The Fight for Public Space: When Personal Is Political
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DOM Magazine No
2020 DOM magazine 04 December The Art of Books and Buildings The Cities of Tomorrow Streets were suddenly empty, and people began to flee to the countryside. The corona virus pandemic has forced us to re- think urban design, which is at the heart of this issue. From the hotly debated subject of density to London’s innovative social housing through to Berlin’s creative spaces: what will the cities of the future look like? See pages 14 to 27 PORTRAIT The setting was as elegant as one would expect from a dig- Jean-Philippe Hugron, nified French institution. In late September, the Académie Architecture Critic d’Architecture – founded in 1841, though its roots go back to pre- revolutionary France – presented its awards for this year. The Frenchman has loved buildings since The ceremony took place in the institution’s rooms next to the childhood – the taller, the better. Which Place des Vosges, the oldest of the five ‘royal squares’ of Paris, is why he lives in Paris’s skyscraper dis- situated in the heart of the French capital. The award winners trict and is intrigued by Monaco. Now he included DOM publishers-author Jean-Philippe Hugron, who has received an award from the Académie was honoured for his publications. The 38-year-old critic writes d’Architecture for his writing. for prestigious French magazines such as Architecture d’au jourd’hui and Exé as well as the German Baumeister. Text: Björn Rosen Hugron lives ten kilometres west of the Place des Vosges – and architecturally in a completely different world. -
View. Theories and Practices Ofvisual Culture
9 View. Theories and Practices of Visual Culture. title: tMitolen:umentality ephemerated author: aNuintahoSro(s:na source: Vsoieuwrc. eT:heories and Practices ofVisual Culture 9 (2015) URL: hURttLp: ://pismowidok.org/index.php/one/article/view/275/533/ publisher: Ipnusbtiltiushteero:f Literary Research of the Polish Academy of Sciences Institute of Polish Culture, University of Warsaw View. Foundation for Visual Culture Nina Sosna Monumentality ephemerated Monuments, which are generally considered visual, become the object of visual research much less frequently than any other art form. However, closer investigation shows that monuments are an interesting model or even frame of analysis. They are quite peculiar, and paradoxical objects, as they controversially combine many different kinds of things: the immaterial traits of collective imaginaries and the heavy materiality of stone or bronze, fluctuations of memory and the conservation of ideology, object and remnant, arrested past and an attempt to change the future. 1. Russia is currently going through a period of instability that is caused, not only by today's situation of an almost uncontrolled globalized world economy, but also by the transitional form of (post)socialism. There is a temporal factor that affects the very structure of the status quo. What is undergoing a noticeable change are not only the From: Yevgeniya Gershkovich, Yevgeny external conditions of existence, but also the sense of Korneev, eds., Stalin’s Imperial Style time. The “dashing 1990s” were a time to move forward - (Moscow: Trefoil Press, 2006), photo: at least, such was the general feeling. In the 2000s there Krzysztof Pijarski was a kind of break; for some, it was a moment of “looking around” and even backwards. -
Cubism (Surface—Plane), 1912
perished because of a negative and exclusive solution to the question of shading. Our age is obliged by force of circumstances to finish what our predeces- sors passed on to us. The path of search in this direction is broad, its bends are diverse, its forks numerous; the solutions will be many. Among them, those connected in our art with the name of A. Exter will remain as an ex- ample of courage, freedom, and subtlety. The upsurge of strength and courage in the plastic arts wanes neither beyond the Rhine nor at home, and it is expressed in the high level of pure painting unprecedented in our coun- try, a phenomenon that is characteristic of its contemporary state. DAVID BURLIUK Cubism (Surface—Plane), 1912 For biography see p. 8. The text of this piece, "Kubizm," is from an anthology of poems, prose pieces, and articles, Poshchechina obshchestvennomu vkusu [A Slap in the Face of Public Taste] (Moscow, December 1912 [according to bibl. R350, p. 17, although January 1913, according to KL], pp. 95-101 [bibl. R275]. The collection was prefaced by the famous declaration of the same name signed by David Burliuk, Velimir Khlebni- kov, Aleksei Kruchenykh, and Vladimir Mayakovsky and dated December 1912. The volume also contained a second essay by David Burliuk on texture [bibl. R269], verse by Khlebnikov and Benedikt Livshits, and four prose sketches by Vasilii Kan- dinsky [for further details see bibl. 133, pp. 45-50]. Both the essay on cubism and the one on texture were signed by N. Burliuk, although it is obvious that both were written by David and not by Nikolai (David's youngest brother and a poet of some merit). -
“Express Yourself in New Ways” – Wait, Not Like That
“Express yourself in new ways” – wait, not like that A semiotic analysis of norm-breaking pictures on Instagram COURSE: Thesis in Media and Communication science II 15 credits PROGRAM: Media and Communication science AUTHORS: Andrea Bille Pettersson, Aino Vauhkonen EXAMINER: Peter Berglez SEMESTER: FS2020 Title: “Express yourself in new ways” – wait, not like that Semester: FS2020 Authors: Andrea Pettersson, Aino Vauhkonen Supervisor: Leon Barkho Abstract Instagram, as one of today’s largest social media platforms, plays a significant part in the maintaining and reproducing of existing stereotypes and role expectations for women. The purpose of the thesis is to study how Instagram interprets violations against its guidelines, and whether decisions to remove certain pictures from the platform are in line with terms of use, or part of human subjectivity. The noticeable pattern among the removed pictures is that they are often norm-breaking. The thesis discusses communication within Instagram to reveal how and why some pictures are removed while others are not, which limits women’s possibilities to express themselves in non-conventional settings. The study applies semiotics to analyse 12 pictures that were banned from the platform without directly violating its guidelines. Role theory and norms are used to supplement semiotics and shed light on the underlying societal structures of female disadvantage. Two major conclusions are presented: 1) Instagram has unclearly communicated its guidelines to women’s disadvantage, and 2) Instagram has therefore been subjective in the decisions to have the pictures removed from the platform, also to women’s disadvantage. Further, the discussion focuses on how Instagram handles issues related to (1) female sexuality, (2) women stereotyping, and (3) female self-representation. -
Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected]
Clemson University TigerPrints All Dissertations Dissertations 12-2016 Ironic Feminism: Rhetorical Critique in Satirical News Kathy Elrick Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_dissertations Recommended Citation Elrick, Kathy, "Ironic Feminism: Rhetorical Critique in Satirical News" (2016). All Dissertations. 1847. https://tigerprints.clemson.edu/all_dissertations/1847 This Dissertation is brought to you for free and open access by the Dissertations at TigerPrints. It has been accepted for inclusion in All Dissertations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. IRONIC FEMINISM: RHETORICAL CRITIQUE IN SATIRICAL NEWS A Dissertation Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Rhetorics, Communication, and Information Design by Kathy Elrick December 2016 Accepted by Dr. David Blakesley, Committee Chair Dr. Jeff Love Dr. Brandon Turner Dr. Victor J. Vitanza ABSTRACT Ironic Feminism: Rhetorical Critique in Satirical News aims to offer another perspective and style toward feminist theories of public discourse through satire. This study develops a model of ironist feminism to approach limitations of hegemonic language for women and minorities in U.S. public discourse. The model is built upon irony as a mode of perspective, and as a function in language, to ferret out and address political norms in dominant language. In comedy and satire, irony subverts dominant language for a laugh; concepts of irony and its relation to comedy situate the study’s focus on rhetorical contributions in joke telling. How are jokes crafted? Who crafts them? What is the motivation behind crafting them? To expand upon these questions, the study analyzes examples of a select group of popular U.S. -
Desiring the Big Bad Blade: Racing the Sheikh in Desert Romances
Desiring the Big Bad Blade: Racing the Sheikh in Desert Romances Amira Jarmakani American Quarterly, Volume 63, Number 4, December 2011, pp. 895-928 (Article) Published by The Johns Hopkins University Press DOI: 10.1353/aq.2011.0061 For additional information about this article http://muse.jhu.edu/journals/aq/summary/v063/63.4.jarmakani.html Access provided by Georgia State University (4 Sep 2013 15:38 GMT) Racing the Sheikh in Desert Romances | 895 Desiring the Big Bad Blade: Racing the Sheikh in Desert Romances Amira Jarmakani Cultural fantasy does not evade but confronts history. — Geraldine Heng, Empire of Magic: Medieval Romance and the Politics of Cultural Fantasy n a relatively small but nevertheless significant subgenre of romance nov- els,1 one may encounter a seemingly unlikely object of erotic attachment, a sheikh, sultan, or desert prince hero who almost always couples with a I 2 white western woman. In the realm of mass-market romance novels, a boom- ing industry, the sheikh-hero of any standard desert romance is but one of the many possible alpha-male heroes, and while he is certainly not the most popular alpha-male hero in the contemporary market, he maintains a niche and even has a couple of blogs and an informative Web site devoted especially to him.3 Given popular perceptions of the Middle East as a threatening and oppressive place for women, it is perhaps not surprising that the heroine in a popular desert romance, Burning Love, characterizes her sheikh thusly: “Sharif was an Arab. To him every woman was a slave, including her. -
Un Etrusco Nel Novecento L'arte in Russia Negli Anni Che Sconvolsero
01 1 18-DEC-17 15:53:09 n° 383 Un etrusco nel Novecento L’arte in Russia negli anni che sconvolsero il mondo Al di là delle nuvole Insolito senese Hammershøi, il pittore di stanze tranquille n° 383 - gennaio 2018 © Diritti riservati Fondazione Internazionale Menarini - vietata la riproduzione anche parziale dei testi e delle fotografie - Direttore Responsabile Lorenzo Gualtieri Redazione, corrispondenza: «Minuti» Edificio L - Strada 6 - Centro Direzionale Milanofiori I-20089 Rozzano (Milan, Italy) www.fondazione-menarini.it NOTEBOOK Galileo Returns to Padua Rivoluzione Galileo, at Pa- lazzo del Monte di Pietà of Padua until 18 March 2018, illustrates the com- plex figure of one of the absolute protagonists of the Italian and European Seicento, who taught for 18 years at the Venetian city’s university – years re- membered by the great scientist as the happiest of his life due to the freedom accorded him to teach as he saw fit. The exhibition shows us the many facets of Galileo the man: from the scientist, father of the experimental method, to the music theorist and lute Guercino: Atlas Giandomenico Tiepolo: Hercules player; to his qualities as a draughtsman; from Galileo owners’ heirs to the Palladio The Dutch 17th Cen- the inventor – not only of Museum of Vicenza where tury in Shanghai an improved spyglass but they have been on show and Abu Dhabi also of the microscope and since November 2017. Until 25 February 2017, the compass – to the ‘eve- The frescoes were painted at the Long Museum of ryday’ Galileo, scholar of two decades after the Tie- Shanghai, Rembrandt, viticulture and compoun- polos, father and son, de- Vermeer and Hals in the der and merchant of me- corated Villa Valmarana Dutch Golden Age: Ma- dicines in pill form. -
Historic Context: a Modern Dynamic City – Scottsdale City Planning, Public Buildings and Development, 1961‐1979
Approved 11/8/12 by HPC; Revised 12/19/12 Historic Context: A Modern Dynamic City – Scottsdale City Planning, Public Buildings and Development, 1961‐1979 TABLE OF CONTENTS PAGE INTRODUCTION 1 NATIONAL TRENDS 1 DEMOGRAPHIC AND ECONOMIC TRENDS 2 MAJOR FEDERAL LAWS AND POLICIES FROM THE ERA 5 SUPREME COURT DECISIONS WITH MAJOR IMPACTS 10 Public School Decisions 10 Other Important Cases on Segregation and Rights 11 MAJOR POLITICAL GROUPS AND WELL‐KNOWN NATIONAL MOVEMENTS 12 Civil Rights Movement 12 Anti‐War Protests and Peace Movement 13 Women’s Movement 14 Conservative Political Movement 15 Counter‐Cultural Movement and Hippies 16 Urban Race Riots of the 1960s 17 Extremist Groups 17 Environmental Movement 18 Modern Architecture Movement 19 COMMISSIONS AND COMMITTEES INCLUDING PRESIDENTIAL COMMISSIONS 21 ARIZONA AND REGIONAL TRENDS IMPACTING SCOTTSDALE 23 RAPID GROWTH IN THE REGION 23 BLACKS, HISPANICS AND NATIVE AMERICANS IN THE METRO AREA 24 RACE AND CIVIL RIGHTS IN ARIZONA AND PHOENIX 26 DEMAND FOR WATER AND FLOODING PROBLEMS 27 DECLINE OF PHOENIX’S CENTRAL BUSINESS DISTRICT BY THE STUDY ERA 28 SCOTTSDALE TRENDS AND MAJOR PUBLIC DEVELOPMENTS FROM 1961‐1979 28 CIVIC CENTER MALL AND GOVERNMENT DEVELOPMENT 29 PLANNING AND COMMUNITY DEVELOPMENT 33 ORGANIZATIONAL DEVELOPMENT 37 ANNEXATIONS 38 INDIAN BEND WASH 41 MCCORMICK‐STILLMAN RAILROAD PARK 43 SCOTTSDALE MUNICIPAL AIRPORT 44 PUBLIC SCHOOLS IN THE SCOTTSDALE UNIFIED SCHOOL DISTRICT 46 APPENDICES 48 A. TIMELINE OF MAJOR EVENTS FROM 1961‐1979 48 B. SIGNIFICANT PEOPLE IN THE NEWS AND THEIR PUBLICATIONS 51 REFERENCES FOR A MODERN DYNAMIC CITY 54 A Modern Dynamic City – Scottsdale City Planning, Public Buildings and Development, 1961‐1979 Prepared by Don Meserve, Historic Preservation Officer, City of Scottsdale, 2012 INTRODUCTION This historic context describes a very important era in our nation’s history for the emerging modern dynamic city of Scottsdale, Arizona. -
Art and Art of Design Учебное Пособие Для Студентов 2-Го Курса Факультета Прикладных Искусств
Министерство образования Российской Федерации Амурский государственный университет Филологический факультет С. И. Милишкевич ART AND ART OF DESIGN Учебное пособие для студентов 2-го курса факультета прикладных искусств. Благовещенск 2002 1 Печатается по решению редакционно-издательского совета филологического факультета Амурского государственного университета Милишкевич С.И. Art and Art of Design. Учебное пособие. Амурский гос. Ун-т, Благовещенск: 2002. Пособие предназначено для практических занятий по английскому языку студентов неязыковых факультетов, изучающих дизайн. Учебные материалы и публицистические статьи подобраны на основе аутентичных источников и освещают последние достижения в области дизайна. Рецензенты: С.В.Андросова, ст. преподаватель кафедры ин. Языков №1 АмГУ; Е.Б.Лебедева, доцент кафедры фнглийской филологии БГПУ, канд. Филологических наук. 2 ART GALLERIES I. Learn the vocabulary: 1) be famous for -быть известным, славиться 2) hordes of pigeons -стаи голубей 3) purchase of -покупка 4) representative -представитель 5) admission -допущение, вход 6) to maintain -поддерживать 7) bequest -дар, наследство 8) celebrity -известность, знаменитость 9) merchant -торговец 10) reign -правление, царствование I. Read and translate the text .Retell the text (use the conversational phrases) LONDON ART GALLERIES On the north side, of Trafalgar Square, famous for its monument to Admiral Nelson ("Nelson's Column"), its fountains and its hordes of pigeons, there stands a long, low building in classic style. This is the National Gallery, which contains Britain's best-known collection of pictures. The collection was begun in 1824, with the purchase of thirty-eight pictures that included Hogarth's satirical "Marriage a la Mode" series, and Titian's "Venus and Adonis". The National Gallery is rich in paintings by Italian masters, such as Raphael, Correggio, and Veronese, and it contains pictures representative of all European schools of art such as works by Rembrandt, Rubens, Van Dyck, Murillo, El Greco, and nineteenth century French masters. -
The Life of Russian Avant-Garde Works: an Essay in History
SVETLANA DZHAFAROVA The Life Of Russian Avant-Garde Works: An Essay In History Svetlana Dzhafarova is an art historian and since 1997 is scientific researcher with the Russian Institute for Cultural Research under the Ministry of Culture. She is an expert with the Moscow Malevich Foundation and works in the field of scientific analysis of new-found pieces of the Russian Avant-Garde. She is a published author. Under the aegis of the Russian Ministry of Culture, Svetlana Dzhafarova has organised and curated major international exhibitions since 1979; they are listed at the end of this article. In the 1990s, owing to the emergence on the art One literary and artistic manifesto was flagrantly called “A market of a substantial number of Russian avant- Slap in the Face of Public Taste”. All this led to hostilities in garde works (in the broad sense of the term), there arose the the press, which gives few indications as to whether anyone 19 vital question of their provenance. Given Russia’s turbulent wished to acquire such “socially inappropriate” paintings. twentieth-century history, the tortured destinies of people No doubt, this art had its own adherents, first and subjected to political and ideological repression, this theme foremost among relatives (for instance, the wives of Piotr appears in a dramatic, mysterious, and rather shadowy Konchatovsky, Ilya Mashkov and Aristarkh Lentulov who atmosphere for many reasons. were also constant models for their husbands) as well as It is no secret that the policy of persecution of dissenting colleagues and a close circle of theatre, musical and literary artists and their oeuvre, allegedly alien to proletarian ideology, figures. -
Social Norms, Shame, and Regulation in an Internet Age Kate Klonick
Maryland Law Review Volume 75 | Issue 4 Article 4 Re-Shaming the Debate: Social Norms, Shame, and Regulation in an Internet Age Kate Klonick Follow this and additional works at: http://digitalcommons.law.umaryland.edu/mlr Part of the Internet Law Commons, and the Law and Society Commons Recommended Citation 75 Md. L. Rev. 1029 (2016) This Article is brought to you for free and open access by the Academic Journals at DigitalCommons@UM Carey Law. It has been accepted for inclusion in Maryland Law Review by an authorized administrator of DigitalCommons@UM Carey Law. For more information, please contact [email protected]. RE-SHAMING THE DEBATE: SOCIAL NORMS, SHAME, AND REGULATION IN AN INTERNET AGE * KATE KLONICK Advances in technological communication have dramatically changed the ways in which social norm enforcement is used to constrain behavior. Nowhere is this more powerfully demonstrated than through current events around online shaming and cyber harassment. Low cost, anonymous, instant, and ubiquitous access to the Internet has removed most—if not all—of the natural checks on shaming. The result is norm enforcement that is indeterminate, uncalibrated, and often tips into behavior punishable in its own right—thus generating a debate over whether the state should intervene to curb online shaming and cyber harassment. A few years before this change in technology, a group of legal scholars debated just the opposite, discussing the value of harnessing the power of social norm enforcement through shaming by using state shaming sanctions as a more efficient means of criminal punishment. Though the idea was discarded, many of their concerns were prescient and can inform today’s inverted new inquiry: whether the state should create limits on shaming and cyber bullying. -
Past the Parapets of Patriarchy? Women, the Star System, and the Built Environment
Past the Parapets of Patriarchy? Women, the Star System, and the Built Environment Cynthia Hammond, Concordia University, has On June 10, 2009, the Beverly Willis received awards for her writing on the roles Architecture Foundation (BWAF) premiered a played by such women as Florence Nightingale short documentary at the Guggenheim Museum and Catherine Bauer Wurster in the in New York as part of the events related to the development of institutional and modern upcoming retrospective on the American architecture, showing how their production was architect, Frank Lloyd W right (1867-1959). This embedded within larger questions of nation, film, entitled A Girl Is a Fellow Here: 100 colonialism, and gender. She holds a Women Architects in the Studio of Frank Lloyd three-year, Emerging Scholar award (FQRSC) Wright, presents for the first time an account of for the study of Montreal's public, modernist 6 of the more than 100 women who, as buildings and spaces. architects, helped to build Wright's reputation as the greatest American architect of the Abstract twentieth century. The launch was followed by Twenty years after architect Denise Scott a panel discussion about how such an Brown challenged the patriarchal exclusion of important omission has endured. The film is a women from the "star system," what is the brief but potent counterthesis to the myth of status of women in architecture today? Drawing Wright's solitary and unique genius, a narrative examples from architectural history, recent that has many echoes in a recent spate of films statistics and current initiatives, the author devoted to individual, male architects.