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THE UNIVERSITY THEATRE THE 19 52-5 3 Season UNIVERSITY FILMS AND PLAYS OF (Films in italics, plays in capitals ) HAWAII October 10: The Story of GoJta Berling, with Greta Garbo THEATRE (Museum of Modern Art Film) 17: The LaJt Laugh, with Emil Jannings GROUP (Museum of Modern Art Film) 24: Robert Flaherty's Moana (Museum of Modern Art Film )
November 7,8: MY HEART'S IN THE HIGHLANDS (Theaue Group) 13-15: MY HEART'S IN THE HIGHLANDS December 5,6: THE CHERRY ORCHARD (Theaue Group) 11-13: THE CHERRY ORCHARD George Bernard Shaw's January 9,10: FOUR ORIGINAL PLAYS (Theaue Group) 15-17: FOUR ORIGINAL PLAYS MAN AND SUPERMAN 21-23: Gian Carlo Menotti's The Medium 28-31: Gian Carlo Menotti's The Medium
February 4-7: De Sica's The Bicycle Thief 9-14: De Sica's The Bicycle Thief
March 3-7: The Titan 27,28: BENTEN KOZO (Theaue Group)
April 1-4: BENTEN KOZO 8-11: BENTEN KOZO 16-18: BENTEN KOZO
May 7-9: MAN AND SUPERMAN (Theaue Group) 14-16: MAN AND SUPERMAN May 7, 8, 9, and 19-23: De Sica's Miracle in Milan 14, 15, 16, 1953 The total attendance at these films and plays was approximately 20,000. FARRINGTON HALL THE UNIVERSITY OF HAWAilTHE.ATitE...... 'GROUP PRODUCTION STAFF .. · · ·Ptesent.s (In addition to those who have worked on Mms a-nd Superman, these lists include '·' those who have worked on other plays without program credit.) MAN ANb.. SUPERMAN ' . STAGING . . . • • NANCY ARAKAKI, HENRY CHUN, Hf.ZEL HlLL, jANET by. KIMURA, VICTOR KOBAYASHI, GORDON KUSHIMABJO, TAKEO MIJI, KOJI MURAYAMA, MAYBELLE NAKAMURA, )AMES ODA, CHARLES SUNODA, George Berna;l"d ·Shaw : ,. ·TSUGIO SUZUKI, TRIXIE TANAKA '. .: .~. LIGHTING PHILIP KUROKAWA THE CAST ;t (In order of appearance)- COSTUMES SYLVIA ASHBY, HEDWIG BILLABER, BETTY Po, GLENNA GITSCHLAG, FAITH SMITH ROEBUCK RAMSDEN VINCENT PiuORE MAKE-UP HEDWIG BJLLABER MAID ROSALIE ROBERTS OCTAVIUS ROBINSON CHARLES NORTH BUSINESS WALL ACE AKIYAMA, MARY Lou KREBS MITCHELL ERICKSON JOHN TANNER PUBLIOTY ROBERT LUM, )AMES MJSHIMA ANN WHITEFIELD SYLVIA ASHBY STAGE MANAGER MISAO TOKUHISA MRS. WHITEFIELD . MARY LOU KREBS MISS RAMSDEN SHEILA CRUICKSHANK PROMPTER FAITH SMITH VIOLET ROBINSON ENID BEAUMONT BOX OFFICE • . Wallace Akiyama, Robert Amai, Barbara Chang, Beryl HENRY STRAKER . . ]AMES SIKKJNG Chua, Evelyn Chua, Janet Chun, Nelline Chun, Charles Foresman, James HECTOR MALONE MASON AL TIERY Hara, Melvin Ho, Winifred log, Walter Konishi, Mary Lou Krebs, Mildred MR. MALONE .· / . }OHN PHILLIPS Kurata, Gordon Kushimaejo, Robert Lum, James Mishima, Takeo Miji, Eddie Okahata, Myrle Pung, .Frances Sagara, Russell Sowers, James Valen Tonight's production consists of th'e first, and acts of ~econd, f~urth ciano, Elaine Won, Margaret Yamato, Micbiko Yamato, Pat Young Shaw's Man and Stlperman. The omission of the third act, often referred co as "Don Juan in Hell," is standard procedure in the production of the USHERING • . . Cosmopolitan Club, Gamma Chi Sigma, Peng Hui, Phi play. Sigma Rho, Sigma Lambda, Te Chih Sheh, Tu Chiang Sheh, Wakaba Kai, Yang Chung Hui; and Jack Akamine, Anne Clopton, Charles Foresman, SYNOPSIS OF SCENES James Hara, Carol Hironaga, Shirley Ho, Evalyn Inn, Yuriko Kohara, Loretta The time of the play is early in this cenrury. Look, Mary Look, Maybelle Nakamura, Sylvia Pang, Joan Waite Act I. Roebuck Ramsden's study in Ramsden House, London. The STAGING and COSTUMES committees have been assisted by members of the Act II. John Tanner's country estate in Richmond., England. class in Dramatic Production (Drama and Theatre 151). Act III. The garden of a villa in Granada, Spain. THEATRE GROUP COUNCIL (There will be intermissions between the acts.) Wallace Akiyama Mary Lou Krebs Takeo Miji Directed by JOEL TRAPIDO Hedwig Billaber Robert Lum James Mishima Technical direction by CLIFFORD ASHBY Glenna Gitsehlag Shirley Mendonca Walter Young assisted by LOUISE HUNTLEY Lucie Bentley, Earle Erose, and Joel Trapido (Directors) Set designs by LLOYD SUYAMA Lighting by ELBERT SMITH ACKNOWLEDGMENTS assisted by ROSALIE ROBERTS The Theatre Group is especially indebeed to Murphy MotOrs, Led., for the 1904 Costumes and properties by ALICE MclEAN Oldsmobile used in Act II, and to David Muramoeo of the David Muramoto Studio of Publicity by MITCHELL ERICKSON Photography for publicity photographs.