Washington Wine Commission Increases This Year's Funding by A
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
16 • the Official Mag: Ambushmag.COM • October 12-25, 2010 • Official Gay Mardi Gras Guide• Gaymardigras.COM Real Estate
16 • The Official Mag: AmbushMag.COM • October 12-25, 2010 • Official Gay Mardi Gras Guide• GayMardiGras.COM real estate potentially make the difference between a Tips for LGBT home prompt sale and a listing that languishes sellers - Attracting a on the market without any real nibbles or purchase offers. qualified buyer Here are five things to consider, for veryone is well aware that for example, to assist the listing agent: the past couple of years the Maintain Curb Appeal Ereal estate market has been Although it may take an extra hour a rather lopsided in favor of buyers and quite week, keeping a home looking attractive challenging for sellers and their real estate from the street is one of the easiest ways agents. That situation is based on lots of to add intangible equity. Think of the visual economic factors but it all boils down to the appeal of the home as charisma that can fact that there is an excessive inventory of be felt from the street. Keep the lawn homes on the market, so buyers have manicured, the flowerbeds tidy, and put a plenty to choose from when they go shop- new coat of paint or varnish on the front ping. More houses for sale means greater door because it can work wonders in terms competition for a finite number of qualified of pulling in buyers and making the listing buyers, so LGBT homeowners who are agent’s phone ring with inquiries. able to more effectively market their homes Set the Stage home by keeping it free of clutter, because under the gaydar ...from 14 will have a distinct advantage. -
Drag Artist Interviews, 2019
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Southern Illinois University Edwardsville Southern Illinois University Edwardsville SPARK SIUE Faculty Research, Scholarship, and Creative Activity 2020 Drag Artist Interviews, 2019 Ezra Temko [email protected] Adam Loesch SIUE, [email protected] Follow this and additional works at: https://spark.siue.edu/siue_fac Part of the Gender and Sexuality Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, Other Theatre and Performance Studies Commons, and the Sociology of Culture Commons Recommended Citation Temko, Ezra, Adam Loesch, et al. 2020. “Drag Artist Interviews, 2019.” Sociology of Drag, Southern Illinois University Edwardsville. Spring. Available URL (http://www.ezratemko.com/drag/interviewtranscripts/). This Article is brought to you for free and open access by SPARK. It has been accepted for inclusion in SIUE Faculty Research, Scholarship, and Creative Activity by an authorized administrator of SPARK. For more information, please contact [email protected]. Drag Artist Interviews, 2019 To cite this dataset as a whole, the following reference is recommended: Temko, Ezra, Adam Loesch, et al. 2020. “Drag Artist Interviews, 2019.” Sociology of Drag, Southern Illinois University Edwardsville. Spring. Available URL (http://www.ezratemko.com/drag/interviewtranscripts/). To cite individual interviews, see the recommended reference(s) at the top of the particular transcript(s). Interview -
Rupaul's Drag Race All Stars Season 2
Media Release: Wednesday August 24, 2016 RUPAUL’S DRAG RACE ALL STARS SEASON 2 TO AIR EXPRESS FROM THE US ON FOXTEL’S ARENA Premieres Friday, August 26 at 8.30pm Hot off the heels of one of the most electrifying seasons of RuPaul’s Drag Race, Mama Ru will return to the runway for RuPaul’s Drag Race All Stars Season 2 and, in a win for viewers, Foxtel has announced it will be airing express from the US from Friday, August 26 at 8.30pm on a new channel - Arena. In this second All Stars instalment, YouTube sensation Todrick Hall joins Carson Kressley and Michelle Visage on the judging panel alongside RuPaul for a season packed with more eleganza, wigtastic challenges and twists than Drag Race has ever seen. The series will also feature some of RuPaul’s favourite celebrities as guest judges, including Raven- Symone, Ross Matthews, Jeremy Scott, Nicole Schedrzinger, Graham Norton and Aubrey Plaza. Foxtel’s Head of Channels, Stephen Baldwin commented: “We know how passionate RuPaul fans are. Foxtel has been working closely with the production company, World of Wonder, and Passion Distribution and we are thrilled they have made it possible for the series to air in Australia just hours after its US telecast.” RuPaul’s Drag Race All Stars Season 2 will see 10 of the most celebrated competitors vying for a second chance to enter Drag Race history, and will be filled with plenty of heated competition, lip- syncing for the legacy and, of course, the All-Stars Snatch Game. The All Stars queens hoping to earn their place among Drag Race Royalty are: Adore Delano (S6), Alaska (S5), Alyssa Edwards (S5), Coco Montrese (S5), Detox (S5), Ginger Minj (S7), Katya (S7), Phi Phi O’Hara (S4), Roxxxy Andrews (S5) and Tatianna (S2). -
Guide to the Dennis Mcbride Collection on LGBTQ Las Vegas, Nevada
Guide to the Dennis McBride Collection on LGBTQ Las Vegas, Nevada This finding aid was created by Tammi Kim. This copy was published on March 25, 2021. Persistent URL for this finding aid: http://n2t.net/ark:/62930/f1vp61 © 2021 The Regents of the University of Nevada. All rights reserved. University of Nevada, Las Vegas. University Libraries. Special Collections and Archives. Box 457010 4505 S. Maryland Parkway Las Vegas, Nevada 89154-7010 [email protected] Guide to the Dennis McBride Collection on LGBTQ Las Vegas, Nevada Table of Contents Summary Information ..................................................................................................................................... 3 Biographical Note ............................................................................................................................................ 3 Scope and Contents Note ................................................................................................................................ 4 Arrangement .................................................................................................................................................... 4 Administrative Information ............................................................................................................................. 5 Related Materials ............................................................................................................................................. 5 Names and Subjects ....................................................................................................................................... -
Are They Family?: Queer Parents and Queer Pasts In
ARE THEY FAMILY?: QUEER PARENTS AND QUEER PASTS IN CONTEMPORARY AMERICAN CULTURE BY MICHAEL SHETINA DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2019 Urbana, Illinois Doctoral Committee: Associate Professor Siobhan Somerville, Chair Professor Chantal Nadeau Associate Professor Julie Turnock Associate Professor Richard T. Rodríguez, University of California, Riverside ABSTRACT The early twenty-first century saw a marked increase in depictions of LGBTQ people and communities in American popular culture occurring alongside political activism that culminated in the repeal of the Pentagon's Don't Ask, Don't Tell policy (2010) and the Supreme Court's overturning of same-sex marriage bans in Obergefell v. Hodges (2015). Even as these events fueled a triumphant progressive narrative in which social and political representation moved LGBTQ people into a better future, a significant strain of LGBTQ-focused popular culture drew its attention to the past. My dissertation, Are They Family?: Queer Parents and Queer Pasts in Popular Culture, examines how American film, television, and literature between 2005 and 2016 construct relationships among LGBTQ people across recent history in generational and familial terms. These works queer the concept of the family by deploying parents and parental figures to examine the role of families in the transmission of queer knowledges, practices, and identities, countering notions of families as mere precursors to queer identity—“families of origin”—or as the agential creations of out LGBTQ people—“families of choice.” These works demonstrate how such dichotomous conceptions of family limit the people, experiences, and forms of affect that are legible within the category of LGBTQ history. -
Over 100 Photos and More from the 48Th Annual Chicago Pride Parade
VOL 32, NO. 41 JUNE 28, 2017 www.WindyCityMediaGroup.com COVERAGE BEGINS ON PAGE 12 Photo by Kat Fitzgerald (www.MysticImagesPhotography.com) PRIDE ’17 DYKE MARCH IN LITTLE VILLAGE Over 100 photos and more from the Flag ban mars Chicago Dyke March rally. 14 Photo by Gretchen Rachel Hammond 48th annual Chicago Pride Parade PRIDE NORTH PROUD TO RUN BACK LOT BASH WCT’S 30 UNDER 30 Photo by Kirk Williamson 32 Photo by Nina Matti 31 Photo by Kat Fitzgerald 32 Photo by Hal Baim 30 @windycitytimes1 /windycitymediagroup @windycitytimes www.windycitymediagroup.com B:10.25” T:10” S:9.75” 2 June 28, 2017 WINDY CITY TIMES B:10.25” S:9.75” T:10” ©2017 Target Brands, Inc. The Bullseye Design is a registered trademark of Target Brands, Inc. C-000626-02-004 Brands, of Target trademark Inc. The Bullseye Design is a registered Brands, ©2017 Target C-000626-02-004_Pride2017PrintAdsRop-ROP-WindyCityTimes-10x10.indd 1 5/17/17 5:44 PM US Promo C-000626-02-004 Set Date 06/01/17 CAN Promo N/A Set Date N/A Pride 2017 Print Ads-ROP Market: Windy City Times TRIM: 10” x 10” ACD: N/A BCM: N/A PL: N/A PS: Periscope LIVE: 9.75” x 9.75” CM: N/A PM: N/A CA: N/A US Printer: PUB BLEED: 10.25” x 10.25” AD: N/A TCP: Heidi Anderson PD: N/A CAN Printer: N/A CREATED AT: 100% AG: Target Creative CW: N/A PB: Kathy Carson COLOR: See below AP: N/A CE: N/A M: N/A Cyan, Magenta, Yellow, Black Apple Macintosh, Application/Version: InDesign 10.2 FINAL Run Date Layout N/A Date: N/A FINAL Mech N/A Date: N/A PRODUCTION June 21 Mech Release Mohit Sharma Date: 05/04/2017 PRODUCTION TARGET | PERISCOPE Final Board N/A Date: N/A 01/22/2013 Final Production Ashish Shukla Date: 05/11/2017 June 28 LASER OUTPUT @ None PRO WINDY CITY TIMES June 28, 2017 3 NEWS When A Great Deal Matters, Shop Rob Paddor’s.. -
Rupaul's Drag Race
"Excuse me, we originated the language!" Učinak govora u "RuPaul’s Drag Race" i na hrvatskoj drag sceni Maslać, Mirta Master's thesis / Diplomski rad 2020 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Zagreb, University of Zagreb, Faculty of Humanities and Social Sciences / Sveučilište u Zagrebu, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:131:831150 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-28 Repository / Repozitorij: ODRAZ - open repository of the University of Zagreb Faculty of Humanities and Social Sciences Sveučilište u Zagrebu Filozofski fakultet Odsjek za komparativnu književnost Katedra za teatrologiju i dramatologiju Odsjek za kroatistiku Katedra za hrvatski standardni jezik Excuse me, we originated the language! Učinak govora u RuPaul’s Drag Race i na hrvatskoj drag sceni INTERDISCIPLINARNI DIPLOMSKI RAD 23 ECTS-A Mentorice: red. prof. dr. sc. Lada Čale Feldman, Studentica: Mirta Maslać doc. dr. sc. Tatjana Pišković Zagreb, srpanj 2020. Sadržaj 1. Herstory – kratka povijest draga ........................................................................................... 2 2. RuPaulʼs Drag Race ............................................................................................................... 6 3. Sissy that talk! ........................................................................................................................ 7 4. Ruʼs been read! ................................................................................................................... -
“It's Not Personal, It's Drag”: the Sassy Politics of Rupaul's Drag Race
Felipe González Silva 2078621G MLitt Film and Television Studies Dissertation – September 2015 “It’s Not Personal, It’s Drag”: The Sassy Politics of RuPaul’s Drag Race Supervised by Professor Karen Lury University of Glasgow Word count: 14,840 Beneficiario COLFUTURO 2014 Abstract After the success of reality competition shows such as Project Runway and America’s Next Top Model in the United States, RuPaul’s Drag Race reached the small screen to be the first TV programme of its kind to feature drag queens. Through textual analysis and theories of queer and feminist studies, this thesis joins the fundamental debates about drag and its role in society. With these debates as a starting point, this thesis is dedicated to determining the position of Drag Race within the tension between gay politics and queer politics that lies in the programme’s construction of what drag is supposed to be. By focusing on the relation of masculinity and femininity in drag, and on the role of sleaziness in drag, this thesis argues that RuPaul’s Drag Race refuses to be located unequivocally as a project of either gay or queer politics. This reading does not only propose an innovative take on the programme but it also manages to further problematise the distinction between the two “kinds” of politics. Key words: RuPaul’s Drag Race, drag, gay politics, queer politics, femininity, masculinity, sleaziness, gender, race ii Acknowledgements I would like to show gratitude to my supervisor, Professor Karen Lury. Her impressive knowledge and sensibility about television and academia in general, along with her commitment to my project, helped me develop this dissertation successfully. -
Rupaul's Drag Race from Screens To
‘Tens, Tens, Tens Across the Board’: Representation, Remuneration, and Repercussion – RuPaul’s Drag Race from Screens to Streets Max Mehran A Thesis in The Mel Hoppenheim School of Cinema Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (Film Studies) at Concordia University Montréal, Quebec, Canada January 2020 Ó Max Mehran, 2020 CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Max Mehran Entitled: ‘Tens, Tens, Tens Across the Board’: Representation, Remuneration, and Repercussion – RuPaul’s Drag Race from Screens to Streets and submitted in partial fulfillment of the requirements for the degree of Master of Arts (Film Studies) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final Examining Committee: ________________________________ Chair Luca Caminati ________________________________Examiner Haidee Wasson ________________________________Examiner Glyn Davis ________________________________Supervisor Kay Dickinson Approved by ________________________ Graduate Program Director Luca Caminati ________________________ Dean of Faculty Rebecca Duclos Date: January 20th, 2020 iii ABSTRACT ‘Tens, Tens, Tens Across the Board’: Representation, Remuneration, and Repercussion – RuPaul’s Drag Race from Screens to Streets Max Mehran Since its inception, RuPaul’s Drag Race (Drag Race) (2009-) has pitted drag queens against each other in a series of challenges testing acting, singing, and sewing skills. Drag Race continues to become more profitable and successful by the year and arguably shapes cultural ideas of queer performances in manifold ways. This project investigates the impacts of exploitative labour practices that emerge from the show, the commodification of drag when represented on screen, and how the show influences drag and queer performances off screen. -
Realness Over Reality: Analyzing Gender Binary Deconstruction in Rupaul's Drag Race
Bowling Green State University ScholarWorks@BGSU Ray Browne Conference on Cultural and Critical Studies 2018: Borders and Borderlands Apr 7th, 3:00 PM - 3:50 PM Realness Over Reality: Analyzing Gender Binary Deconstruction in RuPaul’s Drag Race Jonah Wilson Bowling Green State University, [email protected] Follow this and additional works at: https://scholarworks.bgsu.edu/rbc Part of the Lesbian, Gay, Bisexual, and Transgender Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, and the Other Film and Media Studies Commons Wilson, Jonah, "Realness Over Reality: Analyzing Gender Binary Deconstruction in RuPaul’s Drag Race" (2018). Ray Browne Conference on Cultural and Critical Studies. 6. https://scholarworks.bgsu.edu/rbc/2018conference/011/6 This Event is brought to you for free and open access by the Conferences and Events at ScholarWorks@BGSU. It has been accepted for inclusion in Ray Browne Conference on Cultural and Critical Studies by an authorized administrator of ScholarWorks@BGSU. Wilson 1 Jo Wilson Ray Browne Popular Culture Conference, Spring 2018 Realness over Reality: Analyzing Gender Binary Deconstruction in RuPaul’s Drag Race Following the 2008 elections: twenty-nine out of fifty U.S. states legalized same-sex marriage (Liu), Stu Rasmussen, the first openly transgender mayor was elected in the country (Wong), and then-President Barack Obama appointed the first openly transgender woman to a cabinet position (Riley). After talking to producers beginning in 1998, RuPaul Charles premiered his namesake reality show, RuPaul’s Drag Race (RPDR) in 2009 (Daems 14). The show, with the potential to break down barriers of gender expression and sexuality, has had a fair share of controversies—particularly surrounding transphobia and misogyny. -
Be Fabulous and Confident By, Thinking Like a Drag Queen
If you enjoy this excerpt… consider becoming a member of the reader community on our website! Click here for sign-up form. Members automatically get 10% off print, 30% off digital books. More Praise for Fiercely You “Fiercely You is an inspiring book that provides a creative yet clever approach to being our most confi dent selves.” —Anne Murray, Senior Director, Marketing Communications, Southwest Airlines “Who knew that the answer to women’s problems with self-confi dence would come from drag queens? Jackie Huba did—and she explains it all in her groundbreaking book, Fiercely You.” —Liz Bullock, Director, Digital and Paid Media, Rackspace “Fiercely You is an inspirational book that takes the reader through a journey of self-discovery. The authors share strategies to eradicate self- doubt and embrace all aspects of life with authenticity, joy, and confi - dence, rather than fear and uncertainly. It’s a must-read for all ages!” —Kathryn Ferguson, Senior Director, Marketing, SAP Americas “Jackie has done it again! She has turned drag queens into role mod- els for every woman by making new and surprising connections. This is truly a guide that all women can use to build their own confi dence and perform fearlessly in their many life roles.” —Jennifer Hughes, Global Director, Social and Community, Electronic Arts “Fiercely You is your ticket to fi nding and setting free your playful, badass, bold, beautiful self. Step back, Jack. Jackie Huba’s got one helluva ride for those who are ready to start expressing the version of themselves they’ve always wanted to be.” —Victoria Labalme, performing artist, performance coach, and founder of Rock the Room “Fiercely You is for every woman who has ever daydreamed about what she should have done or said. -
2020 Impact Report Looking Back at an Unprecedented Year
2020 IMPACT REPORT LOOKING BACK AT AN UNPRECEDENTED YEAR In September 2019, when I formally launched Drag Out The VoteTM, my goal was to mobilize drag artists across the country to register, educate and turn out voters for the 2020 election. I was driven by learning that 100 million people didn’t vote in the 2016 election and that one out of five LGBTQ+ people were not registered to vote. This had to change. I had big goals of registering voters on stops Jackie Huba for the biggest drag tours. We ended 2019 registering voters in thirty-nine cities on Founder & Executive Director the Official RuPaul’s Drag Race Werq the World Tour and Bianca Del Rio’s (winner of RuPaul’s Drag Race Season 6) national “The last year’s events have tour. We started strong in 2020, registering voters in twenty-five cities on Trixie Mattel’s demonstrated what can be (winner of RuPaul’s Drag Race All Stars 3) accomplished when passionate tour in January, February, and the beginning people come together and werk hard of March. Then everything changed with the start of lockdown for an unpredicted to make a difference.” pandemic. Today, we are an official 501(c)3 nonprofit Our small team -- Liam Kahn, political and organization and have even bigger plans development strategist, and Dylan M. Austin, in 2021. We are excited to build upon our branding and communications strategist from successes from the previous year. And we our agency partner Five Senses Reeling -- know that it will take all of us pulling together had to throw our 2020 plan out the window in our first non-presidential election year to and start over.