Charges Dropped in Alleged Sexual Assault Case
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2021 |22 Performing Arts Season
2021 | 22 Performing Arts Season “THE BEAT GOES ON” An annual publication of the Schauer Arts & Activities Center, Inc. 147 North Rural Street | Hartford, WI 53027 2021|22 Schauer Performing arts season MAINSTAGE FAMILY CABARET SPECIAL EVENT Friday–Saturday, August 13–14 alice in wonderland Missoula Children’s Theatre Friday, August 27 the world famous glenn miller orchestra Most Popular Swing Band in America Friday, September 10 sip and fall in the schauer Fall Fundraiser—The Acoustix Saturday, September 11 sip and fall in the schauer Fall Fundraiser—The Mr. Lucky Syndicate Saturday, September 18 michael perry and the long beds Eclectic Mix of Country Rock Saturday, September 25 dallas string quartet DSQ Electric Friday, October 1 royal wood Canadian Singer and Songwriter Sunday, October 3 JOHNNY PEERS & THE MUTTVILLE COMIX Slapstick Comedy Dog Show The Beat Goes On! The staff and Board of the Friday, October 8 top of the world A Carpenters Tribute Schauer Arts Center are thrilled to be throwing open Saturday, October 16 give ‘em hell harry! Tribute To Former U.S. President Harry Truman the doors and welcoming our patrons into the theater, classrooms, event spaces and our new courtyard. Saturday, October 23 SONGS AND STORIES OF NEIL DIAMOND Starring Jack Wright Friday, November 12 the claudettes Soulful Rock & Roll Rooted in Blues, Jazz and R&B To say the last year has been unique and challenging would be an understatement but we never doubted Thursday, December 2 lorrie morgan Emotive Country Vocalist we would reach this point. The community support to Saturday, December 4 milwaukee handbell ensemble Ringing in the Season get us here, and gratitude as patrons return, has been humbling. -
November 2015
November 2015 8:00 PM ET/5:00 PM PT 4:45 PM ET/1:45 PM PT 3:30 PM ET/12:30 PM PT 7:00 PM CT/6:00 PM MT 3:45 PM CT/2:45 PM MT 2:30 PM CT/1:30 PM MT Tears of the Sun For Love of the Game Down Periscope 10:05 PM ET/7:05 PM PT 7:15 PM ET/4:15 PM PT 5:05 PM ET/2:05 PM PT SUNDAY, NOVEMBER 1 9:05 PM CT/8:05 PM MT 6:15 PM CT/5:15 PM MT 4:05 PM CT/3:05 PM MT 12:15 AM ET/9:15 PM PT Man On Fire Blue Crush Biloxi Blues 11:15 PM CT/10:15 PM MT 9:00 PM ET/6:00 PM PT 7:00 PM ET/4:00 PM PT Scream MONDAY, NOVEMBER 2 8:00 PM CT/7:00 PM MT 6:00 PM CT/5:00 PM MT 1:15 AM ET/11:15 PM PT 12:35 AM ET/9:35 PM PT Wimbledon Primary Colors 1:15 AM CT/12:15 AM MT 11:35 PM CT/10:35 PM MT 10:45 PM ET/7:45 PM PT 9:30 PM ET/6:30 PM PT The Sixth Sense Tears of the Sun 9:45 PM CT/8:45 PM MT 8:30 PM CT/7:30 PM MT 3:15 AM ET/1:15 AM PT 2:45 AM ET/11:45 PM PT Blue Crush The Birdcage 2:15 AM CT/1:15 AM MT 1:45 AM CT/12:45 AM MT 11:30 PM ET/8:30 PM PT Hollywood’s Best Directors - M. -
Arbiter, December 4 Students of Boise State University
Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 12-4-1992 Arbiter, December 4 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. ....... _ ._ •• 6 _.. _._ .••• __ , •• •. _._ •.• _. __ ". __ "._._~ •••.••.. _.. ,_ --'.- •.•. _.p.,.~- ." _.,~.".~.. -.• - , .• -' Shurtliff,: I.new outlook • p. 10 ,Math~eo.,4Ibrarygetfa.gehfts,p'.;·2,.'8atterycases get their day in court, p.3 'Tis the season for fun! Holiday activities, DOIMState UDlnnltJ • Tuesda,.,~Decealbel' ".1992'· Vol1llDe Juue 18 • ll'ree '.' a . '" .... .. page'4' COughtin c mputer lim Hardware problem ,grounds network' during registration; Rick Overton .and their' schedules usUally require · Editor-in-ehief ~e ~ost work because rnanYlower- diVision classes are full by the time Acomputerwiringproblemdelayed freshmen register. .., the registration of about 1,000 fresh- . Monday's rt1S~.inay have been . men last mon~Clrid'slowed down the . compoundedby !itud,entswhomisSed. ciunpus mainframe for days. ..' theirregistration timesonearUerdaYs, , . The 'malfunCtion kJ\ocked out the as well as those who were displaced student registration system all day during a short .50ftwaremalfunction Monday,Nov~ 23, affecting more than 0I\Frlday, Nov.fO. .' -::.,::;1:;'",,1 .. l20st;ud~~,a.n hour and .causing de- '. ~;.r(fice'd ' , .,..~:;~ut'~~~lWd.e.~~:0t#l~.0~Billi~~~~l;J'·qf!;:~~ "ci~:efu~M~~~:~df=····.'~~~~~~~elt.i~,~"·;t~ Centeremp1pyeesdiscoveredthepl'ob-' the floor, liriiI\gboth sides of the 6aU '•...' lem at7aolJ\. -
Led Zeppelin Greatest Hits Zip Download Cold As Ice 3:42 03
Led zeppelin greatest hits zip download Cold As Ice 3:42 03. Night Life 03:23 13. Blue Morning, Blue Day 05. The Wanton Song 06. Long, Long Way From Home 2:52 02. Band members: 1981—1986 Jack Russell — lead vocals Mark Kendall — lead guitar Lorne Black — bass guitar Gary Holland — drums 1986—1987 Jack Russell — lead vocals Mark Kendall — lead guitar Lorne Black — bass guitar Audie Desbrow — drums Michael Lardie — guitar, keyboards 1987—1992 Jack Russell — lead vocals Mark Kendall — lead guitar Tony Montana — bass guitar Audie Desbrow — drums Michael Lardie — guitar, keyboards J Todd Henson — guitar in-studio guitarist, 1991-92 1992—1995 Jack Russell — lead vocals Mark Kendall — lead guitar Teddy Cook — bass guitar Audie Desbrow — drums Michael Lardie — guitar, keyboards 1995—2000 Jack Russell — lead vocals Mark Kendall — lead guitar Sean Led zeppelin greatest hits zip download — bass guitar Audie Desbrow — drums Michael Lardie — guitar, keyboards 2000—2001 Jack Russell — lead vocals Ty Longley — lead guitar Krys Baratto — bass guitar Francis Ruiz — drums Matthew Johnson — guitar, keyboards 2002—2003 Jack Russell — lead vocals Mark Kendall — lead guitar Dave Filice — bass guitar Eric Powers — drums Ty Longley — guitar, keyboards 2003—2005 Jack Russell — lead vocals Mark Kendall — lead guitar Scott Pounds — bass guitar Joseph May — drums Tyler Nelson — guitar, keyboards 2006—2007 Jack Russell — lead vocals Mark Kendall — lead guitar Sean McNabb — bass guitar Audie Desbrow — drums Michael Lardie — guitar, keyboards 2008 Jack Russell — lead vocals Mark Kendall — lead guitar Scott Snyder — bass guitar Audie Desbrow — drums Michael Lardie — guitar, keyboards 2012 - Elation На данной хитрой пираточке трек-лист мальца другой, чем на облоге. -
United States District Court for the District of Rhode Island
Case 1:03-cv-00148-L Document 5 Filed 05/01/2003 Page 1 of 97 UNITED STATES DISTRICT COURT FOR THE DISTRICT OF RHODE ISLAND TAMMY PASSA, ALIAS, . WALTER CASTLEIJR., ALIAS and CHERYL HARRIS-ROSSI, NEXT-OF-: KIN of Decedent, JOSEPH E. ROSS1 . JEFFREY DERDERIAN, . MICHAEL DERDERIAN, DERCO LLC, d/b/a The Station, . MANIC MUSIC MANAGEMENT, INC., JACK RUSSELL, MARK KENDALL, DAVID FILICE, ERIC POWERS, DANIEL BICHELE , . PAUL WOOLNOUGH, KNIGHT RECORDS,INC., ANHEUSER-BUSCH COMPANIES INC., McLAUGHLIN AND MORANIINC., LUNA TECH, INC., LUNA TECH PYROTECHNIK GmbH, . AMERICAN FOAM CORPORATION, GENERAL FOAM CORPORATION, FOAMEX INTERNATIONAL INC., WHJY, INC., CLEAR CHANNEL COMMUNICATIONS, INC., TOWN OF WEST WARWICK, DENNIS LAROCQUE, INDIVIDUALLY and as FIRE INSPECTOR FOR THE TOWN OF: WEST WARWICK, STATE OF RHODE ISLAND, IRVING J. OWENS, Individually and in his capacity as FIRE MARSHAL FOR THE STATE OF RHODE ISLAND, TRITON REALTY LIMITED PARTNERSHIP, TRITON REALTY, INC., . and JOHN DOES 1 through 100 Case 1:03-cv-00148-L Document 5 Filed 05/01/2003 Page 2 of 97 TABLE OF CONTENTS PAGE TAB Table of Contents........................... i Jurisdictional Allegations - Plaintiffs..... 2 1 Jurisdiction Allegations - Defendants....... 6 2 Facts..................................... 17 3 Count One (Joint Enterprise Defendant) Jeffrey Derderian................. 28 4 Count Two (Joint Enterprise Defendant) Michael Derderian................. 31 5 Count Three (Joint Enterprise Defendant) DERCO LLC d/b/a The Station....... 34 6 Count Four (Joint Enterprise Defendant) MANIC MUSIC MANAGEMENT, INC. ..... 38 7 Count Five (Joint Enterprise Defendants) Jack Russell, Mark Kendall, David Filice, Eric Powers (Collectively as the band known as Great White) ................................. 41 8 Count Six (Joint Enterprise Defendant) Daniel Bichele................... -
AXS TV Schedule for Mon. October 12, 2020 to Sun. October 18, 2020
AXS TV Schedule for Mon. October 12, 2020 to Sun. October 18, 2020 Monday October 12, 2020 5:00 PM ET / 2:00 PM PT 8:00 AM ET / 5:00 AM PT The Day The Rock Star Died The Big Interview Michael Jackson - Michael Jackson was a singer, songwriter, dancer and known simply as “The The Band’s Robbie Robertson - Jethro Tull’s Ian Anderson sits down with Dan Rather to talk about King of Pop.” His contributions to music, dance, and highly publicized personal life made him a his five decades as a progressive rock idol. global figure in popular culture for over four decades. 9:00 AM ET / 6:00 AM PT 5:30 PM ET / 2:30 PM PT Deep Purple’s: The Ritchie Blackmore Story A Year in Music From his pop roots with The Outlaws and his many session recordings in the sixties, through 1964 - Actor, writer, and musician, Tommy Chong dives into 1964: the year The Beatles took defining hard rock with Deep Purple and Rainbow in the seventies and eighties and on to the over, Motown Records became a driving force, and The Rolling Stones made their debut. Plus, a renaissance rock of Blackmore’s Night, Ritchie has proved that he is a master of the guitar across look at how political and social changes influenced pop music. a multitude of styles. This is the definitive story of a true guitar legend. 6:00 PM ET / 3:00 PM PT 10:20 AM ET / 7:20 AM PT The Big Interview Robert Plant And The Strange Sensation Edward Norton - Academy Award winner Edward Norton’s life is much more than Hollywood. -
[email protected] 1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master Interview Was Provided by the Nati
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. ORRIN KEEPNEWS NEA Jazz Master (2011) Interviewee: Orrin Keepnews (March 2, 1923 – March 1, 2015) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: December 10, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 20 pp. Orrin Keepnews: I wonder if you didn’t—or you could do it when you come back, make sure you didn’t get to show off Lennie. Anthony Brown: The dog? Keepnews: The dog. I remember right now the one strain she couldn’t remember to put in there. He’s part Jack Russell. Brown: Okay. That’s it. Okay so we’ll go from the room tone. Keepnews: Okay so. Brown: Oh we haven’t got it yet. Keepnews: We don’t have it? Brown: Just talk to it. Go ahead. For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 Keepnews: (Laughs) Brown: Today is December 10th, 2010. This is the Smithsonian/ NEA Jazz Masters Award interview with Orrin Keepnews at his house in El Cerrito, California. And it is a foggy day outside, but a lot of warmth in this house. Good afternoon Orin Keepnews. Keepnews: Good afternoon. Brown: We’re no strangers and so this is, for quite a joy, and a privilege. We’ve done several projects together, well let me just say we’ve done a few projects together, of which I’m very proud. Again, its an honor to be able to conduct this interview with you, to be able to share this time with you so that you could help the listening audience, and the historians, understand—further understand your contribution to this music since our last interview, which was in 1997. -
The Angola Special Civics Project, 1987-1992
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Summer 8-4-2011 Organizing for Freedom: The Angola Special Civics Project, 1987-1992 Lydia Pelot-Hobbs University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Sociology Commons Recommended Citation Pelot-Hobbs, Lydia, "Organizing for Freedom: The Angola Special Civics Project, 1987-1992" (2011). University of New Orleans Theses and Dissertations. 349. https://scholarworks.uno.edu/td/349 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Organizing for Freedom: The Angola Special Civics Project, 1987-1992 A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Science in Urban Studies by Lydia Pelot-Hobbs B.A. Oberlin College 2007 August 2011 Table of Contents Abstract .............................................................................................................................. iv Epigraph .............................................................................................................................. v Chapter 1: Introduction ...................................................................................................... -
1 Evolving Authorship, Developing Contexts: 'Life Lessons'
Notes 1 Evolving Authorship, Developing Contexts: ‘Life Lessons’ 1. This trajectory finds its seminal outlining in Caughie (1981a), being variously replicated in, for example, Lapsley and Westlake (1988: 105–28), Stoddart (1995), Crofts (1998), Gerstner (2003), Staiger (2003) and Wexman (2003). 2. Compare the oft-quoted words of Sarris: ‘The art of the cinema … is not so much what as how …. Auteur criticism is a reaction against sociological criticism that enthroned the what against the how …. The whole point of a meaningful style is that it unifies the what and the how into a personal state- ment’ (1968: 36). 3. For a fuller discussion of the conception of film authorship here described, see Grist (2000: 1–9). 4. While for this book New Hollywood Cinema properly refers only to this phase of filmmaking, the term has been used by some to designate ‘either something diametrically opposed to’ such filmmaking, ‘or some- thing inclusive of but much larger than it’ (Smith, M. 1998: 11). For the most influential alternative position regarding what he calls ‘the New Hollywood’, see Schatz (1993). For further discussion of the debates sur- rounding New Hollywood Cinema, see Kramer (1998), King (2002), Neale (2006) and King (2007). 5. ‘Star image’ is a concept coined by Richard Dyer in relation to film stars, but it can be extended to other filmmaking personnel. To wit: ‘A star image is made out of media texts that can be grouped together as promotion, publicity, films and commentaries/criticism’ (1979: 68). 6. See, for example, Grant (2000), or the conception of ‘post-auteurism’ out- lined and critically demonstrated in Verhoeven (2009). -
E Media, the Jury, and the High-Profile Defendant: a Defense
VOLUME 55 | 2010/11 JOHN C. MERINGOLO !e Media, the Jury, and the High-Pro"le Defendant: A Defense Perspective on the Media Circus ABOUT THE AUTHOR: John Meringolo received his J.D. from New York Law School in 1999 and is currently a criminal defense attorney in New York City. Early in his career, Mr. Meringolo gained experience while working under the esteemed James LaRossa, beginning with the trial of United States v. DeMartino, No. 03 CR 285 (RJD) (E.D.N.Y. May 7, 2004). Such experience provided Mr. Meringolo instant exposure to high-profile criminal defense. Over the last seven years of Mr. Meringolo’s private practice, he has tried numerous high-profile cases, including: United States v. DePalma, No. 05 CR 225 (AKH) (S.D.N.Y. June 6, 2006), United States v. Boyle, No. 03 CR 970 (SJ) (E.D.N.Y. Mar. 21, 2005), Indictment, People v. Lucente, No. 490-09 (E.D.N.Y. Mar. 18, 2010), and, as discussed later in this article, United States v. Gotti, No. 08 CR 1220 (PKC) (S.D.N.Y. Dec. 1, 2009). Aside from practicing law, Mr. Meringolo also teaches Trial Advocacy as an Adjunct Professor at New York Law School. 981 THE MEDIA, THE JURY, AND THE HIGH-PROFILE DEFENDANT I. INTRODUCTION Throughout American history, there has been tension between the Sixth Amendment right of a criminal defendant to receive a fair trial and the First Amendment right for freedom of the press to publish news about criminal trials. Over the last seventy-five years in particular, media coverage of trials has steadily increased as a result of rapid advancements in technology. -
Verdict: the Death Penalty Can Never Be Just
Click here for Full Issue of EIR Volume 19, Number 47, November 27, 1992 • �TIillBooks Verdict: The death penalty can never be just by Katherine R. Notley The book deals mainly with three interconnected areas: how to improve the prison sys�em, especially through ex Life Sentences: Rage and Survival Behind panded and proper use of prob.tion and parole; profiles of Bars men serving life sentences, who lacked the resourcesto effec by Wilbert Rideau and Ron Wikberg tively seek parole status, and he ce have remained in prison Random House, New York, 1992 p 342 pages, paperbound, $15 for 20,30,40 years or more; ancll the death penalty. Interestingly, the first two :areas-that is, the lack of justice in both our justice syste� and penal system-make up a ringing indictment of imposing death as a sentence. The authors' fact-based approach to the death penalty renders an Crossed Over: A Murder/A Memoir inescapable verdict: This venge�ce must stop. by Beverly Lowry AlfredA. Knopf, New York, 1992 Convicts reform the pen�1 system 245 pages, hardbound, $22 In discussing the needed ref\orms of the penal system as in every subject they raise-+the authors use reportorial understatement to great effect. !Easily the most potentially In spite of the sensationalist subtitle, Life Sentences is any heated subject comes under the �hapter "The Sexual Jungle." thing but sensationalist. A collection of articles from 1978 With matter-of-fact persistence,! Editor Rideau describes the to 1991 that originally appeared in The Angolite: The Prison phenomenon of prison -
Brevard Live December 2012
Brevard Live December 2012 - 1 2 - Brevard Live December 2012 Brevard Live December 2012 - 3 4 - Brevard Live December 2012 Brevard Live December 2012 - 5 6 - Brevard Live December 2012 Content december 2012 FEATURES page 51 JOE BONAMASSA CHRISTMAS IN BREVARD Columns Since he broke into the blues-rock scene The Christmas season is here and has in the year 2000, Joe Bonamassa has more to offer than shopping bargains! If Charles Van Riper been working hard on his career with in- you want to enjoy the cultural meaning of 22 Political Satire ternational touring and CD releases while Christmas, there are lots of entertaining gaining a lot of fans and accolades. He is performances at our theatres. Calendars a true talent and a protégé. Page 17 & 19 Live Entertainment, Page 11 25 Concerts, Festivals GREAT WHITE MAGNOLIA FEST Nobody here tells you how to live, or Expose Yourself The band hit the mainstream in 1987 by Charles & Lissa when they released Once Bitten..., how to feel; it’s strictly people living 30 within the moment and left to their own which featured the hits “Rock Me” and Brevard Scene “Save Your Love”. accord. Caleb Miller was there to experi- ence the vibe of this annual festival. Steve Keller gives . 33 you the lowdown. Page 11 Page 20 CD Reviews ORIGINAL MUSIC SERIES JESSILYN PARK 39 by John Leach The past 8 weeks have been a huge suc- This story is about a grandmother and her cess and a win-win situation for original granddaughter who became inspired to HarborCityMusic bands and the audience.