GUJARATI PAPER I Section A

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GUJARATI PAPER I Section A (1) History of Gujarati Language with special reference to New Indo-Aryan i.e. last one thousand years. (2) Significant features of the Gujarati language : phonology, morphology and syntax. (3) Major dialects : Surti, pattani, charotari and Saurashtri. History of Gujarati literature Medieval : 4. Jaina tradition 5. Bhakti tradition : Sagun and Nirgun (Jnanmargi) 6. Non-sectarian tradition (Laukik parampara) Modern : 7. Sudharak yug 8. Pandit yug 9. Gandhi yug 10. Anu-Gandhi yug 11. Adhunik yug Section B Literary Forms : (Salient features, history and development of the following literary forms :) (a) Medieval 1. Narratives : Rasa, Akhyan and Padyavarta 2. Lyrical: Pada (b) Folk 3. Bhavai (c) Modern 4. Fiction : Novel and Short Story 5. Drama 6. Literary Essay 7. Lyrical Poetry (d) Criticism 8. History of theoretical Gujarati criticism 9. Recent research in folk tradition. PAPER II (Answers must be written in Gujarati) The paper will require first-hand reading of the texts prescribed and will be designed to test the critical ability of the candidate. Section A 1. Medieval (i) Vasantvilas phagu—AJNATKRUT (ii) Kadambari—BHALAN (iii) Sudamacharitra—PREMANAND (iv) Chandrachandravatini varta—SHAMAL (v) Akhegeeta—AKHO 2. Sudharakyug & Pandityug (vi) Mari Hakikat—NARMADASHA (vii) Farbasveerah—DALPATRAM (viii) Saraswatichandra-Part 1—GOVARDHANRAM TRIPATHI (ix) Purvalap—‘KANT’ (MANISHANKAR RATNAJI BHATT) (x) Raino Parvat—RAMANBHAI NEELKANTH Section B 1. Gandhiyug & Anu Gandhiyug (i) Hind Swaraj—MOHANDAS KARAMCHAND GANDHI (ii) Patanni Prabhuta—KANHAIYALAL MUNSHI (iii) Kavyani Shakti—RAMNARAYAN VISHWANATH PATHAK (iv) Saurashtrani Rasdhar-Part 1—ZAVERCHAND MEGHANI (v) Manvini Bhavai—PANNALAL PATEL (vi) Dhvani—RAJENDRA SHAH 2. Adhunik yug (vii) Saptapadi—UMASHANKAR JOSHI (viii) Janantike—SURESH JOSHI (ix) Ashwatthama—SITANSHU YASHASCHANDRA .

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Chapter: 1 Introduction
1 Chapter: 1 Introduction Substantial research work has been conducted on the genre of the novel and its various aspects in English as well as in Gujarati literature, but the study focusing on the theme of the region and regionality in Indian writing in English and the Gujarati novel, especially in the novels of R. K. Narayan (1906 to 2001) and Pannalal Patel (1912 to 1989), has scarcely been carried out in a comparative mode. This dissertation is aimed at studying the representation of the region in the novels of R. K. Narayan and Pannalal Patel from the point of view of postcolonial studies by highlighting the socio-cultural, political and religious dimensions their works. It is possible to locate the postcolonial discourse of creating an image of indigenous culture through the means of representing rural locale, language and customs in the works of R. K. Narayan and Pannalal Patel. The creative period of both the novelists extends from the pre-independence to the post-independence phase of the twentieth century India. Their works cover majority of features representing the postcolonial dimension of literature, which has been examined in the following chapters. Narayan is regarded as the father-figure in postcolonial Indian English fiction. Similarly Pannalal Patel’s creativity writing too has a comparable place. Both represent the notion of region and nation which has become now-a-days vigorous debate in postcolonial studies. The thesis explores how the literary discourse of their novels participates in constructing ‘nation’ in a postcolonial context by representing ‘region’. Instead of seeing the categories of ‘nation’ and ‘region’ as simple opposites, the thesis examines the problematic ways in which these notions are represented.
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