Ren Hanami SAG-AFTRA

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Ren Hanami SAG-AFTRA TELEVISION (Partial List) Star Trek: Picard S2 Recurring Guest Star CBS/ Jonathan Frakes ANIMAL KINGDOM Co-Star TNT/Mark Strand THIS IS US Co-Star NBC CHERISH THE DAY Co-Star OWN/Tanya Hamilton 13 REASONS WHY Co-Star Netflix/Jessica Yu SANTA CLARITA DIET Co-Star Netflix/Ken Kwapis SHAMELESS Co-Star Showtime/William H. Macy MAN WITH A PLAN Co-Star CBS/Victor Gonzales GLOW Co-Star Netflix/Meera Menon WISDOM OF THE CROWD Co-Star CBS/Stephen Kay S.W.A.T. Co-Star CBS/Billy Gierhart HERE and NOW Co-Star HBO/Uta Briesewitz MAJOR CRIMES Co-Star TNT/Michael Robin CRIMINAL MINDS Co-Star CBS/Rob Bailey THE THUNDERMANS Co-Star Nickelodeon/Jonathan Judge ANGIE TRIBECA Recurring TBS/Payman Benz SILICON VALLEY Recurring HBO/Mike Judge, Charlie McDowell PRETTY LITTLE LIARS Co-Star Freeform/Ron Lagomarsino PARENTHOOD Co-Star NBC/Ken Whittingham SEQUESTERED Co-Star Crackle TV/Shawn Ku PRIVATE PRACTICE Co-Star ABC/Mark Tinker SOUTHLAND Co-Star TNT/Chris Chulack THE STORM Supporting NBC/Bradford May WITHOUT A TRACE Co-Star CBS/Jonathan Kaplan GREY’S ANATOMY Co-Star ABC/Randy Zisk ER Recurring NBC/Joanna Kerns, Stephen Cragg CAGNEY & LACEY RETURN (mow) Supporting CBS/James Frawley KNOTS LANDING Guest Star CBS/Lawrence Kasha ONE WOMAN’S COURAGE (mow) Supporting NBC/Charlie Carner FILM (Partial List) GOD'S NOT DEAD 3 Supporting Jon Gunn/Pure Flix Entertainment LIKE LAST NIGHT* Supporting Ren Hanámi/Ninja Mom Entertainment BITCH** Supporting Marianna Palka/SpectreVision AIRFORCE ONE Supporting Wolfgang Petersen/Columbia HUNT FOR THE LABYRINTH KILLER Supporting Hanelle Culpepper/Lifetime PERMANENT MIDNIGHT Supporting David Veloz, Ben Stiller/Lionsgate * Best Supporting Actress-SBFF ** Sundance Winner STAGE (Partial List) LAND OF SMILES (world premiere) Achara Montri Edinburgh Fringe Festival/Rick Culbertson DISNEY’S MULAN Grandmother FA Tuacahn’s Hafen Theatre, Utah/Ryan Norton MAKE-OVER Alice TheatreWorks, Palo Alto/Tom Lindblade THE KING & I Lady Thiang Sierra Repertory, Sonora/Scott Viets SOUTH PACIFIC Polynesian Dancer The Hollywood Bowl/David Lee MY FAIR LADY Lady Boxington La Mirada Theatre/Glenn Casale EDUCATION/TRAINING U.C.L.A. Extension Certificate in Feature Film Writing, U.C.L.A. Bachelor of Arts Degree (Theater), Acting: David Le Grant; Singing: Sandra Rohr, Vocal Range: Belt (F3 to E5) Legit to High C; Voice-over: Bob Bergen, Kalmenson & Kalmenson; Improv: Various SPECIAL SKILLS Singing: Musical Theatre, Jazz, Classical; Languages: Japanese, French, Spanish, Sign; Dialects: Hawaiian, Asian, French; Dancing: Hula, Jazz, Tap; Play Ukulele; Ninjutsu Martial Arts, Hand-to-Hand Combat, Weapons; Yoga; Improvisation AGENT: Brianna Ancel/Adam Liebross / Phone: 818-509-8738 / Fax: 818-509-0367 10950 Ventura Blvd, Studio City, CA 91604 / [email protected] [email protected] MANAGER: David Laffey – McGuffin Management / 424-268-2133 .

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EUROPEAN TV DRAMA SERIES LAB Programme Application TESTIMONIALS
CONTACT www.tv-lab.eu Nadja Radojevic Head of International Training – Erich Pommer Institut [email protected] Testimonials A project by T: +49 (0)331 721 28 85 “The TV Lab’s own writers’ room became this sizzling pot F: +49 (0)331 721 28 81 Erich Pommer Institut (Germany) of focused, directed creativity, where a handful of writers Försterweg 2, 14482 Potsdam, Germany in just three days broke and created an original pilot idea The Erich Pommer Institut is one of Europe’s leading centers for www.epi-medieninstitut.de with obvious commercial and artistic potential. Most of media law, media management and media research. As a non-profit all, I was amazed on how effective it was, and how daring independent institute, our studies follow the process of media convergence through research, consultation and advanced training. you can be if you eliminate the fear of failure, and focus A project by In association with on the thrill of creation.” Each year, EPI organises and hosts around 40 seminars, workshops, Trygve Allister Diesen, Writer VARG VEUM, conferences and panels – for the European, the Canadian as well as Director KOmmissARIE WINTER, Tenk.tv, Norway the US-American media industry. TV Lab Alumni 2012 www.epi-medieninstitut.de “This kind of training is essential for Europe’s television future. It’s given me the information In association with and process I need for a wider perspective on With the support of the MEDIA 2007 Programme of the European Union what I am doing. I made crucial gains from this MediaXchange (UK) training: networking – new points of view and Based in London and LA, MediaXchange is a media consultancy helpful comparisons to my work processes.” EUROPEAN with a 20 year history assisting entertainment industry professionals Michaela Strnad, Writer PERFECT WORLD, to develop effective knowledge, contacts and business drawn from Film & Roll, Czech Republic our unique global perspective.
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A Comparative Analysis of How Transitional Justice Methods Address Enforced Disappearances in Spain & Argentina
The Forum April 2020 Without a Trace: A Comparative Analysis of How Transitional Justice Methods Address Enforced Disappearances in Spain & Argentina Paige Calabrese J.D. Candidate, SMU Dedman School of Law, 2021; Staff Editor for the International Law Review Association Find this and additional student articles at: https://smulawjournals.org/ilra/forum/ Recommended Citation Paige Calabrese, Without a Trace: A Comparative Analysis of How Transitional Justice Methods Address Enforced Disappearances in Spain & Argentina, ________________ (2020) https://smulawjournals.org/ilra/forum/. This article is brought to you for free and open access by The Forum which is published by student editors on The International Law Review Association in conjunction with the SMU Dedman School of Law. For more information, please visit: https://smulawjournals.org/ilra/. Without a Trace: A Comparative Analysis of How Transitional Justice Methods Address Enforced Disappearances in Spain & Argentina By: Paige Calabrese Fall 2019 When a country is plagued with civil war, dictatorship, or extreme internal unrest, governments can become pressured to take aggressive measures to maintain order and establish power, including abducting citizens believed to be threats to their power. This phenomenon of government-orchestrated civilian abductions is known as “enforced disappearance,” and it leaves damage that endures long after the conflict or dictatorship has come to an end. While many countries have histories checkered with this practice, two countries stand out because of the remedial provisions they have enacted in their transitions to democracy: Spain and Argentina. Spain is often criticized for not taking effective remedial action, but Argentina is frequently praised for its aggressive prosecution of former government officials involved in perpetrating civilian abductions.
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UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ☒ ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2009 OR o TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File Number 001-09553 CBS CORPORATION (Exact name of registrant as specified in its charter) DELAWARE 04-2949533 (State or other jurisdiction of (I.R.S. Employer incorporation or organization) Identification Number) 51 W. 52nd Street New York, NY 10019 (212) 975-4321 (Address, including zip code, and telephone number, including area code, of registrant's principal executive offices) Securities Registered Pursuant to Section 12(b) of the Act: Name of Each Exchange on Title of Each Class Which Registered Class A Common Stock, $0.001 par value New York Stock Exchange Class B Common Stock, $0.001 par value New York Stock Exchange 7.625% Senior Debentures due 2016 American Stock Exchange 7.25% Senior Notes due 2051 New York Stock Exchange 6.75% Senior Notes due 2056 New York Stock Exchange Securities Registered Pursuant to Section 12(g) of the Act: None (Title of Class) Indicate by check mark if the registrant is a well-known seasoned issuer (as defined in Rule 405 of the Securities Act of 1933). Yes ☒ No o Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Securities Exchange Act of 1934.
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Impact of Grey Seals in the Herring Gillnet Fishery Along the Swedish
ICES CM 2005/X:12 Working paper may not be cited without prior reference to the authors Impact of grey seals in the herring gillnet fishery along the Swedish Baltic coast Sara Königson, Arne Fjälling and Sven-Gunnar Lunneryd Institute of Coastal Research, Swedish Board of Fisheries, Contact author: Sara Königson, Institute of Coastal Research, Swedish Board of Fisheries, Box 423, 401 26 Göteborg, Sweden tel: +46 31 7430422 email: [email protected] The gillnet fishery for herring Clupea harengus in the Baltic Sea is subjected to intense damages by grey seals, Halichoerus grypus. Fishing takes place mainly during spring and autumn. Damage caused by seal peak in late autumn and for which reason fishery during this part of the year has more or less disappeared. In this study we investigated the hidden damage, i.e. the amount of fish completely removed from nets without a trace as well as the catch losses due to the presence of seals. Observers joined a commercial fisherman on his regular fishing trips. Catch and damaged fish were noted and systematic observations for seals were carried out during every fishing occasion. On some fishing trips herring was caught in a 30 meter long net of commercial type. All fish was then marked, without being removed from the net. The net was thereafter reset and linked to the local fisherman’s gear. The percentage of marked fish that was damaged or missing the next day, was used as an indication that seals had visited the nets. If a large part of the marked fish were missing it was concluded that seals had visited the nets.
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Volume 61, Issue 6 Page 1335 Stanford Law Review INVESTIGATING THE ‘CSI EFFECT’ EFFECT: MEDIA AND LITIGATION CRISIS IN CRIMINAL LAW Simon A. Cole & Rachel Dioso-Villa © 2009 by the Board of Trustees of the Leland Stanford Junior University, from the Stanford Law Review at 61 STAN. L. REV. 1335 (2009). For information visit http://lawreview.stanford.edu. COLE & DIOSO-VILLA 61 STAN. L. REV. 1335 4/25/2009 4:16 PM ARTICLES INVESTIGATING THE ‘CSI EFFECT’ EFFECT: MEDIA AND LITIGATION CRISIS IN CRIMINAL LAW Simon A. Cole* & Rachel Dioso-Villa** INTRODUCTION.....................................................................................................1336 I. TYPOLOGY OF CSI EFFECTS ..............................................................................1343 II. EVIDENCE OF THE CSI EFFECT.........................................................................1349 A. Anecdotes ..................................................................................................1341 B. Surveys of Legal Actors.............................................................................1351 C. Juror Surveys ............................................................................................1353 D. Psychological Experiments.......................................................................1355 E. Acquittal Rate Data...................................................................................1356 III. MEDIA COVERAGE OF THE CSI EFFECT ..........................................................1364 IV. A SELF-FULFILLING OR SELF-DENYING
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11 Laws of Showrunning
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In a television studio. Left: Directing a scene on a "live" stage. Two cameras are used to introduce variety in the angles of view. Right: Another stage setting showing, in the foreground, the latest type of lighting equipment med in television studio work HERE COMES TELEVISION! Will Serve Entertainment Needs • • • Technical and without a trace of flicker. The trans mission apparatus, although almost in· Equipment Has Limitations Standards Laid finitely complex in design, is entirely re liable. In a recent demonstration at Down to Prevent Obsolescence of Receivers Washington, D. c., in which the NBC mobile television units were the trans By o. B. HAN SON mitting station, not one minute was lost Vice President and Chief Engineer in more than 30 hours on the air through National Broadcasting Company equipment failure. I assume that the com mercial- receivers soon to be marketed OR years people who knew of my will also be reliable and simple in Fconnection with television have been operation. UST prior to the arrival of asking: "When do we get it?" When· J scheduled television programs y description of television's appa ever the temptation to predict grew on the American scene, we pre· M strong within me, I would mentally turn sent the accompanying artide to ratus will naturally veer toward the the pages of old magazines-"Television give a comprehensive view of the technical. And since I am most familiar Comes to the Home" (1928), "Television situation as it stands today. Writ with the NBC equipmeu"t, I shall use it Gets Ready for Business" (1930), and so ten by Mr.
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VANISHED WITHOUT a TRACE the Enforced Disappearance of Opposition and Dissent in Bangladesh
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Without a Trace Enforced Disappearances in Syria
1. ........................................................................................................................... 2. 19 December 2013 English and Arabic only Without a trace: enforced disappearances in Syria 1 I. Introduction 1. Women, standing outside detention centres and holding photographs of their disappeared male relatives, have become an enduring image of suffering in Syria. It is an image which speaks to the essence of the violation of enforced disappearance: the taking of a loved one, the desperate search for information through official and unofficial channels, and the torment of those left behind. Those who wait are often the only visible trace of the violation. 2. An enforced disappearance is an arrest, detention or abduction, followed by a refusal to acknowledge the deprivation of liberty or by the concealment of the fate or whereabouts of the disappeared. Cases of enforced disappearances were first documented by the Commission of Inquiry on the Syrian Arab Republic during the pro-democracy protests in March 2011. As the unrest devolved into an armed conflict, the investigation covered practices related to enforced disappearances perpetrated by all parties to the conflict. Investigations uncovered a consistent country-wide pattern in which people – mainly adult males – have been seized by the Syrian security and armed forces, as well as by pro-Government militias, during mass arrests, house searches, at checkpoints and in hospitals. In some instances, the disappearances appeared to have a punitive element, targeting family members of defectors, activists, fighters as well as those believed to be providing medical care to the opposition. 3. Over the last year, specific anti-Government armed groups have begun to abduct certain categories of civilians and hold them hostage.
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AD AGE MAIN 09-30-02 a 58 AADB.Qxd 9/30/02 2:58 PM Page 1
AD AGE MAIN 09-30-02 A 58 AADB.qxd 9/30/02 2:58 PM Page 1 AD AGE’S FALL 2002 PRIME-TIME PRICING SURVEY SUNDAY 7 p.m. (ET) 8 p.m. 9 p.m. 10 p.m. Wonderful World of Disney Alias The Practice $107,127 $144,890 $180,106 60 Minutes Bram and Alice Becker CBS Sunday Movie $90,000 $87,133 $107,115 $79,471 Dateline American Dreams Law & Order: Criminal Intent Boomtown $63,950 $108,288 $124,889 $114,729 Futurama Oliver Beene Simpsons King of the Hill Malcolm The Grubbs No programming $90,100 $122,780 $248,300 $212,500 $196,725 $113,817 Gilmore Girls: Beginnings Charmed Angel No programming $51,295 $48,672 $55,609 MONDAY8 p.m. 9 p.m. 10 p.m. Drew Carey Whose Line Monday Night Football $84,377 $64,594 $298,000 King/Queens Yes, Dear Raymond Standing CSI: Miami $168,425 $165,801 $301,640 $186,100 $164,870 Fear Factor Third Watch Crossing Jordan $100,833 $126,270 $122,960 Boston Public Girls Club No programming $146,887 $178,400 7th Heaven Everwood No programming $83,752 $72,204 The Parkers One on One Girlfriends Half & Half No programming $39,267 $40,456 $39,300 $38,006 TUESDAY8 p.m. 9 p.m. 10 p.m. 8 Simple Jim Bonnie Less/Perfect NYPD Blue $144,438 $137,750 $121,222 $141,679 $157,249 JAG The Guardian Judging Amy $97,355 $82,239 $118,857 In-Laws Shoot Me Frasier Hidden Hills Dateline NBC $96,500 $115,575 $252,067 $172,854 $106,817 ‘70s Show Grounded 24 No programming $164,950 $136,215 $184,550 Gilmore Girls Smallville No programming $82,287 $111,439 Buffy the Vampire Slayer Haunted No programming $59,032 $28,400 WED.
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