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Tenor Saxophone Mouthpiece When
MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, -
This Is Our Music V.2-2
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by BCU Open Access 20/11/2015 16:38:00 This Is Our Music?: Tradition, community and musical identity in contemporary British jazz Mike Fletcher As we reach the middle of the second decade of the twenty-first century we are also drawing close to the centenary of jazz as a distinct genre of music. Of course, attempting to pinpoint an exact date would be a futile endeavour but nevertheless, what is clear is that jazz has evolved at a remarkable rate during its relatively short lifespan. This evolution, which encompassed many stylistic changes and innovations, was aided in no small part by the rapid technological advances of the twentieth century. Thus, what was initially a relatively localised music has been transformed into a truly global art form. Within a few short decades of the birth of the music, records, radio broadcasts and globe-trotting American jazz performers had already spread the music to a listening audience worldwide, and it was not long after this that musicians began to make attempts to ‘adapt jazz to the social circumstances and musical standards with which they were more familiar’.1 In the intervening decades, subsequent generations of indigenous musicians have formed national lineages that run parallel to those in America, and variations in cultural and social conditions have resulted in a diverse range of performance practices, all of which today fall under the broad heading of jazz. As a result, contemporary musicians and scholars alike are faced with increasing considerations of ownership and authenticity, ultimately being compelled to question whether the term jazz is still applicable to forms of music making that have grown so far away from their historical and geographic origins. -
Marcelo Martins | Bio
Marcelo Martins | bio. Saxophonist, flutist, composer and arranger. Born on February 23rd, 1969 in the city of Niteroi (Rio de Janeiro, Brazil) Marcelo Martins has a consolidated career that began in childhood. At just eight years old, the musician began his studies at the Orquestra Tipica La Salle. The artist also studied with saxophonist and flutist, Renato Franco, music theory at the Conservatory of Music of the State of Rio de Janeiro, harmony and improvisation with Sérgio Benevenuto, Blas Rivera and later, harmony and arrangement with the conductor and trombonist Vittor Santos. He has already recorded and worked with several personalities of brazilian music, among them, Djavan (since 1990), Antonio Adolfo, Cesar Camargo Mariano, Eumir Deodato, Airto Moreira & Flora Purim, Ed Motta, Gilberto Gil, João Bosco, Leila Pinheiro, Moacir Santos, Marcos Valle and Ivan Lins. Marcelo released his first solo CD, "Do Outro Lado", which was chosen by the critic Carlos Calado as one of the 10 best CDs of 2013. For some years, he has also participated as a teacher in saxophone workshops at several music festivals. Currently is also a member of the Atlantic Orchestra as co- founder alongside Jesse Sadoc, Aldivas Ayres and Danilo Sinna, where he works as an arranger, composer and saxophonist. The Orchestra has performed in concerts throughout Brazil, and recorded “Altlantic Orchestra”, its first CD (contemplated by the FUNARTE 2012 Instrumental Music Award), and its second CD “Antônio Adolfo - Encontros - Orquestra Atlântica” alongside the pianist and composer Antonio Adolfo. The last album was released in USA (2018) by the AA Music label, and was nominated for the Latin Grammy Awards (2019) in the sound engineering category. -
THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014
COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography………………………………………………………………………………. -
Jazzlondonlive Mar 2019
01/03/2019 SOUTH HILL PARK, BRACKNELL 19:30 £12 Greg Davis, sax, Cliff Charles, gtr, Paul Eldridge, ALINA BZHEZHINSKA'S HIPHARP COLLECTIVE JAZZ pno, Julian Bury, bass, Matt Skeaping, drms (£5.50 UNDER 18S) JAZZLONDONLIVE MAR 2019 CLUB CONCERT LULUK PURWANTO - VIOLIN & BYRON WALLEN - Award winning harpist Alina Bzhezhinska brings 02/03/2019 VORTEX JAZZ CLUB, DALSTON 20:30 £15.00 her latest project brings to life with the finest 01/03/2019 THE HAWTH, CRAWLEY 11:45 £21.95 (INCL TRUMPET PRESENTED BY BRACKNELL JAZZ compositions of legendary harpists Dorothy MONICA VASCONCELOS Simon Cook (piano), Andy Masters (bass), Dae Monica Vasconcelos (vcls), Steve Lodder (keys), LUNCH) Ashby and Alice Coltrane. Alina Bzhezhinska Hyun Lee (drums) (Harp), Gareth Lockrane (Flutes), Christian Ife Tolentino (gtr), Andres Lafone (bs), Yaron WHEN PEGGY MET ELLA PRESENTED BY THE Vaughan (Piano/Keyboards), Julie Walkington Stavi (bs), Marius Rodrigues (drs) LISTENING ROOM 01/03/2019 BARBICAN, EC2 20:00 £15-35 (Double Bass), Joel Prime (Drums) Shireen Francis (vcls), Sarah Moule (vcls), Simon THE BRANFORD MARSALIS QUARTET + NIKKI YEOH 02/03/2019 PIZZAEXPRESS JAZZ CLUB, SOHO 21:00 Wallace (pno) 01/03/2019 ARCHDUKE, WATERLOO 22:00 FREE £20 (SOLO SET) with Joey Calderazzo, Eric Revis & Justin SIMON PURCELL TRIO PIANO-LED JAZZ TRIO JAMES MORTON 'GROOVE DEN' 01/03/2019 SOUTHBANK CENTRE 13:00 FREE Faulkner MISHA LUNCHTIME FOYER GIG 01/03/2019 JAZZ CAFE, CAMDEN 22:30 £15 02/03/2019 606 CLUB, CHELSEA 21:30 £14.00 Intricate yet intuitive jazz from lauded bass player 01/03/2019 -
Michael Brecker Chronology
Michael Brecker Chronology Compiled by David Demsey • 1949/March 29 - Born, Phladelphia, PA; raised in Cheltenham, PA; brother Randy, sister Emily is pianist. Their father was an attorney who was a pianist and jazz enthusiast/fan • ca. 1958 – started studies on alto saxophone and clarinet • 1963 – switched to tenor saxophone in high school • 1966/Summer – attended Ramblerny Summer Music Camp, recorded Ramblerny 66 [First Recording], member of big band led by Phil Woods; band also contained Richie Cole, Roger Rosenberg, Rick Chamberlain, Holly Near. In a touch football game the day before the final concert, quarterback Phil Woods broke Mike’s finger with the winning touchdown pass; he played the concert with taped-up fingers. • 1966/November 11 – attended John Coltrane concert at Temple University; mentioned in numerous sources as a life-changing experience • 1967/June – graduated from Cheltenham High School • 1967-68 – at Indiana University for three semesters[?] • n.d. – First steady gigs r&b keyboard/organist Edwin Birdsong (no known recordings exist of this period) • 1968/March 8-9 – Indiana University Jazz Septet (aka “Mrs. Seamon’s Sound Band”) performs at Notre Dame Jazz Festival; is favored to win, but is disqualified from the finals for playing rock music. • 1968 – Recorded Score with Randy Brecker [1st commercial recording] • 1969 – age 20, moved to New York City • 1969 – appeared on Randy Brecker album Score, his first commercial release • 1970 – co-founder of jazz-rock band Dreams with Randy, trombonist Barry Rogers, drummer Billy Cobham, bassist Doug Lubahn. Recorded Dreams. Miles Davis attended some gigs prior to recording Jack Johnson. -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS -
Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
September 1995
Features CARL ALLEN Supreme sideman? Prolific producer? Marketing maven? Whether backing greats like Freddie Hubbard and Jackie McLean with unstoppable imagination, or writing, performing, and producing his own eclectic music, or tackling the business side of music, Carl Allen refuses to be tied down. • Ken Micallef JON "FISH" FISHMAN Getting a handle on the slippery style of Phish may be an exercise in futility, but that hasn't kept millions of fans across the country from being hooked. Drummer Jon Fishman navigates the band's unpre- dictable musical waters by blending ancient drum- ming wisdom with unique and personal exercises. • William F. Miller ALVINO BENNETT Have groove, will travel...a lot. LTD, Kenny Loggins, Stevie Wonder, Chaka Khan, Sheena Easton, Bryan Ferry—these are but a few of the artists who have gladly exploited Alvino Bennett's rock-solid feel. • Robyn Flans LOSING YOUR GIG AND BOUNCING BACK We drummers generally avoid the topic of being fired, but maybe hiding from the ax conceals its potentially positive aspects. Discover how the former drummers of Pearl Jam, Slayer, Counting Crows, and others transcended the pain and found freedom in a pink slip. • Matt Peiken Volume 19, Number 8 Cover photo by Ebet Roberts Columns EDUCATION NEWS EQUIPMENT 100 ROCK 'N' 10 UPDATE 24 NEW AND JAZZ CLINIC Terry Bozzio, the Captain NOTABLE Rhythmic Transposition & Tenille's Kevin Winard, BY PAUL DELONG Bob Gatzen, Krupa tribute 30 PRODUCT drummer Jack Platt, CLOSE-UP plus News 102 LATIN Starclassic Drumkit SYMPOSIUM 144 INDUSTRY BY RICK -
Air Artist Agency
Air Artist Agency, in GERMANY & AUSTRIA MARCH 2011 Air Artist Agency, THE CONCEPT I was welcomed and In March 2011, six of Britain’s most exciting and forward-thinking bands will invited to England in be descending on Germany and Austria to perform 72 gigs over the period of two weeks. 12 clubs in 12 different cities will be running a ‘Brit-Jazz- the friendliest of ways. Week’ and hosting performances from a different one of the bands London is without each night. doubt Europe´s capital Between them, the bands have been recognised by the MOBO and for culture. There are MOJO Awards, Mercury Music Prize and just about every British Jazz a dozen great concerts Award available! They have all toured internationally but this is the to go to every day, all first time any of them will be presented in Germany and Austria in museums are free and such a big way. the local music scene is With influences as diverse as Indian music, Hip-Hop, Rap, Trip-Hop and vibrant, energetic and Rock, the bands involved are ex-Portishead Jazz-Rockers Get The Blessing, imaginative with a great saxophonist Jason Yarde, Indo-Jazz Clarinettist Arun Ghosh, pianist Kit Downes, mixture of artists from The Julian Siegel Quartet and rapper-saxophonist Soweto Kinch. all sorts of backgrounds; We are organising full German/Austrian press coverage for the event and one of a true melting pot of the main aims of the project is to launch each of the bands in this territory and build the foundations for regular touring in Germany and Austria. -
Downbeat.Com December 2014 U.K. £3.50
£3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman,