Appreciating Mary Colter and Her Roots in St
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Women Architects
E-Newsletter | May 2012 Women Architects What do the Hearst Castle in California and many of the buildings in Grand Canyon National Park have in common? They were designed by women architects! In this month's newsletter, we feature two early women architects - Julia Morgan and Mary Colter. California's first licensed woman architect, Julia Morgan, studied architecture in Paris. After failing the entrance examination to the École des Beaux-Arts twice, she learned that the faculty had failed her deliberately to discourage her admission. Undeterred, she gained admission and received her certificate in architecture in 1902. By 1904, she had opened her own architecture practice in San Francisco. After receiving acclaim when one of her buildings on the Mills College campus withstood the 1906 San Francisco earthquake, she was commissioned to rebuild the damaged Fairmont Hotel. With this project Morgan's reputation as well as her architecture practice was assured. Julia Morgan Morgan designed her first building for the YWCA in Oakland in 1912. She then began work on the YWCA's seaside retreat Asilomar, near Monterey, which has hosted thousands of visitors since its founding in 1913. Today Asilomar is a state historical park. Morgan's work on the Hearst Castle, which is also now a state historical monument, cemented her reputation. The Castle, located at San Simeon, has attracted more than 35 million visitors since it opened to the public in 1958. Architect Mary Colter was asked by railroad magnate Fred Harvey to design hotels and restaurants along the Santa Fe Railway route, with the objective of bringing tourists to the southwestern United States. -
Reflexive Regionalism and the Santa Fe Style
Reflexive Regionalism and the Santa Fe Style Ron Foresta Department of Geography University of Tennessee, Knoxville Abstract:The Santa Fe Style is an assembly of cultural features associated with the city of Santa Fe and its surrounding Upper Rio Grande Valley. The style, often dismissed as a confection for tourists because of its gloss and worldliness, is in fact a manifestation of reflexive regionalism. This overlooked cultural process occurs when worldly outsiders fashion regional traits into responses to the life challenges that they and their extra- regional reference groups face. In this case, outsiders fashioned what they found in early-twentieth-century Santa Fe into responses to challenges that accompanied the rise of American industrial capitalism. Threats to elite hegemony, the destruction of established lifeways, and the need for new perspectives on American society were prominent among the challenges to which the Santa Fe Style responded. Reflexive regionalism is thus the kind of cultural process that Regulation Theory posits but has found difficult to convincingly identify in the real world, i.e., one that adapts individuals and societies to periodic shifts in the logic and practices of capitalism. I examine seven individuals who made signal contributions to the Santa Fe Style. Each reveals a key facet of Santa Fe’s reflexive regionalism. Together they show how this process created the Santa Fe Style and, more generally, how it works as an engine of cultural invention. The key concepts here are reflexive regionalism, the Santa Fe Style, cosmopolitanism, Regulation Theory, the work of the age, and the project of the self. -
An Architectural Walk Around the South
An Architectural Walk Around the South Rim Oscar Berninghaus, A Showery Day Grand Canyon, 1915 El Tovar, 1905 Power House, 1926 Hopi House, 1905 Hermit's Rest, 1914 Lookout Studio (The Lookout), 1914 Desert View Watchtower, 1932 Bright Angel Lodge, 1936 Charles Whittlesey, El Tovar, 1905 Charles Whittlesey, El Tovar, 1905 Charles Whittlesey, El Tovar, 1905 Dreams of mountains, as in their sleep they brood on things eternal Daniel Hull (?), Powerhouse, 1926 Daniel Hull (?), Powerhouse, 1926 Daniel Hull (?), Powerhouse, 1926 Mary Jane Colter, Indian Building, Albuquerque, 1902 Mary Jane Colter, Hopi House, 1905 Walpi, c. 900 CE Interior of Home at Oraibi Mary Jane Colter, Hopi House, 1905 Mary Jane Colter, Hopi House, Nampeyo and Lesou, 1905 Mary Jane Colter, Hopi House, 1905 Mary Jane Colter, Hopi House, 1905 Mary Jane Colter, Hermit’s Rest ,1914 The Folly, Mount Edgcumbe, Cornwall, c. 1747 Sargent's Folly, Franklin Park, Boston, 1840 Mary Jane Colter, Hermit’s Rest ,1914 Mary Jane Colter, Hermit’s Rest ,1914 Mary Jane Colter, Lookout Studio, (The Lookout), 1914 Mary Jane Colter, Lookout Studio, (The Lookout), 1914 Mary Jane Colter, Lookout Studio, (The Lookout), 1914 Mary Jane Colter, Lookout Studio, (The Lookout), 1914 Frank Lloyd Wright, Kaufmann House, Bear Run, PA , 1935 Mary Jane Colter, Lookout Studio, (The Lookout), 1914 Mary Jane Colter, Desert View Watchtower, 1934 Square Tower, Hovenweep Round Tower, Hovenweep Round Tower, Cliff Palace Mary Jane Colter, Desert View Watchtower, 1934 Mary Jane Colter, Desert View Watchtower, 1934 Casa Rinconada Kiva, c. 1,200 CE Casa Rinconada Kiva, c. 1,200 CE Mary Jane Colter, Desert View Watchtower, 1934 Pueblo Bonito, c. -
2017 Fernald Caroline Dissert
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE THE VISUALIZATION OF THE AMERICAN SOUTHWEST: ETHNOGRAPHY, TOURISM, AND AMERICAN INDIAN SOUVENIR ARTS A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By CAROLINE JEAN FERNALD Norman, Oklahoma 2017 THE VISUALIZATION OF THE AMERICAN SOUTHWEST: ETHNOGRAPHY, TOURISM, AND AMERICAN INDIAN SOUVENIR ARTS A DISSERTATION APPROVED FOR THE SCHOOL OF VISUAL ARTS BY ______________________________ Dr. W. Jackson Rushing, III, Chair ______________________________ Mr. B. Byron Price ______________________________ Dr. Alison Fields ______________________________ Dr. Kenneth Haltman ______________________________ Dr. David Wrobel © Copyright by CAROLINE JEAN FERNALD 2017 All Rights Reserved. For James Hagerty Acknowledgements I wish to extend my most sincere appreciation to my dissertation committee. Your influence on my work is, perhaps, apparent, but I am truly grateful for the guidance you have provided over the years. Your patience and support while I balanced the weight of a museum career and the completion of my dissertation meant the world! I would certainly be remiss to not thank the staff, trustees, and volunteers at the Millicent Rogers Museum for bearing with me while I finalized my degree. Your kind words, enthusiasm, and encouragement were greatly appreciated. I know I looked dreadfully tired in the weeks prior to the completion of my dissertation and I thank you for not mentioning it. The Couse Foundation, the University of Oklahoma’s Charles M. Russell Center, and the School of Visual Arts, likewise, deserve a heartfelt thank you for introducing me to the wonderful world of Taos and supporting my research. A very special thank you is needed for Ginnie and Ernie Leavitt, Carl Jones, and Byron Price. -
Grand Canyon National Park
GRAND CANYON NATIONAL PARK • A R I Z 0 N A • UNITED STATES DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE Grand Canyon [ARIZONA] National Park United States Department of the Interior Harold L. Ickes, Secretary NATIONAL PARK SERVICE Arno B. Cammerer, Director UNITED STATES GOVERNMENT PRINTING OFFICE WASHINGTON : 1936 Rules and Regulations A HE following summary of rules is intended as a guide for all park visitors. You are respectfully requested to facilitate the best in park administration by carefully observing the regulations. Complete regu lations may be seen at the office of the Superintendent. Preservation of 7\[atural Features The first law of a national park is preservation. Disturbance, injury, or destruction in any way of natural features, including trees, flowers, and other vegetation, rocks, and all wildlife, is strictly prohibited. Penalties are imposed for removing fossils and Indian remains, such as arrowheads, etc. Camps Camp or lunch only in designated areas. All rubbish that will burn should be disposed of in camp fires. Garbage cans are provided for noninflammable refuse. Wood and water are provided in all designated camp grounds. Fires Fires are absolutely prohibited except in designated spots. Do not go out of sight of your camp, even for a few moments, without making sure that your fire is either out entirely or being watched. Dogs, Cats, or other Domestic Animals Such animals are prohibited on Government lands within the park except as allowed through permission of the Superintendent, secured from park rangers at entrances. Automobiles The speed limit of 35 miles an hour is rigidly enforced. -
A Preservation Plan for the Fred Harvey Houses
University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 2010 Branding the Southwest: A Preservation Plan for the Fred Harvey Houses Patrick W. Kidd University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons Kidd, Patrick W., "Branding the Southwest: A Preservation Plan for the Fred Harvey Houses" (2010). Theses (Historic Preservation). 144. https://repository.upenn.edu/hp_theses/144 Suggested Citation: Kidd, Patrick W. (2010) "Branding the Southwest: A Preservation Plan for the Fred Harvey Houses." (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/144 For more information, please contact [email protected]. Branding the Southwest: A Preservation Plan for the Fred Harvey Houses Keywords Historic Preservation; Southwest, Railroad Disciplines Architecture | Historic Preservation and Conservation Comments Suggested Citation: Kidd, Patrick W. (2010) "Branding the Southwest: A Preservation Plan for the Fred Harvey Houses." (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This thesis or dissertation is available at ScholarlyCommons: https://repository.upenn.edu/hp_theses/144 BRANDING THE SOUTHWEST: A PRESERVATION PLAN FOR THE FRED HARVEY HOUSES Patrick W. Kidd A Thesis in Historic Preservation Presented to the Faculties of the University of Pennsylvania in Partial Fulfillment of the Requirements of the Degree of Master of Science in Historic Preservation 2010 ____________________________ Advisor Dr. Aaron V. Wunsch, PhD Lecturer in Architectural History ____________________________ Program Chair Dr. Randall F. Mason, PhD Associate Professor This work is dedicated to all those who strive to preserve and promote our rich rail heritage and to make it available to future generations. -
FINAL SENT to NMDOT Official Scenic Historic Marker Program
FINAL SENT TO NMDOT Official Scenic Historic Marker Program CPRC meeting: April 9, 2010 Name of Marker: Side One: Harvey Girls Side Two: Mary Elizabeth Jane Colter, (1869–1958) Review: Original Text/Replacement Marker Revised Text Move of Existing Marker New Marker NMDOT District: District 3 NMDOT Highway: Suggested Site for Installation: Downtown Abq, Next to Rail Runner Station Existing or Proposed Text: Side One: Harvey Girls In 1883, the Fred Harvey Company hired women to serve in its diners and hotels along the Atchison, Topeka and Santa Fe Railway. Thousands of respectable, intelligent women were recruited from the Midwest and East Coast to come west. Known as Harvey Girls, many of these women stayed and became founding members of their adopted communities, forever changing the cultural landscape of the Wild West. Word Count: 65 Side Two: Mary Elizabeth Jane Colter, 1869–1958 In 1902, the Fred Harvey Company hired Mary Colter as interior designer of the Alvarado Hotel in Albuquerque. She was an architect for the company when few women worked in the field. She designed many famous resorts and inns, including the hotel interiors of La Fonda in Santa Fe. In 1987, four of her buildings in Grand Canyon National Park were designated a National Historic Landmark. 66 words Previous Title and Text: N/A Researcher/author: Karren Sahler Source(s): Berke, Arnold. Mary Colter: Architect of the Southwest. New York: Princeton Architectural Press, 2002. Grattan, Virginia L. Mary Colter: Builder Upon the Red Earth, Grand Canyon, AZ: Grand Canyon Natural History Association, 1992. Morris, Juddi. The Harvey Girls: The Women Who Civilized the West. -
Entry List Information Provided by Student Online Registration and Does Not Reflect Last Minute Changes
Entry List Entry List Information Provided by Student Online Registration and Does Not Reflect Last Minute Changes Junior Paper Round 1 Building: Hornbake Room: 0108 Time Entry # Affiliate Title Students Teacher School 10:00 am 10001 IA The Partition of India: Conflict or Compromise? Adam Pandian Cindy Bauer Indianola Middle School 10:15 am 10002 AK Mass Panic: The Postwar Comic Book Crisis Claire Wilkerson Adam Johnson Romig Middle School 10:30 am 10003 DC Functions of Reconstructive Justice: A Case of Meyer Leff Amy Trenkle Deal MS Apartheid and the Truth and Reconciliation Commission in South Africa 10:45 am 10004 NE The Nuremberg Trials to End a Conflict William Funke Roxann Penfield Lourdes Central Catholic School 11:00 am 10005 SC Edwards V. South Carolina: A Case of Conflict and Roshni Nandwani Tamara Pendleton Forestbrook Middle Compromise 11:15 am 10006 VT The Green Mountain Parkway: Conflict and Katie Kelley Susan Guilmette St. Paul's Catholic School Compromise over the Future of Vermont 11:30 am 10007 NH The Battle of Midway: The Turning Point in the Zachary Egan Chris Soule Paul Elementary School Pacific Theatre 11:45 am 10008 HI Gideon v. Wainwright: The Unfulfilled Promise of Amy Denis Kacey Martin Aiea Intermediate School Indigent Defendants' Rights 12:00 pm 10009 PA The Christmas Truce of 1914: Peace Brought by Drew Cohen Marian Gibfried St. Peter's School Soldiers, Not Governments 12:15 pm 10010 MN The Wilderness Act of 1964 Grace Philippon Catie Jacobs Twin Cities German Immersion School Paper Junior Paper Round 1 Building: Hornbake Room: 0125 Time Entry # Affiliate Title Students Teacher School 10:00 am 10011 AS Bloody Mary: A Catholic Who Refused To Liualevaiosina Chloe-Mari Tiana Trepanier Manumalo Academy - Compromise Leiato Elementary 10:15 am 10012 MS The Conflicts and Compromises of Lucy Maud Corgan Elliott Carolyn Spiller Central School Montgomery 10:30 am 10013 MN A Great Compromise: The Sherman Plan Saves the Lucy Phelan Phil Hohl Cyber Village Academy Constitutional Convention of 1787 10:45 am 10014 MI Gerald R. -
Tangible - Intangible Heritage(S) – Design, Social and Cultural Critiques on the Past, Present and the Future
TANGIBLE - INTANGIBLE HERITAGE(S) – DESIGN, SOCIAL AND CULTURAL CRITIQUES ON THE PAST, PRESENT AND THE FUTURE • Paper / Proposal Title: Questions of Heritage, Cultural Appropriation, and Modern Design at Mary Colter’s Hopi House, Grand Canyon, Arizona, 1905 • Author(s) Name: Rebecca Houze • University or Company Affiliation: Northern Illinois University (US) • Presentation Method. I would like to: i. present in person (with a written paper) • Abstract (300 words): This paper explores the thorny subject of heritage by examining Hopi House, a living museum and curio shop at the Grand Canyon, Arizona, which was established as a United States National Park in 1919, and is today a UNESCO World Heritage site. Architect Mary Colter designed Hopi House in 1905 for the Fred Harvey Company, a purveyor of hotels and restaurants along the route of the Atchison, Topeka and Santa Fe Railway in the late nineteenth and early twentieth centuries. Modeled on the ancient Puebloan architecture at Old Oraibi, a Hopi village in Navajo County, Arizona, dating to the ninth century CE, Colter’s Hopi House raises questions about the relationship between travel, tourism, heritage, national identity, cultural appropriation, and preservation. How can we reconcile the efforts made by the U.S. National Park Service to express traces of the land’s indigenous past, both real and imagined, in the design of the parks, with the U.S. government’s violent Indian wars of the nineteenth- century, in which native peoples were killed, or were removed from their hereditary lands by force and through disadvantageous monetary exchanges? Did the railway companies bring new economic opportunity to the indigenous artists whose lands they traversed, or did they facilitate the U.S. -
The Voices Behind Change: Women's Liberation During the 1970S at The
The Voices Behind Change: Women’s Liberation During the 1970s at the University of Guelph by Amy L. McBride A Thesis presented to The University of Guelph In partial fulfilment of requirements for the degree of Master of Arts in History Guelph, Ontario, Canada @ Amy L. McBride, September, 2018 ABSTRACT THE VOICES BEHIND CHANGE: WOMEN’S LIBERATION DURING THE 1970s AT THE UNIVERSITY OF GUELPH Amy L. McBride Advisor: University of Guelph Dr. Linda Mahood The purpose of this thesis is to highlight a student narrative from the perspective of female undergraduates at the University of Guelph from the 1970s, but also to add to the canon of Canadian women’s history. This thesis will argue that female undergraduates at the University of Guelph took part in the Women’s Liberation movement of the 1970s and helped to make Guelph a more liberated and equal opportunity institution. This will be indicated by various examples of the collective action and activism of female undergraduates as they fought to make changes on campus. Using the campus student newspaper, The Ontarion, as the primary source was vital because the newspaper is where the voice of the women students could be heard. The Ontarion is an untapped primary resource providing a wealth of information for assessing and analyzing the emergence of feminism at Guelph. The Ontarion has helped to put a spotlight on feminism and the role of female undergraduates as they organized to make changes at Guelph. Taking on this role included using opinions of feminist role models, notably ideas pertaining to personal and political issues. -
1. Al Hopi House on South Rim Of' Grand Canyon, with Verkamp's Store in Background. Fr'ank Spencer Who Mana.Ged Hopi House (Indi
-~ I I 1. ) , Al Hopi House on South Rim of' Grand Canyon, with Verkamp's store in background. Fr'ank Spencer who mana.ged Hopi House (Indian arts shop) for the Fred Harvey Co •• lived on the top flooro Jane and Paul Nichola, Hopis from 2nd Mesa, who worked for 'I:,he F.H.Co., lived in rooms at right on the second floor. 1924· A2 Main approach road to Park near Grana. Canyon vil18,ge, 1924, with J .E .Klntner the Postma,ster t and Mike Harrison of NPS, helping me dig out my red Buick (1923 Mod.el). A2/l Mike and Tomaso on porch of our Park Service quarters t 1926. '7.... A3 View west from El Tov'ar of "The Battleship" with olouds rising after the previous night's snowfall, 1924 ,/ A4/1 In front of Hopi House before the a.aily Eagle Dance, 1924, with left to right, Elsie and Anna May Secakuku, Jane Secakuku Niohols, and. Peter Honeyeva, all from 2nd Messo > AS/l Christmas 1925 at Grand Canyon, with Hopi Kachinas and. Butterfly head.dresses under the tree for LaverrHi~, daughter of Norma and Jason Quahongwa (Honanie or Badger Clan) from Shungopovi. A6/1 Winter of 1924-2~:; on South Rim, when Tex (NPS Rangsr) and. Kitty Haught lived. at Rowe t s Well co She had taught school in IJ.'onto Basin and married Texo The Haughts dated back to the Tewksbury feud. years in the BaSin. I rode Mikels horse, named "Tonto". / .'> A7 The morning train with chair-car and steam engine at Grand Canyon station in April 1926, with Mr . -
Fabuleux Parcs De L'arizona Et Le Grand Canyon
Index Les numéros en bleu renvoient aux cartes. Le texte en vert renvoie aux parcs et réserves. A Grand Canyon 7 Grand Canyon National Park 6, 7 Ajo Mountain Drive 34 Grand Canyon Railway 9 Antelope Canyon 17 Grand Canyon Village 9 Antelope House Overlook 19 Grand Canyon Visitor Center 9 Apache Trail 28 Grandview Point 10 Arizona 4, 5 Arizona-Sonora Desert Museum 30 H B Havasu National Wildlife Refuge 36 Hermit Road 10 Baja Loop Drive 30 Hermit’s Rest 10 Betatakin 22 Hole in the Rock 26 Bonita Canyon Scenic Drive 33 Hopi House 10 Bright Angel Point 13 Hopi Point 10 Bright Angel Trail 10 Hualapai Mountain Park 37 C K Cactus Forest Loop Drive 30 Kartchner Caverns State Park 32 Canyon de Chelly National Kofa National Wildlife Refuge 36 Monument 19 Kolb Studio 10 Casa Grande Ruins National Monument 29 Chiricahua National Monument 33 L Colorado River 14 Lacey Point 18 Colossal Cave Mountain Park 31 Lake Powell Navajo Tribal Park 17 La Posta Quemada 31 D Lees Ferry and Lonely Dell Ranch Historic District 12 Desert View Drive 10 Lipan Point 10 Desert View Watchtower 10 Lost Dutchman State Park 28 Lower Cliff Dwelling 29 F Faraway Ranch 33 M Fleuve Colorado 14 Massacre Cave Overlook 19 Massai Point 33 G Mather Point 9 Giant Log Trail 18 Mohave Point 10 http://www.guidesulysse.com/catalogue/FicheProduit.aspx?isbn=9782765875413 Montezuma Castle S National Monument 26 Monument Valley Navajo Sabino Canyon Recreation Area 30 Tribal Park 22 Saguaro National Park 30 Moran Point 10 San Pedro Riparian National Mummy Cave Overlook 19 Conservation Area