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Joseph Rouleau (1929-2019)
Joseph Rouleau (1929-2019) Joseph Rouleau, world-renowned operatic bass, 2004 Governor General’s Performing Arts Award laureate and 2014 Mentorship Program mentor passed away on July 12. Mr. Rouleau was a visionary in the world of opera. He performed on the world’s most prestigious stages. Throughout his lifetime he remained committed to teaching and mentoring youth starting out in the opera world. Mr. Rouleau was born in Matane, Quebec. He honed his voice while studying under many notable Canadian and Italian singers. In 1956 Mr. Rouleau joined the Royal Opera House in London where he took part in 850 performances. He rose to international fame and performed with Pavarotti, Domingo, and Maria Callas, to name a few. His notable roles include parts in Don Carlos , The Barber of Seville and Faust . Mr. Rouleau supported many causes that were close to his heart. He was president of the board of directors of Jeunesses Musicales du Canada. He was instrumental to Orchestre Métropolitain du Grand Montréal and the Opéra de Montréal, and to the establishment of the Centre Pierre-Péladeau. Mr. Rouleau taught voice at Université du Québec à Montréal for 18 years. Since receiving a Governor General’s Performing Arts Award for Lifetime Artistic Achievement in 2004, Mr. Rouleau’s support of the Awards never wavered. He and his wife Renée attended the GGPAA Gala, laureate announcement and related receptions as often as possible. In 2014 Mr. Rouleau mentored tenor Jean-Philippe Fortier-Lazure. In their Legacy Interview with then GGPAA Foundation co-chair Paul- André Fortier, Mr. Rouleau spoke of how honoured he was when given the opportunity to mentor a young artist. -
MOSCOW STATE RADIO SYMPHONY ORCHESTRA Zellerbach Hall Alexei Kornienko, Chief Conductor, Laureate of International Competitions
CAL PERFORMANCES PRESENTS ORCHESTRA ROSTER Saturday, March 20, 2010, 8pm MOSCOW STATE RADIO SYMPHONY ORCHESTRA Zellerbach Hall Alexei Kornienko, Chief Conductor, Laureate of International Competitions Moscow State Radio Symphony Orchestra Robert Cole, conductor Robert Cole, conductor Violin I Cello Bassoon with Igor Khvalev, Concertmaster Alexey Shulgin, Principal Evgeny Evstafyev, Principal Alexander Sinchuk, piano Alexader Torsukov Alla Makova Mikhail Velichenko Elena Abdullina Liubov Kotsiubenko and Liudmila Zhukova Alexander Koptsov Horn Julian Schwarz, cello Igor Kiselenko Yulia Tretiakova Nikolay Kumarin, Principal Tatiana Revedinskaya Tatiana Barykina Dmitry Babintsev Julia Maklakova Mikhail Yakovlev Dmitri Kouznetsov PROGRAM Evgeniya Badaeva Lyubov Kozhemiatova Victor Platonov Boris Markosyan Sergey Zheltov Nataliya Mikhalkina Double Bass Vladimir Efimenko Pyotr Il’yich Tchaikovsky (1840–1893) Romeo and Juliet, Fantasy-Overture Yury Zhogas Evseviy Kirnitskiy, Principal Natalia Alexeeva Andrey Knyazev Trumpet (1869; rev. 1870, 1880) Olena Kostaniants German Chernyavskiy Evgeny Kudryavtsev, Principal Ekaterina Khoroshilova Vladimir Prikhodko Yury Poliakov Alexandr Serdyukov Nikolay Aseev Serge Rachmaninoff (1873–1943) Rhapsody on a Theme of Paganini Violin II Svetlana Rodionovskaya Nikita Tokarev for Piano and Orchestra, Op. 43 (1934) Nina Rumyantseva, Principal Alexander Sinchuk, piano Mikhail Karapetyan Flute Trombone Leonid Tobolev Vladimir Maydanovich, Principal Konstantin Baev, Principal Anna Venina Albert Ratsbaum Alexander -
Charles Reiner Collection
Charles Reiner Collection Marvin Duchow Music Library McGill University Montréal, Québec, Canada 2010 Finding Aid Prepared by Elliott Cairns Edited by Cynthia A. Leive Latest Revision: July 2010 Collection Summary Title: Charles Reiner Collection Span Dates: 1924?–2006 Bulk Dates: (bulk 1950–1989) Call No.: Creator: Reiner, Charles, 1924–2006 Size: Language: Collection material in English, French, German, Italian, Spanish, Mandarin, and Hungarian Repository: Marvin Duchow Music Library, Schulich School of Music, McGill University, Montréal, Québec, Canada Abstract: The Charles Reiner Collection consists of correspondence, newspaper reviews and clippings, performance programmes, personal documents including legal material, photographs, writings, published and unpublished music by Reiner and other composers, audio and visual recordings of Reiner and other performers, books, and awards. Of particular interest is correspondence from Rudolf Serkin, Alfred Cortot, and Kurt Waldheim; legal documents from both before and after Reiner’s immigration to Canada; and the extensive collection of programmes and newspaper clippings that document Reiner’s extensive performance career. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalogue. They are grouped by name of person or organisation, by subject or location, and by occupation and listed alphabetically therein. Personal Names Blume, Helmut, 1914–1998—Correspondence. 1 Brott, Alexander, 1915–2005—Correspondence. Brott, Lotte, 1922–1998—Correspondence. Cortot, Alfred, 1877–1962—Correspondence. Duchow, Rebecca—Correspondence. Firkusny, Rudolf, 1912–1994—Correspondence. Janigro, Antonio, 1918–1989—Correspondence. Reiner, Charles, 1924–2006—Archives. Reiner, Charles, 1924–2006—Autographs. Reiner, Charles, 1924–2006—Correspondence. Ricci, Ruggiero, 1918– —Correspondence. Serkin, Irene, 1917–1998—Correspondence. -
Boston Symphony Orchestra Concert Programs, Season 84, 1964-1965, Trip
;:tr~-^ ((€.4ik4* vi- 7^ *m -2. I "— ^^offlC'W'i&^i^, >, J BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY /A HENRY LEE HIGGINSON TUESDAY EVENING SERIES /I K %nf^P^ uUiftult iWRS* e p 7/ EIGHTY-FOURTH SEASON 1964-1965 TAKE NOTE The precursor of the oboe goes back to antiquity — it was found in Sumeria (2800 bc) and was the Jewish halil, the Greek aulos, and the Roman tibia • After the renaissance, instruments of this type were found in complete families ranging from the soprano to the bass. The higher or smaller instruments were named by the French "haulx-bois" or "hault- bois" which was transcribed by the Italians into oboe which name is now used in English, German and Italian to distinguish the smallest instrument • In a symphony orchestra, it usually gives the pitch to the other instruments • Is it time for you to take note of your insurance needs? • We welcome the opportunity to analyze your present program and offer our professional service to provide you with intelligent, complete protection. We respectfullyJ J invite Jyour inquiry / . , " / Associated with CHARLES H. WATKINS CO. & /qbrioN, RUSSELL & CO. Richard P. Nyquist — Charles G. Carleton / 147 milk street boston 9, Massachusetts/ Insurance of Every Description] 542-1250 EIGHTY-FOURTH SEASON, 1964-1965 CONCERT BULLETIN OF THE Boston Symphony Orchestra ERICH LEINSDORF, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Talcott M. Banks Vice-President Richard C. Paine Treasurer Abram Berkowitz Henry A. -
Myscena.Org Sm26-3 EN P02 ADS Classica Sm23-5 BI Pxx 2020-11-03 8:23 AM Page 1
SUBSCRIBE @ mySCENA.org sm26-3_EN_p02_ADS_classica_sm23-5_BI_pXX 2020-11-03 8:23 AM Page 1 From Beethoven to Bowie encore edition December 12 to 20 2020 indoor 15 concerts festivalclassica.com sm26-3_EN_p03_ADS_Ofra_LMMC_sm23-5_BI_pXX 2020-11-03 1:18 AM Page 1 e/th 129 saison/season 2020 /2021 Automne / Fall BLAKE POULIOT 15 nov. 2020 / Nov.ANNULÉ 15, 2020 violon / violin CANCELLED NEW ORFORD STRING QUARTET 6 déc. 2020 / Dec. 6, 2020 avec / with JAMES EHNES violon et alto / violin and viola CHARLES RICHARD HAMELIN Blake Pouliot James Ehnes Charles Richard Hamelin ©Jeff Fasano ©Benjamin Ealovega ©Elizabeth Delage piano COMPLET SOLD OUT LMMC 1980, rue Sherbrooke O. , Bureau 260 , Montréal H3H 1E8 514 932-6796 www.lmmc.ca [email protected] New Orford String Quartet©Sian Richards sm26-3_EN_p04_ADS_udm_OCM_effendi_sm23-5_BI_pXX 2020-11-03 8:28 AM Page 1 SEASON PRESENTER ORCHESTRE CLASSIQUE DE MONTRÉAL IN THE ABSENCE OF A LIVE CONCERT, GET THE LATEST 2019-2020 ALBUMS QUEBEC PREMIER FROM THE EFFENDI COLLECTION CHAMBER OPERA FOR OPTIMAL HOME LISTENING effendirecords.com NOV 20 & 21, 2020, 7:30 PM RAFAEL ZALDIVAR GENTIANE MG TRIO YVES LÉVEILLÉ HANDEL’S CONSECRATIONS WONDERLAND PHARE MESSIAH DEC 8, 2020, 7:30 PM Online broadcast: $15 SIMON LEGAULT AUGUSTE QUARTET SUPER NOVA 4 LIMINAL SPACES EXALTA CALMA 514 487-5190 | ORCHESTRE.CA THE FACULTY IS HERE FOR YOUR GOALS. musique.umontreal.ca sm26-3_EN_p05_ADS_LSM_subs_sm23-5_BI_pXX 2020-11-03 2:32 PM Page 1 ABONNEZ-VOUS! SUBSCRIBE NOW! Included English Translation Supplément de traduction française inclus -
CAVALLERIA RUSTICANA/PAGLIACCI Cast Biographies Cavalleria Rusticana
CAVALLERIA RUSTICANA/PAGLIACCI Cast Biographies Cavalleria Rusticana Before making his San Francisco Opera debut in 1993 as Rodolfo in La Bohème, tenor Roberto Aronica (Turiddu) studied with famed singer Carlo Bergonzi and completed his training at the Accademia Chigiana in Siena. He made his professional debut as the Duke of Mantua in Rigoletto at Teatro Municipal in Santiago de Chile. More recent engagements have included Manrico in Il Trovatore at the Teatro Comunale di Bologna, the title role of Don Carlos at the Royal Opera House, Pinkerton in Madama Butterfly at the Gran Teatre del Liceu in Barcelona, Calaf in Turandot at Turin’s Teatro Regio, and Alfredo in La Traviata at the Metropolitan Opera. In 2018, Aronica performs Pinkerton at the Metropolitan Opera, Paolo in Francesca da Rimini at the Teatro alla Scala, and Don Carlo at the Teatro Comunale di Bologna. Russian mezzo-soprano Ekaterina Semenchuk (Santuzza) made her San Francisco Opera debut in 2015 as Federica in Luisa Miller and in 2016 she returned as Amneris in Aida. Her recent engagements include Eboli in Don Carlo at Teatro alla Scala and Royal Opera, Covent Garden; Azucena in Il Trovatore with Rome Opera, St. Petersburg’s Mariinsky Theatre, and Covent Garden; Fricka in Das Rheingold at the Edinburgh International Festival; and Lady Macbeth in Macbeth at Los Angeles Opera opposite Plácido Domingo. Career highlights encompass Marina Mnishek in Boris Godunov at the Metropolitan Opera; Azucena and Amneris at Milan’s Teatro alla Scala; Iocasta in Oedipus Rex and Ascanio in Benvenuto Cellini at the Théâtre des Champs-Élysées; the title role of Carmen at Arena di Verona; Preziosilla in La Forza del Destinoand Amneris with Berlin State Opera; Didon in Les Troyens at the Mariinsky Theatre, Carnegie Hall, and in Vienna and Tokyo; Laura Adorno in La Gioconda and Dalila inSamson et Dalila at Rome Opera; Giovanna Seymour in Anna Bolena at the Vienna State Opera; and Eboli and Azucena at the Salzburg Festival. -
Eighteenth Season 2009 2010 Orchestra Management
Russian Diversions R. Joseph Scott Conductor & Music Director eighteenth season 2009 2010 Orchestra Management Board of Directors elcome to today’s performance of the Sammamish Symphony Orchestra Founding Director will join forces with four other area Joyce Cunningham Sammamish Symphony Orchestra. W groups to perform Mozart’s immortal Music Director & Conductor As I celebrate my 11th year with this group Requiem. It is a great honor to our R. Joseph Scott of talented musicians, it is gratifying to Orchestra to be asked back for this refl ect upon the remarkable growth of the special event. President Miranda Thorpe Orchestra. The dedication and diligence of each member is evident in the ever- The Sammamish Symphony Vice-President improving artistry displayed in each Orchestra’s 2009/2010 season off ers Deborah McCormick performance. Our achievements have been a dynamic array of music selections from traditional works to new Treasurer recognized in the invitation from Northwest Pat Hebner Associated Arts to participate again in a favorites. The entire family will enjoy special appearance at Benaroya Hall. The performances such as Holst’s The Secretary Planets, Rimski-Korsakov’s Russian Cathy Grindle Easter Overture, and Beethoven’s Triple Concerto for Piano, Violin, Dennis Helppie Andy Hill Cello and Orchestra (featuring Myrl Venter world-class soloists from the Seatt le Tim Winter Symphony and Finisterra trio), as well as a host of popular music included on our Holiday Pops concert in December Honorary Board Members Don Gerend and our American West Pops concert Mayor, City of Sammamish in June. Be sure to visit our website at www.sammamishsymphony.org for Cheryl Pfl ug a complete listing of works presented Washington State Senator this season. -
20 Years of Inspiration
20 years of inspiration The arts engage and inspire us 20 years of inspiration National Arts Centre | Ottawa | May 5, 2012 20 years of inspiration Welcome to the 20th anniversary Governor General’s In 2007 the National Film Board of Canada (NFB) Performing Arts Awards Gala! joined the Awards Foundation as a creative partner, and agreed to produce a short film about each Award The Governor General’s Performing Arts Awards recipient (beginning with the 2008 laureates). After (GGPAA) were created in 1992 under the patronage of the late Right Honourable Ramon John Hnatyshyn premiering at the GGPAA Gala, these original and (1934–2002), 24th Governor General of Canada, engaging films are made available to all Canadians and his wife Gerda. on the Web and in a variety of digital formats. The idea for the GGPAA goes back to the late 2008 marked the launch of the GGPAA Mentorship 1980s and a discussion between Peter Herrndorf Program, a unique partnership between the Awards (now President and CEO of the National Arts Centre) Foundation and the National Arts Centre that pairs and entertainment industry executive Brian Robertson, a past award recipient with a talented artist in both of whom were involved at the time with the mid-career. (See page 34.) Toronto Arts Awards Foundation. When they “The Governor General’s Performing Arts Awards approached Governor General Hnatyshyn with are the highest tribute we can offer Canadian artists,” their proposal for a national performing arts awards said Judith LaRocque, former Deputy Minister of program, they received his enthusiastic support. Canadian Heritage and former Secretary to the “He became a tremendous fan of the artists receiving Governor General, in an interview on the occasion the awards each year, the perfect cheerleader in the of the 15th anniversary of the Awards. -
Sir Colin Davis Discography
1 The Hector Berlioz Website SIR COLIN DAVIS, CH, CBE (25 September 1927 – 14 April 2013) A DISCOGRAPHY Compiled by Malcolm Walker and Brian Godfrey With special thanks to Philip Stuart © Malcolm Walker and Brian Godfrey All rights of reproduction reserved [Issue 10, 9 July 2014] 2 DDDISCOGRAPHY FORMAT Year, month and day / Recording location / Recording company (label) Soloist(s), chorus and orchestra RP: = recording producer; BE: = balance engineer Composer / Work LP: vinyl long-playing 33 rpm disc 45: vinyl 7-inch 45 rpm disc [T] = pre-recorded 7½ ips tape MC = pre-recorded stereo music cassette CD= compact disc SACD = Super Audio Compact Disc VHS = Video Cassette LD = Laser Disc DVD = Digital Versatile Disc IIINTRODUCTION This discography began as a draft for the Classical Division, Philips Records in 1980. At that time the late James Burnett was especially helpful in providing dates for the L’Oiseau-Lyre recordings that he produced. More information was obtained from additional paperwork in association with Richard Alston for his book published to celebrate the conductor’s 70 th birthday in 1997. John Hunt’s most valuable discography devoted to the Staatskapelle Dresden was again helpful. Further updating has been undertaken in addition to the generous assistance of Philip Stuart via his LSO discography which he compiled for the Orchestra’s centenary in 2004 and has kept updated. Inevitably there are a number of missing credits for producers and engineers in the earliest years as these facts no longer survive. Additionally some exact dates have not been tracked down. Contents CHRONOLOGICAL LIST OF RECORDING ACTIVITY Page 3 INDEX OF COMPOSERS / WORKS Page 125 INDEX OF SOLOISTS Page 137 Notes 1. -
Central Opera Service Bulletin Volume 29, Number A
CENTRAL OPERA SERVICE BULLETIN VOLUME 29, NUMBER A CONTENTS NEW OPERAS AND PREMIERES 1 NEWS FMNQKRA COMPANIES 18 GOVERNMENT AND NATIONAL ORGANIZATIONS 24 27 ODNFERENOS H MEM AND REMWftTED THEATERS 29 FORECAST 31 ANNIVERSARIES 37 ARCHIVES AND EXHIBITIONS 39 ATTENTION C0MP0SH8. LIBRE11ISTS, FIAYWRHMTS 40 NUSIC PUBLISHERS 41 EDITIONS AND ADAPTATIONS 4t EOUCATION 44 AFPOINTMEMIS AND RESIGNATIONS 44 COS OPERA SURVEY USA 1988-89 OS INSIDE INFORMATION 57 COS SALUTES. O WINNERS (4 BOOK CORNER 66 OPERA HAS LOST. 73 PERFORMANCE LIST INC. 1969 90 SEASON (CONT.) 83 Sponsored by the Metropolitan Opera National Council CENTRAL OPERA SERVICE BULLETIN Volume 29, Number 4 Fall/Winter 1989-90 CONTENTS New Operas and Premieres 1 News from Opera Companies 18 Government and National Organizations 24 Copyright 27 Conferences 28 New and Renovated Theaters 29 Forecast 31 Anniversaries 37 Archives and Exhibitions 39 Attention Composers, Librettists, Playwrights 40 Music Publishers 41 Editions and Adaptations 42 Education 44 Appointments and Resignations 46 COS Opera Survey USA 1988-89 56 COS Inside Information 57 COS Salutes. 63 Winners 64 Book Corner 66 Opera Has Lost. 73 Performance Listing, 1989-90 Season (cont.) 83 CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BELMONT (1879-1979) Honorary National Chairman ROBERT L.B. TOBIN National Chairman MRS. MARGO H. BINDHARDT Please note page 56: COS Opera Survey USA 1988-89 Next issue: New Directions for the '90s The transcript of the COS National Conference In preparation: Directory of Contemporary Opera and Music Theater, 1980-89 (Including American Premieres) Central Opera Service Bulletin • Volume 29, Number 4 • Fall/Winter 1989-90 Editor: MARIA F. -
Redefining the Role of a Classical Player
CONQUER YOUR SPECIAL FOCUS: AUGUSTIN HADELICH’S UPPER-POSITION ANXIETIES GREAT TEACHERS ON TEACHING DEPENDABLE 1723 STRAD GERARD REDEFINING THE ROLE SCHWARZ’ OF A CLASSICAL ALL-STARS PLAYER TAKE IT TO TELEVISION IMPERFECTION VS. IMITATION: THE MAKINGS OF A MASTERPIECE NILS ØKLAND EXPLORES THE August 2017 No. 268 HARDANGER FIDDLE’S StringsMagazine.com FLEXIBLE VOICE 001_Cover copy.indd 1 6/22/17 4:49 PM FEATURES SPECIAL FOCUS Great Teachers on Teaching 16 Star Power 36 T e All-Star Orchestra Play It Again, shines in a new season Viola. And Again. By Cristina Schreil On orchestra excerpts and the unconditional love of music By Atar Arad 40 The Impossible 22 Dream The Eye of the Beholder Tackling the everyday struggle Imperfection may just be the thing of teaching that separates true art from imitation intonation By James N. McKean By Robert Gillespie 44 Finding the Right Balance Producing transcendent 26 musical moments— Fire and Ice and the need to Cellist Seth Parker Woods on his keep track of my inf uences and inspiration, and students’ thumbs the trajectory of his artistic adventure By Karine Georgian By T omas May 46 Constant Evolution On the development of my teaching approach to the opening of the Sibelius Concerto By Almita Vamos 32 Nordic Tracks Nils Økland explores the many voices of his Hardanger f ddle By Bob Doerschuk AUGUST 2017 VOLUME XXXII, NUMBER 1, ISSUE 268 COVER: SETH PARKER WOODS WOODS—MICHAEL YU; ØKLAND—FREDERIC BOUDIN; GEORGIAN—KATE MOUNT PHOTO: MICHAEL YU StringsMagazine.com 5 005-009_TOC&EdNote.indd 5 6/22/17 1:10 PM EDITOR’S NOTE Karine Georgian StringsMagazine.com CONTENT DEVELOPMENT Editor Megan Westberg Managing Editor Stephanie Powell Production Manager Hugh O’Connor Contributing Editors Cristina Schreil, James N. -
JULIAN SCHWARZ, Double Bass RIE ANDO, Piano
2008-2009 presents BARRY LIEBERMAN & FRIENDS presents guest artists JULIAN SCHWARZ, double bass RIE ANDO, piano December 7, 2008 2:00 PM Brechemin Auditorium PROGRAM SUITE for Solo Cello in G Major ...................................................... JOHANN SEBASTIAN BACH (1685-1750) Prelude Allemande Courante Sarabande Minuets Gigue SONATA for Piano and Cello in D Major, Op. 58 .................................... FELIX MENDELSSOHN (1809-1847) Allegro assai vivace Allegretto scherzando Adagio Molto Allegro e vivace INTERMISSION SONATA for Solo Cello ...................................................................................... GYORGY LIGETI (1923-2006) Dialogo Capriccio from JEWISH LIFE: SUITE .............................................................................. ERNEST BLOCH (1880-1959) Prayer Supplication Jewish Song SUITE ................................................................................................................. DAVID POPPER (1843-1913) Spanish Dance, Op. 54, No. 5 To the Memory of My Parents, Op. 64, No. 1 Spinning Song, Op. 55, No. 1 JULIAN SCHWARZ was born in 1991 to a family of musicians. After starting his studies with David Tonkonogui he made his debut as soloist with the Seattle Symphony at age 11 playing the Saint-Saëns Cello Concerto. Since then Julian has won many competitions and awards including the David Tonkonogui Memorial Award, the Merle P. Griffe Award for Cello Performance, the Northwest Sinfonietta Concerto Competition in 2 consecutive years, the Sammamish Symphony Concerto