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1 Sociology 342-001: Criminology Summer II
Sociology 342-001: Criminology Summer II: July 8 – Aug. 7 2013 Online - 3 credits Instructor Office Hours Kate Gunby via email and gchat [email protected] or by appointment in Social Sciences 426 Course Description This course begins with a quick introduction to the multidisciplinary study of criminology, and how crime and criminal behavior are measured. Then the class will explore different theories of crime and criminality, starting with early schools of criminology and then covering structural, social process, critical, psychosocial, biosocial, and developmental theories. Then the class will focus on different types of crime, including violent crime, sex crimes, multiple murder and terrorism, property crime, public order crime, and white collar and organized crime. Finally, we will broaden our scope to explore victim experiences, mental health and incarceration, concepts of justice and incarceration trends, and the consequences of crime and incarceration. This course uses the acclaimed television series The Wire to explore the fundamentals of criminology. Students will develop their ability analyze, synthesize, apply, and evaluate the course material through written memos linking each reading to the content in a specific episode of The Wire. Students will further engage with the material and each other through online forum discussions. This class is guided by student goals, which are established from the beginning and reviewed throughout the term. Readings All of the course readings are on D2L. You do not need to buy any books. Almost all of the readings are excerpts from books or articles, so please download the readings from D2L so that you only read the portions that are required for the class. -
1 Sociology/Public Administration 342-001: Criminology Summer 1
Sociology/Public Administration 342-001: Criminology Summer 1: June 9 2014 to July 10, 2014 Online - 3 credits Instructor Office Hours Kate Gunby via email and gchat [email protected] Course Description This course begins with a quick introduction to the multidisciplinary study of criminology and how crime and criminal behavior are measured. This class explores different theories of crime and criminality, including: structural, conflict, cultural, economic, social process, psychosocial, biosocial, developmental, and broken window theories, as well as Victimology and the consequences of crime and incarceration. Throughout the class we also focus on different types of crime, including: violent crime, drug crimes, public order crime, and organized crime. This course uses the acclaimed HBO television series The Wire to explore the fundamentals of criminology. Students will develop their ability analyze, synthesize, apply, and evaluate the course material through written memos linking each reading to the content in a specific episode or film. Students will further engage with the material and each other through online forum discussions. This class is guided by student goals, which are established from the beginning and reviewed throughout the term. Readings All of the course readings are on D2L. You do not need to buy any books. Almost all of the readings are excerpts from books or articles, so please download the readings from D2L so that you only read the portions that are required for the class. Episodes and Films All of the required media for this class is available for you to stream for free on D2L. Grade Evaluation Grade Scale Introduction and Syllabus Quiz 5% A 90-100% Goals Assessments 5% B 80-89.9% Discussion Posts 30% C 70-79.9% Daily Memos 60% D 60-69.9% E 0-59.9% I do not accept late work. -
THE WIRE & the MYTHOLOGY of the WESTERN a Thesis Submitted
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Saskatchewan's Research Archive THE WIRE & THE MYTHOLOGY OF THE WESTERN A Thesis submitted to the College of Graduate Studies and Research In Partial Fulfillment of the Requirements For the Degree of Master of Arts In the Department of English University of Saskatchewan Saskatoon By KELSEY TOPOLA © Copyright Kelsey Topola, December, 2013. All rights reserved. PERMISSION TO USE In presenting this thesis/dissertation in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis/ dissertation in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis/dissertation work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis/dissertation or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis/dissertation. DISCLAIMER Reference in this thesis/dissertation to any specific commercial products, process, or service by trade name, trademark, manufacturer, or otherwise, does not constitute or imply its endorsement, recommendation, or favoring by the University of Saskatchewan. -
The Wire the Complete Guide
The Wire The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Tue, 29 Jan 2013 02:03:03 UTC Contents Articles Overview 1 The Wire 1 David Simon 24 Writers and directors 36 Awards and nominations 38 Seasons and episodes 42 List of The Wire episodes 42 Season 1 46 Season 2 54 Season 3 61 Season 4 70 Season 5 79 Characters 86 List of The Wire characters 86 Police 95 Police of The Wire 95 Jimmy McNulty 118 Kima Greggs 124 Bunk Moreland 128 Lester Freamon 131 Herc Hauk 135 Roland Pryzbylewski 138 Ellis Carver 141 Leander Sydnor 145 Beadie Russell 147 Cedric Daniels 150 William Rawls 156 Ervin Burrell 160 Stanislaus Valchek 165 Jay Landsman 168 Law enforcement 172 Law enforcement characters of The Wire 172 Rhonda Pearlman 178 Maurice Levy 181 Street-level characters 184 Street-level characters of The Wire 184 Omar Little 190 Bubbles 196 Dennis "Cutty" Wise 199 Stringer Bell 202 Avon Barksdale 206 Marlo Stanfield 212 Proposition Joe 218 Spiros Vondas 222 The Greek 224 Chris Partlow 226 Snoop (The Wire) 230 Wee-Bey Brice 232 Bodie Broadus 235 Poot Carr 239 D'Angelo Barksdale 242 Cheese Wagstaff 245 Wallace 247 Docks 249 Characters from the docks of The Wire 249 Frank Sobotka 254 Nick Sobotka 256 Ziggy Sobotka 258 Sergei Malatov 261 Politicians 263 Politicians of The Wire 263 Tommy Carcetti 271 Clarence Royce 275 Clay Davis 279 Norman Wilson 282 School 284 School system of The Wire 284 Howard "Bunny" Colvin 290 Michael Lee 293 Duquan "Dukie" Weems 296 Namond Brice 298 Randy Wagstaff 301 Journalists 304 Journalists of The Wire 304 Augustus Haynes 309 Scott Templeton 312 Alma Gutierrez 315 Miscellany 317 And All the Pieces Matter — Five Years of Music from The Wire 317 References Article Sources and Contributors 320 Image Sources, Licenses and Contributors 324 Article Licenses License 325 1 Overview The Wire The Wire Second season intertitle Genre Crime drama Format Serial drama Created by David Simon Starring Dominic West John Doman Idris Elba Frankie Faison Larry Gilliard, Jr. -
Rewriting J-School
SPRING 2014 VOL. 68 NO. 2 Rewriting J-School Can educators connect the classroom to the newsroom? RAY WHITEHOUSE/MEDILL RAY Medill journalism students put their multimedia skills to work covering the 2012 presidential election Cover text from the 2001 (top) and 2014 (bottom) editions of “The Elements of Journalism.” An excerpt from the new edition, page 48 NIEMAN REPORTS EDITORIAL OFFICES Please address all subscription correspondence to: One Francis Avenue, Cambridge, The Nieman Foundation for Journalism at Harvard University MA 02138-2098, 617-496-6308, One Francis Avenue, Cambridge, MA 02138-2098 [email protected] and change of address information to: www.niemanreports.org P.O. Box 4951, Manchester, NH 03108 Copyright 2014 by the President and Fellows of Harvard College. ISSN Number 0028-9817 PUBLISHER EDITOR Periodicals postage paid at Boston, Massachusetts and additional entries Postmaster: Send address changes to Ann Marie Lipinski James Geary Nieman Reports P.O. Box 4951, SUBSCRIPTIONS/BUSINESS Manchester, NH 03108 SENIOR EDITOR RESEARCHER/REPORTER 617-496-6299, [email protected] Jan Gardner Jonathan Seitz Nieman Reports (USPS #430-650) Subscription $25 a year, $40 for two years; is published in March, June, September add $10 per year for foreign airmail. and December by the Nieman Foundation at Harvard DESIGN EDITORIAL ASSISTANCE Single copies $7.50. University, One Francis Avenue, Stacy Sweat Designs Isabel Campbell-Gross Back copies are available from the Nieman office. Cambridge, MA 02138-2098 Rebecca Mazur Jessie Schanzle SPRING 2014 VOL. 68 NO. 2 COVER 24 Rewrite Journalism education has come to the same ominous inflection point that journalism itself has reached—and the stakes are just as high. -
I:\28531 Ind Law Rev 46-2\46Masthead.Wpd
THE WIRE AND ALTERNATIVE STORIES OF LAW AND INEQUALITY ROBERT C. POWER* INTRODUCTION The Wire was a dramatic television series that examined the connections among crime, law enforcement, government, and business in contemporary Baltimore, Maryland.1 It was among the most critically praised television series of all time2 and continues to garner substantial academic attention in the form of scholarly articles,3 academic conferences,4 and university courses.5 One aspect * Professor, Widener University School of Law. A.B., Brown University; J.D., Northwestern University Law School. Professor Power thanks Alexander Meiklejohn and John Dernbach for their comments on an earlier draft of this Article. He also thanks Lucas Csovelak, Andrea Nappi, Gabor Ovari, Ed Sonnenberg, and Brent Johnson for research assistance. 1. Substantial information about the series is available at HBO.COM, http://www.hbo.com/ the-wire/episodes#/the-wire/index.html [hereinafter Wire HBO site]. This site contains detailed summaries of each episode. Subsequent references to specific episodes in this Article refer to the season, followed by the number of the episode counting from the beginning of season one, and then the name of the episode. For example, the first episode of season four, which introduces the four boys who serve as protagonists in season four, is The Wire: Boys of Summer (HBO television broadcast Sept. 10, 2006) [hereinafter Episode 4-38, Boys of Summer]. Additional information is available at The Wire, IMDB.COM, http://www.imdb.com/ title/tt0306414/ (last visited Mar. 26, 2013) [hereinafter Wire IMDB site]. Several books contain essays and other commentaries about the series. -
Absent Presence: Women in American Gangster Narrative
Absent Presence: Women in American Gangster Narrative Carmela Coccimiglio Thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfilment of the requirements for a doctoral degree in English Literature Department of English Faculty of Arts University of Ottawa © Carmela Coccimiglio, Ottawa, Canada, 2013 TABLE OF CONTENTS Abstract iii Acknowledgements v Introduction 1 Chapter One 27 “Senza Mamma”: Mothers, Stereotypes, and Self-Empowerment Chapter Two 57 “Three Corners Road”: Molls and Triangular Relationship Structures Chapter Three 90 “[M]arriage and our thing don’t jive”: Wives and the Precarious Balance of the Marital Union Chapter Four 126 “[Y]ou have to fucking deal with me”: Female Gangsters and Textual Outcomes Chapter Five 159 “I’m a bitch with a gun”: African-American Female Gangsters and the Intersection of Race, Sexual Orientation, and Gender Conclusion 186 Works Cited 193 iii ABSTRACT Absent Presence: Women in American Gangster Narrative investigates women characters in American gangster narratives through the principal roles accorded to them. It argues that women in these texts function as an “absent presence,” by which I mean that they are a convention of the patriarchal gangster landscape and often with little import while at the same time they cultivate resistant strategies from within this backgrounded positioning. Whereas previous scholarly work on gangster texts has identified how women are characterized as stereotypes, this dissertation argues that women characters frequently employ the marginal positions to which they are relegated for empowering effect. This dissertation begins by surveying existing gangster scholarship. There is a preoccupation with male characters in this work, as is the case in most gangster texts themselves. -
28 Classes [Except Midterm And/Or Final
LYING AND PUBLIC POLICY: PP 474:001 Winter 2020 M/W 1:00 – 2:20 David Morse Office: 3215 Weill Hall [email protected] Mon: 2:30 – 3:30 (w) 615-1779 Wed: 11:00 – 12:00 Introduction Lying has been getting a lot of attention lately and for good reason. Democracies demand the truthful exchange of information between rulers and the ruled—as well as a healthy media to inform the public on matters related to government and policy. Lying therefore poses a legitimate threat to the political stability of our nation. And yet despite the current ubiquity of terms like ‘post-truth’ and ‘alternative facts,’ lying is not a twenty- first century cultural or political aberration—lying permeates the fabric not only of American society but every society, playing a significant role in our daily conversations with others and with ourselves. As abundant research has shown, we lie daily—to avoid social embarrassment or hurting others’ feelings, or to manipulate situations for our own gain. Moreover, political philosophers like Plato have argued that lying is an essential tactic in the ruler’s toolkit, used to preserve social cohesion or persuade the public to agree with a policy that, in the ruler’s opinion, may be for the social good. Lying can also be necessary to protect the oppressed from exploitation or abuse. In this values and ethics course, we will read broadly in literature, philosophy, history, and politics in order, first, to define the different forms of deception, then to understand how various ethical frameworks may help us to determine when (if ever) lying is justified. -
Making News: How the IL Movement Cultivates Media Relationships--A National Conference (Oklahoma City, Oklahoma, October 16-18, 2002)
DOCUMENT RESUME ED 479 820 EC 309 756 AUTHOR Burnett, Jennifer; Kemp, Janine Bertram; Williams, Brad; Jones, Darrell Lynn; Buppapong, Raweewan; Langbehn, Kristy; Petty, Richard; Heinsohn, Dawn TITLE Making News: How the IL Movement Cultivates Media Relationships--A National Conference (Oklahoma City, Oklahoma, October 16-18, 2002). Participant's Manual. INSTITUTION Institute for Rehabilitation and Research, Houston, TX.; National Council on Independent Living, Arlington, VA. SPONS AGENCY Rehabilitation Services Administration (ED), Washington, DC. PUB DATE 2002-10-00 NOTE 147p.; Developed as part of the IL NET: an ILRU/NCIL (Independent Living Research Utilization/National Council on Independent Living) National Training and Technical Assistance Project. CONTRACT H132B99002 AVAILABLE FROM ILRU Program, The Institute for Rehabilitation and Research, 2323 S. Shepherd St., Suite 1000, Houston, TX 77019. Tel: 713-520-0232; Fax: 713-520-5785; e-mail: [email protected]; Web site: http://www.ilru.org. National Council on Independent Living (NCIL), 1916 Wilson Blvd., Suite 209, Arlington, VA 22201. Tel: 877-525-3400 (Toll Free); Fax: 703-525-3409; e- mail: [email protected]; Web site: http://www.ncil.org. PUB TYPE Collected Works Proceedings (021) Guides Classroom Learner (051) EDRS PRICE EDRS Price MF01/PC06 Plus Postage. DESCRIPTORS Administrative Principles; Advertising; *Advocacy; *Agencies; *Disabilities; *Independent Living; *Mass Media; Newspapers; Organizational Development; Professional Training; *Public Relations ABSTRACT The participant's manual contains training materials for a national conference on cultivating media relations in agencies concerned with independent living for people with disabilities. Preliminary materials include the conference agenda, background information about the trainers, organizational information on Independent Living Research Utilization and the National Council on Independent Living, and conference learning objectives. -
Driven Sourcing: How Journalists Use Digital Search Tools to Decide What's News
Data-Driven Sourcing: How Journalists Use Digital Search Tools to Decide What's News Katherine Fink Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Katherine Fink All rights reserved ABSTRACT Data-Driven Sourcing: How Journalists Use Digital Search Tools to Decide What's News Katherine Fink This dissertation examines the efforts of journalists to expand their pool of potential sources beyond a group of people often called "the usual suspects." This group consists of public officials, business leaders, experts, spokespeople, and other people who are in the news often. Using interviews, participant observation, a survey, and online ethnography, this research investigates how a growing skepticism of the usual suspects and increasingly powerful technology have led to innovations in the source search process. Some journalists have seen potential in digital search tools, including databases and social media, for finding sources that had once been too difficult or time-consuming to find. Journalists themselves have created two source-finding initiatives: a database called the Public Insight Network, and Storyful, which calls itself the "world's first social news agency." Storyful journalists specialize in finding and verifying social media content from the scenes of breaking news events. Journalists have also used other tools created by public relations professionals and technologists. How did the availability of these tools change the reporting process? It varied by tool, and by journalist. Although the tools were designed to do similar things, journalists used them in different ways. -
CODDINGTON-THESIS.Pdf
Copyright by Mark Allen Coddington 2012 The Thesis Committee for Mark Allen Coddington Certifies that this is the approved version of the following thesis: A Collaborative Challenger: Using WikiLeaks to Map the Contours of the Journalistic Paradigm APPROVED BY SUPERVISING COMMITTEE: Supervisor: Stephen D. Reese Homero Gil de Zúñiga A Collaborative Challenger: Using WikiLeaks to Map the Contours of the Journalistic Paradigm> by Mark Allen Coddington, B.A. Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2012 Dedication For my wife, Dana, who through her patience, grace, and encouragement has been my rock throughout graduate school and beyond. Acknowledgements This thesis owes much to the guidance of my first reader, Steve Reese. It was Dr. Reese who introduced me to the concepts of paradigm repair and boundary work, who encouraged me to turn this project from a term paper for one of his classes into a master’s thesis, and who urged me to submit an early version of this work to an academic journal. Dr. Reese has also been a continual source of sage advice throughout this project, consistently pushing me to rethink my assumptions and re-evaluate my methods, findings, and their implications. All of the errors of this thesis are my own, but Dr. Reese has been an invaluable guide for a significant amount of the insight that lies in it. Several other people were crucial sources of advice and feedback in this project. -
JLS823-NEWS REPORTING- COMPLETE Docx
MODULE 1 Unit 1 The Reporter and Journalism Unit 2 Attributes of a Reporter Unit 3 Gathering the News Unit 4 Theories of the Press Unit 5 Journalistic Terminologies UNIT I THE REPORTER AND JOURNALISM CONTENTS 1.0 Introduction 2.0 Objectives 3.0 Main Content 3.1 What is Journalism? 3.2 Functions of the Press 3.3 The Reporter 4.0 Conclusion 5.0 Summary 6.0 Tutor-Marked Assignment 7.0 References/FURTHER READING 1.0 INTRODUCTION The principal actor in news reporting is the reporter. Therefore, it is not out of place to begin this course with an attempt to define a reporter in terms of who he/she is and his/her functions. 2.0 OBJECTIVES At the end of this unit of study, you should be able to: • define journalism; • explain who a reporter is; and • explain the functions of a reporter. 3.0 MAIN BODY 3.1 What is Journalism? News reporting and news writing fall within the field of journalism. Hence, we shall begin by introducing you to the word journalism. As an occupation, journalism refers generally to writing for journals, but in particular for newspapers and magazines. However journalism has expanded in meaning and scope, to become the means by which you disseminate news and views, and by so doing formed itself into a limb of social awareness; assuming an ethical dimension and to some extent, requires legal accountability for its performance. The journalist, in 1 the performance of his or her duties, has to contend with various legal and ethical issues.