Fabuleux Parcs De L'arizona Et Le Grand Canyon

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Fabuleux Parcs De L'arizona Et Le Grand Canyon

Index Les numéros en bleu renvoient aux cartes. Le texte en vert renvoie aux parcs et réserves. A Grand Canyon 7 Grand Canyon National Park 6, 7 Ajo Mountain Drive 34 Grand Canyon Railway 9 Antelope Canyon 17 Grand Canyon Village 9 Antelope House Overlook 19 Grand Canyon Visitor Center 9 Apache Trail 28 Grandview Point 10 Arizona 4, 5 Arizona-Sonora Desert Museum 30 H B Havasu National Wildlife Refuge 36 Hermit Road 10 Baja Loop Drive 30 Hermit’s Rest 10 Betatakin 22 Hole in the Rock 26 Bonita Canyon Scenic Drive 33 Hopi House 10 Bright Angel Point 13 Hopi Point 10 Bright Angel Trail 10 Hualapai Mountain Park 37 C K Cactus Forest Loop Drive 30 Kartchner Caverns State Park 32 Canyon de Chelly National Kofa National Wildlife Refuge 36 Monument 19 Kolb Studio 10 Casa Grande Ruins National Monument 29 Chiricahua National Monument 33 L Colorado River 14 Lacey Point 18 Colossal Cave Mountain Park 31 Lake Powell Navajo Tribal Park 17 La Posta Quemada 31 D Lees Ferry and Lonely Dell Ranch Historic District 12 Desert View Drive 10 Lipan Point 10 Desert View Watchtower 10 Lost Dutchman State Park 28 Lower Cliff Dwelling 29 F Faraway Ranch 33 M Fleuve Colorado 14 Massacre Cave Overlook 19 Massai Point 33 G Mather Point 9 Giant Log Trail 18 Mohave Point 10 http://www.guidesulysse.com/catalogue/FicheProduit.aspx?isbn=9782765875413 Montezuma Castle S National Monument 26 Monument Valley Navajo Sabino Canyon Recreation Area 30 Tribal Park 22 Saguaro National Park 30 Moran Point 10 San Pedro Riparian National Mummy Cave Overlook 19 Conservation Area 32 Murray Springs Clovis Site 33 Signal Hill 30 Skywalk at Eagle Point 11 N Slide Rock State Park 25 South Entrance Station 9 Navajo 21 South Kaibab Trail 10 Navajo Bridge 12 South Rim 9 Navajo Bridge Interpretive Center 12 Spider Rock 20 Navajo National Monument 22 Spider Rock Overlook 20 Newspaper Rock 18 Sunset Crater Volcano National North Kaibab Trail 10 Monument 24 North Rim 12 T O Tonto National Forest 29 Old Faithful 18 Tonto National Monument 29 Organ Pipe Cactus Topock Gorge 36 National Monument 34 Tucson Mountain District 30 Tunnel Overlook 20 P Tusayan Ruin and Museum 10 Painted Desert 18 Painted Desert Inn 17 U Painted Rock Petroglyph Site 35 Upper Cliff Dwelling 29 Palm Canyon 36 Papago Park 26 V Petrified Forest National Park 17 Phoenix 26 Vermilion Cliffs 13 Pima Point 10 Vermilion Cliffs National Monument 13 Point Imperial 13 Powell Point 10 Presidio Santa Cruz de Terrenate 33 W Puerto Blanco Drive 34 Walnut Canyon National Monument 24 R White House Overlook 20 Window Rock 21 Rainbow Forest Museum 18 Red Rock State Park 25 Y Rhyolite Canyon 33 Rincon Mountain District 30 Yavapai Geology Museum 9 Roosevelt Dam 29 http://www.guidesulysse.com/catalogue/FicheProduit.aspx?isbn=9782765875413.

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An Architectural Walk Around the South
An Architectural Walk Around the South Rim Oscar Berninghaus, A Showery Day Grand Canyon, 1915 El Tovar, 1905 Power House, 1926 Hopi House, 1905 Hermit's Rest, 1914 Lookout Studio (The Lookout), 1914 Desert View Watchtower, 1932 Bright Angel Lodge, 1936 Charles Whittlesey, El Tovar, 1905 Charles Whittlesey, El Tovar, 1905 Charles Whittlesey, El Tovar, 1905 Dreams of mountains, as in their sleep they brood on things eternal Daniel Hull (?), Powerhouse, 1926 Daniel Hull (?), Powerhouse, 1926 Daniel Hull (?), Powerhouse, 1926 Mary Jane Colter, Indian Building, Albuquerque, 1902 Mary Jane Colter, Hopi House, 1905 Walpi, c. 900 CE Interior of Home at Oraibi Mary Jane Colter, Hopi House, 1905 Mary Jane Colter, Hopi House, Nampeyo and Lesou, 1905 Mary Jane Colter, Hopi House, 1905 Mary Jane Colter, Hopi House, 1905 Mary Jane Colter, Hermit’s Rest ,1914 The Folly, Mount Edgcumbe, Cornwall, c. 1747 Sargent's Folly, Franklin Park, Boston, 1840 Mary Jane Colter, Hermit’s Rest ,1914 Mary Jane Colter, Hermit’s Rest ,1914 Mary Jane Colter, Lookout Studio, (The Lookout), 1914 Mary Jane Colter, Lookout Studio, (The Lookout), 1914 Mary Jane Colter, Lookout Studio, (The Lookout), 1914 Mary Jane Colter, Lookout Studio, (The Lookout), 1914 Frank Lloyd Wright, Kaufmann House, Bear Run, PA , 1935 Mary Jane Colter, Lookout Studio, (The Lookout), 1914 Mary Jane Colter, Desert View Watchtower, 1934 Square Tower, Hovenweep Round Tower, Hovenweep Round Tower, Cliff Palace Mary Jane Colter, Desert View Watchtower, 1934 Mary Jane Colter, Desert View Watchtower, 1934 Casa Rinconada Kiva, c. 1,200 CE Casa Rinconada Kiva, c. 1,200 CE Mary Jane Colter, Desert View Watchtower, 1934 Pueblo Bonito, c.
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Grand Canyon National Park
GRAND CANYON NATIONAL PARK • A R I Z 0 N A • UNITED STATES DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE Grand Canyon [ARIZONA] National Park United States Department of the Interior Harold L. Ickes, Secretary NATIONAL PARK SERVICE Arno B. Cammerer, Director UNITED STATES GOVERNMENT PRINTING OFFICE WASHINGTON : 1936 Rules and Regulations A HE following summary of rules is intended as a guide for all park visitors. You are respectfully requested to facilitate the best in park administration by carefully observing the regulations. Complete regu lations may be seen at the office of the Superintendent. Preservation of 7\[atural Features The first law of a national park is preservation. Disturbance, injury, or destruction in any way of natural features, including trees, flowers, and other vegetation, rocks, and all wildlife, is strictly prohibited. Penalties are imposed for removing fossils and Indian remains, such as arrowheads, etc. Camps Camp or lunch only in designated areas. All rubbish that will burn should be disposed of in camp fires. Garbage cans are provided for noninflammable refuse. Wood and water are provided in all designated camp grounds. Fires Fires are absolutely prohibited except in designated spots. Do not go out of sight of your camp, even for a few moments, without making sure that your fire is either out entirely or being watched. Dogs, Cats, or other Domestic Animals Such animals are prohibited on Government lands within the park except as allowed through permission of the Superintendent, secured from park rangers at entrances. Automobiles The speed limit of 35 miles an hour is rigidly enforced.
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Appreciating Mary Colter and Her Roots in St
Louis and Maybelle: Somewhere Out in the West John W. Larson —page 13 Winter 2011 Volume 45, Number 4 “We Can Do Better with a Chisel or a Hammer” Appreciating Mary Colter and Her Roots in St. Paul Diane Trout-Oertel, page 3 Artist Arthur F. Matthews painted the portrait of Mary Jane Elizabeth Colter seen above in about 1890, when she graduated from the California School of Design. Colter subsequently taught art for many years at Mechanic Arts High School in St. Paul and later designed eight buildings at the Grand Canyon National Park in Arizona. Shown here is Hermit’s Rest, located at the westernmost stop on the south rim, a building that Colter designed in 1914. The Colter portrait is reproduced courtesy of the Arizona Historical Society, Flagstaff, Ariz. Photograph of Hermit’s Rest courtesy of Alexander Vertikoff. Hermit’s Rest copyright © Alexander Vertikoff. RAMSEY COUNTY HISTORY RAMSEY COUNTY Executive Director Priscilla Farnham Founding Editor (1964–2006) Virginia Brainard Kunz Editor Hıstory John M. Lindley Volume 45, Number 4 Winter 2011 RAMSEY COUNTY HISTORICAL SOCIETY THE MISSION STATEMENT OF THE RAMSEY COUNTY HISTORICAL SOCIETY BOARD OF DIRECTORS ADOPTED BY THE BOARD OF DIRECTORS ON DECEMBER 20, 2007: Paul A. Verret The Ramsey County Historical Society inspires current and future generations President Cheryl Dickson to learn from and value their history by engaging in a diverse program First Vice President of presenting, publishing and preserving. William Frels Second Vice President Julie Brady Secretary C O N T E N T S Carolyn J. Brusseau Treasurer 3 “We Can Do Better with a Chisel and a Hammer” Thomas H.
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Tangible - Intangible Heritage(S) – Design, Social and Cultural Critiques on the Past, Present and the Future
TANGIBLE - INTANGIBLE HERITAGE(S) – DESIGN, SOCIAL AND CULTURAL CRITIQUES ON THE PAST, PRESENT AND THE FUTURE • Paper / Proposal Title: Questions of Heritage, Cultural Appropriation, and Modern Design at Mary Colter’s Hopi House, Grand Canyon, Arizona, 1905 • Author(s) Name: Rebecca Houze • University or Company Affiliation: Northern Illinois University (US) • Presentation Method. I would like to: i. present in person (with a written paper) • Abstract (300 words): This paper explores the thorny subject of heritage by examining Hopi House, a living museum and curio shop at the Grand Canyon, Arizona, which was established as a United States National Park in 1919, and is today a UNESCO World Heritage site. Architect Mary Colter designed Hopi House in 1905 for the Fred Harvey Company, a purveyor of hotels and restaurants along the route of the Atchison, Topeka and Santa Fe Railway in the late nineteenth and early twentieth centuries. Modeled on the ancient Puebloan architecture at Old Oraibi, a Hopi village in Navajo County, Arizona, dating to the ninth century CE, Colter’s Hopi House raises questions about the relationship between travel, tourism, heritage, national identity, cultural appropriation, and preservation. How can we reconcile the efforts made by the U.S. National Park Service to express traces of the land’s indigenous past, both real and imagined, in the design of the parks, with the U.S. government’s violent Indian wars of the nineteenth- century, in which native peoples were killed, or were removed from their hereditary lands by force and through disadvantageous monetary exchanges? Did the railway companies bring new economic opportunity to the indigenous artists whose lands they traversed, or did they facilitate the U.S.
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1. Al Hopi House on South Rim Of' Grand Canyon, with Verkamp's Store in Background. Fr'ank Spencer Who Mana.Ged Hopi House (Indi
-~ I I 1. ) , Al Hopi House on South Rim of' Grand Canyon, with Verkamp's store in background. Fr'ank Spencer who mana.ged Hopi House (Indian arts shop) for the Fred Harvey Co •• lived on the top flooro Jane and Paul Nichola, Hopis from 2nd Mesa, who worked for 'I:,he F.H.Co., lived in rooms at right on the second floor. 1924· A2 Main approach road to Park near Grana. Canyon vil18,ge, 1924, with J .E .Klntner the Postma,ster t and Mike Harrison of NPS, helping me dig out my red Buick (1923 Mod.el). A2/l Mike and Tomaso on porch of our Park Service quarters t 1926. '7.... A3 View west from El Tov'ar of "The Battleship" with olouds rising after the previous night's snowfall, 1924 ,/ A4/1 In front of Hopi House before the a.aily Eagle Dance, 1924, with left to right, Elsie and Anna May Secakuku, Jane Secakuku Niohols, and. Peter Honeyeva, all from 2nd Messo > AS/l Christmas 1925 at Grand Canyon, with Hopi Kachinas and. Butterfly head.dresses under the tree for LaverrHi~, daughter of Norma and Jason Quahongwa (Honanie or Badger Clan) from Shungopovi. A6/1 Winter of 1924-2~:; on South Rim, when Tex (NPS Rangsr) and. Kitty Haught lived. at Rowe t s Well co She had taught school in IJ.'onto Basin and married Texo The Haughts dated back to the Tewksbury feud. years in the BaSin. I rode Mikels horse, named "Tonto". / .'> A7 The morning train with chair-car and steam engine at Grand Canyon station in April 1926, with Mr .
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Ecoregional Design at Mesa Verde National Park
Phantom Ranch, GRand canyon, Arizona, Lummis house, Los anGeLes, caLifoRnia, shaeffeR house, new mexico, ElectRa Lake, coLoRado, tucumcaRi, new mexico, Fred haRvey RaiL stations By RoBeRt G. Bailey PhotoGRaPhy By alexandeR VeRtikoff hen the national Park Service was estab- structures at Colorado’s Mesa Verde National Park. Yet, w lished in 1916, the new agency inherited an rather than follow tradition, principal designers husband architectural legacy developed by private interests, par- and wife Jesse and Aileen Nusbaum became the first to ticularly the railroads. This legacy included Northern incorporate surrounding ecological themes into the de- Pacific’s Old Faithful Inn in Yellowstone and Santa Fe’s sign of a National Park structure, not only setting a new El Tovar at the south rim of the Grand Canyon, both built precedent, but creating a clear sense of design purpose that in the Swiss Chalet–Norway Villa tradition. This his- would contribute significantly to the nation’s architectural torical precedent—borrowing attractive yet incongruous heritage. design themes from the Old World with little regard for As the first National Park Service (NPS) building to the natural setting—was inherited by the designers of the be designed with a sense of its place, the superintendent’s a sense of Place: Ecoregional Design at Mesa Verde National Park 62 63 Phantom Ranch, GRand canyon, Arizona, Lummis house, Los anGeLes, caLifoRnia, shaeffeR house, new mexico, ElectRa Lake, coLoRado, tucumcaRi, new mexico, Fred haRvey RaiL stations The T-shaped doorway was inspired by ancienT anasazi dwellings in The souThwesT, such as pueblo boniTo in chaco canyon naTional hisTorical park, new Mexico.
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The Bulletin
Grand Canyon Historical Society, Inc. To develop and promote appreciation, understanding and education of the earlier history of the inhabitants and important events of the Grand Canyon and surrounding area. The Bulletin Volume 9 Number 4 www.GrandCanyonHistory.org April 2005 Lovely Day at Lonely Dell 2005 Outings April 16 - History of El Tovar/Verkamps/Hopi House in celebration of the 100-year anniversary of the El Tovar, Verkamp's Store, and Hopi House [Keith Green, event coordinator]. Its time to celebrate the 100th anniversary of the El Tovar Hotel, Hopi House, and Verkamps Curio. Although Xanterra and the Park Service have their own events planned for Wednesday, April 13, we will celebrate it on Saturday, April 16. 10:00 AM: Meet in the Thunderbird Room. (This room is upstairs in the middle of Thunderbird Lodge. That is the first building east along the rim from Bright Angel Lodge. Enter from the side away from the canyon.) Henry Karpinski, resident historian on El Tovar, will show us some historic pictures and give us a tour of the El Tovar We simply could not have ordered a more beautiful Hotel. day for 17 people and one dog to enjoy the incredible Break: Some of us will walk down to the Arizona scenery along with weather we have been waiting for after Room for a view of the Canyon. And perhaps have a bite this long wet winter. Mike Coltrin had us meet in the to eat there or at your favorite Canyon eatery...but don't be parking lot at Lee's Ferry so we could tour the historic late for the afternoon program.
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Historic Village Self-Guided Walking Tour
barbershop, solarium, and art galleries. The hotel even had its own ➎ BRIGHT ANGEL LODGE — The ﬁve- to ten-minute walk along ➐ LOOKOUT STUDIO — Just west of the Buckey O’Neill Cabin dairy herd to provide fresh milk and a greenhouse for fresh fruits and the paved Rim Trail from Verkamp’s Visitor Center to Bright Angel Lodge is Lookout Studio, also designed by Colter. Built of Kaibab Formation INTRODUCTION vegetables. Many visitors at the time considered El Tovar the most offers a chance to take in views of the Grand Canyon. Built in 1935 by the limestone, it blends with its environment on the teetering edge of the luxurious hotel west of the Mississippi River. Fred Harvey Company to provide moderately priced accommodations, Grand Canyon. The uneven rooﬂine adds to the effect of the studio ON SEPTEMBER 17, 1901, THE FIRST STEAM-POWERED TRAIN, El Tovar stood in sharp contrast to earlier accommodations at the Bright Angel Lodge stands as another Mary Colter masterpiece. It appearing as if it rose from the Earth. Like Hopi House, Lookout a spur line of the Santa Fe Railway, chugged its way from Grand Canyon, more spartan, and little else. To create a hotel that set was constructed on the former site of Bright Angel Hotel and Camp, Studio was designed to imitate the stone dwellings of the ancestral Williams, Arizona, north to the South Rim of the Grand Canyon. a new standard at Grand Canyon, the Santa Fe Railway partnered with which consisted of a small hotel, cabin, and tents originally erected by Puebloan tribes of the Southwest.
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Flagstaff Station – Grand Canyon
Flagstaff Station – Grand Canyon Santa Fe Railway Depot, Flagstaff, Arizona, 1925. (Cline Library Special Collections, Northern Arizona University.) We proceeded west to Arizona and the Grand Canyon via Shiprock, the Navajo reservation, and the Hopi Indian villages in the Painted Desert. This exposed us to very different Indian cultures from those we had seen in the Pueblo villages in New Mexico. (David Rockefeller) Driving as far as Gallup, New Mexico, the family then went by train to Flagstaff. From there, they drove to El Tovar Hotel on the Grand Canyon’s southern rim. Like most visitors, they drank in the canyon’s vastness from several lookout points and then devoted themselves to a handful of its countless natural and cultural offerings: a mule trek down into the canyon, a drive to the Havasupai Indian reservation at the canyon’s western end, and Indian artworks at the canyon’s remarkable Fred Harvey store. This letter to J.D. Rockefeller, Jr.’s assistant from the manager of Fred Harvey’s El Tovar lodge in Grand Canyon National Park concerns arrangements for the Rockefeller family’s stay there in 1926 – and promises to give no publicity to the visit. (Rockefeller Archive Center.) This 1926 Grand Canyon map locates the El Tovar Hotel where J.D. Rockefeller, Jr., and David Rockefeller bought several Indian artworks during visits in the 1920s and 1930s. At the canyon’s western end is the reservation home of the Havasupai Indians, noted for fine basketry work. (Rockefeller Archive Center.) Top left: Fred Harvey’s El Tovar Hotel from the Hopi House roof, 1920.
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Gallery 66: Selling the Southwest a Thesis Presented to the Faculty of The
Gallery 66: Selling the Southwest A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Cara L. Romano November 2007 2 This thesis titled Gallery 66: Selling the Southwest by CARA L. ROMANO has been approved for the School of Art and the College of Fine Arts by Jeannette Klein Assistant Professor of Art History Charles A. McWeeny Dean, College of Fine Arts 3 ABSTRACT ROMANO, CARA L., M.A., November 2007, Art History Gallery 66: Selling the Southwest (145 pp.) Director of Thesis: Jeannette Klein This thesis accompanies the exhibition Gallery 66: Selling the Southwest at the Kennedy Museum of Art in Athens, Ohio. Gallery 66 explores the specific historical and cultural climate in which the museum’s Southwest Native American Art collections were acquired. It demonstrates the way in which tourist traffic along Route 66 affected the perception of Native Americans in the Southwest and led to a national desire for their art forms. Many of these forms resulted from interactions between Native American artists, the trading post system, and the tourist. The thesis elaborates upon these interrelationships by referring to images and objects within the exhibition. It also discusses Route 66 as an ongoing performance in relation to the concept of Manifest Destiny, calling into question the recent enthusiasm surrounding the road by exploring the notions of narrative, nostalgia, and identity that seem to be at the root of the Route 66 “revival.” Approved: _____________________________________________________________ Jeannette Klein Assistant Professor of Art History 4 ACKNOWLEDGMENTS I wish to thank the Art History department at Ohio University, including my advisor, Jennie Klein, as well as my previous advisor, Tom Patin.
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Mary Colter: Southwestern Architect and Innovator of Indigenous Style Carissa Massey [email protected]
Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 1-1-2003 Mary Colter: Southwestern Architect and Innovator of Indigenous Style Carissa Massey [email protected] Follow this and additional works at: http://mds.marshall.edu/etd Part of the Architectural History and Criticism Commons, and the Landscape Architecture Commons Recommended Citation Massey, Carissa, "Mary Colter: Southwestern Architect and Innovator of Indigenous Style" (2003). Theses, Dissertations and Capstones. Paper 372. This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. MARY COLTER: SOUTHWESTERN ARCHITECT AND INNOVATOR OF INDIGENOUS STYLE Thesis submitted to The Graduate College of Marshall University In partial fulfillment of the Requirements for the degree of Master of Arts Art by Carissa Massey Dr. Beverly Twitchell Marchant, Committee Chairperson Dr. Susan Jackson Dr. Susan Power Professor Jean Miller, Art Department Chair Marshall University April 24, 2003 ABSTRACT MARY COLTER: SOUTHWESTERN ARCHITECT AND INNOVATOR OF INDIGENOUS STYLE By CARISSA MASSEY Mary Colter was an architect who contributed to the regional styles of the American Southwest. Her methods and habits, both as collector and creator, set her apart from her contemporaries as an individual who fervently valued indigenous art and culture. She thoroughly researched Southwestern cultures and used their architectural forms and methods of construction as inspiration for her architecture for tourists. Colter honored Southwestern traditions through her careful research and attention to detail. She was an architect who was passionate about her work and who designed buildings that were and are aesthetically potent.
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MARY ELIZABETH JANE COLTER an Incomprehensible Woman EARLY LIFE
MARY ELIZABETH JANE COLTER An incomprehensible Woman EARLY LIFE Born April 4, 1869 Pittsburgh, Penn Also in 1869: John Wesley Powell Trans Continental Railroad TRAINING 1886 William Colter Dies California School of Design in San Francisco Apprentices to an architect “Arts and Crafts” movement THE BEGINNING 1892 begins teaching at Mechanical Arts High School St. Paul Lectures University of Michigan Meanwhile, along the Santa Fe… FRED HARVEY AND THE SANTA FE Harvey Houses “coffee was cold, eggs were old…chicken stew was really prairie dog” THE HARVEY WAY Complete meal for 75 cents Home made bread, sliced 3/8 inch thick. Coffee brewed every two hours, Harvey blend, made with spring water Pies cut into four pieces, not six “Sack of potatoes on the next train” “Big wind blowing in” HARVEY GIRLS “Women don’t get liquored up and cause trouble, and cowboys won’t be rude to a lady” HARVEY GIRLS Room, board transportation and $388 per month (modern dollars) plus tips Will not marry for six months. After six months, vacation time, a ticket on the Santa Fe, and a new contract. Harvey Boot Camp: The Cup Code “Be human and be yourself ” “Courtesy and a Smile Pay Dividends” “Tact is an Asset and HONESTY is still a Virtue” “It is our business to please cranks. Anyone can please a gentleman” MINNIE HARVEY … AND SPOUSE “Once Harvey women are interested in something, the men are pulled along by the short hairs” HOSTEEN TSANI Herman Schweizer “He had that gift of the gods: A sure taste for the authentic And beautiful” Indian Houses Navajo Lite ALBUQUERQUE
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