Top 100 Imported Drama Titles in Europe

Total Page:16

File Type:pdf, Size:1020Kb

Top 100 Imported Drama Titles in Europe Top 100 Imported Drama Titles in Europe CBS distributed Europe’s three most valuable imported drama series titles in 2012. NCIS led the pack by generating $205 million, according to the Top 100 Imported Drama Titles in Europe report. The three CSI franchises appear in the top 10. Only one of the top 10 titles (Sturm der Liebe) originated from outside the US. These rankings are based on the value created by each title for the broadcasters. The Top 100 Imported Drama Titles in Europe report covers 119 channels across 21 territories. The value is calculated from advertising revenues received when screening these programs – and/or a proportion of funding to public broadcasters. Published in July 2013, this 114-page, PDF-delivered report is a collaboration that draws analysis from several extensive and proprietary databases, the Top 100 Imported Drama Titles in Europe report answers these questions and more: Which are the strongest imported drama series titles in Europe? Which channels screen these titles? How much value did each channel derive by screening each of these titles? How many hours of imported drama series are screened by each title by channel during primetime and across the whole day? Where does each of the main distributors enjoy the most success? As well as comparative pan-European analysis and tables (including distributor shares), each imported drama series title contains the following detail: Distributor name Hours screened by channel by country for 2012 Primetime hours screened by channel by country for 2012 Value created by channel by country in 2012 Value created per hour screened by channel by country in 2012 To find out more about the report, click here or contact us ([email protected] or +44 20 8248 5051). ETS, Madigan Cluff and Digital TV Research Top 100 Titles profiled: 2 BROKE GIRLS FRINGE PRIVATE PRACTICE ACCORDING TO JIM GHOST WHISPERER PSYCH AGATHA CHRISTIE'S GLADES, THE REVENGE (2011) POIROT ALARM FUER COBRA 11 - GLEE RIZZOLI AND ISLES DIE AUTOBAHNPOLIZEI AMOR REAL GOOD WIFE, THE ROSAMUNDE PILCHER ARMY WIVES GREY'S ANATOMY RULES OF ENGAGEMENT BECK (1997) HAWAII FIVE-0 (2010) SCRUBS BIG BANG THEORY, THE HOME AND AWAY SHERLOCK (2010) BLUE BLOODS HOMELAND SISKA BODY OF PROOF HOUSE M.D. STURM DER LIEBE BOLD AND THE BEAUTIFUL, HOW I MET YOUR MOTHER TATORT THE BONES JAG TERRA NOVA BROTHERS AND SISTERS JULIA - WEGE ZUM GLUECK TRANSPORTER: THE SERIES CASA DE AL LADO, LA KING OF QUEENS, THE TWO AND A HALF MEN CASTLE KOMMISSAR REX UM HIMMELS WILLEN CHARMED LAW AND ORDER VAMPIRE DIARIES, THE CIELO ROJO LAW AND ORDER: WALKER, TEXAS RANGER CRIMINAL INTENT CLOSER, THE LAW AND ORDER: SPECIAL WALLANDER (2005) VICTIMS UNIT CLOWN, DER LETZTE BULLE, DER WHITE COLLAR COLD CASE LEWIS WITHOUT A TRACE COLUMBO LIE TO ME YOUNG AND THE RESTLESS, THE CORAZON APASIONADO LITTLE HOUSE ON THE ZORRO (1957) PRAIRIE CRIMINAL MINDS LUTHER CROSSING JORDAN MALCOLM IN THE MIDDLE CSI: CRIME SCENE MENTALIST, THE INVESTIGATION CSI: MIAMI MIDSOMER MURDERS CSI: NY MODERN FAMILY DALLAS (2012) MONK DERRICK MURDER, SHE WROTE DESPERATE HOUSEWIVES MURDOCH MYSTERIES DIAGNOSIS MURDER NCIS DOWNTON ABBEY NCIS: LOS ANGELES E R NEIGHBOURS EASTENDERS NEW GIRL EMMERDALE NUMB3RS EVERYBODY LOVES ONCE UPON A TIME RAYMOND FLASHPOINT ONE TREE HILL FRASIER PERSON OF INTEREST FRIENDS PILLARS OF THE EARTH, THE ETS, Madigan Cluff and Digital TV Research Territories and channels profiled: Austria ORF1, ORF2 Flemish-speaking Belgium Een, VTM, Canvas/Ketnet, 2BE, Vier French-speaking Belgium RTL-TVi, Club RTL, La Une, La Deux Czech Republic CT1, CT2, Nova, Prima Denmark DR1, DR2, TV2, TV3, Kanal 5 Finland TV1, TV2, MTV3, Nelonen France TF1, France 2, France 3, France 5, M6, Canal+ Germany ARD1, ZDF, Sat1, ProSieben, RTL, RTL2, Super RTL, Vox, Kabel Eins Greece Alpha, Alter, Antenna 1, ET1, ET3, NET, Mega, Star Hungary MTV1, MTV2, RTL Klub, TV2, Ireland RTE1, RTE2, TV3 Italy RAI1, RAI2, RAI3, Canale 5, Rete 4, Italia 1, La 7 Netherlands Ned1, Ned2, Ned3, RTL4, RTL5, RTL7, RTL8, NET5, SBS6, Veronica Norway NRK1, NRK2, TV2, TV3, TVNorge Poland TVP1, TVP2, Polsat, TVN, TVN7 Portugal RTP1, RTP2, SIC, TVI Romania Acasa, Antena 1, Prima, Pro TV, TVR1, TVR2 Russia 1TV, Rossiya, Domashny, Ren TV, CTC, NTV, THT Spain TVE1, La 2, Antena 3, Cuatro, Telecinco, La Sexta Sweden SVT1, SVT2, TV3, TV4, Kanal 5 UK BBC1, BBC2, ITV1, Channel 4, Channel 5, ITV2, ITV3, ITV4, E4, More4 ETS, Madigan Cluff and Digital TV Research About the authors: Essential Television Statistics specializes in the identification of films and TV programs playing around the world, creating an original title database that holds the transmission details of all imported programs back to 1993. Clients, ranging from international distributors to guilds and collection societies, benefit from receiving reports on the airings of individual programs and title catalogues, as well as on trends in program scheduling. www.etstv.com Madigan Cluff (www.madigancluff.com) consults for global advertisers and broadcasters on the value of programmes and branded content worldwide. The company has extensive expertise with partners who have directed programmes and film, provided global consultancy on communications and media auditing, production and business finance. Madigan Cluff extensively databases the real communications and monetary value created as brands increasingly use programmes as a high value communication vehicle. Digital TV Research provides cutting-edge business intelligence for the television industry. This boutique firm is flexible and fresh and can react swiftly to cover new trends and technologies. Digital TV Research Ltd allows the purchase of targeted, electronically-delivered products so that readers can rely on our extensive experience to provide tailored projects in a secure and confidential manner. www.digitaltvresearch.com ETS, Madigan Cluff and Digital TV Research .
Recommended publications
  • EUROPEAN TV DRAMA SERIES LAB Programme Application TESTIMONIALS
    CONTACT www.tv-lab.eu Nadja Radojevic Head of International Training – Erich Pommer Institut [email protected] Testimonials A project by T: +49 (0)331 721 28 85 “The TV Lab’s own writers’ room became this sizzling pot F: +49 (0)331 721 28 81 Erich Pommer Institut (Germany) of focused, directed creativity, where a handful of writers Försterweg 2, 14482 Potsdam, Germany in just three days broke and created an original pilot idea The Erich Pommer Institut is one of Europe’s leading centers for www.epi-medieninstitut.de with obvious commercial and artistic potential. Most of media law, media management and media research. As a non-profit all, I was amazed on how effective it was, and how daring independent institute, our studies follow the process of media convergence through research, consultation and advanced training. you can be if you eliminate the fear of failure, and focus A project by In association with on the thrill of creation.” Each year, EPI organises and hosts around 40 seminars, workshops, Trygve Allister Diesen, Writer VARG VEUM, conferences and panels – for the European, the Canadian as well as Director KOmmissARIE WINTER, Tenk.tv, Norway the US-American media industry. TV Lab Alumni 2012 www.epi-medieninstitut.de “This kind of training is essential for Europe’s television future. It’s given me the information In association with and process I need for a wider perspective on With the support of the MEDIA 2007 Programme of the European Union what I am doing. I made crucial gains from this MediaXchange (UK) training: networking – new points of view and Based in London and LA, MediaXchange is a media consultancy helpful comparisons to my work processes.” EUROPEAN with a 20 year history assisting entertainment industry professionals Michaela Strnad, Writer PERFECT WORLD, to develop effective knowledge, contacts and business drawn from Film & Roll, Czech Republic our unique global perspective.
    [Show full text]
  • 2 5 C. on Hand, Putting in Their Work That Will Saturday, Oct
    75c A Y ear in Advance . ST. JOHNS, MICHIGAN, THURSDAY AFTERNOON, AUGUST 14, 1890. Number 50 soii; Dallas, Wm Young; Watertown, H ATTENTION VETERANS. Business Locals . D Clark; Eagle, L W Hill; Ovid, C Farn - Here’ll a Kt»tenieiit fr«*m the Auditors on Cuutloti. er; Essex, W'alter Float; Riley, H R the llounty ^ueMtloii. Jones; Ureenbush, Dan Turner; West­ The public are oautioned against buy ­ phalia, J B Randolph; Victor, Clias (Jif- The 8upn*me court decision on tlie sol­ ing a note given by mo to Gilbert Chap- REPUBLICANS OF CLINTON COUNTY fels; Olive, Henry Case. dier bounty question is causing so much l>ell or bearer, for f 77, dated .April, 1890 trouble to veterans and others that the _ ARE READY- Tbealaetiott otch a>na aiM>f-the eounty one year. G rant W aldo . committee was taken up, R M Swigart following circular bos been issued by the BiMk silk MlttN at J.Hivkn ’. iV board of state auditors: received 88 votes; J W Fitzgerald 9; 1) S Cmbrellaii and PanuioU . They Hold » Large C'onventiun, eleetDel- French 5; C M Merrill 18. No state bounty was authorized pi-evi- . Special bargains nt J. Hicks.* efpitee and Chouite a County C'oiuiiiittee. ous to Mandi (1,1808. At that date an Mr Swigart was de<*lare<l ele(de«l. CablnetM $S.OO Per Dozen. The flrHt convention iii (linton county C C Vaughan was electi'd secretary of act was passed authorizing the f ovemor comity committee by acclamation, and 1) in his discretion to cause to be paid from For August only, Jackson will make of the republicttiiH for the conipaijtn of S French, treasurer.
    [Show full text]
  • A Comparative Analysis of How Transitional Justice Methods Address Enforced Disappearances in Spain & Argentina
    The Forum April 2020 Without a Trace: A Comparative Analysis of How Transitional Justice Methods Address Enforced Disappearances in Spain & Argentina Paige Calabrese J.D. Candidate, SMU Dedman School of Law, 2021; Staff Editor for the International Law Review Association Find this and additional student articles at: https://smulawjournals.org/ilra/forum/ Recommended Citation Paige Calabrese, Without a Trace: A Comparative Analysis of How Transitional Justice Methods Address Enforced Disappearances in Spain & Argentina, ________________ (2020) https://smulawjournals.org/ilra/forum/. This article is brought to you for free and open access by The Forum which is published by student editors on The International Law Review Association in conjunction with the SMU Dedman School of Law. For more information, please visit: https://smulawjournals.org/ilra/. Without a Trace: A Comparative Analysis of How Transitional Justice Methods Address Enforced Disappearances in Spain & Argentina By: Paige Calabrese Fall 2019 When a country is plagued with civil war, dictatorship, or extreme internal unrest, governments can become pressured to take aggressive measures to maintain order and establish power, including abducting citizens believed to be threats to their power. This phenomenon of government-orchestrated civilian abductions is known as “enforced disappearance,” and it leaves damage that endures long after the conflict or dictatorship has come to an end. While many countries have histories checkered with this practice, two countries stand out because of the remedial provisions they have enacted in their transitions to democracy: Spain and Argentina. Spain is often criticized for not taking effective remedial action, but Argentina is frequently praised for its aggressive prosecution of former government officials involved in perpetrating civilian abductions.
    [Show full text]
  • STEPHEN MOYER in for ITV, UK
    Issue #7 April 2017 The magazine celebrating television’s golden era of scripted programming LIVING WITH SECRETS STEPHEN MOYER IN for ITV, UK MIPTV Stand No: P3.C10 @all3media_int all3mediainternational.com Scripted OFC Apr17.indd 2 13/03/2017 16:39 Banijay Rights presents… Provocative, intense and addictive, an epic retelling A riveting new drama series Filled with wit, lust and moral of the story of Versailles. Brand new second season. based on the acclaimed dilemmas, this five-part series Winner – TVFI Prix Export Fiction Award 2017. author Åsa Larsson’s tells the amazing true story of CANAL+ CREATION ORIGINALE best-selling crime novels. a notorious criminal barrister. Sinister events engulf a group of friends Ellen follows a difficult teenage girl trying A husband searches for the truth when A country pub singer has a chance meeting when they visit the abandoned Black to take control of her life in a world that his wife is the victim of a head-on with a wealthy city hotelier which triggers Lake ski resort, the scene of a horrific would rather ignore her. Winner – Best car collision. Was it an accident or a series of events that will change her life crime. Single Drama Broadcast Awards 2017. something far more sinister? forever. New second series in production. MIPTV Stand C20.A banijayrights.com Banijay_TBI_DRAMA_DPS_AW.inddScriptedpIFC-01 Banijay Apr17.indd 2 1 15/03/2017 12:57 15/03/2017 12:07 Banijay Rights presents… Provocative, intense and addictive, an epic retelling A riveting new drama series Filled with wit, lust and moral of the story of Versailles.
    [Show full text]
  • UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C
    UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2009 OR o TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-09553 CBS CORPORATION (Exact name of registrant as specified in its charter) DELAWARE 04-2949533 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification Number) 51 W. 52nd Street New York, NY 10019 (212) 975-4321 (Address, including zip code, and telephone number, including area code, of registrant's principal executive offices) Securities Registered Pursuant to Section 12(b) of the Act: Name of Each Exchange on Title of Each Class Which Registered Class A Common Stock, $0.001 par value New York Stock Exchange Class B Common Stock, $0.001 par value New York Stock Exchange 7.625% Senior Debentures due 2016 American Stock Exchange 7.25% Senior Notes due 2051 New York Stock Exchange 6.75% Senior Notes due 2056 New York Stock Exchange Securities Registered Pursuant to Section 12(g) of the Act: None (Title of Class) Indicate by check mark if the registrant is a well-known seasoned issuer (as defined in Rule 405 of the Securities Act of 1933). Yes ☒ No o Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Securities Exchange Act of 1934.
    [Show full text]
  • Impact of Grey Seals in the Herring Gillnet Fishery Along the Swedish
    ICES CM 2005/X:12 Working paper may not be cited without prior reference to the authors Impact of grey seals in the herring gillnet fishery along the Swedish Baltic coast Sara Königson, Arne Fjälling and Sven-Gunnar Lunneryd Institute of Coastal Research, Swedish Board of Fisheries, Contact author: Sara Königson, Institute of Coastal Research, Swedish Board of Fisheries, Box 423, 401 26 Göteborg, Sweden tel: +46 31 7430422 email: [email protected] The gillnet fishery for herring Clupea harengus in the Baltic Sea is subjected to intense damages by grey seals, Halichoerus grypus. Fishing takes place mainly during spring and autumn. Damage caused by seal peak in late autumn and for which reason fishery during this part of the year has more or less disappeared. In this study we investigated the hidden damage, i.e. the amount of fish completely removed from nets without a trace as well as the catch losses due to the presence of seals. Observers joined a commercial fisherman on his regular fishing trips. Catch and damaged fish were noted and systematic observations for seals were carried out during every fishing occasion. On some fishing trips herring was caught in a 30 meter long net of commercial type. All fish was then marked, without being removed from the net. The net was thereafter reset and linked to the local fisherman’s gear. The percentage of marked fish that was damaged or missing the next day, was used as an indication that seals had visited the nets. If a large part of the marked fish were missing it was concluded that seals had visited the nets.
    [Show full text]
  • Cole-Dioso-Villa.Pdf
    Volume 61, Issue 6 Page 1335 Stanford Law Review INVESTIGATING THE ‘CSI EFFECT’ EFFECT: MEDIA AND LITIGATION CRISIS IN CRIMINAL LAW Simon A. Cole & Rachel Dioso-Villa © 2009 by the Board of Trustees of the Leland Stanford Junior University, from the Stanford Law Review at 61 STAN. L. REV. 1335 (2009). For information visit http://lawreview.stanford.edu. COLE & DIOSO-VILLA 61 STAN. L. REV. 1335 4/25/2009 4:16 PM ARTICLES INVESTIGATING THE ‘CSI EFFECT’ EFFECT: MEDIA AND LITIGATION CRISIS IN CRIMINAL LAW Simon A. Cole* & Rachel Dioso-Villa** INTRODUCTION.....................................................................................................1336 I. TYPOLOGY OF CSI EFFECTS ..............................................................................1343 II. EVIDENCE OF THE CSI EFFECT.........................................................................1349 A. Anecdotes ..................................................................................................1341 B. Surveys of Legal Actors.............................................................................1351 C. Juror Surveys ............................................................................................1353 D. Psychological Experiments.......................................................................1355 E. Acquittal Rate Data...................................................................................1356 III. MEDIA COVERAGE OF THE CSI EFFECT ..........................................................1364 IV. A SELF-FULFILLING OR SELF-DENYING
    [Show full text]
  • 11 Laws of Showrunning
    THE ELEVEN LAWS OF SHOWRUNNING Javier Grillo-Marxuach 1.06.2016 Upon finding this essay, any number of showrunners with whom I have worked in the past will assume it is a calculated personal attack: a retroactive shiv to the kidneys delivered in the language of a management lesson. No matter that what follows is a distillation of some twenty years of experience - ten spent exclusively in upper tier positions in television series - I wholly expect to read this by the light of bridges set on fire by any number of former bosses who will no doubt believe I am writing this out of envy, or to avenge some perceived slight, or was just too chickenshit to say it to their faces. Also, there's nothing in the following 86,000 words about Lost. If I have worked for you in the past and - after reading all these disclaimers - you still think that something in the following text is a singular attack on you, there's a song from the 1970s I'd like to play for you. Call me. I know you have my number. Carly Simon's lyrical stylings aside, it often takes that level of it's-all-about-me ego to be a television writer/producer: the conviction that what you have to say matters so much that it is worth not only mastering the tropes of an entire medium, but also the risk that all the intermediaries required to turn your interpretation of those tropes into the finished product (the actors, directors, producers, the person who embroiders the series logo on the back of the chairs) will ruin it all with some fatal blend of incompetence and incomprehension, or out of a calculating Salierian malice born from resentment of your undeniable genius.
    [Show full text]
  • STAR ALEX KINGSTON COMING to MOTOR CITY COMIC CON Special Appearance Friday, May 15Th Through Sunday, May 17Th, 2020
    FOR IMMEDIATE RELEASE “ER” AND “DOCTOR WHO” STAR ALEX KINGSTON COMING TO MOTOR CITY COMIC CON Special appearance Friday, May 15th through Sunday, May 17th, 2020 NOVI, MI. (January 21, 2020) – Motor City Comic Con, Michigan’s largest and longest running comic book and pop culture convention since 1989 is thrilled to announce Alex Kingston will be attending this year’s con. Kingston will attend on May 15th, 16th and 17th, and will host a panel Q&A, be available for autographs ($50.00) and photo ops ($60.00). To purchase tickets and for more information about autographs and photo ops, please go to – https://www.motorcitycomiccon.com/tickets/ Known for roles in some of the most popular television series in both the US and the UK, Alex Kingston began her career with a recurring role on the BBC teen drama Grange Hill. After appearing in such films as The Cook, the Thief, His Wife & Her Lover and A Pin for the Butterfly, Kingston began appearing on the long-running medical drama ER in September of 1997. She first appeared in the premiere episode of the fourth season, the award-winning live episode "Ambush" where she portrayed British surgeon, Elizabeth Corday. Her character proved to be incredibly popular, appearing on the series for just over seven seasons until leaving in October 2004. Kingston did return to the role in spring 2009 during ER’s 15th and final season for two episodes. Kingston continued to entertain US audiences in November 2005, when she guest-starred in the long-running mystery drama Without a Trace.
    [Show full text]
  • Ellsworth American, Hi Ellsworth, Day
    —*---- Rites 01 M? CUfvirtt JUwdfwi Adverting * 1 wk. 3 wks. 3 mot. 6 mot. l*r 1 00 18 PIBLISHBP IT inch. $loo $150 $ 4 $boO ffo no < inches, 3 00 4 00 0 50 16 00 IU column, 8 00 13 00 80 00 P0 00 to to 1.•*’ w o;it T II ,M K, l column, 14 00 $0 00 60 00 90.00 160.09 B1 THK special Notices, One square 3 weeks, $2 iQ Kacli additional wets, 6o cents. Vluunisiralor’s and Executor’s Notices, 1-60 Uncock County Publishing Company Citation from Probate Court, 8.C6 Commissioner’! Notices $.00 Messenger’s and Assignee7* Notices, 2 c0 Kditon.il Ncvices, |»er line, .10 Term. ol Obitnary notices, j>er line, .1 Sitb«<-ri|>lion. No charge less than .50 One inch snare will One copy, 11 pai l within three months,. constitute a square Transient oi ,• ,i within three months,. Advertisements to be paid in advance. No advertisements reckoned less ii paid at the en,l •*! the year -11*' than a square. and Deaths inserted tree. o paper will he discontinued until alt arrs.tr- Marriages Yearly advertisers to gt* arc paid, except at the publisher'* option— pav quarterly. nd ftnr person wishing his paper stopped, must gt re notice thereof at the expiration -»i the tern: waether oiev.oue notice ha* bseigiven or not. M III.WloltNo. 1087.Ns.47. her bonnet Advertisements. half oil her bead, and her hair ! Count her children?” •**« »! too of P* n^idi her; tin* makim'* <>t a ! His Honor and The firing.
    [Show full text]
  • Ren Hanami SAG-AFTRA
    Ren Hanami SAG-AFTRA TELEVISION (Partial List) Star Trek: Picard S2 Recurring Guest Star CBS/ Jonathan Frakes ANIMAL KINGDOM Co-Star TNT/Mark Strand THIS IS US Co-Star NBC CHERISH THE DAY Co-Star OWN/Tanya Hamilton 13 REASONS WHY Co-Star Netflix/Jessica Yu SANTA CLARITA DIET Co-Star Netflix/Ken Kwapis SHAMELESS Co-Star Showtime/William H. Macy MAN WITH A PLAN Co-Star CBS/Victor Gonzales GLOW Co-Star Netflix/Meera Menon WISDOM OF THE CROWD Co-Star CBS/Stephen Kay S.W.A.T. Co-Star CBS/Billy Gierhart HERE and NOW Co-Star HBO/Uta Briesewitz MAJOR CRIMES Co-Star TNT/Michael Robin CRIMINAL MINDS Co-Star CBS/Rob Bailey THE THUNDERMANS Co-Star Nickelodeon/Jonathan Judge ANGIE TRIBECA Recurring TBS/Payman Benz SILICON VALLEY Recurring HBO/Mike Judge, Charlie McDowell PRETTY LITTLE LIARS Co-Star Freeform/Ron Lagomarsino PARENTHOOD Co-Star NBC/Ken Whittingham SEQUESTERED Co-Star Crackle TV/Shawn Ku PRIVATE PRACTICE Co-Star ABC/Mark Tinker SOUTHLAND Co-Star TNT/Chris Chulack THE STORM Supporting NBC/Bradford May WITHOUT A TRACE Co-Star CBS/Jonathan Kaplan GREY’S ANATOMY Co-Star ABC/Randy Zisk ER Recurring NBC/Joanna Kerns, Stephen Cragg CAGNEY & LACEY RETURN (mow) Supporting CBS/James Frawley KNOTS LANDING Guest Star CBS/Lawrence Kasha ONE WOMAN’S COURAGE (mow) Supporting NBC/Charlie Carner FILM (Partial List) GOD'S NOT DEAD 3 Supporting Jon Gunn/Pure Flix Entertainment LIKE LAST NIGHT* Supporting Ren Hanámi/Ninja Mom Entertainment BITCH** Supporting Marianna Palka/SpectreVision AIRFORCE ONE Supporting Wolfgang Petersen/Columbia HUNT FOR THE LABYRINTH
    [Show full text]
  • Here Comes Television!
    In a television studio. Left: Directing a scene on a "live" stage. Two cameras are used to introduce variety in the angles of view. Right: Another stage setting showing, in the foreground, the latest type of lighting equipment med in television studio work HERE COMES TELEVISION! Will Serve Entertainment Needs • • • Technical and without a trace of flicker. The trans­ mission apparatus, although almost in· Equipment Has Limitations Standards Laid finitely complex in design, is entirely re­ liable. In a recent demonstration at Down to Prevent Obsolescence of Receivers Washington, D. c., in which the NBC mobile television units were the trans­ By o. B. HAN SON mitting station, not one minute was lost Vice President and Chief Engineer in more than 30 hours on the air through National Broadcasting Company equipment failure. I assume that the com­ mercial- receivers soon to be marketed OR years people who knew of my will also be reliable and simple in Fconnection with television have been operation. UST prior to the arrival of asking: "When do we get it?" When· J scheduled television programs y description of television's appa­ ever the temptation to predict grew on the American scene, we pre· M strong within me, I would mentally turn sent the accompanying artide to ratus will naturally veer toward the the pages of old magazines-"Television give a comprehensive view of the technical. And since I am most familiar Comes to the Home" (1928), "Television situation as it stands today. Writ­ with the NBC equipmeu"t, I shall use it Gets Ready for Business" (1930), and so ten by Mr.
    [Show full text]