DOCSLIB.ORG

Boston Symphony Orchestra Concert Programs, Season 109, 1989-1990

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Boston Symphony Orchestra Concert Programs, Season 109, 1989-1990 BOSTON SYMPHONY ORCHESTRA sen ozawa MUSIC DIRECTOR m^^^ ^ ife §^1 Pi^ #J 7 1 109TH SEASON 1989-90 X^ Zm&_ IMPORTED 750 ml 94.6 PROOF ---? -• *m ® *>* SPECIAL DRY ft * T 5f * m ^**f.& T CHARLES TANQUERAY & C° L LONDON. ENGLAND. « : ' »50UC6 OF ENGLAND • IOO % GR AIN NEUTR4- I liTtft RnflR^ ITiui iiwiiffi Tanqueray. A singular experience. Imported English Gin. 47.3% Alc/Vol (94.6°). 100% Grain Neutral Spirits. © 1988 Schieffelin & Somerset Co., New York. N.Y. Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Ninth Season, 1989-90 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Mrs. Eugene B. Doggett Mrs. August R. Meyer Peter A. Brooke Avram J. Goldberg Mrs. Robert B. Newman James F. Cleary Mrs. John L. Grandin Peter C. Read John F. Cogan, Jr. Francis W. Hatch, Jr. Richard A. Smith Julian Cohen Mrs. Bela T. Kalman Ray Stata William M. Crozier, Jr. Mrs. George I. Kaplan William F. Thompson Mrs. Michael H. Davis Harvey Chet Krentzman Nicholas T. Zervas Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen E. Morton Jennings, Jr. Mrs. George Lee Sargent Allen G. Barry Edward M. Kennedy Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. John L. Thorndike Abram T. Collier Irving W. Rabb Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. McDonough, Assistant Treasurer Daniel R. Gustin, Clerk Administration Kenneth Haas, Managing Director Daniel R. Gustin, Assistant Managing Director and Manager of Tanglewood Michael G. McDonough, Director of Finance and Business Affairs Evans Mirageas, Artistic Administrator Anne H. Parsons, Orchestra Manager Caroline Smedvig, Director of Public Relations and Marketing Josiah Stevenson, Director of Development Robert Bell, Data Processing Manager Michelle R. Leonard, Media and Production Madelyne Codola Cuddeback, Director Manager, Boston Symphony Orchestra of ( Corporate Development Marc Mandel, Publications Coordinator Patricia F. Halligan, Personnel Administrator John C. Marksbury, Director of Sarah J. Harrington, Budget Manager Foundation and Government Support Margaret A. Hillyard, Director of Volunteers Julie-Anne Miner, Manager of Russell M. Hodsdon, Manager of Box Office Fund Reporting Craig R. Kaplan, Controller Richard Ortner, Administrator of Nancy A. Kay, Director of Sales & Tanglewood Music Center Marketing Manager Scott Schillin, Assistant Manager, John M. Keenum, Director of Pops and Youth Activities Tanglewood Music Center Development Joyce M. Serwitz, Director of Major Gifts/ Patricia Krol, Coordinator of Youth Activities Assistant Director of Development Steven Ledbetter, Musicologist & Cheryl L. Silvia, Function Manager Program Annotator Susan E. Tomlin, Director ofAnnual Giving Programs copyright '1990 Boston Symphony Orchestra, Inc. Cover by Jaycole Advertising, Inc. /Cover photo by Steve J. Sherman Board of Overseers of the Boston Symphony Orchestra, Inc. John F. Cogan, Jr., Chairman R. Willis Leith, Jr., Vice-Chairman Mrs. Ray A. Goldberg, Vice-Chairman Mrs. R. Douglas Hall III, Secretary Mrs. David Bakalar Haskell R. Gordon E. James Morton Bruce A. Beal Steven Grossman David G. Mugar Mrs. Leo L. Beranek Joe M. Henson David Nelson Lynda Schubert Bodman Susan M. Hilles Robert P. O'Block Donald C. Bowersock, Jr. Glen H. Hiner Walter H. Palmer William M. Bulger Mrs. Marilyn Brachman Hoffman Andrall E. Pearson Mrs. Levin H. Campbell Ronald A. Homer John A. Perkins Earle M. Chiles Julian T. Houston Daphne Brooks Prout Mrs. C. Thomas Clagett, Jr. Lola Jaffe Millard H. Pryor, Jr. James F. Cleary Anna Faith Jones Robert E. Remis William H. Congleton H. Eugene Jones John Ex Rodgers William F. Connell Susan B. Kaplan Mrs. William H. Ryan Walter J. Connolly, Jr. Mrs. S. Charles Kasdon Keizo Saji Albert C. Cornelio Richard L. Kaye Roger A. Saunders Mrs. Eugene B. Doggett Robert D. King Mrs. Raymond H. Schneider Phyllis Dohanian Mrs. Gordon F. Kingsley Mark L. Selkowitz Hugh Downs Mrs. Carl Koch Mrs. Donald B. Sinclair Goetz B. Eaton Robert K. Kraft W. Davies Sohier, Jr. Harriett M. Eckstein George Krupp Ralph Z. Sorenson Edward Eskandarian Mrs. Hart D. Leavitt Ira Stepanian Katherine Fanning Stephen R. Levy Mrs. Arthur I. Strang John A. Fibiger Frederick H. Lovejoy, Jr. Mark Tishler, Jr. Peter M. Flanigan Mrs. Charles P. Lyman Luise Vosgerchian Henry L. Foster C. Charles Marran Roger D. Wellington Dean Freed Nathan R. Miller Robert A. Wells Peter H.B. Frelinghuysen Hanae Mori Mrs. Thomas H.P. Whitney Mrs. James Garivaltis Mrs. Thomas S. Morse Mrs. John J. Wilson Jordan L. Golding Richard P. Morse Brunetta R. Wolfman Mark R. Goldweitz Overseers Emeriti Mrs. Weston W. Adams Mrs. Louis I. Kane Mrs. Peter van S. Rice Mrs. Frank G. Allen Leonard Kaplan Mrs. Jerome Rosenfeld Mrs. Richard Bennink Benjamin H. Lacy Mrs. William C. Rousseau Mary Louise Cabot Mrs. James F. Lawrence Francis P. Sears, Jr. Johns Congdon Mrs. Stephen V.C. Morris Mrs. Richard H. Thompson Mrs. Thomas J. Galligan Stephen Paine, Sr. Mrs. Donald B. Wilson Mrs. Richard D. Hill David R. Pokross Symphony Hall Operations Robert L. Gleason, Facilities Manager James E. Whitaker, House Manager Cleveland Morrison, Stage Manager Franklin Smith, Supervisor of House Crew Wilmoth A. Griffiths, Assistant Supervisor of House Crew William D. McDonnell, Chief Steward H.R. Costa, Lighting Officers of the Boston Symphony Association of Volunteers Nina Doggett, President Thelma Goldberg, Executive Vice-President Pat Jensen, Secretary Goetz B. Eaton, Treasurer Florence T. Whitney, Nominating Chairman Vice-Presidents Mary Bates, Hall Services Denise Mujica, Membership Charles Jack, Adult Education Susan Robinson, Fundraising Projects Marilyn Larkin, Tanglewood Carol Scheifele-Holmes, Public Relations Kathy Massimiano, Tanglewood Preston Wilson, Development Services Molly Millman, Regions Pat Woolley, Youth Activities Chairmen of Regions Krista Kamborian Baldini Kathleen G. Keith Patti Newton Joan Erhard Helen Lahage Pamela S. Nugent Bettina Harrison Janet Landry Beverly J. Pieper Betty Hosage Elaine Miller Patricia L. Tambone Business and Professional Leadership Association Board of Directors Harvey Chet Krentzman, Chairman James F. Cleary, BPLA President Members J. P. Barger Thelma Goldberg Malcolm L. Sherman Leo Beranek Joe Henson Ray Stata William F. Connell George H. Kidder Stephen J. Sweeney Walter J. Connolly Vincent M. O'Reilly Roger Wellington Nelson J. Darling For their continued support of the Boston Symphony Orchestra, special thanks to the Massachusetts Council on the and the National arts and Endowment humanities for the Arts also serving science museums and environmental Institutions Afc-#4%rf/0%r ^A4^/f^a^y- © f BSO he served as a Trustee of the New England A Tribute to The Calvert Trust Conservatory, the Copley Society, and the Ellis The appearances of Maurizio Pollini on March Memorial. He was described by a friend as "a 22, 23, 24, and 27 have been funded in part by cultured pearl protected by a gruff shell made The Calvert Trust Endowment Fund. The Cal- even more lustrous by his acquisition of skills vert Trust was established in 1965 by the late and interests as an architect, pianist, talented Mrs. Ruth Crary Young and named in honor of painter, traveler, student of literature, and, her father, Calvert Crary. Mrs. Young was a above all, a social being." In 1984 the Ford H. faithful Friday-afternoon subscriber and dedi- Cooper Chair was established in his memory. cated Friend of the Boston Symphony Orches- It endows the second trumpet position, cur- tra during her lifetime. The Fund was created rently held by Peter Chapman. in 1989 to support the appearance of a guest artist each season. Joseph Silverstein to Perform Benefit Recital for Project STEP Boston Symphony Chamber Players at Project STEP (String Training and Educa- Jordan Hall, Sunday, March 25, at 3 p.m. tional Program for minority students) is spon- The Boston Symphony Chamber Players, with soring a benefit recital featuring former Boston pianist Gilbert Kalish, close their 1989-90 sub- Symphony Orchestra concertmaster Joseph scription season at Jordan Hall on Sunday, Silverstein and pianist Sandra Rivers on Mon- March 25, at 3 p.m. with Mozart's Quartet in day, April 2, at 7:30 p.m. in Sanders Theater, D for flute and strings, K.285, Dvorak's Piano Cambridge. Project STEP student Vali Phil- Quartet in D, Op. 23, Lerdahl's Waltzes for lips will also participate. The program will violin, viola, cello, and double bass, and include music of Bach, Chopin, Leclair, Schu- Mozart's Quintet in E-flat for piano and winds, bert, Strauss, and Wieniawski. Tickets are K.452. Single tickets are $15, $11.50, and $50, $25, and $15 ($10 students). A collabora- $8.50, available in advance at the Symphony tive undertaking of the Boston Symphony Hall box office or by calling Symphony-Charge Orchestra, Boston University, the New at (617) 266-1200 (tickets are available at the England Conservatory of Music, and the Jordan Hall box office only on the day of the Greater Boston Youth Symphony Orchestras, concert). Project STEP provides comprehensive music education for talented minority students, with Symphony Spotlight the goal of increasing the number of minority string players in the classical music profession. 77m is one in a series of biographical sketches For tickets or further information, please call that focus on some of the generous individuals the Project STEP office at (617) 267-5777. who have endowed chairs in the Boston Sym- phony Orchestra. Their backgrounds are varied, Art Exhibits in the Cabot-Cahners Room but each felt a special commitment to the Bos- ton Symphony Orchestra. For the sixteenth year, a variety of Boston area galleries, museums, schools, and non- Ford H.
Load more

Recommended publications
  • The Rise of the Tenor Voice in the Late Eighteenth Century: Mozart’S Opera and Concert Arias Joshua M
    University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 10-3-2014 The Rise of the Tenor Voice in the Late Eighteenth Century: Mozart’s Opera and Concert Arias Joshua M. May University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation May, Joshua M., "The Rise of the Tenor Voice in the Late Eighteenth Century: Mozart’s Opera and Concert Arias" (2014). Doctoral Dissertations. 580. https://opencommons.uconn.edu/dissertations/580 ABSTRACT The Rise of the Tenor Voice in the Late Eighteenth Century: Mozart’s Opera and Concert Arias Joshua Michael May University of Connecticut, 2014 W. A. Mozart’s opera and concert arias for tenor are among the first music written specifically for this voice type as it is understood today, and they form an essential pillar of the pedagogy and repertoire for the modern tenor voice. Yet while the opera arias have received a great deal of attention from scholars of the vocal literature, the concert arias have been comparatively overlooked; they are neglected also in relation to their counterparts for soprano, about which a great deal has been written. There has been some pedagogical discussion of the tenor concert arias in relation to the correction of vocal faults, but otherwise they have received little scrutiny. This is surprising, not least because in most cases Mozart’s concert arias were composed for singers with whom he also worked in the opera house, and Mozart always paid close attention to the particular capabilities of the musicians for whom he wrote: these arias offer us unusually intimate insights into how a first-rank composer explored and shaped the potential of the newly-emerging voice type of the modern tenor voice.
    [Show full text]
  • Rehearing Beethoven Festival Program, Complete, November-December 2020
    CONCERTS FROM THE LIBRARY OF CONGRESS 2020-2021 Friends of Music The Da Capo Fund in the Library of Congress The Anne Adlum Hull and William Remsen Strickland Fund in the Library of Congress (RE)HEARING BEETHOVEN FESTIVAL November 20 - December 17, 2020 The Library of Congress Virtual Events We are grateful to the thoughtful FRIENDS OF MUSIC donors who have made the (Re)Hearing Beethoven festival possible. Our warm thanks go to Allan Reiter and to two anonymous benefactors for their generous gifts supporting this project. The DA CAPO FUND, established by an anonymous donor in 1978, supports concerts, lectures, publications, seminars and other activities which enrich scholarly research in music using items from the collections of the Music Division. The Anne Adlum Hull and William Remsen Strickland Fund in the Library of Congress was created in 1992 by William Remsen Strickland, noted American conductor, for the promotion and advancement of American music through lectures, publications, commissions, concerts of chamber music, radio broadcasts, and recordings, Mr. Strickland taught at the Juilliard School of Music and served as music director of the Oratorio Society of New York, which he conducted at the inaugural concert to raise funds for saving Carnegie Hall. A friend of Mr. Strickland and a piano teacher, Ms. Hull studied at the Peabody Conservatory and was best known for her duets with Mary Howe. Interviews, Curator Talks, Lectures and More Resources Dig deeper into Beethoven's music by exploring our series of interviews, lectures, curator talks, finding guides and extra resources by visiting https://loc.gov/concerts/beethoven.html How to Watch Concerts from the Library of Congress Virtual Events 1) See each individual event page at loc.gov/concerts 2) Watch on the Library's YouTube channel: youtube.com/loc Some videos will only be accessible for a limited period of time.
    [Show full text]
  • Lunchtime Concert in Europe, Scandinavia, China, the U.S
    Rob Nairn worked as Associate Professor of Double Bass at Melbourne Conservatorium and Head of the Early Music Department for the past three years. He previous taught on the faculty of the Juilliard School for 11 years and Penn State University for 18 years where he was a Distinguished Professor. A Past-president of the International Society of Bassists he hosted the Society’s 2009 Convention at Penn State. Rob received his Bachelor of Music with distinction from the Canberra School of Music and a post-graduate diploma from the Berlin Musikhochschule by courtesy of a two-year DAAD German Government Scholarship. His teachers have included Klaus Stoll, Tom Martin, and Max McBride. In 2008 he was awarded a Howard Foundation Fellowship from Brown University. Rob has performed with the Pittsburgh Symphony Orchestra, the London Philharmonic, the English, Scottish and Australian Chamber Orchestras, the Bavarian Radio Symphony Orchestra, The Oslo Philharmonic, The Gothenburg Symphony, The Baltimore Symphony, The Halle Orchestra, the London Sinfonietta, and the Sydney, Adelaide, Queensland and Melbourne Symphony Orchestras, the Australia Ensemble, The Australian World Orchestra and the Australian String Quartet. Rob has recorded for Deutsche Grammaphon, Sony Classical , EMI, Naxos, Tall Poppies, RCA and ABC Classics. In Historical Performance he is currently principal bass with the Australian Brandenburg Orchestra and the Handel Haydn Society of Boston and has worked with the Boston Early Music Festival, Juilliard Baroque, Orchestre Revolutionnaire et Romantique, English Baroque Soloists, Smithsonian Chamber Players, Concerto Caledonia, Ironwood, Washington Bach Consort, the Aulos Ensemble, Rebel, Florilegium and the Orchestra of the Age of Enlightenment.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 109, 1989-1990
    BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA 109TH SEASON 1989-90 G* wr > i * 0*m MPORTED 750 ml 94.6 PROW <§> SPECIAL DRY vuti/lec^ m <-*%jj± : CHARLES TANQUERAY & C° L! ~ '£ : * LONDON. ENGLAND. "MUCE Of ENGLAND IOO% GRAIN NEUTRALS?'" zz^ssszz -~;3*SS*k ^^r Tanqueray. A singular experience. Imported English Gin, 47.3% Alc/Vol (94.6°), 100% Grain Neutral Spirits. © 1988 Schieffelin & Somerset Co., New York, N.Y. Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Ninth Season, 1989-90 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Mrs. Eugene B. Doggett Mrs. August R. Meyer Peter A. Brooke Avram J. Goldberg Mrs. Robert B. Newman James F. Cleary Mrs. John L. Grandin Peter C. Read John F. Cogan, Jr. Francis W. Hatch, Jr. Richard A. Smith Julian Cohen Mrs. Bela T. Kalman Ray Stata William M. Crozier, Jr. Mrs. George I. Kaplan William F. Thompson Mrs. Michael H. Davis Harvey Chet Krentzman Nicholas T. Zervas Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen E. Morton Jennings, Jr. Mrs. George Lee Sargent Allen G. Barry Edward M. Kennedy Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. John L. Thorndike Abram T. Collier Irving W.
    [Show full text]
  • Happy Hanukkahhanukkah
    The National Jewish Post &Opinion Volume 76, Number 6 • December 2, 2009 • 15 Kislev 5770 Two Dollars www.jewishpostopinion.com HappyHappy HanukkahHanukkah Art by John Domont NAT 2 December 2, 2009 Hunger is increasing around the world About the Cover and one billion people go hungry every Editorial Shabbat Shalom day. We give thanks for the blessings in Hanukkah 5770 our lives, but let us also help others find I encourage you to take notice of the BY RABBI JON ADLAND blessing in their lives as well. It is not front cover art of this issue and also the John Domont speaking about his art, November 20, 2009, Toldot an unreasonable goal to think that the one for the next issue, Dec. 16. They light, and Hanukkah: (Genesis 25:19–28:9), 3 Kislev 5770 people of this world and the governments were specially created just for you, dear It is said that although who manage the resources can find a way readers, by artist John Domont. If you this is the physically Next Thursday we celebrate to eliminate hunger. The goal may be a like the art, be sure to visit his Web site darkest time of the Thanksgiving. Many of us will gather decade or two away, but that doesn’t www.domontgallery.com and/or email year, it is the time of with family or friends for a meal, some mean we shouldn’t try to find a way today John at [email protected] to greatest spiritual light! football, a warm fire, and a quiet day of to keep 16,000 children around the world thank him for his beautiful work.
    [Show full text]
  • Telephone Directory
    United States Department of State Telephone Directory This customized report includes the following section(s): Organizational Directory 5/2/2011 Provided by The Office of Global Publishing Solutions, A/ISS/GPS Cover UNCLASSIFIED Organizational Directory United States Department of State 2201 C Street NW, Washington, DC 20520 Office of the Secretary (S) Editor Editor 7516 202-647-1512 The Watch 7516 202-647-1512 Secretary Crisis Management Staff 7516 202-647-7640 Secretary Hillary Clinton 7th Floor 202-647-5291 Emergency and Evacuations Planning 7516 202-647-7640 Office Manager Claire Coleman 7226 202-647-7098 Emergency Relocation 7516 202-647-7640 Counselor and Chief of Staff Cheryl Mills 7226 202-647-5548 Military Representative Lt. Col. Paul Matier 7516 202-647-6097 Deputy Chief of Staff for Operations Huma Abedin 202-647-9572 7226 Office of the Executive Director (S/ES-EX) Deputy Chief of Staff for Policy Jacob Sullivan 7226 202-647-9572 Scheduling Lona Valmoro 7226 202-647-9071 Executive Director, Deputy Executive Secretary 202-647-7457 Lewis A. Lukens 7507 Scheduling Linda Dewan 7226 202-647-5733 Deputy Executive Director Mark R. Brandt 7507 202-647-5467 Executive Assistant Joseph Macmanus 7226 202-647-9572 Personnel Officer Cynthia J. Motley 7515 202-647-5638 Special Assistant Laura Lucas 7226 202-647-9573 Budget Officer Reginald J. Green 7515 202-647-9794 Special Assistant Timmy T. Davis 7226 202-647-6822 General Services Officer Dwayne Cline 7519 202-647-9221 Staff Assistant Lauren Jiloty 7226 202-647-5298 Staff Assistant Daniel Fogarty 7226 202-647-9572 Ombudsman for Civil Service Employees (S/CSO) Executive Secretariat (S/ES) Ombudsman Shireen Dodson 7428 202-647-9387 Special Assistant to the Secretary and the Executive 202-647-5301 Secretary of the Department Stephen D.
    [Show full text]
  • 2011 Next Wave Festival NOV 2011
    2011 Next Wave Festival NOV 2011 Donald Baechler, Red + Blue Rose (detail), 2011 BAM 2011 Next Wave Festival sponsor Published by: BAM 2011 Next Wave Festival Brooklyn Academy of Music presents Alan H. Fishman, Chairman of the Board William I. Campbell, The Infernal Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Comedy: Karen Brooks Hopkins, President Joseph V. Melillo, Confessions of Executive Producer a serial killer BAM Howard Gilman Opera House Nov 17—19, 2011 at 7:30pm; Nov 19 at 2pm Approximate running time: one hour and 45 minutes, no intermission A Musikkonzept production Written and directed by Michael Sturminger Music direction and concept by Martin Haselböck Based on idea by Birgit Hutter and Martin Haselböck BAM 2011 Next Wave Festival sponsor Featuring Orchester Wiener Akademie John Malkovich actor Marie Arnet soprano Kirsten Blaise soprano Louise Fribo soprano Leadership support for the Next Wave Festival provided by the Ford Foundation. Martene Grimson soprano Costume design by Birgit Hutter DeWitt Stern is the leadership sponsor for The Infernal Comedy: Confessions of a serial killer. Endowment funding has been provided by The Andrew W. Mellon Foundation Fund for Opera and Music-Theater. Major support for theater at BAM provided by The Shubert Foundation, Inc. and The SHS Foundation. The Infernal Comedy MUSIC Christoph Willibald Gluck (1714–87) Don Juan (1761) “L’enfer”—Chaconne Luigi Boccherini (1743–1805) Symphony in D minor, G506 “La casa del diavolo” (pub. 1771) —Chaconne Antonio Vivaldi (1678–1741) Ottone in Villa (1713) “Sposa son disprezzata” Wolfgang Amadeus Mozart (1756–91) “Vorrei spiegarvi, oh Dio” K418 (1783) Christoph Willibald Gluck Orfeo ed Euridice (1762) “Ballo grazioso” Ludwig van Beethoven (1770–1827) “Ah! perfido” Op.
    [Show full text]
  • January 2004
    Non-Profit Organization Please share this Newsletter with your colleagues and circulate among organization staff. U.S. Postage Paid Call for Papers for Symposium 26 in Detroit on page 27. Akron, OH Permit Number 222 Association for the Advancement of Social Work with Groups, Inc. An International Professional Organization c/o The University of Akron Akron, OH 44325-8050 U.S.A. ADDRESS SERVICE REQUESTED SOCIAL WORK WITH GROUPS NEWSLETTER Current News and Cumulative Reference. ISSN 1084-6816 Advocacy and Action in Support of Group Work Practice, Education, Research, and Publication. Enhancing the Quality of Group Life throughout the World. Published at the University of Akron School of Social Work by the Association for the Advancement of Social Work with Groups, Inc., An International Professional Organization. Vol. 19, #3, Issue #52 January 2004 THE PRESIDENT'S PEN SAVE THE DATES NOW WELCOME ABELS A Partial View JOIN YOUR AS NEW PRESIDENT, Paul Abels, President COLLEAGUES ANDREWS AS Florence Kelly, who had worked at Hull House and later became head of the OCTOBER 21-24 VICE PRESIDENT, AND National Consumer's League, once said, IN DETROIT ALVAREZ, GALINSKY, "You know at twenty I signed up to serve SPELTERS AT LARGE my country for the duration of the war on The theme of the 26th International poverty and on injustice and on oppres- Symposium is "Group Work Reaching After finishing his undergraduate sion and I take it...that it will last out my across Boundaries: Disciplines, Practice degree at Rutgers as a Psychology major, life and yours and our children's lives." Settings, Seasons of Life, Cultures and our new President, Paul A.
    [Show full text]
  • The Internationally Acclaimed Festival of Yiddish/Jewish Culture and the Arts KLEZKANADA
    The Internationally Acclaimed Festival of Yiddish/Jewish Culture and the Arts KLEZKANADA August 22- 28, 2011 Founders From the KlezKanada Board of Directors Hy and Sandy Goldman Again we are so privileged to welcome you (and welcome you back) to KlezKanada on behalf of the Board, our faculty and artistic staff. As we arrive at Camp B’nai Brith, we marvel when our Artistic Coordinator, Summer Festival gem of Jewish culture comes alive, in its sounds, songs, language, dance and performance. It Frank London binds us as a community committed to connect, not to a lost past, but to a living present. We are grounded in our contact with our treasured giants, such as Flory Jagoda and Theodore Bikel, and Artistic Coordinator, Local Programming and Montreal Jewish Music Festival nourished and realized in the work of our faculty who created the renaissance and the generation Jason Rosenblatt of younger leaders who carry it to new places. Our pride, our nakhes, knows no limit when we see artists who came of age in our scholarship and fellowship programs, now take the world Founding Artistic Director and Senior Artistic Advisor stage. Jeff Warschauer We are also extremely gratified that KlezKanada has now linked up with the McGill University Board of Directors Schulich School of Music through the Department of Jewish Studies and will be hosting a group of McGill students for the week. This sets a precedent and augers well for future academic Bob Blacksberg, Stan Cytrynbaum (legal consultant), Tzipie Freedman (secretary), Hy associations. Goldman (chair), Sandra Goldman (registrar), Adriana Kotler, Robin Mader, Sandra Mintz, Bernard Rosenblatt, Roslyn Rosenblatt, Herschel Segal, David Sela, Robert Smolkin, Eric Now 16 years strong, we feel we have just begun.
    [Show full text]
  • Welcome New Students
    2004 october vol xiii · no 2 worship · music · arts Prismyale institute of sacred music common ground for scholarship and practice Welcome New Students by William Cowen Each fall we welcome new students to the ISM who bring a wealth of diverse back- grounds and interests to the interdisciplin- ary enterprise. Many of them accepted our invitation to tell a bit about themselves, so that our alums and friends can catch the en- thusiasm that abounds at this time of year. RELIGION AND THE ARTS Elizabeth Churchill, seeking an MAR at ISM, comes to us from Boston University, where she earned her Bachelor of Arts degree. Megan Frank joins the ISM as an MAR candidate from Wheaton College in Illinois. Matthew Haugen is a fi rst-year MAR student concentrating in litur- gics at the ISM. He earned his BA in Classical Studies from Gustavus Adolphus College this spring, and is interested in using this back- ground to study Medieval and Byzantine liturgy, including monasti- cism and mysticism. He is also interested in the relation of liturgy to communal and individual identity, as means for creative expression and social change. Matthew Kustenbauder, a graduate of Messiah College in Grantham, PA, will be studying at ISM towards an MAR. William Ng, in pursuit of an MAR at the ISM, comes to us from the University of Edinburgh (Scotland). Christiana Peppard, who received her BA from Stanford University in California, joins the ISM as she pursues her MAR. Sam Soliman, a fi rst year MAR student, has worked with various non-profi t agencies as a grant-writer and director for the past several years.
    [Show full text]
  • Adaptation of Handel's Castrato Airs for Bass: a Lecture Recital, Together with Three Recitals of Selected Works of J
    57? NS/d Ho, ADAPTATION OF HANDEL'S CASTRATO AIRS FOR BASS: A LECTURE RECITAL, TOGETHER WITH THREE RECITALS OF SELECTED WORKS OF J. S. BACH, W. MOZART, M. RAVEL, G. FINZI, R. SCHUMANN, A. CALDARA, G. HANDEL, H. WOLF, H. DUPARC, C. IVES AND S. BARBER AND AN OPERATIC ROLE BY VERDI DISSERTATION Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS By Terry L. Fern, B. M., M. M. Denton, Texas May, 1986 Fern, Terry Lee, Adaptation of Handel's Castrato Airs for Bass, A Lecture Recital Together With Three Recitals of Selected Works of J. S. Bach, W. Mozart, M. Ravel, G. Finzi, R. Schumann, A. Caldara, G. Handel, H. Wolf, H. Duparc, C- Ives and S. Barber and an Operatic Role by Verdi. Doctor of Musical Arts (Vocal Performance), May, 1986, 31 pp., 5 illustrations, bibliography, 52 titles. The lecture recital was given on April 18, 1977. The subject was Adaptation of Handel's Castrato Airs for Bass, and it included a discussion of conventions peculiar to Handelian opera seria, concerns regarding adaptation of Handel's castrato airs and a comparison of adaptation practices in eighteenth- and twentieth-century presentations of Handel's operas. Three coloratura castrato airs and two virtuoso bass airs were performed at the conclusion of the lecture. In addition to the lecture recital, one operatic role and three recitals of solo literature for voice, piano and chamber ensemble were publicly performed. These included the role of "Samuele" in A Masked Ball, by Verdi, performed in English on March 19, 1975 with the Opera Theatre of North Texas State University, a program presented on November 24, 1975,of solo literature for voice, piano, and chamber ensemble, including works by J.
    [Show full text]
  • Federal Resources on Missing and Exploited Children: a Directory for Law Enforcement and Other Public and Private Agencies
    Federal Resources on Missing and Exploited Children: A Directory for Law Enforcement and Other Public and Private Agencies Federal Agency Task Force for Missing and Exploited Children Fourth Edition Federal Agency Task Force for Missing and Exploited Children U.S. Department of Defense Family Advocacy Program Legal Assistance Offices U.S. Department of Education Office of Elementary and Secondary Education/ Office of Safe and Drug-Free Schools U.S. Department of Health and Human Services Family and Youth Services Bureau Office on Child Abuse and Neglect U.S. Department of Homeland Security U.S. Bureau of Immigration and Customs Enforcement U.S. Secret Service/ Forensic Services Division U.S. Department of Justice Bureau of Alcohol, Tobacco, Firearms and Explosives Child Exploitation and Obscenity Section Federal Bureau of Investigation Office for Victims of Crime Office of Juvenile Justice and Delinquency Prevention/ Child Protection Division U.S. National Central Bureau (INTERPOL) U.S. Department of State Office of Children’s Issues U.S. Postal Service U.S. Postal Inspection Service National Center for Missing & Exploited Children Federal Resources on Missing and Exploited Children: A Directory for Law Enforcement and Other Public and Private Agencies Federal Agency Task Force for Missing and Exploited Children Fourth Edition 2004 This document was prepared by Fox Valley Technical College under Cooperative Agreement 98–MC–CX–K010 from the Office of Juvenile Justice and Delinquency Prevention of the U.S. Department of Justice. The Office of Juvenile Justice and Delinquency Prevention is a component of the Office of Justice Programs, which also includes the Bureau of Justice Assistance, the Bureau of Justice Statistics, the National Institute of Justice, and the Office for Victims of Crime.
    [Show full text]