DOCSLIB.ORG

Bájate Toda La Información En

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bájate Toda La Información En Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 1 www.madrid.org/artesacro Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 2 www.madrid.org/artesacro XXIII FESTIVAL DE ARTE SACRO DE LA COMUNIDAD DE MADRID Del 2 de febrero al 24 de marzo de 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 3 www.madrid.org/artesacro Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 4 www.madrid.org/artesacro Arte Sacro 2013 Índice Arte Sacro 2013 PRÓLOGO 7 LAS CIFRAS DEL FESTIVAL 9 PROGRAMACIÓN 13 DOCUMENTACIÓN 17 MÚSICA Y DANZA Suites para violoncello solo, de Johann Sebastian Bach 19 Misa de la Coronación, de W. A. Mozart 23 Johann Sebastian Bach: sonatas y partitas 27 Den Coninck van Hispaengiën (Philippus Secundus Rex Hispaniae) 29 Tres siglos de música sacra española 33 Música del alma 37 Réquiem, de John Rutter 41 Homenaje a Francisco de Salinas 45 El sentido místico de los grandes compositores 49 Pasión según San Mateo, de Heinrich Schütz 53 Música para la Semana Santa (Ecos del Románico) 63 Moresca. Arte andalusí (música y danza) 65 Polifonía rusa para Cuaresma y Pascua 67 Al infinito 71 Misteria 75 Lecciones de tinieblas y Miserere 79 La fe cantada a través de los tiempos 85 El sentimiento religioso en la música vocal europea 89 Stabat Mater, de Luigi Boccherini 93 Pequeña Misa Solemne, de Gioacchino Rossini 97 Juxta Ritum (música para la Semana Santa) 101 Réquiem negro 105 Sacro Tempore 117 Cantos y sones afrocubanos 123 El nombre de la rosa. Música espiritual 127 La melodía vocal en la música europea 131 Elogio a la eternidad 135 Tish (danza) 139 Nisi Dominus (música del maestro de capilla Andrés de Torrentes) 143 Cuatro siglos de música sacra española 147 El laberinto del mundo y el paraíso del corazón 151 Polifonías corsas 153 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 5 www.madrid.org/artesacro Arte Sacro 2013 Música sacra de ayer y hoy 157 Completas á 4 con ripieno á pequeña orquesta, de Mariano 161 Rodríguez de Ledesma Un réquiem alemán, de Johannes Brahms 169 Gloria et in terra pax 175 CICLO DE CINE 179 Visión: la historia de Hildegard Von Bingen Roma ciudad abierta Balarrasa Un hombre para la eternidad Las sandalias del pescador DIRECCIONES 183 AGRADECIMIENTOS 189 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 6 www.madrid.org/artesacro XXIII FESTIVAL DE ARTE SACRO 2013 Arte Sacro 2013 PRÓLOGO La XXIII edición del Festival de Arte Sacro de la Comunidad de Madrid está dedicada a las manifestaciones culturales a las que han dado lugar las diferentes concepciones de la espiritualidad a lo largo de la historia, especialmente en lo que a música, danza y cine se refiere. Gracias a este tipo de iniciativas, consolidamos la pluralidad de la oferta musical y escénica de Madrid, a la vez que nos acercamos a la realidad de intereses culturales de nuestra región. Enriquecer el acervo común de los madrileños con propuestas de calidad y accesibles a todos los públicos, es también objetivo de la programación que se incluye en el Festival de Arte Sacro, donde se dan cita las obras clásicas de Bach, Mozart o Rossini, entre otros, y la interpretación y puesta en escena de de nuevas composiciones. A través de la mística que subyace en todas las creaciones, podemos aproximarnos también al legado histórico, monumental y plástico que encierra el rico patrimonio religioso de la Comunidad de Madrid. La programación de “Arte Sacro 2013” abarca más de nueve siglos de tradiciones y creencias, a través de 47 espectáculos y 5 proyecciones cinematográficas que se representarán en 16 municipios de la región. El Festival incluye desde cinco estrenos absolutos hasta cuatro recuperaciones mu- sicológicas de maestros españoles, sin olvidar la interpretación de” El Laberinto del mundo y el paraíso del corazón” con el órgano de la Iglesia de Nuestra Señora de los Ángeles, recientemente restaurado por la Comunidad de Madrid. Las formaciones madrileñas, con una alta calidad, constituyen el núcleo de la progra- mación de esta edición, aunque la vertiente internacional del festival contará también este año con destacadas formaciones extranjeras. Tras el éxito del pasado festival, estoy plenamente convencida de que este año su celebración gozará de un importante interés, lo cual me anima a invitar a todos los madrileños y a quienes nos visiten a disfrutar con su variedad de representaciones. Ana Isabel Mariño Ortega Consejera de Empleo, Turismo y Cultura Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 7 www.madrid.org/artesacro Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 8 www.madrid.org/artesacro XXIII FESTIVAL DE ARTE SACRO 2013 Arte Sacro 2013 LAS CIFRAS DEL FESTIVAL FECHAS Y ESPECTÁCULOS Fechas: Del 2 de febrero al 24 de marzo de 2013 XXIII edición La programación está ordenada en 2 apartados: MÚSICA Y DANZA CICLO DE CINE En total se presentan: 41 espectáculos Música – 34 Danza – 2 (con música en directo) Cine – 5 36 compañías: 28 españolas, 8 extranjeras 52 funciones Música – 45 Danza – 2 Cine – 5 45 conciertos 5 conciertos con solistas, coro y orquesta 3 conciertos con solistas y orquesta 1 concierto con solistas, coro y pianos 17 conciertos corales 19 conciertos de música de cámara 22 estrenos Estrenos absolutos: 5 Estrenos en España: 13 Recuperación musicológica. Estreno en tiempos modernos: 4 29 espectáculos españoles: 24 de la Comunidad de Madrid, 1 de Andalucía y Ma- drid, 2 de Castilla-León, 1 del País Vasco y 1 del Principado de Asturias. 12 espectáculos internacionales: 1 de Alemania y Francia, 1 de Cuba y España, 1 de Estados Unidos, 2 de Francia, 1 de Holanda, 1 de Israel, 1 de Italia, 1 de Reino Unido, 1 Reino Unido y España, 1 de República Checa, 1 de República Checa y España. Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 9 www.madrid.org/artesacro XXIII FESTIVAL DE ARTE SACRO 2013 Arte Sacro 2013 ESPACIOS ESCÉNICOS Los espectáculos tendrán lugar en 36 espacios diferentes. 21 espacios en Madrid Capital: Ateneo de Madrid, Basílica Hispanoamericana de la Merced, Basílica Pontificia de San Miguel Arcángel, Centro Cultural Paco Rabal-Pa- lomeras Bajas, Centro Sefarad Israel (Palacio de Cañete), Iglesia de la Concepción Real de Calatrava, Iglesia de San Antonio de los Alemanes, Iglesia de San Jerónimo el Real, Real Iglesia Parroquial de Santiago y San Juan Bautista, Iglesia de Santa Teresa y Santa Isabel, Iglesia Santuario de Nuestra Señora del Perpetuo Socorro, Parroquia de Nuestra Señora del Carmen y San Luis, Parroquia de la Concepción de Nuestra Se- ñora, Parroquia Nuestra Señora de los Ángeles, Parroquia Virgen de la Milagrosa, Real Conservatorio Superior de Música de Madrid, Real Parroquia de San Ginés, Teatro de La Abadía (Sala Juan de la Cruz y Sala José Luis Alonso), Teatro de la Escuela Superior de Canto (Palacio Bauer), Teatros del Canal (Sala Verde). 15 espacios en 15 municipios de la Comunidad de Madrid: Alcalá de Henares (Cate- dral Magistral de los Santos Niños), Aranjuez (Auditorio Joaquín Rodrigo), Buitrago del Lozoya (Iglesia de Santa María del Castillo), Colmenar Viejo (Auditorio Municipal Villa de Colmenar Viejo), Collado Villalba (Parroquia Virgen del Camino), Getafe (Iglesia Ca- tedral de Santa María Magdalena), Hoyo de Manzanares (Teatro Municipal Las Cigüe- ñas), La Cabrera (Centro Comarcal de Humanidades Cardenal Gonzaga Sierra Norte), Leganés (Parroquia de San Nicasio), Moralzarzal (Parroquia de San Miguel Arcángel), Paracuellos de Jarama (Iglesia de San Vicente Mártir), Pinto (Iglesia de las Capuchinas) , San Lorenzo de El Escorial (Real Coliseo Carlos III), Torrelodones (Teatro Bulevar), Torremocha de Jarama (Museo de la Agricultura). Todos los espectáculos son de entrada libre, excepto: 7 de febrero, en el Teatro de La Abadía (Sala Juan de la Cruz), de Madrid: 18 euros. 16 de febrero, en el Auditorio Joaquín Rodrigo, de Aranjuez: 16 de febrero - 20:00 horas - Entrada: Patio de butacas 6 y 10 euros; anfiteatro 4 y 3 euros (descuentos menores de 13 años, mayores de 65 años y Carné Joven). 16 de febrero, en el Centro Comarcal de Humanidades Cardenal Gonzaga Sierra Norte, en La Cabrera: 7 euros 16 de febrero, en el Teatro Municipal Las Cigüeñas, de Hoyo de Manzanares: 5 euros. 1 de marzo, en el Ateneo de Madrid: 3 euros. 2 de marzo, en el Ateneo de Madrid: 3 euros. 3 de marzo, en el Ateneo de Madrid: 3 euros. 3 de marzo, en el Centro Cultural Paco Rabal - Palomeras Bajas, de Madrid: 3 euros. 6 de marzo, en Teatros del Canal (Sala Verde), de Madrid: 5 euros. 8 de marzo, en el Ateneo de Madrid: 4 euros (socios entrada libre hasta completar aforo). 9 de marzo, en el Real Coliseo Carlos III, en San Lorenzo de El Escorial: 10 a 15 euros. Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 Arte Sacro 2013 10 www.madrid.org/artesacro XXIII FESTIVAL DE ARTE SACRO 2013 Arte Sacro 2013 12 de marzo, en Teatros del Canal (Sala Verde), de Madrid: 5 euros. 13 de marzo, Teatro de La Abadía (Sala José Luis Alonso), de Madrid: 18 euros.
Load more

Recommended publications
  • Latin American Independence
    CATALOGUE TWO HUNDRED EIGHTY-FOUR Latin American Independence WILLIAM REESE COMPANY 409 Temple Street New Haven, CT 06511 (203) 789-8081 A Note This catalogue traces the story of the collapse of the Spanish Empire in the New World and the establishment of independent countries in its wake. Arranged chrono- logically, it begins with the precursor revolutions in the French Caribbean islands and the takeover of Louisiana by the United States. The heart of the catalogue covers the revolutions in South and Central America between 1806 and the 1830s. Highspots include an association copy of Arrowsmith’s great atlas of 1816, a huge collection of early Buenos Aires imprints, some remarkable documents relating to the takeover of Louisiana by the U.S., the official printing of the 1821 Mexican Declaration of Independence, and a series of important broadsides relating to the 1820 revolution in Caracas. An index follows the final entry. Available on request are our recent catalogues: 276, The Caribbean; 277, The American West in the 19th Century; 278, World Trade: The First Age of Globalization; 279, Pacific Voyages; 281, Americana in PRINTING AND THE MIND OF MAN; 282, Recent Acquisitions in Americana; and 283, American Presidents. Some of our catalogues, as well as some recent topical lists, are now posted on the Internet at www.reeseco.com. A portion of our stock may be viewed via links at www. reeseco.com. If you would like to receive e-mail notification when catalogues and lists are uploaded, please e-mail us at [email protected] or send us a fax, specifying whether you would like to receive the notifications in lieu of or in addition to paper catalogues.
    [Show full text]
  • INFORMATION to USERS the Quality of This Reproduction Is Dependent Upon the Quality of the Copy Submitted
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter &ce, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Infonnation Company 300 North Zed) Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 THE RELATIONSHIPS AMONG A VARIATION OF IMMEDIATE RECALL TASKS AND MEASURES OF LI WRITING, L2 ACHIEVEMENT, AND COGNITIVE STRATEGY USE IN STUDENTS OF HIGH SCHOOL SPANISH DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Lee Wilberschied, B.A., M.A.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 109, 1989-1990
    BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA 109TH SEASON 1989-90 G* wr > i * 0*m MPORTED 750 ml 94.6 PROW <§> SPECIAL DRY vuti/lec^ m <-*%jj± : CHARLES TANQUERAY & C° L! ~ '£ : * LONDON. ENGLAND. "MUCE Of ENGLAND IOO% GRAIN NEUTRALS?'" zz^ssszz -~;3*SS*k ^^r Tanqueray. A singular experience. Imported English Gin, 47.3% Alc/Vol (94.6°), 100% Grain Neutral Spirits. © 1988 Schieffelin & Somerset Co., New York, N.Y. Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Ninth Season, 1989-90 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Mrs. Eugene B. Doggett Mrs. August R. Meyer Peter A. Brooke Avram J. Goldberg Mrs. Robert B. Newman James F. Cleary Mrs. John L. Grandin Peter C. Read John F. Cogan, Jr. Francis W. Hatch, Jr. Richard A. Smith Julian Cohen Mrs. Bela T. Kalman Ray Stata William M. Crozier, Jr. Mrs. George I. Kaplan William F. Thompson Mrs. Michael H. Davis Harvey Chet Krentzman Nicholas T. Zervas Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen E. Morton Jennings, Jr. Mrs. George Lee Sargent Allen G. Barry Edward M. Kennedy Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. John L. Thorndike Abram T. Collier Irving W.
    [Show full text]
  • Happy Hanukkahhanukkah
    The National Jewish Post &Opinion Volume 76, Number 6 • December 2, 2009 • 15 Kislev 5770 Two Dollars www.jewishpostopinion.com HappyHappy HanukkahHanukkah Art by John Domont NAT 2 December 2, 2009 Hunger is increasing around the world About the Cover and one billion people go hungry every Editorial Shabbat Shalom day. We give thanks for the blessings in Hanukkah 5770 our lives, but let us also help others find I encourage you to take notice of the BY RABBI JON ADLAND blessing in their lives as well. It is not front cover art of this issue and also the John Domont speaking about his art, November 20, 2009, Toldot an unreasonable goal to think that the one for the next issue, Dec. 16. They light, and Hanukkah: (Genesis 25:19–28:9), 3 Kislev 5770 people of this world and the governments were specially created just for you, dear It is said that although who manage the resources can find a way readers, by artist John Domont. If you this is the physically Next Thursday we celebrate to eliminate hunger. The goal may be a like the art, be sure to visit his Web site darkest time of the Thanksgiving. Many of us will gather decade or two away, but that doesn’t www.domontgallery.com and/or email year, it is the time of with family or friends for a meal, some mean we shouldn’t try to find a way today John at [email protected] to greatest spiritual light! football, a warm fire, and a quiet day of to keep 16,000 children around the world thank him for his beautiful work.
    [Show full text]
  • Telephone Directory
    United States Department of State Telephone Directory This customized report includes the following section(s): Organizational Directory 5/2/2011 Provided by The Office of Global Publishing Solutions, A/ISS/GPS Cover UNCLASSIFIED Organizational Directory United States Department of State 2201 C Street NW, Washington, DC 20520 Office of the Secretary (S) Editor Editor 7516 202-647-1512 The Watch 7516 202-647-1512 Secretary Crisis Management Staff 7516 202-647-7640 Secretary Hillary Clinton 7th Floor 202-647-5291 Emergency and Evacuations Planning 7516 202-647-7640 Office Manager Claire Coleman 7226 202-647-7098 Emergency Relocation 7516 202-647-7640 Counselor and Chief of Staff Cheryl Mills 7226 202-647-5548 Military Representative Lt. Col. Paul Matier 7516 202-647-6097 Deputy Chief of Staff for Operations Huma Abedin 202-647-9572 7226 Office of the Executive Director (S/ES-EX) Deputy Chief of Staff for Policy Jacob Sullivan 7226 202-647-9572 Scheduling Lona Valmoro 7226 202-647-9071 Executive Director, Deputy Executive Secretary 202-647-7457 Lewis A. Lukens 7507 Scheduling Linda Dewan 7226 202-647-5733 Deputy Executive Director Mark R. Brandt 7507 202-647-5467 Executive Assistant Joseph Macmanus 7226 202-647-9572 Personnel Officer Cynthia J. Motley 7515 202-647-5638 Special Assistant Laura Lucas 7226 202-647-9573 Budget Officer Reginald J. Green 7515 202-647-9794 Special Assistant Timmy T. Davis 7226 202-647-6822 General Services Officer Dwayne Cline 7519 202-647-9221 Staff Assistant Lauren Jiloty 7226 202-647-5298 Staff Assistant Daniel Fogarty 7226 202-647-9572 Ombudsman for Civil Service Employees (S/CSO) Executive Secretariat (S/ES) Ombudsman Shireen Dodson 7428 202-647-9387 Special Assistant to the Secretary and the Executive 202-647-5301 Secretary of the Department Stephen D.
    [Show full text]
  • Los Himnos Nacionales. Música Y Letras En Creaciones Cargadas De Significado
    Los himnos nacionales. Música y letras en creaciones cargadas de significado Por Juan María Veniard, para la Academia del Plata. Trabajo leído en sesión ordinaria del 4 de octubre de 2017. Un himno nacional es una composición musical con o sin letra entonada, destinada a lograr por parte de un pueblo adhesión a su propio Estado. Es también un símbolo que lo representa institucionalmente ante el concierto de las naciones como los otros símbolos que lo distinguen, la bandera y el escudo patrio, que pueden presentar elementos simbólicos y tener antigua tradición. El himno nacional consta, generalmente, de letra, la cual muchas veces está inflamada de patriotismo, pero la música es de características internacionalistas, esto es: música académica occidental –en cuanto a su estructura y lenguaje– que no reconoce fronteras. Ciertamente, en algunos, se percibe un origen, como puede ser germánico, francés o italiano, del mismo modo que se lo percibe en la música académica respectiva. La letra, en versos rimados, es obligadamente en el idioma nacional. En la época en que fueron creados estos himnos, la letra se constituyó en el elemento fundamental y la música tuvo un carácter subsidiario. Pero, con el tiempo, la música fue tomando relevancia. La letra pudo presentar variadas finalidades: didáctica, presentando los valores que deben adornar al individuo nacional; dogmática: inflamando al pueblo amor a la patria, al rey o al sistema político; histórica, recordando los hechos sobresalientes que la adornan; y aun geopolítica, señalando los términos de la nación. De modo que muchas veces es heroica y puede presentar cierta agresividad para con supuesto enemigo (en nuestro himno: “el vil invasor…”).
    [Show full text]
  • January 2004
    Non-Profit Organization Please share this Newsletter with your colleagues and circulate among organization staff. U.S. Postage Paid Call for Papers for Symposium 26 in Detroit on page 27. Akron, OH Permit Number 222 Association for the Advancement of Social Work with Groups, Inc. An International Professional Organization c/o The University of Akron Akron, OH 44325-8050 U.S.A. ADDRESS SERVICE REQUESTED SOCIAL WORK WITH GROUPS NEWSLETTER Current News and Cumulative Reference. ISSN 1084-6816 Advocacy and Action in Support of Group Work Practice, Education, Research, and Publication. Enhancing the Quality of Group Life throughout the World. Published at the University of Akron School of Social Work by the Association for the Advancement of Social Work with Groups, Inc., An International Professional Organization. Vol. 19, #3, Issue #52 January 2004 THE PRESIDENT'S PEN SAVE THE DATES NOW WELCOME ABELS A Partial View JOIN YOUR AS NEW PRESIDENT, Paul Abels, President COLLEAGUES ANDREWS AS Florence Kelly, who had worked at Hull House and later became head of the OCTOBER 21-24 VICE PRESIDENT, AND National Consumer's League, once said, IN DETROIT ALVAREZ, GALINSKY, "You know at twenty I signed up to serve SPELTERS AT LARGE my country for the duration of the war on The theme of the 26th International poverty and on injustice and on oppres- Symposium is "Group Work Reaching After finishing his undergraduate sion and I take it...that it will last out my across Boundaries: Disciplines, Practice degree at Rutgers as a Psychology major, life and yours and our children's lives." Settings, Seasons of Life, Cultures and our new President, Paul A.
    [Show full text]
  • The Internationally Acclaimed Festival of Yiddish/Jewish Culture and the Arts KLEZKANADA
    The Internationally Acclaimed Festival of Yiddish/Jewish Culture and the Arts KLEZKANADA August 22- 28, 2011 Founders From the KlezKanada Board of Directors Hy and Sandy Goldman Again we are so privileged to welcome you (and welcome you back) to KlezKanada on behalf of the Board, our faculty and artistic staff. As we arrive at Camp B’nai Brith, we marvel when our Artistic Coordinator, Summer Festival gem of Jewish culture comes alive, in its sounds, songs, language, dance and performance. It Frank London binds us as a community committed to connect, not to a lost past, but to a living present. We are grounded in our contact with our treasured giants, such as Flory Jagoda and Theodore Bikel, and Artistic Coordinator, Local Programming and Montreal Jewish Music Festival nourished and realized in the work of our faculty who created the renaissance and the generation Jason Rosenblatt of younger leaders who carry it to new places. Our pride, our nakhes, knows no limit when we see artists who came of age in our scholarship and fellowship programs, now take the world Founding Artistic Director and Senior Artistic Advisor stage. Jeff Warschauer We are also extremely gratified that KlezKanada has now linked up with the McGill University Board of Directors Schulich School of Music through the Department of Jewish Studies and will be hosting a group of McGill students for the week. This sets a precedent and augers well for future academic Bob Blacksberg, Stan Cytrynbaum (legal consultant), Tzipie Freedman (secretary), Hy associations. Goldman (chair), Sandra Goldman (registrar), Adriana Kotler, Robin Mader, Sandra Mintz, Bernard Rosenblatt, Roslyn Rosenblatt, Herschel Segal, David Sela, Robert Smolkin, Eric Now 16 years strong, we feel we have just begun.
    [Show full text]
  • Welcome New Students
    2004 october vol xiii · no 2 worship · music · arts Prismyale institute of sacred music common ground for scholarship and practice Welcome New Students by William Cowen Each fall we welcome new students to the ISM who bring a wealth of diverse back- grounds and interests to the interdisciplin- ary enterprise. Many of them accepted our invitation to tell a bit about themselves, so that our alums and friends can catch the en- thusiasm that abounds at this time of year. RELIGION AND THE ARTS Elizabeth Churchill, seeking an MAR at ISM, comes to us from Boston University, where she earned her Bachelor of Arts degree. Megan Frank joins the ISM as an MAR candidate from Wheaton College in Illinois. Matthew Haugen is a fi rst-year MAR student concentrating in litur- gics at the ISM. He earned his BA in Classical Studies from Gustavus Adolphus College this spring, and is interested in using this back- ground to study Medieval and Byzantine liturgy, including monasti- cism and mysticism. He is also interested in the relation of liturgy to communal and individual identity, as means for creative expression and social change. Matthew Kustenbauder, a graduate of Messiah College in Grantham, PA, will be studying at ISM towards an MAR. William Ng, in pursuit of an MAR at the ISM, comes to us from the University of Edinburgh (Scotland). Christiana Peppard, who received her BA from Stanford University in California, joins the ISM as she pursues her MAR. Sam Soliman, a fi rst year MAR student, has worked with various non-profi t agencies as a grant-writer and director for the past several years.
    [Show full text]
  • Federal Resources on Missing and Exploited Children: a Directory for Law Enforcement and Other Public and Private Agencies
    Federal Resources on Missing and Exploited Children: A Directory for Law Enforcement and Other Public and Private Agencies Federal Agency Task Force for Missing and Exploited Children Fourth Edition Federal Agency Task Force for Missing and Exploited Children U.S. Department of Defense Family Advocacy Program Legal Assistance Offices U.S. Department of Education Office of Elementary and Secondary Education/ Office of Safe and Drug-Free Schools U.S. Department of Health and Human Services Family and Youth Services Bureau Office on Child Abuse and Neglect U.S. Department of Homeland Security U.S. Bureau of Immigration and Customs Enforcement U.S. Secret Service/ Forensic Services Division U.S. Department of Justice Bureau of Alcohol, Tobacco, Firearms and Explosives Child Exploitation and Obscenity Section Federal Bureau of Investigation Office for Victims of Crime Office of Juvenile Justice and Delinquency Prevention/ Child Protection Division U.S. National Central Bureau (INTERPOL) U.S. Department of State Office of Children’s Issues U.S. Postal Service U.S. Postal Inspection Service National Center for Missing & Exploited Children Federal Resources on Missing and Exploited Children: A Directory for Law Enforcement and Other Public and Private Agencies Federal Agency Task Force for Missing and Exploited Children Fourth Edition 2004 This document was prepared by Fox Valley Technical College under Cooperative Agreement 98–MC–CX–K010 from the Office of Juvenile Justice and Delinquency Prevention of the U.S. Department of Justice. The Office of Juvenile Justice and Delinquency Prevention is a component of the Office of Justice Programs, which also includes the Bureau of Justice Assistance, the Bureau of Justice Statistics, the National Institute of Justice, and the Office for Victims of Crime.
    [Show full text]
  • Faculty and Staff Bios: GSW 2017 Tamara Akinbo (AREA II) Teaches
    Faculty and Staff Bios: GSW 2017 Tamara Akinbo (AREA II) teaches Spanish at R.J. Reynolds High School in Winston-Salem. She earned her B.A. in Spanish and English at Winston-Salem State University and her M.A.Ed. at Wake Forest University. She enjoys discussing pop culture and current events. She loves listening to old school hip hop and 80s rock, reading, watching 80s “B” movies on Netflix, and traveling. She is obsessed with HGTV and the Food Network, but she hates Reality TV. She loves spending time with her son, Ife. Rodney Allen (GSW DIRECTOR) currently teaches English at R.J. Reynolds High School in Winston-Salem, where he has taught since 1998. He earned a B.A. in English and History and an M.A. in Education from Wake Forest University. He attended GSW in choral music in 1988 and has worked at GSW since 2000. Rodney is married to Robyn Allen, whom he met at GSW in 2000 when they were both TACs. They have 3 children, Lizzie Grace (9), Liam (7), and Connor (3). Rodney enjoys spending time with his family and getting sleep if time ever allows. Brooke Benson (TEACHING ASSISTANT/COUNSELOR) graduated from East Carolina University’s Honors College with a B.F.A. in Theatre Arts concentrating in Professional Acting. In August she will move to Sarasota, FL to be a part of Florida Studio Theatre’s Acting Apprentice Company. She attended GSW for Theatre in 2013 and this will be her second summer working as a Theatre TAC. She loves Jimmy Buffett, is a total bookworm, a nap enthusiast, and will talk passionately about Shakespeare if provoked.
    [Show full text]
  • Prentsa-Dossierra.Pdf
    Gernikako Arbola. Euskal ereserkia/El Himno Vasco/L´hymne basque Prentsa Dossierra/Dossier de Prensa/Dossier de presse Aldeko Ekimena/Iniciativa por el/ Initiative pour le Gernikako Arbola Euskal ereserkia/El himno vasco/ L´hymne basque Ekoiztua/Editado/Édité 1932 Maiatza, Mayo, Mai, 2021 1 Gernikako Arbola. Euskal ereserkia/El Himno Vasco/L´hymne basque Gernikako Arbola da bedeinkatua euskaldunen artean guztiz maitatua. Eman da zabal zazu munduan frutua adoratzen zaitugu Arbola Santua Gernikako Arbolaren lehen estrofa Euskal Herria / Baskonia-ko ereserki sozial/historiko/kulturala izan dedila Que la primera estrofa del Gernikako Arbola sea el himno social/histórico/cultural de Euskal Herria/Baskonia Que la première strophe de Gernikako Arbola soit l'hymne social/historique/culturel d'Euskal Herria / Baskonia [email protected] [email protected] www.gernikako-arbola.eus 2 Gernikako Arbola. Euskal ereserkia/El Himno Vasco/L´hymne basque Gernikako Arbola • Epikoa/Épico/Épique Heriotzak, kartzela zigorrak, debekuak, erbesteratzeak karlistadetan, errebueltetan, gudan, kontzentrazio eremuetan, mundu gerretan, Espainiako guda zibilean kantatua. Por cantarlo se produjeron muertes, penas de cárcel, prohibiciones, exilios, etc..Cantado en las guerras carlistas, en revueltas, en batallas, en campos de concentración, en las guerras mundiales, en la guerra civil española,etc. Pour le chanter, il y a eu des morts, des peines de prison, des interdictions, des exilés, etc. Chanté dans les guerres carlistes, dans les révoltes, dans les batailles, dans les camps de concentration, dans les guerres mondiales, dans la guerre civile espagnole, etc. • Sinbolismoa du/Símbolo/ Symbole Arbola bati kantatzen dio, biltzar bati kantatzen dio: natura, berdintasuna, euskalduntasunari eta nazioartekotasunari gorazarre egiten dio.
    [Show full text]