E Media, the Jury, and the High-Profile Defendant: a Defense
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Impartiality: a Comparison of Legal Processes in the United States and Italy
Brigham Young University BYU ScholarsArchive Undergraduate Honors Theses 2020-04-01 IMPARTIALITY: A COMPARISON OF LEGAL PROCESSES IN THE UNITED STATES AND ITALY Robert Borden Follow this and additional works at: https://scholarsarchive.byu.edu/studentpub_uht BYU ScholarsArchive Citation Borden, Robert, "IMPARTIALITY: A COMPARISON OF LEGAL PROCESSES IN THE UNITED STATES AND ITALY" (2020). Undergraduate Honors Theses. 116. https://scholarsarchive.byu.edu/studentpub_uht/116 This Honors Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Honors Thesis IMPARTIALITY: A COMPARISON OF LEGAL PROCESSES IN THE UNITED STATES AND ITALY by Robert Borden Submitted to Brigham Young University in partial fulfillment of graduation requirements for University Honors Italian Department Brigham Young University April 2020 Advisors: Dr. Marie Orton, Dr. Dan Paul, and Dr. Justin Collings Honors Coordinator: Dr. Marie Orton ii ABSTRACT IMPARTIALITY: A COMPARISON OF LEGAL PROCESSES IN THE UNITED STATES AND ITALY Robert L. Borden Italian Department Bachelor of Arts This thesis examines the constitutional guarantees of impartiality granted in both the United States and Italian constitutions. Aided by the presentation of these two constitutional legal systems, this paper will attempt to break apart the elements of each system and point out key differences. By pointing out the differences in these systems including variations in their founding documents, the structure of the courts, the role of the judges, the role of the advocates, and the role of other key players, this paper will show that while individual cases in both countries are exposed to multiple biases throughout the legal process, in the end justice is given impartially. -
Can the Right of Publicity Be Used to Satisfy a Civil Judgment? Hastings H
Journal of Intellectual Property Law Volume 15 | Issue 1 Article 4 October 2007 Squeezing "The uiceJ ": Can the Right of Publicity Be Used to Satisfy A Civil Judgment? Hastings H. Beard University of Georgia School of Law Follow this and additional works at: https://digitalcommons.law.uga.edu/jipl Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Hastings H. Beard, Squeezing "The Juice": Can the Right of Publicity Be Used to Satisfy A Civil Judgment?, 15 J. Intell. Prop. L. 143 (2007). Available at: https://digitalcommons.law.uga.edu/jipl/vol15/iss1/4 This Notes is brought to you for free and open access by Digital Commons @ Georgia Law. It has been accepted for inclusion in Journal of Intellectual Property Law by an authorized editor of Digital Commons @ Georgia Law. Please share how you have benefited from this access For more information, please contact [email protected]. Beard: Squeezing "The Juice": Can the Right of Publicity Be Used to Sati NOTES SQUEEZING "THEJUICE": CAN THE RIGHT OF PUBLICITY BE USED TO SATISFY A CIVIL JUDGMENT? TABLE OF CONTENTS I. INTRODUCTION ........................................... 144 II. BACKGROUND ............................................ 147 A. THE ORIGIN OF THE RIGHT OF PUBLICITY .................... 148 B. THE RIGHT OF PUBLICITY AS A PROPERTY RIGHT ............... 151 1. Significance of the ProperyLabel in Legal Contexts .............. 151 2. Assignabiliy of the Right of Publiciy ........................ 154 C. TREATMENT OF OTHER FORMS OF INTELLECTUAL PROPERTY: COMPETING INTERESTS .................................. 157 D. PRINCIPLES OF TORT LAW ................................. 159 1. Function of the Law of Torts ............................... 159 2. Poliy Considerations .................................... 160 III. D ISCUSSION .............................................. -
Captain America
The Star-spangled Avenger Adapted from Wikipedia, the free encyclopedia Captain America first appeared in Captain America Comics #1 (Cover dated March 1941), from Marvel Comics' 1940s predecessor, Timely Comics, and was created by Joe Simon and Jack Kirby. For nearly all of the character's publication history, Captain America was the alter ego of Steve Rogers , a frail young man who was enhanced to the peak of human perfection by an experimental serum in order to aid the United States war effort. Captain America wears a costume that bears an American flag motif, and is armed with an indestructible shield that can be thrown as a weapon. An intentionally patriotic creation who was often depicted fighting the Axis powers. Captain America was Timely Comics' most popular character during the wartime period. After the war ended, the character's popularity waned and he disappeared by the 1950s aside from an ill-fated revival in 1953. Captain America was reintroduced during the Silver Age of comics when he was revived from suspended animation by the superhero team the Avengers in The Avengers #4 (March 1964). Since then, Captain America has often led the team, as well as starring in his own series. Captain America was the first Marvel Comics character adapted into another medium with the release of the 1944 movie serial Captain America . Since then, the character has been featured in several other films and television series, including Chris Evans in 2011’s Captain America and The Avengers in 2012. The creation of Captain America In 1940, writer Joe Simon conceived the idea for Captain America and made a sketch of the character in costume. -
Kickstart Your Social Media Marketing
Social Media 101 Your Anti-Sales Social Media Action Plan Text Copyright © STARTUP UNIVERSITY All Rights Reserved No part of this document or the related files may be reproduced or transmitted in any form, by any means (electronic, photocopying, recording, or otherwise) without the prior written permission of the publisher. LEAsectionR 1 N The Basics to Get Started What Social Media Isn’t Sorry to break it to you but here’s a few things that social media was never, ever designed for: 1. Free marketing Do you really thing Mark Zuckerberg became a billionaire by giving away free advertising? Social media is a branding tool – not a marketing tool. It’s designed to give the public a taste of your business, get to know you a little bit, and let them know how to find out more information – if they want to! 2. One-way conversations Social media is a two+ mostly public conversation. The user has the power to click away, so why would they ever watch or read advertising they were not interested in? 3. Soap-box speeches Again, it’s a conversation, not a pulpit. 4. Non-judgmental comments Tweet an unpopular, misleading, or misguided message and prepare the face the wrath of…everyone on the planet. 5. Easy money Actually, using social media is very easy. It’s just not easy for businesses. This cheat sheet will help you figure out how you want to use social media, and help you avoid the biggest blunders. Your Social Media Goals 1. Build your brand’s image 2. -
05 December VP-12-14-05.Qxp
DECEMBER 2005 VIEW ROM Metro Tech F P OINT 9 T HE N EWSLETTER OF THE NYC FIRE D EPARTMENT Winter Season Means Increased Fire Hazards Winter months remind New Yorkers to prevent fires and save lives inter is the busiest time of year for 50 victims, said to Dr. Roger Yurt, Director Wthe FDNY. of the Burn Center. And the Department wants that to Set in the backdrop of the Fire Zone’s change. ‘burnt apartment,’ Commissioner Scoppet- On November 30, Department officials ta warned New Yorkers to beware of com- and members of the Hearst Burn Center at mon winter fire hazards. Frayed extension New York Presbyterian Hospital/Weill cords, space heaters, unattended candles Cornell Medical Center gathered at the and using stoves to heat the home account FDNY Fire Zone in Rockefeller Center to for many of the City’s most disastrous res- urge New Yorkers to avoid fire hazards this idential fires in the winter months. This winter. While citywide fire deaths are at year alone, children playing with matches historic lows, one fire-related death is one or lighters have sparked 64 fires; many of too many, said Fire Commissioner those have been deadly, he said. Nicholas Scoppetta. Following the tragic deaths of three “The recent drop in fire fatalities is a children and one adult in Queens on credit to the excellent work that the mem- December 6, after a child played with a bers of the Department do each day,” said butane lighter and ignited a plastic car Commissioner Scoppetta and Chief Fire Commissioner Scoppetta. -
ALEX ROSS' Unrealized
Fantastic Four TM & © Marvel Characters, Inc. All Rights Reserved. No.118 February 2020 $9.95 1 82658 00387 6 ALEX ROSS’ DC: TheLost1970s•FRANK THORNE’sRedSonjaprelims•LARRYHAMA’sFury Force• MIKE GRELL’sBatman/Jon Sable•CLAREMONT&SIM’sX-Men/CerebusCURT SWAN’s Mad Hatter• AUGUSTYN&PAROBECK’s Target•theill-fatedImpact rebootbyPAUL lost pagesfor EDHANNIGAN’sSkulland Bones•ENGLEHART&VON EEDEN’sBatman/ GREATEST STORIESNEVERTOLDISSUE! KUPPERBERG •with unpublished artbyCALNAN, COCKRUM, HA,NETZER &more! Fantastic Four Four Fantastic unrealized reboot! ™ Volume 1, Number 118 February 2020 EDITOR-IN-CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST Alex Ross COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Brian Augustyn Alex Ross Mike W. Barr Jim Shooter Dewey Cassell Dave Sim Ed Catto Jim Simon GREATEST STORIES NEVER TOLD: Alex Ross and the Fantastic Four That Wasn’t . 2 Chris Claremont Anthony Snyder An exclusive interview with the comics visionary about his pop art Kirby homage Comic Book Artist Bryan Stroud Steve Englehart Roy Thomas ART GALLERY: Marvel Goes Day-Glo. 12 Tim Finn Frank Thorne Inspired by our cover feature, a collection of posters from the House of Psychedelic Ideas Paul Fricke J. C. Vaughn Mike Gold Trevor Von Eeden GREATEST STORIES NEVER TOLD: The “Lost” DC Stories of the 1970s . 15 Grand Comics John Wells From All-Out War to Zany, DC’s line was in a state of flux throughout the decade Database Mike Grell ROUGH STUFF: Unseen Sonja . 31 Larry Hama The Red Sonja prelims of Frank Thorne Ed Hannigan Jack C. Harris GREATEST STORIES NEVER TOLD: Cancelled Crossover Cavalcade . -
PDF Download Hawkeye
HAWKEYE: GO WEST PDF, EPUB, EBOOK Kelly Thompson | 1 pages | 30 Mar 2021 | Marvel Comics | 9781302923433 | English | New York, United States Hawkeye: Go West PDF Book Specifications Number of Pages: Hawkeye : After seven years indentured service in Virginia, they headed out here 'cause the frontier's the only land available to poor people. Uncas : Too easy to track; they'd be heard for miles. A fight breaks out as Hawkeye and the Mohicans attack the Hurons, whose rifles have been set aside. Cancellations and No Shows Indoor court reservations must be canceled the day prior to the court reservation. I will find you! Duncan : What the bloody hell plan is this? Rates effective as of November 1, Secret Avengers Volume 2: The Labyrinth. And the fun has just begun when Kate recruits an all-new team of West Coast Avengers! Colonel Munro : Anyone fomenting or advocating the leaving of Fort William Henry will be hung for sedition. Hawkeye : We just dropped in to see how you boys was doing. Kate Bishop embarks on an intergenerational adventure through time with a young Clint Barton - in the middle of a battle royale of Marvel's greatest sharpshooters! Buy In Store. Avengers: Fear Itself. Enabling JavaScript in your browser will allow you to experience all the features of our site. Hawkeye Clint Barton , being the headstrong hero that he was, decided to move to California and start up a new Avengers team. West Coast Avengers first debuted back in Choose a date. Canadian Price Variant! Page 1 Page 2. Your email address will not be published. -
Fantastic Four Compendium
MA4 6889 Advanced Game Official Accessory The FANTASTIC FOUR™ Compendium by David E. Martin All Marvel characters and the distinctive likenesses thereof The names of characters used herein are fictitious and do are trademarks of the Marvel Entertainment Group, Inc. not refer to any person living or dead. Any descriptions MARVEL SUPER HEROES and MARVEL SUPER VILLAINS including similarities to persons living or dead are merely co- are trademarks of the Marvel Entertainment Group, Inc. incidental. PRODUCTS OF YOUR IMAGINATION and the ©Copyright 1987 Marvel Entertainment Group, Inc. All TSR logo are trademarks owned by TSR, Inc. Game Design Rights Reserved. Printed in USA. PDF version 1.0, 2000. ©1987 TSR, Inc. All Rights Reserved. Table of Contents Introduction . 2 A Brief History of the FANTASTIC FOUR . 2 The Fantastic Four . 3 Friends of the FF. 11 Races and Organizations . 25 Fiends and Foes . 38 Travel Guide . 76 Vehicles . 93 “From The Beginning Comes the End!” — A Fantastic Four Adventure . 96 Index. 102 This book is protected under the copyright laws of the United States of America. Any reproduction or other unauthorized use of the material or artwork contained herein is prohibited without the express written consent of TSR, Inc., and Marvel Entertainment Group, Inc. Distributed to the book trade in the United States by Random House, Inc., and in Canada by Random House of Canada, Ltd. Distributed to the toy and hobby trade by regional distributors. All characters appearing in this gamebook and the distinctive likenesses thereof are trademarks of the Marvel Entertainment Group, Inc. MARVEL SUPER HEROES and MARVEL SUPER VILLAINS are trademarks of the Marvel Entertainment Group, Inc. -
Turning the Camera on Court TV: Does Televising Trials Teach Us Anything About the Real Law?
Turning the Camera on Court TV: Does Televising Trials Teach Us Anything About the Real Law? ANGELIQUE M. PAUL* I. INTRODUCTION What people think about the law is important because ours is a "public opinion" society, "which makes heavy use of referenda, and in which government does not lift a finger or move a muscle without reading the tea leaves of public desire."' The public's perception of justice influences the courts, the laws, the judges, and essentially the democratic process. So what influences the public's perception of justice? Television. For the majority of Americans, television is the most important source of information, and for many it is the only source of information. 2 This is particularly true when it comes to gathering information about the law. Because the majority of Americans have had no personal experience with the legal system,3 and because the majority of Americans get their information about the world solely from television, 4 the portrayal of justice on television is extremely important not only to the continued viability of the legal system, but also to the individual's understanding of that system. Studies indicate that the * The author would like to thank her parents, David and Lynda Paul, for their unconditional love and support. I David A. Harris, The Appearance of Justice: Court TV, Conventional Television, and Public Undersandingof the Criminal Justice Sstem, 35 ARiz. L. REv. 785, 796 (1993) (quoting Lawrence Friedman, Law, Lawyers, and Popular Culture, 98 YALE L. J. 1579, 1597 (1989)). Friedman believes that the portrayal of the legal system in popular culture is important "because it ultimately helps shape the legal culture, which in turn influences the law itself." Id. -
OJ Simpson Murder Trial DVD Cataloging Still in Progress
OJ SIMPSON MURDER TRIAL O.J. Simpson "Bronco Chase" audio CD (full transcript can be seen here) OJ Simpson Murder Trial DVD Collection (each disc is roughly 4 hours) Two hundred 4 hr. DVD's, professionally edited (100% commercial free) - contains virtually every minute of testimony. Recorded from local L.A. television stations, live as the events unfolded. Coverage begins with reports of the murders, till weeks after the verdict - and beyond. "O.J. Simpson - The Whole Story (and then some)" legend: "break" = fade to black, edited commercial break "H/C" = Hard Copy "ET" = Entertainment Tonight * To purchase, or inquire about OJ SImpson Murder Trial DVD duplications, click here * * To download a .pdf file of this OJ SImpson Murder Trial DVD listing, click here (322 KB) * OJ TRIAL #001 DVD (3:53:00) * News reports of the deaths of Nicole Brown Simpson and Ronald Goldman (ABC News, FX) * OJ waiting in truck outside of his house (@ 0:01:10) * Taped earlier: end of freeway chase, to Parker Center, news reports (@ 0:50:00) * Gil Garcetti, Commander Gascon: recap of charges (@ 1:36:48) * OJ's mug shot released on 11 o'clock news (@ 2:23:00), recap of days events * Johnnie Cochran, Al Michaels on "NightLine" (@ 2:51:00) * KNBC Morning News recap of events (@ 2:58:00) * Criminal Courts Bldg. Pre-Trial Preliminary Hearing, KNBC - Judge Kathleen Kennedy-Powell (@ 3:02:00) * Michele Kestler - LAPD Crime Lab (@ 3:18:00), cross-examination (@ 3:49:00), recess (@ 3:52:00) * KNBC news-break. OJ TRIAL #002 DVD (3:58:45) * Live evidence search KNBC news * Michele Kestler cross-examination cont. -
Founder of Guardian Angels to Speak on "Crime in America"
University of Dayton eCommons News Releases Marketing and Communications 2-11-1988 Founder of Guardian Angels to Speak on "Crime in America" Follow this and additional works at: https://ecommons.udayton.edu/news_rls Recommended Citation "Founder of Guardian Angels to Speak on "Crime in America"" (1988). News Releases. 4887. https://ecommons.udayton.edu/news_rls/4887 This News Article is brought to you for free and open access by the Marketing and Communications at eCommons. It has been accepted for inclusion in News Releases by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. f..! A .of!~ '!f3:!!,.s1;.~!!erf DayWn News Release TO SPEAK ON "CRIME IN AMERICA" DAYTON, Ohio, February 11, 1988--Curtis Sliwa, founder of the Guardian Angels, will speak on crime in America and how people should get more involved in crime prevention. The lecture, which is free and open to the public, is in the University of Dayton's Kennerly Union Ballroom on Thursday, Feb. 25 at 8 p.m. and is sponsored by UD's Student Government Association. The Guardian Angels is a crime-fighting organization made up primarily of young people who patrol subways and streets in high-crime areas in more than 60 cities across the country, including Miami, Boston, Los Angeles and New York City, where the group was founded in 1979. They do not carry weapons. Sliwa, a Brooklyn native, had a history of public service before founding the Guardian Angels. While managing a McDonald's restaurant in the South Bronx in 1979, he organized the teenagers who frequented the restaurant to clean up the neighborhood. -
The Angola Special Civics Project, 1987-1992
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Summer 8-4-2011 Organizing for Freedom: The Angola Special Civics Project, 1987-1992 Lydia Pelot-Hobbs University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Sociology Commons Recommended Citation Pelot-Hobbs, Lydia, "Organizing for Freedom: The Angola Special Civics Project, 1987-1992" (2011). University of New Orleans Theses and Dissertations. 349. https://scholarworks.uno.edu/td/349 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Organizing for Freedom: The Angola Special Civics Project, 1987-1992 A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Science in Urban Studies by Lydia Pelot-Hobbs B.A. Oberlin College 2007 August 2011 Table of Contents Abstract .............................................................................................................................. iv Epigraph .............................................................................................................................. v Chapter 1: Introduction ......................................................................................................