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IMMORTEL by Franz‐Olivier GIESBERT (75%) Published by Editions FLAMMARION ©2007 (37.5%)
Europacorp presents JEAN RENO KAD MERAD MARINA FOÏS JEAN‐PIERRE DARROUSSIN 22 BULLETS A FILM BY RICHARD BERRY Based on the novel L’IMMORTEL by Franz‐Olivier GIESBERT (75%) Published by Editions FLAMMARION ©2007 (37.5%) FRENCH NATIONAL RELEASE MARCH 24, 2010 Runtime: 115' DISTRIBUTION: PRESS: Europacorp Distribution AS COMMUNICATION 137, rue du Faubourg St‐Honoré Alexandra Schamis/Sandra 75008 Paris Naomi Kato Tel: +33 (0)1 53 83 03 03 11 bis rue Magellan – 75008 Paris Fax: +33 (0)1 53 83 02 04 Tel: +33 (0)1 47 23 00 02 www.europacorp.com [email protected] SYNOPSIS Charly Matteï has turned his back on his life as an outlaw. For the last three years, he's led a peaceful life devoting himself to his wife and two children. Then, one winter morning, he's left for dead in the parking garage in Marseille's Old Port, with 22 bullets in his body. Against all the odds, he doesn't die... This film is a work of fiction inspired by real‐life events in the world of the Marseille mafia. INTERVIEW WITH RICHARD BERRY What made you want to adapt Franz‐Olivier Giesbert's book? In the same way that comedy is an incredible vehicle for certain ideas, thrillers can also give you pause to reflect on certain issues. In the story of a guy, who was allegedly a mafia godfather in Marseille, who was left for dead in 1977 in a parking lot in Cassis, but who survived the shooting earning himself the nickname "The Immortal", I saw an incredibly strong subject and an amazing adventure. -
January 1, 2009–December 31, 2009 Kurt Siehr*
International Journal of Cultural Property (2010) 17:691–751. Printed in the USA. Copyright © 2011 International Cultural Property Society doi:10.1017/S0940739110000445 CHRONICLES 2009 January 1, 2009–December 31, 2009 Kurt Siehr* 1 JANUARY 2009 Thomas P. Campbell became the successor of Philippe de Montebello, the former director of the Metropolitan Museum of New York. Il Giornale dell’Arte,October 2008, pp. 1 and 8; December 2008, p. 48; The Art Newspaper, October 2008. pp. 11 and 34; ARTnews, March 2008, p. 128, and November 2008, p. 136; Le Journal des Arts, 3–16 October 2008, p. 6. 1 JANUARY 2009 The Austrian City of Linz and the capital of Lithuania Vilnius were awarded the title European Capitals of Culture 2009, The Art Newspaper, April 2009, p. 7. 1 JANUARY 2009 The Vatican City does not any more receive all Italian legislation for its small territory. Italian legislation is checked first before it becomes law in the Vatican. ͗http://www.timesonline.co.uk/tol/comment/faith/articles5424552eco͘ accessed on 4 January 2009. 1 JANUARY 2009 After the retirement of Wilfried Seipel, Sabine Haag took over as general director of Vienna’s Kunsthistorisches Museum. The Art Newspaper, July–August 2008, p. 8; Il Giornale dell’Arte, September 2008, p. 49. 1 JANUARY 2009 Claire Lyons was appointed as curator of the Department of Antiquities at the Getty Museum. The Art Newspaper, July–August 2008, p. 8. *University of Zürich Faculty of Law, Max-Plank-Institute Hamburg. Email: [email protected] 691 Downloaded from https:/www.cambridge.org/core. University of Basel Library, on 11 Jul 2017 at 14:32:01, subject to the Cambridge Core terms of use, available at https:/www.cambridge.org/core/terms. -
Degas À L'opéra Au Début Des Années 1870
Degas à l’Opéra Du 24 septembre 2019 au 19 janvier 2020 Musée d'Orsay, grand espace d’exposition 1 rue de la Légion d'Honneur 75007 Paris Direction de la communication Amélie Hardivillier, directrice de la communication Contact presse : Gabrielle Lacombe, attachée de presse Téléphone : 01 40 49 49 20 Courriel : [email protected] Silvia Cristini, attachée de presse Téléphone : 01 40 49 49 96 Courriel : [email protected] 1 2 Sommaire 1. Communiqué de presse 5 2. Press release 7 3. Comunicado de prensa 9 4. Préface du catalogue de l’exposition 11 5. Parcours de l'exposition 13 6. Chronologie 43 7. Liste des œuvres 47 8. Editions 61 9. Autour de l’exposition 63 10. Visuels disponibles pour la presse 75 11. Mécènes de l’exposition 79 12. Partenaires média 83 13. Institution partenaire 89 14. Informations pratiques 91 3 4 1. Communiqué de presse Patrice Schmidt Patrice , vers 1870 , vers Grand Palais / Palais Grand - Paris, musée d’Orsay musée Paris, L’Orchestre de l’Opéra de L’Orchestre , Degas à l’Opéra 7) 191 Musée d’Orsay, niveau 0 - Grand espace d’exposition 24 septembre 2019 – 19 janvier 2020 uile sur toile, 56,5 x 46 cm, 56,5 x toile, sur uile H RMN Dist. d’Orsay, © Musée Photo (1834 Edgar Degas Cette exposition est organisée par les musées d’Orsay et de l’Orangerie, Paris et la National Gallery of Art, Washington DC, à l’occasion du trois cent cinquantième anniversaire de l’Opéra de Paris. L’exposition est réalisée avec le concours exceptionnel de la Bibliothèque nationale de France. -
Report of the Independent Investigation
Report of the Independent Investigation The Constellation of Factors Underlying Larry Nassar’s Abuse of Athletes Joan McPhee | James P. Dowden December 10, 2018 TABLE OF CONTENTS EXECUTIVE SUMMARY .............................................................................................................1 INVESTIGATIVE INDEPENDENCE, SCOPE AND METHODOLOGY .................................12 A. Independence .........................................................................................................13 B. Scope ......................................................................................................................14 C. Methodology ..........................................................................................................14 1. Witness Interviews .....................................................................................16 2. Document Review ......................................................................................17 I. WHAT HAPPENED ..........................................................................................................19 A. Nassar’s Abuse.......................................................................................................20 B. Efforts to Bring Nassar to Justice ..........................................................................24 C. Legal Proceedings ..................................................................................................30 1. Criminal Proceedings .................................................................................30 -
Au Temps Des Expositions Impressionnistes (1874-1886)
Musée d’Orsay Service culturel texte : Laurence Madeline Au temps des expositions graphisme et impression : Musée d’Orsay 2002 impressionnistes (1874-1886) • Présentation • Préparation et prolongement de la visite • La visite : liste des œuvres • Bibliographie fiche de visite Cédérom 1. Définition les peuples ont eu leur beauté, nous avons Bibliographie Présentation inévitablement la nôtre.” Si le regard des impressionnistes s’affranchit, à partir de la fin des • John Rewald, Histoire de l’impressionnisme, Albin • Claire Barbillon (dirigé par), Les L’impressionnisme constitue sans doute le L’impressionnisme peut se définir selon un années 1880, des stricts enjeux du réalisme, ceux- Michel, 1946, rééd. 1986 Impressionnistes, Réunion des musées mouvement pictural le plus populaire de l’histoire ensemble de critères qui s’additionnent sans pour ci dominent leur production artistique de 1874 à nationaux/Musée d’Orsay, 1997 de la peinture. Il semble en effet, par la vivacité de autant créer de lois ou de dogmes. • Sophie Monneret, L’impressionnisme et son 1886. C’est durant ces douze années qu’ils rendent ses couleurs et la simplicité de ses sujets, époque. Dictionnaire international, 2 vol., R. compte d’une époque qui subit des mutations particulièrement accessible. Pourtant, c’est un L’impression Laffont, “Bouquins”, 1987 profondes : industrialisation, urbanisation, mouvement complexe, tant du point de vue Le mot impressionnisme est né d’une boutade mutations sociales, avènement des loisirs… • Henri Loyrette et Gary Tinterow, historique que du point de vue de ses ambitions d’Eugène Leroy, un journaliste chargé du compte Impressionnisme. Les origines (1859-1869), formelles. Il est d’autant plus difficile à cerner rendu de la première exposition impressionniste L’indépendance catalogue d’exposition, Réunion des musées qu’il rassemble des artistes aux personnalités dans Le Charivari, un journal satirique. -
Sports Law Year in Review
Sports Law Year in Review Presented at the 2019 Sports Lawyers Association Annual Conference May 1, 2018 – April 1, 2019 Contents 1. Agents & Agent Regulation te ...................................................................................... 1 2. Leagues - Labor Matters .............................................................................................. 2 3. Leagues - Non-labor Matters ....................................................................................... 4 4. Contracts ...................................................................................................................... 9 5. College, High School, and Youth Sports ..................................................................... 12 6. International & Olympic Sports ................................................................................... 24 7. Title IX, Gender Equality, and Civil Rights ................................................................ 36 8. Intellectual Property & Broadcasting ........................................................................... 42 9. Personal Injury, Health, and Safety ............................................................................. 46 10. Stadiums & Venues ...................................................................................................... 52 11. Sports Betting & Daily Fantasy ................................................................................... 56 This summary of illustrative and significant sports law developments has been compiled from -
Current Issue
1/2 bmf 1/2 ss ad:Layout 1 6/3/10 4:28 PM Page 1 july 8 – august 22, 2010 2010 10 - august BARDSUMM ERSCAPE 10 Bard SummerScape presents seven Opera Bard Music Festival Twenty-first Season Tickets and information: weeks of opera, dance, music, 845-758-7900 THE DISTANT SOUND (Der ferne Klang) BERG AND HIS WORLD | july fishercenter.bard.edu 36 drama, film, cabaret, and the 21st July 30, August 1, 4, 6 August 13–15 and 20–22 Sung in German with English supertitles Two weekends of concerts, panels, and annual Bard Music Festival, this year vol. Music and libretto by Franz Schreker other events bring the musical world of exploring the works and world of American Symphony Orchestra Alban Berg vividly to life. CREATIVE LIVING IN THE HUDSON VALLEY composer Alban Berg. SummerScape Conducted by Leon Botstein Directed by Thaddeus Strassberger Operetta takes place in the extraordinary Annandale-on-Hudson, N.Y. The first fully-staged North American Richard B. Fisher Center for the THE CHOCOLATE SOLDIER production of an important but rarely August 5 – August 15 Performing Arts and other venues performed opera bearing a gripping story Music by Oscar Straus and a stunning, melodic musical score. on Bard College’s stunning Mid- Conducted by James Bagwell Hudson River Valley campus. Dance Directed by Will Pomerantz Straus's delightful 1908 operetta is an TRISHA BROWN DANCE COMPANY adaptation of George Bernard Shaw's July 8, 9, 10, 11 Arms and the Man. Choreography by Trisha Brown Twelve Ton Rose (excerpt), Foray Forêt, Theater You can see us, L’Amour au théâtre JUDGMENT DAY Film Festival July 14 –25 By Ödön von Horváth THE BEST OF G. -
United States Bankruptcy Court for the Southern District of Indiana Indianapolis Division
Case 18-09108-RLM-11 Doc 140 Filed 01/09/19 EOD 01/09/19 15:28:58 Pg 1 of 11 IN THE UNITED STATES BANKRUPTCY COURT FOR THE SOUTHERN DISTRICT OF INDIANA INDIANAPOLIS DIVISION In re: Chapter 11 USA GYMNASTICS,1 Case No. 18-09108-RLM-11 Debtor. OBJECTION OF THE ADDITIONAL TORT CLAIMANTS COMMITTEE OF SEXUAL ABUSE SURVIVORS TO DEBTOR’S FIRST DAY MOTION FOR AN ORDER (I) AUTHORIZING THE DEBTOR TO PAY AND HONOR CERTAIN PRE-PETITION WAGES, BENEFITS, AND OTHER COMPENSATION OBLIGATIONS; AND (II) AUTHORIZING FINANCIAL INSTITUTIONS TO HONOR AND PROCESS CHECKS AND TRANSFERS RELATED TO SUCH OBLIGATIONS AND THE SUPPLEMENT THERETO The Additional Tort Claimants Committee of Sexual Abuse Survivors (the “Sexual Abuse Survivors’ Committee”), appointed in this case under chapter 11 of Title 11 of the United States Code (as amended, the “Bankruptcy Code”), hereby submits this objection to the Debtor’s First Day Motion for an Order (I) Authorizing the Debtor to Pay and Honor Certain Pre-Petition Wages, Benefits, and Other Compensation Obligations; and (II) Authorizing Financial Institutions to Honor and Process Checks and Transfers Related to Such Obligations (the “Wage Motion”) [Doc 11] and the Supplement thereto filed on January 7, 2019 (the “Supplement”) [Doc 135].2 In further support of its objection, the Sexual Abuse Survivors’ Committee respectfully states as follows: 1 The last four digits of the Debtor’s federal tax identification number are 7871. The location of the Debtor’s principal office is 130 E. Washington Street, Suite 700, Indianapolis, Indiana 46204. 2 Capitalized terms shall have the meanings and definitions ascribed to them in the Wage Motion and the Supplement. -
CHRISTOPHE BARRATIER Jacques Perrin and Nicolas Mauvernay
JACQUES PERRIN AND NICOLAS MAUVERNAY PRESENT AFTER “THE CHORUS” (LES CHORISTES) A FILM BY CHRISTOPHE BARRATIER Jacques Perrin and Nicolas Mauvernay 1936 in France present A story of friendship, a story of love and brotherhood - PARIS 36 is all these, to be sure. But it’s probably more than that, since it turns on the sometimes conflicted but always affectionate relationships between three friends - Pigoil, Milou and Jacky - all struck head Gérard Clovis Kad Jugnot Cornillac Merad on by unemployment (a consequence of the 30’s financial crisis) - as well as Douce a pretty young girl from the provinces who has come to Paris looking to hit it big and Monsieur Radio, Pierre Bernard-Pierre Nora Maxence an aging musician whose unhappy love affair has led him to withdraw from the world around Richard Donnadieu Arnezeder Perrin him. It’s the end of 1935, on the eve of the new year and the setting is a working class neighborhood in Paris - a neighborhood dreamed up for us by Christophe Barratier drawing on Montmartre and Ménilmontant, two former villages annexed by the capital, which they overlook from atop their modest hillsides. This imaginary town, where a provincial life can still be lived in its entirety is perceived in sumptuous panoramic shots and through several luxurious and decadent cabaret scenes. (FAUBOURG 36) While the Paris quarter in the film is surely a product of Christophe Barratier’s poetic fantasy, it nevertheless reflects an historic reality. Paris, at the time, did indeed possess A fi lm by dozens of small concert venues and especially vaudevill music halls. -
The Impressionist Artists
Impressionism and Its Canon James E. Cutting 2006 University Press of America Library of Congress Control Number: 2005934187 ISBN 0-7618-3344-7 For Claudia Lazzaro, my wife, who offered encouragement, a wry smile, an open mind, and a promise of what could be Contents Image Credits vii Preface ix Chapter 1: Culture, Art, and Science 1 Chapter 2: Canons and Their Structure 9 Chapter 3: Categories and Their Measure 21 Chapter 4: The Impressionist Artists 41 Chapter 5: Museums 69 Chapter 6: Dealers and Collectors 91 Chapter 7: The Core Canon 119 Chapter 8: The Broader Canon 135 Chapter 9: Scholars and Curators 157 Chapter 10: A Second Sample 169 Chapter 11: The Public and Mere Exposure 183 Chapter 12: A Theory of Canon Formation and Maintenance 199 Appendices 219 Bibliography 269 Index 279 Author Information 299 Image Credits Cover: Jean-Louis Forain, Au café (At the café, ~1879, Dixon Gallery and Gardens, Nashville, TN). This image was exhibited at the 4th Impressionist exhibition. Forain is not usually considered an Impressionist painter, and this image definitely not in the Impressionist canon. (New image for this edition.) Figure 2.1, page 11: Edgar Degas, La mélancholie (Melancholy, 1867-70, The Phillips Collection, Washington, DC). Edgar Degas, Repasseuses (Women ironing, 1884-86, Musée d’Orsay, Paris). Figure 4.2, page 50: Armand Guillaumin, Place Valhubert, Paris (1875, Musée d’Orsay, Paris). Claude Monet, Le bassin d’Argenteuil (The Argenteuil basin, 1872, Musée d’Orsay, Paris). Figure 4.3, page 52: Jean-François Raffaëlli, La place d’Italie après la pluie (Place d’Italie after the rain, 1877, Dixon Gallery and Gardens, Nashville, TN). -
Reports Sexual Assault Allegations to One of the Victim Gymnasts
Investigation and Review of the Federal Bureau of Investigation’s Handling of Allegations of Sexual Abuse by Former USA Gymnastics Physician Lawrence Gerard Nassar 21-093 JULY 2021 EXECUTIVE SUMMARY Investigation and Review of the Federal Bureau of Investigation’s Handling of Allegations of Sexual Abuse by Former USA Gymnastics Physician Lawrence Gerard Nassar containing PowerPoint slides and videos that Nassar Introduction and Factual Findings had provided to USA Gymnastics of Nassar performing The U.S. Department of Justice (Department, DOJ) his purported medical technique on athletes. Office of the Inspector General (OIG) initiated this investigation based on allegations that Federal Bureau Shortly after the meeting, USA Gymnastics advised of Investigation (FBI) employees in the FBI’s Indianapolis Nassar that he should no longer attend USA Field Office mishandled allegations of sexual abuse of Gymnastics events, and Nassar retired from his USA athletes by former USA Gymnastics physician Lawrence Gymnastics position in September 2015. However, Gerard Nassar. Nassar was employed as an Nassar continued to maintain his positions at MSU, Osteopathic Physician and Associate Professor at Twistars USA Gymnastics Club, and Holt High School. Michigan State University’s (MSU) Department of Family and Community Medicine, where he treated patients Over the next 6 weeks, the Indianapolis Field Office from 1996 through 2016. For most of that time, Nassar conducted limited follow-up, which involved conducting also was employed as the USA Gymnastics National a telephonic interview on September 2 of one of the Medical Coordinator and a treating physician for three athletes, reviewing the thumb drive provided by gymnasts. Among the places where Nassar treated Penny, and discussing the allegations with the U.S. -
Music and Politics in the Ancient World , ,
65 Music and Politics in the Ancient World , , Ricardo Eichmann Mark Howell Graeme Lawson (eds.) Eichmann / Howell / Lawson (eds.) Music and Politics in the Ancient World Ancient the in Politics and Music (eds.) Lawson / Howell / Eichmann BERLIN STUDIES OF THE ANCIENT WORLD is the outcome of an international workshop held in Berlin in June 2011, under the title Sound, Political Space and Political Condition: Exploring Sounds of Societies under Change. Focusing on the poetics of emerging music-archaeological narratives, it seeks to test assertions made by writers of the 5th to 3rd centuries BCE that political change is refl ected in music. It asks whether politics’ footprint might be discerned in surviv- ing records of music and sound – thereby serving as a marker for social and political change. Taking advantage of several distinct yet complementary traditions of criti- cism which, where they overlap, make up the young and expanding fi elds of music archaeology and archaeoacous- tics, the chapters seek, in a constructive way, to disrupt old ways of visualising the archaeological past. Along the way ancient music is revealed as much more than just a form of entertainment. From a traditional preoccupa- tion with systematics, music archaeology aims to forge a broader theoretical engagement between music studies and the remote past, and to establish music’s place within the wider arena of Ancient Studies. berlin studies of 65 the ancient world berlin studies of the ancient world · 65 edited by topoi excellence cluster Music and Politics in the Ancient World exploring identity, agency, stability and change through the records of music archaeology edited by Ricardo Eichmann, Mark Howell, Graeme Lawson Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliographie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de.