4,400 Houston, Texas Writers Series. Syracuse University To support six three-day residencies. 3,000 Syracuse, New York Vermont Council on the Arts To support six three-day residencies and three five-day residencies. 6,430 Montpelier, Vermont Walker Art Center For 16 readings by 23 writers during the 1983-84 season. 8,000 Minneapolis, Minesota Washington College To support four five-day residencies by poets and fiction writers who 5,000 Chestertown, Maryland are also non-fiction prose writers and essayists. Wayne State College For the fifth annual Plains Writers Series. 5,000 Wayne, Nebraska

Wells College To support two one-week residencies. 3,000 Aurora, New York Western Illinois University To support two two-day residencies involving a fiction writer and a 1,500 Macomb, Illinois poet. William and Mary, College of For the eighth annual Spring literary festival. 4,980 Williamsburg, Virginia Wilson (Warren) College To support six two-day residencies. 5,000 Swannanoa, North Carolina Wilson (Woodrow) National For five two-week residencies at colleges participating in the Foun­ 10,000 Fellowship Foundation dation’s Visiting Fellows Program. Princeton, New Jersey

Writers and Books For ten readings and six workshops given by nationally prominent 7,500 Rochester, New York writers and ten workshops taught by local published writers. Writers Community For a four-month residency with a poet. 5,000 New York, New York Young Men’s and Young Women’s For five readings by prominent writers and three writing workshops 3,475 Hebrew Association taught by local professional writers. Wayne, New Jersey

Audience Development Projects

Fairbanks Arts Association To expand Envoy to include reviews of books by and interviews with $5,000 Fairbanks, Alaska Alaskan writers and features on literary activities in Alaska. Foundation for Arts Resource For the Great Midwestern Bookshow, a bookfair of literary and small 6,100 Management press books and journals held in May 1983 at the University of Mino Minneapolis, Minnesota nesota in Minneapolis. Generalist Association To support the Spring 1984 New York Book Fair, which is the tenth 12,000 New York, New York annual alternative press exhibition and sale of books and magazines. Houston, University of For Revista Chicano-Riquena to sponsor a series of 10 mini-book fairs 11,960 Houston, Texas in small cities and towns in Texas that are Mexican-American popula­ tion centers. Institute for the Preservation and To support the Heritage Documentation Project for researching and 11,660 Study of African American Writing documenting the black literary history of Washington, D.C. Washington, D.C. Intersection For audience development activities of Small Press Traffic. ~,000 San Francisco, California Netzahaulcoyotl Historical Society To support the activities of Before Columbus Foundation which pro­ 10,000 Berkeley, California motes and distributes high-quality literature published by America’s multi-cultural presses. Literature 115

New Virginia Review To support the NVR Book and Author Tour, a traveling exhibit of 10,000 Richmond, Virginia small press volumes and literary magazines along with public readings by creative writers, writing and publishing workshops, and panel discussions. New Wave Corporation To support The American Audio Prose Library, an audio library of 25,000 Columbia, Missouri American prose writers reading and discussing their works. New Wave Corporation For KOPN Radio’s American Audio Prose Library of American 28,750 Columbia, Missouri prose artists reading and discussing their works. Pacifica Foundation For KPFA-FM to sponsor Bay Area Radio Drama, a project involv­ 10,000 Berkeley, California ing exchange of radio drama between West German Radio and American writers. Santa Fe Public Library To exin%it, promote, and market books by regional writers to readers 10,000 Santa Fe, New Mexico in small towns and rural areas of New Mexico that do not have easy access to books and bookstores. SUM Concerts For Adriana Productions to record readings by local writers for 1,840 Houston, Texas broadcast. Western States Arts Foundation For the Western State Book Awards, designed to recognize and en­ 40,000 Santa Fe, New Mexico courage the efforts of publishers in the West to produce and market significant literary works by western writers. Woodland Pattern To support activites of Woodland Pattern, a literary book center found­ 25,000 Milwaukee, Wisconsin ed by writers.

Literary Centers

Allentown Community Center For Just Buffalo to sponsor workshops, master classes, readings, $19,925 Buffalo, New York residencies, production and distribution of video material on poetics, and an in-house library resource center on contemporary literature. Beyond Baroque Foundation For technical assistance, writing workshops, lectures, readings, a small 37,900 Venice, California press bookstore, a reference library, publications design classes, and pre-printing and consultation services for literary publishers. Loft For literary readings, workshops, classes, the Mentor Series, a story- 10,000 Minneapolis, Minnesota hour for children, and publicity and promotion for events. St. Mark’s Church-in-the-Bowery For the Poetry Project, including literary readings, lecture series, 40,000 New York, New York recordings, and video and audio tapings for archives, radio broadcasts, and cable TV; and a meeting space for writers and literary publishers, residencies, workshops, and classes.

Whitman (Wal0 Center for the Arts For readings, workshops, residencies, a literary symposium, an in­ 22,000 and Humanities ternational poetry library, and expansion of use of the center. Camden, New Jersey 40,310 Writer’s Center For writing and book production workshops, technical assistance to Glen Echo, Maryland the field, publications, provision of space and equipment to writers and publishers, literary readings, meeting space and transition into a larger facility. 116 Media Ar~s 117 Media Arts: Film/Radio/Television

Media Arts Advisory Panels Jay Allison Jean Firstenberg Larry Josephson Radio producer Director President Accord, New York American Film Institute The Radio Foundation Washington, D.C. New York, New York Catherine Anderson Director of Development Lois Fortune William Judson WQED-TV Resident Producer Curator of Film Pittsburgh, Pennsylvania Children’s Television Workshop Museum of Art New York, New York Carnegie Institute Linda Artel Pittsburgh, Pennsylvania Media Coordinator Robert Geller Pacific Film Archive President James Limbacher Berkeley, California Learning in Focus, Inc. Author, librarian New York, New York Dearborn, Michigan Jeanine Basinger Professor of Film J. Ronald Green Tom Luddy Wesleyan University Professor of Film Director of Middletown, Connecticut Ohio State University Special Projects Columbus, Ohio Zoetrope Studios Peter Bergman San Francisco, California Radio producer David Griffiths Beverly Hills, California Producer Suzanne Manriquez David Griffiths Associates Radio producer Lyn Blumenthal New York, New York Salinas, California Director Video Data Bank David Haugland John Minkowsky Art Institute of Chicago Executive Director Video/Electronic Chicago, Illinois Affiliated State Arts Agencies Arts Curator of the Upper Midwest Media Study, Inc. Barbara Buckner Minneapolis, Minnesota Buffalo, New York Video artist Owego, New York Charles Hobson Frank Nesbitt Vice President Vice President Peter Chow of Special Projects WT1TC-TV Filmmaker WETA-TV Chicago, Illinois Executive Director Washington, D.C. Asian CLue-Vision KathleenNolan New York, New York Frank Hoffman Actress Radio producer Los Angeles, California Karen Cooper Windsor, Vermont Executive Director Christine Nygren Film Forum Warrington Hudlin Media Coordinator New York, New York Filmmaker Ohio Arts Council New York, New York Columbus, Ohio Nash Cox Executive Director Bill Jamison Stevenson Palfl Kentucky Arts Commission Executive Director Video artist Frankfort, Kentucky Western States Arts Foundation New Orleans, Louisiana Santa Fe, New Mexico Louise Etra John Ptak Video artist Lillian Jimenez Vice President Film Consultant William Morris Agency Oakland, California Retrospective Beverly Hills, California New York, New York 118 Media A~s

Robert Rosen Daniel Taradash Nancy Vreeland Archivist Screenwriter Radio producer UCLA Film Archive Beverly Hills, California Maplewood, New Jersey Los Angeles, California Toni Treadway Richard Weise Daniel Selznick Filmmaker Executive Director President Boston, Massachusetts Film in the Cities Louis B. Mayer Foundation St. Paul, Minnesota Los Angeles, California Carmen Vigil Film Programmer Robert Wise Robert Sitton Canyon Cinematheque Film director Arts administrator Berkeley, California Hollywood, California Portland, Oregon Amos Vogel Robert Summers Educator Film Researcher Film Critic John E. Allen Laboratory Film Comment Parkridge, New Jersey New York, New York

Program funds: $8,344,000 Media Arts Grants Treasury funds: $ 975,000 290 grants

AFI Independent AFI administers for the Endowment a program of grants to media artists working in animated, documentary, experimental, and narrative film and Filmmaker Program video.

Program funds: $400,000 1 grant

American Film Institute For a cooperative agreement for the Independent Filmmaker Pro­ Washington, D.C. gram, a national grant program for advanced fdm and video artists.

Film/Video Includes two subcategories: Regional Fellowships are awarded to media arts centers to administer fellowship programs for regional film and video ar­ Producton tists. Production Grants support outstanding productions in film and video that emphasize the use of these media as art forms. Program funds: $1,022,500 53 grants

Regional Fellowships

Appalshop For regional fellowships for media artists in the Southeast. $40,000 Whitesburg, Kentucky Boston Film/Video Foundation For regional fellowships for media artists in New England. 40,000 Boston, Massachusetts Center for New Television For regional fellowships for media artists in the central Midwest. 40,000 Chicago, Illinois Colorado, University of For the Rocky Mountain Film Center to provide regional fellowships 40,000 Boulder, Colorado to media artists in the West. Film in the Cities For regional fellowships for media artists in the upper Midwest. 40,000 St. Paul, Minnesota Pittsburgh Film-Makers For regional fellowships for media artists in the mid-Atlantic region. 40,000 Pittsburgh, Pennsylvania Med~ Ar~s

Southwest Alternate Media Project For regional fellowships for media artists in the Southwest. Houston, Texas

Production Grants

Adkins, Gary For an experimental film entitled The Early Apparitions of Ulysses $14,0~0 Chicago, Illinois S. Grant. Barnett, Daniel For a feature-length film exploring the function of language. 15,000 Allston, Massachusetts

Black Maria For a one-hour film by Grahame Weinbren to be transferred to 25,000 New York, New York computer-controlled, interactive video disc, allowing the viewer to manipulate the image.

Brakhage, Start For an autobiographical film project by a pioneer in experimental 15,000 Rollinsville, Colorado films.

Burnett, Charles To amend a previous grant for completion of a feature-length nar­ 15,000 Los Angeles, California rative film, My Brother’s Wedding.

Cabin Creek for Work and For a 90-minute documentary film by Barbara Kopple exploring the 25,000 Environmental Studies effect on a medium-sized community of a manufacturing plant shut­ New York, New York ting down. Cinema Events Group For the "Floating Cinema" by Jon Rubin, in which films are projected 13,000 New York, New York simultaneously from two boats to an audience on the shore. Clarity Educational Productions For Heading to Houston, a one-hour docu-drama by Connie Fields 25,000 Emeryville, California on the fate of a family from the Northeast moving to Houston.

Clarke, Wendy For "Video Soapbox," a public video event on Times Square. 15,000 New York, New York

Community Film Association To complete Migrant Family, a 90-minute documentary film by 15,000 Columbus, Ohio Homero de la Cruz about farm workers who travel from Texas to Ohio to harvest the cucumber and tomato crops.

Condit, Cecelia For The Seventh, an experimental video drama exploring the lurk­ 15,000 Mayfield Heights, Ohio ing fear of violence, cannibalism, and contemporary phobias in the minds of two suburban women.

Cultural Council Foundation For The Best Generation--Now and Then, a 90-minute documentary 20,000 New York, New York film by Janet Forman.

Dash, Julie For the first in a series of short films about black women in the United 15,000 Los Angeles, California States.

Davidson, Carol For post-production of Borneo Story, a 6~minute documentary 15,000 West Hartford, Connecticut videotape about a small community’s transition into the twentieth century. Film in the Cities For a half-hour narrative film directed by Rick Weise, from a 25,000 St. Paul, Minnesota screenplay by a Minnesota screenwriter. Fitzgerald, Kit For a half-hour videotape on life in rural Ireland. 15,000 New York, New York

Holt, Nancy For a 3(~minute film documenting the creation of a sculpture and land­ 15,000 New York, New York scaping project in northern Virginia by sculptor/filmmaker Nancy Holt.

Hubley, Emily For Man on a Plane, a ten-minute animated film exploring the pro­ 15,000 Hoboken, New Jersey cess of painting.

Hurwitz, Leo For the script for a feature-length narrative film on the life of John 7,500 New York, New York Brown.

Lipzin, Janis For a 25-minute, experimental film entitled Other Reckless Things. 15,000 San Francisco, California 120 Media Arts

Lucier, Mary For Wilderness, a 30-minute videotape exploring the sources of 19th 15,000 New York, New York century American landscape painters of the Hudson River School. McDowell, Curt For an experimental film combining documentary and narrative 11,000 San Francisco, California footage. Media Study/Buffalo For a fellowship program for media artists in New York State. 10,000 Buffalo, New York Media Study/Buffalo For George Griffin, Pooh Kaye, Laurie Anderson, and Mitchell 45,000 Buffalo, New York Kriegman to produce works expressly conceived and created for the interactive video disc system.

Mondell, Cynthia For a 15-minute documentary film about a group of children in Dallas. 10,000 Dallas, Texas Moving Image For Around the Block, a feature-length dramatic film by Marisa Silver 20,000 New York, New York about the lives of two adolescent girls in New York City. Myers, Richard For an autobiographical narrative film. 9,000 Kent, Ohio New York Foundation on the Arts For a narrative film about a Caribbean immigrant’s experience in 30,000 New York, New York America, by St. Clair Bourne. Niblock, Phili For a series of films on people engaged mostly in marine and agrarian 14,000 New York, New York labor. O’Neill, Patrick R. To complete an experimental film that explores patterns of human 12,500 Los Angeles, California behavior in public places. 185 Nassau Street Corporation For an experimental film by Erica Beckman. 12,500 New York, New York Performing Artse~ices For The Man Who Envied Women, a feature-length narrative film 15,000 New York, New York by Yvonne Rainer. Public Art Films For a one-hour documentary film by Tony Silver on New York graffiti. 20,000 New York, New York Rappaport, Mark For a 90-minute experimental, narrative film by Mark Rappaport. 15,000 New York, New York Sanborn, John For a 30-minute experimental videotape. 15,000 New York, New York Schaetzel, Ann H. To complete an autobiographical documentary film. 15,000 Brooklyn, New York

Sharits, Paul To complete several experimental films using a recently developed 15,000 Buffalo, New York electronic color generator. Skoller, Jerry For an experimental film exploring the nature of literary and visual 6,500 San Francisco, California literacy.

Smith, Jack To amend a previous grant for completion of Sinbad in a Ren~ed New York, New York World. Summers (Elaine) Experimental For Storms at Sea, an experimental videotape by Davidson Gigliotti. 15,000 Intermedia Foundation New York, New York Tsuchiya, Arthur To complete a 20-minute experimental videotape using multi-track 7,500 Hoboken, New Jersey audio techniques. Ungerer, Walter M. For a feature-length narrative film loosely based on the protagonists’s 15,000 Montpelier, Vermont journey from Long Island to Montreal. Vasulka Corporation For a 30-minute, experimental videotape by Steina and Woody 15,000 Santa Fe, New Mexico Vasulka exploring the nature of remembering. Viola, Bill To produce three videotape programs for an interactive videotape disc. 15,000 Long Beach, California Walker Art Center To co-produce with KTCA-TV a television version by Mark Lowry 30,000 Minneapolis, Minnesota of Lee Breuer’s award-winning production of Samuel Beckett’s The Lost Ones, with music by Philip Glass. Media Arts 121

American Film Support for the American Film Institute, founded in 1967 to preserve the Institute nation’s artistic and cultural resources in film and television. Program funds: $1,600,000 1 grant

American Film Institute For support of exhibition services, television and videotape services, $1,600,000 Washington, D.C. training of advanced students at the AFI conservatory, library and scholarly services, a directing workshop for women, and the AFI catalog of American films.

To assist media arts centers in a variety of projects that make the arts of Media Arts Centers film, video, and radio more widely appreciated and practiced. Centers may be independent or associated with another organization, such as a museum, university, or state arts agency. Program funds: $549,450 29 grants

Alabama Filmmakers Co-op To amend a previous grant for media center activities. $4,350 Huntsville, Alabama Appalshop To amend a prewous grant for media center activities. 6,175 Whitesburg, Kentucky Art Institute of Chicago To amend a previous grant for media center activities. 7,175 Chicago, Illinois Asian Cine-Vision To amend a previous grant for media center activities. 4,350 New York, New York Bay Area Video Coalition To amend a previous grant for media center activities. 3,425 San Francisco, California Black Filmmaker Foundation To amend a prewous grant for media center activities. 5,075 New York, New York Boston Film/Video Foundation To amend a prewous grant for media center activities. 6,750 Boston, Massachusetts California, University of For a film exhibition program with visiting artists, critics, and original 36,600 Berkeley, California program notes; a research center; and a film study collection at the Pacific Film Archive. Carnegie Institute To amend a previous grant for media center activities. 6,125 Pittsburgh, Pennsylvania Center for New Television To amend a previous grant for media center activities. 5,125 Chicago, Illinois Colorado, University of For film exhibitions, visiting artists, touring packages, access to film 29,050 Boulder, Colorado equipment, and maintenance of a film study collection at the Rocky Mountain Film Center. Downtown Community Television Center To amend a previous grant for media center activities. 6,125 New York, New York Film Arts Foundation To amend a previous grant for media center activities. 4,350 San Francisco, California

Film in the Cities For access to film and audio facilities, education workshops, seminars, 31,925 St. Paul, Minnesota and the publication of commissioned critical monographs. Haleakala For video exhibitions, distribution, and maintenance of a videotape 33,800 New York, New York library at The Kitchen. 122 Media Arts

° Independent Media Artists of Georgia For an annual film and video festival, technical workshops, and ac- 16,400 Atlanta, Georgia cess to film equipment. 19,675 Inter-Media Art Center For video production workshops, exhibitions, and visiting artists. Bayville, New York 23,425 Long Beach Museum of Art Alliance For access to video facilities, workshops, exhibitions, and maintenance Long Beach, California of a videotape l~brary. 33,800 Media Study/Buffalo For workshops; access to film, video and audio facilities; and film and Buffalo, New York video exhibitions. Millennium Film Workshop For access to film facilities, exhibitions with visiting artists, and 22,525 New York, New York publication of Millenium Film Journal. 33,800 Museum of Modern Art For a film exhibition program, visiting artists, origimd program notes, New York, New York a research center, and a circulating film collection. Ohio University For the Athens Center for Film and Video to provide access to 18,250 Athens, Ohio facilities, publish Wide Angle, and host the Athens International Film and Video Festival. Pittsburgh Film-Makers For a program of exhibitions; access to film equipment, workshops, 29,050 Pittsburgh, Pennsylvania and distribution; and publication of Field of Vie4zn magazine. Portland Art Association For provision of access to facilities, exhibitions, education, and 31,400 Portland, Oregon outreach, film and video festivals, production workshops, and a cir­ culating film collection at the Northwest Film Study Center.

South Carolina Arts Commission For outreach programs, including artists-in-residence, filmmakers­ 30,950 Columbia, South Carolina in-schools, touring film packages, and provision of access to film and video facilities.

Southwest Alternate Media Project For exhibitions, workshops, access to film and video facilities, and 29,050 Houston, Texas publication of Southwest Review magazine. University Community Video For access to facilities, technical workshops, video exhibitions, and 19,675 Minneapolis, Minnesota distribution. Walker Art Center For film and video exhibitions, visiting artists and critics, publica- 25,300 Minneapolis, Minnesota tion of commissioned critical monographs, and maintenance of a film study collection.

Young Fiimmakers Foundation For provision of access to film, video and audio equipment; workshops 25,750 New York, New York and seminars; and distribution of work produced at the facility.

AFI/NEA Film To help organizations locate, preserve, and catalog films of artistic value. Preservation Program Program funds: $730,000 2 grants

American Film Institute For a cooperative agreement to provide services related to the $500,000 Washington, D.C. AFI/NEA Film Preservation Program, including subgrants for preservation, coordination, and administration.

American Film Institute For a cooperative agreement for the National Center for Film and 230,000 Washington, D.C. Video Preservation. Media Arts 123

Includes two subcategories: Film/Vhfeo Exhibition grants assist organizao Aid to tions in exhibiting high-quality film and video art that may not be available Film/Video to the public through regular commercial channels. Circulating Exhibition Exhibition grants help in the development of major circulating exhibitions. Program funds: $267,250 34 grants

Film/Video Exhibition and/or service For film and video exhibitions with visiting artists at Focal Point $5,000 Seattle, Washington Media Center. Archdiocesan Communications Center For Video Free America’s weekly video exh~itions, installations and 5,000 San Francisco, California performances with visiting artists. Amigos del Museo del Barrio For film and video exhibitions, program notes, visiting artists, and 3,000 New York, New York the National Latino Film and Video Festival. Astoria Motion Picture and Television For a film exhibition program of screenings and lectures. 4,000 Foundation Astoria, New York

Berks Filmmakers For 32 programs of independently produced and experimental films. 4,000 Reading, Pennsylvania Center Screen For exhfbition of independently produced features and shorts, visiting 15,000 Cambridge, Massachusetts artists, and an animation festival. Chicago Filmmakers For twice-weekly exhibitions of independently produced experimen- 10,000 Chicago, Illinois tal, documentary, and narrative films with visiting artists.

City Movie-Center For the exhibition of independently produced and classic narrative 7,000 Kansas City, Missouri features, animated short films, and foreign films; program notes; visiting filmmakers; and workshops.

Collective for Living Cinema For 100 programs of independently produced and classic narrative 11,000 New York, New York films, a tenth anniversary retrospective, visiting filmmakers and critics, and program notes. Craft and Folk Art Museum For 20 programs of independently produced films; a summer showcase 8,000 Los Angeles, California series; and a seven-part seminar on experimental film. District of Columbia, University of For the Black Film Iustitute’s weekly film exh%ition and lectures 5,000 Washington, D.C. program. Facets Multimedia For repertory and axchival screenings of film art, video exhibitions 10,000 Chicago, Illinois and installations, visiting artists and critics, and program notes. Film A~ Fund For repertory and archival screenings of film art, video exhibitions 9,000 New York, New York and installations, visiting artists and critics, and program notes. Foundation for Art in Cinema For the Cinernateque’s exh~ition program of independently produced 12,000 San Francisco, California and expermental films; visiting fllmmakers; and Cinemanews, a critical journal. Helena Film Society For a program of independently produced films and classic narrative Helena, Montana films. Honolulu Academy of Affts For an exhibition program of independently produced films, video Honolulu, Hawaii installations, visiting axtists and seminars. Institute of Contemporary Art For film and video exhibitions, video performances, and video 7,500 Boston, Massachusetts installations.

International House of Philadelphia For the Neighborhood F~m Project: 100 programs of classic narrative 18,000 Philadelphia, Pennsylvania features; independently produced shorts and features; and documen­ taries, animation, and experimental films with visiting filmmakers.

International Museum of Photography For the exhibition program of the Dryden Theater, including silent 4,000 at George Eastman House films with musical accompaniment. Rochester, New York 124 Media Arts 5,000 Los Angeles Contemporary For video exhibitions, installations, and performances; visiting artists; Exhibitions a lecture series; and a periodicals library. Los Angeles, California Media Study/Buffalo To amend a previous grant for the touring film exhibition program, 6,000 Buffalo, New York "The American New Wave (1958-67)."

20,000 Moving Image For Film Forum’s daily program of independently produced documen­ New York, New York tary, animated and dramatic narrative film. Nebraska, University of For the exhibition program of the Sheldon Film Theater; and for 10,000 Lincoln, Nebraska visiting artists, program notes, and a research library. Neighborhood Media Project For film and video exhibitions of independently produced documen­ 5,000 Minneapolis, Minnesota taries and dramatic narrative film. New Community Cinema Club For 22 programs of independently produced features and short ex­ 4,000 Huntington, New York perimental documentary, animated and narrative films. 6,500 Ohio State University Research For weekly film and video exhibitions with visiting filmmakers and Foundation video artists. Columbus, Ohio 8,000 Pasadena Film Forum For 56 programs of experimental film: 48 prominent and emerging Pasadena, California visiting artist presentations and eight workshops/seminars. 4,000 Public Eye For bimonthly thematic video exhibitions with visiting artists. San Francisco, California 3,000 Real Art Ways Raw Ink For an exlffoition program of 20 film screenings and two video festivals Hartford, Connecticut with visiting artists. 5,000 Rising Sun For 100 film and video programs of independently produced, ex­ Santa Fe, New Mexico perimental, documentary, animation, and classic narrative films. 5,000 Upstate Films For 100 programs of independently produced and classic narrative Rhinebeck, New York films with visiting filmmakers, critics, and scholars. Utah Media Center For a four-part film and video exhibition program and three regional 4,000 Salt Lake City, Utah film]video festivals. 20,000 Whitney Museum of American Art For the New American Filmmakers series, 40 programs of indepen­ New York, New York dent film and video art; and for New Technologies and the Arts, a one-week lecture series.

Circulating Exhibitions $18,500 American Federation of Arts For the planning and organization of Before Hollywood: Turn of the New York, New York Century Films from American Archives, a circulating exhibition pro­ gram of rare films from the first two decades of production, 1896-1916.

In Residence/ To enable organizations to invite renowned film- and video-makers and Workshop Program critics for lectures, workshops, or residencies. Program funds: $55,000 11 grants

Brodsky and Treadway Foundation For "Super 8 in the Video Age," a series of workshops at ten media $5,500 Somerville, Massachusetts arts centers by Bob Brodsky and Toni Treadway. Collective for Living Cinema For intensive filmmaklng workshops; mini-courses in scriptwriting, 5,000 New York, New York sound recording, animation and optical printing; and technical and theoretical seminars with visiting filmmakers and critics. Media Arts 125

Community Film Workshop of Chicago For a series of screenings, lectures, and workshops with filmmakers. 6,000 Chicago, Illinois Corroborree Gallery for New Concepts For a series of workshops with video artists. 3,000 Iowa City, Iowa Fondo del Sol For a series of residencies with video artists Shigeko Kubota, Vibeke 4,500 Washington, D.C. Sorenson, and Antonio Muntados. Indiana University For a series of screenings, lectures, and workshops with black indepen- 4,000 Bloomington, Indiana dent filmmakers. Minnesota Film Center For visits by 12 filmmakers and critics for screenings, lectures, and 5,000 Minneapolis, Minnesota workshops. Museum of Holography For eight 30-day residencies at the Dennis Gahor Holography 5,000 New York, New York Laboratory. Nebraska, University of For visits by eight film and video artists for screenings, lectures, and 3,500 Lincoln, Nebraska workshops, including appearances on Nebraska public television. Squaw Valley Creative Arts Society For a two-week screenwriters workshop by Tom Rickman and Gill 10,000 Olympic Valley, California Dennis.

Utah Media Center For a three-part residency program with a filmmaker, video artist, 3,500 Salt Lake City, Utah and critic.

Programming To develop series of programs on the arts for national broadcast on televi­ in the Arts sion and radio. Program funds: $2,476,500 Treasury funds: $ 975,000 27 grants

Television Grants

American Film Foundation For a one-hour documentary film by Terry Sanders and Freida Lee $50,000 Santa Monica, California Mock on the life and work of actress Lillian Gish.

Educational Broadcasting Corporation For a one-hour documentary film by Peter Welnberg on modem dance 50,000 New York, New York pioneer Martha Graham. Educational Broadcasting Corporation For the Independent Documentary Fund’s seventh season of "Non- 320,000 New York, New York Fiction Television." Educational Broadcasting Corporation To film interviews with surviving members of the Group Theater, 15,000 New York, New York predecessor of the famed Actor’s Studio, founded by Lee Strasberg, Harold Clurman, and Cheryl Crawford.

Educational Broadcasting Corporation For the eleventh season of Great Performances. 150,000 New York, New York 750,000 FilmAmerica For a one-hour documentary performance program by John Huszar 35,000 New York, New York on the life and music of Louis Moreau Gottschalk. Film Workshop of Westchester To complete a documentary film by Joanne Burke on jazz pianist and 25,0~) Irvingten-on-Hudson, New York composer Mary Lou Williams. Film Company For a one-hour documentary film by Robert Squler on Robert Penn 25,000 Washington, D.C. Warren. Handicapped Information Services for For a documentary film by Jerry Aronson on Allen Ginsberg. 35,000 the Motion Picture and Television Industry Boulder, Colorado Lincoln Center for the Performing Arts For the eighth season of Live from Lincoln Center. 300,000 New York, New York 126 Media Arts

Metropolitan Opera Association For the seventh season of Live from the Met. TF 225,000 New York, New York Metropolitan Pittsburgh Public For the premiere season of Wanderworks, a 26-part television drama 250,000 Broadcasting series for family viewing. Pittsburgh, Pennsylvania Music Project for Television For a one-hour documentary film by Allan Miller on composer John 25,000 New York, New York Cage. New York Foundation for the Arts For a script of the pilot program of a dramatic series on the Vander­ 35,000 New York, New York bilt family, emphasizing their influence on the cultural life in America. Northeastern Pennsylvania For the national broadcast of the July Fourth concert with Mstislav 17,500 Educational Television Association Rostropovich conducting the National Symphony Orchestra. Pittston, Pennsylvania PTV Productions For the development of a television series about artists’ colonies in 15,000 New York, New York America, including a script for the pilot program on Croton-on-Hudson. Public Television Playhouse For the third season of American Playhouse. 500,000 New York, New York Twin Cities Public Television For an arts series that presents experimental drama and video 250,000 St. Paul, Minnesota performance. WGBH Educational Foundation For one program of The Writer’s Wor/d, a 13-part television documen­ 50,000 Boston, Massachusetts tary series on contemporary American writers. WGBH Educational Foundation For the continuation of Sounding, a series that brings new music and 145,000 Boston, Massachusetts its composers to a television audience.

Radio Grants

Composers Recordings For a series of two-hour portraits of composers Elliott Carter, Ned $12,000 New York, New York Rorem, Gunther Schuller, and Ralph Shapey. Minnesota Public Radio For the 1983-84 season of "A Prairie Home Companion," a weekly 40,000 St. Paul, Minnesota two-hour variety program. Minnesota Public Radio For the 1983-84 season of "St. Paul Sunday Morning," a weekly 7,000 St. Paul, Minnesota 90-minute program of chamber music and discussion. National Public Radio For the 1982 New Year’s Eve special inserts for "Jazz Alive!" a week­ 15,000 Washington, D.C. ly two-hour series. Pacifica Foundation For KPFA-FM to develop an exchange of radio drama between West 10,000 Berkeley, California German and American writers, enabling writers from both countries to assist in production of translations for radio broadcasts in America and West Germany.

Radio Foundation For a series of 26 one-hour programs in the series "The Radio Com­ 90,000 New York, New York edy Theater," featuring Bob and Ray, Jean Shepherd, and others. Virginia Opera Association For production of the American premiere of Thea Musgrave’s opera, 10,000 Norfolk, Virginia Occurence at Owl Creek Bridge, a work created specifically for radio.

The Foundation for Independent Video and Film administers for the En- Short Film Showcase dowment a program to distribute selected short films by independent filmo makers to commercial movie theaters throughout the United States. Program funds: $80,000 1 grant

Foundation for Independent Video and To administer the sixth year of the Short Film Showcase program. $80,000 Film New York, New York Media Arts 127

Includes two subcategories: Radio Production grants support outstanding Radio Projects single productions and series for radio broadcast. Radio Services and Workshops grants enable organizations to offer services to radio producers or invite nationally recognized radio producers for workshops. Program funds: $431,500 57 grants

Radio Production

Academy of Media and Theatre Arts For "Have You Ever...?" a drama project for young people involv- $10,000 San Francisco, Caiffon~ia ing a collaboration among writers, radio drama producers, and performers. African News Service For a series of three-to-six-minute arts modules dealing with African Durham, North Carolina art and its influence on contemporary American culture. American Radio Theater For "A.R.T. Presents," an anthology radio drama series produced Glendale, California from scripts submitted under a nationwide solicitation process.

Boardman, William For continued production of "The Panther Program," a satirical Woodstock, Vermont cabaret theater for radio. California State University For local broadcast and national distribution of a series of six 2V~-hour Long Beach Foundation live concerts of jazz and blues music on KLON-FM, featuring musi­ Long Beach, California cians from the West Coast. Case, Barbara For "Women of the World," a series of 15-minute programs that 3,000 Short Hills, New Jersey feature prdfiles of prominent women artists. Children’s Radio Theater For "Amazing Grace," an original seven-part children’s adventure 18,000 Washington, D.C. series chronicling the exploits of a mother-daughter detective team. Community Information Network For "Peek-a-Boo," an original musical-dramatic production explor- 5,500 Oakland, California ing the relationship between a black man and a Chinese woman. Cromwell, Arthur For "Jazz Meccas," a series of haft-hour programs on selected cities 3,000 Falls Church, Virginia important to the development of Afro-American music. Diaz, Eduardo For a series of ten-minute modular portraits of selected Latino 3,000 Albuquerque, New Mexico communities.

Educational Media Associates For a series of 13 one-hour programs on Leopold Stokowski. 8,000 Berkeley, California Ellington (Duke) School of the Arts For a series of dramatic workshops and productions based on the 4,000 Washington, D.C. writings of Black-American poets and playwrights. Frank, Joseph For three one-hour programs: a satire on the history of music; a series 13,000 Washington, D.C. of vignettes on night life; and "Old Man," a comic drama. Goldman, Connie J. For three pilot programs for the proposed interview-documentary 12,000 Washington, D.C. series, I’m Too Busy to Talk Now: Artists Over 70. Greater Washington Educational For six programs that feature artists in the L~rary of Congress Sum- 3,000 Telecommunications Association mer Chamber Music Festival. Washington, D.C. Hagen, Carlos For a series of half-hour docmentaries on the music and stories of 5,000 Malibu, California the Old American West. KQED For a series of 15 two-hour chamber music concerts, using artists of 4,000 San Francisco, California the San Francisco Symphony. Malagodi, Stephen For a series of programs that features new music composers Alvin 3,000 Hollywood, Florida Lucier, Roscoe Mitchell, Alvin Curran, J.B. Floyd, and Russel Fehling.

Massett, Lawrence For I.fife on the Mississippi, a docu-drama based on the work of Mark 7,000 Chevy Chase, Maryland Twain, featuring original music. 128 Media Ar~s

Miles, Ginger For six portraits of courtship among various age groups, mixing nar- 8,000 New York, New York rative, drama, and interviews. Miller, Gregory For "Robot Empire," the second program in the series "Radio Ar- 4,000 New York, New York cade," set in a mythical video arcade of the future. Missouri, Curators of the University For "New Letters on the Air," a weekly half-hour series featuring 7,000 of Missouri contemporary literature and music. Kansas City, Missouri Museum of Contemporary Art For the second program in the series "The Territory of Art," focus­ Los Angeles, California ing on major museum exhibitions and related programs. National Federation of Community For a variety of services to community radio stations and indepen­ Broadcasters dent producers, including distribution and publications. Washington, D.C. National Radio Theater of Chicago For dramatic productions drawn from classic literature, literature 15,000 Chicago, Illinois on Black-American life, and science fiction. Nevada Public Radio Association For a series of jazz concerts taped by KNPR-FM at the Four Queens 4,000 Las Vegas, Nevada Hotel and distributed nationally over National Public Radio. New Wave Corporation For the remaining six programs in the continuing series "American 12,000 Columbia, Missouri Audio Prose L~rary," presenting writers reading and discussing their works.

New Wilderness Foundation For one broadcast each of "Celebration Radio" and "International 2,500 New York, New York Radio Solstice." Pacifica Foundation For the fifth season of the "Los Angeles Theater of the Ear" on 5,000 Los Angeles, California KPFK-FM, presenting live drama for local and satellite Broadcast. Perez-Luna, Elisabeth For "Latino Voices," a series often-minute programs on the develop- 5,000 Philadelphia, Pennsylvania ment of Latino culture in America.

Poole, Jeannie For "Up from the Footnotes: American Women Composers," a series 5,000 North Hollywood, California of one-hour programs for national distribution. Radio Bilingue For a series of programs on the music of Latin-America and Spain, 5,000 Fresno, California focusing on flamenco guitarist Juan Serrano and harpist Alfredo Ortiz. Radio Foundation For production of"Bloomsday on Broadway II," a live 20-hour satellite 3,000 New York, New York broadcast of Joyce’s Ulysses, featuring major American actors. Real Art Ways Raw Ink For a series of new and experimental American music broadcasts 5,000 Hartford, Connecticut distributed to public radio stations via satellite. Snake Theater For a series of"inter-active" radio plays to be produced by the Anten- 3,000 Sausalito, California na Theater division of the Snake Theater. Listeners will be encouraged to become characters in the drama in effort to expand the concept of experimental radio drama.

Sound Design Assistance For "Airworks," a series of eight half-hour programs that feature New York, New York new works commissioned from artists in music, poetry, and drama. South Central Educational For "A Private Space: Personal Diaries of Women," a series of six Broadcasting Commission half-hour programs dramatizing the diaries of notable women. Harrisburg, Pennsylvania Stubblefield (Nathan B.) Foundation For production of "Dry Smoke and Whispers," an anthology drama Tampa, Florida series produced at station WMNF-FM. Summers (Elaine) Experimental For a series of 13 one-hour broadcasts of new music drawn from live Intermedia Foundation concerts. New York, New York Thorington, Helen For a one-hour program on the poetry and song of Asian-American 5,000 New York, New York women, the second in a series of portraits of women poets. Voices For five one-hour residencies by producer Everett Frost at five 7,000 Chelsea, Massachusetts centers around the country. Walker Art Center For a series of eight works commissioned from new music composers, 6,000 Minneapolis, Minnesota audio artists, writers, and performance artists. Media Arts 129

Watershed Foundation For continuation of Radio Alpha, a distribution service; New American 10,000 Washington, D.C. Stories; and a poetry series. WHYY For a full-time arts reporter/producer at WUHY-FM. 5,000 Philadelphia, Pennsylvania Wisconsin Public Radio Association For five half-hour episodes in the serialized radio drama "Happiness," 8,500 Madison, Wisconsin by Anne Leaton, for national distribution. Youth New For arts reports and features produced by young people, to be in­ 5,000 Oakland, California cluded in a weekly 15-minute national radio service for youth. ZBS Foundation For "Ruby, Part II," a 13-week daily radio drama combining music 12,000 Fort Edward, New York and audio art.

Radio Services and Workshops

Audio Independents For services to independent radio producers, including publication $18,000 San Francisco, California of Airwaves, conferences, and distribution projects. Double Helix Corporation To amend a previous grant for an audio access facility. 10,000 St. Louis, Missouri Etcom For an audio access facility providing eight-track studio production 10,000 E1 Paso, Texas and post-production equipment to southwest producers. National Federation of For services to community radio stations and independent producers, 22,000 Community Broadcasters including distribution and publications. Washington, D.C. New Wave Corporation For the 1983 Midwest Radio Theater Workshop, an intensive five- 14,000 Columbia, Missouri day conference on writing, performing, and producing radio drama. New York, Research Foundation of the City University of For artist residencies at the Center for Computer Music at Brooklyn Brooklyn, New York College, providing radio producers and audio artists with studio time.

Pacifica Foundation For data processing costs associated with the completion of the 8,000 Los Angeles, California cataloguing of the Pa¢ifica Tape Library. Radio Bilingue For a series of radio production workshops held at KSJV-FM, focus- 3,500 Fresno, California ing on docu-drama and live music recording. Radio Foundation For the fifth annual Airlie Seminar on the Art of Radio bringing 21,000 New York, New York together radio artists, funders, and programming executives. Voces Unidas Bilingual For a series of production workshops at station KUBO-FM, conducted 5,000 Broadcasting Foundation by radio artists Ignacio Acosta, Kim Aubry, and Norman Jayo. Salinas, California Western Public Radio For a ten-day working seminar on writing, editing, casting, directing, 10,000 San Francisco, California and engineering for radio theatrical productions. 130 Media Arts

Includes six subcategories: Conferences and seminars on important issues Services in film, radio, and video. Distribution of media works, including circulating to the exhibitions. Publications, such as newsletters or journals. Research into Field existing and new media, including technical research into preservation. Facilities and Working Spaces for independent media artists to complete their projects. Combined Services grants are awarded for projects that pro­ vide a combination of the above. Program funds: $463,000 64 grants

Conferences

Atlanta, City of For the fourth annual Atlanta Third World Film Festival, consisting $4,000 Atlanta, Georgia of a four-week series of film screenings and lectures and a one-day symposium.

Atlantic Productions For the sixth annual Chinsegut Film/Video Conference. 3,000 Tampa, Florida Film Society of Lincoln Center For the inclusion of films by independent media artists in the New 6,500 New York, New York York Film Festival. Film Society of Lincoln Center For the twelfth season of New Directors/New Films presented by 11,000 New York, New York the Film Society and the Museum of Modern Art. Institute for Media Arts For workshops, screenings, and seminars using a nationally recognized 7,000 Boston, Massachusetts faculty.

International Film Seminars For the annual Flaherty Film Seminar. 5,000 New York, New York Ithaca Video Projects For the ninth annual Ithaca Video Festival, which tours nationwide 7,000 Ithaca, New York the best of independent video. Museum of the American Indian For a festival of outstanding films and videotapes by and about Native 5,000 Heye Foundation peoples of North, Central, and South America. New York, New York National Black Programming To bring together independent and station-based producers, program­ Consortium mers, and managers for screenings and workshops concerning Columbus, Ohio marketing of television programming reflective of the black experience.

National Film Preserve For the tenth annual Telluride Film Festival. Telluride, Colorado O’Neill (Eugene) Memorial For the New Drama for Television Project, to help playwrights adapt Theater Center to the special requirement of television drama. Waterford, Connecticut Performance Artists Nucleus For the eighth annual International Hispanic Film Festival. 9,000 San Antonio, Texas Public Eye For the San Francisco International Video Festival. 9,000 San Francisco, California Sinking Creek Film Celebration For lectures, screenings, workshops, and access to a collection of films 7,000 Greenville, Tennessee and videotapes by independent artists.

Distribution

American Federation of Arts To organize and circulate film programs to museums and media arts $9,(}00 New York, New York centers. Artists Television Network For "Soho Television," a series of artists’ programs exhibited over 5,000 New York, New York cable television in Manhattan. Media Arts 131

4,000 Cine Information For the Film Users Network, a computerized listing of independent New York, New York filmmakers. 5,000 Colorado, University of For the Colorado film network to assist small Colorado communities Boulder, Colorado in the exhibition of artistically significant films. 11,000 Cultural Council Foundation For Independent Cinema Artists and Producers to provide informa­ New York, New York tion services and marketing assistance to independent film and videomakers interested in distributing their work to cable television.

Front Range Educational Media For a feasibility study by John Schwartz on a proposed cooperative Corporation pay-TV network that would showcase independent film and video Broom.field, Colorado programs. Georgia Council for the Arts For Southern Independents, a touring program of works by southern 3,000 and Humanities filmmakers, including lectures and discussions. Atlanta, Georgia International House of Philadelphia For Neighborhood Film Projects, which assists community and Philadelphia, Pennsylvania cultural groups in organ~ing their own film programs, and links regional filmmakers with groups interested in showing their films.

South Carolina Arts Commission For Southern Circuit, a touring program coordinated by the commis­ Columbia, South Carolina sion’s media arts center, which brings eight nationally recognized film]video artists to six southeastern cities for screenings and discussion. Star Film Library For workshops, exhibitions, and distribution of films to community 5,000 Boston, Massachusetts groups throughout New England.

Publications $4,000 Camera Obscura For Camera Obscura, a journal on film and film theory. Berkeley, California 3,000 New England News Media For The Downtown Review, a journal examining the relationship of Norwich, Vermont independent film and video to the other arts. Visual Studies Workshop For Afterimage, a monthly publication on independent film and video. 8,000 Rochester, New York

Research $6,500 Cultural Council Foundation For research in color holography, by the Holographic Film New York, New York Foundation. 5,000 Frampton, Hollis To support research in computer-generated and processed video. Buffalo, New York

Facilities and Working Spaces

The following organizations received grants to provide equipment access to independent film- and video- makers:

and/or service $3,600 Austin Community Television Seattle, Washington Austin, Texas Archdiocesan Communications Center 7,000 Caribbean Center for Understanding Media San Francisco, California St. Croix, Virgin Islands 132 Media Arts

Chicago Filmmakers 3,600 Locus Communications 4,000 Chicago, Illinois New York, New York Community Film Workshop of Chicago 3,600 Media Bus 4,000 Chicago, Illinois Woodstock, New York Creative Outlet 5,000 New Orleans Video Access Center 3,600 Portland, Oregon New Orleans, Louisiana Double Helix Corporation 10,000 Portable Channel 10,000 St. Louis, Missouri Rochester, New York Electronic Arts Intermix 24,000 Rising Sun 6,000 New York, New York Santa Fe, New Mexico Experimental Television Center 11,000 Southern California Asian American 10,000 Owego, New York Studies Central Los Angeles, California Fondo del Sol 5,000 Washington, D.C. Women’s Interart Center New York, New York

Combined Services

Center for the Study of For an information clearinghouse on the availability and use of quality $7,000 Filmed History independent i’tim and video for community groups, public libraries New York, New York and schools.

Educational Film Library Association For publication and distribution of critical reviews of new i’rims and 14,000 New York, New York videotapes, Sightlines magazine, and the American Film Festival. Ehler, Carol To extend Ms. Ehler’s participation as a Fellow in the Media Arts 10,000 New York, New York Program. Film Art Fund For access to print and film research collections at Anthology Film 8,000 New York, New York Archives and provision of screening facilities to scholars and artists. Film Fund To assist independent filmmakers in fund-raising, production, and 14,000 New York, New York distribution; for publication of New From the Film Fund, a quarter­ ly newsletter; and distribution of a catalog of films by independent media artists. Foundation for Independent Video For a national service organization dedicated to the promotion of in- 22,000 and Film dependent f’tim and video art. New York, New York Independent Feature Project For the distribution of independent feature-length films of high quality, 14,000 New York, New York screenings for buyers, and for a monthly newsletter. Media Center for Children For a book entitled, On the Nature of Moving Pictures for Children, 7,000 New York, New York publication of the quarterly journal, Young Viewers, and distribution to children in hospitals of films avd videotapes by independent media artists.

Media Project For publication of Printed Matter, f’flm distribution, and a catalog of 9,000 Portland, Oregon regional independent i’rims.

National Alliance of To provide national support and coordination for media arts centers 16,000 Media Arts Centers through services, including conferences, a newsletter, a membership Columbus, Ohio survey, and efforts in fund-raising and exhibition. National Federation of For services to local cable programmers and independent t’tim and 10,000 Local Cable Programmers video artists, including screenings, a newsletter, and a touring col­ Kettering, Ohio lection of videotapes.

New York Public Library, Astor, To enable the library to hire a media assistant in the Video/Film Study 4,000 Lenox, and Tilden Foundation Center. New York, New York New York University For film- and video-makers to explore the artistic uses of interactive 7,000 New York, New York video-text, a new medium for computer-generated graphics and text delivered by two-way cable or telephone wire. Pittsburgh Film-Makers To support noncommercial media arts through conferences, newslet­ Pittsburgh, Pennsylvania ters, screenings, distribution, information sharing, and coordination. Virginia Museum of Fine Arts For exhibitions of American video art as part of "Illusion: Art and Richmond, Virginia the Moving Image," an artmobile installation and community pro­ gram circulated throughout the state. 4,000 Washington Area Film/Video League For a newsletter and a series of monthly programs on various aspects Washington, D.C. of video and filmmaking.

For meritorious projects that engender special participation in a previous­ Special Projects ly unexplored area of media art, includng distribution and preservation. Program funds: $268,800 Treasury funds: $ 25,000 10 grants

$12,000 American Film Institute For a study of computer software for the AFI Catalog of Feature Washington, D.C. Films. 25,000 American Film Institute For a film about film preservation. TF Washington, D.C. 25,000 Minnesota Foundation, University of To create a new operatic work combining film, puppetry, music, and Minneapolis, Minnesota computer graphics for sfz Ensemble. 13,000 Museum of Broadcasting For a position paper on video preservation. New York, New York 7,300 Museum of Modem Art For a conference on computerized film cataloguing. New York, New York 17,500 Museum of Modem Art To m~ke available rare archival films from the George Eastman House New York, New York through the museum’s circulating film library. 30,000 National Alliance of Media Arts For a pilot program of technical assistance grants to media arts Centers centers. New York, New York 14,000 National Federation of Community For a delegation of 50 American producers and community radio Broadcasters organizers to attend the First World Conference of Community Radio Washington, D.C. Broadcasters held in Montreal. 75,000 National Radio Theater For the development of Listening Arts, an audio magazine featuring Chicago, Illinois drama, humor, storytelling, interviews, audio art, and other features in the arts.

WGBO-FM For development of the Jazz Radio Consortium, under which a core Newark, New Jersey group of producing stations produces and markets a weekly two-hour live jazz performance series to noncommercial radio stations. 134 Museum 135

Museum Advisory Panels Tracy Atkinson Ross Farrar Andrea Miller-Keller Director Associate Director Curator of MATRIX Wadsworth Atheneum Museum of Fine Arts Wadsworth Atheneum Hartford, Connecticut Boston, Massachusetts Hartford, Connecticut Stephanie Barton Edmund B. Gaither Dewey Mosby Curator of Modern Art Director Director Los Angeles County Museum Museum of the National Center Picker Art Gallery of Art for Afro-American Artists Colgate University Los Angeles, California Boston, Massachusetts Hamilton, New York Robert Bergman Thomas Garver Sheila Muccio Director Director Director of Development Walters Art Gallery Madison Art Center Corcoran Gallery of Art Baltimore, Maryland Madison, Wisconsin Washington, D.C. Susan Bertram Paula Hancock Richard Muhlberger Executive Director Consultant for Department Director Museums Collaborative of Education Museum of Fine Arts New York, New York High Museum of Art Springfield, Massachusetts Atlanta, Georgia Edgar Peters Bowron Weston Naef Director John Holverson Curator of Prints North Carolina Museum Director and Photographs of Art Portland Museum of Art Metropolitan Museum of Art Raleigh, North Carolina Portland, Maine New York, New York Luis Cancel Henry Hopkins John Neff Director Director Director Bronx Museum San Francisco Museum Museum of Contemporary Art Bronx, New York of Modern Art Chicago, Illinois San Francisco, California Dennis Care Harry S. Parker III Director Mary Jane Jacob Director Jane Voorhees Zimmerli Curator Dallas Museum of Fine Arts Art Museum Museum of Contemporary Art Dallas, Texas Rutgers University Chicago, Illinois New Brunswick, New Jersey Marilyn Perry Lynn Jorgenson Executive Vice President Ralph Ted Coe Director Samuel H. Kress Foundation Senior Scholarship Art Museum Association New York, New York Research Fellow San Francisco, California National Museum of American Art Earl A. Powell III Washington, D.C. Mitchell Kahan Director Curator Los Angeles County Anne D’Harnoncourt North Carolina Museum Museum of Art Director of Art Los Angeles, California Philadelphia Museum of Art Raleigh, North Carolina Philadelphia, Pennsylvania Ann Radice Dwight Lanmon Curator for the Architect Colin Eisler Director of the U.S. Capitol Professor Coming Museum of Glass U.S. Capitol Institute of Fine Arts Coming Glass Center Washington, D.C. New York University Coming, New York New York, New York Franklin Robinson Janet Schneider John Walsh, Jr. Director Director Director Rhode Island School of Design Queens Museum J. Paul Getty Museum Providence, Rhode Island Flushing, New York Malibu, California Joan Rosenbaum Kenneth Starr Michael Whiteneck Director Director Executive Director Jewish Museum Milwaukee Public Museum Visual Arts Resources New York, New York Milwaukee, Wisconsin Eugene, Oregon William Schinsky Robin Tryloff Jesse G. Wright Director Director Director Visual Arts Program Nebraska State Arts Council Phi]brook Art Center Southern Arts Federation Omaha, Nebraska Tulsa, Oklahoma Atlanta, Georgia Roslyn Walker Curator National Museum of African Art Washington, D.C.

Program funds: $9,074,070 Museum Grants Treasury funds: $ 805,500 602 grants

Fellowships for To enable museum staff members to take leaves of absence of up to one year for independent study, research, travel, or other activities that contribute Museum Professionals to their professional development. Program funds: $68,650 15 grants

Berrin, Kathleen For travel to New England, Australia, and New Guinea to study major $5,000 San Francisco, California collections of Oceanic art. Briggs, Peter S. For travel to Honduras to study 19th- and 20th-century print and 4,070 Albuquerque, New Mexico photography collections.

Cornu, Elisabeth I. For travel to Germany to study the conservation of European 3,400 San Francisco, California polychromed wood sculpture. DeYoung, James N. To study paper conservation techniques at the Upper Midwest Con- 5,000 Milwaukee, Wisconsin servatlon Association, the Institute of Paper Chemistry, and the Dard Hunter Paper Museum. Fusco, Peter R. For travel to Europe to study major decorative arts collections. Los Angeles, California Huffman, Kathy R. and For travel to Europe to visit video and media arts centers, distribu­ Constance Fitzsimons tion outlets, and galleries and museums that support and maintain Long Beach, California collections of video art.

Keller, Steven R. For travel to various American museums to investigate alarm monitor- 1,480 Chicago, Illinois ing, fire detection, and fire suppression systems.

Knight, Michael J. For travel to Taiwan and Japan to study major public and private 8,810 Seattle, Washington collections of Chinese and Japanese art. Lester, Joan A. For travel to Maine to inventory, document, and interpret the work 720 Boston, Massachusetts of folk artist Tomah Joseph. McCafferty, Michael R. For travel to several American and European museums to study and 6,230 Seattle, Washington compare various installation techniques. Metzger, Catherine A. For a technical and historical evaluation of an altar piece painted by 3,500 Bloomington, Indiana the late 15th-century Cologne painter, the Master of the Holy Kinship. Museum 137

Mosby, Dewey F. For travel to Paris to research the works of various followers of art­ 4,500 Hamilton, New York ist Alexandre-Gabriel Decamps (1803-1860), and to prepare a manuscript on the subject.

Myers, Thomas P. For travel and study of South American ethnographic collections at 4,000 Lincoln, Nebraska East Coast American museums and various European museums. 4,400 Pitts, Terence R. For a one-month leave of absence to travel to Paris to concentrate Tucson, Arizona on a critical study of early French photographer Hippolyte Bayard (1801-1887).

Riggs, Timothy A. For travel to Europe to study major print collections. 5,040 Worchester, Massachusetts

To assist museums and universities in training museum professionals Museum Training and technicians through college-level programs, internships, and apprenticeships. Program funds: $397,250 45 grants

Akwesasne Cultural Center To provide stipends for interns participating in the Akwesasne $5,000 Hogansburg, New York Museum’s ten-week summer training program. Akwesasne Cultural Center For one intern to conduct historical research on the Akwesasne 1,810 Hogansburg, New York Museum’s collection at the New York State Museum at Albany. American Law Institute To enable approximately 65 museum professionals to attend a three- 15,000 Philadelphia, Pennsylvania day course of study on legal problems of museum administration at the National Museum of Natural History.

Asian Art Museum of San Francisco To provide apprenticeships for technicians in the museum’s conser­ 8,000 San Francisco, California vation department. Boston Children’s Museum For an internship for a disabled person to be trained in museum 10,000 Boston, Massachusetts outreach. Boston University, Trustees of For a stipend to enable a graduate student from the university’s Art 5,0~0 Boston, Massachusetts History or American and New England Studies Department to in­ tern at an art museum in the Boston area. Colorado, University of To provide stipends for student interns working in the Gallery of Con­ 5,000 Colorado Springs, Colorado temporary Art. Denver, University of For stipends for graduate students in the university’s museum studies 5,000 Denver, Colorado program. 5,000 Drexel University To provide a stipend for an internship in the university’s museum. Philadelphia, Pennsylvania 5,000 Fine Arts Museums Foundation To provide a stipend for one intern in the American Art Department. San Francisco, California Guggenheim (Solomon R.) Foundation For a one-year, full-time curatorial fellow to be trained in the prepara­ 5,000 New York, New York tion and organization of a m~jor loan exhibition at the Solomon R. Guggenheim Museum.

Hampton Institute For the institute’s Master of Arts Program in Museum Studies, in­ 30,000 Hampton, Virginia cluding internships in museums. Hudson River Museum at Yonkers To provide stipends for students participating in the museum’s col­ 5,000 Yonkers, New York laborative internship program with Elizabeth Seton College. Huntsville Museum Association To provide stipends for three one-semester internships in general 2,700 Huntsville, Alabama museum practices at the Huntsville Museum of Art. Illinois, University of For internship stipends for participants in the university’s graduate 5,000 Urbana, Illinois program in museum studies. Indianapolis Museum of Art To hire and train a disabled person from the deaf community as a 10,000 Indianapolis, Indiana textile technician. 138 Museum

International Museum of Photography For the museum’s internship program. 10,000 at George Eastman House Rochester, New York Kansas, University of To provide stipends for two interns at the Spencer Museum of Art. 7,500 Lawrence, Kansas Madison Art Center For the center’s cooperative internship program with the Universi­ 3,000 Madison, Wisconsin ty of Wisconsin’s Graduate School of Business. Metropolitan Museum of Art To provide an internship for a disabled person to work in either a 6,000 New York, New York curatorial or administrative department at the museum. Michigan, University of For the university’s graduate program in museum practice. 10,000 Ann Arbor, Michigan

Milwaukee Public Museum To train a mobility and speech-impaired person as a museum educator. 10,000 Milwaukee, Wisconsin Minneapolis Institute of Arts To provide an internship stipend for a handicapped person in the 10,000 Minneapolis, Minnesota education or publicity department.

Missouri Historical Society To provide a stipend for a handicapped intern in the registrar’s office. 7,000 St. Louis, Missouri Missouri Historical Society To provide stipends for interns working with the fine and decorative 5,000 St. Louis, Missouri arts collections.

Museum of Fine Arts To provide a stipend for a deaf person to work in the Education 10,000 Boston, Massachusetts Department for designing and administering programs for deaf au­ diences, conducting staff training workshops, and developing educa­ tional materials. Museums Collaborative To support the Cultural Institutions Management Program, three 38,000 New York, New York courses designed to strengthen the management skills of senior museum personnel. New Mexico, University of For a 12-month, full-time curatorial internship in the Art Museum’s Albuquerque, New Mexico Photography Department. New York, Research Foundation of To provide a stipend for an apprentice in exhibition preparation and the State University of installation at the Neuberger Museum. Purchase, New York New York University To provide stipends for students in the Curatorial Studies Program 10,000 New York, New York at the Institute of Fine Arts. Oberlin College For a stipend for one full-time curatorial intern for nine months at 5,000 Oberlin, Ohio the Allen Memorial Art Museum. Palace of Arts and Sciences Foundation For internships for disabled persons in the electronic and machine 7,000 San Francisco, California shops at the Exploratorium.

Parrish Art Museum To allow the museum’s assistant building manager to apprentice under 3,240 Southampton, New York the Hudson River Museum’s senior internship technician.

Philadelphia Museum of Art To provide stipends for two interns in the Department of Prints, 10,000 Philadelphia, Pennsylvania Drawings, and Photographs.

St Louis Art Museum To enable the superintendent of the building department, chief in­ 5,000 St. Louis, Missouri stallation technician, and chief cabinet maker to travel to various museums to examine and share concepts in the design and installa­ tion of exhibitions.

Smith College To provide a stipend for a general internship that encompasses the 5,000 Northampton, Massachusetts curatorial, administrative, educational, and maintenance activities of the museum.

South Florida, University of For the collaborative graduate internship program in museum educa­ 9,000 Tampa, Florida tion with the Tampa Museum.

Southern Arts Federation To enable the federation to bring four of the Smithsonian’s training 4,000 Atlanta, Georgia workshops for museum personnel to various locations in the Southeast.

Southern California, University of To provide a stipend for a museum internship for a participant in the 7,000 Los Angeles, California Museum Studies Program. Museum 139

Staten Island Children’s Museum To provide a stipend for a hearing-impaired intern in the Education Staten Island, New York Department. Texas, University of To provide a stipend for a one-year internship for a disabled person San Antonio, Texas to work in the exhibits department under the direction of the curator of the Institute of Texas Cultures. 7,500 Walker Art Center To support the center’s internship program. Minneapolis, Minnesota Wayne State University For the internship component of the graduate level Museum Prac- 5,000 Detroit, Michigan tices Program. Western Association of Art Museums To support the Museum Management Institute, a four-week course 50,000 San Francisco, California in management theory and business practice for mid-level and ex­ ecutive professional museum personnel. Whitney Museum of American Art To support the Art History/Museum Studies Fellowship Program, 7,000 New York, New York based at the museum’s downtown branch.

For museums to develop and implement programs of sabbatical leaves for Museum Sabbaticals professional staff members. Program funds: $59,970 4 grants

Detroit Institute of Arts, To initiate a sabbatical program for professional staff on the junior Founders Society and senior levels. Detroit, Michigan New Museum To initiate an on-going program of ten-week museum sabbaticals for 15,000 New York, New York staff who have demonstrated a commitment to scholarship in art history, museum education, or museum management. Rhode Island School of Design For a sabbatical program for curators at the Museum of Art. 8250 Providence, Rhode Island Ringling (John and Mable) Museum of To develop a sabbatical program for curatorial staff. 16,720 Art Foundation Sarasota, Florida

Catalogue To document collections or to publish catalogues or handbooks on collections. Program funds: $899,830 52 grants

Akwesasne Cultural Center For research on the Akwesasne Museum’s collection in preparation $10,000 Hogansburg, New York for future publication of several pamphlets on different aspects of the collection. Arizona, University of To research and catalogue the collections of four m~jor photographers 31,840 Tucson, Arizona that have recently been donated to the Center for Creative Photography.

Arkansas Arts Center Foundation To publish a selective catalogue of the center’s collection of 2600 draw­ 5,000 Little Rock, Arkansas ings, paintings, and sculptures. Aunt Len’s Doll and Toy Museum To research and document the museum’s extensive collection of dolls 9,010 New York, New York and toys that are of artistic, cultural, and historical importance. Berkshire Museum, Trustees of the For comprehensive documentation of the museum’s varied collection 5,000 Pittsfield, Massachusetts to create accurate and complete files for each object and to update and cross-reference existing records and inventories. 15,360 Boston Athenaeum To publish an illustrated handbook of the 350 pre-20th-century Boston, Massachusetts American and European painting and sculptures in the collection. 140 Museum

Brooklyn Institute of Arts and Sciences To publish a checklist of the museum’s collection of American works 22,600 Brooklyn, New York on paper. Brooklyn Institute of Arts and Sciences For research on the museum’s extensive collection of 257 Indian paint­ 20,000 Brooklyn, New York ings from the 16th through the 19th centuries.

California Academy of Sciences To write and publish a catalogue of the academy’s collection of Cop­ 25,000 San Francisco, California tic textiles. Cleveland Museum of Art To research and catalogue the museum’s collection of 17th- and 18th­ 29,600 Cleveland, Ohio century European sculpture.

Colorado Springs Fine Arts Center For the research of the Taylor Museum’s collection of Pueblo pot­ 12,500 Colorado Springs, Colorado tery produced from 1880 to 1940.

Coming Museum of Glass To research and write a catalogue of the museum’s extensive collec­ 14,050 Coming, New York tion of Anglo-Irish glass, which dates fi’om the 16th through the 19th centuries. Detroit Institute of Arts, To research and prepare catalogue entries on the institute’s collec­ 50,000 Founders Society tion of Italian sculpture. Detroit, Michigan

Emory University To register and photo-document the Museum of Art and Archaeology’s 5,000 Atlanta, Georgia collection of Ancient Egyptian and Near Eastern archaeology, medieval Japanese armor, Korean Celadon ware, pre-Columbian art, and early American Indian artifacts.

Essex Institute To write and publish a booklet describing the highlights of the in­ 6,820 Salem, Massachusetts stitute’s ceramics and glass collection.

Fine Arts Museums Foundation For the photographic documentation and research of the H. McCoy 18,500 San Francisco, California Jones collection of tribal rugs and related textiles, which was recent­ ly donated to the Fine Arts Museums of San Francisco.

Franklin Furnace Archive To publish a catalogue of the archive’s extensive collection of artists’ 40,000 New York, New York books, magazines, pamphlets, records, and cassette tapes produced since 1960. Guggenheim (Solomon R.) Foundation For research of 175 works on paper and 50 sculptures from the col­ 25,000 New York, New York lection of the Solomon R. Guggenheim Museum.

Harvard University To publish a handbook on the Fogg Art Museum’s Hofer collection 15,000 Cambridge, Massachusetts of about 200 drawings.

Hudson River Museum at Yonkers To document and catalog the museum’s collections of fme and 30,000 Yonkers, New York decorative arts.

Illinois, University of For research of the World Heritage Museum’s collection of ancient 7,730 Urbana, Illinois vases of the Mediterranean Basin, which range in date from 200 B.C. to 50 A.D.

Illinois, University of For research and photographic documentation of approximately two- 15,000 Urbana, Illinois thirds of the Krannert Art Museum’s collection in preparation for the publication of a handbook.

International Center of Photography To catalog the center’s collection acquired before 1979. 11,000 New York, New York

Jewish Museum For the museum’s extensive inventory and documentation of the col­ 15,000 New York, New York lections of approximately 20,000 objects.

Joslyn Liberal Arts Society For the publication of the Joslyn Art Museum’s 56-piece collection 18,000 Omaha, Nebraska of ancient pottery.

La Salle College in the City For the publication of an illustrated handbook]guide to the college’s 8,000 of Philadelphia collection of paintings, works on paper, and rare books that date from Philadelphia, Pennsylvania the 15th to the 20th century.

Los Angeles County Museum of Art To research and catalogue the Quattlebaum Collection of American 3,020 Los Angeles, California glass from the 18th through mid-19th centuries at the Los Angeles County Museum of Art.

Madison Art Center To document the center’s collection. 5,100 Madison, Wisconsin Museum 141

Maryland Historical Society For the publication of a scholarly catalogue of about 250 pieces in the 35,000 Baltimore, Maryland society’s collection of Maryland furniture. 7,000 Menil Foundation To publish a catalogue of a selection of about 150 works from the foun­ Houston, Texas dation’s print collection, dating from the 16th to the 19th centuries. 20,000 Milwaukee Art Museum For the publication of an illustrated handbook of the museum’s Milwaukee, Wisconsin collection. Munson-Williams-Proctor Institute For the publication of an updated checklist of the collection. 5,000 Utica, New York National Academy of Design To research and document the academy’s collection of works on paper. 15,000 New York, New York New Mexico, University of For research and documentation of the University Art Museum’s col- 13,600 Albuquerque, New Mexico lection of more than 2,000 19th-century photographs. 13,700 New York State Historical Association To document the association’s folk art collection in preparation for Cooperstown, New York publication of a collection catalogue. Oakland Museum Association For research of the museum’s collection of works by California art- 9,000 Oakland, California ists, in preparation for publication of an illustrated handbook. Philadelphia Museum of A~t For the publication of a scholarly catalogue of the museum’s collec­ 50,000 Philadelphia, Pennsylvania tion of 131 English paintings dating before 1900. Philadelphia Museum of Art To produce a complete visual card file of the museum’s collection of 20,000 Philadelphia, Pennsylvania about 6,000 Oriental prints. Philadelphia Museum of Art For the publication of a complete catalogue of the pre-20th-century 49220 Philadelphia, Pennsylvania Dutch, Flemish, and German paintings in the museum’s collection. Princeton University, Trustees of For the publication of a catalogue of approximately 1900 Roman coins 12,090 Princeton, New Jersey in the University Library collection. Reynolda House For research and preparation of materials for a revised catalogue of Winston-Salem, North Carolina the painting collection. Riverside County Parks Deparment For the research and documentation of the Edward-Dean Museum 10,000 Cherry Valley, California of Decorative Arts’ collection of more than 1600 European, Oriental, and American objects.

St. Louis Art Museum To publish a catalogue of the museum’s African Art collection. 10,000 St. Louis, Missouri St. Louis Art Museum To publish a catalogue of 75 to 100 pieces from the museum’s exten­ 16200 St. Louis, Missouri sive collection of pre-classic Mexican ceramics, dating from 1500 to 1200 B.C. Shaker Village For research and preparation of a catalogue of Canterbury Shaker 18,870 Canterbury, New Hampshire Village’s collection of about 2100 artifacts. Smith College To publish a catalogue of the museum’s collection of 19th- and early 18,020 Northampton, Massachusetts 20th-century European prints. Society for the Preservation of For the photographic documentation of the decorative art and paint­ 3,490 New England Antiquities ing collection at Codman House in Lincoln. Boston, Massachusetts Textile Museum For the Photo Archives Project, which is systematically producing 15,000 Washington, D.C. records of the museum’s entire collection, thus reducing the need to handle the fragile historic textiles. Vermont, University of For research on the Robert Hull Fleming Museum’s African, Oceanic, Burlington, Vermont Pre-Columbian, and Native American holdings. Virginia Museum Foundation For the publication of a catalogue of the collection of Oriental carpets Richmond, Virginia at the Virginia Museum of Fine Arts. Whitney Museum of American Art For the researching, re-cataloguing and documenting of the museum’s New York, New York collection of works on paper. Yale University To publish a comprehensive catalogue of the Collection of Musical New Haven, Connecticut Instruments, which is comprised of more than 800 objects from around the world. 142 Museum

Utilization of To install collections formerly in storage or recently acquired, or to design Museum Collections new displays for artifacts already on view. Program funds: $1,240,350 77 grants

Albany Institute of History and Art For the installation of a long-term exhibition accompanied by a $25,000 Albany, New York catalogue of highlights of the institute’s permanent collection.

Amherst College, Trustees of For the construction of three semi-permanent, self-lighted display 3,600 Amherst, Massachusetts cases, designed for rotating exhibitions of the Museum of Art’s col­ lections of silver, glass, ceramics, and small sculpture.

and/or service For a temporary exhibition in the Annex’s new exhibition space of 3,200 Seattle, Washington artist’s books from the permanent collection.

Art Institute of Chicago For the first in a planned series of exhibitions of works in all media 25,000 Chicago, Illinois from the institute’s collections of 19th-century French art.

Art Institute of Chicago For the reinstallation of the institute’s collection of primitive art from 25,000 Chicago, Illinois Africa, Oceania, and the Americas.

Art Institute of Chicago For the reinstallation of the institute’s Oriental art collection in a more 30,000 Chicago, Illinois logical and chronologically correct sequence.

Atlanta Arts Alliance For the design, production, and installation of educational wall texts 15,000 Atlanta, Georgia for the permanent collection installation in the High Museum of Art’s new building.

Baltimore Museum of Art For an outreach program of six exhibitions of works from the per­ 18,000 Baltimore, Maryland manent collection that circulate to public schools, colleges, and com­ munity art centers thrdughout the state.

Baltimore Museum of Art For the museum’s Teacher Services Program for increasing teachers’ 17,500 Baltimore, Maryland effectiveness in using the museum’s collection in classroom teaching.

Berkshire Museum, Trustees of the For the reinstallation in a refurbished gallery of the museum’s col­ 15,000 Pittsfield, Massachusetts lection of 19th-century American portraits.

Birmingham Museum of Art For a long-term loan of postwar European painting and sculpture from 20,000 Birmingham, Alabama the collections of the Solomon R. Guggenheim Museum.

Bishop Museum To prepare for the reinstallation of the museum’s collection of 15,000 Honolulu, Hawaii Hawaiian art, much of which has never been exhibited. Boise Gallery of Art Association For an exhibition and catalogue of contemporary arranged image 4,500 Boise, Idaho photography from the gallery’s collection.

Bronx Museum of the Arts For a loan of primitive works from the collection of the Metropolitan 20,000 Bronx, New York Museum of Art.

Brooks Memorial Art Gallery, Friends To organize and prepare the gallery’s collection of American, Euro­ 10,000 Foundation of pean and Japanese prints for exhibition. Memphis, Tennessee

California State University To create a multi-media outreach program to explain and publicize 11,400 Long Beach, California the activities at the Art Museum and Galleries.

California, University of For an exhibition of the Henry Eichheim Collection of Oriental musical 26,560 Santa Barbara, California instruments, a collection never before publicly exhibited.

Colgate University For the loan of twelve 17th-century Dutch paintings from the 5,850 Hamilton, New York Metropolitan Museum of Art to fill a void in the Picker Art Gallery’s collection.

Corcoran Gallery of Art, Trustees of the For an exhibition and catalogue of photographs by Eadweard 8,000 Washington, D.C. Muybridge.

Dartmouth College, Trustees of For the installation of the Hood Museum of Art’s permanent collec­ 25,000 Hanover, New Hampshire tions in a new facility. Museum 143

DeCordova and Dana Museum and For an arts orientation and outreach program for low-income senior 6,500 Park citizens. Lincoln, Massachusetts Denver Art Museum For an outreach program, which each year takes a portable exhibi­ 20,000 Denver, Colorado tion highlighting part of the permanent collection to remote com­ munities throughout Colorado. Detroit Institute of Arts, For a traveling exhibition of Native American art from the 7,500 Founders Society ChandlerfPohrt Collection, a recently acquired collection of Plains and Detroit, Michigan Prairie Indian arts. Detroit Institute of Arts, To reinstall the institute’s collections of European decorative arts 50,000 Founders Society and English art, which have been closed to the public for the past Detroit, Michigan two years. DuPont (Henry Francis) Winterthur To upgrade the lighting and labeling of the museum’s Sewell C. Biggs Museum collection of American painting, furniture, and silver located in Odessa, Winterthur, Delaware Delaware. Everhart Museum of Natural History, To refurbish existing gallery space and reinstall the museum’s col­ 10,000 Science, and Art lections of pre-Columbian art and primitive art from New Guinea and Scranton, Pennsylvania Fine Arts Museums Foundation For an exhibition and catalogue of master drawings and watercolors 10,000 San Francisco, California from the Achenbach Foundation for Graphic Arts, the prints and draw­ ings department of the Fine Arts Museums of San Francisco.

Franklin Furnace Archive For a two-part exhibition examining the use of language in contem­ 10,000 New York, New York porary art. Franklin Furnace Archive For an exhibition of Latin American artists’ books from the collection. 27,390 New York, New York Fuller Memorial, Trustees of the For an exhibition at the Brockton Art Museum of classical Greek art 10,000 Brockton, Massachusetts from the Museum of Fine Arts in Boston. Guggenheim (Solomon R.) Foundation For an exhibition and catalogue surveying postwar European paint­ 18,000 New York, New York ing from the permanent collection of the Solomon R. Guggenheim Museum. Haleakala For a video distribution program that makes video tapes from the 15,780 New York, New York Kitchen’s collection available to arts centers, universities, and broad­ cast centers throughout the country. Indianapolis Museum of Art For a series of exhibitions celebrating the museum’s centennial. 20,000 Indianapolis, Indiana

International Museum of Photography For an exhibition taken from the museum’s collection of photography 15,000 at George Eastman House of the 1890s, a period of transition from the Naturalistic movement Rochester, New York to Pictorialism. International Museum of Photography For an exhibition of British photography of the 1850s by amateurs 15,000 at George Eastman House who evolved into professional photographers. Rochester, New York International Museum of Photography To rotate works in the museum’s permanently installed historical 15,000 at George Eastman House survey of photography and upgrade lighting, labeling, and display. Rochester, New York Jewish Museum For an exhibition of the Museum’s Benguiat Collection of Jewish 12,000 New York, New York ceremonial art from Turkey, a rarely exhibited collection. Kansas, University of For a long-term exhibition at the Spencer Museum of Art of 20th­ 20,000 Lawrence, Kansas century European and American works from the Solomon R. Gug­ genheim Museum’s permanent collection. Laumeier International Sculpture Park For a collection-sharing project in which Laumeier presented an ex­ St. Louis, Missouri hibition and catalogue of the University of Chicago’s Alfred Smart Gallery’s collection of contemporary sculpture.

Marquette University For the installation of the university’s collection of paintings, 12,000 Milwaukee, Wisconsin sculpture, works on paper, tapestries, illuminated books and manuscripts, and decorative arts in a newly constructed museum facility. 144 Museum

Merrimack Valley Textile Museum For an exhibition and catalogue of printed textiles made during the 10,000 North Andover, Massachusetts 1980s at the Cocheco Print Works in New Hampshire. Metropolitan Museum of Art To plan for the reinstallation of the museum’s collection of European, 31,300 New York, New York Islamic, and Japanese arms and armor. Mexican Museum To develop and implement new museum workshops and lectures, and 15,000 San Francisco, California develop a slide bank and artifact kits for use in or out of the museum. Michigan, Regents of the University of For an exhibition surveying American prints from 1910 through 1940, 7,000 Ann Arbor, Michigan drawn from the museum’s collection. Milwaukee Art Museum To re-light, re-label, frame, and install the museum’s permanent 10,000 Milwaukee, Wisconsin collections. Mingei International For an exhibition of the Museum of World Folk Art’s collection of 10,000 La Jolla, California Ethiopian folk art. Minnesota Museum of Art To up-grade the museum’s matting and framing capabilities to prepare 9,000 St. Paul, Minnesota the collection for installation and exhibition. Mississippi Museum of Art For the museum’s program of increased use of its own permanent 10,000 Jackson, Mississippi collection in conjunction with long-term loans from the Tougaloo Col­ lege Collection.

Monterey Peninsula Museum of Art For an outreach project consisting of a series of portable boxes con- 5,900 Association taining selected artifacts form the museum’s international folk art Monterey, California collection available for use in schools, libraries, and other communi­ ty agencies. Museum of American Folk Art For an exhibition of midwestern Amish quilts from the museum’s 5,000 New York, New York collection. Museum of Contemporary Art For a series of exhibitions highlighting six aspects of the museum’s 20,000 Chicago, Illinois permanent collection. Museum of Modern Art For a daily lecture-discussion program concerning works in the per- 15,000 New York, New York manent collection, conducted by graduate students. Museum of Modern Art To reinstall the museum’s collection in newly expanded and refur- 60,000 New York, New York bished galleries that double the available space for the permanent collection. National Academy of Design For a traveling exhibition and catalogue of the academy’s collection 25,000 New York, New York of artists’ portraits and seif-protraits by members of the academy, dating from 1809 to the present. Palace of Arts and Sciences Foundation For a project designed to improve the exhibit graphics, labels, and 20,000 San Francisco, California guidesheets to present more clearly the connections between art and science in the Exploratorium’s exhibits.

Pennsylvania, Trustees of the For a program in conjunction with Internation~l Classroom that brings 10,000 University of students from Philadelphia’s public schools to the University Museum Philadelphia, Pennsylvania for gallery tours and discussions. Philadelphia Museum of Art For a two-year teacher training project designed to enable elemen- 38,190 Philadelphia, Pennsylvania tary and secondary school educators of traditional disciplines to in­ corporate works of art into their teaching curriculum. Philadelphia Museum of Art For an exhibition of the museum’s entire collection of works by 40,000 Philadelphia, Pennsylvania Cezanne. Phillips Collection For a project that allows the collection to remain on view while the 25,000 Washington, D.C. museum’s galleries are being renovated. Pierpont Morgan Library For an exhibition of opera stage designs and other works to com- 18,000 New York, New York memorate the 100th anniversary of the Metropolitan Opera Company. Plains Art Museum For an exhibition of the museum’s collection of African art. 5,000 Moorhead, Minnesota Portland Art Association For an exhibition of recently acquired Japanese folk art and a selec- 10,000 Portland, Oregon tion of related prints. Red Cloud Indian School Board To expand and reinstall the school’s exhibitions of paintings, bead 3,000 Pine Ridge, South Dakota and porcupine quill work, and quilts. Museum 145

Ringling (John and Mable) Museum of For an exhibition of twelve works by Marcel Duchamps from the 5,000 Art Foundation museum’s collection to travel throughout Florida. Sarasota, Florida St. Louis Art Museum To convert a storage space into a gallery for rotating exhibitions of 9,400 St. Louis, Missouri the museum’s collections of African, Oceanic, and American Indian art. St. Louis Art Museum To reinstall the museum’s pre-Columbian collections. 6,000 St. Louis, Missouri San Antonio Museum of Art For a long-term loan exhibition of contemporary Latin American art 20,000 San Antonio, Texas from the Solomon R. Guggenheim Museum. San Antonio Museum of Art To evaluate and prepare for installation the museum’s collection of 10,000 San Antonio, Texas pre-Columbian art of Mesoamerica, and Central and South America. Southern Arts Federation To support five southern museums in organizing exh%itions from their 25,000 Atlanta, Georgia permanent exhibitions to become elements of the federation’s Visual Arts Touring Program. Studio Museum in Harlem For two exhibitions in the museum’s new facility of recent acquisi­ 25,000 New York, New York tions and a selection of African art. Syracuse University For an exhibition of the works of Rico Lebrun at the Joe and Emily 5,000 Syracuse, New York Lowe Art Gallery. Texas, University of For an exhibition and catalogue of the Archer M. Huntington Art 25,620 Austin, Texas Gallery’s rarely exhibited collection of British photography, dating from 1840 through 1900.

Textile Museum For an exhibition and catalogue of Greek Island embroidery, one of 10,000 Washington, D.C. the museum’s collections not previously catalogued nor exhibited. Waiters Art Gallery, Trustees of For an exhibition and catalogue of the gallery’s ivory collection, in­ 20,000 Baltimore, Maryland cluding works from antiquity through the 20th century. Whitney Museum of American Art For an education project that sends art instructors to elementary and 12,500 New York, New York secondary schools with slide lectures and discussions concerning the museum’s collections. Whitney Museum of American Art To present a six-week series of short and feature-length films on con­ 10,000 New York, New York temporary American artists represented in the museum’s collection and on contemporary visual arts movements.

Williams College To reinstall the Museum of Art’s permanent collection in recently 25,000 Williamstown, Massachusetts refurbished gallery space.

Visiting To enable museums to engage outside consultants for such projects as fund- Specialists raising, collection research, and public relations activities. Program funds: $131,020 23 grants

Art Institute of Chicago To hire a visiting specialist to assist in the coordination of teacher $6250 Chicago, Illinois workshops presented by the institute’s Education Department. Art Museum Association For a visiting specialist program sponsored and administered by the 12,500 San Francisco, California association, consisting of up to 25 specialists’ visits to small and medium-sized art museums to provide technical assistance and advice. Capital Children’s Museum For a visiting specialist to add significant art content to the museum’s Washington, D.C. projects and events and train museum personnel to run such programs. Cincinnati Art Museum For a visiting specialist to review the collection of Japanese ukiyo-e Cincinnati, Ohio prints and recommend a format for cataloguing them, including priorities for their conservation and publication.

Cultural Council Foundation For Museum Mile to hire a visiting specialist to plan a fund-raising 5,400 New York, New York campaign for ten museums located on upper Fifth Avenue. 146 Museum

Dartmouth College, Trustees of For a visiting specialist to develop an inclusive system of signage and 5,430 Hanover, New Hampshire related graphics for the Hood Museum of Art’s new facility, sche­ duled to open in the fall of 1984. Denver Art Museum For a visiting specialist to conduct a study of the museum’s audience 3,500 Denver, Colorado in order to encourage an increase in visits by local residents. Detroit Institute of Arts, For two visiting textile specialists to research and study two aspects 7,010 Founders Society of the institute’s European textile collection. Detroit, Michigan Detroit Institute of Arts For two visiting specialists to work with the Department of Educa- 11,300 Founders Society tion to improve the institute’s educational and public service programs. Detroit, Michigan Duke University For the Museum of Art to hire three visiting specialists with exper- 324o Durham, North Carolina tise in African Art, to assess the quality of the museum’s African holdings for determining future exhibitions, storage, and deaccession policies. Hebrew Union College For the services of a visiting specialist in registration at the Skirball 4,000 Los Angeles, California Museum. Honolulu Academy of Arts For two visiting specialists to survey the academy and its collections Honolulu, Hawaii and make recommendations for exhibition procedures and climate control. Hunterdon Art Center For the services of a visiting specialist to conduct a feasibility study 4,600 Clinton, New Jersey for a major fund drive. Institute for Art and Urban Resources For the services of a visiting specialist in registration. 1,500 Long Island, New York New Museum For a visiting specialist to devise a capital funds campaign for the 6,700 New York, New York museum and advise the staff on development activities. New Museum For a visiting specialist to advise the museum on its membership 1,750 New York, New York program. New Museum For a public relations firm to advise the museum, aasisting with special 3,500 New York, New York activities related to its relocation in a new building. New York Public Library For the services of a visiting exhibit design specialist. 6,000 New York, New York Northeast Document Conservation For a public relations specialist to develop plans for the center’s 7,000 Center publicity and marketing programs. Andover, Massachusetts Parrish Art Museum For two visiting specialists to study the museum’s physical plant and 3,080 Southampton, New York advise staff on architectural and engineering planning for the future. Riverside County Parks Department For visiting art historians representing several specialized areas of 5,400 Cherry Valley, California expertise to assist the curator of the Edward-Dean Museum of Decorative Arts in a complete curatorial review of the collection.

Upper Midwest Conservation Association For visiting specialists of Oriental art to conduct a three-day seminar 7,800 Minneapolis, Minnesota for museum curators, offering technological information on conser­ vation problems associated with Oriental objects.

Wadsworth Atheneum For a specialist in Native American baskets to prepare an annotated 425O Hartford, Connecticut inventory of the Atheneum’s basket collection. Museum 147

Collection For consultation services to identify problems and recommend solutions con­ cerning security, storage, and climate control or to assist with renovation Maintenance projects after surveys have been completed. Program funds: $511,650 Treasury funds: $505,500 27 grants

Akwesasne Cultural Center To upgrade the Akwesasne Museum’s storage, security, and climate $950 Hogansburg, New York control systems. Boston Athenaeum For a renovation project to consolidate the entire print and photograph 50,000 Boston, Massachusetts collection for storage under optimum environmental conditions. Butler Institute of American Art To install a complete climate control system in the museum, only a 100,000 Youngstown, Ohio portion of which is now currently air conditioned. Cincinnati Museum A~sociation To modify the Cincinnati Art Museum’s climate control system, cur­ 18,000 Cincinnati, Ohio rently operated manually, by installing automatic controls on each of the 13 heating and air conditioning units. Ciaremont University Center For renovation of three basement storage areas housing the art and 4,500 Claremont, California artifact collections of the Claromont University Center and the Clare­ mont Graduate School. Colgate University To renovate several existing storage areas by installing custom-built 5,000 Hamilton, New York cabinets and shelves at the Picker Art Gallery. Dartmouth College, Trustees of To renovate Clement Hall, converting the office building into a col­ 60,000 Hanover, New Hampshire lection storage facility for the Hood Museum. Emory University For renovation of the building presently housing the Museum of Art 40,000 Atlanta, Georgia and Archaeology. Field Museum of Natural History To upgrade the storage system for about 4,000 objects in the museum’s 15,000 Chicago, Illinois textile collection. Franklin Furnace Archive To upgrade the archive’s storage area, including the installation of 9,000 New York, New York climate control, and improving the fire protection and security systerm Haleakala To survey the storage, climate control, and security needs of the col­ 2,500 New York, New York lection at the Kitchen. Hudson River Museum at Yonkers To implement the third phase of the museum’s collection maintenance 20,000 Yonkers, New York plan, concentrating on works on paper, photography, costumes, and personal accessories.

Jewish Museum To upgrade security, storage, and climate control in specific sections 20,000 New York, New York of the museum. Metropolitan Dade County For the first phase of a major renovation project to climatize the 100,000 Miami, Florida Viscaya Museum and upgrade its fire and security systems. Milwaukee Public Museum To renovate and equip two unused rooms in the museum for storing, 10,310 Milwaukee, Wisconsin handling, and preserving the museum’s works of art on paper. Mingei International To build additional custom-designed cabinets for storage of the grow­ 4,530 La Jolla, California ing permanent collection of the Museum of World Folk Art. Museum of Contemporary Art To upgrade the museum’s storage, security, and climate control 18,000 Chicago, II~nois systems. Museum of Modern Art For the final phase of upgrading the museum’s climate control and 200,000 New York, New York fire and security systems in conjunction with a major expansion program. Philadelphia Museum of Art To upgrade the storage system for the museum’s collections of 0rien­ 20,000 Philadelphia, Pennsylvania tal rugs. Phillips Collection To upgrade the museum’s climate control, security, and storage 4,500 Washington, D.C. systems as part of a major renovation of the original Phillips Collec­ 145,500 tion building. 148 Museum

Rhode Island School of Design To install a new fire and security system for the Museum of Art. 75,000 Providence, Rhode Island St. Louis Art Museum For the purchase and installation of specialized storage equipment 14,040 St. Louis, Missouri for metal objects. Studio Museum in Harlem To purchase essential cabinets, racks, panels, and other equipment 12,000 New York, New York to upgrade the museum’s storage facilities. Textile Museum To conduct a structural and mechanical systems evaluation for 5,000 Washington, D.C. developing renovation plans for storage and conservation areas. Walker Art Center To convert the museum’s sprinkler fire protection system in art 23,800 Minneapolis, Minnesota storage areas to a Halon gas system. Whitney Museum of American Art To survey the museum’s present facilities with respect to acoustics, 29,000 New York, New York climate control, security, and storage. Ypsilanti Historical Society For a storage and climate control survey to determine the feasibility 520 Ypsilanti, Michigan of using the museum’s basement for storage.

To assist museums in the planning of conservation programs; implement Conservation conservation treatment for permanent collections; assist workshops, train­ ing centers, and intern programs to train conservation professionals; and to purchase conservation equipment. Program funds: $1,194,685 103 grants

Akron Art Museum For the conservation treatment of paintings from the Edwin C. Shaw $5,000 Akron, Ohio collection of turn-of-the-century American paintings. American Museum of Natural History For the conservation of artistically significant works from the per­ 11,000 New York, New York manent collection. Arizona, University of For the conservation of "St. Jude," a painting in the Museum of Art, 1,300 Tucson, Arizona attributed to the 17th-century Italian artist Giovanni Baglione. Arnot Art Museum For the conservation treatment of selections from the museum’s per- 2,000 Elmira, New York manent collection. Asian Art Foundation of San Francisco For the restoration and conservation of a major portion of the Asian 25,000 San Francisco, California Art Museum’s rare Tibetan tanka collection. Astoria Motion Picture To engage a variety of consultants to assist in planning conservation 5,000 and Television Foundation programs and specialized treatments for the foundation’s collections. Astoria, New York Atlanta Arts Alliance To complete a conservation survey of the High Museum of Art’s works 1,940 Atlanta, Georgia on paper. Berkshire Museum, Trustees of the For the conservation of five works from the museum’s collection. 5,500 Pittsfield, Massachusetts Bowdoin College For the conservation of drawings from the Museum of Art’s perma- 2,000 Brunswick, Maine nent collection. Brooks Memorial Art Gallery, For the conservation of a number of paintings and one important 8,000 Friends Foundation of sculpture from the museum’s permanent collection. Memphis, Tennessee Buffalo Fine Arts Academy For the conservation of major paintings in most urgent need of treat- 8,000 Buffalo, New York ment from the permanent collection of the Albright-Knox Art Gallery. Butler Institute of American Art For the treatment of a number of paintings from the museum’s per- 9,000 Youngstown, Ohio manent collection that need immediate attention. Carolina Art Association For a conservation survey of the Gibbes Art Gallery’s collection of 3,000 Charleston, South Carolina 400 miniature portraits. Museum 149

Cathedral Church of St. John For a conservation apprenticeship training program at the Cathedral 5,000 the Divine Museum. New York, New York Cincinnati Museum Association For the conservation of textiles in the Cincinnati Art Museum’s per­ Cincinnati, Ohio manent collection most in need of treatment. Corcoran Gallery of Art, For the conservation treatment of paintings from the museum’s Trustees of the American and European collections. Washington, D.C. Coruell University For the conservation of selected paintings in the Herbert F. Johnson 2,600 Ithaca, New York Museum permanent collection. Coruing Museum of Glass For the repair and restoration of the museum’s collection of about 12,000 Coming, New York 2,400 drinking vessels dating back to 1300 B.C. Dayton Art Institute For the conservation of works from the permanent collection. 5,000 Dayton, Ohio Delaware, University of For the graduate degree program for the conservation of artistic and 100,000 Newark, Delaware historic objects, jointly sponsored by the Winterthur Museum and the University of Delaware.

Denver Art Museum For the conservation treatment of works from all seven of the 15,000 Denver, Colorado museum’s curatorial departments. Detroit Institute of Arts, For the conservation of a selection of American and European pieces 9,000 Founders Society of furniture in crucial need of treatment. Detroit, Michigan Emory University To purchase major equipment for a conservation workshop in the 5,000 Atlanta, Georgia university’s newly renovated Museum of Art and Archaeology. Emory University For the conservation of objects in the Museum of Art and Archaelogy’s 6,820 Atlanta, Georgia collections. Ferre (Louis A.) Foundation For the second year of a three-year apprenticeship program at the 35,000 Ponce, Puerto Rico Museo de Arte de Ponce. Ferris State College For the conservation of paintings received in a recent bequest. 3,000 Big Rapids, Michigan Fine Arts Museums Foundation For a second year of the Master-Apprentice Internship in conserva- 5,000 San Francisco, California tion at the Fine Arts Museums of San Francisco. Fine Arts Museums Foundation For the conservation of a selected group of drawings from the Achen- 21,740 San Francisco, California bach Foundation for Graphic Art, part of the California Palace of the Legion of Honor. Fine Arts Museums Foundation To purchase equipment for use in the Fine Arts Museum of San Fran- 225O San Francisco, California cisco’s paper conservation laboratory. Guggenheim (Solomon R.) Foundation For the purchase of equipment to modernize and upgrade the Gug- 25,000 New York, New York genheim Museum’s conservation laboratory. Haleakala For duplication of video tapes in the Kitchen’s archive to preserve 5,000 New York, New York the originals from further deterioration through frequent use. Harvard University To complete the conservation of pieces installed in the new Fogg 10,000 Cambridge, Massachusetts Museum extensibn.

Harvard University For a formal advanced-level conservation intern program at the Fogg 83,110 Cambridge, Massachusetts Art Museum. Harvard University For conservation of the most important works in the Busch-Reisinger 3,000 Cambridge, Massachusetts Museum’s Gropius Archive. Higgins (John Woodman) Armory For conservation of items from the museum’s permanent collection 4,000 Museum of rare Greek and Roman bronze artifacts that have been on display Worcester, Massachusetts since 1931. Hudson River Museum at Yonkers For the conservation treatment of selected paintings and works on 3,000 Yonkers, New York paper in the museum’s permanent collection. Huntington Historical Society For conservation of three watercolors by local artist Edward Lange, 910 Huntington, New York who lived in Huntington during the last quarter of the 19th century. 150 Museum

Indiana University For the restoration of two Thomas Hart Benton murals located in 20,000 Bloomington, Indiana the university’s Woodburn Hall. Indiana University To purchase a hot table and X-ray unit to complete the new paint­ 11,000 Bloomington, Indiana ings conservation lab in the Art Museum’s new building, and for hygrothermographs to monitor the climate-controlled exhibition and storage areas.

Indiana University For the conservation of the Art Museum’s photographic archive of 2,000 Bloomington, Indiana landscape photographer Art Sinasbaugh. Indianapolis Museum of Art For the treatment of the most important works from the museum’s 5,000 Indianapolis, Indiana textile collection. Indianapolis Museum of Art To purchase an additional stereomicroscope for the museum’s con- 5,250 Indianapolis, Indiana servation laboratory. Intermuseum Conservation Association To purchase a Wild M8 Microscope and other related equipment to 2,000 Oberlin, Ohio upgrade the association’s conservation laboratory. International Museum of Photography For the conservation of photographic works included in the reinstalla- 9,000 at George Eastman House tion of the museum’s 300-print survey exhibition of the history of Rochester, New York photography. Iowa, University of For the conservation of paintings from the Museum of Art’s perma- 7,500 Iowa City, Iowa nent collection. Jersey City Library Museum For the conservation treatment of a large number of works on paper 1,000 Jersey City, New Jersey by Jersey City artist August Will. Jewish Museum For the restoration of a selection of Ketubbot, Jewish marriage 4,000 New York, New York contracts. Joslyn Liberal Arts Society For the restoration of works from the museum’s permanent collec- 10,600 Omaha, Nebraska tion of ancient pottery. Kansas, University of For the conservation of the Spencer Art Museum’s most significant 5,000 Lawrence, Kansas works. Kansas, University of To complete a survey of the conservation needs of the G.W. Reed 8,000 Lawrence, Kansas collection of Northwest Coast Indian material at the Museum of Anthropology. Kentucky Historical Society For the conservation treatment of two paintings by Kentucky por- 2,000 Frankfort, Kentucky traitist Patrick Henry Davenport. Lafayette Art Association For the treatment of a number of the most important paintings from 1,300 Lafayette, Indiana the permanent collection of the Greater Lafayette Museum of Art. Marquette University For the conservation of selected paintings to be installed in the univer- 3,000 Milwaukee, Wisconsin sity’s new museum facility, currently under construction. Maymont Foundation For the conservation treatment of objects chosen for treatment by 4,000 Richmond, Virginia a survey project in 1981. McNay (Marion Koogler) Art Institute For a conservation survey of about 300 paintings in the museum’s 2,000 San Antonio, Texas permanent collection. Metropolitan Museum of Art For a third-year program of advanceddevel training in the museum’s 10,000 New York, New York Painting Conservation Department. Metropolitan Museum of Art For scholarship stipends for the fellows, interns, and guest conser- 15,000 New York, New York vators in the museum’s conservation training program. Michigan, Regents of the University of For the conservation of an important group of architectural elements 16,180 Ann Arbor, Mic~gan and decorative ornaments designed by Louis Comfort Tiffany. Minnesota, University of For the conservation treatment of those paintings in the permanent 4,000 Minneapolis, Minnesota collection most urgently in need of attention. Montana, University of For the conservation treatment of selected works in the School of 2,000 Missoula, Montana Fine Art’s permanent collection and the purchase of steel cabinets for the storage of prints. Montgomery Museum of Fine Arts For the conservation treatment of approximately 26 works from the 14,000 Association 1930s and 1940s, owned by Auburn University and placed on long- Montgomery, Alabama term loan at the Montgomery Museum. Museum 151

Munson-Williams-Proctor Institute For the conservation treatment of seven paintings from the institute’s 3,005 Utica, New York permament collection.

Museum Associates For an apprenticeship-internship program at the Los Angeles Coun- 10,000 Los Angeles, California ty Museum of Art.

Museum of Fine Arts For a one-year master-apprentice internship in painting conservation. 10,000 Boston, Massachusetts

Museum of Fine Art For the conservation treatment of the museum’s collection of 32 22,410 Boston, Massachusetts pastels by Jean-Francois Millet.

Museum of Modern Art To purchase X-ray and related equipment for the museum’s newly 5,380 New York, New York expanded conservation laboratories.

Museum of the American Indian For an examination of the museum’s paintings and drawings on hide, 10,700 New York, New York canvas, and muslin to be protected on acid-free racks.

Museums at Stony Brook For the conservation of approximately 15 of the museum’s 19th­ 5,000 Stony Brook, New York century American paintings.

National Academy of Design For the conservation treatment of works from the academy’s per- 13,000 New York, New York manent collection, determined by a 1979 survey to be in greatest need of treatment.

New Mexico, University of For a comprehensive survey of the conservation needs of the Univer- 1,390 Albuquerque, New Mexico sity Art Museum’s collection of photographs.

New York, Research Foundation of For the first stage of the Neuberger Museum’s conservation collec­ 5,650 the State University of tion care program. Purchase, New York

New York State Historical Association ~/l~or the three-year Cooperstown graduate training program, jointly 97,000 Cooperstown, New York sponsored by the New York State Historical Association and the State University of New York at Oneonta.

New York State Historical Association For the ninth annual Arts Conservation Training Programs Con- 7,120 Cooperstown, New York ference held in Cooperstown in May 1983. New York University For the Institute of Fine Arts to publish Art and Archaeology 25,000 New York, New York Technical Abstracts, a journal of annotated abstracts and b~liographies for professionals in the conservation and archival fields.

New York University ~l~or the Institute of Fine Arts’ four-year graduate degree program 100,000 New York, New York providing instruction in all phases of art conservation. New York University To equip and furnish new laboratories, classrooms, and r~l~ated 25,000 New York, New York facilities for the conservation center in the Institute of Fine Arts.

Northeast Document Conservation For a one-year internship in conservation. 10,000 Center Andover, Massachusetts

Oakland Museum Association For the conservation treatment of the most significant and endangered 7,770 Oakland, California works in the museum’s graphic collection. Pennsylvania Academy For the conservation treatment of approximately 100 works from the 18,000 of the Fine Arts academy’s collection of American works on paper. Philadelphia, Pennsylvania

Princeton University, Trustees of For the treatment of approximately 60 drawings, one woodcut, and 25,000 Princeton, New Jersey one sketchbook from the Art Museum’s collection of works on paper. Rhode Island School of Design For the conservation treatment of a selection of paintings and 6,000 Providence, Rhode Island sculpture from the Museum of Art’s permanent collection. Ringling (John and Mable) Museum of To purchase additional equipment for the museum’s newly created 15,000 of Art Foundation conservation laboratory. Sarasota, Florida

Roberson Memorial Center For the conservation of selected paintings in the center’s permanent 2,000 Binghamton, New York collection, including painted ceiling panels in the 1906 Roberson Mansion.

Rochester, University of For the conservation treatment of selected works from the Memorial 5,000 Rochester, New York Art Gallery’s collection. 152 Museum 15,OO0 San Francisco Museum of For the conservation treatment of works in the museum’s collection. Modern Art San Francisco, California 10,000 Santa Barbara Museum of Art For the conservation of approximately 43 American and European Santa Barbara, California works on paper. 6,500 Smith College Fro the treatment of approximately 68 drawings from the Museum Northampton, Massachusetts of Art’s permanent collection. 2,310 Society for the Preservation of For the conservation of the furniture collections at two of the socie­ New England Antiquities ty’s properties: the Rundlet-May House in Portsmouth, New Hamp­ Boston, Massachusetts shire, and the Codman House in Lincoln, Massachusetts. 12,500 Southern California, University of For the conservation of approximately 14 paintings in the Universi­ Los Angeles, California ty Art Galleries. 5,000 Southwestern Art Association For the conservation of approximately 50 works from the Philbrook Tulsa, Oklahoma Art Center’s collection of 20th-century Native American paintings. 22OO State Historical Society of Colorado To prepare a handbook concerning proper storage, handling and Denver, Colorado restoration of the society’s photographic collection. 10,000 State Historical Society of Colorado To conserve works from the society’s extensive photographic collec­ Denver, Colorado tion of Western portraits and landscapes. 1,000 Staten Island Institute of Arts For the conservation of a small number of paintings from the in­ and Sciences stitute’s permanent collection. Staten Island, New York Tennessee Botanical Gardens and To purchase equipment necessary for in-house preparation of objects Fine Arts Center for display or storage. Nashville, Tennessee Texas, University of For the conservation of the Institute of Texas Culture’s photographic 5,0OO San Antonio, Texas collection. 10,000 Textile Conservation Workshop For a one-year master-apprentice internship in textile conservation. South Salem, New York 8,660 Textile Museum To redesign the existing conservation facility at the museum. Washington, D.C. 10,000 Upper Midwest Conservation For an internship in paintings conservation at the Minneapolis In­ Association stitute of Art. Minneapolis, Minnesota 10,500 Virginia Museum of Fine Arts For the conservation treatment of a selection of works on paper from Richmond, Virginia the museum’s collection. 2,500 Wellesley College For the conservation of the more important drawings in the Jewett Wellesley, Massachusetts Art Center’s permanent collection. 4,500 Williams College For the conservation treatment of the Museum of Art’s works on Williamstown, Massachusetts paper that need prompt attention. 19,590 Worcester Art Museum To purchase modem equipment for the museum’s new conservation Worcester, Massachusetts laboratories and renovated photographic studio. 2,000 Ypsilanti Historical Society To restore several portraits in the society’s collection. Ypsilanti, Michigan

To enable museums to organize special exhibitions or to borrow exhibitions Special Exhibitions organized by other museums. Program funds: $4,610,920 Treasury funds: $ 300,000 249 grants

$5,000 Akron Art Museum For the showing in Akron of "Louise Bourgeois," an exhibition Akron, Ohio organized by the Museum of Modern Art. Akron Art Museum For an exhibition of paintings completed since 1970 by Robert 30,000 Akron, Ohio Mangold. Akron Art Museum For "Dialogue," a series of small flexible exhibitions that compare 15,000 Akron, Ohio the work of two or more contemporary artists. Albright College For a series of 30-minute videotapes to accompany the four exhibi- 5,930 Reading, Pennsylvania tions in the Freedman Gallery’s 1982-83 exhibition schedule. Albuquerque Museum Foundation To plan an exhibition surveying 3,000 years of ancient Mayan art, 20,000 Albuquerque, New Mexico with emphasis on sculpture, ceramics, jade carvings, gold work, and architectural embellishment. Aldrich Museum of Contemporary Art For an exhibition examining developments and changes since 1960 20,000 Ridgefield, Connecticut in the work of 15 influential American artists. Allentown Art Museum For an exhibition examining the artist’s studio as a subject in 19,500 Allentown, Pennsylvania American painting during the past 200 years. Alternative Center for International Arts For an exhibition of works by emerging artists from California, I0,000 New York, New York Oregon, and Washington.

Alternative Center for International Arts For an exhibition presenting contemporary works in various media 10,000 New York, New York by artists working in the American Southwest. Amarillo Art Center To produce videotapes to accompany two exhibitions at the center: 6,000 Amarillo, Texas "Early French Moderns" and "Ancient Egypt." American Federation of Arts For an exhibition of approximately 150 ancient Eskimo ivory carv- 20,000 New York, New York ings dating from the 4th century B.C. to about 1000 A.D. American Federation of Arts For an exh~ition of painted pottery produced by the Mimbres, a little- 43,050 New York, New York known ancient American culture that flourished from about 900 A.D. to 1175 A.D. near what is now southwestern New Mexico. Amon Carter Museum of Western Art For an exhibition of the 19th-century photographs of the American 20,000 Fort Worth, Texas West by Carleton E. Watkins. Arkansas Arts Center For the showing in Little Rock of the exhibition "Twentieth Cen- 10,000 Little Rock, Arkansas tury American Drawings - The Figure in Context," organized by the International Exhibitions Foundation. Arkansas Arts Center For the showing in Little Rock of "Jerome Witkin: Paintings and 4,000 Little Rock, Arkansas Drawings - A decade of Work," organized by the Museum of Art at Pennsylvania State University. Arkansas Arts Center For the showing in Little Rock of the exhibition "Art Nouveau, Art Little Rock, Arkansas Deco, and Modern: A Guide to the Styles 1890-1940," organized by Mississippi Museum of Art. Arnot Art Museum For a retrospective exhibition of the work of Douglas Arthur Teed, 7,720 Elmira, New York a turn-or-the-century artist from upstate New York. Art Institute of Chicago For the showing in Chicago of "Alfred Stieglitz," an extffbitlon organiz- 5,000 Chicago, Illinois ed by the National Gallery of Art. Art Institute of Chicago For an exhibition of photography in Paris during the 1920s and ’30s, 20,000 Chicago, Illinois including the works of Andre Kertesz. Art Institute of Chicago For the showing in Chicago of "Paper and Light: The Calotype In 15,000 Chicago, Illinois Great Britain and France, 1839-1870," an exhibition organized by the Museum of Fine Arts in Houston. Arts Club of Chicago For an exhibition examining the interior space design by Mies van 2,500 Chicago, Illinois der Robe, including drawings, collages, and plans from the Mies ar­ chive at the Museum of Modern Art. Asia Society For an exhibition of about 35 Japanese emaki--long, horizontal, nar- 20,000 New York, New York rative scrolls illustrating various types of stories from classic tales of court life to miraculous religious accounts to heroic battle sagas.

Asia Society For the showing in New York of "The Silk Route and The Diamond 5,000 New York, New York Path: Esoteric BuddbSst Art on the Trans-Himalayan Trade Routes," an exhibition organized by the Wight Gallery at the University of California at Los Angeles. 154 Museum 20,810 Atlanta Arts Alliance For an exhibition at the High Museum of Art surveying the develop­ Atlanta, Georgia ment and impact of conceptual art in which ideas are the focus of ex­ pressive content. 13,230 Atlanta Arts Alliance For an exhibition at the High Museum of Art of works by Robert Atlanta, Georgia Zakanitch, Patsy Norvell, Bill Jensen, and Mia Westerlund, contem­ porary painters and sculptors whose imagery is drawn from nature. 25,000 Baltimore Museum of Art For an exhibition of contemporary English collaborative artists Gilbert Baltimore, Maryland Proersch and George Passmore. 70,000 Baltimore Museum of Art For an exhibition, jointly organized with the Minneapolis Institute Baltimore, Maryland of Arts, surveying French printmaking and illustrated books from 1715 to 1814, including works by Watteau, Fragonard, Prud’hon, and Boucher. 15,000 Bard College For an exhibition at the Edith C. Blum Art Institute of all of the Annandale-on-Hudson, New York known prints by Paul Klee. 10,000 Bard College For an exhibition at the Edith C. Blum Art Institute of recently Annandale-on-Hudson, New York discovered photographic work by Japanese-American artist Yasuo Kunioshi (1893-1953). 7,500 Bellevue Art Museum For a retrospective exhibition of Dale Chihuly’s work from 1964 to Bellevue, Washington 1984. 11,000 Berkshire Museum, Trustee of the For a group exhibition exploring the emergence of decoration in con­ Pittsfield, Massachusetts temporary painting and sculpture, including works by Frank Stella, Joyce Kozloff, and Lynda Benglis. 3,500 Birmingham Museum of Art For the showing in Birmingham of the exhibition "Black Folk Art Birmingham, Alabama in America, 1930-1980," organized by the Corcoran Gallery of Art. 7,000 Boise Gallery of Art Association For an exhibition exploring ten years of aesthetic and technical Boise, Idaho development of contemporary glass. 20,000 Bronx Museum of the Arts For an exhibition surveying the photomontages produced by Laszlo Bronx, New York Moholy-Nagy during his years at the German Bauhaus in the 1920s. 5,000 Brooklyn Institute of Arts and Sciences To plan for a survey exhibition of art for children’s books, beginning New York, New York with examples from 17th-century primers. 5,000 Brooklyn Institute of Arts and Sciences For the showing in Brooklyn of "The Heritage of Islam," an exhibi­ New York, New York tion organized by the Islam Centennial Fourteen. 20,000 Brooks Fine Arts Foundation For an exhibition at the Brooks Memorial Art Gallery of works in Memphis, Tennessee various media by Alan Shields, accompanied by an artist-in-residence program. Brown University For an exhibition of printed books, prints, drawings, and paintings 5,000 Providence, Rhode Island that document and explore artistic education in the Renaissance. 21,000 Brown University For an exhibition of ancient jewelry from the Greco-Roman world, Providence, Rhode Island jointly organized with the Institute d’Archeologie et d’Histoire de l’Art, Universite Catholique, Louvain, Belgium.

Buffalo Fine Arts Academy To amend a previous grant for a retrospective exhibition of the work 45,950 Buffalo, New York of Robert Motherwell at the Albright-Knox Art Gallery. Buffalo Fine Arts Academy For the showing at the Albright-Knox Art Gallery of the Milton Avery 10,000 Buffalo, New York retrospective organized by the Whitney Museum of American Art in New York City.

California Institute of Technology For a retrospective exhibition at the Baxter Art Gallery of the work 20,000 Pasadena, California of American artist Dennis Oppenheim. California State University For an exhibition of works at the Art Gallery by artists who use ver­ 25,560 Fullerton, California nacular architecture references in their work. California, University of For a retrospective exhibition at the University Art Museum of the TF 150,000 Berkeley, California work of Juan Gris; works representing all aspects of Gris’s achievements will be borrowed from collections in the U.S. and abroad.

California, University of For "Matrix Berkeley," an on-going series of moderately scaled, one- 35,000 Berkeley, California person exhibitions at the University Art Museum examining recent developments in the visual arts. Museum 155

California, University of To plan an exhibition at the California Museum of Photography, Riverside, California surveying American photography before 1861. California, University of For an exhibition of old master drawings from the Feitelson Foun­ Santa Barbara, California dation collection, most of which had not been exhibited or published before. Carnegie Institute For the showing in Pittsburgh of the Milton Avery retrospective Pittsburgh, Pennsylvania organized by the Whitney Museum of American Art in New York City. Carnegie Institute To amend a previous grant for an exh~ition examinin4~ abstract paint­ 20,610 Pittsburgh, Pennsylvania ing and sculpture created in America from 1927 to 1944. Center for Inter-American Relations For an exhibition of works in various media by three contemporary 15,000 New York, New Yorkk Latin American artists: Waltercio Caldas, Leandro Katz, and Ber­ nardo Salcedo. Cleveland Museum of Art For an exhibition examining realism in Japanese art since the 4th 40,000 Cleveland, Ohio Century A.D., including material from Japanese cinema. Colorado, University of To amend a previous grant for a series of installations and perfor­ 7,980 Boulder, Colorado mances by four contemporary artists. Columbia College For a retrospective exhibition of approximately 100 prints by 7,000 photographer Anne Noggle. Contemporary Arts Center For an exhibition, organized with the Fort Worth Art Museum, of 25,000 Cincinnati, Ohio works by contemporary American artist Scott Burton. Contemporary Arts Center For the showing in Cincinnati of William Wegman, an exhibition 8,500 Cincinnati, Ohio organized by the Walker Art Center in Minneapolis. Contemporary Arts Museum For a 20-year retrospective of the work of abstract expressionist 20,000 Houston, Texas Milton Resnick. Contemporary Arts Museum For the exhibition series, "Perspectives," devoted to mid-sized ex­ 25,000 Houston, Texas hibitions of works by emerging area and national artists. Contemporary Arts Museum For the showing in Houston of an exin~ition of the work of Gilbert 5,000 Houston, Texas and George, organized by the Baltimore Museum of Art. Contemporary Arts Museum To amend a previous grant for an exlu~ition surveying the use of still 7,000 Houston, Texas life by American artists since 1945. Contemporary Arts Museum For "Perspectives," an ongoing series of medium-sized exhibitions 20,000 Houston, Texas of contemporary art. Coreoran Gallery of Art, Trustees of the For a retrospective of works in various media by William 10,000 Washington, D.C. Christenberry.

Coming Museum of Glass For an exhibition tracing the development of American pressed glass 15,000 Coming, New York from its inception in 1825 to the advent of the fully automatic press in the 1920s. Cranbrook Academy of Art Museum For an exhibition of contemporary paintings not done on square or 7,500 Bloomfield Hills, Michigan rectangular canvases. Creative Time For an outdoor exhibition of new site-oriented works by 12 artists 20,000 New York, New York from around the country for the Battery Park landfill on lower Manhattan. Currier Gallery of Art For an exhibition examining the contributions of Photo-Succession, 15,000 Manchester, New Hampshire a movement founded by Alfred Stieglitz in 1902 that included photographers Steichen, Coburn, Kasebier, White, and Eugene.

Dallas Museum of Fine Arts For an exhibition organized with the Phillips Collection and the Muse Dallas, Texas National d’Arte Moderne in Paris, concentrating on the later paint­ ings of Pierre Bonnard. Danforth Museum For an exhibition of the sculpture of Meta Vaux Warrick Fuller 5,000 Framingham, Massachusetts (1877-1968). Dayton Art Institute For an exhibition of Art Nouveau furniture, glass, ceramics, and tex­ 20,000 Dayton, Ohio tiles designed by Edward Colonna (1862-1949). 156 Museum 25,000 DeCordova and Dana Museum and Park For an exhibition of works of art that were inspired by the writings Lincoln, Massachusetts of Henry David Thoreau. Denver Art Museum For the showing in Denver of the Milton Avery retrospective organ­ 10,000 Denver, Colorado ized by the Whitney Museum of American Art in New York City. 10,000 Detroit Institute of Arts, To plan an exhibition examining the arts in China during the late Song Founders Society Dynasty (1100-1270). Detroit, Michigan 10,000 District 1199 Cultural Center For an exhibition of contemporary works in a variety of media that New York, New York portray images of nuclear destruction. Drawing Center For an exhibition of architectural drawings from the Royal Institute 42,950 New York, New York of British Architects, including works since the late 15th century from England, France, Italy, and the U.S. 10,000 Drawing Center For four group exhibitions of drawings by emerging artists. New York, New York DuPont (Henry Francis) Winterthur For an exhibition of the arts and crafts produced by Pennsylvanians 50,000 Museum of mid-European origin from the time of their first settlement in Penn­ Wilmington, Delaware sylvania in 1683 to around 1850. 80 Langton Street Corporation For an exhibition of documentation art; photographs that document 7,500 San Francisco, California the performance art genre of the past twenty years. 15,000 80 Langton Street Corporation For an exhibition of site-specific works, with four installations and San Francisco, California two performances at various locations around San Francisco and documentation of the works in the gallery. 12,000 Everson Museum of Art For an exhibition of watercolors and etchings by Winslow Homer. Syracuse, New York 15,000 Everson Museum of Art For a retropsective exhibition of works by contemporary expressionist Syracuse, New York painter Robert Beauchamp. 3,740 Federal Council on the Arts and For administrative cost for Arts and Artifacts Indemnity. Humanities Washington, D.C. 85,000 Ferre (Luis A.) Foundation For a retrospective exhibition at the Museo de Arte de Ponce of works San Juan, Puerto Rico by 19th-century Puerto Rican painter Francisco Oller, who worked in Paris and participated in the development of Impressionism.

Film in the Cities For an exhibition surveying the development of a photographic com­ St. Paul, Minnesota munity in Minnesota, including works by Frank Gohlke, James Henkel, and Gary Hallman. For the showing in San Francisco of "Henri Fantin-Latour: A 20,000 Fine Arts Museums Foundation .... " " San Francisco, California Retrospective Exhibition, orgamzed by het Reunion des Musees Na­ tionaux in Paris in conjunction with the National Gallery of Canada in Ottawa.

Fine Arts Museums Foundation For the showing in San Francisco of "Braque: The Late Years," an 20,000 San Francisco, California exhibition organized by the Phillips Collection in Washington, D.C.. 7,500 Florida International University For the showing at the Visual Arts Gallery of an exhibition of paint­ Miami, Florida ings, drawings, and lithographs by Marsden Hartley. Fort Wayne Museum of Art For an exhibition surveying early Indiana art from the pioneer art­ 4,920 Fort Wayne, Indiana ists in the year of Indiana’s statehood (1816) to the formation of the "The Hoosier Group," in 1916. 6,150 Fort Worth Art Association To amend a previous grant for an exhibition of furniture, decorative Fort Worth, Texas arts objects, preparatory designs, and architectural renderings by 19th-century Viennese designer-architect Josef Hoffman.

Franklin Furnace Archive For the production of a catalogue to accompany an exhibition examin- 10,000 New York, New York ing mallart, an aspect of the artists’ publishing movement. Franklin Furnace Archive For an exhibition examining mailart, an aspect of the artists’ 10,000 New York, New York publishing movement. Franklin Furnace Archive For an exhibition surveying the artists’ books created from 1910 to 12,000 New York, New York 1930 by cubist artists, often in collaboration with writers of the period. Museum 157

French American Foundation For an exhibition of paintings, drawings, photographs, and other ob­ 50,000 New York, New York jects by Jean Cocteau and other artists associated with him and the French avant-garde of the period 1914-1963. Friends of the Graduate Center Mall For an exhibition of reconstructed furniture and props designed for New York, New York the 1922 Russian production of The Death of Tarelkin, by Russian constructivist artist Barvara Stepanova. Fuller Memorial, Trustees of the For a retrospective exhibition at the Brockton Art Museum of the 10,000 Brockton, Massachusetts work of metalsmith Vincent Ferrini. Fuller Memorial, Trustees of the For an exh%ition at the Brockton Art Museum of paintings, sculpture, 27,000 Brockton, Massachusetts and drawings by 19th-century artist and physician, William Rimmer. Grand Rapids Art Museum For an exhibition of contemporary architecture, presenting one com­ 20,000 Grand Rapids, Michigan pleted structure and one planned for the future by each of 12 architects.

Guggenheim (Solomon R.) Foundation For a retrospective exh~ition at the Guggen_heim Museum of the work TF 150,000 New York, New York of Spanish sculptor Julio Gonzaies (1896-1942).

Harvard University To plan an exhibition at the Busch-Reisinger Museum of drawings 10,000 Cambridge, Massachusetts by German artists of the 1920s who belonged to the Neue Sacldichkeit (New Objectivity) movement. Harvard University To publish a catalogue to accompany an exhibition at the Peabody 5,000 Cambridge, Massachusetts Museum surveying the arts of West and Central Africa. Hofstra University For a site-specific exterior/interior installation by Nene Humphrey 3,300 Hempstead, New York at the Emily Lowe Gallery, with an accompanying video installation made in collaboration with Warner Wada.

Honolulu Academy of Arts For the showing in Honolulu of "Manuel Neri: Drawings and 9,960 Honolulu, Hawaii Bronzes," an exhibition organized by the Art Museum Association in San Francisco. Hope College For an exhibition surveying the major artists and movements in 10,000 Holland, Michigan modern Dutch art. Hudson River Museum at Yonkers For an exhibition of drawings by Frederic Edwin Church. 20,000 Yonkers, New York Hudson River Museum at Yonkers For an exhibition of the work of the 11 recipients of the 1981-82 CAPS 5,000 Yonkers, New York sculpture fellowships. Illinois, University of For an exhibition at the Krannert Art Museum that presents the art 10,000 Champaign, Illinois of Raphael through an exploration of the critical standards of art developed during the artist’s own time. Independent Curators For an exhibition of drawings by artists since the ’60s who have 19,340 New York, New York used images from advertising, magazines, film, and television in their work. Independent Curators To amend a previous grant for an exhibition surveying major trends 7,350 New York, New York in constructivist art since 1920. Indiana University For a showing in Indianapolis of an exhibition of work by Christo, 1,000 Bloomington, Indiana organized by the Arts Museum of Santa Cruz. Indiana University For an exhibition of Italian portrait drawings (1400-1800) from North 25,000 Bloomington, Indiana American collections at the University Art Museum. Institute for Art and Urban Resources For the showing in Long Island City of "Expressions: New Art from 5,000 Long Island City, New York Germany," an exhibition organized by the St. Louis Art Museum.

Institute of Contemporary Art For "Issues," an ongoing series of exhibitions of contemporary art. 25,000 Boston, Massachusetts Institute of Contemporary Art For an exhibition demonstrating the relationship between the visual 60,000 Boston, Massachusetts arts and dance during the past 90 years. Institute of Contemporary Art For the showing in Boston of"Lucas Samaras: The Pastels," an ex­ 5,000 Boston, Massachusetts hibition organized by the Denver Art Museum. International Center of Photography For an exhibition of the work of photographer Arnold Genthe. 15,000 New York, New York 158 Museum

International Center of Photography For an exhibition of Scandinavian photography, a project organized 15,190 New York, New York with the Walker Art Center in Minneapolis. 10,000 International Exhibitions Foundation For an exhibition at four American museums of 18th-century Italian Washington, D.C. drawings from the Robert Lehman collection at the Metropolitan Museum of Art. 30,000 International Exhibitions Foundation To circulate "Grand Prix de Rome Paintings: 1797-1863," to eight Washington, D.C. American museums. International Exhibitions Foundation For an exhibition of Italian still life painting from 1500 to 1800, organ­ 37,190 Washington, D.C. ized with the National Academy of Design. International Exhibitions Foundation For an exhibition of works by turn-of-the-century painter and il- 43,010 Washington, D.C. lustrator Jean-Louis Foraln, including approximately 125 paintings, watercolors, prints, and drawings. 10,000 International Museum of Photography For a retrospective exhibition of up to 250 photographs by Paul at George Eastman House Caponigro that date from the 1950s. Rochester, New York Japan Society For an exhibition surveying the art of Japanese calligraphy. 45,000 New York, New York

Jefferson County Historical Society For an exhibition of New York State coverlets, produced by master 3,000 Watertown, New York weavers from the 1820s to the Civil War. 60,000 Jewish Museum For an exhibition of works by Jewish artists living in Paris during New York, New York the early 20th century. Joslyn Liberal Arts Society For a symposium to accompany the Joslyn Art Museum’s exhibition, 2,927 Omaha, Nebraska "Jules Breton and the French Rural Tradition." 8,200 Just Above Midtown For an exhibition investigating private performance art, including New York, New York works by Vito Acconci, Yves Klein, and Lucas Samaras. Kansas City Art Institute For an exhibition of work by approximately 12 ceramic artists, who 9,000 Kansas City, Missouri graduated from Kansas City Art Institute.

Kansas, University of For the showing at the Spencer Museum of Art of "Nuremberg: A 10,000 Lawrence, Kansas Renaissance City, 1500-1600," organized by the Huntington Art Gallery at the University of Texas at Austin.

Kansas, University of For an exhibition at the Spencer Museum of Art of 17th-century Dutch 10,000 Lawrence, Kansas prints drawn from American museums. Kansas, University of For an exhibition at the Spencer Museum of Art of Diane Arbus’s 10,000 Lawrence, Kansas magazine photography published in Esquire, Harper’s Bazaar, and other magazines from 1960 to 1971.

Kansas, University of For an exhibition at the Spencer Museum of Art of paintings, tapes­ 30,000 Lawrence, Kansas tries, manuscripts, and Gothic art that recreate medieval gardens -an exhibition organized with Dumbarton Oaks in Washington, D.C.. La Jolla Museum of Contemporary Art For an exhibition of the work of Stephen Antonakos for the early 15,000 La Jolla, California 1960s to the present. La Jolla Museum of Contemporary Art For an exhibition of art by multimedia]performance/visual artist Terry 15,000 La Jolla, California Allen. Laguna Gloria Art Museum For the showing in Austin of "Printed Art of the Seventies," an ex- 5,000 Austin, Texas hibition organized by the Museum of Modern Art. Laumeier International Sculpture Park For the showing in St. Louis of "Henry Moore Tapestries," an ex- 3,000 St. Louis, Missouri hibition organized by the International Exhibitions Foundation. Long Beach Museum of Art Foundation For an exhibition of new works by Jennifer Bartlett: 20 conte crayon 10,000 Long Beach, California drawings and enamel paintings on glass, mirror, roiled steel plates, and canvas, specifically created for this exhibition. Los Angeles Contemporary For an exchange exhibition of work by emerging artists with Artists 10,000 Exhibitions Space in New York. Los Angeles, California Museum 159

Los Angeles Institute of Contemporary For an exhibition of work by 11 contemporary Italian artists who 40,000 Art traveled to Los Angeles to do concurrent projects at 11 separate art Los Angeles, Catifornia institutions. Los Angeles Institute of For an exhibition of collaborative works. 20,000 Contemporary Art Los Angeles, California Madison Art Center For the Center’s State Street Gallery program of one-person exhibi- 10,000 Madison, Wisconsin tions, installations, and site-specific projects in a newly renovated show window space on State Street in downtown Madison. Madison Art Center For an exhibition examinig the work of contemporary Chicago ar- 10,000 Madison, Wisconsin tists working in styles other than the "Hairy-Who" figurative tradi­ tion that has long been associated with the art of Chicago. Madison Art Center For an exhibition of the work of Sylvia Plimack Mangold, dating from 10,050 Madison, Wisconsin 1965. Maryland Institute For an exhibition at the College of Art of recent monotype prints 10,000 Baltimore, Maryland by contemporary American and British artists who are developing new approaches to one-of-a-kind prints. Massachusetts Institute of Technology For the Committee on the Visual Arts to sponsor an exhibition jux- 10,000 Cambridge, Massachusetts taposing the work of figurative sculptor Jackie Winsor with that of abstract sculptor Barry Ledoux. Massachusetts Institute of Technology For the Committee on the Visual Arts to sponsor an installation by 12,140 Cambridge, Massachusetts James Tnrrell at the Hayden Gallery. Metropolitan Museum of Art To amend a previous grant for an exhibition of paintings, drawings, 50,000 New York, New York and prints by Edouard Manet from the Louvre’s and the Metropolitan’s collections.

Metropolitan Museum of Art For an exhibition of Leonardo da Vinci’s anatomical drawings from 60,000 New York, New York the Royal Library of Windsor Castle. Miami, University of For an exhibition of works by A.E. Gallatin (1881-1952). 8,000 Coral Gables, Florida Miami, University of For an exhibition of the work of"rural regionalist" artist Paul Starett 8,000 Coral Gables, Florida Sample (1896-1947). Mid-America Arts Alliance For the organization and touring of an exhibition of drawings by 14,710 Kansas City, Missouri George Caleb Bingham. Mid-America Arts Alliance For the touring of five exhibitions throughout the alliance’s region. 10,510 Kansas City, Missouri

Minneapolis College of Art and Design For an exhibition of environmental installations located throughout 15,000 Minneapolis, Minnesota the city by visual artists whose work involves written words. Minneapolis Society of Fine Arts For an exhibition at the Minneapolis Institute of Arts, surveying the 50,000 Minneapolis, Minnesota entire spectrum of Grant Wood’s career. Minnesota Museum of Art For an exhibition surveying the career of American artist Reginald 25,000 Saint Paul, Minnesota Marsh (1898-1954). Minnesota Museum of Art For the showing in St. Paul of "Scandinavian Modern: 1880-1980," 10,000 Saint Paul, Minnesota an exhibition of Scandinavian design organized by the Cooper-Hewitt Museum.

Mississippi Museum of Art For the Open Gallery program, an exhibition and artist-in-residence 15,000 Jackson, Mississippi series geared to artists whose work is conceptual, performance, and/or tecimolbgical in nature.

Montclair Art Museum For an exhibition of approximately 100 paintings that deals with the 15,000 Montclair, New Jersey garden picture as a genre in American painting.

Montgomery Museum of Fine Arts For an exhibition of works included in the 1946-47 Art Show that was 26,790 Association organized by the State Department for travel in post-war Europe Montgomery, Alabama and Latin America. Morgan (Pierpont) Library For an exhibition of 15th- and 16th-century French, Italian, and 20,000 New York, New York Flemish illuminated manuscripts from the British Library that have never been shown in the United States. 160 Museum 9,000 Morris Museum of Arts and Sciences For an exhibition of the landscape and genre paintings of Charles Convent, New Jersey Lanman (1819-1895). 10,000 Munson-Williams-Proctor Institute For an exhibition of American art between the two world wars from Utica, New York the collections of six major upstate New York museums. 7,500 Museo del Barrio For an exhibition of up to 60 watercolor paintings of birds by Louis New York, New York Agassiz Fuertes (1874-1927) from the collections of the U.S. Fish and Wildlife Services. 21,620 Museo del Barrio For an exh"oition of the work of Rafael Ferrer from the past ten years, New York, New York including tents, maps, masks, kayaks, pieces incorporating neon, and constructions and paintings. 10,000 Museo dei Barrio For several exhibitions of work by Hispanic photographers in the New York, New York Museo’s f:Stop Gallery. 20,000 Museum Associates To support "Gallery Six," a series of moderately scaled, one-person Los Angeles, California exhibitions at the Los Angeles County Museum of Art examinm" g re­ cent developments in contemporary art. 188,150 Museum Associates For an exhibition at the Los Angeles County Museum of Art of Asian Los Angeles, California art depicting Buddha Sakyamuni. 5,000 Museum of Contemporary Art For the showing in Chicago of "Malcolm Morley Paintings, 1965-1982," Chicago, Illinois an exhibition organized by the Whitechapel Art Gallery in London. 19~230 Museum of Contemporary Art For the planning of an exhibition that dealt with the role played by Chicago, Illinois mystical and occult sources in the development of modern art. Museum of Contemporary Art For an exhibition of Dada and Surrealist art from varons important Chicago, Illinois Chicago collections. 10,541 Museum of Contemporary Art To amend a previous grant for "Options," a series of small shows Chicago, Illinois of new, experimental works; special installations; or performances by one or more artists. Museum of Contemporary Art For the showing in Chicago of the Nam June Paik retrospective, 10,000 Chicago, Illinois organized by the Whitney Museum of American Art. Museum of Contemporary Art For an exhibition of sculpture by Michael Heizer. 10,000 Los Angeles, California Museum of Fine Arts To plan a comprehensive exhibition of the prints of Edgar Degas. 15,000 Boston, Massachusetts 50,000 Museum of Fine Arts For a retrospective exhibition of the work of Lee Krasner. Houston, Texas 11,942 Museum of Fine Arts For an exhibition of French art of the second half of the 18th century. St. Petersburg, Florida Museum of Modern Art For a survey exhibition of recent painting and sculpture by younger, 125,000 New York, New York less established artists from the U.S. and abroad. 20,000 Museum of New Mexico For an exhibition of the work of Georgia O’Keeffe, including approx­ Santa Fe, New Mexico imately 40 paintings representing more than 50 years of her career. National Academy of Design For an exhibition of Italian still-life painting from the 16th through 20,000 New York, New York the 19th centuries in collaboration with the International Exhibitions Foundation. 30,000 National Academy of Design For an exhibition surveying the art of portraiture in Spain during New York, New York the 16th and 17th centuries. 3,500 Nebraska Art Association For the showing in Lincoln of "Chicago: Some Other Traditions," an Lincoln, Nebraska exhibition organized by the Madison Art Center. 9,120 Nebraska Art Association For the showing at the Sheldon Memorial Art Gallery of an exhibi­ Lincoln, Nebraska tion of works by minimalist artist Larry Bell.

New Gallery of Contemporary Art For an exhibition of works by contemporary artist David Saunders. 6,630 Cleveland, Ohio 23,840 New Jersey Department of Education For an exhibition at the New Jersey State Museum of painted con­ Trenton, New Jersey structions created during the 1930s and 40s by Charles Biederman, Alexander Calder, and Burgoyne Diller. Museum 161

New Mexico, University of For an exhibition at the Fine Arts Center of contemporary 10,000 Albuquerque, New Mexico photography by artists whose work is autobiographical. New Mexico, University of For an exhibition of recent ceramic non-utilitarian sculpture by 10,680 Albuquerque, New Mexico younger artists. New Museum For an exhibition of work by contemporary artists who use the theme 10,000 New York, New York of cataclysmic disaster in their art. New Museum For Workspace, a series of highly experimental non-object-oriented 16,100 New York, New York environmental situations created by artists Jose Maria Bustos, Ondyne Herschelle, Paul Kos, Paul Lammare, and others. 10,000 New Orleans Museum of Art For an exhibition of 10~ prints of still life and portrait photographs New Orleans, Louisiana by American photographer Leslie Gill. New York Historical Society To present Thomas Cole’s Voyage of Life series from the Munson­ 10,000 New York, New York Williams-Proctor Institute. New York, Research Foundation of For an exhibition at the Neuberger Museum of photographs by Jan 10,000 the State University of Groover. Albany, New York New York, Research Foundation of For an exhibition of watercolors by Hercules Brabazon-Brabazon at 4,540 the City University of the Queens College Godwin-Ternbach Museum. Flushing, New York New York University For an exhibition at the Grey Art Gallery of Picasso’s work executed New York, New York during the last ten years of his life. Newport Harbor Art Museum For "California: East Coast-West Coast," which will explore works Newport Beach, California by artists who have lived and worked in California during part or their careers. Norton Gallery and School of Art For an exhibition of Florida photography from 1885 to 1983. 12,500 West Palm Beach, Florida Oakland Museum Association For an exhibition examining the relationship between photography 8,490 Oakland, California and painting in the work of artists in California and the West from 1900 to 1955.

Ohio Foundation on the Arts For Statewide Arts Service to produce a catalogue to accompany a 9,500 Columbus, Ohio circulating exhibition, organized with the Creative Arts Exhibits Center at the University of Colorado. Ohio State University Research For an exhibition at the Gallery of Fine Art of color documentary 25,000 Foundation photographs from the Farm Security Administration archives, most Columbus, Ohio of which had never been exhibited. Oklahoma State University For an exhibition of and symposium on contemporary Native 7,500 Stillwater, Oklahoma American art by approximately 25 young artists from around the coun­ try who were not trained in the tradition of the Southwest. Pennsylvania Academy of the Fine For a retrospective exhibition of the work of Arthur B. Carles Arts (1882-1952). Philadelphia, Pennsylvania Pennsylvania, Trustees of the For an exhibition at the Institute of Contemporary Art of works by 20,000 University of Laurie Anderson. Philadelphia, Pennsylvania Pennsylvania, Trustees of the For an exhibition at the Institute of Contemporary Art of works by 10,000 University of painters whose imagery has been borrowed from or inspired by mass- Philadelphia, Pennsylvania media. Pennsylvania, Trustees of the For an exhibition at the Institute of Contemporary Art of works by 10,000 University of young photographers whose imagery is derived from television, film, Philadelphia, Pennsylvania newspapers, magazines, and advertising. Pennsylvania, Trustees of the For Investigations, a series of four to six small exhibitions at the 15,000 University of Institute of Contemporary Art devoted to emerging artists and cur­ Philadelphia, Pennsylvania rent provocative themes in the visual arts. Philadelphia Arts Alliance For an exhibition of the works of American sculptors who came to 10,000 Philadelphia, Pennsylvania prominence after 1945, and whose work was generally eclipsed by the Minimalist and Pop artists of the early 1960s. 162 Museum

Philadelphia College of Art For Projects For PCA, an annual exhibition project in which an art­ 5,700 Philadelphia, Pennsylvania ist or group of artists is invited to create a site-specific work for the college’s main gallery or other sites on campus. Philadelphia Museum of Art For an exhibition of up to 100 17th-century Dutch genre paintings. 150,000 Philadelphia, Pennsylvania Portland Center for the Visual Arts For the fabrication and installation of a sculptural environment by 8,000 Portland, Oregon artist Peter Shelton. Portland Center for the Visual Arts For an exhibition of the work of contemporary American painter 8,100 Portland, Oregon Elizabeth Murray. Renaissance Society at the University For the showing of "Eva Hesse: A Retrospective of the Drawings," 5,500 of Chicago organized by the Allen Memorial Art Museum at Oberlin College. Chicago, Illinois Renaissance Society at the University For an exhibition of work by American artist John Knight. 3,000 of Chicago Chicago, Illinois Rice University For an exhibition at the Institute for the Arts of the works of William 20,000 Houston, Texas Christenberry. Ringling (John and Mable) Museum For an exhibition of paste-ups produced since the early 1950s by 20,000 of Art American artist, Jess. Sarasota, Florida Ringling (John and Mable) Museum For an exhibition of Italian Baroque portraiture in various media, 38,330 of Art including painting, sculpture, drawing, prints, and medals. Sarasota, Florida Ringling (John and Mable) Museum For an exhibition of John Chamberlain’s sculpture, particularly wall 30,000 of Art reliefs produced since 1974. Sarasota, Florida St. Louis Art Museum For the showing in St. Louis of "Ellsworth Kelly: Sculpture and 5,000 St. Louis, Missouri Related Works on Paper," organized by the Whitney Museum of American Art. St. Louis Art Museum For the showing in St. Louis of"Carleton E. Watldns: Photographer 5,000 St. Louis, Missouri of the American West," organized by the Amon Carter Museum in Fort Worth. St. Louis Art Museum For "Currents," the museum’s on-going series of moderately scaled 15,000 St. Louis, Missouri exhibitions examining recent developments in the visual arts. St. Louis Art Museum For a survey exhibition of new German painting, sculpture, and 50,000 St. Louis, Missouri drawing. St. Louis Art Museum For the showing in St. Louis of "Precisionist Painting and American 20,000 St. Louis, Missouri Photography," organized by the San Francisco Museum of Modern Art. San Francisco Museum of Modern Art For an exhibition surveying 25 years of Nathan Oliveira’s work, in­ 30,000 San Francisco, California cluding paintings, prints, watercolors, and monotypes. San Francisco Museum of Modem Art For an exhibition of approximately 130 Edward Westen photographs 10,000 San Francisco, California from the years the artist spent in Mexico. Saving and Preserving Arts and For an exhibition of monumental sculptures and environments on six 5,000 Cultural Environments California sites. Los Angeles, California Seattle Art Museum For the showing in Seattle of"Robert Motherwell," a retrospective 5,000 Seattle, Washington exhibition organized by the Albright-Knox Art Gallery. Seattle Art Museum For an exhibition of Japanese folk art in various media dating from 20,000 Seattle, Washington the 15th to the early 20th centuries. Social and Public Arts Resource Center For an exhibition of portable murals created for specific sites in Los 19,300 Venice, California Angeles by ten contemporary Los Angeles muralists. Southeastern Center for For an exhibition of works by the recipients of the Contemporary 20,000 Contemporary Art Artists Program fellowships. Winston-Salem, North Carolina Museum 1~

Southern Alleghenies Museum of Art For an exhibition of paintings of the Pennsylvania landscape by con­ Loretto, Pennsylvania temporary artists, including Nell Welliver, Elizabeth Osbourn, and Andrew Wyeth.

Springfield Library and Museum For the showing at the Museum of Fine Arts of"Jean Louis Forain: 10,500 Association Artist, Realist, Humanist," an exhibition organized by the Interna­ Springfield, Massachusetts tional Exln~itions Foundation. Staten Island Children’s Museum For educational programs based on the museum’s major 1982-83 ex- 10,000 Staten Island, New York hibition, "Once Upon an Island," which explores the arts, crafts, myths, and music of four important Staten Island ethnic groups. Summit A~ Center For an exhibition of sculpture and drawings by William Zorach 7,570 Summit, New Jersey (lS8°~1966). Texas, University of For an exhibition of work of Hermann Lnngkwitz (1813-1891), an im- 9,920 San Antonio, Texas migrant German artist who spent forty years painting the frontier towns, landscape, and developing communities of the American Southwest. Tuskegse Institute For an exhibition at the School of Veterinary Medicine of the work 5,000 Tuskegee, Alabama of Tuskegee photographer P.H. Polk. Virginia Commonwealth University For a series of five one-person drawing exhibitions at Anderson 7,500 Richmond, V’L, winia Gallery by artists for whom drawing is a major or sole artistic concerto Virginia Commonwealth University For an exhibition at Anderson Gallery of works by contemporary 7,500 Richmond, Virginia Russian emigre artists Komar and Melimid. Visual Arts Center of Alaska For the showing in Anchorage of"Magdalena Abakanowicz," an ex- 7,500 hibition organized by the Museum of Contemporary Art, in Chicago.

Wadsworth Atheneum For Matrix, an ongoing series of moderately scaled, one-person ex- 30,000 Hartford, Connecticut hibitions examining recent developments in the visual arts. Walker Art Center For a collaborative exhibition of traditional and contemporary 10,000 Minneapolis, Minnesota Japanese urban culture, involving artists and designers from the U.S. and Japan. Walker Art Center For "Viewpoints," an exhibition series featuring work by regional 30,000 Minneapolis, Minnesota and national emerging and established artists. Walker Art Center For an exhibition of Jim Dine’s paintings, sculptures, and works on 43,600 Minneapolis, Minnesota paper made between 1964 and 1984. Walker Art Center For "Viewpoints," an ongoing series of on,and-two-artist exh~itions 20,000 Minneapolis, Minnesota and a large thematic exhibition of experimental works By young art­ ists throughout the country. Washington Project for the Arts For an exhibition of works by a group of artists, including Hans 10,000 Washington, D.C. Haacke, Terry Braunstein, Nan Becker, and others, whose work in­ volves the process of gathering, organizing, and adapting various forms of information. Washington University For the showing at the Gallery of Art of "Speaking a New Classicism: 6,170 St. Louis, Missouri American Architecture Now,"organized by the Smith College Museum of Art and circulated by the National Building Museum. Welcome, Patricia To amend a previous grant to extend Ms. Welcome’s participation 5,300 Washington, D.C. as a Fellow in the Museum Program. Western Association of Art Museums For the exhibition and touring of three exhibitions that comprise 20,000 San Francisco, California works from California museums. Whitney Museum of American Art For an exlffbition of the formative work of several artists who became 30,000 New York, New York major figures of pop art and mirdmalism, including Rosenquist, Dine, Judd, Lichtenstein, Noland, Oldenburg and Warhol.

Whitney Museum of American Art For a mid~-~xeer retrospective exh~ition of the work of Joel Shapiro. 30,000 New York, New York Whitney Museum of American Art For the Whitney’s "1983 Biennial Exhibition," a comprehensive view 30,000 New York, New York of work produced over the past two years by American artists of all ages and stages of development. Whitney Museum of American Art For an exhibition of Willem de Koouing’s drawings consisting of up 20,000 New York, New York to 120 works that span his career. 164 Museum

Williams College For an exhibition at the Museum of Art of bronze sculpture by six 10,000 Williamstown, Massachusetts contemporary artists. Worcester Art Museum For the showing in Worcester of an exhibition organized by Dickson 20,000 Worcester, Massachusetts Gallery and Gardens in Memphis, devoted to an analysis of the in­ fluence that Jean-Francois Millet and Claude Monet l~d upon the style of American artists who studied with them in France. Yale University To produce a catalogue to accompany an exhibition at the Art Gallery 73,580 New Haven, Connecticut of folding screens produced by artists in the 19th and 20th centuries.

Wider Availability To help museums without permanent collections to develop or strengthen of Museums arts-related educational programs. Program funds: $93,900 7 grants

Appalachian State University For a series of art-education activity packets to accompany the univer- $17,570 Boone, North Carolina sity’s exhibitions program that circulates to schools and community organizations in surrounding rural areas.

Danforth Museum For an education program developed with the Framingham Head 7240 Framingham, Massachusetts Start project, designed to involve the Head Start children and their parents in museum activities.

Danforth Museum For an educational outreach program to the Framingham area elemen- 9,570 Framingham, Massachusetts tary schools for which museum-trained instructors give classroom lessens using slides and original art work. Henry Street Settlement For an educational project that provides classroom talks and gallery 25,020 New York, New York visits for area school children; and provides films, slide-shows, lec­ tures, and gallery tours to senior citizens. Learning to Read Through the Arts For a cooperative project of classroom sessions and museum visits 20,000 Program designed for underprivileged inner-city junior high school students. New York, New York New Museum For a series of videotaped gallery tours and discussions of contem­ New York, New York porary art for use in elementary schools. Portland Center for the Visual Arts For a program of slide presentations and lectures, and a student in­ Portland, Oregon tern program.

TF Treasury Funds 166 Mu,s4,e CABR 167 Music

Music Advisory Panels Music Training Frank Salomon Grant Beglarian Michael Steinberg Co-Chairman President Artistic Advisor Administrator, Presenter National Foundation for San Francisco Symphony Marlboro School of Music Advancement in the Arts San Francisco, California New York, New York Miami, Florida Aube Tzerko Rise Stevens Margaret Hawkins Pianist, Professor Co-Chairman Director of Choral Activities University of California Mezzo-soprano Wisconsin Conservatory of Music Los Angeles, California Advisor Milwaukee, Wisconsin Young Artist Development Daniel Windham Metropolitan Opera Leonard Hurst Director New York, New York Associate Dean Educational Activities School of Music New York Philharmonic Samuel Adler University of Michigan Administrator Composer, Chairman Ann Arbor, Michigan New York Community Trust Composition Department New York, New York Eastman School of Music Rochester, New York

Composers

Ulysses Kay Samuel Adler Margaret Garwood Co-Chairman Composer, Chairman Composer Composer Composition Department Philadelphia, Pennsylvania Professor of Music Eastman School of Music Herbert H. Lehman College Rochester, New York Joseph Schwanter City University of New York Composer Teaneck, New Jersey Stuart Dempster Composer-in-Residence Composer, trombonist St. Louis Symphony Orchestra Edwin London Faculty Member Chesterfield, Missouri Co-Chairman University of Washington Composer Seattle, Washington Daria Semegen Chairman, Music Department Composer Cleveland State University John Duffy Professor of Music Shaker Heights, Ohio Composer State University of New York President and Director at Stonybrook Meet the Composer East Setauket, New York New York, New York

Chamber Music Anna Arrington Julian Filer James Backus Co-Chairman Co-Chairman Clarinetist Program Officer Cellist Executive Director Atlantic Richfield Foundation Founder and Executive Director Southern Arts Federation Los Angeles, California Orpheus Chamber Ensemble Atlanta, Georgia New York, New York David Cran George Heussenstam Ronald Roseman Founder and First Trumpet Composer, educator Oboist Annapolis Brass Quintet Manager New York Woodwind Quintet Artistic Director Coleman Chamber Music Faculty Member International Brass Association Yale University, SUNY Quintet Festival Pasadena, California Juilliard School Arnold, Maryland New York, New York Ann Monoyios Charles Hamlen Soprano Hiroko Yajima Founder and Co-Director Folger Consort, Concert Violinist Hamlen-Landau Management Royal, Pomerium Musices New York Philomusica New York, New York New York, New York New York, New York

Chorus Margaret Hawkins Leonard DePaur Royce Saltzman Co-Chairman Conductor, composer Professor of Music Director of Choral Activities Director of Community Relations University of Oregon Wisconsin Conservatory of Music Lincoln Center for the Performing Arts Founder-Director Milwaukee, Wisconsin New York, New York Oregon Bach Festival Eugene, Oregon Richard Westenburg Robert Willoughby Jones Co-Chairman Executive Director Gregg Smith Director of Musica Sacra Los Angeles Master Chorale Director of New York Los Angeles, California Gregg Smith Singers Director of Music at Cathedral New York, New York of St. John the Divine Louis Magor Head of Choral Department Conductor of Louis Magor Singers Dale Warland Juilliard School Director of Schola Cantorum Director of Dale Warland Singers New York, New York San Francisco, California Professor of Music Macalester College Jacqueline Pierce St. Paul, Minnesota Mezzo-soprano, choral contractor New York, New York New Music Performance

John Adams Stuart Dempster Elizabeth Larsen Co-Chairman Composer, trombonist Composer-in-Residence Conductor Faculty Member Minnesota Symphony Orchestra Composer-in-Residence University of Washington Artistic Director/Concert San Francisco Symphony Seattle, Washington Manager San Francisco, California Minnesota Composers Forum Douglas Ewart St. Paul, Minnesota Hollis Headrick Composer, performer Co-Chairman President Miller Sigmon Percussionist Association for the Saxophonist Executive Director Advancement Music and Dance Director Composers Forum of Creative Musicians North Carolina Arts Council New York, New York Chicago, Illinois Raleigh, North Carolina

Orchestra

Kenneth Haas Arthur Cohn Adrienne Hirsch Co-Chairman Director of Serious Music Executive Director Manager Carl Fischer, Inc. Arizona Arts Commission Cleveland Orchestra Music Director Phoenix, Arizona Cleveland, Ohio Haddonfield Symphony Orchestra New York, New York Peter Pastreich Frederick Zenone Executive Director Co-Chairman John Corigliano San Francisco Symphony Manager Composer Orchestra National Symphony Orchestra New York, New York San Francisco, California Vienna, Virginia Nancy Griffin Gerard Schwarz Susan Bush Bassist Music Director General Manager Seattle Symphony Orchestra Los Angeles Chamber Orchestra Albany Symphony Orchestra Secretary of ICSOM 92nd Street Y Chamber Albany, New York Seattle, Washington Orchestra Newark, New Jersey Robert Gross Manager Florida Symphony Orchestra Orlando, Florida Music

Jazz Organizations Warrick Carter Kenneth Cox Clifford Jordan Co-Chairman Pianist, composer Saxophonist, pianist Percussionist, composer, Artistic Director New York, New York educator Detroit Jazz Center President Detroit, Michigan Jackie McLean National Association Saxophonist of Jazz Educators Douglas Ewart Chairman, African-American Chicago, Illinois Clarinetist, flutist, composer Music Department President Hartt College Marceau Myers Association for the Advancement University of Hartford Co-Chairman of Creative Musicians Hartford, Connecticut Dean of School of Music Chicago, Illinois North Texas State University Nobuke Cobi Narita Denton, Texas Rebecca Hannum Executive Director Coordinator Universal Jazz Coalition Jaequeline Belmont Art in the Marketplace New York, New York Executive Director Rouse Company Nevada State Council Baltimore, Maryland on the Arts Reno, Nevada Jazz Fellowships

Warrick Carter Joanne Brackeen David Friesen Co-Chairman Pianist, composer Bassist, composer Percussionist, composer, New York, New York Portland, Oregon educator President Frank Foster Ellis Marsalis National Association Saxophonist, composer Pianist, composer, educator of Jazz Educators Assistant Professor of Music New Orleans, Louisiana Chicago, Illinois State University of New York at Buffalo Cedar Walton John Carter Scarsdale, New York Pianist, composer Co-Chairman New York, New York Clarinetist, composer, educator Chico Freeman San Francisco, California Saxophonist, band leader, composer Toshiko Akiyoshi New York, New York Pianist, composer New York, New York

Solo Recitalists

Sheldon Soffer James Backas Anthony Newman Chairman Clarinetist Organist, harpsichordist President Executive Director composer, conductor Sheldon Softer Management Southern Arts Federation South Salem, New York New York, New York Atlanta, Georgia

Music Festivals Ernest Fleischmann Dorothy DeLay Royce Saltzman Co-Chairman Violinist Professor of Music Executive Director Faculty Member University of Oregon Los Angeles Philharmonic Juilliard School Music Director and Founder Orchestra Nyack, New York Oregon Bach Festival Los Angeles, California Eugene, Oregon Helen Laird Michael Steinberg Dean, Professor of Voice Yehudi Wyner Co-Chairman College of Music Composer Artistic Advisor Temple University Professor of Music San Francisco Symphony Philadelphia, Pennsylvania State University of New York San Francisco, California at Purchase Carman Moore New York, New York Martin Bookspan Composer Critic Program Analyst Stereo Review Magazine New York State Council Coordinator for Symphonic on the Arts and Concert Activities New York, New York ASCAP New York, New York 170 Mus~ Music Recording

Martin Bookspan Victor Fuentealba Michael Steinberg Co-Chairman President Artistic Advisor Critic American Federation San Francisco Symphony Stereo Review Magazine of Musicians San Francisco, California Coordinator for Symphonic New York, New York and Concert Activities Dale Warland ASCAP Howard Scott Director of Dale Warland Singers New York, New York Manager of Performance Division Professor of Music G. Schirmer, Inc. Macalester College Donald Byrd Montclair, New Jersey St. Paul, Minnesota Trumpeter, recording artist, independent record producer Daria Semegen New York, New York Composer Professor of Music David Cran State University of New York Founder and First Trumpet at Stonybrook Annapolis Brass Quintet East Setauket, New York Artistic Director International Brass Quintet Festival Arnold, Maryland

Overview Meeting

Julian Fifer Grant Beglarian Robert Gross Co-Chairman Pianist Trombonist Cellist President General Manager Executive Director National Foundation for Florida Symphony Orchestra Orpheus Chamber Ensemble Advancement in the Arts Orlando, Florida New York, New York Miami, Florida Kenneth Haas Ernest Fleischmann Warrick Carter General Manager Co-Chairman Percussionist, composer, Cleveland Orchestra Executive Director educator Cleveland, Ohio Los Angeles Philharmonic President Orchestra National Association Adrienne Hirsch Los Angeles, California of Jazz Educators Executive Director Chicago, Illinois Arizona Commission on the Arts Samuel Adler Mesa, Arizona Composer Leonard Fleischer Chairman of Composition Senior Advisor Gregg Smith Department Arts Program Director Eastman School of Music Exxon Corporation Gregg Smith Singers Rochester, New York New York, New York New York, New York James Backas Clarinetist Executive Director Southern Arts Federation Atlanta, Georgia Music 171

Program funds: $9,340,169 Treasury funds: $3,600,000 Music Grants 917 grants

Music Professional To foster the career development of committed, talented musicians through support of their training and education as artists. Grants are awarded only Training to secondary programs that provide outstanding advanced training for pro­ fessional careers in music. Program funds: $337,800 Treasury funds: $376,200 36 grants

Association of Professional Vocal For a choral conductors’ workshop featuring master conductors of $15,000 Ensembles the professional choral field, giving talented conductors an opportunity Philadelphia, Pennsylvania to work with the master conductors and a professional chorus and orchestra.

Boston Symphony Orchestra For the fellowship program at the Berkshire Music Center at TF 81,500 Boston, Massachusetts Tanglewood. California Institute of the Arts For the program of scholarship aid. 7,800 Valencia, California Cleveland Institute of Music For the program of scholarship aid for undergraduate and graduate TF 33,000 Cleveland, Ohio students. Colorado Philharmonic For the program of scholarship aid providing career development op­ 10,000 Evergreen, Colorado portunities for young musicians. Congress of Strings Scholarship Fund For the American Federation of Musicians’ Congress of Strings train­ 12,400 New York, New York ing program. Conservatory of Music of Puerto Rico For technical assistance to improve the quality of teaching at the 2,000 Santurce, Puerto Rico conservatory. Florida Chamber Orchestra Association For the program of scholarship aid for the Advanced Conductors 1,400 Fort Lauderdale, Florida Symposium. Hartford, University of For the program of scholarship aid for outstanding undergraduate 16,000 West Hartford, Connecticut students enrolled in the Hartt School of Music. Illinois, University of For orchestral musicians, primarily from the Chicago Symphony and 4,100 Urbana, Illinois the St. Louis Symphony Orchestras to conduct master classes. Ithaca College For the program of scholarship aid. 6,600 Ithaca, New York Juillard School For the programs of scholarship aid for undergraduate and graduate TF 45,400 New York, New York students. Kennedy (John F.) Center for the For the National S~nphony Orchestra’s music training program. 14,900 Performing Arts Washington, D.C. Kent State University For the program of scholarship aid at the Blossom Festival School. 16,500 Kent, Ohio Loma Linda University For master teachers’ fees at the Blomstedt Institute of Orchestral 8,300 Riverside, California Conducting and Symphonic Performance. Los Angeles Philharmonic Association For the orchestral training program and the summer institute. 31,400 Los Angeles, California Mannes College of Music For the program of scholarship aid and the program of Preparation TF 28,500 New York, New York For Professional Life. 40,100 Marlboro School of Music For the program of scholarship aid for outstanding young professional Marlboro, Vermont artists. 172 Music

Michigan, University of For the program of fellowship aid for students enrolled in programs 24,800 Ann Arbor, Michigan leading to the degree of Doctor of Musical Arts in music composi­ tion, conducting, and performance. Music Assistance Fund of the For the Music Assistance Fund scholarships and the orchestral 47,900 New York Community Trust fellowship program, a career development program for minority in­ New York, New York strumental musicians. Music Associates of Aspen For the training components of the Aspen Festival Orchestra and TF 94,100 Aspen, Colorado the Aspen Chamber Symphony, the Training Program for Young Con­ ductors, and the Opera Training Program. New England Conservatory of Music For the program of scholarship aid for talented undergraduate and TF 37,100 Boston, Massachusetts graduate students. New School for the Arts For the program of scholarship aid for students enrolled in the vocal 4,000 Montclair, New Jersey training program. New School of Music For the New School of Music orchestra training fellowship program. TF 23,600 Philadelphia, Pennsylvania New York, City University of For the program of scholarship aid at the Aaron Copland School of 5,900 Flushing, New York Music of Queens College. New York, City University of For the program of scholarship aid for Brooklyn College students. 3,300 New York, New York 92nd Street Young Men’s and Young For the program of scholarship aid. 8,300 Women’s Hebrew Association New York, New York Oberlin College For the program of scholarship aid for the Conservatory of Music. 12,000 Oberlin, Ohio Orchestral Association For the scholarship aid program and the conductors workshop for 15,900 Chicago, Illinois the civic Orchestra of Chicago, the training orchestra for the Chicago Symphony Orchestra.

Peabody Institute of the For the program of scholarship aid. TF 16,500 Johns Hopkins University Baltimore, Maryland

Philadelphia College of the For the program of scholarship aid. TF 16,500 Performing Arts Philadelphia, Pennsylvania Quartet Program For the program of scholarship aid for students enrolled in the sum­ 2,600 Rochester, New York mer program. St. Louis Conservatory and School For the program of scholarship aid. 9,900 for the Arts St. Louis, Missouri Wisconsin, University of For the program of scholarship aid for students enrolled in the In­ 4,100 Milwaukee, Wisconsin stitute of Chamber Music. Yale University For the program of scholarship aid for students enrolled in the Yale 9,600 New Haven, Connecticut School of Music.

Yellow Barn Music Festival For the program of scholarship aid. 3,000 Putney, Vermont Music 173

Includes five subcategories: Composers Fellowships provide for the creation Composers or completion of musical works or for research related to creative activity. Collaborative Fellowships are available to composers and their collaborators, including librettists, video artists, filmmakers, poets, or choreographers for the creation or completion of new works. Centers for New Music Resources are grants awarded to innovative music facilities, including electronic music studios and computer centers in order to encourage collaboration between composers and other creative artists. Services to Composers grants are award­ ed to organizations for projects that serve composers on a national or regional basis. Consortium Commissioning grants enable consortia of at least three performing or presenting organizations to commission and perform new works. Program funds: $667,000 73 grants

Composers Fellowships

Berger, Robin O. $12,000 Larsen, Libby 7,200 East Setauket, New York St. Paul, Minnesota Beynon, Jared 5,400 Lee, Thomas O. 6,600 New York, New York Somerville, Massachusetts Blank, Allan 8,400 Lieberman, Glenn 6,000 Richmond, Virginia New York, New York Boykan, Martin 7,200 MacBride, David 5,000 Newton Centre, Massachusetts New York, New York Brody, Martin 6,600 McKinley, William 5,400 Wellesley, Massachusetts Reading, Massachusetts Burton, Stephen Douglas 5,400 Milburn, Ellsworth 5,400 New York, New York Houston, Texas Chasalow, Eric 7,200 Neil, G. William 6,000 New York, New York Belmont, North Carolina Hackbarth, Glenn 10,800 Parris, Robert 6,600 Tempe, Arizona Chevy Chase, Maryland Hall, Charles 5,000 Perle, George 9,000 Berrien Springs, Michigan New York, New York Harris, Matthew 7,200 Riley, Dennis 7,800 New York, New York New York, New York Hodkinson, Sydney 9,000 Rorem, Ned 10,800 Fairport, New York New York, New York Ivey, Jean Eichelberger 5,400 Sampson, David 6,600 New York, New York Morristown, New Jersey Karchin, Louis 6,000 Schindler, Allen 6,600 New York, New York Fairport, New York Kim, Earl 10,800 Stock, David 7,200 Cambridge, Massachusetts Pittsburgh, Pennsylvania Koblitz, David 5,400 Taxin, Ira 5,400 New York, New York New York, New York

Collaborative Fellowships

Briggs, Roger $5,000 Carruth, Hayden 5,000 South Bend, Indiana Syracuse, New York 174 Music

Dibbern, Daniel 5,400 Hendricks, William 9,600 Richardson, Texas Brookline, Massachusetts Duckworth, William 5,000 Henry, Karen 9,600 Lewisburg, Pennsylvania Medford, Massachusetts

Gilbert, Janet 9,000 Leff, Thomas 5,000 Northfield, Minnesota South Bend, Indiana

Grantham, Donald 5,400 Rodriquez, Robert Xavier 5,400 Austin, Texas Richardson, Texas

Centers for New Music Resources

California Institute of the Arts To expand the existing electronic music facilities through equipment $4,500 Valencia, California purchase and fund residencies for composers and their collaborators.

Canyon Foundation To hire a full-time administrative and development director. 5,000 Santa Fe, New Mexico

Dartmouth College, Trustees of To upgrade the Bregman Electronic Music Studio through equipment 5,000 Hanover, New Hampshire purchase. Film in the Cities For equipment purchase for the sound studio to allow access to com­ 5,000 St. Paul, Minnesota posers and new music performers. Massachusetts Institute of Technology For equipment purchase for the Experimental Music Studio to allow 9,000 Cambridge, Massachusetts digital sound to be performed alive. New York, Research Foundation of To purchase equipment to upgrade the Computer Music Studio at 14,000 the City University of Brooklyn College. Brooklyn, New York

New York, Research Foundation For purchase of equipment to upgrade the electronic music studio 2,000 of the State University of at the Crane School of Music. Albany, New York

North Texas State University For the research and development costs for the design and fabrica­ 2,000 Denton, Texas tion of a communications netwoi-k of nficro-computers and an expanded digital synthesis system for the Electron Music Center School of Music. Renssalaer Polytechnic Institute For equipment purchase of a digital-to-analog conversion system for 2,000 Troy, New York the electronic music facility. Rochester, University of For costs related to the 1983 International Computer Music conference 6,000 Rochester, New York hosted by the Eastman School of Music. Soundwork Studio For the activities of the public-access electronic music studio, including 4,000 Seattle, Washington equipment purchase, administration, staffing, maintenance and workshops. Stanford University For the Center for Computer Research in Music and Acoustics to 13,000 Stanford, California purchase equipment to upgrade the master mixing console, improve audio quality, and add a printer-plotter for computer-generated music manuscripts.

Services to Composers

American Academy in Rome For a one-year fellowship for a composer to live and work at the $7,500 New York, New York American Academy in Rome. American Music Center To establish American Music Week, a one-week celebration of per­ 49,700 New York, New York formances and broadcasts of American music. American Music Center To hire an assistant director for the American Music Center, a na­ 30,000 New York, New York tional service organization for composers. American Music Center For the administration of the Endowment’s collection of works 26,000 New York, New York resulting from Composers Fellowships, and for services to composers. 7,000 Composers’ Conferences and Chamber For the 1983 summer session. Music Center Hyde Park, Vermont Experimental Intermedia Foundation To expand the availability of the audio facilities. 2,500 New York, New York 2,500 Haleakala To continue the present service of recording composers’ concerts at New York, New York the Kitchen. 4,000 Ives (Charles) Center for For the activities of the fourth annual summer program. American Music Roxbury, Connecticut 15,000 Meet the Composer To continue the Meet the Composer Orchestra Residencies Project New York, New York in which seven composers serve in-residence with seven orchestras across the country. Minnesota Composers Forum For a monthly newsletter, business workshops, performances of works 5,000 St. Paul, Minnesota by composer members, and technical assistance. New England Foundation for the Arts To expand the composer residency program and increase live per­ 6,000 Cambridge, Massachusetts formances by living composers. 2,500 New Wilderness Foundation For publication of Ear Magazine East, a periodical on new music and New York, New York the contemporary arts.

Consortium Commissioning

Albany Symphony Orchestra To commission Tobias Picker, Charles Wuorinen, Earl Kim, Robert $24,000 Albany, New York Starer, John Harbison, and Ned Rorem to write new works for or­ chestra. The following consortium members have agreed to perform all six works at least t~vice during the 1984-85 season: Albany Sym­ phony Orchestra, Hartford Symphony Orchestra, Hudson Valley Philharmonic, New Haven Symphony, and Springfield Symphony Orchestra.

California, University of To commission Michael Gandolfi, Olly Wilson, and Robert Erickson 21,000 La Jolla, California to compose works for small ensemble. The following consortium members have agreed to perform all three works at least twice dur­ ing the 1984-85 season: San Francisco Contemporary Music Players, Speculum Musicae, and Sonor.

Cincinnati Composers Guild To commission Charles Hoag, James Marshall, Robert Rollin, and 16,000 Cincinnati, Ohio Peter Ware to write works for flute and piano. The following consor­ tium members have agreed to perform all three works at least twice during the 1984-85 season: Cincinnati Composers Guild, First Unitarian Church in Youngstown, Whitman College, and the Univer­ sity of Kansas.

Cultural Council Foundation To commission William Doppmann, Thomas Svoboda, and Noel Zahler 9,000 New York, New York to write piano trios. The following consortium members have agreed to perform all three works at least twice during the 1984-85 season: Arden Trio, the Aspen Soloists, and the Florestan Trio.

Great Lakes Performing Artists To commission David Diamond, William Bolcom, and William Albright 12,000 Associates to write duos for saxaphone and piano. The following consortium Ann Arbor, Michigan members have agreed to perform all three works at least twice dur­ ing the 1984-85 season: Donald Sinta!Ellen Weckler, Laura Hunter/Brian Connelly, and Joseph Wytko/Walter Cosand.

International Chamber Artists Series To commission Paul Chihara, John Harbison, and Andre Previn to 21,000 New Haven, Connecticut write works for small ensemble. The follo~ving consortium members have agreed to perform all three works at least twice during the 1984-85 season: International Chamber Artists Series, New College Music Festival, Chamber Music Northwest, and Toledo Symphony Chamber Series. 24,000 Musical Elements To commission Lukas Foss, Robert Ashley, Shulamit Ran, and Fred New York, New York Lerdahl to v, Tite works for chamber ensemble. The following consor­ tium members have agreed to perform all four works at least twice during the 1984-85 season: Musical Elements, the Contemporary Chamber Players of the University of Chicago, the Arch Ensemble, and Alea III. 176 Music

Pittsburgh New Music Ensemble To commission Ellen Zwilich, Wil Ogden, and Mario Davidovsky to 15,000 Pittsburgh, Pennsylvania compose works for small ensemble. The following consortium members have agreed to perform all three works at least twice during the 1984-85 season: Pittsburgh New Music Ensemble, Collage, and Sonor.

Shuler, David C. To commission Ralph Shapey, Gunther Schuller, and Charles New York, New York Wuorinen to write works for solo organ. The following consortium members have agreed to perform all three works at least twice dur­ ing the 1984-85 season: David C. Shuler, Donald Sutherland, and David Craighead.

Includes two subcategories: Ensembles and Presenting Organizations are Chamber Music provided support in order to improve the quality of chamber music perfor­ mances and to make the art form widely available. Services to Chamber Music are grants awarded to organizations for projects that serve profes­ sional chamber music ensembles on a national or regional basis. Program funds: $482,475 130 grants

Ensembles and Presenting Organizations

Alaska, University of To expand the annual Chamber Music Symposium for the 1983-84 $4,300 Juneau, Alaska season to include guest woodwind and brass musicians. Alternative Center for International For the center’s 1983-84 world chamber music program, including 1,800 Arts non-Western chamber music and new music concerts. New York, New York American Brass Chamber Music For a series of chamber music performances by the American Brass 3,200 Association Quintet during the 1983-84 season. New York, New York Amherst College, Trustees of To increase artists’ fees for members of the core ensemble during 5,700 Washington, D.C. the 1983-84 season of the Folger Consort. Appel Farm Arts and Music Center For artists’ fees and related expenses for chamber music concerts 3,500 Elmer, New Jersey during the 1983-84 season. Ars Musica For the 1983-84 concert series in the upper Midwest. 6,800 Ann Arbor, Michigan Artist Series at the Pabst For artists’ fees and related expenses for the presentation of emerg- 2,500 Milwaukee, Wisconsin ing American chamber ensembles during the 1983-84 season. Associated Students of Sacramento For the sixth Festival of New American Music during the 1983-84 2,800 State College season. Sacramento, California Atlanta Chamber Players For regional touring throughout the Southeast, a marketing campaign, 6,100 Atlanta, Georgia and artistic development of its members through coaching. Atlanta Virtuosi Foundation For public lecture-concerts during the 1983-84 season. 5,800 Atlanta, Georgia Aulos Ensemble For artists’ fees for tour concerts during the 1983-84 series. 4,500 New York, New York Bach Aria Group Association For travel costs and per diem for tour concerts during the 1983-84 3,400 New York, New York season. Badinage For the ensemble’s 1983-84 touring program. 1,300 New York, New York Beethoven Society For a series of chamber music concerts presented during the 1983-84 1,600 New York, New York season. Boehm Quintette For artists’ fees, travel costs, and related expenses for the Quintette’s 2,400 New York, New York 1983-84 performance season. Music 177

Boston Camerata For increased performers’ fees and administrative salaries and pro­ Boston, Massachusetts duction costs of a 16th-century madrigal comedy presented during the 1983-84 season.

Brassplays For community residency programs by the Chicago Chamber Brass 3,000 Chicago, Illinois during the 1983-84 season. Brattleboro Music Center, Friends of the For artists’ fees, travel costs, and administrative expenses of the 7,200 Brattleboro, Vermont Green Mountain Consortium for the Performing Arts.

Bronx Arts Ensemble To continue the ensemble’s residency at the Fordham University Rose 5,300 Bronx, New York Hill campus during 1983-84. Brooklyn Academy of Music To support emerging American chamber music ensembles during the 9,100 Brooklyn, New York 1983-84 season. Candlelight Concert Society To present emerging American chamber music ensembles during the 1,500 Columbia, Maryland 1983-84 season.

Capitol Chamber Artists To increase rehearsal time during the 1983-84 season. 2,000 Albany, New York Carlow College For activities of the Renaissance City Woodwind Quintet during the 1,600 Pittsburgh, Pennsylvania 1983-84 season. Catskill Symphony Orchestra For a series of mini-residencies by the Catskill Woodwind and Brass 3,000 Oneonta, New York Quintets. Center for Chamber Music at Apple Hill To present a self-sponsored concert series in Massachusetts and New 4,600 East Sullivan, New Hampshire Hampshire during the 1983-84 season. Centrum Foundation For the 1983 Port Townsend Chamber Music Festival. 3,100 Port Townsend, Washington

Chamber Music Northwest For artists’ fees for the 1983 season of Chamber Music Northwest. 4,900 Portland, Oregon Chamber Music Society of Baltimore For costs of chamber music presentation during the 1983-84 season. 2,225 Baltimore, Maryland Chamber Music Society of Lincoln For the 15th anniversary season of the society’s Alice Tully Hall 5,600 Center subscription series in 1983-84. New York, New York Chamber Music Society of Utica For artists’ fees and related expenses for the presentation of the 2,000 Clinton, New York 1983-84 chamber concert series. Chamber Soloists of San Francisco For a series of pre-concert lectures for the 1983-84 chamber music 1,600 San Francisco, California series. Charles River Concerts For artists’ fees for emerging American chamber ensembles presented 1,400 Boston, Massachusetts during the 1983-84 season. Chestnut Hill Concerts For the 1983 summer series of chamber music concerts in Clinton. 3,200 Guilford, Connecticut Chicago Ensemble For regional touring, the presentation of new American works, and 1,900 Chicago, Illinois workshops for students during the 1983-84 season. Cincinnati Chamber Music Society To present emerging American chamber music ensembles during the 1,600 Cincinnati, Ohio 1983-84 season. Connoisseur Concerts Association For artists’ fees and related expenses for the presentation of emerg­ 2,900 Spokane, Washington ing American ensembles during the 1983-84 season. Coreoran Gallery of Art For artists’ fees for the 1983-84 season of the Contemporary Music 3,800 Washington, D.C. Forum. Cultural Council Foundation For Borealis Woodwind Quintet to present two concert series dur­ 1,000 New York, New York ing the 1983-84 season. Cultural Council Foundation For the New York City Brass to present a series of concerts in New 1,200 New York, New York York City during the 1983-84 season. 1"/8 Music

Da Capo Chamber Players For a series of concerts and workshops around the country during 8,700 New York, New York the 1983-84 season. Dinosaur Annex Music Ensemble For a subscription series of contemporary chamber music during the 2,200 Boston, Massachusetts 1983-84 season.

Dorian Woodwind Foundation For a national tour of up to 40 chamber music performances during 4,500 New York, New York the 1983-84 season of the Dorian Woodwind Quintet. Dumbarton Avenue Concert Series For artists’ fees, administrative salaries, promotion, and publicity for 1,600 Washington, D.C. chamber music concerts on the 1983-84 series. Early Music Foundation For performances by the Ensemble for Early Music during the 1983-84 2,500 New York, New York season. Ensemble of Santa Fe For the 1983-84 series of chamber music concerts and community 3,650 Santa Fe, New Mexico programs. Friends of the Arts For artists’ fees and related expenses for the two chamber music 1,900 Locust Valley, New York series presented by Friends of the Arts during the 1983-84 season. Greater Washington Educational For the 1983 Summer Chamber Music Festival at the Library of 1,800 Telecommunications Association Congress. Washington, D.C. Gruber Foundation For artists’ fees, publicity, and administrative costs of two 1983-84 1,600 Goffstown, New Hampshire chamber music series: Chamber Music in the Homes and the Sum­ mer Serenades. Hawaii, University of For artists’ fees for a two-week chamber music residency jointly spon- 6,600 Honolulu, Hawaii sored with the Hawaii Association of Music Societies. Houston Friends of Music For the 1983-84 series of chamber music concerts by visiting ensembles 3,000 Houston, Texas at Rice University. Hudson River Museum at Yonkers For the 1983-84 season of the Museum Chamber Concerts series. 1,600 Yonkers, New York Interlochen Center for the Arts For residencies by emerging American chamber ensembles during 2,400 Interlochen, Michigan the 1983 summer season. International Brass Quintet Festival For the fourth annual International Brass Quintet Festival. 6,000 Baltimore, Maryland Iowa, University of To present emerging American ensembles on the 1983-84 chamber 4,900 Iowa City, Iowa music series. Jewish Museum To present emerging American ensembles on the Jewish Composers 2,000 New York, New York Series during the 1983-84 season. Kneisel Hall For the 1983 summer chamber music series at Kneisel Hall. 2,900 Blue Hill, Maine Kronos Performing Arts Association For the 1983-84 subscription series of contemporary chamber music 10,500 San Francisco, California concerts. L’Ensemble du Musique To develop a concert series entitled, "The Performer as Composer." 1,400 Cambridge, New York Lark Society for Chamber Music For the 1983-84 season of the Portland String Quartet. 2,500 Portland, Maine Laurentian Chamber Players For a series of concerts and residencies during the 1983-84 season. 1,100 Yonkers, New York Long Island Baroque Ensemble For artists’ fees for the 1983-84 subscription series and young peo- 2,100 Roslyn Harbor, New York ple’s concerts. Long Island Chamber Ensemble For the 1983-84 season of concerts on Long Island and at the Abraham 3,600 Huntington Station, New York Goodman House in New York City. Mamaroneck Free Library To support artist fees and related expenses for the presentation of 2,000 Mamaroneck, New York emerging American chamber music ensembles during the 1983-84 season at the Emelin Theatre for the Performing Arts. Maumee Valley Musical Arts Society For a two-week residency by the Tower Brass Quintet at the Franklin 2,100 Bowling Green, Ohio Park Mall in Toledo. Music 179

Mayhew (Nathan) Seminars of For artists’ fees for the presentation of the Millennium Ensemble dur­ 1,500 Martha’s Vineyard ing the 1983 summer season. Vineyard Haven, Massachusetts Metropolitan Brass Quintet For a residency by the Metropolitan Brass Quintet at Beachwood 1,400 Bedford, Ohio Place shopping center in Beachwood, Ohio. Mohawk Trail Concerts To continue the community concerts program in northwestern 3,500 Greenfield, Massachusetts Massachusetts. Mostly Music For the 1983-84 series of chamber music concerts throughout the 4,900 Chicago, Illinois Chicago area. Mozartean Players For a chamber series at the 92nd Street YM-YWHA in 1983-84. 1,600 Bronx, New York MSQ Enterprises For performances by the Manhattan String Quartet during the 1983-84 4,400 Mr. Kisco, New York season. Music at Gretna For administrative costs of chamber music presentations during the 4,300 Mr. Gretna, Pennsylvania 1983 summer season. Music for a While For the 1983-84 series of early music concerts. 1,500 Stony Point, New York Naumberg (Walter W.) Foundation For the Alice Tully Hall appearances of ensembles receiving the 8,500 New York, New York Naumburg chamber music award. New College Music Festival For the festival’s 1983 summer season. 2,000 Sarasota, Florida New England Piano Quartette For a residency by the Quartette at the Portland Museum of Art. 2,200 Foundation Kezar Falls, Maine New Jersey Chamber Music Society For the 1983-84 chamber music subscription series. 2,000 Montclair, New Jersey New York Chamber Soloists For the 1983-84 touring program. 1,000 New York, New York New York Consort of Viols For the 1983-84 touring program. 2,000 New York, New York New York Philharmusica Chamber For a concert series featuring the works of living American composers. 4,900 Ensemble New York, New York New York Renaissance Band For national tours by the band during the 1983-84 season. 2,100 New York, New York New York, Research Foundation of For a tour by the Tremon String Quartet during the 1983-84 season. 2,100 the State University of Albany, New York New York Vocal Arts Ensemble For the ensemble’s eleventh annual national concert tour. 2,600 New York, New York 92nd Street Young Men’s and Young To present emerging American ensembles during the 1983-84 season. 3,900 Women’s Hebrew Association New York, New York North Country Chamber Players To continue a residency in northern New Hampshire. 4,900 Franconia, New Hampshire North Dakota, University of To expand and upgrade the university’s chamber music presentations 1,700 Grand Forks, North Dakota during the 1983-84 season. Norton Gallery and School of Art To present emerging American ensembles during the 1983-84 season. 1,200 West Palm Beach, Florida Orpheus Chamber Ensemble For tour concerts by Orpheus during the 1983-84 season. 9,600 New York, New York Papageno Society For the Raphael Trio’s 1983-84 series at Carnegie Hall. 1,900 New York, New York 180 Music

Performers’ Committee For Continuum’s series of mini-residencies in 20th-century music at 6,200 New York, New York colleges and community organizations throughout the country in 1983-84.

Philadelphia String Quartet, For tours to educational institutions in Washington and Oregon dur­ 2,400 Friends of the ing the 1983-84 season. Seattle, Washington Pittsburgh Chamber Music Society To present emerging American chamber ensembles on the 1983-84 2,500 Pittsburgh, Pennsylvania concert series. Ponca City, City of To expand the Marland Chamber Music Festival in Ponca City and 2,200 Ponca City, Oklahoma in surrounding areas. 3,500 Puerto Rican Culture, Institute of For a series of chamber music concerts by the Figuerca Quintet dur­ San Juan, Puerto Rico ing the 1983-84 season. 1,900 Quintet of the Americas For the 1983-84 concert series at the Center for Inter-American New York, New York Relations. Renaissance Band Calliope For tour-residencies in several locations, including the Pacific Coast, 3,000 New York, New York Midwest, and South, during the 1983-84 season. Renaissance Ensemble of Baltimore For the 1983-84 subscription series. 1,500 Baltimore, Maryland Rochester, University of For a tour by the New Arts Trio during the 1983-84 season. 3,800 Rochester, New York Rockland Center for the Arts For a series of chamber music concerts for young audiences during 1,900 West Nyack, New York the 1983-84 season. 5,100 St. Luke’s Chamber Ensemble For artists’ fees for the 1983-84 season. New York, New York San Francisco Conservatory of Music For artists’ fees for the seventh annual Chamber Music]West Festival 5,000 San Francisco, California in June 1983. San Francisco Early Music Society For artists’ fees for the society’s 1983-84 series. 3,400 San Francisco, California 8,200 Santa Fe Chamber Music Festival For the festival’s llth season. Santa Fe, New Mexico Sea Cliff Chamber Players For the 1983-84 Great Performer Series, featuring the ensemble with 6,000 Sea Cliff, New York guest performers. Sequoia String Quartet Foundation To hire a professional administrator for the the 1983-84 season. 2,600 Los Angeles, California Shriver Hall Concert Series To present emerging American ensembles on the 1983-84 concert 2,500 Baltimore, Maryland series. Si-Yo Music Society Foundation For the 1983-84 Si-Yo Chamber Music concert series at Pace Univer­ 2,500 New York, New York sity and additional concerts in other communities in Ohio, Illinois, Michigan, and Washington, D.C. Society for Chamber Music in For the 1984 Baroque Festival, featuring a residency of the Concert 3,200 Rochester Royal Baroque Ensemble. Rochester, New York South Dakota Symphony Orchestra For performances during the 1983-84 season of the Dakota String 5,100 Sioux Falls, South Dakota Quartet. Strings for Schools For the 1983-84 program of free chamber music concerts in schools 3,200 Malvern, Pennsylvania and in the community. Sylmar Corporation For the 1983-84 concert series of the Sylmar Ensemble. 3,100 Minneapolis, Minnesota Sylvan Winds For a series of concerts by the Sylvan Wind Quintet during the 1983-84 1,600 New York, New York season. Symphony Space For an audience development project for contemporary music presen- 1,200 New York, New York tations at Symphony Space. Music 181

Syracuse Friends of Chamber Music To present emerging American ensembles on the 1983-84 chamber 2,900 Syracuse, New York music series. Theater Chamber Players For performers’ fees for the preparation, rehearsal and presentation 7,000 Washington, D.C. of new work. Third Street Music School Settlement, To present guest artists in the school’s 1983-84 chamber music series. 4,300 Society of the New York, New York University Community Concerts To present emerging American chamber music ensembles during the 3,000 College Park, Maryland 1983-84 season. Vanderbilt University For Blair School of Music to sponsor tour performances by the 1,000 Nashville, Tennessee Nashville Contemporary Brass Quintet in 1983-84. Vermont Mozart Festival For the festival’s 1983-84 winter chamber music series. 1,600 Burlington, Vermont Voices of Change For the 1983-84 season, including a subscription series at the Meadows 7,100 Dallas, Texas School of the Arts, Dallas Public Library, and tour concerts throughout the state.

Walker Arts Center To present new music ensembles and emerging chamber ensembles 11,000 Minneapolis, Minnesota during the 1983-84 season.

Waverly Consort For the consort’s nationwide touring program for 1983-84. 5,700 New York, New York Westchester Chamber Chorus To expand the ensemble’s series to include concerts for inner-city au- 2,000 and Orchestra Foundation diences and the aged. New York, New York Western Wind Vocal Ensemble For artists’ fees for the ensemble’s performance of Light Opera by 5,100 New York, New York Charlie Morrow. Wilson (Warren) College For the 1983 Summer Chamber Music Festival in Swannanoa, Burns- 2,900 Swannanoa, North Carolina ville/Spruce Pine, and Hendersonville. WYNC Foundation For artist and ensemble fees for the national radio broadcasts of con- 9,100 New York, New York certs by the Chamber Music Society of Lincoln Center. Yellow Barn For a residency by the ensemble, An die Musik during the 1983 sum- 3,000 Putney, Vermont mer season. Young Audiences of Connecticut To present chamber music performances, demonstrations, and 2,000 Bridgeport, Connecticut workshops in schools throughout the state during the 1983-84 season.

Services to Chamber Music

Chamber Music America For membership services during the 1983-84 season. $32,500 New York, New York Concert Artists Guild For artists’ fees and travel costs of emerging American chamber 5,200 New York, New York ensembles presented on the guild’s 1983-84 concert series. 182 Music

Includes three subcategories: Professional Choruses that pay all of their Chorus singers receive assistance for rehearsal and concert salaries; touring and run-out concerts; fees for soloists, guest conductors, and master teachers; improving management; collaboration with other groups; or choral workshops and festivals. Independent and Orchestra Choruses that pay some or none of their singers receive support for salaries for a core of singers; fees for soloists, guest conductors, and master teachers; improved manage­ ment; run-out concerts; or choral workshops or festivals. Service Organiza­ tions are given assistance to provide services to the field of choral music on a national or regional basis. Program funds: $398,000 86 grants Professional Choruses Dale Warland Singers For salaries of the singers, conductor, assistant conductor, general $21,000 St. Paul, Minnesota manager, and assistant manager. Gloria Musieae For performances of choral music by black American composers. 1,500 Longboat Key, Florida Gregg Smith Singers For singers’ salaries during the 1983-84 season. 21,000 New York, New York Handel and Haydn Society For singers’ salaries for rehearsals and concerts during the 1983-84 21,000 Boston, Massachusetts season. Kenneth Jewell Chorale For singers’ salaries and increases in fees for the music director, ac- 7,800 Southfield, Michigan companist, and buisness manager. Music of the Baroque Concert Series For singers’ salaries for the 1983-84 series. 21,000 Chicago, Illinois Musica Sacra For singers’ salaries and soloists’feesfor rehearses and concerts 21,000 New York, New York during the 1983-84season. Orpheon For salaries of artistic and administrative personnel of the Orpheon 5,500 New York, New York Chorale. Philadelphia Singers For salaries for singers, an assistant conductor, and an audience 13,500 Philadelphia, Pennsylvania development director; and for concert hall rental. San Francisco Chanticleer For singers’ salaries for rehearsals and concerts during the spring 7,000 San Francisco, California of 1984.

Independent and Orchestra Choruses

Atlanta Symphony Orchestra Chorus For salaries of teaching and conducting assistants, and for master $9,000 Atlanta, Georgia classes by choral specialists and vocal soloists. Bach Society of St. Louis For salaries of the conductor and two assistants. 1,500 St. Louis, Missouri Baltimore Choral Arts Society For salaries and fees for the assistant conductor, the administrative 6,200 Baltimore, Maryland director, and soloists; and for audience development. Baltimore Symphony Orchestra For salaries, sight singing and ear training classes, and private voice 3,000 Association lessons for the Baltimore Symphony Chorus. Baltimore, Maryland Boise Master Chorale For choral workshops and salaries for a core of singers, the music 1,900 Boise, Idaho director, and the accompanist. Boys Choir of Harlem For the choir’s Mozart concert. 2,000 New York, New York Brattleboro Music Center, For soloists’ fees for two festivals. 4,500 Friends of the Brattleboro, Vermont Music 183

Brooklyn Philharmonia For soloists’ fees; salaries for the conductor, assistant conductor, and 1,300 Brooklyn, New York accompanist; and concert management and administration for the Brooklyn Philharmonia Chorus. Cantata Academy of Metropolitan For salaries for singers, the conductor, and the accompanist; and for 1,400 Detroit costs of music scores. Dearborn, Michigan Cantata Singers For artists’ fees, production, publicity, and administrative costs. 2,700 Cambridge, Massachusetts Canticum Novum Singers For soloists’ fees for a performance of Bach’s St. John Passion. 1,700 Flushing, New York

Cathedral Choral Society of For performance costs of the Washington premier of Menotti’s Missa 3,500 Washington, D.C. "0 Pulchritudo," including open rehearsals, a workshop, and a master Washington, D.C. class.

Cecilia Society To improve salaries and management concerning audience develop- 2,000 Brookline, Massachusetts ment and publicity, and for soloists’ fees. Charleston Symphony Singers’ Guild For fees for soloists, a special events coordinator, the assistant con- 1,400 Charleston, South Carolina ductor, and a special events accompanist.

Chicago Chamber Choir For the salary of a professional manager. 1,000 Chicago, Illinois Choral Arts Society of Washington For soloists’ fees for the 1983-84 season and the audience and fund 8,700 Washington, D.C. development program. Chorale Acadienne For salaries of the musical director and accompanists. 1,400 Lafayette, Louisiana

Cincinnati Musical Festival Association For fees for the chorus director, assistant chorus director, accom- 3,000 Cincinnati, Ohio panist, soloists, and vocal instructors. Classic Chorales For salaries and administrative costs. 1,700 New York, New York Collegiate Chorale For fees for soloists, the assistant conductor, accompanist, and 3,800 New York, New York administrator. Colorado Chorale For salaries of the choral’s musical staff. 1,000 Denver, Colorado Columbia Pro Cantare For soloists’ fees and travel, and for salaries for the director, 1,500 Columbia, Maryland accompanist-conductors and the administrative assistant. Community Chorus of Westerly For soloists’ fees; salaries for the music director, business manager, 3,200 Westerly, Rhode Island bookkeeper; and adminstrative costs.

Community Music Center For artists’ fees and administrative salaries. 1,400 San Francisco, California El Paso Pro Musica For salaries for the manager and secretary and other administrative 3,500 E1 Paso, Texas costs. Grand Rapids Symphony Choir For salaries for a core of singers and the choir director. 1,000 Grand Rapids, Michigan Holland Community Chorale For costs of the March Festival ’84. 1,200 Holland, Michigan

Honolulu Symphony Chorus For salaries for the chorus director, assistant director, accompanist, 1,500 Honolulu, Hawaii and chorus coordinator; and fees for chorus section leaders. Jane ttardester Singers For salaries and for an arts administrator’s consultant fee. 1,800 Torrance, California Long Beach Bach Festival For soloists’ fees and a manager’s salary. 1,500 and Vocal Arts Ensemble Long Beach, California Long Island Symphonic Choral For costs of improved management and a salary for the executive 1,100 Association director. Port Jefferson, New York 21,000 Los Angeles Master Chorale Association For singers’ salaries for concerts during the 1983-84 season. Los Angeles, California 1,500 Master Singers For salaries for the music director, manager, and accompanist. Brookline, Massachusetts 3,200 Masterworks Chorale For soloists’ fees and salaries for the musical director, assistant con­ Boston, Massachusetts ductor, accompanist, and public relations director. 5,000 Mendelssohn Choir of Pittsburgh For salaries for a core of singers. Pittsburgh, Pennsylvania 4,000 Mendelssohn Club For costs of improved management. Philadelphia, Pennsylvania 1,500 Midland-Odessa Symphony and Chorale For salaries, soloists’ fees, and training seminars for the chorale Midland, Texas director. 8,000 Milwaukee Symphony Orchestra For salaries for the staff of the Wisconsin Conservatory Symphony Milwaukee, Wisconsin Chorus. 2,500 Minnesota Chorale For salaries for a core of singers, a guest conductor’s fee, and a master Minneapolis, Minnesota class. 1,000 Montgomery Civic Chorale For salaries of the director and accompanist costs for a performance Montgomery, Alabama of Brahms’ German Requiem. 1,600 Muse of Eloquence For fees for a solo quartet for performances of contemporary American New York, New York works. Musical Arts Workshop For salaries and soloists’ fees. 1,500 Las Vegas, Nevada 2,000 Nashua Symphony Association For salaries for a core of singers and fees for master teachers for Nashua, New Hampshire the Nashua Symphony Choral Society. 6,000 National Choral Foundation For administrative and artistic salaries for the Paul Hill Chorale and Washington, D.C. Arts in the Marketplace project. 2,500 Nebraska Choral Arts Society For soloists’ fees and salaries for the director, accompanists, and Omaha, Nebraska clerical staff. 1,000 New Amsterdam Singers For salaries for the musical director, accompanist, and administrative New York, New York manager. 2,500 New Mexico Symphony Orchestra For the salary of the choral director. Chorus Albuquerque, New Mexico 6,300 New York Choral Society For salaries, costs of improved management, soloists’ fees, and for New York, New York choral workshops. 1,000 New York Latvian Concert Choir For performance costs of the oratorio-opera Banuta in Milwaukee, Hudson, New York Wisconsin, including fees for the conductor and soloists. 6,600 Oakland Symphony Orchestra For salaries for a core of singers in the Oakland Symphony Orchestra Association Chorus. Oakland, California Occasional Music Society For salaries of the music director and accompanist, costs of new music 1,200 New York, New York workshops, and costs of improved management. 3,700 Oratorio Society of Washington For salaries for the music director and accompanist and for soloists’ Washington, D.C. fees. 21,000 Orchestral Association For singers’ salaries for concerts by the Chicago Symphony Chorus Chicago, Illinois during the 1983-84 season. Oregon Repertory Singers For salaries, fees for guest artists, and run-out concerts in Oregon 3,300 Portland, Oregon and Washington. Orpheon For salaries, soloists’ fees, and the costs of improved management 1,900 New York, New York for the Metropolitan Singers/The Greek Choral Society. Plymouth Music Series For soloists’ fees and salaries for the artistic staff. 3,000 Minneapolis, Minnesota Music 185

Prairie Arts Chorale For salaries for singers, the music director and accompanist. Marshall, Minnesota Pro Arte Chamber Singers of For salaries for a core of singers and the conductor, and for soloists’ Connecticut fees. Westport, Connecticut Pro Arte Double Chorale For soloists’ fees and improved management, including salaries for 6,200 Paramus, New Jersey the managing director and assistant manager. Pro Musica For soloists’ fees for performances of Bach’s Mass in B Minor. 1,000 Salt Lake City, Utah Rochester Civic Music For salaries for the music director, chorus master, and section leaders 2,000 Rochester, Minnesota of the chorus. Rochester Oratorio Society For a salary for the general manager and other administrative costs. 1,000 Fairport, New York

St. Louis Chamber Chorus and For salaries for musicians and administrative personnel. 3,700 Orchestra St. Louis, Missouri

St. Louis Symphony Society For salaries and additional rehearsal space for the St. Louis Sym­ 6,900 St. Louis, Missouri phony Chorus.

San Diego Master Chorale For soloists’ fees and the salary of the music director. 3,000 San Diego, California

San Francisco Symphony Association For salaries for a core of singers during the 1983-84 season of the 6,800 San Francisco, California San Francisco Symphony Chorus.

Schola Cantorum For salaries for the accompanist and administrative assistant, and 2,100 Cupertino, California for soloists’ fees.

Sine Nomine Singers For salaries of the conductor and the singers, soloists’ fees, and ad­ 1,000 New York, New York ministrative and musical costs for performances of Handel’s oratorios.

Singing City For artists’ fees and for run-out concerts in rural communities in New 4,000 Philadelphia, Pennsylvania Jersey.

Southern Maryland Choral Society For salaries for singers, the choral director and accompanist; and for 1,000 Ft. Washington, Maryland soloists’ fees.

Spokane Symphony Orchestra Society For salaries and performance costs for the Spokane Chorale. 1,100 Spokane, Washington

Utah Chorale For salaries for the conductor, assistant conductor, and accompanists; 2,000 Salt Lake City, Utah and for soloists’ fees.

Vocal Arts Ensemble For salaries for the conductor and the manager for the 1983-84 season. 2,300 Cincinnati, Ohio

Washington Bach Consort For costs of improved management, including the general manager’s 2,700 Washington, D.C. salary.

William Hall Chorale For salaries for a core of singers during the 1983-84 season. 2,700 Pasadena, California

Service Organizations

Association of Professional For the national service organization to expand the newsletter, hire $13,000 Vocal Ensembles a national executive secretary, and conduct the administrative intern­ Philadelphia, Pennsylvania ship program and symposia on concerns of professional choruses. 18~ Mu.s~

Includes two subcategories: Ensembles and Presenting Organizations grants New Music enable organizations that have demonstrated a strong commitment to new Performance music to provide quality performances of new music and make the form more widely available. Services to the New Music Field are grants awarded to organizations for projects that serve professional new music ensembles on a national or regional basis. Program funds: $401,000 73 grants

Ensembles and Presenting Organizations

Albany Symphony Orchestra For presentation of a series of eight concerts that include 20th-century $2,000 Albany, New York compositions taped for radio broadcast. 3,500 Alea IIl For a one-week composer’s workshop in which 15 American composers Somerville, Massachusetts participate in the 1983-84 season. 3,500 American Camerata for New Music For concert series, a touring program, and educational concerts. Wheaton, Maryland American Composers Concerts For three concerts of American symphonic music in Alice Tully Hall 25,000 New York, New York and a fourth concert at Symphony Space in New York City. and/or service For a series of ten concerts by composer/performers and ensembles. 4,500 Seattle, Washington 4,000 Association for the Advancement To present three two-day concerts in Chicago. of Creative Musicians Chicago, Illinois Berkeley Symphony Orchestra For improved management of the orchestra through hiring additional 2,000 Berkeley, California administrative staff and for artists’ fees. Boston Musica Viva To promote, rehearse, and perform a subscription series of four con­ 6,000 Newton Centre, Massachusetts certs in the Boston area. Boston University, Trustees of For premier performances of newly commissioned works by Alea III, 3,000 Boston, Massachusetts the Empire Brass Quintet, and the Boston University Symphony Or­ chestra, recorded for distribution through National Public Radio. Brooklyn Philharmonia For extra rehearsals for two new works and the Meet the Moderns 4,000 Brooklyn, New York series. 5,000 California Institute of the Arts For the Contemporary Music Festival ’84, a celebration of contem­ Valencia, California porary music that includes seminars and performances. California, University of To present the Los Angeles Chamber Orchestra in a series of three 2,000 Los Angeles, California concerts during the 1983-84 season. 7,500 Cincinnati Composers Guild For an exchange series of concerts between the Percussion Group Cincinnati, Ohio of Cincinnati, the Contemporary Music Forum of Washington, D.C., and the Pittsburgh New Music Ensemble.

Collage For a series of six concerts of contemporary chamber music and three 6,000 Brooldine, Massachusetts lecture-discussions. Composers’ Forum For the 1983-84 concert series, inlcuding a one-week festival of new 6,500 New York, New York music, a celebration of the 70th birthday of composer Verna Fine, and open readings of works by young composers. Contemporary Arts Center For the 1983-84 concert season. 2,000 Cincinnati, Ohio Contrasts In Contemporary Music For the 1983-84 season of composers showcase concerts at the Whitney 7,000 New York, New York Museum of American Art, broadcast over National Public Radio. Cornish Institute For performances, tours, and engaging guest artists for the New Per­ 1,000 Seattle, Washington formance Group. Creative Arts Collective For a series of 12 concerts presented at the Detroit Institute of Arts 1,000 Detroit, Michigan Recital Hall, broadcast by National Public Radio. Music 187

Creative Music Foundation For artists’ fees and touring costs for the foundation’s resident Woodstock, New York ensemble. Creative Time For the 1983-84 season of 15 new music performances. New York, New York Cultural Council Foundation To present the Washington Square Contemporary Music Series. New York, New York Cunningham Dance Foundation For music costs associated with a two-week series of dance and new New York, New York music performances. Dance Theatre Workshop For the seventh season of Dance Theatre Workshop’s Tuesday Music New York, New York Contemporary Composers/Performance Series consisting of 12 concerts. District Curators For "New Music in the Afternoon," a monthly concert series including 5,000 Washington, D.C. workshops conducted by the performers. 80 Langton Street Corporation For artists’ fees for composers and performers presented during the 5,000 San Francisco, California 1983-84 season. Experimental Intermedia Foundation For the llth season of Concerts by Composers. 5,000 New York, New York

Film in the Cities For a series of ten new music performances. 2,000 St. Paul, Minnesota Foundation for Modern Dance For musicians’ costs associated with performances by the Erick 4,000 New York, New York Hawkins Dance Company. Group for Contemporary Music To present a minimum of five contemporary music performances at 7,500 New York, New York the 92nd Street Y, Symphony Space, and Manhattan School of Music. Guild of Composers For the 1983-84 season of new music concerts broadcast over radio 1,500 New York, New York station WNYC-FM. Haleakala For the 12th year of the Kitchen’s new music series. 15,000 New York, New York House Foundation for the Arts For a series of concerts in New York City by Meredith Monk and 3,000 New York, New York Vocal Ensemble. Independent Composers Association For a series of nine concerts of recently composed American music. 4,500 Los Angeles, California Inter-Media Arts Center For the New Music Program, a series of concerts featuring com- 3,500 Bayville, New York poser/performers. Interfuse For New Music Baltimore’s fifth season of eight concerts, including 2,000 Baltimore, Maryland a four-evening festival of new music. Ives (Charles) Center for American For artists’ fees for performances at the center during the summer. 2,000 Music Roxbury, Connecticut

League of Composers International To present a series of six concerts of new chamber music at Carnegie 4,500 Society for Contemporary Music Hall and Northeastern University in Boston. New York, New York Lenox Arts Center For the annual series of new music performances during the center’s 5,000 Lenox, Massachusetts 13th summer season. Los Angeles Philharmonic Association For five concerts of the Philharmonic’s New Music Group. 2,000 Los Angeles, California

Media Study/Buffalo For new music presentations during the 1983-84 season. 4,000 Buffalo, New York Mills College For the presentation of eight concerts, four of which included short- 2,500 Oakland, California term residencies by new music performers. Minnesota Composers Forum To present concerts of new works by 80 contemporary American com- 7,000 St. Paul, Minnesota posers, five performances of which were aired over Minnesota Public Radio’s Live from Landmark program. 2,000 Music Alliance To present three programs of contemporary music by the Atlanta Atlanta, Georgia New Music Ensemble. 1,000 Music from Japan To present four new music concerts of contemporary American and New York, New York Japanese works. 2,000 Musical Elements For fees for Musical Element’s co-directors and performers. New York, New York 3,500 New Music Circle To present four concerts during the 1983-84 season. St. Louis, Missouri 6,500 New Music Consort For a touring program, a series of concerts of works by young New York, New York American composers and 20th-century masters, and a series of con­ certs and lectures at City University of New York’s York College. 1,000 New Wilderness Foundation For the 11th annual New Wilderness Summer Solstice Celebration New York, New York of concerts by eight new music ensembles. 4,250 New York New Music Ensemble For a series of concert/workshops and a regional tour. New York, New York 3,000 Outward Visions For a series of twelve concerts to introduce those living in disadvan­ New York, New York taged New York City areas to new music. 3,500 Pacifica Foundation For a series of nine workshop-residencies by new music performers, North Hollywood, California including concerts recorded for future radio broadcasts on KPFK. 3,000 Palace of Arts and Sciences Foundation For artists’ fees for the "Speaking of Music" series at the San Francisco, California Exploratorium. 5,000 Parnassus Contemporary Music For concerts in New York’s Abraham Goodman House and concerts Foundation in the Northeast. New York, New York 9,000 Pittsburgh New Music Ensemble For increased paid rehearsal time and the expansion of the ad­ Pittsburgh, Pennsylvania ministrator’s activities. 4,000 Portland Center for the Visual Arts To present five concerts by composer/performers during the 1983-84 Portland, Oregon season. 6,000 Real Art Ways Raw Ink To present and produce 30 new music performances broadcast over Hartford, Connecticut National Public Radio. 1,000 Reconnaissance For the 1983-84 season of five concerts of new chamber music. Cleveland, Ohio 5,000 Reich Music Foundation For performances of new works by Steve Reich and Musicians dur­ New York, New York ing the 1983-84 season. 3,000 Relache For four programs during the 1983-84 season and administrative salary Philadelphia, Pennsylvania support. 2,500 Rising Sun Media Arts Center To present a series of six concerts of new music by American Santa re, New Mexico composers. 2,000 Roulette Extra Media Resources For artists’ fees for the Roulette Performance Series. New York, New York 1,000 St. Paul Chamber Orchestra For the "Perspective" series, concerts of 20th-century music with St. Paul, Minnesota an emphasis on works by living American composers. San Francisco Contemporary For the 1983-84 season costs of artistic and administrative personnel. 7,000 Music Players San Francisco, California San Francisco Symphony Association For the 1983-84 season of the New and Unusual Music Series. 5,000 San Francisco, California 4,750 Society for New Music For the 1983-84 concert season. Syracuse, New York 14,000 Southern California Chamber For continued support of the new music series. Music Society Los Angeles, California Mu,sie 189

Speculum Musicae For concerts of 20th-century music in New York City and throughout 7,500 New York, New York the United States. Texas Tech University For the 1983-84 Leading Edge Music Series and the 33rd annual Sym­ 1,000 Lubbock, Texas posium of Contemporary Music. 20th Century Consort For four contemporary music subscription concerts, four museum 8,500 Washington, D.C. special events, and two weeks of touring. Washington Performing Arts Society For the fifth annual New Music America Festival. 10,000 Washington, D.C.

Services to the New Music Field Haleakala For the Kitchen’s national touring program, which promotes the $3,500 New York, New York careers of young new music composer/performers. Meet the Composer For resource and technical assistance for composers, presenters, and 75,000 New York, New York funding agencies.

Includes three subcategories: Artistic and Administrative Activities grants Orchestra assist orchestras of the highest artistic level that have national or regional significance. Services to the Orchestra Field grants assist organizations that provide services to the whole orchestra field or to a sector of it. Model Pro­ jects that demonstrate ways to make the arts accessible to handicapped, older Americans, and institutionalized populations both as audiences and participants, are funded in this category with money transferred from the Special Constituencies Program. Program funds: $4,538,800 Treasury funds: $3,080,200 162 grants

Artistic and Administrative Services Albany Symphony Orchestra For the 1983 subscription series and run-out concerts. $18,000 Albany, New York Amarillo Symphony Orchestra For the continuation of the in-school concerts. 12,000 Amarillo, Texas American Symphony Orchestra For the Sunday afternoon subscription series in Carnegie Hall and 20,000 New York, New York the engagement of young American artists and conductors. TF 16,000 Anchorage Symphony Orchestra To tour, engage a resident string quartet to provide outreach ser­ 4,000 Anchorage, Alaska vices to the community, and provide technical assistance and private instruction to the orchestra’s string players.

Ann Arbor Chamber Orchestra For the engagement of core musicians and other music staff, and pro­ 2,000 Ann Arbor, Michigan motion and production costs for the 1983-84 subscription season. Arkansas Orchestra Society To expand the activities of the string ensembles and the Arkansas 16,000 Little Rock, Arkansas Youth Symphony, increase rehearsal time, and enlarge the orchestra’s music library. Atlanta Symphony Orchestra For the regional touring series and the educational program of con­ 80,000 Atlanta, Georgia certs for pre-school through high school children. TF 80,000 Austin Symphony Orchestra Society To engage a music director/conductor, string principals, and guest 20,000 Austin, Texas artists; and to produce chamber orchestra performances. TF 16,000 Baltimore Symphony Orchestra For an optional series of concerts in Meyerhoff Hall, performances 70,000 Association by young artists from the community, recitals or symphony concerts, TF 70,000 Baltimore, Maryland and the development department’s activities. 190 Music 20,000 Baton Rouge Symphony Association To continue development of the core orchestra by creating four string Baton Rouge, Louisiana and five woodwind positions to provide ensemble services in the schools and outreach to rural areas. 4,000 Binghamton Symphony and Choral For additional string players. Society Binghamton, New York For touring and run-out concerts in the state, audience development 22,000 Birmingham Symphony and Choral TF 20,000 Society and promotion activities, and free summer concerts. Birmingham, Alabama 12,000 Boise Philharmonic Association To engage three principal players during the 1983-84 season. Boise, Idaho For the 1983-84 subscription season. 120,000 Boston Symphony Orchestra TF 120,000 Boston, Massachusetts For the Meet the Modern series, free children’s concerts, free sum­ 22,000 Brooklyn Philharmonic TF 14,000 Symphony Orchestra mer park concerts, and the engagement of an audience development Brooklyn, New York director. For the Fisher-Price children’s series; student concerts in Kleinhans 70,000 Buffalo Philharmonic Orchestra Society TF 70,000 Buffalo, New York Music Hall; and community concerts in schools, parks, malls, church­ es, and colleges. 9,000 California Chamber Symphony Society For the 1983-84 subscription series, free concerts for special audiences, Los Angeles, California and family concerts. 22,000 Canton Symphony Orchestra For the outreach and educational services by members of the string Association quartet, brass quintet, and woodwind quintet. Canton, Ohio 2,000 Casper Civic Symphony Orchestra For the engagement of two string players. Casper, Wyoming 4,000 Catskill Symphony Orchestra For youth concerts presented to elementary and high school students. Oneonta, New York Cedar Rapids Symphony Orchestra To engage a string quartet to serve as the orchestra’s principal string 14,000 Cedar Rapids, Iowa players and provide ensemble service. 12,000 Charleston Symphony Orchestra For young people’s concerts, the Sunday music festival, and collabora­ Charleston, West Virginia tion with the West Virginia Dance Theatre. To continue the educational program of full orchestra and ensemble 22,000 Charlotte Symphony Orchestra Society TF 20,000 Charlotte, North Carolina lecture-demonstrations in the schools; expand the orchestra’s services to reach new audiences, including minority groups; provide the ensembles for collaborations with other performing arts groups; and perform run-out concerts in communities throughout North and South Carolina. 16,000 Chattanooga Symphony Association To increase salaries and performance opportunities for musicians, per­ Chattanooga, Tennessee form a commissioned American work during the 1983-84 season, and engage young American artists.

Cincinnati Symphony Orchestra For the 1983-84 subscription season. 80,000 Cincinnati, Ohio TF 80,000 35,000 Colorado Springs Symphony Orchestra To increase the orchestra musicians’ salaries; expand the season; pre­ Association sent small ensembles; and import key professionals for section rehear­ Colorado Springs, Colorado sals, performances, and private instruction. 22,000 Columbus Symphony Orchestra To continue the young people’s series and student concerts and ex­ Columbus, Ohio pand the full-time ensembles. TF 20,000 24,000 Concerto Soloists of Philadelphia For a core orchestra; discount tickets for students, senior citizens, Philadelphia, Pennsylvania handicapped, and disadvantaged people; the performance of contem­ porary works on the subscription series; the young artists concert; and the engagement of public relations and development staff.

Corpus Christi Symphony Society For free performances of Handel’s Messiah in Spanish and English, 10,000 Corpus Christi, Texas free chamber concerts, the engagement of a bilingual administrator, and student concerts. Music 191

Dallas Symphony Association For run-out concerts; youth concerts; pops concerts; free programs 80,000 Dallas, Texas in city parks; and community services, featuring summer classical TF 80,000 concerts, the July Fourth concert and concerts for handicapped children. Dayton Philharmonic Orchestra For additional rehearsal time to prepare five new American works, 20,000 Association the in-school ensemble program, and the Sunday chamber concerts Dayton, Ohio in Victory Theatre. Delaware Symphony Association To increase musicians’ salaries, perform run-out concerts, and pro­ 16,000 Wilmington, Delaware vide discount tickets to students. Denver Symphony Association For state touring, ensemble concerts, and free concerts that feature 75,000 Denver, Colorado National Young Artist Competition winners. TF 75,000 Des Moines Symphony Association For the engagement of a string quartet and additional string players, 18,000 Des Moines, Iowa collaboration with the Des Moines Choral Society, run-out concerts, school and community ensemble concerts, the engagement of a management intern, bus transportation for senior citizens, and the cooperation with other midwest orchestras for booking guest artists. Detroit Symphony Orchestra For the 1983-84 subscription series and educational programs. 70,000 Detroit, Michigan TF 70,000 Duluth-Superior Symphony Association For additional rehearsal time, engagement of five principal players, 14,000 Duluth, Michigan in-school lecture demonstrations, and a chamber series. El Paso Symphony Orchestra For the performance of pops concerts. 10,000 Association E1 Paso, Texas Elgin Symphony Orchestra Association To engage a full-time executive director. 2,000 Elgin, Illinois Erie Philharmonic For additional rehearsal time, engagement of guest artists for the 16,000 Erie, Pennsylvania young people’s concerts, and run-out concerts. Eugene Symphony Association For additional rehearsal time, increased salaries for musicians, and 12,000 Eugene, Oregon the engagement of four additional string players. Evansville Philharmonic Orchestral To engage principal players, import musicians, and perform youth 10,000 Corporation concerts. Evansville, Indiana Fairbanks Symphony Association For the engagement of a guest organist to perform in recitals and 2,000 Fairbanks, Alaska concerts with the orchestra, and present master classes. Fairfax County Symphony Orchestra To expand "Hello Symphony" a lecture-demonstration series, and 8,000 McLean, Virginia engage a full-time development director. Fargo-Moorhead Symphony Orchestral For the residency of an artist with each of the four North Dakota 8,000 Association orchestras. Fargo, North Dakota Flint Institute of Music For the Flint Symphony Orchestra’s educational and outreach ac­ 20,000 Flint, Michigan tivities including youth concerts and family rug concerts, and ensemble services in schools. Florida Gulf Coast Symphony For youth concerts, ensemble presentations in the schools, and run- 26,000 Orchestra out concerts in the state. Tampa, Florida Florida Symphony Orchestra For the engagement of additional full-time musicians, statewide tour­ 20,000 Winter Park, Florida ing, and run-out concerts. TF 12,000 Fort Lauderdale Symphony Orchestra For the expansion of the in-school program. 24,000 Association Fort Lauderdale, Florida Fort Wayne Philharmonic Orchestra To engage a core of musicians as principal players of the orchestra 24,000 Fort Wayne, Indiana and chamber orchestra, and provide emsemble services in the community. Fort Worth Symphony Orchestra For the engagement of American guest conductors, touring the cities 32,000 Association along the Mexican border, free public concerts, and the expansion Fort Worth, Texas of the concert season. 192 Music

Fresno Philharmonic Association For run-out concerts. 12,000 Fresno, California Glendale Symphony Orchestra For the continuation of the school ensemble program, open rehear­ 10,000 Association sals for physically handicapped and senior citizens, and public rela­ Glendale, California tions and audience development programs. Grand Rapids Symphony Society For the engagement of a core orchestra to provide ensemble services 20,000 Grand Rapids, Michigan and performances with the ballet and opera. TF 16,000 Greater Akron Musical Association For the educational and outreach programs, the engagement of three 16,000 Akron, Ohio string principals, and additional rehearsal time for the Akron Sym­ phony Orchestra.

Greensboro Symphony Society For the continuation of the music education program. 12,000 Greensboro, North Carolina Haddonfield Symphony Society For the engagement of a manager for the Haddonfield Symphony 2,000 Haddonfield, New Jersey Orchestra. Honolulu Symphony Society For the Starlight Festival, the subscription series, and a statewide Honolulu, Hawaii touring and education program. TF 25,000 Housing Authority Symphony Orchestra For rehearsals and five performances in the five boroughs of New 2,000 New York, New York York. Houston Symphony Society For the 1983-84 subscription series, the free concerts series at the 80,000 Houston, Texas Miller Outdoor Theatre that feature winners of the Ima Hogg Young TF 80,000 Artist Competition, and Contemporary Trends, a workshop series devoted to the performance of new American works. Hudson Valley Philharmonic For a chamber orchestra series, in-school concerts, repeat concerts 24,000 Poughkeepsie, New York in Orange and Ulster counties, and the engagement of an assistant conductor.

Indiana State Symphony Society For an audience outreach program, including the Visions Concerts 75,000 Indianapolis, Indiana in Clowes Hall for students, a summer outdoor series at the Conner TF 75,000 Prairie Pioneer Settlement, and family park concerts.

Island Philharmonic Society For the 1983-84 subscription series, including a series of 16 pre-concert 2,000 Huntington, New York lectures by the music director and guests soloists. Jackson Symphony Orchestra For a string program that provides instruction for children throughout 25,000 Association the state. Jackson, Mississippi Jacksonville Symphony Association For in-school concerts by a chamber orchestra and small ensembles, 32,000 Jacksonville, Florida and young people’s concerts in the concert hall. Johnstown Municipal Symphony For the engagement of additional musicians. 2,000 Orchestra Johnstown, Pennsylvania Kalamazoo Symphony Society For the chamber orchestra concerts and the engagement of a brass 20,000 Kalamazoo, Michigan and woodwind quintet and a string quartet. Knoxville Symphony Society For young people’s concerts in the Knoxville Civic Auditorium; 16,000 Knoxville, Tennessee lecture-demonstrations by string, woodwind, and brass ensembles in area schools; string coaches for the youth orchestra; and the engage­ ment of a part-time education director. Lansing Symphony Association To continue the educational program and increase the number of 6,000 Lansing, Michigan subscription concerts and rehearsals. Lexington Philharmonic Society To engage 14 musicians to serve as a nucleus for orchestral services 16,000 Lexington, Kentucky and perform ensemble programs. Lima Symphony Orchestra Association For the engagement of a string quartet to perform with the orchestra 1,000 Lima, Ohio and provide ensemble services. Los Angeles Chamber Orchestra Society For a major subscription series and expansion of the Baroque series. 34,000 Pasadena, California TF Los Angeles Philharmonic Association For the 1983-84 winter season concert activities. 120,000 Los Angeles, California TF 120,000 Music 193

Louisville Orchestra For an open rehearsal series, educational programs, and collabora­ 34,000 Louisville, Kentucky tions with local opera and ballet companies. TF 22,000 Marin Symphony Association For the performance and additional rehearsal time to prepare a com­ 14,000 San Rafael, California missioned work by Grant Beglarian. Memphis Orchestral Society For in-school concerts by the Memphis Little Symphony. 20,000 Memphis, Tennessee Midland-Odessa Symphony and Chorale To engage additional administrative staff. 16,000 Midland, Texas Milwaukee Symphony Orchestra For the American Composers Festival, educational programs, 70,000 Mihvaukee, Wisconsin neighborhood concerts, touring to rural Wisconsin areas, and a sum­ TF 70,000 mer series at the Milwaukee County Zoo.

Minnesota Orchestral Association For touring and run-out activities, community and educational ser­ 100,000 Minneapolis, Minnesota vices, and the expansion of the Viennese Sommerfest. TF 100,000 Monterey County Symphony Association To engage professional musicians to perform with the orchestra, par­ 16,000 Carmel, California ticipate in the in-school demonstrations and youth concerts, and per­ form programs for senior citizens and handicapped persons at com­ munity centers. Music for Westchester For additional rehearsal time for the White Plains Symphony 4,000 White Plains, New York Orchestra. Musical Arts Association For the Cleveland Orchestra’s outreach concerts in neighboring com­ 120,000 Cleveland, Ohio munities, educational concerts at Severance Hall, and matinee series TF 120,000 for adult audiences in Severence Hall. Nashua Symphony Association To engage a full-time general manager and other administrative staff. 2,000 Nashua, New Hampshire Nashville Symphony Association To continue and expand the size of the core orchestra to provide 22,000 Nashville, Tennessee ensemble services in the schools and run-out concerts. TF 20,000 National Symphony Orchestra For the 1983-84 subscription concert series. 100,000 Washington, D.C. TF 100,000 Nebraska Chamber Orchestra For the performance of contemporary American works in four of the 4,000 Lincoln, Nebraska subscription concerts. New Hampshire Symphony For the 1983-84 subscription series, run-out concerts, in-school per­ 12,000 Manchester, New Hampshire formances and weekly radio broadcasts. New Haven Symphony Orchestra For the young people’s concerts. 26,000 New Haven, Connecticut New Jersey Symphony Orchestra For the engagement of a marketing coordinator and free in-school TF 26,000 Newark, New Jersey concerts. New Mexico Symphony Orchestra For an educational program that involves ensemble demonstrations 22,000 Albuquerque, New Mexico and orchestra concerts, and for the statewide touring program. TF 20,000 New Orleans Philharmonic Symphony For audience development concerts, concerts featuring black artists 55,000 Society and choruses, regional touring, and the presentation of American TF 50,000 New Orleans, Louisiana artists. 92nd Street Young Men’s and Young To engage orchestra members, guest conductors, and young soloists 18,000 Women’s Hebrew Association for the Y Chamber Orchestra’s core series and Baroque series; per­ New York, New York form run-out concerts; and produce the YCS Goes Baroque series. North Carolina Symphony Society For educational concerts involving the full orchestra, chamber or­ 40,000 Raleigh, North Carolina chestra and ensembles. TF 25,000 Northeastern Pennsylvania To prepare and perform the premiere of a commissioned work, and 12,000 Philharmonic engage young American soloists. Avoca, Pennsylvania

Northwest Chamber Orchestra For the engagement of an American guest conductor and soloists, 10,000 Seattle, Washington and additional rehearsal time. Northwest Indiana Symphony Society To engage a string quartet. 2,000 Gary, Indiana 1~1 Music

Oakland Symphony Orchestra To present contemporary and American works on the subscription 22,000 Association series, provide run-out concerts to nearby communities, and present TF 20,000 Oakland, California free educational lectures and performances in East Bay public schools.

Oklahoma Symphony Orchestra For run-out concert performances. 20,000 TF 16,000 Oklahoma City, Oklahoma For the expansion of the symphony series to pairs of concerts and 20,000 Omaha Symphony Orchestra TF 16,000 Omaha, Nebraska the touring and educational program of the Sinfonia. 2,000 Orchestra of Santa Fe For the engagement of guest artists and administrative staff. Santa Fe, New Mexico Orchestral Association For the Chicago Symphony Orchestra’s rehearsals conducted by the 120,000 Chicago, Illinois music director; and educational programs, including the Kaleidoscope TF 120,000 concerts in the schools and in Orchestra Hall, University Night con­ certs, and free ensemble-lecture programs.

Oregon Symphony Association For the engagement of two musicians, the conducting assistantship 55,000 Portland, Oregon program, additional rehearsal time, the third annual Marathon con­ TF 55,000 cert, and a contributor’s concert by the Oregon Symphony Orchestra.

Owensboro Symphony Orchestra For additional rehearsal time, the engagement of six principal and 6,000 0wensboro, Kentucky two section players, the world premiere performances of Charles Hall’s Symphony No. 1, and the engagement of a management development consultant. 24,000 Pasadena Symphony Association For Saturday concerts, presentation of contemporary works by Pasadena, California American composers, and Sunday afternoon repeat concerts. Philadelphia Orchestra Association For the 1983-84 subscription series and student and children’s 120,000 Philadelphia, Pennsylvania concerts. TF 120,000 Philharmonic-Symphony Society For the New York Philharmonic’s 1983-84 subscription series and 120,000 of New York the parks concerts in New York City, Long Island, and Westchester TF 120,000 New York, New York County. Phoenix Symphony Association For run-out concerts, a collaboration with Ballet West and concerts 22,000 Phoenix, Arizona by the Phoenix Symphony Chamber Orchestra. TF 20,000 Pittsburgh Symphony Society For a summer program in western Pennsylvania consisting of open 1~,000 Pittsburgh, Pennsylvania air concerts at Point State Park and free concerts in Allegheny Coun­ TF 1~,000 ty, and for a young people’s concert program.

Portland Symphony Orchestra For a classical series, a chamber series, and educational concerts. 20,000 Portland, Maine 6,000 Pro Arte Chamber Orchestra of Boston For the continued engagement of a manager. Boston, Massachusetts Pro Musica Chamber Orchestra of For the establishment of a series of free concerts during the summer. 2,000 Columbus Columbus, Ohio Puerto Rico Symphony Orchestra To present Puerto Rican and American soloists and conductors; per­ 32,000 Santurce, Puerto Rico form educational and run-out concerts; and provide discount tickets for students, senior citizens, and disabled citizens. Queens Symphony Orchestra For the Music for Boys and Girls Program and an outreach program 14,000 Rego Park, New York featuring ensemble concerts at senior citizen and community centers, schools, and neighborhood concert programs.

Rhode Island Philharmonic Orchestra For the educational program. Providence, Rhode Island Richmond Symphony For chamber and ensemble performances, expansion of the community 20,000 Richmond, Virginia concert series, and the engagement of full-time principal wind players. TF 12,000 Rochester, City of To engage a core group of full-time professional string players for Rochester, Minnesota the Rochester Symphony Orchestra. Rochester Philharmonic Orchestra For summer concerts, student concerts, run-out concerts to upstate 70,000 Rochester, New York New York and free public concerts. TF 70,000 Music 195

Sacramento Symphony Association To engage a full-time core of 40 musicians to provide run-out and tour 22,000 Sacramento, California concerts and serve as orchestra players for opera and ballet TF 20,000 performances. Saginaw Symphony Orchestra To hire principal players for the orchestra and continue in-school 12,000 Saginaw, Michigan performances. St. Louis Symphony Society To expand the annual fund drive, formalize an education and group 100,000 St. Louis, Missouri sales department, and expand the performance of American music TF 100,000 on the subscription series. St. Paul Chamber Orchestra Society For the expansion of the capital series, the chamber series, and the 54,800 St. Paul, Minnesota Baroque series. TF 60,200

San Diego Symphony Orchestra For the expansion of the winter season. 40,000 Association TF 25,000 San Diego, California San Francisco Symphony Association For the performance of contemporary and American works, young 120,000 San Francisco, California people’s concerts, and an audience development campaign. TF 120,000 San Jose Symphony Association For additional rehearsal time and promotional costs necessary to per­ 32,000 San Jose, California form full symphonic American works on the subscription series, the in-school ensembles program, and free young people’s concerts by the full orchestra in the concert hall. Santa Barbara Symphony Orchestra To continue the Sunday matinee series, which makes symphony con­ 12,000 Association certs available to families, students, senior residents, and handicap­ Santa Barbara, California ped persons. Savannah Symphony Society For the masterworks series and the pops series. 20,000 Savannah, Georgia Seattle Symphony Orchestra For the expansion of the subscription series and the pops series, the 65,000 Seattle, Washington Romantic Festival, and the engagement of a concertmaster. TF 65,000

Shreveport Symphony Society For the development of the chamber orchestra, including the engage­ 32,000 Shreveport, Louisiana ment of American guest artists and the performance of three new compositions on a chamber series, and for the in-school ensembles program. Sioux City Symphony Orchestra For the in-school program and family concerts. 4,000 Association Sioux City, Iowa South Bend Symphony Orchestra For the continuation of the youth education program and the coilabora­ 12,000 Association tion with the Michiana Opera Guild to produce an opera. South Bend, Indiana South Dakota Symphony Orchestra To increase the musicians’ salaries and provide for the educational 8,000 Sioux Falls, South Dakota program and other community services. Spokane Symphony Orchestra Society To engage a core of musicians for the Washington Chamber Orchestra, 18,000 Spokane, Washington perform children’s concerts and in-school performances, and establish TF 10,000 a mini-series in Coeur d’Alene, Idaho. Springfield Symphony Orchestra For the engagement of principal string and woodwind players; 32,000 Association Classical Roots III, an outreach program focusing on works by black Springfield, Massachusetts classical composers; the educational program involving full orchestra and ensemble concerts; and the expansion of run-out concerts throughout western Massachusetts. Springfield Symphony Orchestra For in-school ensembles and young people’s concerts in the Memorial 2,000 Association Hall. Springfield, Ohio Symphony Society of Greater Hartford For "New Directions," a program of American music that includes 20,000 Hartford, Connecticut a commissioned work and features an American artist with the Hart­ TF 16,000 ford Symphony.

Symphony Society of San Antonio For the engagement of additional players, American guest artists and 55,000 San Antonio, Texas conductors, full-time public relations and development directors; the TF 50,OOO continuation of the Rio Grande tour; and educational concerts by the San Antonio Symphony. Syracuse Symphony Orchestra To continue the series of concerts in outlying communities, the school 55,000 Syracuse, New York concerts, and the family series. TF 50,000 Toledo Symphony Orchestra Association For regional development involving small ensembles that perform 26,000 Toledo, Ohio in nursing homes, mental health centers, and schools; and for young TF 20,000 people’s concerts.

Tucson Symphony Society To engage additional salaried musicians, expand the chamber or­ 14,000 Tucson, Arizona chestra’s outreach program, perform in-school concerts, and provide TF 10,000 additional rehearsal time for performance of contemporary American music.

Tulsa Philharmonic Society For the continued expansion of the core orchestra. 20,000 TF 16,000 Tulsa, Oklahoma Utah Symphony For regional community concerts, choral concerts, family concerts, 65,000 Salt Lake City, Utah and collaborative performances with Ballet West and Utah Opera. TF 65,000 Vermont Symphony Orchestra For additional rehearsal time, youth concerts, and a summer festival. 14,000 Burlington, Vermont Virginia Orchestra Group For the 1983-84 subscription season, run-out concerts, and educational 32,000 Norfolk, Virginia concerts. Westmoreland Symphony Orchestra To present ensemble concerts at Westmoreland County Community 4,000 Greensburg, Pennsylvania College and engage five string players. Wheeling Symphony Society For the Appalchian String Quartet residency project of performances 8,000 Wheeling, West Virginia and string instruction. Wichita Symphony Society For a run-out and tour program throughout Kansas, the Soirees 22,000 Wichita, Kansas Musicales Chamber Music Series, the engagement of the Graduate TF 20,000 String Quartet, and young people’s concerts.

Winston-Salem Symphony Association For the in-school education program and the engagement of an opera­ 16,000 Winston-Salem, North Carolina tions manager and musicians to serve as a core group. Youngstown Symphony Orchestra For orchestra costs for an opera production and youth concerts. 16,000 Youngstown, Ohio

Services to the Orchestra Field

Affiliate Artists For the continuation of the Exxon/Arts Endowment Conductors Pro­ TF 110,000 New York, New York gram and the Affiliate Artists’ Assistantship Program, which involves residencies of conductors with American orchestras to develop their careers.

American Symphony Orchestra League To amend a previous grant for management seminars, regional 50,000 Washington, D.C. workshops, and development activities. Meet the Composer For the Meet the Composer orchestra residencies project placing 28,000 New York, New York seven composers with seven American major orchestras for a two- year period to create a new work to be premiered and recorded by the host orchestra, advise the music director on new scores, and assist in preparing a new music series.

Model Demonstration Projects

Buffalo Philharmonic Orchestra Society To develop and implement a model program designed to bring $7,500 Buffalo, New York together children handicapped by chronic heart disease, non- handicapped children, and senior citizens to concerts and rehearsals by the Buffalo Philharmonic. Charlotte Symphony Orchestra Society To produce three concerts especially deisgned for ambulatory and 7,000 Charlotte, North Carolina semi-informed senior citizens in both North and South Carolina. El Paso Symphony Orchestra To arrange, publicize, and transport children with mobility problems 5,400 Association to a series of children’s concerts. E1 Paso, Texas Music 197

Honolulu Symphony Society To develop and implement a program to make symphonic music more 4,000 Honolulu, Hawaii accessible to Hawaii’s senior citizen population. Milwaukee Symphony Orchestra To expand the Musicap program to meet the needs of all handi­ 10,000 Milwaukee, Wisconsin capped persons, including students with learning disabilities and hear­ ing impairments. Minot Symphony Association To provide music for handicapped clients from the Minot Vocational 4,000 Minot, North Dakota Workshop and public schools through a docent program. Orchestral Association For the Chicago Symphony Orchestra to develop a series of workshops 10,000 Chicago, Illinois to increase learning skills for perceptually impaired children and their teachers.

Pasadena Symphony Orchestra For the Sunday afternoon "Sampler Series" of three concerts, pro- 7,000 Pasadena, California viding alternative times and dates to serve the needs of special groups, such as senior citizens, students, the underprivilieged, and handi­ capped persons.

Phoenix Symphony Association To institute a pilot program to research, develop, and implement an 8,000 Phoenix, Arizona educational service audience development program for older adults. Santa Barbara Symphony Orchestra To develop a pre-concert preview project to inform and educate senior 3,100 Association citizens and the physically disabled. Santa Barbara, California Savannah Symphony Society To expand current programs to meet the needs of senior citizens and 10,000 Savannah, Georgia the disabled. Senior Concert Orchestra To engage senior citizen musicians to perform free public concerts 4,000 New York, New York at various borough community auditoriums in New York City and Long Island.

Includes eight subcategories: Performers who perform traditional, in­ Jazz novative, or extended forms of jazz are encouraged in their creative develop­ ment through support of rehearsals, performances, or related expenses. Com­ posers are given support for the creation of new works, the completion of works in progress, or reproduction of their scores. Jazz Study grants enable aspiring jazz performers and composers to study privately with recognized masters of jazz. Program Assistance grants help performing and present­ ing institutions improve performance quality and audience appreciation of jazz. Colleges and Universities are awarded grants for performance and presentation of jazz. Management Assistance is provided for improving management of jazz presenting or performing organizations. Jazz Special Projects covers specific projects not covered in other categories. Jazz Master Awards are given to distinguished masters who have significantly altered the language of the art form in the Afro-American tradition. Program funds: $1,284,000 197 grants

Performers

Belgrave, Marcus $10,000 Davis, Walter, Jr. 9,000 Detroit, Michigan New York, New York Boukas, Richard 6,000 Donelian, Armen H. 4,000 Kew Garden Hills, New York New York, New York Brown, Tyrone 4,000 Heard, J.C. 8,000 Abington, Pennsylvania Troy, Michigan Criner, Clyde 8,000 Jones, Joseph R. 10,000 East Greenbush, New York Philadelphia, Pennsylvania Davis, Charles 8,000 Jordan, Clifford L. 10,000 New York, New York New York, New York Davis, Richard 9,000 Lumelsky, Shay A. 2,100 Barneveld, Wisconsin New York, New York 198 Music

Mafia, Kasuku 6,000 Scott, Shirley 9,000 Detroit, Michigan Philadelphia, Pennsylvania Masakowski, Stephen A. 7,000 Sharpe, Avery G. 9,000 New Orleans, Louisiana Belchertown, Massachusetts Morris, J. Byron 7,000 Simmons, Frederick 8,000 Wheaton, Maryland Philadelphia, Pennsylvania Parian, Horace L. 9,000 Spindler, Beth V. 3,120 Copenhagen, Denmark Springfield, Missouri Pratt, Dean R. 9,200 Sweetney, Bernard 7,000 New York, New York Lanham-Seabrook, Maryland Pullen, Don G. 10,000 Turbinton, Earle J. 8,000 New York, New York New Orleans, Louisiana Ridley, Laurence H. 10,000 Tyson, Cynthia M. 75O Brooklyn, New York Elizabethtown, North Carolina Roney, Antoine 4,000 Vincenza, Susanne D. 5,000 Washington, D.C. Fairfax, California

Sanabria, Robert D. 4,000 Vogt, Roy C. 4,400 Sunnyside, New York Nashville, Tennessee

Santoro, David N. 3,000 Williams, Claude G. 9,000 Torrington, Connecticut Kansas City, Missouri

Scott, David A. 4,000 Springfield, Missouri

Composers

Abrams, Richard L. $9,000 Mackrel, Dennis 9,000 New York, New York St. Albans, New York

Albam, Manny 6,000 Peacock, Gary 3,500 Croton, New York Seattle, Washington

Bias, Gary 2,000 Pierce, Nat 9,000 Los Angeles, California Los Angeles, California Hill, Roger W. 10,000 Wharton, Dianaruthe 6,000 Laurel, Maryland Brooklyn, New York

Houston, Clint J. 4,000 New York, New York

Jazz Study

Baum, Jameson L. $3,000 Chapman, Stephanie J. 3,000 Fairfield, Connecticut New York, New York Bayak, Nicholas 55O Clemmons, Rose E. 3,500 Plainfield, New Jersey Cheverly, Maryland Berger, Steve M. 2,000 Cope, La Forrest 4,000 Brooklyn, New York Jackson Heights, New York Burditt, Mark Allen 72O Cope, Richard 3,500 Greeley, Colorado Jackson Heights, New York

Busch, Jay E. 3,000 Dancz, Steve L. 1,300 East Lansing, Michigan Greeley, Colorado Canino, Frank P. 2,000 Darriau, Matt J. 4,000 New York, New York Allston, Massachusetts Music 199

DeArteaga, Aida J. 2,000 Purcell, John R. 3,000 Petaluma, California New York, New York Early, Karen 3,000 Purcell, Yvonne 3,500 Silver Spring, Maryland New York, New York Ginsberg, Ned 1,500 Rashied, Ameen 1,300 North Hollywood, California Jackson, Mississippi Hickey, Joan B. 2,500 Reznik, Sharon Lee 4,500 Chicago, Illinois New York, New York House, Daniel S. 4,500 Seiter, Christopher S. 4,100 Goleta, California Lubbock, Texas Kagey, Joseph L. 1,200 Shaw, George W. 3,000 Denton, Texas Long Beach, California Lopez, Luis 1,500 Turk, Michael 2,300 New York, New York Oceanside, New York Morgan, J. Thomas 1,0o0 Widenhofer, Stephen B. 455 Greeley, Colorado Greeley, Colorado

Program Assistance

Alternative Center for For artists’ fees and promotional expenses for the 1983-84 jazz con­ $2,000 International Arts cert series culminating in the symposium, "New Influences in Jazz." New York, New York Creative Music Foundation For artists’ fees and promotional expenses for the jazz concert and 6,000 Woodstock, New York residency program.

Creative Musicians Improvisors Forum For compositions by guest jazz artists, and open rehearsals and con­ 2,000 New Haven, Connecticut certs combining the Creative Improvisors Orchestra with several world music ensembles. Cultural Council Foundation For Latin American Music in Alternate Spaces (LAMAS) to present 1,000 New York, New York a series of concerts featuring Latin American composers and musi­ cians performing in the jazz idiom. Dance Visions For jazz artists’ fees and related administrative expenses for the com­ 9,800 New York, New York positions, rehearsals, and production of a collaborative jazz music and dance concert by Cecil Taylor and Dianne McIntyre. Detroit Institute of Arts, For fees and royalties for guest artists for the 52-week, one-hour radio 5,000 Founders Society series, Jazz at the Institute. Detroit, Michigan District Curators For jazz artists’ fees for a series of concerts and for the third annual 2,000 Washington, D.C. jazz workshop led by Jaki Byard.

For the Love of Jazz For a series of concerts featuring nationally recognized jazz artists, 3,000 Reno, Nevada professional local musicians, emerging jazz musicians, and local in­ novative jazz ensembles. G.I.N. (Get Involved Now) Foundation For jazz performances at convalescent homes, senior centers, and 3,000 Houston, Texas hospitals. Haleakala For jazz artists’ fees for the new music performance series at the 5,000 New York, New York Kitchen. Henry Street Settlement For a professional jazz concert series at the Music School and 11,000 New York, New York workshops in jazz and Latin jazz designed for students preparing for professional careers.

Highlights in Jazz For performances by established and emerging jazz artists featur­ 4,000 New York, New York ing the varied eras of jazz music, with the performers discussing their music. 20O Music

Hudson River Museum at Yonkers For artists’ fees for the summer jazz concert series featuring the Pa­ Yonkers, New York quito d’Rivera ensemble, Marilyn Crispell and her quartet, and An­ drew Cyrille performing original works. Institution Programs For support of fees and travel costs for master jazz guitarist B.B. 2,000 Bartlesville, Oklahoma King in a performance and workshop for incarcerated musicians. Inter-Media Arts Center For jazz artists’ fees and related promotional costs for the jazz con­ 3,000 Bayville, New York cert series. International Art of Jazz For the free jazz education workshops conducted by master jazz ar­ 24,000 Stony Brook, New York tists for local secondary and college students. Jazz Heritage Foundation For a concert series that highlights the history and milestones of jazz 3,000 Los Angeles, California music and the particular contributions of native Los Angeles jazz artists.

Jazz in Arizona For jazz ensemble residencies at area schools and colleges, and public 2,000 Phoenix, Arizona concerts featuring major jazz artists. Jazz Research Institute For a spring and summer concert series featuring professional local 17,000 Detroit, Michigan musicians and prominent guest artists. Jazzmobile For summer mobile concerts in New York State, New Jersey, 38,000 New York, New York Baltimore, Philadelphia and Washington, D.C., and for public school lecture concerts.

Jefferson-Chalmers Citizens District For jazz artists’ fees for the free "Concerts by the River," featuring 2,500 Council local artists and well-known former Detroit artists. Detroit, Michigan Kitani Foundation For artists’ fees and related promotional expenses for a statewide 3,000 Columbia, South Carolina tour of Dizzy Gillespie. Kuumbwa Jazz Society For a year-round concert series featuring prominent jazz artists. 5,000 Santa Cruz, Ca!ifornia Manna House Workshop For the jazz concert series featuring major jazz artists and emerg­ 3,000 New York, New York ing composers. Mid-America Arts Alliance For artists’ fees for the regional tour of Jay McShann and his trio. 3,000 Kansas City, Missouri Minnesota Orchestral Association For artists’ fees for the association’s jazz concert series. 2,000 Minneapolis, Minnesota Mobile Jazz Festival For the 12th annual festival during which high school music students 5,000 Mobile, Alabama live and study with professional musician/educators and attend master classes, ensemble clinics, and jam sessions, culminating in public even­ ing performances.

Monmouth County Library For artists’ fees for jazz concerts and workshops at area libraries. 1,500 Freehold, New Jersey Mount Vernon Brass Players Society For jazz performances at inner-city schools by the Just Bones Jazz 3,000 Baltimore, Maryland Ensemble; clinics and concerts for college students by the ensemble, with guest artists Curtis Fuller and Slide Hampton; and a public con­ cert series. Musicians for Music For artists’ fees, transportation, and promotional costs for contem­ 2,000 New Orleans, Louisiana porary New Orleans jazz groups to perform with New York artists at the New York Shakespeare Festival Theater.

National Public Radio For artists’ fees for varied segments of the Jazz Alive series with 16,000 Washington, D.C. Jon Hendricks, Betty Carter, Jay McShann, Teddy Edwards, and Les McCann. Natural Heritage Trust For jazz artists’ fees for the seventh annual summer festival at 3,000 Lewiston, New York Artpark. Neoclassical Jazz Orchestra For rehearsal and performance expenses for the orchestra’s concert 1,000 Lincoln, Nebraska subscription series. New Center Community Mental For guest artists’ fees for free jazz concert performances for mental­ 1,000 Health Services ly ill adults in central Detroit. Detroit, Michigan Mu.sic 201

New Mexico Jazz Workshop For statewide concerts by professional local jazz musicians and public 4,080 Albuquerque, New Mexico jazz workshops. New York Shakespeare Festival For artists’ fees for "New Jazz at the Public," and a free jazz con­ 3,000 New York, New York cert in Central Park. Painted Bride Art Center For a jazz concert series. 1,000 Philadelphia, Pennsylvania Parker (Charlie) Memorial Foundation For a public concert series and clinics for area students conducted 7,000 Kansas City, Missouri by master artists Max Roach, Dizzy Gillespie, and Clark Terry. Performing Arts for Community For jazz artists’ fees for both ticketed and free public concerts, featur­ 2,000 and Education ing local jazz ensembles and prominent jazz artists. Miami, Florida Portland Center for the Visual Arts For a series of contemporary jazz performances. 4,000 Portland, Oregon Real Art Ways Raw Ink For an artist residency fee and related administrative expenses for 2,000 Hartford, Connecticut Anthony Braxton to conduct a one-week professional composers workshop.

Safari East Cultural Presentations For performances, lecture-demonstrations, and workshops by Vishnu 2,000 New York, New York Wood and the Safari East Ensemble in four boroughs of New York. San Diego Jazz Festival For the concert series, "Jazz Piano: Three Approaches," featuring 1,000 La Jolla, California Horace Tapscott, Dorothy Donnegan, and Art Lande. South Street Seaport Museum For jazz artists’ fees and promotional expenses of weekly noon con­ 3,000 New York, New York certs during the spring and summer months. Spokane Jazz Society For guest artists’ fees for performances with the Jazz Society 5,000 Spokane, Washington Orchestra. Spoleto Festival U.S.A. For jazz artists’ fees, commissions, and promotional expenses for the 5,000 Charleston, South Carolina festival’s jazz series. Springfield Jazz Society For a series of concerts, educational presentation at community 4,000 Springfield, Massachusetts centers and schools, and a local artists jazz festival. SUM Concerts For the fourth annual free jazz festival and the "Jazz at the Annex" 7,000 Houston, Texas concert series. Texas Jazz Festival Society For the 23rd annual Texas Jazz Festival, free to the public. 2,000 Corpus Christi, Texas Tucson Jazz Society For the annual jazz workshop and concert, free to the public, featur­ 3,000 Tucson, Arizona ing Louis Bellson, Bob Florence, and Pete Hand. Universal Jazz Coalition For a year-round concert series that features established and emerg­ 26,500 New York, New York ing jazz artists, technical and promotional services to musicians, and the Young Musicians Institute of workshops and critiques by profes­ sional musicians. Universal Jazz Coalition For artists’ fees and related production expenses for the New York 3,000 New York, New York Women’s Jazz Festival. Walker Art Center For artists’ fees for a contemporary jazz concert series. 3,000 Minneapolis, Minnesota Wichita Jazz Festival For the 12th annual jazz festival of public concerts by Ella Fitzgerald, 4,000 Wichita, Kansas Oscar Peterson, and Joe Pass; and clinics for university and high school jazz students. Women’s Jazz Festival For concert performances, a lecture series by Leonard Feather, and 9,000 Kansas City, Missouri community outreach activities of the sixth annual festival.

Colleges and Universities

Bismarck Junior College For guest artists’ fees and related administrative expenses for free, $3,000 Bismarck, North Dakota public residencies that include clinics, lectures, rehearsals and per­ formances with the BJC Jazz Ensemble. 202 Music

Cornish Institute For the guest artist’s fee, related travel, and promotional expenses 2,000 Seattle, Washington for a residency with Jim McNeely, including the commissioning of new works; performances with the Composers and Improvisors Or­ chestra; and classes and workshops in composition, piano, and improvisation.

Cuyahoga Community College District For guest artists’ and clinicians’ fees for the fourth annual jazz festival, 4,000 Cleveland, Ohio featuring Sonny Rollins and the New York Jazz Quartet. Georgia State University For artists’ fees for residencies and free public concerts at area univer- 2,000 Atlanta, Georgia sities and high schools. Glassboro State College For a series of on-campus lectures and performers by master jazz 5,000 Glassboro, New Jersey artists. Governors State University For artists’ fees for a series of residencies, clinics, master classes, 10,000 Park Forest South, Illinois performances with students, and public concerts by guest ensembles led by Max Roach, Woody Shaw, Bobby Hutcherson, Richie Cole, and Johnny Griffin; and for pianist Ken Chaney to serve as jazz artist­ in-residence.

Hartford, University of For artists’ fees for expansion of the Jazz Master Series at the Hartt 10,000 West Hartford, Connecticut School of Music. Haverford College, Corporation of For jazz artists’ fees for the student association’s "Alternative Con- 5,000 Haverford, Pennsylvania cert Series," featuring contemporary artists. Howard University For a series of workshops, clinics, and free public concerts, with 2,000 Washington, D.C. audiovisual taping of some activities for use by the Jazz Studies Program.

Idaho, University of For artists’ performance fees for the annual jazz festival. 3,500 Moscow, Idaho Long Beach Community College District For guest artists’ fees and related travel and promotional expenses 5,000 Long Beach, California for the visiting artists program. Mansfield State College For artists’ fees for a clinic, rehearsals, and a public concert by the 1,000 Mansfield, Pennsylvania Phil Woods Quartet with Mansfield College students. Massachusetts, University of For artists’ residency and performance fees for vocal and instrumental 4,000 Amherst, Massachusetts workshops on improvisation, and concerts by Max Roach, Slide Hamp­ ton, Leone Thomas, and Ted Dunbar.

Michigan, University of For Eclipse Jazz’s major concerts, improvisation workshops, and 10,000 Ann Arbor, Michigan residencies in the Ann Arbor-Detroit area. Minnesota, Regents of the University of For guest artists’ fees and travel expenses concerning clinics and per- 2,200 Morris, Minnesota formances with the university’s jazz ensemble. New York, Research Foundation of For performances by Dizzy Gillespie and Billy Taylor, and a guest 3,000 the State University of artist lecture series at the college at Old Westbury. Albany, New York Norfolk State University For a series of presentations including a concert with Etta Jones and 8,450 Norfolk, Virginia Houston Person, and mini-residencies by the Mitchell-Ruff Duo and Donald Byrd.

Paterson (William) State College For artists’ performance fees and promotion expenses for the free Wayne, New Jersey public "Jazz Room" concert series. Rutgers, the State University of For guest artists’ fees for on-campus and touring residencies, New Jersey workshops, and public concerts for undergraduates and high school New Brunswick, New Jersey students at the Mason Cross School of the Arts. St Louis Conservatory and School For artists’ fees for on-campus and public performances by the Preser­ for the Arts vation Hall Jazz Band. St. Louis, Missouri Sandburg (Carl) College For artists’ fees for guest artist Dizzy Gillespie to conduct a clinic- Galesburg, Illinois workshop and concert performance with the Northern Illinois Jazz Ensemble. South Florida, University of For a series of residencies; campus and community performances; 7,000 Tampa, Florida and children’s concerts. Music 203

Tennessee, University of For artists’ residency fees for the Billy Taylor Trio to conduct master 1,000 Chattanooga, Tennessee classes, after-school workshops, and public performances. Texas, University of For artists’ fees for performances, workshops, and master classes 4,000 Austin, Texas by Sonny Rollins, Gary Burton, and the Heath Brothers. Wesleyan University For artists’ fees for performances by Billy Taylor and Johnny Griffin. 2,000 Middletown, Connecticut Western Illinois University For the presentation of the St. Louis Jazz Quartet with Jeanne Trevor, 1,000 Macomb, Illinois including performances for senior citizens, the handicapped, and children.

Management Assistance

Artists Collective For the third-year engagement of the development specialist to con­ $5,000 Hartford, Connecticut tinue cooperative programming with the University of Hartford. Association for the Advancement of For the first-year salary of a development specialist. 12,000 Creative Musicians Chicago, Illinois

Committee on Jazz For fees for consultants for a fund-raising event and development 3,000 Los Angeles, California activities. Composers and Improvisors Association For the second-year salary of a part-time manager for the orchestra. 2,000 Seattle, Washington

District Curators For the second-year salary of the jazz program director. 2,500 Washington, D.C. Jazz Heritage Foundation For the In-st-year salary of a part-time fund-raiser. 3,000 Los Angeles, California Jazz Research Institute For first-year support of consulting services in management, promo­ 5,000 Detroit, Michigan tion, marketing, and fundraising. Manna House Workshop For the first-year salary of a management assistant to stengthen the 5,000 New York, New York organization’s capabilities in audience development, increasing the base of volunteer support, and public relations.

Mobile Jazz Festival For the second-year salary of the executive director. 4,000 Mobile, Alabama National Association of Jazz Educators For the second-year salary of the director of development. 5,000 Manhattan, Kansas Pacifica Foundation For the salary of the full-time music director for WPFW-FM. 5,000 Washington, D.C. SUM Concerts For the second-year salary of the artistic director. 5,000 Houston, Texas Universal Jazz Coalition For the third-year support of three part-time positions and first-year 20,000 New York, New York salary of a fund-raiser/development specialist.

Jazz Special Projects

Cho, Renee For artists’ fees for the production of Toshiko Akiyoshi: The Woman $7,500 Santa Monica, California and Her Music, a one-hour documentary film. Clark College For collaboration among nine historically black colleges for a tour­ 45,000 Atlanta, Georgia ing network to present master jazz artists to college campuses, and to develop a central black college jazz archives. E Incorporated For a contract to administer the Endowment’s jazz program on-site 50,000 Washington, D.C. evaluation activity during the 1984-85 season. Film and Video Workshop To complete a documentary film on jazz pianist and composer Mary 10,000 Irving-on-Hudson, New York Lou Williams. 204 Music

Grubbs, Carl For jazz performances and workshops as part of the Arts in the 9,230 Baltimore, Maryland Marketplace program at Harbor Place Mall in Baltimore. Jazz Research Institute For the development of a full-time, professional jazz orchestra, in­ 10,000 Detroit, Michigan cluding rehearsals and local performances.

Land, Harold For jazz performances and lectures as part of the Art in the 4,000 Los Angeles, California Marketplace program at Santa Monica Place Mall. Lawn, Richard For jazz performances and lectures as part of the Art in the 1,870 Austin, Texas Marketplace program at Highland Mall in Austin. Mugwana, Oshun For artists’ fees for a series of performances by local jazz artists at 7,500 Chicago, Illinois the annual Neighborhood Festival of Music at the Du Sable Museum of Black History in Chicago. National Jazz Foundation For a contract to continue administering special projects that benefit 95,000 0denton, Maryland the jazz field, including organizational, managerial, and financial technical assistance to selected jazz presenting organizations; the 1983-84 On-Site Evaluation Program; and liaison activities between the Endowment and the jazz field. Northern Colorado, University of For touring residencies in colleges and high schools by the faculty 4,000 Greeley, Colorado jazz quintet to cities in Wyoming, Montana, and Nebraska.

Parker, Gene For jazz performances and lectures as part of the Art in the 5,775 Perrysburg, Ohio Marketplace program at Franklin Park Mall in Toledo. Rutgers, the State University For a cooperative agreement with the Institute of Jazz Studies to 30,000 of New Jersey continue development and administration of the Jazz Oral History New Brunswick, New Jersey Project. Sharpe, Avery For jazz performances and lectures as part of the Art in the 8,200 Belchertown, Massachusetts Marketplace program at Eastfield Mall in Springfield. Sinclair, Leni To catalog Ms. Sinclair’s photographic collection of Detroit jazz ar­ 4,000 Detroit, Michigan tists in performance. Southern Arts Federation For residency fees for performances, clinics, and workshops by the 10,000 Atlanta, Georgia New Nat Adderiy Quintet, featuring Sonny Fortune. Yahya, Abdu-Raschid For a series of jazz performances and lectures as part of the Art in 8,900 Baltimore, Maryland the Marketplace program at Mondawmin Mall in Baltimore.

Jazz Master Awards

Basie, William (Count) $20,000 Rollins, Theodore (Sonny) 20,000 Kansas City, Missouri New York, New York Clarke, Kenneth 20,000 Philadelphia, Pennsylvania Music 205

Includes three subcategories: Recital Presenters are given grants to sup­ Solo Recitalists port performances and residencies by solo recitalists, recitalists with ac­ companist, and duos. Individuals who demonstrate potential for major careers as solo recitalists receive fellowships. During Fiscal 1983, fellowships were awarded to performers of woodwinds, brass, percussion, and keyboard instruments (not including piano). Career Development Organizations, other than presenting organizations and educational institutions, are given sup­ port to foster the professional career development of American solo recitalists. Program funds: $414,260 71 grants

Recital Presenters

Ambassador International For artists’ fees for emerging American recitalists presented during $3,400 Cultural Foundation the 1983-84 season. Pasadena, California American Harp Society To increase artists’ fees for emerging American harp recitalists 2,800 Cortland, New York presented during the 1983-84 season. Artist Series at the Pabst For artists’ fees for the presentation of emerging American recitalists 1,500 Milwaukee, Wisconsin during the 1983-84 season. Brattleboro Music Center, For artists’ fees for emerging American solo and duo recitalists 2,000 Friends of the presented during the 1983-84 season. Brattleboro, Vermont California Institute of Technology For artists’ fees for emerging recitalists presented during the 1983-84 1,750 Pasadena, California season. California Polytechnic State For artists’ fees for emerging American recitalists presented during 1,900 University Foundation the 1983-84 season. San L~s Obispo, California Candlelight Concert Society For artists’ fees for emerging American recitalists presented during 1,700 Columbia, Maryland the 1983-84 season. Chamber Music Northwest For artists’ fees for emerging American recitalists presented during 1,000 Portland, Oregon the 1983-84 season.

Charles River Concerts For artists’ fees for emerging American recitalists presented during 1,900 Boston, Massachusetts the 1983-84 season. Dallas Society for the Classic Guitar For artists’ fees for emerging American guitar recitalists presented 2,150 Dallas, Texas during the 1983-84 season. Dumbarton Avenue Concert Series For arti .sts’ fees for emerging American recitalists presented during 2,000 Washington, D.C. the 1983-84 season. East Carolina University For artists’ fees for emerging American recitalists presented during 1,700 Greenville, North Carolina the 1983-84 season. Fresno Free College Foundation For artists’ fees for emerging American recitalists presented on the 1,400 Fresno, California 1983-84 keyboard concert series. Haleakala For artists’ fees for emerging American recitalists presented during 3,000 New York, New York the 1983-84 season at the Kitchen. Illinois, University of For artists’ fees for emerging American recitalists presented on the 2,800 Urbana, Illinois 1983-84 Showcase Series at the Krannert Center for the Performing Arts. Iowa, University of For artists’ fees for emerging American recitalists presented during 2,200 I0wa City, Iowa the 1983-84 season at the Hancher Auditorium. Kansas, University of For artists’ fees for emerging American recitalists presented during 2,500 Lawrence, Kansas the 1983-84 season. Key Biscayne Music Festival For artists’ fees for the presentation of emerging recitalists during 1,200 Key Biscayne, Florida the 1983-84 season. 206 Music

Loyola Marymount University For artists’ fees for emerging American recitalists presented on the 2,000 Los Angeles, California 1983-84 University Recital Series. LPL Plus APL For artists’ fees for an emerging American recitalist presented in 3,750 Lewiston, Maine a one-week tour of Maine. Mamaroneck Free Library For artists’ fees for emerging American recitalists presented during 2,400 Mamaroneck, New York the 1983-84 season at the Emelin Theatre for the Performing Arts. 92nd Street Young Men’s and Young For artists’ fees for emerging American recitalists presented on the 6,000 Women’s Hebrew Association 1983-84 "bonus concert" series. New York, New York North Dakota, University of For artists’ fees for emerging American recitalists presented during 4,470 Grand Forks, North Dakota the 1983-84 season. Norton Gallery and School of Art For artists’ fees for emerging American recitalists presented during 2,350 West Palm Beach, Florida the 1983-84 season. St. Louis Classical Guitar Society For artists’ fees for emerging American guitarists presented in recitals 3,650 St. Louis, Missouri and master classes during the 1983-84 season. St. Louis Conservatory and School For artists’ fees for emerging American recitalists presented during 3,000 for the Arts the 1983-84 season. St. Louis, Missouri Schubert Club For artists’ fees for emerging American recitalists presented during 1,500 St. Paul, Minnesota the 1983-84 season. Southern California, University of For artists’ fees for emerging American recitalists presented at the 3,750 Los Angeles, California Arnold Schoenberg Institute in recitals and mini-residencies during the 1983-84 season. Spelman College For artists’ fees for emerging American recitalists presented during 3,000 Atlanta, Georgia the 1983-84 season. Spoleto Festival U.S.A. For artists’ fees for emerging American recitalists presented during 5,900 Charleston, South Carolina the 1983 Spoleto Festival. Temple Beth El of Boca Raton For artists’ fees for emerging American recitalists presented during 2,650 Boca Raton, Florida the 1983-84 "Sunday at Three" series. Tri-County Concerts Association For artists’ fees for emerging American recitalists presented during 1,700 Wayne, Pennsylvania the 1983-84 season. University Community Concerts For artists’ fees for emerging American recitalists presented during 2,120 College Park, Maryland the 1983-84 season. Valparaiso University Association For artists’ fees for emerging American recitalists presented during 2,500 Valparaiso, Indiana the 1983-84 season. Visiting Artists For artists’ fees for emerging American recitalists presented during 3,900 Davenport, Iowa the 1983-84 season. Washington Performing Arts Society For artists’ fees for emer~ng American recitalists presented during 3,400 Washington, D.C. the 1983-84 season. Western Illinois University For artists’ fees for emerging American recitalists presented in con­ 2,750 Macomb, Illinois certs, master classes, and related residency activities during the 1983-84 season. Wisconsin, University of For artists’ fees for emerging American recitalists presented in con­ 3,700 Eau Claire, Wisconsin certs and residencies during the 1983-84 season. Wisconsin, University of For artists’ fees for emerging American recitalists presented during 1,500 Stevens Point, Wisconsin the 1983-84 season. Xavier University For artists’ fees for emerging American recitalists presented during 6,450 Cincinnati, Ohio the 1983-84 season. Young Pianist Series For artists’ fees for emerging American recitalists presented during 1,300 Knoxville, Tennessee the 1983-84 season. Music 207

Individuals

Anderson, Miles H. To book trombone recitals of contemporary music throughout the $8,000 Encinitas, California United States at libraries, museums, and places of work. Chesis, Linda D. To prepare flute programs of American contemporary music, a lec­ 2,500 New York, New York ture/demonstration video tape, and a recital at Alice Tully Hall. Comparone, Elaine To present harpsichord concerts in Washington, New York, 2,500 New York, New York Philadelphia, and Boston. Dick, Robert J. For bookings, travel, and promotion costs to present flute recitals 7,500 New York, New York in several cities in the United States. Duer, Susan For a demonstration tape of the pianoforte sent to libraries, radio 5,000 Las Vegas, Nevada stations, and recital presenters. Hickman, David R. To present three trumpet recitals in New York, Washington, and 2,500 Tempe, Arizona Philadelphia. Hill, Robert S. To engage a manager and design and produce promotional literature 7,500 Cambridge, Massachusetts for harpsichord recitals.

Hunter, Laura E. To present recitals of 20th-century American compositions for the 5,000 Houston, Texas saxophone. Jolley, David C. To present a French horn recital at Alice Tully Hall in New York. 10,000 New York, New York Jordan, Paul To study, memorize, and prepare the entire Art of the Fugue by J.S. 2,500 Binghamton, New York Bach for organ recitals and lecture-recitals.

Jutt, Stephanie A. To design and print promotional materials for flute recitals and to 7,500 New York, New York record a promotional tape. Kahn, Sue Ann To rehearse and present a ten-day residency at six universities in 10,000 New York, New York the Kansas City area, present a flute recital in New York and make a demonstration tape. Kraber, Karl F. For rehearsals, engineering, studio and editing costs of a demonstra­ 10,000 New York, New York tion tape of American, French, and Italian flute works. Kroll, Mark R. To prepare three harpsichord recitals in New York, Boston, and 2,500 Brookline, Massachusetts Washington. Lindorff, Joyce Z. For innovative harpsichord recital programs performed in com­ 2,500 New York, New York munities where new music is rarely played and for a demonstration tape. Louwenaar, Karyl J. To present a series of solo harpsichord recitals of American works. 7,000 Tallahassee, Florida Mendenhall, Judith C. For flute recitals in New York and Washington. 5,000 New York, New York Ostryniec, James P. To present oboe recitals of 20th-century American music in several 2,500 Baltimore, Maryland cities throughout the United States. Rose, John L., Jr. For promotion and advertising of two or three organ recitals devoted 2,500 Hartford, Connecticut to rarely performed literature of the French romantic era. Routch, Robert E. To present recitals of the standard French horn repertoire and jazz 5,000 Allentown, Pennsylvania in New York, Washington, Chicago, and Los Angeles. Shifrin, David Alan For a program of major clarinet repertoire performed several times 7,500 Pasadena, California during the 1983-84 season. Smedvig, Rolf T. For rental, travel, advertising, and accompanist costs for a trumpet 9,220 Boston, Massachusetts concert in Boston, at Sanders Theatre, and in New York at Alice Tully Hall. Stallman, Robert For a flute recital in Alice Tully Hall. 5,000 New York, New York 208 Music

Thompson, Robert K., Jr. To distribute copies of demonstration tapes of performances on the 2,500 Milwaukee, Wisconsin bassoon to presenters and classic radio stations. Wolf, R. Peter To present a solo harpsichord recital in New York’s Merkin Concert 2,500 New Brunswick, New York Hall in celebration of the 300th anniversary of the birth of Jean- Philippe Rameau.

Career Development Organizations Affiliate Artists For artists’ fees for the recital and "informance" portions of the Xerox $15,000 New York, New York Pianists Program, during the 1983-84 season. Affiliate Artists For artists’ fees for up to 40 performing artist community residen- 88,000 New York, New York cies throughout the U.S. in 1983-84. Concert Artists Guild For the guild’s services to American solo recitalists during the 1983-84 12,000 New York, New York season, including management services, artists’ fees, and travel expenses.

Pro Musicis Foundation To expand the foundation’s career development services to include 15,000 New York, New York American solo recitalists during the 1983-84 season. Young Concert Artists For services to American solo recitalists, including booking and 39,400 New York, New York management services, promotion and publicity materials, residency training, and artistic and career guidance.

To assist organizations that offer a series of high-quality music events that Music Festivals are special in nature, coordinated within a specific period of time, and presented at a centralized location. Program funds: $297,800 Treasury funds: $143,600 45 grants

Boston Symphony Orchestra For artists’ fees for the 49th season of the Berkshire Festival at TF 25,200 Boston, Massachusetts Tanglewood in summer 1983. Bowdoin College For the Bowdoin Summer Music Festival in summer 1983. 2,400 Brunswick, Maine

Britt (Peter) Music Festival For the Peter Britt Music Festival in summer 1983. 1,000 Medford, Oregon

Cabrillo Guild of Music For the Cabrillo Music Festival in summer 1983. 9,200 Aptos, California Caramoor Center for Music For the Caramoor Music Festival in summer 1983. 4,000 and the Arts Katonah, New York Carmel Bach Festival For the Carmel Bach Festival in summer 1983. 2,200 Carmel, California Carnegie Hall Society For the 1983 Serenades at Carnegie Hall. 5,200 New York, New York Castle Hill Foundation For the Castle Hill Festival in summer 1983. 7,600 Ipswich, Massachusetts Center City Commission For the Memphis Music Heritage Festival in 1983. 1,700 Memphis, Tennessee Chautauqua Institution For the 1983 festival series. 5,300 Chautauqua, New York Chicago Park District For the 49th season of Grant Park Concerts. 16,700 Chicago, Illinois Music 209

Colorado Music Festival For the 1983 Colorado Music Festival. 6,300 Boulder, Colorado Eastern Music Festival For the Eastern Music Festival in summer 1983. 8,600 Greensboro, North Carolina Florida Chamber Orchestra Association For the 1983 Florida Music Festival. 1,000 Fort Lauderdale, Florida Foundation for Baroque Music For the 21st Festival of Baroque Music in Greenfield Center and 1,800 Wilmette, Illinois Saratoga Springs, New York, in summer 1983. Goldman Band Concerts For the 1983 season of the Guggenheim Concert Bands summer 13,300 New York, New York concerts. Grand Teton Music Festival For young American artists, 20th-century music concerts, chamber 15,000 Teton Village, Wyoming music activities, and all administrative positions. Gregg Smith Singers For the Adirondack Festival of American Music in summer 1983. 8,300 New York, New York Inter-American Music and Arts For the Inter-American Music Festival in 1983. 19,200 Festival Foundation Silver Spring, Maryland Lincoln Center for the Performing Arts For the Mostly Mozart Festival in summer 1983. TF 17,900 New York, New York Los Angeles Philharmonic Association For the 1983 season of the Hollywood Bowl Summer Festival. TF 25,100 Los Angeles, California Minnesota Orchestral Association For the 1983 summer festival known as the Viennese Sommerfest. 11,500 Minneapolis, Minnesota Minnesota Public Radio For artists’ fees for American chamber ensembles featured on St. 10,000 St. Paul, Minnesota Paul Sunday Morning during the 1983-84 broadcast year. Monadnock Music For the Monadnock Music Festival in summer 1983. 10,700 Peterborough, New Hampshire Mozart on the Square For the 1983 Mozart on the Square Festival on Rittenhouse Square 4,100 Philadelphia, Pennsylvania in Philadelphia. Music Associates of Aspen For artists’ fees for the 1983 Aspen Music Festival. TF 40,800 Aspen, Colorado Music Festival of Rhode Island For the 1983 summer concert series. 1,400 Providence, Rhode Island Music from Bear Valley For the annual three-week festival in Bear Valley. 2,400 Fresno, California Musica Sacra For the 1983 Basically Bach Festival of concerts in Avery Fisher Hall 20,400 New York, New York and the Central Presbyterian Church in New York. Musical Arts Association For concerts at the Blossom Music Center in summer 1983. TF 14,900 Cleveland, Ohio New Hampshire Music Festival For the New Hampshire Music Festival in summer 1983. 2,000 Center Harbor, New Hampshire Oakland University For the 20th season of the Meadow Brook Music Festival. 6,700 Rochester, Michigan Ojai Festivals For the 1983 Ojai Festival. 8,100 Ojal, California

Oregon, University of For the Oregon Bach Festival in summer 1983. 7,700 Eugene, Oregon Pacifica Foundation For a festival of music presented on radio station WBAI in New York. 2,000 New York, New York Philharmonic-Symphony Society of For "Horizons ’83," a two-week festival of contemporary music, with 25,000 New York special emphasis on American composers. New York, New York 210 Music 17,200 Robin Hood Dell Concerts For the summer 1983 season at the Mann Music Center. Philadelphia, Pennsylvania 4,900 Rochester Philharmonic Orchestra For a festival of American music in 1983 in collaboration with the Rochester, New York Eastman School of Music. TF 19,700 San Francisco Symphony Association For the 1983 Beethoven Festival. San Francisco, California 1,000 San Luis Obispo Mozart Festival For the San Luis Obispo Mozart Festival in summer 1983. Association San Luis Obispo, California Santa Cruz Festival of Living Music For the Santa Cruz Festival of Living Music in 1983. 1,800 Santa Cruz, California Shreveport Summer Music Festival, For the Shreveport Summer Music Festival in 1983. 1,300 Friends of the Shreveport, Louisiana 8,000 Spoleto Festival U.S.A. For the chamber music and solo recital activities at the 1983 Spoleto Charleston, South Carolina Festival U.S.A. Theatre Development Fund For the music voucher program and the ticket assistance program 20,900 New York, New York developed by the Theater Development Fund. Vermont Mozart Festival For the Vermont Mozart Festival in summer 1983. 1,900 Burlington, Vermont

To offer assistance to nonprofit organizatons for the recording and distribu­ Music Recording tion of American music. Program funds: $293,100 32 grants

American Music Recording Institute For promotional activities to assist in the distribution of the record­ $11,400 New York, New York ings funded by the Endowment. Amherst Saxophone Society For the recording of Alec Wilder’s Quartet for Saxophones, Paul 1,300 Buffalo, New York Creston’s Suite for Saxophone Quartet, Robert Mols’ Enchantment, and Stephen Parisi’s Introduction and Capriccio with Amherst Sax­ ophone Quartet. 2,600 Boston Musica Viva To record Ann Silsbee’s Spirals and Elizabeth Vercoe’s Herstory H Newton Centre, Massachusetts with the Boston Musica Viva. Boston Symphony Orchestra To record Peter Lieberson’s Piano Concerto with pianist Peter Serkin, 20,000 Boston, Massachusetts and the Boston Symphony Orchestra, Seiji Ozawa conducting. Boys Choir of Harlem To record Albert Glinsky’s Mass for Peace and George Walker’s Can­ 5,000 New York, New York tara with the Boys Choir of Harlem. Cantata Singers To record Seymour Shifrin’s Cantata on Sophoclean Texts with the 7,500 Cambridge, Massachusetts Cantata Singers Ensemble. Collage To record David Koblitz’s Delayed Departures, Marc Antonio Con­ 4,100 Brookline, Massachusetts soli’s Fantasia Celeste, Donald Sur’s The Unicorn and the Lady, Charles Wuorinen’s Bassoon Variations, Richard Busch’s Drci Nebel- Lieder, Roger Bourland’s Seven Pollock Paintings, and a new work by Joan Tower with Collage. Composers Recordings For the Direct Marketing Program of CRI. 20,000 New York, New York Empire Brass Quintet To record John Huggler’s Quintet #$, Gunther Schuller’s Little Brass 2,500 Boston, Massachusetts Music, Stanley Silverman’s Variation on a Theme by Kurt Weill, and Ira Taxin’s Fanfare and Brass Quintet with the Empire Brass Quintet. Music 211

Gregg Smith Singers To record William Schuman’s Cantata a Free Song, Carols of Death, 7,400 New York, New York Perceptions, and Esses; Michael Hennagin’s Meditation and By the Roadside; and Dennis Riley’s Cantata IV and Cantata H with the Gregg Smith Singers. Jazz Composer’s Orchestra Association For promotion projects of the New Music Distribution Service. 8,100 New York, New York

Leonarda Productions To record music by Rebecca Clarke, Paul Hindemith, Lee Hoiby, 2,900 New York, New York Katherine Hoover, Gunther Schuller, and Elizabeth Taaffe Swilich on the Leonarda label. Louisville Orchestra To record music by Dominick Argento, John Corigliano, Mario 20,000 Louisville, Kentucky Davidovsky, Morton Gould, Paul Hindemith, Douglas Moore, Walter Piston, Leo Sowerby, and Richard Wernick. Meet the Composer To record seven new American works performed by seven American 20,000 New York, New York orchestras as part of the Meet the Composer Orchestra Residencies Program. New Music Consort To record David Olan’s Prism, Harvey Sollberger’s The Two and the 5,000 New York, New York One, Joan Tower’s Brimset, and a work by Ann Le Baron for violin and percussion.

New World Records For general operating funds to assist with administrative staff salaries 20,000 New York, New York for project supervision, operations, marketing activities, and project costs for the Recorded Anthology of American Music.

New York Philomusica Chamber To record Ezra Laderman’s Meditation on Isaiah, Monet, and Octet 4,500 Ensemble with the New York Philomusica. New York, New York Northeastern University To record Walter Piston’s String Quartet No. 1 and String Quartet 7,000 Boston, Massachusetts No. ~ with the Portland String Quartet on the Northeastern Records label. Owl Recording To record music by Morton Subotnick, Edward Miller, Richard Toen- 1,000 Boulder, Colorado sing, and Willson Osborne with clarinetist Dr. Ramon Kireilis on the Owl Recording label. Performers’ Committee To record music by Henry Cowell and selected piano music with 5,100 New York, New York members of Continuum.

Philharmonic-Symphony Society To record the New York Philharmonic performing William Schuman’s 20,000 of New York Three Colloquiesfor Horn and Orchestra and a new work by George New York, New York Crumb. Plymouth Music Series To record Elizabeth Larsen’s In a Winter Garden with the Plymouth 6,300 Minneapolis, Minnesota Festival Choir. Portland Symphony Orchestra To record David Amram’s Concerto for Saxaphone and Orchestra 3,800 Portland, Maine (Ode to Lord Buckley) and Karel Husa’s Elegie for Rondeau and Or­ chestra with Kenneth Radnofsky and the Portland Symphony Orchestra. Rochester, University of To record Joseph Schwantner’s In Memoriam: Martin l.mther King 8,800 Rochester, New York (New Morning for the World) narrated by Willie Stargell with the Eastman Philharmonia. St. Louis Symphony Society To record William Schuman’s Symphony No. 10 and American Hymn 20,000 St. Louis, Missouri and Joseph Schwantner’s Four Poems of Agueda Pizarro with Leonard Slatkin conducting.

San Francisco Contemporary To record Conrad Cummings’ Seven Songs; Edwin Dugger’s Septet; 7,800 Chamber Players Peter Dicksen Lopez’s Lorinn; and Lawrence Moss’s Loves. San Francisco, California

San Francisco Symphony Association To record John Adams’ Harmonium with the San Francisco Sym- 15,000 San Francisco, California phony and the San Francisco Symphony Chorus, Edo de Waart conducting.

Society for New Music To record Daniel Breedon’s Sextet with the Minnesota Composers 5,100 Syracuse, New York Forum; Lou Coyner’s A Whorl of Time with the Pittsburgh New Music Ensemble; Donald Erb’s The Devil’s Quickstep with the Voices of Change; and Steven Stucky’s Sappho Fragments with the Socie­ ty for New Music. 212

Virginia Opera Association To record Then Musgraves’s An Occurrence at Owl Creek Bridge and 10,600 Norfolk, Virginia Orfeo H with the Virginia Opera Association. Washington, University of To record William Bergsma’s Changes for Seven, Alvin Etler’s Quintet 4,400 Seattle, Washington No. 2, Joseph Goodman’s Quartet and Luigi Zaninelli’s Burla and Variations with the Soni Ventorum Wind Quintet.

Western Wind Vocal Ensemble To record 20 selections from the Revolutionary to the Civil War en- 4,800 New York, New York titled Wondrous Love: Historical American Vocal Music.

To fund innovative and exemplary projects that have a broad impact on the Special Projects music field but are not eligible under the other funding categories. Program funds: $225,934 12 grants

Affiliated State Arts Agencies For a comprehensive program of regional music touring and residency $18,000 of the Upper Midwest activities during 1983-84. Minneapolis, Minnesota American Academy in Rome To compile an archive of the tapes of the music of American Academy 1,200 New York, New York in Rome fellowship recipients. Carnegie Hall Society For artists’ fees and audience development costs for 34 concerts 44,250 New York, New York presented in Carnegie Recital Hall during the 1983-84 season, featur­ ing 20th-century American music and emerging American artists. Carnegie Hall Society For artists’ fees, hall costs, promotional costs, and general and ad- 43,600 New York, New York ministrative expenses associated with concerts by mid-career American artists in the Main Hall.

Consortium for Pacific Arts For a regional touring project in the Pacific Islands during 1983-84. 6,400 and Cultures Honolulu, Hawaii McManus, Betty To participate as a Fellow in the Music Program during the fall session. 4,084 San Diego, California Michigan, Regents of the University of For a symposium for high school and pre-professional black students 8,700 Ann Arbor, Michigan seeking professional careers in music.

Mid-America Arts Alliance For a comprehensive program of regional music touring and residency 15,700 Kansas City, Missouri activities during 1983-84. New England Foundation for the Arts For a comprehensive program of regional music touring and residency 23,300 Cambridge, Massachusetts activities during 1983-84. Seuffert Band For a series of free public concerts presented in the Borough of 17,500 New York, New York Queens. Southern Arts Federation For a two-part project including a regional tour of the Albert McNeil 26,700 Atlanta, Georgia Singers and a program to develop the marketing and promotional skills of chamber music ensembles and presenters.

Western States Arts Foundation For a comprehensive program of music touring and residency activi- 16,500 Santa Fe, New Mexico ty during the 1983-84 season.

TF--Tre~ury Funds 214 Operu-Mu.sica/Theater HANSEL GRETEL 215 Opera-Musical Theater

Opera-Musical TheaterAdvisory Panels Michael Bronson C. Bernard Jackson Jane Remer Media Director Executive Director Arts consultant, writer Metropolitan Opera Inner City Culture Center New York, New York Association Los Angeles, California New York, New York Domingo Rodriquez Rhoda Levine Business Representative John Frohnmayer Opera stage director United Scenic Artists Chairman New York, New York New York, New York Oregon Arts Commission Salem, Oregon Frank Lewin Beverly Sills Composer, professor General Director Richard Gaddes Yale University New York City Opera General Director Princeton, New Jersey Opera Theatre of St. Louis New York, New York St. Louis, Missouri Mary MacArthur Stanley Silverman Director Composer Bernard Gersten The Kitchen New York, New York Executive Producer New York, New York Radio City Music Hall Alexis Smith New York, New York John Mauceri Actress Conductor Los Angeles, California Ann Getty New York, New York Board of Trustees Charles Strouse National Opera Institute Frank McGlinn Composer San Francisco, California Vice President New York, New York Barra Foundation Joan Harris Philadelphia, Pennsylvania Jane Weaver President Managing Director Chicago Opera Theatre Thea Musgrave Texas Opera Theater Chicago, Illinois Composer Houston, Texas Norfolk, Virginia Robert Herman Thomas Wolf General Manager Michael Price Executive Director Greater Miami Opera Executive Director New England Foundation Association Goodspeed Opera House for the Arts Miami, Florida East Haddam, Connecticut Cambridge, Massachusetts Christine Hunter Edward Purrington Chairman General Director Washington Opera Tulsa Opera Washington, D.C. Tulsa, Oklahoma 216 Operu-Musica! Theater

Program funds: $2,954,885 Opera-Musical Theater Treasury funds: $2,100,000 160 grants Grants New American To create, develop, rehearse, and produce contemporary American opera- musical theater works; encourage their introduction into the standard reper­ Works tory; and make audiences more aware and appreciative of them. Program funds: $355,500 23 grants

Amas Repertory Theatre For the rehearsal and original production of a new musical biography $12,500 New York, New York of Harry S. Truman, with music and lyrics by Richard Lippman. Byrd Hoffman Foundation For music expenses of Robert Wilson’s production of The Civil Wars: 50,000 New York, New York A Tree Is Best Measured When It’s Down, presented as an opening event at the 1984 Los Angeles Olympic Games.

First All Children’s Theatre For the testing and revising of Games, a contemporary musical for 15,000 New York, New York family audiences, with book and music by Robby Merkin. Haleakala For a workshop production at the Kitchen of a collaborative work 20,000 New York, New York by JoAnne Akalaitis and Jon Gibson, inspired by Darwin’s Voyage of the Beagle. Houston Grand Opera Association For rehearsal and production ofA Quie~ Place, composed by Leonard 20,000 Houston, Texas Bernstein, with text by Stephen Wadsworth. Houston Grand Opera Association For a workshop production of Maria Laveau, a new full-length opera 15,000 Houston, Texas by composer Hiram Titus and librettist Kate Pogue. International Arts Relations For the creation and development of Natale, a new musical with book 15,000 New York, New York by Maria Irene Fornes and music by Paul Radelat. Kennedy (John F.) Center for the For a series of authentic productions of great American musicals. 40,000 Performing Arts Washington, D.C. Lehman Engel Musical Theatre To conduct a series of musical works-in-progress, including rehear­ 10,000 Workshop sals and readings. Los Angeles, California Lenox Art Center To develop The Juniper Tree: A Tragic Household Tale, a new work 7,500 New York, New York based on a fairy tale by Grimm. Medicine Show Theatre Ensemble For the creation and development of a new American musical theater 15,000 New York, New York work loosely based on "boys books" by Oliver Optic and Horatio Alger.

Minnesota Opera Company To commission Casanova’s Homecoming, a new work by composer- 15,000 St. Paul, Minnesota librettist Dominick Argento produced during the company’s inaugural season at the Ordway Music Theater. Minnesota Opera Company To rehearse and produce the world premiere of The Abduction of 30,000 St. Paul, Minnesota Figaro, a full-length opera by Peter Schickele. Music For Many To commission composer-librettist Roselyn W’molcer to create a work 1,500 Millwood, New York about the early life of Benjamin Franklin. New York Shakespeare Festival To commission a new musical based on the story of the Mikado, with 1,500 New York, New York words and music by August Darnell of Kid Creole and the Coconuts. O’Neill (Eugene) Memorial Theater For the sixth annual composer librettist conference, a program 30,000 Center developing new music-theater works through rehearsals, revision and Waterford, Connecticut rewriting, public presentation, and follow-up discussion. Opera Memphis For the creation of an opera by Libby Larsen based on Holy Ghost~, Memphis, Tennessee a play by Romulus Linney. Ostrow (Stuart) Foundation For artistic fees and travel for the Musical Theater Lab, a workshop Pound Ridge, New York in wldch composers and librettists of new works collaborate with di­ rectors, choreographers, and actors to develop and rework their

Playwrights’ Horizons For the creation and development of The All American Girls, an 7,500 New York, New York original musical about a professional softball league that played dur­ ing World War II. Pro At~s For artists’ and production expenses for a new music-theater piece 5,000 Oakland, California created through a process of group collaboration at George Coates Performance Works.

Texas Opera Theater For the rehearsal and production of Lucky Lady, a new American 15,000 Houston, Texas one-act opera for children by librettist Kate Pogue and composer Hiram Titus. Vice Versa Vision Company To commission composer Conrad Susa and librettist Richard Street 5,000 Noroton, Connecticut to create a new opera based on Garcia Lorca’s The Love of Don Perlimplin. Virginia Opera Association To collaborate with London’s Royal Opera House to create a new Norfolk, Virginia American work on the life and work of Han-iet Tubman.

To assist individual producers in the creation, completion, adaptation, and Producers Grants development of new music theater works. Program funds: $49,500 5 grants

Ellington, Mercer To complete Queenie Pie, an opera by composer Duke Ellington. $7,500 New York, New York Kirck, Robin For the collaborative creation of a new music-theater piece, including I0,000 Berkeley, California commissions to a composer and stage director. Kroesen, Jill To develop The Original Lou and Walter Story, an opera-musical 7,500 New York, New York ballet. Renz, Frederick To produce a 12th-century liturgical music-drama. 9,500 New York, New York Stein, Meridee For the creation of a new musical entitled Nezha, based on an an- 15,000 New York, New York dent Chinese legend; with book, music, and lyrics by Edward Barnes.

Professional For opera companies to improve their artistic quality and adminsitrative skills, reach new audiences, and broaden their repertoire to include more Companies works by American artists. Program funds: $1,543,600 Treasury funds: $2,100,000 94 grants

Allen (Richard) Center for Culture To engage artistic personnel for the 1983-84 season of productions $8,125 and Art at the Afro-American Total Theatre. New York, New York Amus Repertory Theatre For the Areas Musical Theater Program and the productions of the 9,000 New York, New York Eubie Blake Children’s Theater. Anchorage Civic Opera Association To develop marketing and fund-raising programs. 12,000 Anchorage, Alaska Arizona Opera Company For the 1983-84 season of performances, community outreach pro- 6,375 Tucson, Arizona grams, and the young artists program. 218 Opera-MusicaITheater

Arkansas Opera Theatre To engage a professional set designer for three productions during 3,750 Little Rock, Arkansas the 1983-84 season. Atlanta Arts Alliance For two musical productions during the 1983-84 season of the Alliance 3,000 Atlanta, Georgia Theatre Company. Augusta Opera Association To engage a resident ensemble, a conductor~oach, and a stage director 6,000 Augusta, Georgia for the 1983-84 season. Baltimore Opera Company To support the company’s administration, production, and educational Baltimore, Maryland departments, including activities of Eastern Opera Theater. Bronx Opera Company For the 1983-84 season of productions in English. 3,000 Bronx, New York Central City Opera House To continue the Apprentice Artist Program. 17,000 Association Denver, Colorado Chamber Opera Theatre of New York For the 1983-84 season of productions and related activities. 3,000 New York, New York Charlotte Opera Association For activities of the development and public relations department 10,000 Charlotte, North Carolina and the 1983-84 season of productions. Chattanooga Opera Association To support the 1983-84 subscription series. 6,000 Chattanooga, Tennessee Chautauqua Institution For the 1983-84 season of productions of the Chautauqua Opera 7,500 Chautauqua, New York Company. 15,000 Chicago Opera Theater For a revival of Virgil Thomson’s The Mother of Us All, including Chicago, Illinois the eng3gement of an American artist to design a new set for the production. Cincinnati Opera Association For the 1983-84 season of productions, outreach programs, and ac­ 25,000 Cincinnati, Ohio tivities of the Ensemble Company of Cincinnati Opera. 60,000 Cincinnati Playhouse in the Park For the 1983 Summer Cabaret musical theater production. 3,000 Cincinnati, Ohio Connecticut Opera Association To add a second matinee performance to the 1983~1 production 12,500 Hartford, Connecticut season. Dallas Civic Opera For the 1983-84 season of productions, including marketing and 30,000 Dallas, Texas development activities, engagement of artistic personnel, and High TF 60,000 Opera programs. Des Moines Metro Opera To engage American singers for the 1983 summer season of 7,875 Indianola, Iowa productions. East-West Players To develop an Asian-American musical theater production during the 6,000 Los Angeles, California 1983-84 season. Fargo-Moorhead Civic Opera Company For the 1983-84 season of productions. 3,750 Fargo, North Dakota First All Children’s Theatre For the 1983-84 season of musical productions revived from the com­ 5,000 New York, New York pany’s repertory of original works. Florentine Opera Company of To support the engagement of administrative and artistic personnel. 17,000 Milwaukee Milwaukee, Wisconsin Fort Worth Opera Association For the engagement of artistic and technical personnel. 14,000 Fort Worth, Texas Glimmerglass Opera Theatre For a production of Otto Nicolal’s The Merry Wives of Windsor dur­ 6,000 Cooperstown, New York ing the 1983-84 season. Goodspeed Opera House Foundation For archival materials for the I.a~rary of Musical Theater, the engage­ 45,000 East Haddam, Connecticut ment of administrative and artistic staff, and two workshops of new TF American musicals. Hawaii Opera Theatre For the 1983~4 season of productions, including fees for guest artists. Honolulu, Hawaii TF 15,0~0 Operu-Musical Theater 219

Henry Street Settlement For the 1983-84 season of opera productions. 3,000 New York, New York Houston Grand Opera Association For the engagement of artistic personnel, including the Houston Sym­ Houston, Texas phony and guest artists for the Light Opera Series, the expansion of development programs, and a computerized marketing campaign and centralized computer department. Indiana Repertory Theatre For an original musical production based on Ray Bradburfs Farvnh~ Indianapolis, Indiana ~51 during the 1983-84 season. International Arts Relations For a musical production during the 1983-84 season. New York, New York Kentucky Opera Association To increase marketing activities for the expanded 1983-84 season, in­ 13,125 Louisville, Kentucky cluding expenses for a computerized marketing campaign. TF 10,000 La Mama, E.T.C. For a production of Light Opera by composer Charlie Morrow and 7,500 New York, New York h~rettist Jerome Rothenberg, performed with the Western Wind Vocal Ensemble. Little Flags Theatre Foundation For the 1983-84 season of productions. Roxbury, Massachusetts Los Angeles Opera Repertory Theater For the 1983-84 season of three productions. Los Angeles, California Lyric Opera of Chicago For the 1983-84 season of productions, including pre-season costs, the 62,500 Chicago, Illinois engagement of apprentice artists, student matinee performances, and TF 155,000 the spring season productions of light opera. Lyric Opera of Kansas City To hire artistic, production, and ~ment personnel for the 1983-84 15,000 Kansas City, Missouri season. TF 25,000 Manhattan Theatre Club For the 1983-84 season of musical theater activity, including one full New York, New York musical production and workshop activities. Metropolitan Opera Association To amend a previous grant for artistic and technical preparation for 211,900 New York, New York the 1983-84 centennial season and two weeks of free parks concerts. TF 215,000 Michigan Opera Theatre To support the 1983-84 season of productions, including the continua­ 30,000 Detroit, Michigan tion of the artist-intern program. TF 20,000 Minnesota Opera Company For the 1983~4 season of productions, including the engagement of 20,000 St. Paul, Minnesota a resident group of young American singers. TF 60,000 Mississippi Opera For activities of the 1984 Mississippi Opera Festival of the South. Jackson, Mississippi Mobile Opera For the 1983-84 season of productions, including outreach and educa­ 6,375 Mobile, Alabama tional activities. Music Theater Performing Group For the 1983-84 season of major music theater productions and 20,000 New York, New York workshops at the Lenox Arts Center. TF 20,000 Natural Heritage Trust For the 1983 season of opera and musical theater productions at 10,625 Lewiston, New York Artpark. Nevada Opera Association To hire administrative staff, including a part~time publicity director. Reno, Nevada New Cleveland Opera Company To construct scenery for the 1983-84 season of productions. 13,700 Cleveland, Ohio TF 10,000 New Orleans Opera Association For the 1983-84 season of productions, including a third series of 11,000 New Orleans, Louisiana performances. TF 10,000 New York City Opera To support the 1983-84 season of six new productions. New York, New York New York Shakespeare Festival For the 1983-84 season of musical productions at the Public Theater. 18,000 New York, New York TF 32,000 Opera Association of Central Ohio To support the 1983~4 season of productions and hire a part~time Columbus, Ohio director of development. 220 Opera-Musica/Theater

Opera Association of New Mexico For the apprentice program for singers and technicians, and the 58,750 TF 85,000 Santa Fe, New Mexico engagement of American artists for the 1983-84 season of Santa Fe Opera. Opera Company of Boston To support an audience development program, including activities TF 45,000 Boston, Massachusetts in marketing, promotion, and fund-raising. Opera Company of Philadelphia For the 1983-84 season of five productions at the Academy of Music. 25,000 Philadelphia, Pennsylvania TF 50,000 Opera Ebony/Philadelphia For the 1983-84 season of performances and community outreach pro­ 7,000 Philadelphia, Pennsylvania grams, including the engagement of artistic and administrative personnel. Opera Festival Association For the 1984 summer season of productions at the Lake George Opera 14,000 Glens Falls, New York Festival. TF 20,000 Opera Grand Rapids To hire artistic, management, and production personnel during the 3,000 Grand Rapids, Michigan 1983-84 season. Opera Guild of Greater Miami To support four productions for the 1983-84 season. 40,000 Miami, Florida TF 100,000 Opera Memphis To engage artistic and administrative personnel, upgrade the quali­ 11,000 Memphis, Tennessee ty of sets and costumes, increase rehearsal time, and improve TF 10,000 marketing and promotion activities.

Opera/Omaha For the 25th anniversary season of productions, including audience 13,000 Omaha, Nebraska development programs. Opera Orchestra of New York For the 1982-83 performance season, including fees and wages for 6,000 New York, New York artistic personnel, the young artists’ training program, and perfor­ mances in local colleges and community theaters.

Opera Orchestra of New York For activities of the young artists’ training program and performances 6,000 New York, New York in local colleges and community theaters. Opera Theater of Rochester For the 1983-84 season of productions, including the engagement of 3,000 Rochester, New York a full-time artistic director. Opera Theater of Syracuse For the 1983-84 season, including the engagement of directors of 11,000 Syracuse, New York development and promotion. Opera Theatre of St. Louis For artistic and administrative expenses for the 1983-84 season of 20,000 St. Louis, Missouri productions, outreach and educational programs, and the production TF 60,000 of an operetta in cooperation with Washington University.

Pennsylvania Opera Theater For expenses for a major subscription campaign, inducting computer­ 6,000 Philadelphia, Pennsylvania ized mailings and the engagement of a professional consultant. Pennsylvania Stage Company For production expenses for a new musical during the 1983-84 season. 3,000 Allentown, Pennsylvania Pittsburgh Civic Light Opera To engage artistic and technical personnel, and design and construct 7,000 Pittsburgh, Pennsylvania sets for the 1983-84 season of productions. TF 18,000 Pittsburgh Opera For the 1983-84 season. 16,250 Pittsburgh, Pennsylvania TF 20,000 Playwright’s Horizons For the 1983-84 musical theater program, including staged readings 1(),000 New York, New York and one main-stage production. Portland Opera Association For artistic, technical, and administrative expenses of the 1983-84 18,000 Portland, Oregon season. TF 35,000 St. Luke’s Chamber Ensemble For the 1983-84 season of opera productions for children by Children’s 3,000 New York, New York Free Opera. San Diego Opera Association For the 1983-84 season of productions, including the West Coast 30,000 San Diego, California premiere of Wagner’s Lohengrin. TF 60,000 San Francisco Opera Association For administrative and artistic expenses for the 1983-84 fall and sum­ 75,000 San Francisco, California mer season of productions, including expanded marketing and develop­ TF 200,000 ment programs and the engagement of a merchandising associate to develop the Opera Shop. 221

Scholar Opera For the 1983-84 season of productions, including the engagement of 3,000 Palo Alto, California a production coordinator. Seattle Opera Association For the 1983-84 season of Opera-h-English, the annual Wagner Seattle, Washington Festival performances of The Ring of the Nibdung, and a special holi­ 115,000 day production of Amahl and the Night V’ud2ors. Shadow Box Theatre For outreach performances of Ring Around a Rainbow, an o "r~m~ 3,000 New York, New York musical theater piece for children. Skylight Comic Opera For orchestral services for all of the company’s regular productions 2,000 Milwaukee, Wisconsin during the 1983-84 season. Snake Theater For a musical theater project by Antenna Division experimenting Sausalito, California with portable cassette players to create ’~valk-through" participatory theater. Snake Theater For a production of a new musical work by Nightfire Division in col­ Sansalito, California laboration with composer Nick Urbaniak. Spanish Theatre Reperto~T Company For the 1983-84 season of performances of a full-length Spanish zar­ New York, New York zue/a~ including the engagement of artistic and production personnel. Spoleto Festival, U.S.A For the engagement of artistic personnel and related artistic and pro­ 12,500 Charleston, South Carolina duction expenses for the 1983 season. 20,000 Tri-Cities Opera Company For the 1983-84 season of productions, including artistic, technical, 10,000 Binghamton, New York and administrative expenses. 10,000 Trinity Personna Company For the production of Burlesque, a new musical adapted by Denny 6,000 Providence, Rhode Island Martin Flinn from the original play by Arthur Hopkins and George M. Waters at the Trinity Square Repertory Company. Tulsa Opera For orchestral services, conductors’ fees, and technical supervision 15,000 Tulsa, Oklahoma for the 1983-84 season of productions. TF 35,000 Urban Arts Theatre To engage artistic, management, and production personnel for the 16,500 New York, New York 1983-84 season of four musical productions. TF 5,000 Utah Opera Company For the development of a professional chorus and costuming expenses 5,000 Salt Lake City, Utah for the 1983-84 season of productions. Virginia Opera Association For the 1983-84 season of productions, including the engagement of 15,000 Norfolk, V’L~inia artistic and administrative staff and guest artists. TF 25,000 Washington Drama Society For a production at Arena Stage of Leonard Bernstein’s Candide dur­ Washington, D.C. ing the 1983-84 season. Washington Opera For the 1983-84 season of productions at the Kennedy Center Opera Washington, D.C. House. Whitewater Opera Company For artists’ fees for the 1983-84 season of productions. 3,000 Richmond, Indiana Wolf Trap Foundation For two Wolf Trap Opera Company productions designed and staged 16,500 Vienna, Virginia specifically for the new 350-seat theater in The Barns. Yeh Yu Chinese Opera For the 1983-84 season of productions, including the engagement of New York, New York artistic personnel.

For exemplary projects of national scope that respond to the needs and goals Special Opera- of the art; are innovative; and will enhance the development, appreciation, Musical Theater and future of opera and musical theater. Projects Program funds: $175,205 9 grants

Berkeley Stage Company To program works that combine music, art, and theater in a unique $11,000 Berkeley, California way for the third annual Theater Festival of New Music. Concert Royal To produce a full-length work of a baroque opera-ballet in collabora- 16,000 New York, New York tion with the New York Baroque Dance Company. 222 Opera-Musica/Theater

Kennedy (John F.) Center for For Hans Spialek to re-create full orchestral scores for significant 15,000 the Performing Arts American musicals as they were originally written and performed. Washington, D.C. Michigan Opera Theatre To tour a production of Music Tells It Ldke It Is throughout the Detroit 15,730 Detroit, Michigan Public School System as part of the black outreach program. Minnesota Foundation, University of For sfz Ensemble to commission an opera by composer Eric Stokes 25,000 Minneapolis, Minnesota combining music, puppetry, cinematography, and computer graphics into an operatic work for film. National Institute for Music Theater To create and distribute a catalogue listing performance materials Washington, D.C. for the American musical theater. New Mexico Opera Guild To promote opera in an Indian pueblo community where little pro­ Los Alamos, New Mexico fessional musical theater exists by offering professional performances of highlights from celebrated operas. Opera America For a three-day Design Shop to explore aspects of the commission­ 20,475 Washington, D.C. ing and presentation of new American music-theater pieces such as opera, American musical theater, and emerging forms. Opera America To present new works at the 14th annual conference of Opera America. !5,000 Washington, D.C.

To enable professional, non-profit opera or musical theater companies to Regional Touring tour in multi-state regions. Program funds: $351,000 18 grants

Early Music Foundation To support the 1983-84 touring season of productions. $5,000 New York, New York Michigan Opera Theatre For the 1983-84 touring season through several states of the opera- 5,000 Detroit, Michigan in-residencies program of fully staged productions. Mid-America Arts Alliance For a tour of the Texas Opera Theater and the Lyric Opera of Kan- 15,000 Kansas City, Missouri sas City, sponsored by state arts agencies in Arkansas, Kansas, Missouri, Nebraska, and Oklahoma. Midwest Opera Theater and School For touring throughout the upper Midwest, including residencies and 26,250 St. Paul, Minnesota performances. Mother Lode Musical Theatre For 1983-84 touring and residency activities throughout the West. 5,000 and Seminars Kentsfield, California New York City Opera For a four-week tour of 24 performances of Puccini’s La Boheme, in- 10,000 New York, New York cluding travel expenses and the engagement of artistic and produc­ tion personnel. Opera de Camara For the 1983-84 touring season of Spanish opera productions 3,000 Rio Peidras, Puerto Rico throughout the island. Opera Guild of Greater Miami For touring activities, including residencies, school performances, 32,500 Miami, Florida master classes, and seminars during the 1983-84 season. Opera .Memphis For the 1983-84 touring season of Southern Opera Theater. 5,000 Memphis, Tennessee Opera New England To continue the 1983-84 touring season throughout New England of 25,000 Boston, Massachusetts fully staged productions. Opera/Omaha For Nebraska Opera Theater’s four-week tour of Hansel and Gretel 5,000 Omaha, Nebraska in the Spring of 1984 to sponsoring communities in Iowa, South Dakota, Kansas, and Nebraska.

Snake Theater To extend Nightfh-e Division’s tour of a new musical work produced 3,000 Sausalito, California in collaboration with composer Nick Urbaniak called Gnat Music. Opera-Musical Theater

Southern Arts Federation To assist local sponsoring organizations in Alabama, Florida, Georgia, Atlanta, Georgia Kentucky, Mississippi, North Carolina, South Carolina, and Tennessee with fees for residencies by Texas Opera Theater. 5,000 Teatro Campesino For a tour of Bandido, an original musical play by Luis Valdez. San Juan Bautista, California 30,000 Texas Commission on the Arts To assist local sponsoring organizations with expenses for residen­ Austin, Texas cies and performances of Texas Opera Theater in Texas, Oklahoma, and Louisiana. 100,000 Texas Opera Theater To support pre-tour expenses for the tenth anniversary season of pro­ Houston, Texas ductions, including performances and residencies for 100 communities in 15 states.

Virginia Opera Association For touring of residencies and performances in Maryland, North Norfolk, Virginia Carolina, and Virginia during the 1983-84 season. Western Opera Theater For the 1983-84 tour of performances in English to more than 40 com­ San Francisco, California munities in 14 western states.

To assist organizations that provide services to the opera-musical theater Services to the Art field as a whole or a sector of it. Program funds: $480,080 11 grants

American Music Center For a catalogued collection of published and unpublished opera and $3,100 New York, New York musical-theater scores and audiovisual tapes. Brenner, Janet To amend a previous grant for an Arts Management Fellowship for 1,650 New York, New York Janet Brenner to carry out projects. Ernstoff, Jeffrey To participate as a Fellow in the Opera-Musical Theater Program dur­ 3,430 New York, New York ing the fall session of 1983. Houston Grand Opera Association To continue operations of the Houston Opera Studio, an advanced 35,000 Houston, Texas music-theater training program. Jacobson, Elsa To amend a previous grant for an Arts Management Fellowship for 12,000 Washington, D.C. Elsa Jacobson to carry out projects, including on-site coordination. Kiely, Joyce To amend a previous grant to extend her term as a Fellow in the 4,900 Cincinnati, Ohio Opera-Musical Theater Program. Lyric Opera Center for American For the 1983-84 season of extensive classroom training and perform­ 25,000 Artists ing experience for young American singers. Chicago, Illinois Metropolitan Opera Association For coacldng and training fees and stipends for the fourth year of 30,0~0 New York, New York the Metropolitan Opera’s Young Artist Development Program. National Institute of Music Theatre For a program of evaluations by qualified observers of opera and 100,000 Washington, D.C. musical theater-producing organizations throughout the country. National Opera Institute For fellowships to singers and apprenticeships in admires" txation and 170,000 Washington, D.C. production. Opera America For the national office to provide programs of services to professional 95,000 Washington, D.C. companies, including consuitancies, seminars, and the annual meeting.

Theater

Theater Advisory Panels Vince Anthony Linda Fisher Howard Stein Executive Director Costume designer Educator Center for Puppetry Arts New York, New York Columbia University Atlanta, Georgia New York, New York Maria Irene Fornes Robert Brustein Playwright Dan Sullivan Artistic Director New York, New York Critic American Repertory Theatre Los Angeles Times Cambridge, Massachusetts David Frank Los Angeles, California Artistic Director Rene Buch Studio Arena Theatre Dan Sullivan Artistic Director Buffalo, New York Artistic Director Repertorio Espanol Seattle Repertory Theatre New York, New York David Hawkanson Seattle, Washington Managing Director Ellen Burstyn Arizona Theatre Company Megan Terry Actress Tucson, Arizona Playwright-in-Residence President of Actors’ Omaha Magic Theatre Equity Association Michael Langham Omaha, Nebraska New York, New York Educator Juilliard School Jennifer Tipton Steve Carter New York, New York Lighting designer Playwright New York, New York Rego Park, New York Frank McGlinn Member of Permsylvania Jerry Turner Olivia Cole Council on the Arts Artistic Director Actress Harrisburg, Pennsylvania Oregon Shakespearean Los Angeles, California Festival Zuri McKie Ashland, Oregon Peter Culman Producer Managing Director New York, New York George White Center Stage President Baltimore, Maryland Mark Medoff O’Neill Theatre Center Playwright New York, New York Miriam Colon Edgar Las Cruces, New Mexico Member of New York State Peter Zeisler Council on the Arts Ron Sossi Director of Theatre New York, New York Artistic Director Communications Group Odyssey Theatre Ensemble New York, New York Los Angeles, California 226 Theater

Program funds: $7,405,539 Treasury funds: $2,135,000 Theater Grants 471 grants

To assist the career development of directors who have demonstrated an abili­ Director/Fellows ty and commitment to work in professional theater. Program funds: $60,601 8 grants

American Place Theatre For Billie Allen to serve as director fellow during the 1983-84 season. $5,000 New York, New York Center Theatre Group of Los Angeles For Robert Berlinger to serve as director fellow during the 1983-84 10,000 Los Angeles, California season. L.A. Theatre Works For Tony Abetemarco to serve as director fellow during the 1983-84 10,000 Venice, California season. Odyssey Theatre Foundation For Frank Condon to serve as director fellow during the 1983-84 7,500 Los Angeles, California season. People’s Light and Theatre Company For Murphy Guyer to serve as director fellow during the 1983-84 7,500 Malvern, Pennsylvania season. Playwrights Horizons For Jennifer McCray to serve as director fellow during the 1983-84 5,475 New York, New York season. Shakespeare and Company For Merry Conway to serve as director fellow during the 1983-84 925o Lenox, Massachusetts season. Williamstown Theatre Festival For Kay Matschullat to serve as director fellow during the 1983-84 5,876 Williamstown, Massachusetts season.

Professional To assist training projects that benefit the field as a whole. Theater Training Program funds: $230,000 6 grants

American Conservatory Theatre For salaries of master teachers during the 1983-84 season. $42,000 Foundation San Francisco, California Dell ’Arte School of Mime and Comedy For guest teacher salaries and for an artistic director for a second- 7,400 Blue Lake, California year student’s projects. Juilliard School To hire master teachers and directors during the 1983-84 year. 40,000 New York, New York League of Professional Theatre For actor presentations, design portfolio review, the sharing of master 80,000 Training Programs teachers among training programs, and other services to students New York, New York in training programs within the league’s membership. League of Professional Theatre For expenses related to design portfolio review and the design ap- 15,000 Training Programs prenticeship program. New York, New York Yale University For salaries for master teachers at the Yale School of Drama during 45,600 New Haven, Connecticut the 1983-84 year. Them~ 227

Artistic Associates To bring mature professional actors, playwrights, choreographers, com­ posers, designers, directors, and dramaturgen into close association with theaters to help shape companies’ artistic growth. Program funds: $86,280 11 grants

Actors Theatre of St. Paul For artistic associate Jeffrey Steitzer to direct during the 1983-84 $10,000 St. Patti, Minnesota season. American Place Theatre For Elinor Renfield to serve as artistic associate during the 1983-84 5,000 New York, New York season. Circle Repertory Company For artistic associate Toby Robertson to direct during the 1983-84 10,000 New York, New York season. Cricket Theatre For David Henry Hwang to serve as artistic associate during the 3,000 Minneapolis, Minnesota 1983-84 season.

East West Players For playwright Frank Chin to work on developing plays-in-progress 5,000 Los Angeles, California during the 1983-84 season. Empty Space Theatre For Emily Mann to serve as artistic associate during the 1983-84 10,000 Seattle, Washington season. Folger Theatre For Eugenie Barton to serve as resident dmmaturg during the 1983-84 10,000 Washington, D.C. season. L.A. Theatre Works For writer, director, and performer Steven Berkoff to serve as ar- 7,000 Venice, California tistic associate during the 1983-84 season. Playwrights Horizons For scenic designer Andrew Jackness to serve as artistic associate 9280 New York, New York during the 1983-84 season. Portland Stage Company For Arden Fingerhut to serve as design consultant and dramaturg 7,000 Portland, Maine during the 1983-84 season. Shakespeare and Company For Neil Freeman to serve as artistic associate, performing text 10,000 Lenox, Massachusetts analyses and conducting in-depth workshops with members of the company.

Fellowships To assist exceptionally talented playwrights to set aside time for writing, for Playwrights research, or travel in order to advance their careers. Program funds: $300,000 24 grants

The following playwrights received $12,500 each:

Blessing, Lee Davis, Russell Jackson, Elaine Minneapolis, Minnesota New York, New York New York, New York Bozzone, William J. Dean, Phillip Hayes Johnson, Kitty Hopewell Junction, New York New York, New York Los Angeles, California Carter, Lonnie DiMiceli, Joseph P. Libman, David West Cornwall, Connecticut Bronxvflle, New York New York, New York Cloud, Darrah Friedman, Steven Jay Machado, Eduardo New York, New York New York, New York South Pasadena, California Collins, Kathleen C. Hertz, Eric A. Maguire, Matthew Piermont, New York Accord, New York New York, New York 228 Theater

McIntyre, Dennis Parnell, Peter Thomas, Lee New York, New York New York, New York Reseda, California Metcalfe, Stephen Sutton, Robert C. Wasserstein, Wendy Joy Cheshire, Connecticut Alexandria, Virginia New York, New York Paetow, Janet R. Tally, William T. Wright, Michael Bogota, New Jersey New York, New York New York, New York

Fellowships To enable translators of plays to set aside time for specific translation pro­ for Translators jects from other languages into English. Program funds: $25,000 4 grants

The following translators received $6,250 each:

Grossman, Suzanne Sandrow, Nahma New York, New York New York, New York Honegger, Gitta Slayton, Ralph E. New York, New York Herkimer, New York

To assist in the development of artistic, administrative, and community ser­ Intermediate vice activites of theater companies with an annual operating budget be­ Professional tween $100,000 and $400,000. Theater Companies Program funds: $524,500 91 grants

Actors Studio To continue the studio production program during the 1982-83 season. $5,000 New York, New York Amas Repertory Theatre For production expenses during the 1982-83 season. 5,000 New York, New York American Theatre Company To hire part-time actors for the 1982-83 season. 8,500 Tulsa, Oklahoma Appalshop To amend a previous grant for staff salaries, productions, and tour- 5O0 Whitesburg, Kentucky ing expenses during the 1981-82 season of the Roadside Theater. Arkansas Arts Center Foundation To engage guest artists during the 1982-83 season. 1,500 Little Rock, Arkansas Arkansas Repertory Theatre Company For acting company salaries during the 1982-83 season. 1,500 Little Rock, Arkansas Associated YM-YWHAs of Greater For the 1982-83 season of productions by the Jewish Repertory 1,500 New York Theatre and the Writers’ Lab. New York, New York Associated YM-YWHAs of Greater For costs of audience and artistic development for the 1982-83 season 1,000 New York of the American Jewish Theatre. New York, New York Asolo Touring Theater For production expenses for three new plays and artists salaries for 4,000 Sarasota, Florida the 1982-83 season. At the Foot of the Mountain For salaries during the 1982-83 season. 5,000 Minneapolis, Minnesota Berkeley Shakespeare Festival For salaries for new positions. 2,O00 Berkeley, California Theater 229

Berkeley Stage Company For operating expenses during the 1982-83 season. 15,000 Berkeley, California Bilingual Foundation of the Arts For salaries for artistic personnel. 2,500 Los Angeles, California BoarsHead Theater For staff positions and salaries during the 1982-83 season. 3,500 Lansing, Michigan Byrd Hoffman Foundation For production costs of a new work. 20,000 New York, New York Center Theatre Group of Los Angeles To amend a previous grant for operating expenses for the 1982-83 4,000 Los Angeles, California season. Children’s Musical Theatre For touring expenses of the 1982~3 season. 1,000 Mobile, Alabama Circuit Playhouse For the 1982-83 season of productions. 3,500 Memphis, Tennessee Community Arts Foundation To strengthen the artistic work of the Body Politic Theatre during 1,500 the 1982-83 season. Delaware Theatre Company For salaries and a promotion program for the 1982-83 season. 3,000 Wilmington, Delaware Dell’Arte Players Company For salaries for artists and a fnnd-ralsing consultant. 5,000 Blue Lake, California East West Players For artists’ compensation, production costs, and administrative ex­ 6,000 Los Angeles, California penses for the 1982-83 season. Ensemble Studio Theatre For the 1982-83 season of productions. 17,500 New York, New York Eureka Theatre Company For audience development and a rent increase due to a move to a 3,500 San Francisco, California new space. Ferndale Repertory Theatre For the salary of a full-time development officer for marketing and 2,000 Ferndale, California fund-raising. First All Children’s Theatre For artists’ salaries and the hiring of a marketing audience develop­ 2,000 New York, New York ment director. Florida Studio Theatre For program expansion and improvement for the 1982-83 season. 3,000 Sarasota, Florida Foundation for the Open Eye For the 1982-83 season of productions. 5,000 New York, New York Friends Mime Theatre For salaries and fees during the 1982~3 season of the London Theatre 1,500 Milwaukee, Wisconsin Workshop. Henry Street Settlement To amend a previous grant for the 1982-83 season of New Federal 6,000 New York, New York Theatre. Holiday (Billie) Theatre For increased rehearsal time for new productions. 2,500 Brooldyn, New York Hudson Guild For artists’ fees and salaries and marketing costs for the 1982-83 5,000 New York, New York season. Illusion Theater and School For the 1982-83 season of productions and workshop readings. 1,500 Minneapolis, Minnesota International Arts Relations To amend a previous grant for production expenses during the 1982-83 1,000 New York, New York season. Jomandi Productions For operating expenses during the 1982-83 season. 1,500 East Point, Georgia Julian Company Theatre For production expenses during the 1982-83 season. 5,000 San Francisco, California L.A. Theatre Works For production costs for new plays during the 1982-83 season. 7,500 Veulce, California 230 Theater

League of Theatre Artists For artistic and managerial salaries for the Capital Repertory 2,500 Albany, New York Company. Lion Theatre Foundation For the 1982-83 ensemble company and repertory season. 6,000 New York, New York Little Flags Theatre Foundation For services and production costs during the 1982-83 season. 7,500 Roxbury, Massachusetts Loon and Heron Theatre for Children For touring and residencies for the 1982-83 season. 1,000 Jamaica Plain, Massachusetts Los Angeles Actors Theatre Foundation For the 1982-83 season. 15,000 Los Angeles, California Louisville Children’s Theatre For increased actors’ salaries, additional technical staff, and new play 4,500 Louisville, Kentucky production during the 1982-83 season. Mabou Mines Development Foundation To amend a previous grant for the 1982-83 season of productions. 6,000 New York, New York Magic Theatre Foundation For general operating expenses for the 1982-83 season. 40,000 San Francisco, California

Meadows Playhouse For artistic and administrative salaries during the 1982-83 season. 1,000 Las Vegas, Nevada Mixed Blood Theatre Company To amend a previous graht for operating expenses during the 1982-83 5OO Minneapolis, Minnesota season. Montana, University of For actors’ salaries and production expenses during the 1982-83 season 6,000 Missouia, Montana of the Montana Repertory Theatre. Nebraska Arts Council For increased rehearsals, workshop development time, and salaries; 2,500 Omaha, Nebraska development of residencies; and the mounting of a new work by the Nebraska Theatre Caravan.

New American Theater For artistic salaries, audience development, and marketing programs 4,500 Rockford, Ilimois during the 1982-83 season. New Dramatists To amend a previous grant for salaries and expenses during the 2,500 New York, New York 1982-83 season. New Playwrights Theatre of Washington For artistic salaries during the 1982-83 season. 8,000 Washington, D.C. New Stage To increase artistic salaries and fees during the 1982-83 season. 1,500 Jackson, Mississippi Oak Park Festival Theatre For managerial salaries during the 1982-83 production season. 1,000 Oak Park, Illinois Odyssey Theatre Foundation For operating expenses during the 1982-83 season of the Odyssey 10,000 Los Angeles, California Theatre Ensemble. Old Creamery Theatre Company To increase salaries for performers and technicians. 4,500 Garrison, Iowa One Act Theatre Company For fund development campaigns and improving the professionalism 2,500 San Francisco, California of the company. Oregon Repertory Theatre For salaries for artists and staff for the 1982-83 season. 4,500 Eugene, Oregon Palisades Theatre Company of Florida For artists’ salaries and fees for the 1982-83 season. 1,500 St. Petersburg, Florida Paper Bag Players To amend a previous grant for operating expenses during the 1982-83 10,000 New York, New York season. Performance Community For production expenses during the 1982-83 season. 3,000 Chicago, Illinois

Periwinkle Productions For artists’ salaries and production costs during the 1982-83 season. 1,500 Monticello, New York Theoler 231

Pickle Family Circus For the 1982-83 season of productions. 2,500 San Francisco, California Pittsburgh Metropolitan Stage For salaries during the 1982-83 season. 2,000 Pittsburgh, Pennsylvania

Portland Stage Company For increased artistic salaries during the 1982-83 season. 3,000 Portland, Maine Provisional Theatre Foundation To develop and produce a new work to tour nationally during the 15,000 Los Angeles, California 1982-83 season. Pushcart Players For production expenses during the 1982-83 season. 1,500 Verona, New Jersey

Ridiculous Theatrical Company For production expenses during the 1982-83 season. 27,000 New York, New York

Roadside Attractions For main-stage productions, the Midnight Series, intern program, and 7,500 Detroit, Michigan ensemble training during the 1982-83 season of the Attic Theatre. Shadow Box Theatre For operating expenses during the 1982-83 season of productions. 3,000 New York, New York Snake Theater To amend a previous grant for the 1982-83 season of the Nightfire Sausalito, California Division. Snake Theater To amend a previous grant for a new work for the 1982-83 season Sausalito, California of the Antenna Division.

Spectrum Theatre For the 1982-83 season of productions. 1,000 New York, New York

Starry Night Puppet Theatre For the 1982-83 season of productions. 1,500 Vestal, New York Tears of Joy Theatre To amend a previous grant for production and development expenses Vancouver, Washington during the 1982-83 season.

Teatro de la Esperanza For the 1982-83 touring season and the development of new works. 7,500 Santa Barbara, California

Theater for the New City Foundation For production expenses during the 1982-83 season. 30,000 New York, New York

Theater of Universal Images To increase artistic salaries and marketing during the 1982-83 season. 1,500 Newark, New Jersey

Theatre Research For the 1982-83 season of productions by South Street Theatre. 1,500 New York, New York Theatre X To increase artistic salaries during the 1982-83 season. 2,000 Milwaukee, Wisconsin

T.P.C. Enterprises For the 1982-83 season of productions. 2,000 New York, New York

Traveling Jewish Theatre For operating expenses during the 1982-83 season. 1,500 Los Angeles, California

Two Penny Circus To increase artistic salaries during the 1982-83 season. 1,500 Montpelier, Vermont

Urban Arts Theatre For production expenses during the 1982-83 season. 1,500 New York, New York

Veterans Ensemble Theatre Company For the 1982-83 season of productions, workshop readings, and 2,000 New York, New York touring.

Victory Gardens Theater For production expenses, including planning, rehearsal, and promo­ 7,500 Chicago, Illinois tion during the 1982-83 season.

Washington Drama Society For the 1982-83 season of the Living Stage Theatre Company. 30,000 Washington, D.C.

Wilma Project For the 1982-83 season of productions. 1,000 Philadelphia, Pennsylvania Women’s Interart Center For the 1982-83 season of productions and workshop readings by In­ New York, New York terart Theatre. Wooster Group For the 1982-83 season of productions. New York, New York Workshop of the Players Art Foundation For production expenses and the Phase One Reading Series during 7,500 New York, New York the 1982-83 season of the WPA Theatre.

Small Professional To assist in the development of artistic, administrative, and community ser­ vice activites of theater companies with an annual operating budget less Theater Companies than $100,000. Program funds: $82,500 48 grants

American Repertory Theatre of For artists’ salaries during the 1982-83 season. $1,500 Cincinnati Cincinnati, Ohio Archaesus Productions For production expenses during the 1982-83 season. 1,500 Washington, D.C. Ark Theatre Company For operating expenses during the 1982-83 season. 1,500 New York, New York Available Potential Enterprises Limited For salaries for the 1982-83 season of the No Theater. 1,500 Northampton, Massachusetts Bricolage For costs of additional services and increased artists’ salaries. 1,500 Philadelphia, Pennsylvania Center Stage Associates For a 12-week tour of the Young People’s Theater. 2,500 Baltimore, Maryland Century City Educational Arts Project To support salary increases and hire a publicity director. 1,500 Los Angeles, California Chicago Project-New York For production costs for the 1982-83 season at the New York Art 1,500 New York, New York Theatre Institute. Childsplay To increase artists’ salaries during the 1982-83 season. 1,500 Tempe, Arizona City Stage Company For operating expenses during the 1982-83 season. 1,500 Boston, Massachusetts Community Church of New York For production costs for the 1982-83 season of Theatre Off Park. 1,500 New York, New York Creation Production Company For operating expenses for the 1982-83 season. 1,500 New York, New York Crosswalk To support salaries for new administrative and management staff. 1,500 Boston, Massachusetts Cultural Council Foundation For full-time management efforts to coordinate fund-raising for the 1,500 New York, New York Early Childhood Puppet Theatre. Double Image Theatre For production costs, artists’ salaries, and audience development. 1,500 New York, New York Dume Spanish Theatre For salaries for the 1982-83 season. 1,500 Sunnyside, New York Facets Multimedia For operating expenses during the 1982-83 season of the Facets Per° 1,500 Chicago, Illinois formance Ensemble. Family For salaries for performing artists during the 1982-83 season. 4,000 New York, New York Theater 233

Firebird Theatre Company To support a development director during the 1982-83 season. 2,500 Hollywood, California Free Public Laughs To support a full-time administrative position. 2,000 New York, New York G.A.L.A. Hispanic Theatre To support a full-time artistic director for the 1982-83 season. 1,500 Washington, D.C. HB Playwrights Foundation For production costs for the 1982-83 season. 2,500 New York, New York Heart of the Beast Puppet and For salary increases for the artistic director and managing director. 1,500 Mask Theatre Minneapolis, Minnesota International Arts Relations For production costs and artistic salaries for the 1982-83 season of 1,500 New York, New York the Spanish-English Ensemble Theatre. Invisible Theatre For artists’ salaries for the 1982-83 season. 1,500 Tucson, Arizona Labor Theater For a two-week tour and production expenses for the 1982-83 season. 1,500 New York, New York Latino Chicago Theatre Company For operating expenses during the 1982-83 season. 1,500 Chicago, Illinois Looking Glass Theatre Corporation For the trimester series and promotional material for a six-week 2,500 Providence, Rhode Island residency. Mass Transit Street Theater For actors’ salaries and production costs for the 1982-83 season. 1,500 Bronx, New York Modern Times Theater For administrative salaries. 1,500 New York, New York Morning Glory Theatre Foundation For artists’ salaries for the 1982-83 season. 2,500 San Anselmo, California New Cycle Theater For production costs for the 1982-83 season. 2,000 Brooklyn, New York

New Theatre For production costs for the 1982-83 season. 1,500 Los Angeles, California Open Space Theatre Experiment For production costs and salaries for the 1982-83 season. 2,000 New York, New York Pan Asian Repertory Theatre For artists’ fees and production costs for the 1982-83 season. 2,500 New York, New York Present Stage For rehearsals and artists’ salaries during the 1982-83 season. 2,000 Northampton, Massachusetts Pro Femina Theatre For artists’ salaries for the fall production. 1,500 Falls Church, Virginia Protestant Episcopal Church in the For the 1982-83 season of productions at Theatre at St. Clement’s. 1,500 Diocese of New York New York, New York Public Works Improvisational Theatre For artistic development and tour expenses during the 1982-83 season. 1,500 Santa Monica, California Puppenspiel Puppet Theatre For costs of new productions and salaries for artists. 1,500 Westfield, New York Quaigh Theatre For evening and lunch-time series of productions during the 1982-83 1,500 New York~ New York season. Riverside Shakespeare Company of For artists’ fees during the 1982-83 season. 1,500 New York City New York, New York Scott (Zachery) Theatre Center To support Project InterAct, a professional children’s theater com- 1,500 Austin, Texas pany, and their 1982-83 season of productions. 234 Theater

Soho Repertory Theatre For production costs for the 1982-83 season. 1,500 New York, New York Symbrinck Associates For salaries of guest artiests for the 1982-83 season. 1,500 Wflliamsport, Pennsylvania Theater Center Philadelphia For the 1982-83 season of productions and a playwrights’ workshop. 1,500 Philadelphia, Pennsylvania Theatre Picaro To develop and perform new productions during the 1983 season. 1,500 Seattle, Washington Woodstock Guild of Craftsmen For production costs for River Arts Productions during the 1982-83 1,500 New York, New York season.

Professional To assist in the development of artistic, administrative, and community ser­ vice activities of theater companies with an annual operating budget ex­ Theater Companies ceeding $400,000. Program funds: $4,590,050 Treasury funds: $2,135,000 220 grants

Actors Studio To stabilize nmnagement and administrative capabilities of the theater $5,000 New York, New York during the 1983-84 season. Actor’s Theatre of Louisville For the 1983-84 season. TF 160,000 Louisville, Kentucky Actors Theatre of St. Paul For the 1983-84 season. 5,000 St. Paul, Minnesota Alabama Shakespeare Festival For the 1983-84 season, an extended season in 1984-85, and a move 10,000 Annisten, Alabama to a new space. Alaska Repertory Theatre For the 1983-84 season. 80,000 Anchorage, Alaska Alley Theatre For the 1983-84 season of productions, including the commission of 50,000 Houston, Texas a new work by an American playwright. American Conservatory Theatre For the 1983-84 repertory season, new play development programs, 145,000 Foundation and an actor training program. San Francisco, California American Place Theatre For the 1983-84 season. 32,500 New York, New York American Players Theatre For the 1983-84 season. 5,000 Spring Green, Wisconsin American Repertory Theatre Company To maintain a resident company, strengthen the commitment to new 172,500 Cambridge, Massachusetts works, and improve the touring and training programs during the 1983-84 season. American Theatre Company For guest artists’ salaries during the 1983-84 season. 2,500 Tulsa, Oklahoma Amherst College, Trustees of For the 1983-84 production season of the Folger Theatre, including 17,500 Washington, D.C. fund-raising. Appalshop For the 1983-84 season of Roadside Theater, including artists’ salaries. 12,500 Whitesburg, Kentucky Arizona Theatre Company To expand the acting company and the general artistic staff. 85,000 Tucson, Arizona Ark Theatre Company For the 1983-84 season of productions. 2,500 New York, New York Theat~ 235

Asian American Theatre Company For the 1983-84 season. 2,500 San Francisco, California Asolo State Theater For artistic fees for Asolo State Theater ahd the Asolo Touring 15,000 Sarasota, Florida Theater during the 1983-84 season. Association for Development of For production support, improved artists’ compensation, and increased 2,500 Dramatic Arts subscriptions for Jean Cocteau Repertory. New York, New York At the Foot of the Mountain For the 1983-84 season, including salary and production expenses. 2,500 Minneapolis, Minnesota Atlanta Arts Alliance For the 1983-84 season, including the main-stage subscription series, 35,000 Atlanta, Georgia children’s series, studio subscription series, and the new plays pro­ gram at the Alliance Theatre Company. Back Alley Theatre For performances, development of new American plays, and ado 2,500 Van Nuys, California ministrative support. Berkeley Repertory Company For main-stage productions, audience development, actor training, 32,500 Berkeley, California and administrative activities during the 1983-84 season.

Berkeley Shakespeare Festival For actors’ compensation during the 1983-84 season. 2,500 Berkeley, California Berkeley Stage Company For the 1983-84 season. 10,000 Berkeley, California Berkshire Theatre Festival For the 1983-84 season, including actors’ salaries, a director of develop­ 2,500 Stockbridge, Massachusetts ment, and a playwrights-in-residence program. Bilingual Foundation of the Arts For salaries for the artistic director and the technical director. 2,500 Los Angeles, California Blake Street Hawkeyes For artistic and technical salaries and production costs for the 1983-84 2,500 Berkeley, California season. Boston Theatre Projects For the 1983-84 season of productions at Next Move Theatre. 10,000 Boston, Massachusetts Broom Street Theatre For the 1983-84 season of productions. 2,500 Madison, Wisconsin Byrd Hoffman Foundation For the production steering team involved with the new opera, The 25,000 New York, New York Civil War. Center for Puppetry Arts For the 1983-84 season, including increased salaries, a new business 10,000 Atlanta, Georgia manager, and three original puppetry productions. Center Stage Associates For the 1983-84 season’s main-stage and youth component. 2,500 Baltimore, Maryland TF 140,000 Center Theatre Group of Los Angeles For the 1983-84 season of the Mark Taper Forum and the Improvisa­ 165,000 Los Angeles, California tional Theatre Project. TF 110,000 Chicago Theatre Group For the 1983-84 season of the Goodman Theatre, including increased 20,000 Chicago, Illinois rehearsal and actors’ salaries. Chicago, University of For the classic main-stage series and the high school matinee pro­ 5,000 Chicago, Illinois gram by Court Theatre. Children’s Theai~ Company and School For the 1983-84 season, including educational, performing, community, 140,000 Minneapolis, Minnesota and regional outreach activities. Childsplay For the 1983-84 season, including increased company salaries and 2,500 Tempo, Arizona rehearsal time. Cincinnati Playhouse in the Park For the 1983-84 season of productions and salaries for artists. 70,000 Cincinnati, Ohio Circle in the Square For the 1983-84 season of productions. 35,000 New York, New York Circle Repertory Company For the main-stage season, play development programs, and the Circle New York, New York Lab of classes and workshops. TF 75,000 Circuit Playhouse For artists’ salaries during the 1983-84 season. 2,500 Memphis, Tennessee Cleveland Play House For the 1983-84 season of productions. 30,000 Cleveland, Ohio Community Arts Foundation For the development of a resident company during the 1983-84 season 2,500 Chicago, Illinois of the Body Politic Theatre. Contemporary Theatre For artists’ salaries and expansion of the Young ACT’S season. 37,500 Seattle, Washington Creation Production Company For the 1983-84 season, including touring and developing original ex­ 2,500 New York, New York perimental theater works. Creede Repertory Theatre For increased artistic salaries during the 1983-84 season. 2,500 Creede, Colorado Cricket Theatre For the 1983-84 season, including the main-stage season and the works­ 5,000 Minneapolis, Minnesota in-progress program. Crossroads Theatre Company For the 1983-84 season. 2,500 New Brunswick, New Jersey CSC Repertory For the 1983-84 season. 5,000 New York, New York Dallas Theatre Center For major productions, strengthening administration, community ser­ 25,000 Dallas, Texas vice projects, and educational programs. Delaware Theatre Company For increased actors’ salaries, one additional Equity actor per pro­ 5,000 Wilmington, Delaware duction, and additional rehearsal time. Dell’Arte Players Company For artists’ salaries during the rehearsal of original company works 5,000 Blue Lake, California during the 1983-84 season. Denver Center for the Performing Arts For the 1983-84 season of the Denver Center Theatre Company. 70,000 Denver, Colorado Double Image Theatre For fees associated with the annual Off Off Broadway Original Short 2,500 New York, New York Play Festival. East West Players For actors’ compensation, production costs, and administrative ex­ 5,000 Los Angeles, California penses during the 1983-84 season. Empty Space Association For the 1983-84 season of productions, including a director of new 50,000 Seattle, Washington play development.

Ensemble Studio Theatre For the 1983-84 season. 15,000 New York, New York Eureka Theatre For production salaries and fees during the 1983-84 season. 5,000 San Francisco, California Facets Performance Ensemble For the company’s national tour during the 1983-84 season. 2,500 Chicago, Illinois Fairmont Theatre for the Deaf For production costs, audience development, and touring pieces. 15,000 Cleveland, Ohio Family For new plays and touring during the 1983-84 season. 2,500 New York, New York Fiji Theater Company For the 1983-84 season. 7,500 New York, New York Firebird Theatre Company For the mounting of an original play based on the Warsaw Ghetto 2,500 Hollywood, California Uprising of 1943. First All Children’s Theatre For actors’ salaries during the 1983-84 season. 2,500 New York, New York Florida Studio Theatre For the 1983-84season of productions. 2,500 Sarasota, Florida Foundation for the Open Eye For the 1983-84 season. 2,500 New York, New York Theater 237

Free Public Theater Foundation For the 1983-84 season. 5,000 Los Angeles, California Friends Mime Theatre For artists’ salaries during the 1983-84 season of the London Theatre 2,500 l~Alwaukee, Wisconsin Workshop. Genesee Valley Arts Foundation For the 1983-84 season of productions at GeVa Theatre. 10,000 Rochester, New York George Street Playhouse To improve artists’ salaries during the 1983-84 season. 7,500 New Brunswick, New Jersey Germinal Stage To increase artists’ honoraria during the 1983-84 season. 2,500 Denver, Colorado Great Lakes Shakespeare Association For the 1983-84 season, including the development of the acting corn- 35,000 Cleveland, Ohio pony and the addition of voice, diction, and movement coaches. Group I Acting Company For production costs for the 1983-84 season’s touring repertory and 225,000 New York, New York administrative expenses. Guthrie Theater Foundation For the 1983-84 season of productions. 57,500 Minneapolis, Minnesota TF 200,000 Hartford Stage Company For the 1983-84 season of productions. Hartford, Connecticut Hartman Regional Theatre For an expanded 1983-84 season. 12,500 Stamford, Connecticut HB Playwrights Foundation For the 1983-84 season. 2,500 New York, New York Henry Street Settlement For the 1983-84 season of productions at New Federal Theatre. New York, New York Hippodrome Theatre Workshop For the 1983-84 season, including increasing salaries and hiring a resi­ 20,000 Gainesville, Florida dent scene designer. Holiday (Bfllie) Theatre For increased rehearsal time for two new productions. 2,500 Brooklyn, New York Honolulu Theatre For Youth For the 1983-84 season, including salaries for actors, a musician, and 17,500 Honolulu, Hawaii a production stage manager. Horse Cave Theatre 76 For three productions during 1983-84 season. 5,000 Horse Cave, Kentucky Hudson Guild For artists’ fees and salaries during the 1983-84 season of productions. 5,000 New York, New York Independent Eye For the 1983-84 season, including production of one new work. 5,000 Lancaster, Pennsylvania Indiana Repertory Theatre For the 1983-84 season, including increasing the resident company Indianapolis, Indiana from six to seven actors.

Interart Theatre For the 1983-84 season of four main-stage productions. 5,000 New York, New York International Arts Relations For the 1983-84 season of four main-stage productions. New York, New York Intiman Theatre Company For the 1983-84 season of productions. 20,000 Seattle, Washington Jomandi Productions For the 1983-84 season. 2,500 East Point, Georgia

Julian Theatre For the 1983-84 season. 5,000 San Francisco, California Julian Theatre For the Third World Plays Program, including readings and script 5,000 San Francisco, California development with minority American playwrights and the produc­ tion of two new plays. 238 Theater

Just Us Theater Company For the 1983-84 season of Theater of the Stars. 2,500 Atlanta, Georgia L.A. Theatre Works For producing works by emerging and established playwrights dur­ 5,000 Venice, California ing the 1983-84 performance season. La Mama Experimental Theatre Club For the 1983-84 season of productions. 150,000 New York, New York League of Theatre Artists For artists’ salaries during the 1983-84 season. 2,500 Albany, New York

Lilith Foundation For the 1983-84 season of productions. 2,500 San Francisco, California

Lion Theatre Foundation For the 1983-84 season. 2,500 New York, New York Little Flags Theatre Foundation For the 1983-84 season, including rehearsal and production expenses. 7,500 Roxbury, Massachusetts

Long Wharf Theatre For the 1983-84 season of productions. TF 185,000 New Haven, Connecticut Looking Glass Theatre Corporation For the 1983-84 production season, including in-school touring 2,500 Providence, Rhode Island activities. Los Angeles Actors’ Theatre Foundation For increased artists’ fees during the 1983-84 season. 20,000 Los Angeles, California Los Angeles Cultural Center For the 1983-84 season. 2,500 Los Angeles, California Louisville Children’s Theatre For costs for a move to the new Kentucky Center for the Arts, in­ 2,500 Louisville, Kentucky creased actors’ salaries and technical staff, and the commissioning of a new work. Mabou Mines Development For development, rehearsal, and presentation of the New York season. 70,000 Foundation New York, New York Magic Theatre Foundation For activities of the 1983-84 season, including development and touring 25,000 Omaha, Nebraska of new works. Magic Theatre Foundation For the 1983-84 season. 40,000 San Francisco, California

Manhattan Clearing House For the 1983-84 season of productions. 2,500 Dallas, Texas Manhattan Punch Line Theatre For the 1983-84 season of productions and increased artists’ salaries. 2,500 New York, New York Manhattan Theatre Club For the 1983-84 season of productions. 2,500 New York, New York TF 80,000 McCarter Theatre For the 1983-84 season, including a tele-marketing campaign, two ma­ TF 85,000 Princeton, New Jersey jor productions, and a second stage production. Meadow Brook Theatre For the 1983-84 season, including artistic development and the posi­ 15,000 Rochester, Michigan tion of production manager. Metro Theatre Circus For production and tom-ing of three original theater pieces during 5,000 St. Louis, Missouri the 1983-84 season. Mettawee Theatre Company For the season of outdoor performances during the summer of 1983. 2,500 Salem, New York Michigan Public Theatre For the 1983-84 season of productions at BoarsHead Theater. 2,500 Lansing, Michigan

Milwaukee Repertory Theatre For salaries and fees for directors; playwrights; actors; designers; TF 120,000 Milwaukee, Wisconsin composers; scenic, properties, and costume artists; and technical sup­ port staff.

Missouri Repertory Theatre For the 1983-84 season, including increased salaries and marketing. 40,000 Kansas City, Missouri Theab~r 239

Mixed Blood Theatre Company For the 1983-84 season. 5,000 Minneapolis, Minnesota Modern Times Theater For artistic salaries during the 1983-84 season. 2,500 New York, New York Montana Repertory Theatre For fees and other expenses for a designer to create sets for a tour­ 2,500 Missoula, Montana ing production. National Theatre for the Deaf For additional rehearsal time and the development of a new work 2,500 Waterford, Connecticut during the 1983-84 season. Nebraska Theatre Caravan For the 1983-84 season, including the addition of a full-time artistic 2,500 Omaha, Nebraska director and increased artistic salaries. Negro Ensemble Company For the 1983-84 season. 100,000 New York, New York TF 100,000 New Dramatists For the 1983-84 season, including increased fees for actors and New York, New York directors. New Playwrights Theater of Washington For the 1983-84 season, including increased artistic salaries and hous­ 2,500 Washington, D.C. ing and transportation for playwrights. New Stage For the 1983-84 season. 2,500 Jackson, Mississippi

New York, Research Foundation of For the 1983-84 season of the Empire State Youth Theatre Institute. 2,500 the State University of Albany, New York New York Shakespeare Festival For the 1983-84 production season of the festival’s Public Theater, 275,000 New York, New York Delacorte Theater, and touring activities. North Carolina, University of For the 1983-84 season of the Playmakers Repertory Company, in­ 5,0(}0 Chapel Hill, North Carolina cluding actors’ salaries, sets, and costumes. North Light Repertory Company For the 1983-84 season. 5,000 Evanston, Illinois O’Neill (Eugene) Theater Center For salaries, fees, and housing for directors, dramaturgs, critics, 145,000 Waterford, Connecticut designers, playwrights, actors, lecturers, and staff for the National Playwrights Conference.

Odyssey Theatre Ensemble For the 1983-84 season of productions. 20,000 Los Angeles, California Old Globe Theatre For artistic, administrative, and development activities during the TF 125,000 San Diego, California 1983-84 season. Ontological Hysteric Theatre For the development, rehearsal, and production of a new work dur­ 35,000 New York, New York ing the 1983-84 season. Oregon Repertory Theatre For the 1983-84 season. 2,500 Eugene, Oregon Oregon Shakespearean Festival For the 1983-84 season, including actors’ salaries. 105,000 Association Ashland, Oregon Organic Theatre Company For the 1983-84 season of new works. 15,000 Chicago, Illinois Other Theater For rehearsal and production costs of a new collaborative theater piece 17,500 New York, New York for the 1983-84 season. Otrabanda Company For the creation of two new productions for the 1983-84 season. 2,500 New York, New York Palace Theatre Foundation For company members’ salaries during the 1983-84 season. 2,500 Minneapolis, Minnesota Pan Asian Repertory Theatre For artists’ fees for main-stage productions during the 1983-84 season. 2,500 New York, New York Paper Bag Players For the 1983-84 season. 50,000 New York, New York Pennsylvania Stage Company For increased salaries for actors, directors, designers, and ad- 2,500 Allentown, Pennsylvania ministrative personnel. People’s Light and Theatre Company For the New Play Festival during the 1983-84 season. 5,000 Malvern, Pennsylvania Performing Arts Repertory Theatre For the 1983-84 season. 2,500 Foundation New York, New York Peterborough Players For artists’ salaries during the 1983-84 season. 2,500 Peterborough, New Hampshire Philadelphia Drama Guild For development of new playwrights and new scripts through the 35,000 Philadelphia, Pennsylvania playwrights’ project, increased rehearsal time, and the addition of three performances.

Pickle Family Circus For the creation of a new stage production and extension of the per- 10,000 San Francisco, California formance season. Pickle Family Circus For touring of productions throughout the Northwest. 20,000 San Francisco, California Pioneer Memorial Theatre For salaries of artistic personnel during the 1983-84 season. 2,500 Salt Lake City, Utah Pittsburgh Public Theatre For the 1983-84 season, including establishing a corps of non-resident 60,000 Pittsburgh, Pennsylvania actors and broadening the repertory. Players State Theatre For the 1983-84 season. 7,500 Miami, Florida Playwrights Center For services to playwrights during the 1983-84 season. 2,500 Minneapolis, Minnesota Playwrights Horizons For the 1983~4 season. 70,000 New York, New York Playwrights Unlimited For artists’ salaries, honoraria, and production expenses for the 1983 7,500 Mill Valley, California Bay Area Playwrights Festival. Portland Stage Company For the 1983-84 season of productions. 2,500 Portland, Maine Pro Arts For artists’ fees and production expenses during the 1983-84 season 5,000 Oakland, California of George Coates Performance Works. Protestant Episcopal Church in the For the 1983-84 season of productions at Theatre at St. Clement’s. 2,500 Diocese of New York New York, New York Puerto Rican Traveling Theatre For artistic development, community service projects, and 35,000 Company administration. New York, New York Puppet Showplace For production expenses during the 1983-84 season. 2,500 Brooldine, Massachusetts Ragabash Puppet Theatre For the 1983-84 season. 2,500 New York, New York Repertory Theatre of St. Louis For the main-stage season, the Studio Theatre Festival, and the tour- 40,000 St. Louis, Missouri ing of Imaginary Theatre Company. Ridiculous Theatrical Company For the 1983-84 season. 35,000 New York, New York Road Company For new plays development during the 1983-84 season. 5,000 Johnson City, Tennessee Roadside Attractions For the 1983-84 season of Attic Theatre. 5,000 Detroit, Michigan Salt Lake Acting Company For development of new plays and a works-in-progress series dur­ 2,500 Salt Lake City, Utah ing the 1983-84 season. San Diego Repertory Theatre For the 1983-84 season. 2,500 San Diego, California

San Francisco Mime Troupe For salaries for artists involved with a new play produced during the 10,000 San Francisco, California 1983-84 season. Scott (Zachary) Theatre Center For actors’ salaries for Project Interact, a professional children’s 2,500 Austin, Texas theater company. Seattle Repertory Theatre For the 1983-84 season. TF 165,000 Seattle, Washington Second Stage Theatre For the 1983-84 season. 5,000 New York, New York Shakespeare and Company For production costs of The Comedy of Errors and expenses for 12,500 Lenox, Massachusetts master teachers. Shared Forms Theatre For salaries for artists and administrator~ during the 1983-84 season. 2,500 New York, New York Silvera (Frank) Writers’ Workshop For the writers/directors series of staged productions. 10,000 New York, New York Snake Theater For two original productions during the 1983-84 season. 17,500 Sausalito, Cal£fornia Soho Repertory Theatre For the 1983-84 season of productions. 2,500 New York, New York Solvang Theaterfest For the 1983-84 season of productions. 2,500 Santa Maria, California SOON 3 For salaries and general production expenses. 2,500 San Francisco, California Souhegan Theatre Council For the 1983-84 season of the American Stage Festival. 2,500 Milford, New Hampshire South Coast Repertory For the 1983-84 season of productions. Costa Mesa, CaRfornia Southeastern Academy of Theatre For the 1983-84 season of productions at Academy Theatre. 30,000 and Music Atlanta, Georgia Spanish Theatre Repertory Company For salaries for the acting company and associate director, and for 35,000 New York, New York production costs for the 1983-84 season. Spiderwoman Theatre Workshop For the 1983-84 season of productions. 5,000 New York, New York Springfield Theatre Arts Association For increased artists’ salaries, production of at least one new work, 2,500 West Springfield, Massachusetts and expenses for a move to a new facility for Stage West. Stage Hands For the interpretation of performances for the deaf in sign-language 10,050 Atlanta, Georgia and for workshops. Starry Night Puppet Theatre For the 1983-84 season of productions. 2,500 Vestal, New York Storefront Actors Theatre For the 1983-84 season of productions. 2,500 Portland, Oregon Studio Arena Theatre For the 1983-84 season of productions. 50,000 Buffalo, New York Syracuse Unive~ity Theatre Corporation Fort he 1983-84season of Syracuse Stage. 40,000 Syracuse, New York

Tacoma Actors Guild For the 1983-84season. 2,500 Tacoma, Washington Talking Band For the 1983-84 season, including production of a piece by Samuel 10,000 New York, New York Beckett. Tears of Joy Theatre For salaries and production expenses during the 1983-84 season. 2,500 Vancouver, Washington Teatro Campesino For administrative development during the 1983-84 season. 30,000 San Juan Bantista, California Teatro de la Esperanza For production and touring costs for the 1983-84 season. 5,000 Santa Barbara, California Thalla Spanish Theatre For the 1983-84 season. 2,500 Sunnyside, New York Theater for the New City Foundation For the 1983-84 season, including production support, artists’ salaries 30,000 New York, New York and fees, and a new management position. Theater X To increase salaries of company personnel during the 1983-84 season. 7,500 Milwaukee, Wisconsin Theatre Arts of West Virginia For the 1983-84 season of productions. 2,500 Becldey, West Virginia Theatre By the Sea For artists’ salaries and fees, administrative expenses, and audience 2,500 Portsmouth, New Hampshire development programs for the 19834M season. Theatre de la Jeune Lune For the 1983-84 season of productions. 2,500 St. Paul, Minnesota 2,500 Theatre IV For the 1983-84 season. Richmond, Virginia 2,500 Theatre Off Park For the 1983-84 season of productions. New York, New York Theatre Three For the 1983-84 season of productions. 2,500 Dallas, Texas Theatre of Yugen For the 1983~4 season of productions. 2,500 Portola Valley, California Time and Space Limited Theatre For the 19834~4 season. 2,500 Company New York, New York T.P.C. Enterprises For the 1983-84 season of productions. New York, New York Traveling Jewish Theatre For the 1983-84 season. San Francisco, California Trinity Personna Company For the 1983-84 season of the Trinity Square Repertory Company. 100,000 Providence, Rhode Island TF 125,000 Victory Gardens Theater For the main~tage series of five plays. 7,500 Chicago, Illinois

Virginia Museum Theater For the 1983-84 season, including the main-stage series, studio season, 5,000 Richmond, Virginia student matinee series, play readings, and apprentice and intern program. 5,000 Virginia Stage Company For the 1983-84 season of productions. Norfolk, Virginia Washington Drama Society For the 1983-84 season for Arena Stage and Living Stage. 55,000 Washington, D.C. TF 200,000 Whole Theatre Company For the 1983-84 season of productions. 10,000 Montclalr, New Jersey Williamstown Theatre Festival For artistic development for the 1983-84 main-stage season. 30,000 Williamstown, Massachusetts Wilma Project For the 1983-84 season of productions of Wilma Theatre. 2,500 Philadelphia, Pennsylvania Theater 243

Wisdom Bridge Theatre For the 1983-84 season of productions, workshops, and new script 15,000 Chicago, Illinois evaluations. Women’s Experimental Theatre For artistic personnel and programming expenses during the 1983-84 2,500 New York, New York season. Woodstock Guild of Craftsmen For the 1983-84 season of productions. 2,500 New York, New York Wooster Group For the 1983-84 season. 45,000 New York, New York Workshop of the Players Art Foundation For the 1983-84 season of WPA Theater. 5,000 New York, New York Yale Repertory Theatre For the 1983-84 season of productions. 150,000 New Haven, Connecticut

Professional To bring high-quality professional theater to areas where it has not been Theater Touring available. Program funds: $572,000 29 grants

Appalshop For Roadside Theater to tour through Kentucky to strengthen the $4,000 Whitesburg, Kentucky arts sponsorship network and introduce new audiences to high-quality theater. Appalshop For two weeks of residendes by Roadside Theater in six rural Virginia 3,600 Whitesburg, Kentucky communities. Group I Acting Company For a 34-week season of m~jor and minor residencies throughout the 75,000 New York, New York country. Guthrie Theater Foundation To support a tour throughout the Midwest. 55,000 Minneapolis, Minnesota Guthrie Theater Foundation For a tour in 1984-85 of residencies and single performances 45,000 Minneapolis, Minnesota throughout the Midwest and to areas not perviously visited. Honolulu Theatre for Youth For a tour of Chicken Skin during the 1983-84 season throughout the 17,500 Honolulu, Hawaii Hawaiian Islands. Little Flags Theatre Foundation For a six-week tour through the Midwest and South of full-length 10,000 Roxbury, Massachusetts shows, short shows, and workshops. Little Flags Theatre Foundation For touring of the industrial Northeast and Appalachia by the Little 8,000 Roxbury, Massachusetts Flags Theatre. Los Angeles Theatre Works For a tour of Greek during the 1983-84 season throughout the West. 10,000 Venice, California Mid-America Arts Alliance For a midwestem tour of Missouri Roportory Theatre and a two-week 30,000 Kansas City, Missouri tour of American Repertory Theatre in 1984-85 with School far Scandal. Mid-America Arts Alliance For touring of Missouri Repertory, Nebraska Theatre Caravan, 29,000 Kansas City, Missouri Arkansas Repertory Theatre, and the Actor’s Theatre of Louisville. People’s Theater Festival For a touring performance festival involving Roadside Theater, A 10,000 San Francisco, California Traveling Jewish Theater, and E1 Teatro Campesino throughout the Southeast. Project InterAct For the Zachary Scott Theater Center to sponsor a tour for young 7,500 Austin, Texas people during the 1983-84 season. Pushcart Players For a four-week tour of Pennsylvania schools. 4,000 Verona, New Jersey Road Company For a tour in the Appalachian states of Tennessee, V’L, Whda, West 10,000 Johnson City, Tennessee Virginia, Maryland, and Pennsylvania. 244 T~

San Francisco Mime Troupe For an eight-week tour throughout the East Coast during the fall 22,500 San Francisco, California of 1984. Snake Theater For advance booking costs, promotional materials and cross-country 4,000 Sausalito, California transport for a nationwide tour of Antenna Division. Snake Theater For a nine-week tour of six cities in 1984 by Antenna Division of a 8,000 Sausalito, California new work entitled Russia. Snake Theater For a tour of the East Coast by Nightf~re Division. 3,000 Sansalito, California Southern Arts Federation For a six-week tour throughout the federation’s nine-state region of 45,000 Atlanta, Georgia works from the Actor’s Theatre of Louisville’s new play project. Spanish Theatre Repertory Company For a four-week tour of the Midwest, Southwest, California, and the 20,000 New York, New York East Coast. Spanish Theatre Repertory Company For a three-week tour in the Southwest, up-state New York, New 20,000 New York, New York Jersey, and Connecticut during the 1983-84 season. Theatre Association of Pennsylvania For a ten-week tour by the Independent Eye of Pennsylvania. 7,400 York, Pennsylvania Theatre Association of Pennsylvania For touring and residencies by the Independent Eye. 4,000 York, Pennsylvania

Western States Arts Foundation For touring and residencies of the Montana Repertory Theatre and 21,000 Santa Fe, New Mexico E1 Teatro de la Esperanza throughout the ten-state region. Western States Arts Foundation For tours by the Acting Company, Childsplay, Denver Center 30,000 Santa Fe, New Mexico Theater, E1 Teatro de la Esperanza, Montana Repertory Theatre, Roadside Theater, Salt Lake Acting Company, and Tears of Joy Theatre throughout the ten-state region. Wisconsin Arts Board For a four-week tour of the Milwaukee Repertory Theatre with their 25,000 Madison, Wisconsin production of Miss Dulu Bert. Wisconsin Arts Board For touring of the Milwaukee Repertory Theatre in 1983. 35,000 Madison, Wisconsin Wooster Group For a three-week tour of California in July 1984. 8,500 New York, New York

To assist organizations that provide services to the theater field on a na­ Services to the Field tional scale. Program funds: $677,108 24 grants

Anthony, Vincent To serve as an independent evaluator for the Theater Program’s on- $2575 Atlanta, Georgia site, screening, and reading activities.

Benson, Martin To serve as an independent evaluator for the Theater Program’s on- 3,425 Costa Mesa, California site, screening, and reading activities. Burgwin, George Collinson To extend a National Endowment Arts Management Fellowship for 4,000 Portland, Oregon the completion of projects in the Theater Program.

California Theatre Council For production and promotion expenses for West Coast Plays. 5,000 Los Angeles, California California Theatre Council For administrative costs, promotion expenses, and partial salary for 2,500 Los Angeles, California the staff of West Coast Plays.

Carter, Steve To serve as an independent egaluator for the Theater Program’s on- 3,025 Corona, New York site, screening, and reading activities. Children’s Theatre Company and School For a project to enable the Children’s Theatre Company to integrate 9,050 Minneapolis, Minnesota the visually handicapped as audience and participants into existing performing and educational programs during the 1983-84 season. Theater 245

Copelin, David To serve as an independent evaluator for the Theater Program’s on- 6,000 New York, New York site, screening, and reading activities. Durra, Tom To serve as an independent evaluater for the Theater Program’s on- 3,425 New York, New York site, screening, and reading activities. Ferra, Max To serve as an independent evaluator for the Theater Program’s on- 1,500 New York, New York site, screening, and reading activities. Foundation for the Extension and For management technical assistance to theater projects in all aspects 30,000 Development of American Professional of administration. Theatre New York, New York Gisselman, Gary To serve as an independent evaluator for the Theater Program’s on- 1,800 Tucson, Arizona site, screening, and reading activities.

Hansch, Mary To serve as an independent evaluator for the Theater Program’s on- 5,400 Gainesville, Florida site, screening, and reading activities. International Theatre Institute For the institute’s service programs, including the reference library, 37,500 of the United States visitor and consultation service, publications, and representation. New York, New York Living Stage Theatre Company To develop a model professional theater project to increase the ac­ 19,0(}0 Washington, D.C. cessibility of theater for physically disabled youth, ages 14-18. Looking Glass Theatre For a program that provides children with severe learning disabilities 4,500 Providence, Rhode Island with the artistic experience of rehearsing for ten weeks with children without disabilities. Miner, Michael To serve as an independent evaluator for the Theater Program’s on- St. Paul, Minnesota site, screening, and reading activities. New Dramatists For salaries, travel, and supplies for service programs that include New York, New York the library and archives, dramaturgical network, and consultancy services. New York Public Library To videotape live theatrical performances for the Theatre on Film 45,000 New York, New York and Tape Project during 1983-84. New York University For expenses for publication of four issues of Drama Review. 6,000 New York, New York Next Move Unlimited For Next Move Theatre to establish an educational forum for young 20,000 Boston, Massachusetts people, using workshops and productions that also include the disabled. Off Off Broadway Alliance For services in marketing, management, and public outreach for the 10,000 New York, New York Alliance of Resident Theatres. Partlan, William To serve as an independent evaluator for the Theater Program’s on- 3,300 New York, New York site, screening, and reading activities. Paton, Angela To serve as an independent evaluator for the Theater Program’s on- 4,000 Berkeley, California site, screening, and reading activities. Performing Arts Journal For publication and distribution costs for Performing Arts Journal. 20,000 New York, New York Performing Arts Journal For publication costs of Performing Arts Journal. 8,000 New York, New York Pottlitzer, Joanne To se.rve as an independent evaluator for the Theater Program’s on- 1,525 New York, New York site, screening, and reading activities. Rosoff, Barbara To serve as an independent evaluator for the Theater Program’s on- 2,000 Portland, Maine site, screening, and reading activities. Salerni, Lou To serve as an independent evaluator for the Theater Program’s on- 5,000 Minneapolis, Minnesota site, screening, and reading activities.

Schein, Gideon To serve as an independent evaluator for the Theater Program’s on- 6,000 New York, New York site, screening, and reading activities. Shaktman, Ben To serve as an independent evaluator for the Theater Program’s on- 3,0~0 New York, New York site, screening, and reading activities. 246 Theater

Sossi, Ron To serve as an independent evaluator for the Theater Program’s on- 325O Los Angeles, California site, screening, and reading activities. Steitzer, Jess To serve as an independent evaluator for the Theater Program’s on- 3,375 Seattle, Washington site, screening, and reading activities. Tears of Joy Theatre To provide an opportunity to re-introduce senior citizens to theater 2,000 Vancouver, Washington by involving them in puppetry performances. Theatre Communications Group For the Artist and Writer Observership program during 1983-84. 12,000 New York, New York Theatre Communications Group For administrative and program costs for the artistic and personnel 195,000 New York, New York services, literary services, management services, publications, and general programs.

Theatre Communications Group For independent evaluations for the Theater Program on-site screen­ New York, New York ing, and reading activities. Theatre Communications Group To amend a previous contract to allow for more comprehensive and New York, New York frequent on-site evaluation visits of theater companies and theater training institutions.

Two Penny Theatre To develop and present Almanac, a theatrical anthology of Vermont 7,950 Montpelier, Vermont folklore, collected by senior citizens. Wallace, Peter To serve as an independent evaluator for the Theater Program’s on- 3,700 New York, New York site, screening, and reading activities. Yale University For an outstanding arts adminstrator to serve temporarily in the En- 50,108 New Haven, Connecticut dowment’s Theater Program. Yale University For publication expenses of Theater Magazine. 2,500 New Haven, Connecticut

For unusually meritorious creative projects that provide or disseminate ex­ Special Projects amples of outstanding artistic achievement, and that would not be ac­ complished without Endowment assistance. Program funds: $257,500 6 grants

American Repertory Theatre For a production of King Lear directed by Jonathan Miller during $100,000 Cambridge, Massachusetts 1984-85.

Broom Street Theatre For a production about author Jean Toomer’s attempts to found a 6,000 Madison, Wisconsin Gurdjieff-inspired religious group in Portage, Wisconsin in 1931-32. Center for Puppetry Arts For a co-production with the American Place Theatre of a new play 25,000 Atlanta, Georgia by puppeteer Bruce D. Schwartz. Center Theatre Group of For "Car Plays," a collaborative project between the Mark Taper 60,500 Los Angeles Forum and the Los Angeles New Museum of Contemporary Arts. Los Angeles, California Second State Theatre For production and rehearsal expenses of All Night Long by John 26,000 New York, New York O’Keefe, directed by Andre Gregory. Theatre Communications Group For a Hispanic translation project, including identifying Hispanic plays 40,000 New York, New York for translation, commissioning translations, offering information service to theaters, providing commissioning grants to theaters for production, and offering a means for distribution of produced trm~sla­ tions through existing programs.

TF--Treasury Funds 248 Visual Arts 249 Visual Arts

Visual Arts Advisory Panels

Richard Andrews Douglas Davis Susanne Lacy Coordinator of Artist, art critic Artist, educator Art in Public Places New York, New York Los Angeles, California Seattle Arts Commission Seattle, Washington Allan Edmunds Gabriel Laderman Artist, Director of Painter, educator Garo Antreasian Brandywine Graphic Workshop New York, New York Printmaker Philadelphia, Pennsylvania Chairman of Department of Art Laura Lieberman University of New Mexico Lauren Ewing Editor of Art Papers Albuquerque, New Mexico Artist Atlanta, Georgia New York, New York Siah Armajani Willie Longshore Artist Anne Focke Chairman of Photography, Minneapolis, Minnesota Director Cinema, and Video and]or service Department John Baldesarri Seattle, Washington Ohio State University Artist, Professor of Art Columbus, Ohio California Institute Howard Fox of the Arts Associate Curator Greer Markle Los Angeles, California Hirshhorn Museum and Executive Director Sculpture Garden Sun Valley Center Lyn Blumenthal Washington, D.C. Sun Valley, Idaho Artist Director of Video Data Bank Tina Girouard Jean McLaughlin Chicago, Illinois Artist Visual]Literary Arts Cecilia, Louisiana Coordinator John Brumfield North Carolina Arts Council Photography Program Director Katherine Halbreich Raleigh, North Carolina School of Art and Design Director of Exhibitions California Institute Committee on the Visual Arts Andrea Miller-Keller of the Arts Massachusetts Institute Curator of Contemporary Art Valencia, California of Technology Wadsworth Atheneum Cambridge, Massachusetts Hartford, Connecticut Bill Buchen Artist, composer, musician Bill Jensen Anne Ogden New York, New York Artist Director of Arts Programs New York, New York Kentucky Arts Council Cynthia Carlson Franiffort, Kentucky Artist Andrew Keating New York, New York Painter Margit Omar Seattle, Washington Artist, Professor Gail Centini University of Southern Visual Arts Supervisor Ruth Kohler California Bureau of Cultural Affairs Director of John Michael Los Angeles, California Atlanta, Georgia Kohler Arts Center Sheboygan, Wisconsin Marc Pally Gylbert Coker Artist, Director of Los Angeles Freelance curator, art critic Donald Kuspit Contemporary Exhibitions New York, New York Critic, art historian Los Angeles, California Chairman of Art Department Bing Davis State University of New York Artist at Stony Brook Dayton, Ohio New York, New York 250 Visual Arts

Li Chung Pei Norie Sato Bob Stearns Architect Artist Director of Performing Arts I.M. Pei and Partners Seattle, Washington Walker Art Center New York, New York Minneapolis, Minnesota Bill Schade Adrian Piper Artist Gary Super Artist, critic, philosopher Albany, New York Artist, Co-Director of Ann Arbor, Michigan Nexus Press Joan Semmel Atlanta, Georgia Peter Plagens Artist Artist, critic New York, New York Warner Wada Chairman of Art Department Artist University of North Carolina Linda Shearer New York, New York Chapel Hill, North Carolina Director Artists Space Berta Walker Martin Puryear New York, New York Associate Director Artist Marisa del Re Gallery Chicago, Illinois Lowery Sims New York, New York Associate Curator of Susan Rankaitis 20th-Century Art Bill Wegman Photographer Metropolitan Museum of Art Artist Inglewood, California New York, New York Richmond, Virginia Jock Reynolds Ingrid Sischy Rene Yanez Artist Editor of Artform Artist, Co-Director New York, New York Galeria de la Raza]Studio 24 San Francisco, California San Francisco, California Carrie Rickey Rose Slivka Critic Editor of Craft International New York, New York New York, New York

Program funds: $5,754,972 Visual Arts Grants 485 grants

Visual Artists Fellowships are awarded this year to artists working in the areas of paint- ing, printmaking, drawing, artists books, conceptual-performance, new Fellowships genres, and video. Program funds: $2,320,000 218 grants

The following visual artists received $25,000 each:

Attic, Dotty Delap, Tony Loving, Richard New York, New York Corona del Mar, California Chicago, Illinois Berthot, Jake Finkelstein, Louis Neel, Alice New York, New York Stillwater, New Jersey New York, New York Chong, Ping Helman, Phoebe Schneemann, Carolee New York, New York New York, New York New Paltz, New York Colescott, Warrington Ireland, David White, John Hollandale, Wisconsin San Francisco, California Venice, California

The following visual artists received $15,000 each:

Abrams, Jane Alpuy, Julio Ausby, Ellsworth Albuquerque, New Mexico New York, New York Brooklyn, New York Acconci, Vito Amos, Emma Bandy, Gary Brooklyn, New York New York, New York New York, New York Barth, Jack Diamond, Martha LaNoue, Terence New York, New York New York, New York New York, New York Bear, Liza Doremus, Susanne Lather, Johannes New York, New York DeKaib, Illinois Los Angeles, California Beery, Gene Farley, William Longe, Brian Sutter Creek, California Oakland, California Oakland, California Benjamin, Karl Ferrer, Rafael Machida, Margo Claremont, California Philadelphia, Pennsylvania New York, New York Berg, Peter Fishman, Louise McDonald, Laurie New York, New York Brooklyn, New York Houston, Texas Bochner, Mel Floeter, Kent McPherson, S. Craig New York, New York New York, New York New York, New York Bohary, James Fried, Howard Miller, David New York, New York San Francisco, California Gansevoort, New York Bramson, Phyllis Gaulke, Cheri Mulligan, Matt Glenview, IRinois Los Angeles, California New York, New York Brauntuch, Troy Gillespie, Frances Murray, Judith New York, New York Northampton, Massachusetts New York, New York Brickhouse, Farrell Gorewitz, Shalom Newton, Gordon New York, New York New York, New York Mason, Michigan Brodsky, Eugene Green, Vanalyne Nicandro, Glugio New York, New York New York, New York Los Angeles, California Brown, Paul Grieger, W. Scott Oursler, Tony New York, New York Los Angeles, California New York, New York Brush, Leif Grucza, Leo Passuntino, Peter Duluth, Minnesota Champaign, Illinois New York, New York Buchanan, Nancy Haber, Ira PindelI, Howardena Madison, Wisconsin New York, New York New York, New York Burden, Chris Hammond, Harmony Pomeroy, James Los Angeles, California New York, New York San Francisco, California Charlesworth, Sarah Hanson, Philip Pozzi, Lucio New York, New York Chicago, Illinois New York, New York Childress, William Heinemann, Peter Quaytman, Harvey New York, New York New York, New York New York, New York Chiriani, Richard Henderson, Victor Ramberg, Christina Middieburg, New York Venice, California Chicago, Illinois Cohen, Maxi Huebler, C. Douglas Rosenthal, Rachel New York, New York Newhall, California LOs Angeles, California Cole, Max Rosier, Martha New York, New York New York, New York Brooklyn, New York Colescott, Robert Jones, Fay Santlofer, Jonathan Oakland, California Seattle, Washington New York, New York Colo, Papo Karnas, Mark Saunders, Raymond New York, New York Baltimore, Maryland Oakland, California Cumming, Robert Kazlov, Brian Schilling, Alfons West Suffield, Connecticut New York, New York Brooklyn, New York Davidovich, Jaime Kriegman, Mitchell Scgalove, Ilena New York, New York New York, New York Venice, California DeLottie, William Kroesen, Jill Skipitares, Theodore Eastford, Connecticut New York, New York New York, New York DeMarinis, Paul Kruger, Barbara Smith, Michael New York, New York New York, New York New York, New York Visual Arts

Sonfist, Alan Thorne, Joan Walling, Michael New York, New York New York, New York Kansas City, Missouri Stackhouse, Robert Ukeles, Mierle Wilson, Helen Miranda New York, New York Bronx, New York Wellfleet, Massachusetts Steckel, Anita Viola, Bill Wilson, Martha New York, New York Long Beach, California Brooklyn, New York Stevens, May Waite, Peter Wirsum, Karl New York, New York Hartford, Connecticut Chicago, Illinois Sultan, Altoon WalkingStick, Kay Yonemoto, Bruce New York, New York Englewood, New Jersey Venice, California

The following visual artists received $5,000each:

Alderette, Bob Capps, Kenneth Garrett, Dana Sunset Beach, California Carlsbad, California New York, New York Alfonzo, Carlos Chase, Benjamin Gash, Gail Miami Beach, Florida Los Angeles, California Santa Fe, New Mexico Allen, Jo Harvey Clark, James Geichman, Judy Fresno, California Brooklyn, New York Chicago, Illinois Allen, Lisa Connally, Danny Ghirardo, Raymond and Portland, Maine Sacramento, California Megan Roberts Laramie, Wyoming Almaguer, Michael Crimmins, Gerard Berkeley, California Glenside, Pennsylvania Gompertz, Jeff New York, New York Avadenka, Lynne Crockett, Alan Birmingham, Michigan Columbus, Ohio Goodell, Larry Placitas, New Mexico Bard, Katherine Cypis, Dorit San Francisco, California Los Angeles, California Gorton, Jennie Greenville, Mississippi Baribeau, Robert David, Michael Bangall, New York New York, New York Hayes, David Salt Lake City, Utah Beckett, Richard Dean, Mark New York, New York Philadelphia, Pennsylvania Heasley, Charles Cortland, New York Bell, Scott DiSalvo, David Oakland, California Long Island City, New York Hettmansperger, Sue New York, New York Belville, Scott Drumheller, Grant Spartanburg, South Carolina Brookline, Massachusetts Hill-Montgomery, Candace New York, New York Bogosian, Eric Duval, Jeanne New York, New York Jaffrey, New Hampshire Hudson Chicago, Illinois Bower, Vivian Feinberg, Jean New York, New York New York, New York Hull, John Baltimore, Maryland Brock, Harry Fendrich, Laurie Charlestown, Massachusetts Durham, North Carolina Hull, Shelly Baltimore, Maryland Burch-Brown, Carol Finch, Richard Blacksburg, Virginia Bloomington, Illinois Humphrey, Margo Oakland, California Burney, Grace Finley, Karen Brooklyn, New York Chicago, Illinois Humphrey, Nene New York, New York Bustinza, Alfredo Frank, Stephanie Brownsville, Texas New York, New York Ingraham, Kim Binghamton, New York Butler, Kenneth Gallagher, Cynthia Portland, Oregon New York, New York Jacobson, Susana Salt Lake City, Utah Cabouli, Diana Ganong, Robert Forest Hills, New York Boston, Massachusetts Visual Arts 253

Jones, Ronald Milani, Richard Reeds, Scott Sewanee, Tennessee New York, New York Los Angeles, California Julien, Susan Morgan, Kenneth Rice, Dan Chicago, Illinois Conventry, Connecticut Provincetown, Massachusetts Kamler, Richard Naponic, Anthony Ripling, Earl San Anselmo, California Kansas City, Missouri New York, New York Keppel, Deans Nichols, Daphne Rosbotham, Lyle New York, New York Philadelphia, Pennsylvania Arlington, Virginia Kessler, Charles Northerner, Will Rose, Peter Venice, California Chicago, Illinois Philadelphia, Pennsylvania Koss, Jim O’Grady, Lorraine Saltz, Mark Westchester, Illinois New York, New York New York, New York Kozol, Melanie Ornstein, Judith Sanchez, Juan Cohasset, Massachusetts Brooklyn, New York Brooklyn, New York Labat, Tony Osborn, Kevin Schnabel, Bruce San Francisco, California Arlington, Virginia Richmond, Virginia Laufer, Susan Owings, Michele Scully, Scan New York, New York New York, New York New York, New York Lemieux, Annette Peacock, Cliffton Serrano, Raul New York, New York Boston, Massachusetts Brooklyn, New York Leslie, Kenneth Perry, Lincoln Sisto, Elena Granville, New York Moody, Maine Brooklyn, New York Lombardo, William Peters, Robert Templeton, Fiona New York, New York Lake Forest, Illinois New York, New York Lowe, David Phillips, John Vereano, David New York, New York Chicago, Illinois Boston, Massachusetts Lundin, Norman Phillips, Liz Webb, Patrick Seattle, Washington New York, New York Ithaca, New York Magill, Mark Polansky, Lois Wong, AI New York, New York Roslyn, New York San Francisco, California Maxwell, William Pridgeon, James Wong, Tony Helotes, Texas Seattle, Washington New York, New York Meyer, Melissa Quin, Langdon Yarber, Robert New York, New York Cambridge, Massachusetts Oakland, California

Visual Artists To enable organizations originated by or for artists to conduct a variety of activities that encourage the artistic growth of individuals artists, crafts- Organizations persons, and photographers. Program funds: $1,837,159 132 grants

Advaita Society To support working facilities at the Kala Institute for artists in in- $4,000 Berkeley, California taglio, lithography, photography, silkscreen, papermaking, and let­ ter press. Alternative Center for International For honoraria to exhibiting artists and the production of exhibition 16,000 Arts catalogues. New York, New York American Craft Council To update and expand the portfolio files of living craftspersons at 3,000 New York, New York the council’s library. and/or service For service activities provided to the visual arts community of Seattle. 45,000 Seattle, Washington 254 Visual Arts

Appalachian Center for Crafts For three exhibitions and a visiting artists series. 7,500 Cookeville, Tennessee A.R.E. For exhibitions by young artists, especially those working in video 6,000 San Francisco, California and audio formats. Art Institute of Chicago For the Video Data Bank’s production and distribution of video 30,000 Chicago, Illinois documentation on contemporary art, artists, and original video work. Art Place For a program that focuses on local artists and provides them with 3,000 Madison, Wisconsin a professional exhibition space. Artemisia Fund For an exhibition program for increasing public awareness of women 12,000 Chicago, Illinois and emerging artists. Artists Alliance For a program of exhibitions and services for Florida artists. 6,000 Tampa, Florida Artists in Residence For the "Current Issues" lecture series and the "One-on-One" critics 15,000 New York, New York review process. Artists, Residents of Chicago For installation artists to work in Raw Space, ARC’s unfinished base- 5,000 Chicago, Illinois ment exhibition area. Artlink For opportunities for local and regional artists working in all media 6,000 Fort Wayne, Indiana to exhibit and receive honoraria. Arts Council of Windham County For a program of residencies, collaborative projects, and exhibitions 4,000 Brattleboro, Vermont that benefit artists. Bookspace To publish four books by artists and maintain a distribution point for 5,500 Chicago, Illinois artists’ books in Chicago. Boston Visual Artists Union For the information, resource, and advisory services and workshops 16,000 Boston, Massachusettes that the union offers to the artist community in the Boston area. Boulder Arts Center For exhibition programming and artists’ honoraria for emerging 10,000 Boulder, Colorado regional artists. Brandywine Graphic Workshop To support working facilities and honoraria for artists who wish to Philadelphia, Pennsylvania experiment with various arts processes. Brookfield Craft Center For a catalogue to document the exhibition, "Tools of the 2,000 Brooldield, Connecticut Woodworker." Cameravision For a series of photography exhibitions of the work of established 3,000 Los Angeles, California and emerging photographers. Catskill Center for Photography For a comprehensive program of exh3~itions, lectures, artists’ residen- 10,000 Woodstock, New York cies, working facilities, and services. Center for Book Arts For an exhibition program of contemporary book-works and 15,000 New York, New York workshops for artists in the book arts. Center for Exploratory and Perceptual For an exhibition program, a lecture series, a visiting artists program, 24,279 Arts an artists projects program, and bus shows. Buffalo, New York Center for Occupational Hazards To support a national service organization that educates artists and 15,000 New York, New York the public on the hazards of visual artists’ materials. Change For a service program to artists that provides emergency grants and 15,000 New York, New York medical assistance through participating hospitals.

Chicago Artists’ Coalition For a job referral service for Chicago artists. 1,000 Chicago, Illinois Chicago Books For the publication of six artists books and broadsides. 20,000 New York, New York Cincinnati Artists’ Group Effort To support art events by local and national artists in different loca- 9,000 Cincinnati, Ohio tions around Cincinnati. Clay Studio For exhibitions and a lecture-workshop program for 1983-84. 3,000 Philadelphia, Pennsylvania Visual Arts 255

Claywork Studio Workshop For artists’ fees, facilities, and technical assistance to artists for ex­ 6,000 New York, New York perimentation in the medium of clay. Committee for the Visual Arts For the exhibition program at Artists Space and services to artists 50,000 New York, New York through the Emergency Materials Fund and the Independent Ex­ hibitions Program. Committee for the Visual Arts For Collaborative Projects’ short-term exhibitions, video editing ser­ 19,000 New York, New York vice, traveling exhibitions, and the Artists’ Direct Mail Catalogue. Community Educational Exhibitions For small group thematic exhibitions at Local 1734 Gallery, featur­ 2,000 Washington, D.C. ing artists in the Washington area. Connecticut Commission on the Arts For the National Crafts Planning Board to establish a national craft 20,000 Hartford, Connecticut data bank. Contemporary Arts Center For the visual arts program of this multi-discipline cultural center. 45,000 New Orleans, Louisiana Contemporary Arts Center To support the National Association of Artists’ Organizations, a na­ 20,000 New Orleans, Louisiana tional service organization for visual artists’ organizations. Contemporary Crafts Association To enable artists to lecture and exhibit their work in the Pacific 15,000 Portland, Oregon Northwest.

Creative Time For the installation of works of art by living artists in public tem­ 30,000 New York, New York porary sites around New York City. Cultural Council Foundation For the exhibition of work by emerging artists through group shows 3,000 New York, New York and window exhibitions at Public Image. Cultural Council Foundation To support ABC No Rio, an exhibition center and workshop on 6,000 New York, New York Manhattan’s lower east side that serves as a site for interaction among artists. Cultural Council Foundation For En Foco’s program of exhibitions, working facilities, and pro­ 8,500 New York, New York ject support to Hispanic photographers. D.C. Slide Registry of Women Artists For a program of services to Washington area artists. 3,500 Washington, D.C.

Denver Free University For Spark’s exhibition of Rocky Mountain regional artists in a 7,500 Denver, Colorado schedule with artists from major urban centers. Dinnerware Artists Cooperative For exhibition opportunities for visual artists of the Southwest. 8,000 Tuscon, Arizona

Drawing Center For services, workshops, and the payment of artists’ fees to artists 15,000 New York, New York exhibiting in the "Selections" series. 80 Langton Street Corporation For installation and performance works by nationally known and Bay 32,000 San Francisco, California area artists, and for catalogue documentation of the year’s exhibition. Fabric Workshop For a residency program for artists and craftspeople to experiment 18,000 Philadelphia, Pennsylvania with fine art silkscreen printing on fabric.

Fiberworks For an opportunity for east and west coast artists to exhibit their 12,000 Berkeley, California work in an exchange program between Fiberworks and the Philadelphia College of Art.

55 Mercer Artists For a series of group and one-person invitational exhibitions and 10,000 New York, New York special curated group sculpture exhibitions.

Film in the Cities For a photography program that includes exhibitions, lectures, and 15,000 St. Paul, Minnesota visiting artists; and the publication Working Papers.

Fog Store For the exhibition of experimental and cross-cultural work in and 19,000 Bronx, New York around Fashion Moda in the south Bronx.

Fondo del Sol For an exhibition program that presents the work of Hispanic, Native 12,000 Washington, D.C. American, Caribbean, and black American artists.

Foundation for Art Resources To produce and present new art and ideas in Los Angeles that are 12,000 Los Angeles, California not easily accomodated by other organizations. Foundation for Today’s Art To support the exhibition program for Nexus. 13,000 Philadelphia, Pennsylvania Foundation for the Community of For publication of Art and Artists, an artist-run newspaper. 6,000 Artists New York, New York Franklin Furnace Archive For honoraria to artists participating in exhibitions and performance 25,000 New York, New York programs and for the at­hiving of artists books. Friends of Puerto Rico For the exhibition program at Cayman Gallery. 14,000 New York, New York Galeria Studio 24 For exhibitions of carved wooden religious statues and works by third- 15,000 San Francisco, California generation Hispanic artists. Glass Art Society For photographic documentation of glass art made by members of 3,000 Penland, North Carolina the Glass Art Society for presentation at their 1983 annual conference. Grupo Morivivi For the exhibition program at Galeria Morivivi. 2,000 New York, New York Haleakala To support exhibitions, present a schedule of performance works, pay 30,000 New York, New York honoraria to participating artists, and document these activities. Hallwalls For nine major exhibitions that feature works by artists prominent 35,000 Buffalo, New York in the national scene and 48 exhibits that present the work of western New York artists. Henry Street Settlement For a series of visual arts exhibitions, performances, lectures, and 10,000 New York, New York workshops at the Louis Abrons Arts for Living Center. Historic New Harmony For artists’ fees and exhibition opportunities to contemporary artists 7,000 New Harmony, Indiana exhibiting their work in historic New Harmony. Indiana University For a series of exhibitions, public lectures, and an environmental art 7,500 Indianapolis, Indiana workshop at Herron Gallery. Institute for Art and Urban Resources For exhibitions at the Clocktower in Manhattan and in the project 25,000 Long Island City, New York rooms of P.S.I., provision of worldng studios for artists, and honoraria to artists. Institute of Alaska Native Arts For fees to artists participating in an exhibition of contemporary 2,000 Falrbanks, Alaska Alaskan native sculpture. International Arts Relations For a program of 12 exhibitions of Latin American artists living in 8,000 New York, New York the U.S. Just Above Midtown For an exhibition and performance program, a visiting artists lec­ 28,000 New York, New York ture series, and a program on the business of being an artist. La Mamelle For video and performance programming and the publishing activi­ 10,000 San Francisco, California ty of the Contemporary Arts Press. Light Factory For a program of photography exhibitions, lectures, and workshops, 13,000 Charlotte, North Carolina and provision of working facilities. Light Work Visual Studies For stipends for an artists’ projects program, and photography ex­ 20,000 Syracuse, New York hibitions and lectures by visiting artists. Lill Street Gallery For artists’ fees, exhi’oitions, and workshops for the ceramic communi­ 8,500 Chicago, Illinois ty of Chicago. Line Association For a project run by artists to assist in the publication of artists books. 15,000 New York, New York Los Angeles Center for Photographic For a program of exhibitions, lectures, services to artists, and for 24,000 Studies publication of the critical journal, Obscura. Los Angeles, California Los Angeles Contemporary For visual arts programming in static and non-static forms, an arts 35,000 Exhibitions periodical library, studio tours, and a forum on the park as art in a Los Angeles, California public place. Los Institute of Contemporary Art For publication of The Journal and exhibitions. Los Angeles, California Mattress Factory For a series of exhibitions by installation artists. Pittsburgh, Pennsylvania Visual Arts 257

Mayor’s Advisory Committee on Art For School #33 to present exhibitions and a visiting artists and 11,000 and Culture curators series for 1983-84. Baltimore, Maryland Midmarch Associates For the publication of Women Artists News. 2,000 New York, New York Minneapolis Society of Fine Arts For the Minnesota Artists Exhibition Program. 12,000 Minneapolis, Minnesota Minority Photographers For a program of one-month exhibitions of works by emerging 5,500 New York, New York photographers. MoMing Dance and Arts Center For artists’ fees, exhibitions, and performances that are part of Mo­ 8,0OO Chicago, Illinois Ming’s visual arts programming. Mudflat Pottery School For artists’ fees for ceramic artists who presented workshops at 3,000 Cambridge, Massachusetts Mudflat during 1983-84. Name Gallery For artists’ fees, exhibitions, lectures, performances, and installations 25,000 Chicago, Illinois of contemporary art. New Museum For artists’ honoraria and a curatorial travel program. 30,000 New York, New York New Organization for the Visual Arts For services and programs that promote and develop the contem­ 12,000 Cleveland, Ohio porary visual arts field in the Cleveland area. New York Experimental Glass For artists’ fees, a residency program for glass artists, exhibitions, 22,000 Workshop and the publication of New Work. New York, New York Nexus For the artists book production programs of Nexus Press and ex­ 0,000 Atlanta, Georgia hibitions at the Nexus Galleries. Northwest Artists Workshop For exhibitions, performances, a workshop and publications for the 15,000 Portland, Oregon artists of the Northwest.

Ohio Foundation on the Arts For publication of Dialogue, a bimonthly journal. 10,000 Columbis, Ohio On the Boards For honoraria to visual artists. 4,000 Seattle, Washington 112 Workshops For artists honoraria, exhibition and installation costs, and perfor­ 12,000 New York, New York mance presentations at White Columns. Oregon Center for the Photographic For an exhibition program at Blue Sky Gallery, lectures and 18,000 Arts workshops, and a new publications program. Portland, Oregon Photographic Resource Center For a grant program in 1984 for new writing on photography. 82OO Boston, Massachusettes Photographic Resource Center For a program of services, exhibitions, and lectures; grants to ar­ 15,000 Boston, Massachusettes tists and critics; and publication of Views. Pilehuek School To support glass artists involved in directing workshops and artists 20,000 Seattle, Washington invited to participate in the visiting artists program. Pittsburgh Center for the Arts For an installation by video and performance artist Michael Smith 3,000 Pittsburgh, Pennsylvania in the center’s gallery. Portland Center for the Visual Arts For honoraria to artists extn~iting, lecturing, or performing in 1983-84. 10,0OO Portland, Oregon Printed Matter For the distribution of artists’ books, periodicals, and sound works 21,800 New York, New York through a mail-order catalogue and storefront. Printmaking Workshop For access to working facilities for minimal cost to emerging and 12,000 New York, New York established artists Pro Arts For exhibitions at the Pro Arts Gallery and display of site-oriented 7,000 Oakland, California sculptures in urban settings in Oakland. Public Art Fund For continued develpment and expansion of the Public Arts Fund 2,000 New York, New York Newsletter. 258 Visual Arts

Public Art Fund For fees to artists for the realization of public art projects and for 5,000 New York, New York support of the resource center. Pyramid Arts Center For exhibitions, performances, and the payments of artists’ fees. 4,000 Rochester, New York Randolph Street Gallery For a series of exhibitions, performances, and lectures. 22,000 Chicago, Illinois Real Art Ways Raw Ink For the visual arts coordinator’s position and honoraria to visual 5,000 Hartford, Connecticut artists. Richmond Printmaldng Workshop To provide workshops, printmaking facilities, and services to the ar­ 3,000 Richmond, Virginia tist community of Richmond. Rising Sun For "Recontext," a traveling photography exhibition. 7,000 Santa Fe, New Mexico San Francisco Art Institute For honoraria to artists exhibiting or performing at the institute. 7,000 San Francisco, California San Francisco Camerawork For exhibitions, artists’ services, short-term workshops, a lecture 20,000 San Francisco, California series, a bookstore, and a quarterly newsletter. Sculpture Space For access to facilities for sculptors made possible through a collabora­ 7,500 Utica, New York tion with the Utica Boiler Works. Self-Help Graphics and Art For exhibitions and services for artists working in east Los Angeles. 10,000 Los Angeles, California 1708 East Main For artists’ fees, exhibition and performance programs, and publica­ 17,080 Richmond, Virginia tions that document these programs. Sheboygan Arts Foundation For exhibitions with related documentation, workshops, lectures, and 50,000 Sheboygan, Wisconsin performances; and the Arts/Industry Program at the John Michael Kohler Arts Center.

Social and Public Art Resource Center To support four exhibitions. 20,000 Venice, California Society for Photographic Education For a program of regional and national conferences, a newsletter, a 15,000 New York, New York national directory and publication of Exposure. Society of North American Goldsmiths For an annual conference and publication of a newsletter and 18,000 Carmel Valley, California Metalsmith magazine. Spaces For artists’ fees, exhibitions, and performances. 11,000 Cleveland, Ohio Sun Valley Center for the Arts and For artists’ fees to visiting artists who were in residence at the Center 4,800 Humanities during the past year. Sun Valley, California Surface Design Association For fees to exhibiting artists included in a show at the annual con­ 3,000 Athens, Georgia ference, and for publication of Surface Design Journal. Upstairs For exhibitions, performances, and lectures on contemporary art. 3,000 Tryon, North Carolina Urban Institute for Contemporary Art For a lecture series and visual arts exhibitions and installations by 8,000 Grand Rapids, Michigan local and regional artists at Race Street Gallery.

Visual Arts Center of Alaska For exhibitions and visiting artist workshops. 9,000 Anchorage, Alaska Visual Studies Workshop For working facilities, exhibition programs, a lecture series, artist 49,000 Rochester, New York project residencies, and publication of Afterimage. Washington Project for the Arts For a schedule of major exhibitions of contemporary art, group shows 50,000 Washington, D.C. of local artists, performances, and the artists’ bookstore. Woman’s Community For a graphic arts working facility, artist project residencies, exhibi­ 25,000 Los Angeles, California tions, and slide documentation and distribution.

Women and Their Work To originate two exhibitions, coordinate the exchange of exhibitions 12,000 Austin, Texas around Texas, present two sited environments and performances, and conduct workshops for artists. Visual Arts 259

Women’s Art Registry of Minnesota For an exhibition program featuring the work of established and 6,000 Minneapolis, Minnesota emerging women artists. Women’s Interart Center For a visual arts exhibition program at Interart Gallery. 7,000 New York, New York Women’s Studio Workshop To provide access to working facilities for graphic arts and paper­ 5,000 Rosendale, New York making, for exhibitions, and a visiting artists program. Zone For artists’ services and exhibition opportunities for the community 1,000 Springfield, Massachusetts of artists in western Massachusetts.

Visual Artists To enable artists to assemble with professional peers, teachers, students, and the public to debate issues, share information, and compare methods. Forums Grants support visiting artists series, seminars and symposia, short-term workshops and demonstrations, and publications that contribute to the na­ tional dialogue on contemporary art. Program funds: $477,301 85 grants

Albright College For a one-day symposium on public arts during the spring of 1984. $5,000 Reading, Pennsylvania Aperture For publication of four issues of the periodical, Aperture. 15,000 Millerton, New York Arkansas, University of For a residency program involving demonstrations, critiques, lectures, 5,000 Fayetteville, Arkansas discussions, and exhibitions of the artists work. Art Academy of Cincinnati For a six-part lecture series developing the topic of "celebration." 3,392 Cincinnati, Ohio Art Institute of Chicago For a series of lecture-discussions by ten nationally known artists, 4,500 Chicago, Illinois art historians, and critics concerning the subject of "art under stress." Artists Alliance of San Antonio For "Tradition and Change in the Work of Contemporary American 1,000 San Antonio, Texas Women Artists," a conference in September 1983. Artists Talk on Art For artist-initiated lectures and panel discussions. 2,250 New York, New York Atlanta Art Papers For publication of criti¢~ writing on the visual arts in Art Papers. 15,000 Atlanta, Georgia Beaver College For two residencies of artists during the 1983-84 academic year. 2,000 Glenside, Pennsylvania Birmingham-Southern College For "Southern Rim II: The Narrative Tradition in the Arts," a con- 5,000 Birmingham, Alabama ference held in the fall of 1983. Boise Gallery of Art Association For five photographers to assemble and discuss issues related to the 1,800 Boise, Idaho scheduled Boise Gallery exhibition, "Arranged Image." Boston University, Trustees of For the Program in Artisanry, including a visiting artists series and 3,590 Boston, Massachusettes a panel discussion on economics and aesthetics in crafts. Brockman Gallery Productions For a two-day symposium in May 1984 on public art. 3~250 Los Angeles, California Burk (Frederic) Foundation for To publish Leonardo and increase the availability of the journal to 14,871 Education visual artists. San Francisco, California California, Regents of the University For an artists’ residency and lecture program jointly sponsored by 5,000 of the Art Department, and the University Art Museum, and the Col­ Berkeley, California lege of Environmental Design. California, Regents of the University For participation of visual artists in a two-day conference during the 4,750 of spring of 1984 on trends and innovations in the black art. Irvine, California 260 Visual Arts

Cambridge Arts Council Fund For a fall 1983 forum on public art issues, followed by series of 5,000 Cambridge, Massachusettes workshops that resulted in the award of public art commissions. Center for New Art Activities To publish Bomb, a periodical that presents the work and ideas of 10,000 New York, New York emerging artists. Chicago New Art Association To publish New Art Examiner, a tabloid-format magazine of the visual 3,000 Chicago, Illinois arts that appears in East Coast and Midwest editions. Chicago, University of For a series of lectures and seminars examining critical issues and 5,000 Chicago, Illinois artistic visions of contemporary artists. Colorado, Regents of the University of For the visiting artist program, in which professional artists and critics 5,000 Boulder, Colorado are brought to the university community for extended periods of time. Colorado Mountain College For the sixth annual Fourth of July Photography Symposium at the 5,000 Glenwood Springs, Colorado Breckenridge campus. Committee for the Visual Arts For publication and expansion of Real Life Magazine. 14,900 New York, New York Clark (Daniel) Foundation To publish Studio Potter, and enable the magazine to become more 15,000 Goffstown, New Hampshire self-sufficient by developing computer software.

Craft and Folk Art Museum For publication of Craft International, a magazine that presents 15,000 Los Angeles, California critical writing on all crafts media. Drake University For "Women in the Visual Arts," a symposium in the spring of 1984. 5,000 Des Moines, Iowa Fine Arts Work Center For a continuing program of visiting artists and critics. 5,000 Provincetown, Massachusetts Friends of Photography For publication of a book of ten critical essays on the role of documen­ 5,000 Carmel, California tary work in contemporary photography. Franklin Furnace Archive For Exit Art to publish Marginal Artiets, a book/exhibit project 11,075 New York, New York presenting the works of artists Tehching Hsieh, Ana Mendieta, Pape Colo, David Hammons, and Vito Acconci. Galeria de la Raza For publication of Community Murals Magazine, a journal of criticism 8,000 San Francisco, California and information for mural artists. Hampshire College For the payment of artists’ fees to visual artists and critics par­ 5,000 Amherst, Massachusetts ticipating in a residency and lecture program. Heresies Collective For publication of four issues of Heresies, including expanded page 15,000 New York, New York art and dialogue sections. Hudson River Museum at Yonkers For "Interactions," a series of seminars in which artists and critics 5,000 Yonkers, New York discuss contemporary visual arts issues in a public forum. Illinois, University of For the School of Art and Design’s visiting artists series. 2,525 Chicago, Illinois Indianapolis Museum of Art For a one-day conference to explore the impact critics have had on 4,500 Indianapolis, Indiana artists and their work. Institute for Architecture and Urban For publication of four issues of October, a journal of theory and prac­ 15,000 Studies tice in contemporary art. New York, New York Institute of Contemporary Art For production costs of This Was Corporate America, an artist’s book 10,000 Boston, Massachusetts by Chauncey Hare. Kansas City Art Institute For a visiting artists series of public lectures and workshops. 5,000 Kansas City, Missouri Kutztown State College To support visual artists involved with the art series program. 5,000 Kut~town, Pennsylvania Lawrence (Sarah) College For a program of visiting artists, historians, and critics involved with 2,500 Bronxville, New York sculpture, architecture, painting, photography, and performance. Long Island University For visiting artists to participate in a lecture series at the C.W. Post 2,500 Greenvale, New York Center. Visual Arts 261

Los Angeles Contemporary For Arstro Artz to publish The Amazing Decade/Women and Per- 10,000 Exhibitions formance Art, 1970-1980, edited by Moira Roth. Los Angeles, California Los Angeles Contemporary For Arstro Artz to publish High Performance, an ~ternational journal 15,000 Exhibitions about performance art. Los Angeles, California Luther College For two one-week residencies by visual artists. 2,000 Decorah, Iowa Maryland Institute, College of Art For extended residencies with sculptors Richard Van Buren and 5,000 Baltimore, Maryland Ursula von Rydingsvard. Middlebury College For a visiting artists program, bringing visual artists to the college 2,500 Middlebury, Vermont to present lectures on their work. Milwaukee Center for Photography For weekend workshops and a series of lectures by nationally pro- 5,000 Milwaukee, Wisconsin minent photographers. Mississippi, University of For nationally known visual artists and critics to come to the cam- 5,000 University, Mississippi pus as part of a visiting artists program. Murray State University For artists’ fees, transportation, and per diem expenses for a visiting 2,500 Murray, Kentucky artists program. Nantucket Island School of Design For Artists’ Environmental Forum, bringing four visual artists to 5,000 and the Arts Nantucket to produce environmental artworks. Nantucket Island, Massachusetts National Council on Education for the For the annual conference in April 1984. 5,000 Ceramic Arts Bandon, Oregon Nebraska, University of For three nationally known artists to visit Omaha as part of a visiting 2,983 Omaha, Nebraska artist series. New Mexico State University, For ten visual artists to come to Las Cruces as part of a one-year 5,000 Regents of visiting artists program. Las Cruces, New Mexico New Mexico, University of For a visiting artist series, bringing five artists to the Art Depart- 5,000 Albuquerque, New Mexico ment of the University.

New York, Research Foundation of For a series of lectures by professional artists speaking about their 1500 the City University of own work. Flushing, New York

New York, Research Foundation of For a visiting artists series at SUNY-Purchase of events exploring the State University of the topic of time and its implications in the visual arts. Albany, New York New York, Research Foundation of For a visiting artists series for the 1983-84 academic year at SUNY- 2,000 the State University of Plattsburgh. Albany, New York New York, Research Foundation of For the payment of fees, supplies, and travel costs necessary to sup- 3,000 the State University of port the residency of David Wells at SUNY-Potsdam. Albany, New York 92nd Street YM-YWHA For "The Art of the Craftsman," a series of residencies, workshops, 5,000 New York, New York and lectures. North Dakota, University of For the payment of artists’ fees and transportation expenses for a 5,000 Grand Forks, North Dakota visiting artists program. Oklahoma State University For a visiting artists series on the topic of ethnic diversity and con- 3,775 Stillwater, Oklahoma temporary aesthetic excellence. Ox Bow For a visiting artists series and an artists-in-residence program. 5,000 Saugatuck, Michigan Pennsylvania, University of For a visiting artists series that features lectures by exhibiting 5,000 Philadelphia, Pennsylvania artists and critics, held in conjunction with exh~itions at the Institute of Contemporary Art. 262 Visual Arts

Philadelphia College of Art For the "Mediaworks" program, an integrated lecture series present­ 5,000 Philadelphia, Pennsylvania ing established and emerging visual artists. Portland School of Art For a four-part lecture and visiting artists series for the 1983-84 2,000 Portland, Maine academic year. Public Eye For publication of Video 80, a quarterly journal. 5,000 San Francisco, California Rutgers, the State University of For a visiting artists and critics program, bringing nationally known 5,000 New Jersey figures to three Philadelphia area schools. Camden, New Jersey Rutgers, the State University of For "Recycling the Past: Artists Who Use the Old Masters," a series 2,350 New Jersey of lecture-meetings with contemporary artists who quote, paraphase, Newark, New Jersey or rework the old and modem masters of art. Skowhegan School of Painting For a visiting artists program for painters and sculptors. 5,000 and Sculpture New York, New York South Alabama, University of For a residency program, bringing two artists to campus for one-week 3,000 Mobile, Alabama residencies. South Carolina Arts Commission To support six nationally known visual artists who visited South 5,000 Columbia, South Carolina Carolina between September 1983 and August 1984. Southern California, University of For the residencies of two visiting artists during the 1983-84 academic 5,000 Los Angeles, California year. Southern Illinois University, For the lecture series, "Documentary Photography as an Element 5,000 Board of Trustees of Contemporary History." Carbondale, Illinois Texas, University of For a visiting artists series, bringing nationally recognized artists 3,800 San Antonio, Texas for seminars and critiques. Tucson Visiting Artist Consortium For artists and arts scholars to give lectures that are supplemented 3,100 Tucson, Arizona with workshops, demonstrations, and seminars. Virginia Commonwealth University For a visiting artists program on printmaking. 1,950 Richmond, Virginia

Virginia Polytechnic Institute For "Artist and Media: Imagery and Issues," a symposium in 4,650 and State University October 1983. Blacksburg, Virginia Visual Studies Workshop For the production of Seattle Subtext, an artist’s book by Paul Berger. 6,780 Rochester, New York Walker Art Center For a five-part lecture series on the recent history of and 5,000 Minneapolis, Minnesota developments in contemporary performance art. Washington State University For a program that brings artists and critics to the Pacific Northwest 4,200 Pullman, Washington for residencies at Washington State University, the University of Idaho, and Eastern Washington University. Weber State College For a visiting artists program involving nationally recognized artists. 5,000 Ogden, Utah

White Columns For publication of ZG, a journal of critical writing on the meaning 10,240 New York, New York of contemporary visual artwork within our culture. Woodstock School of Art For artists’ fees for artists participating in a lecture series. 1,000 Woodstock, New York World Print Council For programs accompanying the international exhibition, "World 5,000 San Francisco, California Print Four," in fall 1983. Wright State University For "Contemporary Figuration: Alternative Approaches," a two-day 3,300 Dayton, Ohio symposium in spring 1984. Visual Arts 263

To enable city and state governments, educational institutions, and other Art in Public Places organizations to commission or purchase works of art as permanent features of such sites as parks, plazas, riverfronts, airports, subways, and public buildings. Also funded are short-term installations of experimental works that demonstrate further potential for art in public places. Program funds: $487,505 26 grants

Allegheny County, Port Authority of To commission Romare Bearden for a mural at the Gateway Station $15,000 Pittsburgh, Pennsylvania of the new ten-mile Light Rail Transit System. Arizona Commission on the Arts and For a joint planning project in which an artist plans siting of artworks 10,000 Humanities in the Central Phoenix Redevelopment area. Phoenix, Arizona Arts Festival Association of Atlanta For temporary installations by six artists as part of the 31st annual 18,000 Atlanta, Georgia Festival in Piedmont Park. Boulder, City of For a permanent installation by Andrea Blum in a newly designed 30,000 Boulder, Colorado city park in downtown Boulder. Brockman Gallery Productions For a mural project in downtown Los Angeles by Kent Twitchell. 10,000 Los Angeles, California California, University of For a major installation by James Turrell on a bluff overlooking the 10,000 La Jolla, California ocean on the University campus. Coast Community Colleges To commission Lita Albuquerque for a sculpture within the Fine Arts 15,000 Costa Mesa, California complex of the Orange Coast College. Film in the Cities To commmission six photographers to design pre-selected billboards 22,800 St. Paul, Minnesota in Minneapolis and St. Paul. Grand Center Association For the planning phase of a multi-year public art plan for Grand 10,000 St. Louis, Missouri Center, an eight-block national historic district. Hammarskjold Plaza Sculpture For temporary installations by four artists in Hammarskjold Plaza 13,000 Garden Sculpture Garden for the 1983-84 season. New York, New York Jersey City Tenant Affairs Board To commission Melvin Edwards for a sculpture for Lafayette Gardens 10,000 Jersey City, New Jersey housing development.

King County Arts Commission To commission an artwork by Martha Schwartz for the plaza area 50,000 Seattle, Washington of the new King County jail being constructed in downtown Seattle.

Livonia Cultural League For the planning phase of an environmental art project for the 76-acre 10,000 Livonia, Michigan City of Livonia civic center. Maryland Institute, College of Art For a planning grant for Richard Fleischner, Mary Miss, and Jeffrey 10,000 Baltimore, Maryland Schiff. Maryland State Arts Council To commission an artist for a large wall site at Baltimore/Washington 15,000 Baltimore, Maryland International Airport. Mason (George) University For the planning of two major works on the university’s campus. 5,000 Fairfax, Virginia

Massachusetts Institute of Technology To commission a series of photographic installations by Suzanne 8,000 Cambridge, Massachusetts Hellmuth and Jock Reynolds.

Mitchell Area Arts Council To commission Siah Armajani for a permanent structure to serve as 10,000 Mitchell, South Dakota a bandshell for the Oscar Howe Art Center.

Natural Heritage Trust For temporary installations by 25 artists for sites in Artpark during 35,000 Le~ston, New York the summer of 1983. New Jersey State Council on the Arts To commission an artwork by Charles Simonds in Liberty State Park, 15,000 Trenton, New Jersey New Jersey’s first urban state park. New Mexico, University of To commission Bruce Nauman for the central plaza of the university. 50,000 Albuquerque, New Mexico 264 Visual Arts

North Carolina Department of Commerce To integrate works by Cynthia Bringle, Bob Kopf, Jan Loyd, and 40,000 Raleigh, North Carolina Susan Kowlczyk into a welcome center to be built on 1-77 South on the North Carolina and South Carolina border. North Central Ohio Arts Council For the planning stage of a major sculpture project to include eight 6,000 Sandusky, Ohio permanent public works in eight communities throughout north cen­ tral Ohio. Rapid City Fine Arts Council For an environmental sculpture by Andrew Leicester, constructed 11,830 Rapid City, South Dakota atop "Smelter Hill," located on the School of Mines campus. Seattle Arts Commission For a planning project to encourage imaginative exploration of ur- 7,875 Seattle, Washington ban sites by nine artists. Skystone Foundation For a major work of art by James Turrell sited within a prehistoric 50,000 Flagstaff, Arizona volcano located on the western edge of the Painted Desert in northern Arizona.

Special Projects To support a very limited number of model projects that assist artists in innovative ways and are not eligible under the other categories. Program funds: $633,007 24 grants

Atlanta, City of For a continuing program of grants that aid Atlanta visual artists $6,000 Atlanta, Georgia to exhibit or present their work. Bailey, Jackie To amend a previous grant for Ms. Bailey to participate as a Fellow 6,500 Richmond, Virginia in the Visual Arts Program.

Creative Time For a promotional effort to demonstrate Creative Time’s success in 15,000 New York, New York attracting substantial private sector support, therby serving as a model for other visual artists organizations. Cultural Council Foundation To amend a previous cooperative agreement for qualified experts to 25,000 New York, New York provide artistic and administrative evaluations of applicants to the Visual Arts Program. Gonchar, Nancy To extend Ms. Gonchar’s participation as a Fellow in the Visual Arts 5,200 Rochester, New York Program. Mid-America Arts Alliance For a pilot regional fellowship program for emerging visual artists. 48,000 Kansas City, Missouri Mid-America Arts Alliance For the second year of a regional fellowship program for emerging 60,000 Kansas City, Missouri visual artists. National Association of Artists’ For a cooperative agreement to conduct a comprehensive survey of 50,000 Organizations organizations that serve visual artists. Washington, D.C. National Oceanic and Atmospheric For a documentary catalogue of a major public art project at the 10,000 Adminstration NOAA Western Regional Center in Seattle. Washington, D.C. New York, City University of For an outstanding arts administrator to serve temporarily in the 65,155 Flushing, New York Visual Arts Program. Newman, Amy To conduct a seminar on critical writing in the visual arts field. 19,000 New York, New York Oregon Arts Foundation To support the second annual meeting of visual arts coordinators of 10,000 Salem, Oregon state and local arts agencies. Otis Art Institute of Parsons For an exhibition and catalogue of drawings, sculpture, and video work 10,000 School of Design by Robert Wilson at the Exhibition Center. Los Angeles, California Partners for Livable Places To publish and distribute a publication documenting exemplary public Washington, D.C. art projects funded by the Endowment during the past three years. Visual Arts 265

Rising Sun To research and develop computer graphics systems, render them 45,430 Santa Fe, New Mexico more accessible and compatible to artists, and produce new works of art. Social and Public Arts Resource Center To repair the Great Wall of Los Angeles mural project damaged by Venice, California a flood. Southeastern Center for Contemporary For the third year of the fellowship program, Awards in the Visual Art Arts. Winston-Salem, North Carolina Southeastern Center for Contemporary To continue support of a regional artists’ fellowship program. 15,000 Art Winston-Salem, North Carolina

Veterans’ Administration and General To coordinate and continue to develop a regional panel system for 16,722 Services Administration reviewing and selecting visual artists for Federal Art-in-Architecture Washington, D.C. programs, primarily for the General Services Administration and the Veterans’ Administration.

The following grants were funded under the Visual Arts Program on behalf of the Museum Program:

and]or service For exhibitions at the Center on Contemporary Art of contemporary $20,000 Seattle, Washington works in various media that express a sense of irony, humor, or satire. Committee for the Visual Arts For an exchange exhibition between Los Angeles Contemporary Ex­ 10,000 New York, New York hibitions and Artists Space in New York, presenting works by emerg­ ing artists. Franklin Furnace Archive For a series of performances and multi-media works by eight artists 10,000 New York, New York from Great Britain. New Museum For an exhibition of works by Earl Staley. 15,000 New York, New York Portland Center for the Visual Arts For a series of up to six mid-sized exhibitions lasting four or five weeks 10,000 Portland, Oregon each, featuring individual emerging or regionally underexposed art­ ists, primarily from the Northwest. Office for Public Partnership Artists in Education State Programs 268 Artists i~ Ed~catia~ 269 Artists in Education

Artists in Education Advisory Panels Jack Stefany, Chairman Ruth Draper David Rockefeller, Jr. Architect Executive Director Arts Administrator McElvy, Jennewein, Stefany, Utah Arts Council Arts, Education, and Americans and Howard Salt Lake City, Utah New York, New York Tampa, Florida Eric Eversley Vonnie Sanford T.J. Anderson Principal AIE Coordinator Music Educator Smoky Hill High School Ohio Arts Council Tufts University Aurora, Colorado Columbus, Ohio Winchester, Massachusetts Bonnie Pitman Gelles John Scarcelli Hector Campos Parsi Museum Educator Chairman Composer, Arts Administrator Seattle Museum Maine State Commission on the Development of Arts and Culture Seattle, Washington Arts and the Humanities Cayey, Puerto Rico Farmington, Maine Robert Huffman Juan Carrillo Corporate Executive Michele Shay Arts Program Manager Proctor and Gamble Actress California Arts Council Jackson, Tennessee New York, New York Sacramento, California Alan Jabbour Richard Taylor Charles Clark Director of Folklife Poet, Professor Television Producer Library of Congress Kentucky State University Native American Poet Washington, D.C. Frankfort, Kentucky Sapulpa, Oklahoma Peggy Long Robin Tryloff Chuck Davis Program Director Executive Director Artistic Director Western States Arts Foundation Nebraska Arts Council Chuck Davis Dance Company Santa Fe, New Mexico Omaha, Nebraska New York, New York Jock Reynolds Joan Woodbury Amina Dickerson Visual Artist Faculty Dancer/Choreographer Program Director San Francisco State University Ririe-Woodbury Dance Company National Museum of African Art San Francisco, California Salt Lake City, Utah Washington, D.C.

Program funds: $4,700,810 Artists in Education Grants 105 grants

Artist Residency For a national state-based program that places professional artists in residen­ Grants cies in educational settings. Program funds: $4,069,060 54 grants

Alabama State Council on the $ 73,665 Alaska State Council on the Arts 120,670 Arts and Humanities Anchorage, Alaska Montgomery, Alabama 270 Artists in Education

Arizona Commission on the Arts and 96,665 Mississippi Arts Commission 37,655 Humanities Jackson, Mississippi Phoenix, Arizona Missouri State Council on the Arts 25,040 Arkansas Arts Council 85,800 St. Louis, Missouri Little Rock, Arkansas Montana Arts Council 48,285 California Arts Council 165,160 Missoula, Montana Sacramento, California Nebraska Arts Council 134,000 Colorado Council on the Arts and 54,805 Omaha, Nebraska Humanities Denver, Colorado Nevada State Council on the Arts 42,230 Reno, Nevada Connecticut Commisson on the Arts 72,895 Hartford, Connecticut New Hampshire Commission on the Arts 62,300 Concord, New Hampshire Delaware State Arts Council 39,080 Wilmington, Delaware New Jersey State Council on the Arts 91,910 Trenton, New Jersey District of Columbia Commission on the 15,450 Arts and Humanities New Mexico Arts Division 95,220 Washington, D.C. Santa Fe, New Mexico Florida, Arts Council of 85,525 New York State Council on the Arts 211,420 Tallahassee, Florida New York, New York Georgia Council for the Arts and 76,020 North Carolina Arts Council 63,285 Humanities Raleigh, North Carolina Tucker, Georgia North Dakota Council on the Arts 40,620 Guam Council on the Arts and 30,000 Fargo, North Dakota Humanities Agana, Guam (Northern Mariana Islands) Commonwealth 20,800 Council for Arts and Culture (Hawaii) State Foundation on Culture and 65,180 Saipan, Northern Mariana Islands the Arts Honolulu, Hawaii Ohio Arts Council 128,370 Columbus, Ohio Idaho Commission on the Arts 48,355 Boise, Idaho Oklahoma, State Arts Council of 90,000 Oklahoma City, Oklahoma Illinois Arts Council 90,000 Chicago, Illinois Oregon Arts Commission 109,120 Salem, Oregon Indiana Arts Commission 93,705 Indianapolis, Indiana Pennsylvania Council on the Arts, 72,610 Commonwealth of Iowa Arts Council 107,030 Harrisburg, Pennsylvania Des Moines, Iowa Puerto Rican Culture, Institute of 20,000 Kansas Arts Commission 64,495 San Juan, Puerto Rico Topeka, Kansas Rhode Island State Council on the Arts 92,500 Kentucky Arts Council 80,035 Providence, Rhode Island Frankfort, Kentucky South Carolina Arts Commission 113,755 (Louisiana) Department of Culture, 93,040 Columbia, South Carolina Recreation, and Tourism Baton Rouge, Louisiana South Dakota Arts Council 48,055 Sioux Falls, South Dakota Maine State Commission on the Arts and the 90,000 Humanities Tennessee Arts Commission 81,235 Augusta, Maine Nashville, Tennessee

Maryland State Arts Council 36,795 Texas Commission on the Arts 82,000 Baltimore, Maryland Austin, Texas Massachusetts Council on the Arts and 80,100 Utah Arts Council 71,400 Humanities Salt Lake City, Utah Boston, Massachusetts Vermont Council on the Arts 39,790 Michigan Council for the Arts 90,790 Montpelier, Vermont Detroit, Michigan Virginia Commission for the Arts 33,320 Minnesota State Arts Board 104,705 Richmond, Virginia St. Paul, Minnesota Artists in Education 271

Washington State Arts Commission 84,760 Wisconsin Arts Board 84,010 Olympia, Washington Madison, Wisconsin (West Virginia) Department of Culture 43,555 Wyoming Council on the Arts 41,850 and History Cheyenne, Wyoming Charleston, West Virginia

Special Projects For projects that demonstrate and further knowledge of the arts and ar­ tists in the educational process, or that provide assistance and services on a regional or national level to local, state, or regional arts agency person­ nel, artists, educators, and administrators involved in the arts and education. Program funds: $631,750 51 grants

American Samoa Council on Culture, For technical assistance relating to projects funded through the Art­ $5,000 Arts, and Humanities ist Residency Grants category. Pago Pago, American Samoa Artists Foundation For a master artists’ team to conduct a two-week teacher training 7,300 Boston, Massachusetts program. Arts Connection To support "Artists Teaching Teachers," an artist-teacher collabora­ 13,500 New York, New York tion introducing performing arts skills to teachers, including provi­ sion of filmed materials. ASSITEJ/USA For "A World Festival of Theatre for Young People," at the World’s 12,500 New York, New York Fair in New Orleans. Bowling Green State University For the second year of Arts Unlimited, a model program for develop­ 12,100 Bowling Green, Ohio ing aesthetic perception in teachers and students.

Burk (Frederic) Foundation for To expand the CPITS model affirmative action program, which 11,000 Education recruits and trains minority poets to respond to the needs of the state San Francisco, California Artists in Education Program.

Center for City Building To coordinate the design and implementation of the City Building 10,000 Educational Programs Project in the ABC school district, and to catalogue and coordinate Santa Monica, California graphic and written documentation of the project.

Center for Environmental Education To develop an eight-part television series with South Carolina Educa­ 12,500 Washington, D.C. tional Television, distributed to elementary schools through PBS. Children’s Dance Theatre, For a summer teacher training workshop using the Virginia Tanner 3,700 Division of Continuing Education Creative Dance Program and dancers/movement specialists. Salt Lake City, Utah COMPAS For Dialogue II, a teacher/writer workshop project, including public 10,500 St. Paul, Minnesota readings by visiting and local writers. Cultural Council of Santa Cruz County For teacher workshops in the arts and teacher in-services with art­ 9,750 Aptos, California ists at schools.

Cultural Education Collaborative For ten regional workshops involving artists and educators, 10,000 Boston, Massachusetts highlighting various art forms and their value to education. Film in the Cities For "Media Arts: Teaching Humanistic Technology," four artist-led 11,800 St. Paul, Minnesota intensive one-week media workshops for teachers. Ford, Carol R. To serve as Project Coordinator to develop several major projects 22,400 Alexandria, Virginia for the Artists in Education Program. Fowler, Charles B. To prepare a compendium of arts education advocacy materials to 3,000 Washington, D.C. provide guidance and information to benefit regional, state, and local arts agencies.

Friends of the Junior Arts Center For nine seminars led by three professional artists for grades four 2,000 Los Angeles, California through nine at the Los Angeles Unified School District’s Conser­ vatory of Fine Arts. 272 Artists in Education

Group Material For Art and Knowledge Workshop to conduct a studio project for 9,000 New York, New York inner-city teenagers on producing collaborative artworks, thereby im­ proving their problem-solving skills for academic subjects.

Indiana Arts Commission For an artist and a coordinator-educator-artist to develop and evaluate 6,000 Indianapolis, Indiana seven new sites for artists in education in Indiana. Learning Through Education in the Arts To develop a master-apprentice program to provide professional art­ 11,500 San Francisco, California ists with techniques that improve their effectiveness in educational settings, and to present introductory programs in new school sites.

Lennox School District For a series of artist/teacher collaborations, classroom arts activities, 5,600 Lennox, California and field-trips to museums and galleries. Louisville Foundation, University of For the Kentucky Institute for the Arts in Education’s program to 11,250 Louisville, Kentucky provide training, support services, and cooperative planning for the development of quality arts in education throughout Kentucky.

Maine State Commission on the Arts For three artist/teacher institutes to facilitate collaborations between 15,000 and the Humanities Maine artists and teachers and strengthen arts presentations. Augusta, Maine Metropolitan Opera Association To develop and implement a course on the creative process, providing 9,000 New York, New York teachers from ten elementary schools with the skills to create and produce original music-theater works in their schools.

Minnesota Alliance for Arts For the first year of "Public Awareness and Action for the Arts in in Education Education," a three-year information and advocacy project about arts Minneapolis, Minnesota in education. Mitchell, Patricia E. To amend a previous grant for research, analysis, and writing on arts 3,300 Washington, D.C. education.

Museums Collaborative For the School Voucher Program, involving public schools, cultural 9,500 New York, New York institutions, and individual artists to encourage teachers to participate in creating programs for school children. National Assembly of State Arts To amend a previous grant for technical assistance and support ser­ 20,000 Agencies vices in connection with the national conference/workshop for the Art­ Washington, D.C. ist Residency Grants. National Assembly of State Arts For technical assistance and support services in connection with 60,000 Agencies developing and convening four regional meetings relating to arts Washington, D.C. education. New Mexico, University of For the Mentorship Program, which increases environmental design 15,200 Albuquerque, New Mexico awareness through collaboration among public school teachers, ad­ vanced design students, and a master artist. New Orleans Public Schools To identify five of the most effective models of artist/teacher collabora­ 10,500 New Orleans, Louisiana tions and provide a means for dissemination of information about these projects. New York State Poets in the Schools To expand the community outreach program and evaluate different 9,250 Chappaqua, New York environments in which poets can be trained to work in schools. Opera America For phase two of "Kids Invent Opera," a cooperative project with 12,500 Washington, D.C. the Learning About Learning Educational Foundation. Oregon Arts Commission For the "Oregon Arts Education Development Project," which im­ 15,000 Salem, Oregon plemented three components of a statewide arts education plan. Pasadena Unified School District To enable artistically talented high school students to work individual­ 6,000 Pasadena, California ly with professional artists. Performing Arts Council of the For the 1983 Summer Institute for Educators for educators ar, d art­ 15,000 Music Center ists in dance, drama, music, film, and visual arts. Los Angeles, California Programs for Alternative Creative For a pilot program for 28 schools to enhance the interaction among 7,500 Education artists, students, teachers, and communities. Detroit, Michigan

Rising Sun To plan, monitor, and analyze a pilot version of a new, accredited learn­ 9,000 Santa Fe, New Mexico ing program for the arts in the Southwest. Artists in Education 273

St. Paul Public Schools For 18 bi-weekly workshops by artists and educators for elementary 10,000 St. Paul, Minnesota school teachers. Santa Fe Council for the Arts For a series for four after-school workshops and two special workshops 9,500 Santa Fe, New Mexico conducted by professional artists. Social and Public Art Resource Center For "Mural Taller," a series of workshops and technical assistance 10,750 Venice, California consultations with artists for professional muralists to upgrade their skills and train students in the technical, aesthetic, historical, and business aspects of this medium.

South Carolina Arts Commission For a five-minute promotional videotape about the Artists in Educa­ 7,500 Columbia, South Carolina tion Program. Symphony Space For "Curriculum Arts Projects," using music and visual arts to 12,000 New York, New York enhance classroom study of American history. Teachem and Writers Collaborative For a series of writing and art seminars for teachers and parents of 7,000 New York, New York New York City area school children. Urban Gateways For an intensified Arts for Learning Program for upper-grade 15,000 Chicago, Illinois students in schools selected for their diversity of ethnic, socioeconomic, and geographic makeup.

Utah Arts Council For a statewide conference for artists, arts educators, administrators 4,000 Salt Lake City, Utah from the Department of Education, and representatives from the com­ munity and arts organizations. Vermont Council on the Arts For the Vermont Governor’s Institute on the Arts, a four-week sum­ 15,000 Montpelier, Vermont mer arts residency program for junior and senior high-school students. Wake County Public School System For "Echoes and Choices: The Contemporary American Artist and 14,000 Raleigh, North Carolina His Cultural Past," focusing on African, Asian, and Latin-American cultures represented in the school population. Walsh and Associates For technical assistance and support services concerning evaluations 75,000 Berkeley, California of applicant organizations for the Special Projects category. Washington State University For "The Many Faces of Survival: Coping in a Changing World," 8,750 Pullman, Washington designed to demonstrate how the arts can promote a greater understanding of sociological phenomena. Washington, University of For KCTS/9 Public Television to develop the pilot program for a visual 6,000 Seattle, Washington arts education series for primary grades. Wisconsin Alliance for Arts Education For a comprehensive arts project involving artists, arts educators, 11,100 Madison, Wisconsin and community arts advocates. 274 State Prog~ms 275 State Programs

State Programs Advisory Panels Mildred E. Bautista Ellen Loveli John K. Urice Executive Director Executive Director Director D.C. Commission on the Arts Vermont Council on the Arts Center for the Arts and Humanities Montpelier Vermont Binghamton, New York Washington, D.C. Laurence Miller Nicholaas Van Hevelingen Beatrice Covington Director President Arts council member Laguna Gloria Art Museum National Association of Winston-Salem, North Carolina Austin, Texas Local Arts Agencies Executive Director Joann Freed Mafia Pearson St. Louis Arts and Humanities Chairman Native American affairs Commission Utah Arts Council consultant St. Louis, Missouri Salt Lake City, Utah Member of Iowa Arts Council Marne, Iowa Gerald Yoshitomi Bill Jamison Director President Betryce Prosterman Japanese American Cultural Western States Arts Foundation Past Chairman Center Santa Fe, New Mexico Maryland Arts Council Los Angeles, California Chevy Chase, Maryland Wayne P. Lawson Chairman E. Ray Scott National Association of State Executive Director Arts Agencies Michigan Council for the Arts Executive Director Detroit, Michigan Ohio Arts Council Columbus, Ohio

Program funds: $21,142,412 State Programs Grants 71 grants

Regional Arts For regional groups of two or more state arts agencies to support arts pro­ Programming Grants grams planned and implemented on a multi-state basis. Program funds: $2,574,200 8 grants

Affiliated State Arts Agencies of the For regional touring programs and support services in Iowa, Min­ $283,200 Upper Midwest nesota, North Dakota, South Dakota, and Wisconsin. Minneapolis, Minnesota

Consortium for Pacific Arts and To amend a previous grant for travel and technical assistance. 70,000 Cultures Honolulu, Hawaii Great Lakes Arts Alliance For regional arts programs and services in Illinois, Indiana, Michigan, 180,200 Cleveland, Ohio and Ohio. 276 State Programs

Mid-America Arts Alliance For regional programming and operations in Arkansas, Kansas, 384,500 Kansas City, Missouri Missouri, Nebraska, and Oklahoma, Mid-Atlantic States Arts Consortium For regional programs, research, and operations in Delaware, District 364,400 Baltimore, Maryland of Columbia, Maryland, New Jersey, New York, Pennsylvania, Virginia, and West Virginia.

New England Foundation for the Arts For regional arts projects in Connecticut, Maine, Massachusetts, New 308,700 Cambridge, Massachusetts Hampshire, Rhode Island, and Vermont. Southern Arts Federation For regional programs and activities in Alabama, Florida, Georgia, 441,900 Atlanta, Georgia Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, and Tennessee.

Western States Arts Foundation For regional programs and activities in Arizona, Colorado, Idaho, Mon­ Santa Fe, New Mexico tana, Nevada, New Mexico, Oregon, Utah, Washington, and Wyoming.

Basic State Grants To provide basic support to state arts agencies. Program funds: $17,994,400 56 grants

Alabama State Council on the Arts and $310,800 Idaho Commission on the Arts 286,800 Humanties Boise, Idaho Montgomery, Alabama Illinois Arts Council 383,500 Alaska State Council on the Arts 372,600 Chicago, Illinois Anchorage, Alaska Indiana Arts Commission 330,700 American Samoa Council on Culture, Arts, and 220,600 Indianapolis, Indiana Humanities Pago Pago, American Samoa Iowa Arts Council 298,500 Des Moines, Iowa Arizona Commission on the Arts and 295,500 Humanities Kansas Arts Commission 293,800 Phoenix, Arizona Topeka, Kansas Arkansas Arts Council 315,100 Kentucky Arts Council 315,200 Little Rock, Arkansas Frankfort, Kentucky California Arts Council 502,300 (Louisiana) Department of Culture, 317,500 Sacramento, California Recreation, and Tourism, Division of the Arts Colorado Council on the Arts and 303,400 Baton Rouge, Louisiana Humanities Denver, Colorado Maine State Commission on the 289,000 Arts and the Humanities Connecticut Commission on the Arts 315,700 Augusta, Maine Hartford, Connecticut Maryland State Arts Council Delaware State Arts Council 285,100 Baltimore, Maryland Wilmington, Delaware Massachusetts Council on the District of Columbia Commission 285,300 Arts and Humanities on the Arts and Humanities Boston, Massachusetts Washington, D.C. Michigan Council for the Arts 388,600 Florida, Arts Council of 363,700 Detroit, Michigan Tallahassee, Florida Minnesota State Arts Board 342,700 Georgia Council for the Arts and 326,600 St. Paul, Minnesota Humanities Tucker, Georgia Mississippi Arts Commission 297,700 Jackson, Mississippi Guam Council on the Arts 245,900 and Humanities Missouri State Council on the Arts 353,000 Agana, Guam St. Louis, Missouri (Hawaii) State Foundation on Culture and 337,300 Montana Arts Council 286,100 the Arts Missoula, Montana Honolulu, Hawaii 277

300,800 Nebraska Arts Council 294,900 Rhode Island State Council on the Arts Omaha, Nebraska Providence, Rhode Island 318,500 Nevada State Council on the Arts 286,100 South Carolina Arts Commission Reno, Nevada Columbia, South Carolina New Hampshire Commission on the Arts 286,700 South Dakota Arts Council 285,600 Concord, New Hampshire Sioux Falls, South Dakota New Jersey State Council on the Arts 352,8OO Tennessee Arts Commission 315,800 Trenton, New Jersey Nashville, Tennessee New Mexico Arts Division 288,600 Texas Commission on the Arts 400,600 Santa Fe, New Mexico Austin, Texas New York State Council on the Arts 565,500 Utah Arts Council 350,700 New York, Ne~v York Salt Lake City, Utah North Carolina Arts Council 336,100 Vermont Council on the Arts 285,000 Raleigh, North Carolina Montpelier, Vermont North Dakota Council on the Arts 285,400 Virgin Islands Council on the Arts 245,800 Fargo, North Dakota St. Croix, Virgin Islands (Northern Mariana Islands) Commonwealth 200,100 Virginia Commission for the Arts 328,900 Council for Arts and Culture Richmond, Virginia Saipan, Northern Mariana Islands Washington State Arts Commission 310,900 Ohio Arts Council 393,100 Olympia, Washington Columbus, Ohio (West Virginia) Department of Culture and 342,900 Oklahoma, State Arts Council of 302,700 History, Arts and Humanities Division Oklahoma City, Oklahoma Charleston, West Virginia Oregon Arts Commission 296,500 Wisconsin Arts Board 318,200 Salem, Oregon Madison, Wisconsin Pennsylvania Council on the Arts, 391,300 Wyoming Council on the Arts 284,500 Commonwealth of Cheyenne, Wyoming Harrisburg, Pennsylvania Puerto Rican Culture, 298,300 Institute of San Juan, Puerto Rico

State Support To support costs of services provided on a national basis to state arts agen­ Services cies and regional groups. Program funds: $573,812 7 grants Arts Council of San Antonio To enable an outstanding arts administrator to work temporarily in $39,812 San Antonio, Texas the Office for Public Partnership. Behar, Diane S. To participate as a Fellow in State Programs during the fall session. 3,600 Pompano Beach, Florida

Kobler, Dale To provide technical assistance to the American Samoa Council on 25,000 San Francisco, California Culture, Arts, and Humanities. Landscape Architecture Foundation For a seminar on access to cultural programs for arts service organiza- 50,000 Washington, D.C. tions, state arts agencies, and local arts agencies. National Assembly of Local Arts To support general operations and activities, including arts policy 175,000 Agencies development, information services, training, and an annual meeting Washington, D.C. for member local arts agencies.

National Assembly of State Arts To support general operations and activities, including arts policy 270,400 Agencies development, training and skills development, information services, Washington, D.C. and an annual meeting for member state arts agencies. Western States Arts Foundation For the second NASAAJNEA seminar for public information officers 10,000 Santa Fe, New Mexico of state arts agencies. Office for Private Partnership Challenge Advancement 280 Challenge

E U N

D A E C 0 Y

~,. 281 Challenge

Challenge Grants

Challenge Grants Challenge Grants are awarded to cultural institutions or groups of cultural institutions that have demonstrated a commitment to artistic quality and have arts programs of recognized significance. The funds are used to broaden the base of contributed, private support and achieve financial stability.

Challenge funds: $32,430,500 88 grants

Round Five Challenge Grants: The following grants were committed during Fiscal 1982 for obligation dur­ ing Fiscal 1983. Descriptions of these grants are listed in Annual Report 1982.

American Composers Conce~ts $50,000 Des Moines Symphony Orchestra 50,000 New York, New York Association Des Moines, Iowa American Film Institute 740,000 Washington, D.C. Drawing Center 75,000 New York, New York American Museum of Natural History 250,000 New York, New York Edmundson Art Foundation 400,000 Des Moines, Iowa Asia Society 200,000 New York, New York Eugene Arts Foundation 100,000 Eugene, Oregon Asian Art Museum of San Francisco 300,000 San Francisco, California Florida Symphony Orchestra 100,000 Orlando, Florida Bardavon 1869 Opera House 100,000 Poughkeepsie, New York Haleakala 100,000 New York, New York Cedar Rapids Art Association 100,000 Cedar Rapids, Iowa Hudson Valley Philharmonic Society 75,0(}0 Poughkeepsie, New York Cleveland Institute of Art 500,000 Cleveland, Ohio Huntington (Henry E.) Library and 200,000 Art Gallery Cleveland Museum of A~t 500,000 San Marino, California Cleveland, Ohio Illinois, University of 250,000 Cleveland Music School Settlement 100,000 Urbana, Illinois Cleveland, Ohio Jewish Museum 200,000 Cranbrook Academy of Art 200,000 New York, New York Bloomfield Hills, Michigan Joslyn Liberal Arts Society 150,000 Dance Theatre of Harlem 800,000 Omaha, Nebraska New York, New York KQED 200,000 San Francisco, California 282 Challenge

Kentucky Center for the Arts 200,000 Playwrights Horizons 50,000 Endowment Fund New York, New York Louisville, Kentucky Portland Art Association 200,000 Lewitzky (Bella) Dance Foundation 300,000 Portland, Oregon Los Angeles, California Pratt Institute 200,000 Los Angeles Chamber Orchestra 100,000 Brooklyn, New York Society Pasadena, California San Antonio Museum Association 500,000 San Antonio, Texas Metropolitan Pittsburgh Public 250,000 Broadcasting Sangre de Cristo Arts and 100,000 Pittsburgh, Pennsylvania Conference Center Pueblo, Colorado Mid-America Arts Alliance 150,000 Kansas City, Missouri Santa Barbara Museum of Art 400,000 Santa Barbara, California Montclair Art Museum 100,000 Montclair, New Jersey Shakespeare and Company 100,000 Lenox, Massachusetts New Dramatists 60,000 New York, New York Solvang Theaterfest 100,000 Santa Maria, California New Freedom Theatre 200,000 Philadelphia, Pennsylvania Spokane Symphony Society 150,000 Spokane, Washington New York Landmarks Preservation 150,000 Foundation Texas Opera Theater 175,000 New York, New York Houston, Texas Newark Public Radio 150,000 WHA Radio and Television 200,000 Newark, New Jersey Madison, Wisconsin Omaha Symphony Association 150,000 WNYC Foundation 200,000 Omaha, Nebraska New York, New York Opera Festival Association 100,000 Wright (Frank Lloyd) Home and 100,000 Glens Falls, New York Studio Foundation Oak Park, Illinois Pennsylvania Academy of the Fine Arts 200,000 425,000 Philadelphia, Pennsylvania Yale University New Haven, Connecticut Pennsylvania, University of 200,000 Philadelphia, Pennsylvania Phillips Collection 500,000 Washington, D.C.

Round Six Challenge Grants: The following grants were committed during Fiscal 1983 for obligation during Fiscal 1984. A few grantees, though, re­ ceived funds during Fiscal 1983 and are indicated with an asterisk(*).

$1,000,000 Art Institute of Chicago To augment the general endowment fund and establish endowed Chicago, Illinois curatorial chairs. 400,000 Arts Connection To establish an endowment. New York, New York 400,000 Atlanta Arts Alliance To augment an endowment for the High Museum. Atlanta, Georgia 800,000 Baltimore Museum of Art To augment an endowment. Baltimore, Maryland 250,000 Boys Choir of Harlem To establish a cash reserve. New York, New York 600,000 Brooklyn Academy of Music To establish a cash reserve and eliminate accumulated deficits. Brooklyn, New York Chicago Theatre Group To establish an endowment and a cash reserve, and create a resident 500,000 Chicago, Illinois company to collaborate on productions of new works written by resi­ dent playwrights.

Cunningham Dance Foundation To augment a cash reserve, increase the number of home perfor­ 275,000 New York, New York mances by adding a third week to the season, and form an understudy group.

Dance Theater Foundation To establish an endowment and cash reserve, eliminate accumulated 400,000 New York, New York deficits, and support production of new works for the Alvin Ailey American Dance Theater and the American Dance Center.

Dance Theater Workshop To establish an endowment and cash reserve, purchase a complete 130,000 New York, New York in-house lighting system, and co-produce four American dance com­ panies at the Avignon Festival in France.

Hancher Auditorium To establish an endowment. 250,000 Iowa City, Iowa

International Museum of Photography To assist with expanded programming and development throughout 150,000 at George Eastman House the country. Rochester, New York

Metropolitan Opera Association To help achieve and exceed the $100 million endowment goal. 1,500,000" New York, New York

Milwaukee Repertory Theatre To augment a cash reserve. 200,000 Milwaukee, Wisconsin

Minnesota Opera Company To establish three festival seasons and eliminate notes payable and 125,000 St. Paul, Minnesota an accumulated deficit.

Minnesota Orchestral Association For the second phase of "New Dimensions II," a major endowment 750,000 Minneapolis, Minnesota fund program.

Minnesota Public Radio To establish an endowment. 600,000 St. Paul, Minnesota

Museum of Modern Art To support a $75 million endowment campaign. 1,000,000 New York, New York

Music of the Baroque To establish a cash reserve and initiate new programs. 100,000 Chicago, Illinois

Musical Arts Association To augment an endowment for the Cleveland Orchestra. 1,000,000 Cleveland, Ohio

National Trust for Historic To augment the National Trust Historic Properties Endowment. 750,000 Preservation Washington, D.C. New York City Ballet To augment a cash reserve and establish an artistic venture fund and New York, New York emergency fund to enable the company to experiment with new choreography and new technologies.

New York Shakespeare Festival To augment an endowment. 1,000,000 New York, New York

Newark Museum Association For renovation of a former YWCA building that adjoins the museum, 750,000 Newark, New Jersey to be used for offices, workshops, lectures, and exhibitions.

92nd Street Young Men’s and To augment an endowment. 500,000 Young Women’s Hebrew Association New York, New York

Opera Theater of St. Louis To augment an endo~ment and support the addition of a fall-winter 400,000 St. Louis, Missouri season of classic American theater.

Orchestral Association To provide support for "Fund of the Future," a fund-raising cam­ 580,500* Chicago, Illinois paign designed to raise $25 million in endowment funds for the Chicago 419,500 Symphony Orchestra.

Paul Taylor Dance Foundation To establish an endo~nent and augment a cash reserve. 250,000 New York, New York 284 Challenge

Performing Arts Council of the Music To augment an endovanent for the Center Theater Group/Mark Taper 1,000,000 Center of Los Angeles County Forum to enable the theater to develop a full-time repertory com­ Los Angeles, California pany of actors specializing in ensemble acting. 500,000 Performing Arts Council of the Music To establish a cash reserve for the Joffrey Ballet to facilitate the crea­ Center of Los Angeles County tion of a bi-coastal company. Los Angeles, California Philharmonic-Symphony Society of To augment an endowment for the New York Philharmonic Orchestra. 500,000* New York 500,000 New York, New York 650,000 Plaza de la Raza To establish an endowment and a cash reserve, and assist with equip­ Los Angeles, California ment purchases. 600,000 WGBH Educational Foundation To assist in achieving a $5 million programming fund goal to meet Boston, Massachusetts the need for additional discretionary programming resources during the next several years. Washington Drama Society To establish an endowment for Arena Stage. 750,000 Washington, D.C. 400,000 Washington Performing Arts Society To establish an endowment and augment a cash reserve. Washington, D.C. 286 Advancement

ETHNIC FOLK ARTS CENTEK~ ¯

East 69~ Strc*t l~ween LeyJngton and Park Avenues 287 Advancement

Program funds: $544,967 Treasury funds: $569,000 Advancement Grants 44 grants

Advancement grants are intended to help arts organizations strengthen long- Advancement Grants term institutional capacity and enhance their artistic quality and diversi­ ty. Each award is tailored to meet the special needs of each grantee and is preceded by a preparation stage of up to one year, during which technical assistance services, as well as preparatory grant funds, are provided. Program funds: $ 82,800 Treasury funds: $569,000 39 grants

The ,following organizations received support for the Preparatory Stage of an Advancement Grant:

AMAS Repertory Theatre $3,000 Creative Time 3,000 New York, New York New York, New York Academy of Media and Theatre Arts 3,000 80 Langton Street Corporation 2,000 San Francisco, California San Francisco, California Anchorage Civic Opera Association 2,200 Film Art Fund (Anthology 3,000 Anchorage, Alaska Film Archives) New York, New York and/or service 3,000 Seattle, Washington Film Arts Foundation 2,000 San Francisco, California Arte Public Press 2,000 (Revista Chicano-Riquena) Franklin Furnace Archives 3,000 Houston, Texas New York, New York Asian Cine-Vision 3,000 Kentucky Opera Association 3,000 New York, New York Louisville, Kentucky Boston Film/Video Foundation 3,000 Los Angeles Contemporary Exhibition 3,000 Boston, Massachusetts Los Angeles, California Center for New Television 3,000 Lyric Opera of Kansas City 3,000 Chicago, Illinois Kansas City, Missouri Centrum Foundation (Graywolf Press) 3,000 Music Theatre Group/Lenox Arts Center 3,000 Port Townsend, Washington New York, New York Chicago Opera Theatre 3,000 Opera/Omaha 3,100 Chicago, Illinois Omaha, Nebraska Coordinating Council of Literary 3,000 Pennsylvania Opera Theatre 3,000 Magazines (Ecco Press) Philadelphia, Pennsylvania New York, New York Rising Sun Media Arts Center 3,000 Coordinating Council of Literary 3,000 Santa Fe, New Mexico Magazines (Persea Books) New York, New York Social and Public Arts Resource Center 3,000 Venice, California Teachers and Writers (Sun Press) 3,000 Writer’s Center 3,000 New York, New York Bethesda, Maryland Washington Project for the Arts 3,000 Writer’s Center (Sun and Moon Press) 2,500 Washington, D.C. Bethesda, Maryland

The following Advancement grantees were awarded the final installment of funds for purposes described in Annual Report 1981:

Amigos del Museo del Barrio TF $100,000 Negro Ensemble TF 77,000 New York, New York New York, New York Artists in Prison TF 57,589 Philadelphia Dance Company TF 50,000 Los Angeles, California Philadelphia, Pennsylvania Balkan Arts Center TF 43,000 Road Company TF 2,411 New York, New York Johnson City, Tennessee Centro Campesino Cultural TF 39,000 Spanish Theatre Repertory Company TF 63,000 San Juan Bautista, California New York, New York Jazzmobile TF 77,000 Studio Museum in Harlem TF 60,000 New York, New York New York, New York

Program funds: $462,167 5 grants

Copley, Claire S. To evaluate the fund-raising prospects and management structures $10,070 New York, New York of up to 12 Advancement/Visual Arts applicants. Martin, Candyce To evaluate the fund-raising prospects and management structures 10,650 Washington, D.C. of up to 12 Advancement/Media Arts applicants. Sommerfeld, Richard To coordinate and monitor the work of Advancement team con- 60,000 Washington, D.C. sultants, including designing and executing a nationwide competition for up to five individual consulting team members, and assist staff in designing a preliminary technical assistance and planning process for use by consultants.

Sommerfeld, Richard To support Advancement team consultants and local consultants who 360,000 Washington, D.C. provide direct planning and technical assistance to 29 Advancement grantees in literature, media arts, opera-musical theater, and visual arts.

Walker, Pamela P. To evaluate the fund-raising prospects and management structures 21,447 Washington, D.C. of up to 12 Advancement/Literature applicants and up to 12 Advance­ ment/Opera-Musical Theater applicants.

TF--Treasury Funds Office of Policy, Planning, and Research Fellowship Program for Arts Managers International Research Special Constituencies 293 Fellowship Program for Arts Managers

Fellowship Grants

To provide promising a~ts managers with a national overview of arts ac­ National Endowment tivities, acquaint participants with Endowment policies, and encourage them Fellowship Program to bring fresh insights to the Endowment. for Arts Managers Program funds: $106,687 29 grants

$3,350 Bailey, Jackie To participate as a Fellow in the Visual Arts Program during the Richmond, Virginia spring session. 3,375 Buck, Karen D. To participate as a Fellow in the Literature Program during the spring Brooklyn, New York session. 3,472 Caldicott, Catherine V. To participate as a Fellow in the Opera-Musical Theater Program dur­ Philadelphia, Pennsylvania ing the summer session. 3,360 Clark, Lois Gardiner To participate as a Fellow in the Challenge Grant Program during West Chester, Pennsylvania the spring session. 3,916 Coley, Cornell W. To participate as a Fellow in the Dance Program during the spring Santa Monica, California session. 3,700 Dixon, Michael B. To participate as a Fellow in the Theater Program during the sum­ Costa Mesa, California mer session. 3,500 Ehler, Carol D. To participate as a Fellow in the Media Arts Program during the sum­ Wallingford, Connecticut mer session. Fennessy, Marsha S. To participate as a Fellow in the Dance Program during the summer 3,458 New Haven, Connecticut session. 3,600 Field, Juliana To participate as a Fellow in the Theater Program during the spring Miami, Florida session. Glass, Susan To participate as a Fellow in the Challenge Grant Program during 3,450 New York, New York the fall session. Gonchar, Nancy J. To participate as a Fellow in the Visual Arts Program during the 3,530 Kingston, Pennsylvania summer session. Harlan, Roger G. To .participate as a Fellow in the Office of Administration during the 4,036 Tucson, Arizona spr~ng session. Haywood, Robert E. To participate as a Fellow in the Policy and Planning Division dur­ 3,675 Salisbury, North Carolina ing the summer session. 3,672 Jahns, Laurence G. To participate as a Fellow in the Inter-Arts Program during the sum­ Madison, Wisconsin mer session. Kiely, Joyce To participate as a Fellow m the Deputy Chmrman for Management s 3,536 Cincinnati, Ohio Office during the summer session. 294 Fellowship

Kratochvil, Beverly To complete projects in the International and Fellowship Programs. 7,325 McLean, Virginia

McCullough, Sheila M. To .particip.ate as a Fellow in the Design Arts Program during the 3,450 Cambridge, Massachusetts spnng session.

Mitchell, Patricia E. To participate as a Fellow in the Artists in Education Program dur. 3,300 Washington, D.C. ing the summer session.

New Jersey State Council on the Arts For Ann Marie Makoski to participate as a Fellow in State Programs 3,350 Trenton, New Jersey during the summer session.

Perry, Renee D. To participate as a Fellow in the Office for Private Partnership dur­ 3,480 New York, New York ing the summer session.

Pridgen, E.R. McPhail To participate as a Fellow in the Division of Civil Rights during the 3,300 Upper Marlboro, Maryland fall session.

Richards, M. Suzanne To participate as a Fellow in the Inter-Arts Program during the spring 3,600 Overland Park, Kansas session.

Schwoeffermann, Catherine To participate as a Fellow in the Folk Arts Program during the spring 3,550 Margaretville, New York session.

Shaman, Sanford Sivitz To participate as a Fellow in the Deputy Chairman for Programs’ 3,978 Pullman, Washington Office during the spring session.

Speare, Sarah D. To participate as a Fellow in the Design Arts Program during the 3,500 Newport, Rhode Island summer session.

Spencer, Debra S. To participate as a Fellow in the Expansion Arts Program during 3,500 New York, New York the spring session.

Welcome, B. Patricia To participate as a Fellow in the Museum Program during the sum­ 3,550 St. Croix, Virgin Islands mer session.

Whisnant, Susan S. To participate as a Fellow in the Folk Arts Program during the sum­ 3,300 Baltimore, Maryland mer session.

Williams, Daphne B. To participate as a Fellow in the Division of Civil Rights during the 3,824 Troy, Michigan summer session.

297 International

International Grants International To broaden the exposure of American artists and audiences to international arts activites and cooperate with other federal agencies in international ac­ Arts Activities tivities highlighting American arts. Program funds: $53,892 7 grants

Burgwin, George C. To participate as a Fellow in the International and Fellowship Pro- $7,400 Portland, Oregon grams during the spring session. Huston, Carol To amend a previous grant to complete projects as a Fellow in the 750 St. Louis, Missouri Division of Civil Rights. Interagency Activities For support of interagency agreements with the United States In­ Washington, D.C. formation Agency and the Japan-United States Friendship 3,344 Commission. Japan-United States Friendship For the U.S./Japan Exchange Program, which enables five mid-career 22,000 Commission artists to work and study in Japan. Washington, D.C. Japan-United States Friendship For continued support of the U.S.Hapan Exchange Program. 12,000 Commission Washington, D.C.

Kohring, Dagmar L. To participate as a Fellow in the International and Fellowship Pro- 3,398 Cambridge, Massachusetts grams during the summer session. Kratochvil, Beverly C. To amend a previous grant to complete projects as a Fellow in the 5,000 McLean, Virginia International and Fellowship Programs. esearch

Research Grants To assist the Endowment, artists, arts organizations, and the public by Research Grants developing, analyzing, and disseminating new information on the needs and conditions of the arts field. Program funds: $264,603 9 grants

Akron, University of For the third conference held in May 1984 of the Association for $25,000 Akron, Ohio Cultural Economics. Balukonis, Cheryl A. To participate as a Fellow in the Office of Policy, Planning, and 3,405 Brighton, Massachusetts Research during the spring session. Davis, Julie A. To participate as a Fellow in the Research Division during the fall 3,800 Austin, Texas session. Evaluation Technologies For a pilot evaluation project to demonstrate the validity of re­ 58,000 Arlington, Virginia establishing evaluation studies as a regular activity. Maryland, University of For the Survey Research Center to manage the Endowment’s 1982 159,000 College Park, Maryland survey of public participation in the arts. Rio, Janice A. To participate as a Fellow in the Office of Policy, Planning, and 3,860 Park Ridge, Illinois Research during the fall session. Smythe, Roberta L. To participate as a Fellow in the Research Division during the sum- 4,030 Eugene, Oregon mer session.

The following contracts and grants relate to activities outside the Research Division, but are included in this division for accounting purposes.

Amhaus, Dean R. To participate as a Fellow in the Office for Private Partnership dur­ $3,508 Cudahy, Wisconsin ing the fall session. Petersen, Robert M. To participate as a Fellow in the International and Fellowship Pro- 4,000 New York, New York grams during the fall session. To support innovative and exemplary projects relating to cross-discipline Special Projects and/or arts information needs that have broad impact on arts fields but are not eligible under other categories. Program funds: $440,521 12 grants

Clark, Lois Gardiner To amend a previous grant for completion of projects begun as a $ 3,850 West Chester, Pennsylvania Fellow in the Challenge Grant Program.

VanDevanter, Ann C. For a study to determine opportunities for incremental financial sup- 27,833 Washington, D.C. port for the arts from non-federal sources. E Incorporated To support the In-st National Symposium in the Performing and Fine 38,476 Washington, D.C. Arts for Historically Black Colleges and Universities, jointly funded with the Johnson Foundation. Georgetown University For an outstanding arts administrator to complete projects in the Of- 17,306 Washington, D.C. fice for Private Partnership. Harlan, Roger G. To amend a previous grant to complete projects begun as a Fellow 2,000 Tucson, Arizona in the Office of Administration. Krakora, Joseph To support planning and development of projects for the private 3,500 Washington, D.C. sector. Kratochvil, Beverly To amend a previous grant to complete projects begun as a Fellow 2,500 McLean, Virginia in the International and Fellowship Programs.

Partners for Livable Places To conduct a study and prepare a report on the feasibility of 9,227 Washington, D.C. establishing and operating the Nancy Hanks Foundation, jointly fund­ ed with Evans Development Corporation. Rodriguez, Joe To complete projects for the National Endowment’s Division of Civil 17,500 Washington, D.C. Rights. Washington Performing Arts Society For a symposium on the needs of the performing arts concerning tour- 13,404 Washington, D.C. ing and presenting activities. Wolf Organization To assess the state of arts education in the U.S. and examine poten- 130,000 Cambridge, Massachusetts tial policies and actions of the Endowment, in collaboration with other federal agencies, to meet determined needs. Young (Arthur) and Company To design and test a revised management and fund-raising assess- 174,925 Washington, D.C. ment method and evaluate the fund-raising capacity of up to 350 Challenge Grant applicants.

Regional To enable regional representatives to provide assistance and information Representatives to artists, arts organizations, and the Endowment. Program funds: $658,938 7 cooperative agreements

Affiliated State Arts Agencies For a cooperative agreement for Romalyn Tilghman to serve as $105,321 of the Upper Midwest Regional Representative for the Plains States from August 1983 Minneapolis, Minnesota through July 1984.

Cultural Council Foundation For a cooperative agreement for John Wessel to serve as Regional 122,005 New York, New York Representative for the Northeast States and Caribbean Region from August 1983 through July 1984. Kansas City Association of Trusts For a cooperative agreement for Bertha Masor to serve as Regional 87,573 and Foundations Representative for the Great Lakes States from August 1983 through Kansas City, Missouri July 1984. Research 301

Mid-Atlantic States Arts Consortium For a cooperative agreement for Adrian King to serve as Regional 30,708 Baltimore, Maryland Representative of the Mid-Atlantic and Mid-South States from Oc­ tober 1983 through September 1984. 105,677 Southern Arts Federation For a cooperative agreement for Robert Hollister to serve as Regional Atlanta, Georgia Representative of the Southern and Gulf States from August 1983 through July 1984. 101,018 Western States Arts Foundation For a cooperative agreement for Virginia Torres to serve as Regional Santa Fe, New Mexico Representative of California, Alaska, and the Pacific Islands from August 1983 through July 1984. For a cooperative agreement for Terry Melton to serve as Regional Western States Arts Foundation 106,636 Santa Fe, New Mexico Representative of the Western States from August 1983 through July 1984. 302 Special Constit~mcies Special Constituencies

Special Constituencies Grants For technical assistance projects by artists and arts organizations to make the arts more accessible to disabled people; older adults; veterans; and peo­ ple in hospitals, mental institutions, and prisons. Program funds: $48,144 4 grants

Barrier Free Environment For an inter-disciplinary technical publication that offers guidance $25,449 Raleigh, North Carolina to Endowment grantees in complying with federal 504 regulations. Department of Justice For two artist-in-residence programs jointly funded with the Federal 10,000 Washington, D.C. Bureau of Prisons, providing comprehensive arts programs for in­ mates, and opportunities for the artists to further their artwork. Institution Programs To organize and set up two artist-in-residence programs in federal 4,500 Bartlesville, Oklahoma correctional institutions. Landscape Architecture Foundation For a symposium on gaining wider access to cultural programs, con- 8,915 Washington, D.C. vened for arts service organizations, state arts agencies, and local arts agencies. (Also funded by State Programs.)

Model Projects The following model projects assist and demonstrate ways for arts groups to make the arts more available to disabled, older, and institutionalized populations. Model projects are documented and disseminated to the field through the Office for Special Constituencies. Organizations are encouraged to make special constituencies part of their regular programming, rather than develop separate programs that segregate them. A total of $266,000 in program funds support the model projects, of which $128,500 was transfer­ red to Endowment Programs. In most cases, funds were matched by the Programs.

Boston Children’s Museum Listed with the Museum Program grants under "Museum Training." $10,000 Boston, Massachusetts Buffalo Philharmonic Orchestra Listed with the Music Program grants under "Orchestra." 7,500 Buffalo, New York Charlotte Symphony Orchestra Listed with the Music Program grants under "Orchestra." 7,000 Charlotte, North Carolina Children’s Theatre Company Listed with the Theater Program grants under "Services to the 9,050 Minneapolis, Minnesota Field." E! Paso Symphony Orchestra Listed with the Music Program grants under "Orchestra." 5,400 Association El Paso, Texas 304 Special Constituencies

Exploratorium Listed with the Museum Program grants under "Museum Training." 7,000 San Francisco, California Honolulu Symphony Society Listed with the Music Program grants under "Orchestra." 4,000 Honolulu, Hawaii Indianapolis Museum of Art Listed with the Museum Program grants under "Museum Training." 10,000 Indianapolis, Indiana Living Stage Theatre Listed with the Theater Program grants under "Services to the 19,000 Washington, D.C. Field." Looking Glass Theatre Listed with the Theater Program grants under "Services to the 4,500 Providence, Rhode Island Field." Metropolitan Museum of Art Listed with the Museum Program grants under "Museum Training." 6,000 New York, New York Milwaukee Public Museum Listed with the Museum Program grants under "Museum Training." 10,000 Milwaukee, Wisconsin Milwaukee Symphony Orchestra Listed with the Music Program grants under "Orchestra." 10,000 Milwaukee, Wisconsin Minneapolis Institute of Arts Listed with the Museum Program grants under "Museum Training." 10,000 Minneapolis, Minnesota Minor Symphony Association Listed with the Music Program grants under "Orchestra." 4,000 Minot, North Dakota Missouri Historical Society Listed with the Museum Program grants under "Museum Training." 7,000 St. Louis, Missouri Museum of Fine Arts Listed with the Museum Program grants under "Museum Training." 10,000 Boston, Massachusetts National Council on Aging Listed with the Inter-Arts Program grants under "Services to the 40,000 Washington, D.C. Field." Next Move Unlimited Listed with the Theater Program grants under "Services to the 20,000 Boston, Massachusetts Field." Orchestral Association Listed with the Music Program grants under "Orchestra." 10,000 (Chicago Symphony Orchestra) Chicago, Illinois

Pasadena S)anphony Orchestra Listed with the Music Program grants under "Orchestra." 7,000 Pasadena, California Phoenix Symphony Association Listed with the Music Program grants under "Orchestra." 8,000 Phoenix, Arizona Santa Barbara Symphony Listed with the Music Program grants under "Orchestra." 3,100 Santa Barbara, California Savannah Symphony Society Listed with the Music Program grants under "Orchestra." 10,000 Savannah, Georgia Senior Musicians Associates Listed with the Music Program grants under "Orchestra." 4,000 Local 802 New York, New York

Staten Island Children’s Museum Listed with the Museum Program grants under "Museum Training." 6,500 Staten Island, New York Tears of Joy Theatre Listed with the Theater Program grants under "Services to the 2,000 Vancouver, Washington Field." Texas, University of Listed with the Museum Program grants under "Museum Training." 7,000 (Institute of Texas Cultures) San Antonio, Texas Two Penny Theatre Listed with the Theater Program grants under "Services to the 7,950 Montpelier, Vermont Field." Appendix Statement of Mission Touring and Presenting Policy Statement Financial Summary History of Authorizations and Appropriations Statement of Mission

Preamble ¯ to help broaden the availability and apprecia­ Throughout the ages, man has striven to go beyond tion of such excellence, diversity, and vitality. the limits of the immediate physical world to create In implementing its mission, the Endowment must that which was not there before and thus nourish the exercise care to preserve and improve the environ­ human spirit. Our first record of man’s perception merit in which the arts have flourished. It must not, of the world around him was through art scratched under any circumstance, impose a single aesthetic on cave walls, carved in stone, or modeled in clay. standard or attempt to direct artistic content. Man’s need to make, experience, and comprehend art is as profound as his need to speak. It is through art Implementation that we can understand ourselves and our potential. Who: The Endowment assists individual artists, And it is through art that we will be understood and those who act on behalf of artists or audiences, remembered by those who will come after us. organizations whose primary intention is artistic or This nation’s governance is based on our people’s educational, and state and local arts agencies. commitment to freedom of imagination, thought, and Demonstrated or potential excellence and capacity expression. Our many aesthetic and cultural tradi­ to conceive, develop, or present a work of art are tions are precious to us--for the rich variety of their primary criteria. beauty and as a symbol of the diverse nature of the What: Endowment activities: United States. ¯ Demonstrate national recognition of the im­ Primary support for the arts has always come portance of artistic excellence; directly from the people of this nation: artists in ¯ Provide opportunities for artists to develop localities all across the country who create and sus­ their talents; tain the arts, and contributors who support the arts ¯ Assist in the creation, production, presenta­ out of conviction and as a matter of civic and regional tion/exhibition of innovative and diverse work that pride. has potential to affect the art form and directly or It was in this context that the National Founda­ indirectly result over time in new art of permanent tion on the Arts and the Humanities Act was enacted value; in 1965. The Congress found that "the encourage­ ¯ Assure the preservation of our cultural heritage; ment and support of national proffress and scholar­ ¯ Increase the performance, exhibition, and ship in the humanities and the arts, while primarily transmission of art to all people throughout the a matter of private and local initiative, is also an ap­ nation; propriate matter of concern to the Federal Govern­ ¯ Deepen understanding and appreciation of the ment..." arts among all people nationwide; The Congress also found that "while no govern­ ¯ Encourage serious and meaningful art pro­ ment can call a great artist or scholar into existence, grams as part of basic education; it is necessary and appropriate for the Federal ¯ Stimulate increasing levels of non-federal sup­ Government to help create and sustain not only a port of the arts; climate encouraging freedom of thought, imagination, ¯ Improve the institutional capacity of the best and inquiry, but also the material conditions of our arts organizations to develop, produce, pre­ facilitating the release of this creative talent..." sent, and exhibit bold and varied fare; and ¯ Provide information about the arts, their artis­ Mission tic and financial health, and the state of their The mission of the National Endowment for the audiences. Arts is: How: The Endowment, in conjunction with private ¯ to foster the excellence, diversity, and vitality and public partners, carries out its mission through of the arts in the United States; and grants programs and a wide range of leadership and 310 Stateme~ of Miss~m advocacy activities. The Endowment also serves as works closely with its public partners (the state and a national forum to assist in the exchange of ideas local arts agencies) to reflect regional, state, and local and as a catalyst to promote the best developments perspectives and assist cooperation in implementa­ in the arts and education about them. The Endow­ tion of government arts support programs. The En­ ment’s grants programs include individual, project, dowment’s programs are aimed at benefitting all peo­ and longer-term institutional support. ple of this nation,regardless of sex, race, creed, na­ Endowment decision-making is guided by peer tional origin, handicap, age, or habitat. panel review and the National Council on the Arts and by additional advice from the artistic fields and their public and private supporters. The Endowment November 1983 311 Touring and Presenting Policy Statement

Introduction While there are no accurate statistics to measure, This policy statement is to clarify the purposes of the the largest portion of this private subsidy appears National Endowment for the Arts in supporting tour­ to come from the organization’s home. Local sup­ ing and presenting of the performing, visual, and porters are interested in enhancing the quality of literary arts so that Federal funds may be focused life in their communities and in enjoying the as consistently and effectively as possible. satisfaction of participating in and supporting the The Endowment, which began its support for tour­ arts. Often, home support helps to subsidize tour­ ing and presenting in 1965, provides its support from ing outside the community, as when the fixed costs a national perspective. State arts agencies, regional of the touring company are not incorporated into organizations, local arts agencies, and private sources the performance fee. At the same time, such sub­ support touring and presenting according to their sidy helps to extend the employment of the home own priorities and perspectives. Consultation with community’s artists and to enhance the vitality and artists and arts organizations (producers and reputation of its arts organizations. Further, presenters), with state and local arts agencies, and presentation of touring companies often stimulates with regional arts organizations has been a key fac­ local artists and increases interest of audiences in tor in developing this policy statement and will con­ their work. tinue to be an essential element of planning in this ¯ The National Endowment has an interest in area. the health of the arts nationally and supports art­ Touring and presenting involve a complex market­ istic excellence wherever it may occur in the na­ place of artists and art organizations, presenters, and tion. The Endowment also has an interest in de­ audiences. This marketplace would contract substan­ veloping an audience for artistic excellence through­ tially were it not for public and private subsidies. out the nation. Regional organizations, state arts Each party involved in this marketplace has dif­ agencies, and local arts agencies have similar in­ ferent priorities, but overlapping interests. terests in their respective areas. The perception Generally, of specific audience preferences, it should be noted, ¯ The principal priorities of artists and arts- becomes sharper the closer to the audience the producing organizations include improving their public agency is. The possible gap between present work, lengthening their seasons, augmenting their estimations of audience preferences and their po­ income, reaching audiences to broaden their ex­ tential capacity to appreciate a greater range of perience, and developing their reputations--e.g., work is an area of interest to arts agencies at all receiving critical media attention. levels. ¯ The principal priorities of arts presenting or­ Touring and presenting of the performing, visual, ganizations include providing the arts to their com­ and literary arts is a mechanism for meeting the in­ munities, expanding and developing their au­ terests of artists, arts organizations, presenters, and diences, breaking even overall in the course of a audiences. There are also other mechanisms: indi­ season, and developing a reputation for the presen­ genous arts organizations, second homes for arts tation of imaginative and varied seasons. organizations, longer residencies on tour, and coop­ ¯ The principal priorities of audiences are to erative museum programming. In addition, there is have available a range of art experiences they can the possibility of media presentation. This is dif­ appreciate and prices they can afford. ferent, but not always second best, and may in some Those who subsidize touring and presenting have cases be much more economical. The policies of those different perspectives: who provide subsidies need to weigh all relevant fac­ ¯ Generally, the largest subsidy comes from tors in deciding whether, and at what level, to pro­ private sources: the artists, trustees, and donors vide them. of the arts-producing and presenting organizations. 312 Touring and Presenting Policy Statement

Policy 2. Endowment support for touring and pre­ The National Endowment for the Arts is committed senting should encourage broad geographic ac­ to touring and presenting: cess to artistic excellence. Endowment grant sup­ ¯ To assist artists and arts organizations to port is based on artistic excellence wherever it may create, produce, and present more and better work; occur in the nation. Aware that arts resources are ¯ To make the best of the arts more widely not equally distributed, the Endowment should available to the American people; seek to identify opportunities for encouraging tour­ ¯ To develop understanding and appreciation ing in areas with limited access to arts of a wide variety of art in communities across the programming. country; and 3. Endowment support should be flexible and ¯ To enhance appreciation of artists and art open to opportunities in the touring market­ forms deserving greater attention: experimental place. In order to respond to the great diversity and seldom-performed work, and art forms and or touring groups, potential audiences, and special traditions whose continuity would be strengthen­ opportunities, the Endowment encourages a varie­ ed through touring. ty of approaches to touring and presenting support. Endowment support to these ends is provided 4. Changes in Endowment support leading to through two complementary approaches: major shifts in the touring and presenting A. Assistance to Artists and Arts-Producing marketplace should be undertaken only with as Organizations: Grants through Endowment Pro­ full an understanding as possible of the impacts grams to artists and arts organizations are intend­ of such actions, and with reasonable assurance ed to enhance their capacity to create and produce that the results will be beneficial for all of the art of the highest quality and of national or regional parties. Subsidy to one or another party in the significance. These grants include support for art­ touring and presenting marketplace increases the ists’ fees, touring and audience development. The economic power of the party subsidized. Artists structure of funding categories which provide sup­ and arts organizations formally negotiate their fees port for touring to artists and arts-producing with presenters or with presenter consortia. organizations varies by art field. The differences Presenters less formally negotiate their ticket in Program approaches reflect the different role prices with potential audiences through marketing. touring plays in the life of different art forms. Subsidy to artists or arts organizations increases B. Assistance to Arts-Presenting Organiza­ their ability to tour where they want and how, or, tions: Grants through Endowment Programs to as the case may be, not to tour. Subsidy to pre­ presenting organizations are intended to encourage senters increases their ability to select those ar­ the advancement of artistic vision of presenters, tists or arts organizations they wish to present and to provide them with the support and incentive to which audiences they will serve. Subsidy to present high-quality and varied work, reach new regional organizations, state arts agencies, and audiences, and expand their understanding and ap­ local arts agencies increases their influence in the preciation. Presenters receive grants--whether touring and presenting marketplace in specific directly or through grants to state arts agencies, geographic areas. The Endowment’s objectives are regional organizations, or service organizations-­ to assist art, presentation, and broad geographic for artist fees, technical assistance, or other access to art. To these ends, Endowment Programs specified purposes to help them accomplish the provide, as appropriate, various touring and/or above objectives. presenting incentives. The National Endowment for the Arts can provide In this context, the Endowment is today pro­ only a portion of the total costs of touring and pre­ viding greater encouragement to presenters senting and encourages additional support for these through its Programs. This emphasis reflects the activities from its public and private partners on the importance of presenters to the economic health regional, state, and local levels. of arts organizations and to audiences. Subsidy to The following general principles govern Endow­ presenters is important in helping to improve and ment support to artists, arts organizations, and increase touring and presenting. presenters for touring and presenting: 5. Endowment support of touring and present­ 1. Endowment support for touring and pre­ ing should encourage programming that might senting should be based on both artistic ex­ otherwise not be possible. Both producing com­ cellence and facilitation of access. All applica­ panies and presenters should be in a position to tions for Endowment Program support for touring take risks -- to produce and present artists and art and presenting of the performing, visual, and forms deserving of greater attention, new and ex­ literary arts must compete on the basis of ex­ perimental work, seldom-performed work, and art cellence of programming as well as effectiveness forms and traditions whose continuity would be in assuring access. strengthened through touring. Touring and Presenting Policy Statement 313

6. Endowment support of touring and present­ ments of those who participate in that market­ ing should encourage efficient use of available place. The Endowment plans to develop greater artistic and financial resources. The Endowment familiarity with the mechanics, plans, problems, needs to assist the development of improved infor­ and opportunities of touring and presenting sys­ mation systems on touring and on the basis of such tems. New guidelines affecting touring and pre­ information, encourage, where appropriate, such senting will be reviewed by the Deputy Chairman mechanisms as block-booking and improved coor­ for Programs to assure that the approaches are dination of marketing by arts organizations and common where they can be. presenters. The Endowment will continue to strengthen To assist planning the field, the Endowment will its efforts to foster communication among the move to make greater lead time available between various participants as a means of improving grant notification and season subsidized. In 1984, delivery of services and information, and will work, virtually all presenters will be able to apply in May where appropriate, with regional consortia in this and June for funds to support the 1985-86 perform­ respect. ing season. Finally, the Endowment will continue its evalua­ 7. The Endowment should make its involve­ tions of current touring and presenting support to ment in touring and presenting as consistent as assure maximum effectiveness of federal grant possible, and base this involvement on a full dollars. understanding of the touring and presenting marketplace and on evaluation of the achieve­ August 1983 314 Financial Summary

Fiscal Year 1983 Summary of Funds Available1 Appropriation, Regular Program Funds $101,675,0002 11,200,000 Appropriation, Treasury Funds (to match nonfederal gifts) 18,400,000 Appropriations, Challenge Grant Funds (to match nonfederal gifts) $131,275,000 Total, Federal Appropriations $ 25,517 Nonfederal Gifts 350,000 Interagency Transfers 426,746 Recovery of Prior Year Obligations Unobligated Balance, Prior Year 15,425,445 $147,502,708 Total Funds Available

Excludes administrative funds Not less than 20 percent for support of state arts agencies and regional groups. Fiscal Challenge Year Grant 1983 Commitments/ Obligations4 Funds Obligated Obligations 3,655,000 Dance 9,105,566 Design Arts 4,596,623 1,200,000 Expansion Arts 7,441,630 1,200,000 0 Folk Arts 2,804,650 2,600,000 Inter-Arts 3,468,828 0 Literature 4,325,137 2,940,000 Media Arts 9,344,000 8,350,000 Museum 10,013,680 4,525,000 Music 12,940,169 Opera-Musical Theater 5,054,885 2,300,000 4,185,000 Theater 9,540,539 925,000 Visual Arts 5,754,972 400,000 Artists in Education 4,700,810 150,000 State Programs 21,142,412 1,113,967 0 Advancement 3 Challenge 0 Policy, Planning, and Research 913,847 658,938 0 Regional Representatives $32,430,000 Total Funds Obligated $112,920,653

Shown in Challenge Grant Column. Of the $32,430,000 committed, $14,030,500 was obligated in Fiscal Year 1983. 315 History of Authorizations Appropriations

Arts Arts Administrative Authorization Appropriation Funds Fiscal 1966 Program Funds $ 5,000,000 $ 2,500,000 $ 727,000* Treasury Funds** 2,250,000 34,308 Total Funds for Programming $ 7,250,000 2,534,308

Fiscal 1967 Program Funds $ 5,000,000 $ 4,000,000 $ 1,019,500’ State Arts Agencies (block) 2,750,000 2,000,000 (Subtotal--Program Funds) (7,750,000) (6,000,000) Treasury Funds** 2,250,000 1,965,692 Total Funds for Programming $ 10,000,000 $ 7,965,692

Fiscal 1968 Program Funds $ 5,000,000 $ 4,500,000 $ 1,200,000" State Arts Agencies (block) 2,750,000 2,000,000 (Subtotal--Program Funds) (7,750,000) (6,500,000) Treasury Funds** 2,250,000 674,291 Total Funds for Programming $ 10,000,000 $ 7,174,291

Fiscal 1969 Program Funds $ 6,000,000 $ 3,700,000 $ 1,400,000" State Arts Agencies (block) 2,000,000 1,700,000 (Subtotal--Program Funds) (8,000,000) (5,400,000) Treasury Funds** 3,375,000 2,356,875 Total Funds for Programming $ 11,375,000 $ 7,756,875

Fiscal 1970 Program Funds $ 6,500,000 $ 4,250,000 $ 1,610,000" State Arts Agencies (block) 2,500,000 2,000,000 (Subtotal--Program Funds) (9,000,000) (6,250,000) Treasury Funds** 3,375,000 2,000,000 Total Funds for Programming $ 12,375,000 $ 8,250,000

Fiscal 1971 Program Funds $ 12,875,000 $ 8,465,000 $ 2,660,000* State Arts Agencies (block) 4,125,000 4,125,000 (Subtotal--Program Funds) (17,000,000) (12,590,000) Treasury Funds** 3,000,000 2,500,000 Total Funds for Programming $ 20,000,000 $ 15,090,000 316 His~y of Authorizations and Apprapria~ions

Arts Arts Administrative Authorization Appropriation Funds Fiscal 1972 Program Funds $ 21,000,000 $ 20,750,000 $ 3,460,000* State Arts Agencies (block) 5,500,000 5,500,000 (Subtotal--Program Funds) (26,500,000) (26,500,000) Treasury Funds** 3,500,000 3,500,000 Total Funds for Programming $ 30,000,000 $ 29,750,000

Fiscal 1973 Program Funds $ 28,625,000 $ 27,825,000 $ 5,314,000" State Arts Agencies (block) 6,875,000 6,875,000 (Subtotal--Program Funds) (35,500,000) (34,700,000) Treasury Funds** 4,500,000 3,500,000 Total Funds for Programming $ 4O,OOO,OOO $ 38,200,000

Fiscal 1974 Program Funds $ 54,000,000 $ 46,025,000 $ 6,500,000* State Arts Agencies (block) 11,000,000 8,250,000 (Subtotal--Program Funds) (65,OOO,OOO) (54,275,000) Treasury Funds** 7,500,000 6,500,000 Total Funds for Programming $ 72,500,000 $ 60,775,000

Fiscal 1975 Program Funds*** $ 90,000,000 $ 67,250,000 $ 10,783,000" Treasury Funds** 10,000,000 7,500,000 Total Funds for Programming $100,000,000 $ 74,750,000

Fiscal 1976 Program Funds*** $113,500,000 $ 74,500,000 $ 10,910,000" Treasury Funds** 12,500,000 7,500,000 Total Funds for Programming $126,000,000 $ 82,OOO,OOO

Transition Quarter July 1, 1976-September 30, 1976 Program Funds*** $ 33,437,000 $ 2,727,000* Treasury Funds** 500,000 Total Funds for Programming $ 33,937,000

Fiscal 1977 Program Funds*** $ 93,500,000 $ 77,500,000 $ 11,743,000" Treasury Funds** 10,000,000 7,500,000 Challenge Grants** 12,000,000 9,000,000 Photo/Film Projects 4,000,000 Total Funds for Programming $119,500,000 $ 94,000,000

Fiscal 1978 Program Funds*** $105,000,000 $ 89,100,000 Treasury Funds** 12,500,000 7,500,000 Challenge Grants** 18,000,000 18,000,000 Photo/Film Project 2,000,000 Administrative Funds such sums as 9,250,000 Total Funds necessary $137,500,000 $123,850,000 History of Authorizations and Appropriations 317

Arts Arts Authorization Appropriation Fiscal 1979 Program Funds*** $102,160,000 Treasury Funds** 7,500,000 Challenge Grants** 30,000,000 Administrative Funds 9,925,000 Total Funds such sums as $149,585,000 necessary

Fiscal 1980 Program Funds*** $ 97,000,000 Treasury Funds** 18,500,000 Challenge Grants** 26,900,000 Administrative Funds 12,210,000 Total Funds such sums as $154,610,000 necessary

Fiscal 1981 Program Funds*** $115,500,000 $113,960,000 Treasury Funds** 18,500,000 19,250,000 Challenge Grants** 27,000,000 13,450,000 Administrative Funds 14,000,000 12,135,000 Total Funds $175,000,000 $158,795,000

Fiscal 1982 Program Funds*** -­ $103,330,000 Treasury Funds** -­ 14,400,000 Challenge Grants** -­ 14,400,000 Administrative Funds -­ 11,326,000 Total Funds $119,300,000 $143,456,000

Fiscal 1983 Program Funds*** -­ $101,675,000 Treasury Funds** -­ 11,200,000 Challenge Grants** -­ 18,400,000 Administrative Funds -­ 12,600,000 Total Funds $119,300,000 $143,875,000

Fiscal 1984 Program Funds*** -­ $118,900,000 Treasury Funds** -­ 9,000,000 Challenge Grants** -­ 21,000,000 Administrative Funds -­ 13,100,000 Total Funds $119,300,000 $162,000,000

*These funds were jointly provided to the National Endowment for the Arts and the National Endowment for the Humanities until the two agencies were administratively separated in 1978. **Federal funds appropriated by Congress to match nonfederal donations to the Endowment. ***Not less than 20 percent of Program Funds are required to go to state art agencies and regional arts groups. Published by the Office of Public Affairs National Endowment for the Arts Washington, D.C. 20506

Director: Marvin Liebman Editor: Joan Bowersox Designer: Kathy Jungjohann ~U.S. GOVERNMENT PRINTING OFFICE 1984 432-025 Printing Officer: Joan Shantz