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UMG-Ecommerce-Digital Booklet Template I’VE NEVER SEEN NICK WORK SO HARD at something than his one-man show. When you think about it, a Broadway show is set up for the actor. The script is written, the songs are given to you, the ticket sales are done for you and the audience comes through the door. This was the first time in Nick’s career that he had to do all that work in order for his show to happen. I was eight months pregnant with Elvis at the time and it was such an honor sitting at Feinstein’s / 54 Below watching him perform. I always loved watch- ing my husband onstage but there is something so special about this show because it was all his. Each song was chosen for a reason and each interlude was carefully thought about. It turned out to be such a beautiful night. The energy was electric and contagious. He spent so much time carefully crafting the lineup so that each song had a purpose and told a story. The story is about him, his family, his life, his career and then what he hoped his life would continue to be. When you listen to the album from start to finish it takes you on an exciting ride with a special encore of “Live Your Life.” I’m so glad this album was made so that Elvis and I can always listen to it and hear Nick’s voice. — AMANDA KLOOTS IN EARLY 2019, Nick This recording was made on the second recording and mixing process is one of great approached me about working with him night of our two-show run at Feinstein’s / collaboration and vulnerability. The hundreds to help him develop a one-man show. 54 Below. It was to be the test run in front of hours that go into mixing a record are The months that followed were full of of an audience that we could learn from, usually full of opinions and communication prep work. Song choices, show order, and tweak to form the final show that we and learning. The loss of Nick created such a arrangements, orchestrations, musicians, would tour. great void within the process. backing vocalists, dialog, themes, the title, Nick’s last public performance was on I’ve felt a deep responsibility to do my absolute the arc. March 9th, 2020. He flew to New York best to preserve the beautiful talent that was When I work with an artist for the first to sing at an event I put together every Nick for his family, friends, and fans. Live time, I never really know how much they year to raise funds for an anti-bullying records are never perfect, but when done well, want to be involved, what their work ethic organization. I can remember telling him they can transport the listener to the actual is, or how much they want to perfect an how good fatherhood looked on him. He performance. I hope that this record does this idea. Nick and I instantly clicked, and I was just so proud and content being a dad. for you. loved how much Nick cared about getting Nick fell ill in the days after the concert, and it would be our last time together. Nick would be so thrilled to know that his this show right, down to the smallest detail. voice and music has made its way far and wide We tweaked so many small things until it When I reached out to Amanda asking what into the hands of the people who loved him. felt good. Once a show is ready, you bring she thought about potentially releasing the in the musicians and backing vocalists to recording as a way to do some fundraising, — MICHAEL J MORITZ JR begin to rehearse. Nick was so blown away she was so excited to learn that the by the musicality of the group, and the recording even existed, and I went to musicians and singers loved working with work. Over the past few months, I’ve him. I watched him make sure everyone really struggled to produce this record. The loved being part of the team. THE FIRST TIME I ever laid eyes on Nick Cordero is when I went to see him in the Broadway musical Bullets Over Broadway. We were looking for someone to play the part of Sonny in the musical of A Bronx Tale and I was told that this was the man who would be perfect for the role. When he came out on stage with his presence and grace and his powerful voice I knew they were right. Nick played Sonny on Broadway and was brilliant. We became close friends, I got to know his future wife, Amanda, and I was even there to drive them home from the hospital with their newborn son Elvis. Nick would always tell me about his one person show that he was writing and how excited he was to perform it. He wanted to do a medley of songs that would capture his life experiences. What Nick put together was masterful. His songs reflect each stage of his life — the heartaches, the triumphs, the love, the passion and the ecstasy of an artist’s journey to success. When you hear Nick perform these songs you will understand why this man was such a rare talent. Even if you never met him after hearing this album you will know the man behind the music and you’ll fall in love with him just like we all did. Nick Cordero would always say that he was the luckiest man in the world. Well in truth he was half right: we were the lucky ones to know this man even if it was for a short time. We were all blessed to feel his spirit. His final song says it all... Live Your Life and make every minute count… Rest in peace my friend... we will miss you. — CHAZZ PALMINTERI BAND Piano, Vocals: MICHAEL J MORITZ JR Bass: LARRY COOK Backing Vocalists Guitar: KENNY BRESCIA ONYIE NWACHUKWU Drums: BILLY LAGUARDIA KIM STEELE Percussion: MARCOS TORRES III KEITH WHITE 1. ALL NIGHT LONG 15. “An opportunity of a lifetime...” (Lionel Richie) 16. ONE OF THE GREAT ONES 2. HIGHER GROUND (Alan Menken / Glenn Slater) (Stevie Wonder) 17. “They taught me about 3. “Oh my God, this crowd!” doing good by others...” 4. OYE COMO VA 18. THE MEN THAT DRIVE ME PLACES (Tito Puente) (Benjamin Rector) 5. “Get the gringa!” 19. “I am sure you are aware that my wife Amanda and I 6. IF I AIN’T GOT YOU (with Kathryn Gallagher) are expecting our first child...” (Alicia Augello-Cook) 20. THE MOTHER 7. WHAT A WONDERFUL WORLD (with Michael J Moritz Jr) (Brandi Carlile) (Bob Thiele / George David Weiss) 21. “I’ve lived a blessed life” 8. POLITIK (Chris Martin / Guy Berryman / Jonny Buckland / Will Champion) 22. BREAK IT DOWN AGAIN 9. “I had to get to New York...” (Roland Orzabal / Alan Griffiths) 23. “I love you guys” 10. HOT TOXIC LOVE (with Sara Chase) (David Bryan / Joe DiPietro) 24. LIVE YOUR LIFE 11. “The job changed my life...” (Nick Cordero) 12. ‘TAIN’T NOBODY’S BIZ-NESS IF I DO (Porter Grainger / Everett Robbins) 13. “Then came Waitress...” 14. YOU MATTER TO ME (with Drew Gehling and Zach Braff) (Sara Bareilles) PUBLISHING CREDITS - 1: KOBALT MUSIC PUB AMERICA I OBO BROCKMAN MUSIC / BRENDA RICHIE PUBLISHING; 2: BLACK BULL MUSIC INC / JOBETE MUSIC CO INC; 4: EMI FULL KEEL MUSIC CO.; 6: EMI APRIL MUSIC INC / EMI APRIL MUSIC INC OBO LELLOW PRODUCTIONS INC.; 7: RANGE ROAD MUSIC, INC. / QUARTET MUSIC INC. / CONCORD MUSIC GROUP, INC. OBO ABILENE MUSIC LLC; 8: UNIVERSAL MUSIC-CAREERS OBO BMG MUSIC PUBLISHING LTD; 10: DOWNTOWN DLJ SONGS LLC OBO ROCCO PRODUCTIONS, LLC / DOWNTOWN DLJ SONGS LLC OBO MOON JUNCTION MUSICALS, LLC; 12: UNIVERSAL-MCA MUSIC PUBLISHING DIV. OF UNIVERSAL MUSIC CORP.; 14: SONY/ATV TUNES LLC OBO TINY BEAR MUSIC / SONY/ATV TUNES LLC ; 16: WARNER-TAMERLANE PUB CORP. OBO MENKEN MUSIC; 18. REACH MUSIC SONGS OBO BEN RECTOR MUSIC; 20: UNIVERSAL MUSIC CORP. OBO SOUTHERN ORACLE MUSIC LLC; 22: BMG PLATINUM SONGS OBO BMG VM MUSIC LTD Producer: MICHAEL J MORITZ JR Executive Producers: AMANDA KLOOTS & VAN DEAN Mastered by: GREG REIERSON Photography: ISMAEL CORDERO RAMIREZ Package Design: ROBBIE ROZELLE Directed and Music Directed by MICHAEL J MORITZ JR Mixed at Kontinuous Jams Studios, a division of Moritz Worldwide, Inc. For Moritz Worldwide, Inc. Engineers: BRANDON LEOWITT, LAKE BAUM, BILLY LAGUARDIA, KHALED TABBARA, KATIANNE TIMKO Legal: MATT STEVENS michaelmoritz.com Special Thanks: Michael J Moritz Jr, Van Dean, Broadway Records, Feinstein’s/54 Below, the musicians, the guests, Universal Audio, Jakob Reinhardt For Broadway Records President: VAN DEAN A&R Director: ROBBIE ROZELLE Associate Producer: DEENA ZUCKER Social Media: SOPHIA BELLA CUCCI broadwayrecords.com @bwayrecords For Feinstein’s/54 Below Proprieters: TOM VIERTEL, MARC ROUTH, RICHARD FRANKEL, STEVEN BARUCH Creative & Programming Director: JENNIFER ASHLEY TEPPER Production Manager: KJ HARDY FOH Mix & Recording Engineer: AMANDA RAYMOND Director of Marketing: NELLA VERA Feinstein’s/54 Below Logo Design: PHILIP ROMANO Public Relations: KEITH SHERMAN & ASSOCIATES 54below.com @54below Recorded live at Feinstein’s/54 Below, April 11, 2019 ® BROADWAY RECORDS ℗© 2020 AMANDA KLOOTS, EXCLUSIVELY DISTRIBUTED BY BROADWAY RECORDS®. ALL RIGHTS RESERVED. UNAUTHORIZED DUPLICATION IS A VIOLATION OF APPLICABLE LAWS. BR-DIG54B-035.
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