The Patterns of Media Ownership in Russia
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Organisational Structure, Programme Production and Audience
OBSERVATOIRE EUROPÉEN DE L'AUDIOVISUEL EUROPEAN AUDIOVISUAL OBSERVATORY EUROPÄISCHE AUDIOVISUELLE INFORMATIONSSTELLE http://www.obs.coe.int TELEVISION IN THE RUSSIAN FEDERATION: ORGANISATIONAL STRUCTURE, PROGRAMME PRODUCTION AND AUDIENCE March 2006 This report was prepared by Internews Russia for the European Audiovisual Observatory based on sources current as of December 2005. Authors: Anna Kachkaeva Ilya Kiriya Grigory Libergal Edited by Manana Aslamazyan and Gillian McCormack Media Law Consultant: Andrei Richter The analyses expressed in this report are the authors’ own opinions and cannot in any way be considered as representing the point of view of the European Audiovisual Observatory, its members and the Council of Europe. CONTENT INTRODUCTION ...........................................................................................................................................6 1. INSTITUTIONAL FRAMEWORK........................................................................................................13 1.1. LEGISLATION ....................................................................................................................................13 1.1.1. Key Media Legislation and Its Problems .......................................................................... 13 1.1.2. Advertising ....................................................................................................................... 22 1.1.3. Copyright and Related Rights ......................................................................................... -
(Stop a Douchebag) Vigilantes in Russia
© Laboratorium: Russian Review of Social Research. 2019. 11(3):16–45 16 DOI: 10.25285/2078-1938-2019-11-3-16-45 EROES OR HOOLIGANS? HMEDIA PORTRAYAL OF STOPXAM (STOP A DOUCHEBAG) VIGILANTES IN RUSSIA Rashid Gabdulhakov Rashid Gabdulhakov, Department of Media and Communication, Erasmus University Rotterdam. Address for correspondence: Erasmus University Rotterdam, Postbus 1738, 3000 DR Rotterdam, Netherlands. [email protected]. The author expresses sincere gratitude to the informants for their contributions, as well as to peer reviewers and editors of this special issue for their valuable feed- back. This work was supported by the Dutch Research Council (NWO) project num- ber 276-45-004. Several state-supported digital vigilante groups emerged in Russia at the downturn of the pro-Kremlin youth group Nashi (Ours), when its former commissars formed issue- specific movements to counter perceived legal and moral offences through exposure of targets on social media. One of such groups is StopXam (Stop a Douchebag), specializ- ing in road-traffic and parking violations. StopXam participants confront the drivers and retaliate by placing stickers that read “I spit on everyone I drive where I want” on the targets’ windshields. The retaliation is often accompanied by verbal and physical fighting; the process is filmed, edited, and shared on YouTube, receiving millions of views. While digital media made such practices possible, traditional broadcasters maintain significance in rendering meaning to the phenomenon of vigilantism and in framing vigilantes, their targets, police, and other actors. As the existing literature on digital vigilantism is predominantly focused on digital media affordances, this article aims to address this gap through a qualitative analysis of traditional media coverage of StopXam. -
Censorship Among Russian Media Personalities and Reporters in the 2010S Elisabeth Schimpfossl the University of Liverpool Ilya Yablokov the University of Manchester
COERCION OR CONFORMISM? CENSORSHIP AND SELF- CENSORSHIP AMONG RUSSIAN MEDIA PERSONALITIES AND REPORTERS IN THE 2010S ELISABETH SCHIMPFOSSL THE UNIVERSITY OF LIVERPOOL ILYA YABLOKOV THE UNIVERSITY OF MANCHESTER Abstract: This article examines questions of censorship, self-censorship and conformism on Russia’s federal television networks during Putin’s third presidential term. It challenges the idea that the political views and images broadcast by federal television are imposed coercively upon reporters, presenters and anchors. Based on an analysis of interviews with famous media personalities as well as rank-and-file reporters, this article argues that media governance in contemporary Russia does not need to resort to coercive methods, or the exertion of self-censorship among its staff, to support government views. Quite the contrary: reporters enjoy relatively large leeway to develop their creativity, which is crucial for state-aligned television networks to keep audience ratings up. Those pundits, anchors and reporters who are involved in the direct promotion of Kremlin positions usually have consciously and deliberately chosen to do so. The more famous they are, the more they partake in the production of political discourses. Elisabeth Schimpfossl, Ph.D., teaches history at The University of Liverpool, 12 Abercromby Square, Liverpool, L69 7WZ, UK, email: [email protected]; Ilya Yablokov is a Ph.D. candidate in Russian and East European Studies, School of Arts, Languages and Cultures, The University of Manchester, Oxford Road, Manchester, -
Covering Conflict – Reporting on Conflicts in the North Caucasus in the Russian Media – ARTICLE 19, London, 2008 – Index Number: EUROPE/2008/05
CO VERIN G CO N FLICT Reporting on Conflicts in the N orth Caucasus in the Russian M edia N M AY 2008 ARTICLE 19, 6-8 Am w ell Street, London EC1R 1U Q , U nited Kingdom Tel +44 20 7278 9292 · Fax +44 20 7278 7660 · info@ article19.org · http://w w w .article19.org ARTICLE 19 GLOBAL CAMPAIGN FOR FREE EXPRESSION Covering Conflict – Reporting on Conflicts in the North Caucasus in the Russian Media – ARTICLE 19, London, 2008 – Index Number: EUROPE/2008/05 i ARTICLE 19 GLOBAL CAMPAIGN FOR FREE EXPRESSION Covering Conflict Reporting on Conflicts in the North Caucasus in the Russian Media May 2008 © ARTICLE 19 ISBN 978-1-906586-01-0 Covering Conflict – Reporting on Conflicts in the North Caucasus in the Russian Media – ARTICLE 19, London, 2008 – Index Number: EUROPE/2008/05 i i ARTICLE 19 GLOBAL CAMPAIGN FOR FREE EXPRESSION Covering Conflict – Reporting on Conflicts in the North Caucasus in the Russian Media – ARTICLE 19, London, 2008 – Index Number: EUROPE/2008/05 ii i ARTICLE 19 GLOBAL CAMPAIGN FOR FREE EXPRESSION A CKN O W LED G EM EN TS This report was researched and written by the Europe Programme of ARTICLE 19. Chapter 6, on ‘International Standards of Freedom of Expression and Conflict Reporting’ was written by Toby Mendel, Director of ARTICLE 19’s Law Programme. Chapter 5, ‘Reporting Conflict: Media Monitoring Results’ was compiled by Natalia Mirimanova, independent conflict resolution and media consultant. The analysis of media monitoring data was carried out by Natalia Mirimanova and Luitgard Hammerer, (formerly) ARTICLE 19 Regional Representative - Europe, CIS. -
Russian Media in Teleological Perspective As a Methodological Challenge: Reconstructing Goals for Understanding Effects
RUSSIAN MEDIA IN TELEOLOGICAL PERSPECTIVE AS A METHODOLOGICAL CHALLENGE: RECONSTRUCTING GOALS FOR UNDERSTANDING EFFECTS РОССИЙСКИЕ СМИ В ТЕЛЕОЛОГИЧЕСКОЙ ПЕРСПЕКТИВЕ КАК МЕТОДОЛОГИЧЕСКИЙ ВЫЗОВ: РЕКОНСТРУКЦИЯ ЦЕЛЕЙ ДЛЯ ПОНИМАНИЯ ЭФФЕКТОВ Viktor M. Khroul, PhD in Philology, Associate Professor, Chair of Sociology of Mass Communications, Faculty of Journalism, Lomonosov Moscow State University, Moscow, Russia [email protected] Виктор Михайлович Хруль, кандидат филологических наук, доцент, кафедра социологии массовых коммуникаций, факультет журналистики, Московский государственный университет имени М. В. Ломоносова, Москва, Россия [email protected] The media effects studies are more precise in a teleological perspective implying that the effects are analyzed in terms of goals. The teleological approach to journalism must be based on an analysis of the transparency and regularity of the goal formation process, the level of consistency and hierarchicality of goals and their compliance with the social mission of the media. The author considers it useful to engage in an interdisciplinary cooperation in the area of teleological studies of journalism and mass media with sociologists, linguists and psychologists. 191 Key words: journalism, goals, teleological model, social mission, intent analysis. Изучение эффектов деятельности СМИ корректно про- водить с учетом поставленных целей, то есть в телеологи- ческой перспективе. Телеологический подход к журналисти- ке подразумевает анализ степени прозрачности и систем- ности процесса целеполагания, уровня согласованности и иерархичности целей, а также их соответствие социальной миссии СМИ. Автор полагает, что плодотворность тако- го подхода во многом зависит от состояния междисципли- нарного сотрудничества в области исследований эффектов СМИ, взаимодействия исследователей медиа с социолога- ми, лингвистами и психологами, в частности, при развитии метода интент-анализа. Ключевые слова: журналистика, цели, телеологический подход, социальная миссия, интент-анализ. -
The Kremlin's Proxy War on Independent Journalism
Reuters Institute Fellowship Paper University of Oxford WEEDING OUT THE UPSTARTS: THE KREMLIN’S PROXY WAR ON INDEPENDENT JOURNALISM by Alexey Eremenko Trinity Term 2015 Sponsor: The Wincott Foundation 1 Table of Contents: ACKNOWLEDGMENTS 3 INTRODUCTION 4 1. INTERNET & FREEDOM 7 1.1 STATISTICAL OVERVIEW 7 1.2 MEDIA REGULATIONS 8 1.3 SITES USED 9 2. ‘LINKS OF THE GODDAMN CHAIN’ 12 2.1 EDITORIAL TAKEOVER 12 2.2 DIRECT HIT 17 2.3 FINDINGS 22 3. THE MISSING LINKS 24 3.1 THE UNAFFECTED 24 3.2 WHAT’S NOT DONE 26 4. MORE PUTIN! A CASE STUDY IN COVERAGE CHANGE 30 4.1 CATEGORIES 30 4.2 KEYWORDS 31 4.3 STORY SUBJECTS 32 4.4 SENTIMENT ANALYSIS 32 5. CONCLUSIONS 36 BIBLIOGRAPHY 38 2 Acknowledgments I am immensely grateful, first and foremost, to the fellows at the Reuters Institute for the Study of Journalism, whose expertise and good spirits made for a Platonic ideal of a research environment. James Painter and John Lloyd provided invaluable academic insight, and my past and present employers at the Moscow Times and NBC News, respectively, have my undying gratitude for agreeing to spare me for three whole eventful months, an eternity in the news gathering business. Finally, my sponsor, the Wincott Foundation, and the Reuters Institute itself, believed in me and my topic enough to make this paper possible and deserve the ultimate credit for whatever meager contribution it makes to the academia and, hopefully, upholding the freedom of speech in the world. 3 Introduction “Freedom of speech was and remains a sacrosanct value of the Russian democracy,” Russian leader Vladimir Putin said in his first state of the nation in 2000. -
Computational Propaganda in Russia: the Origins of Digital Misinformation
Working Paper No. 2017.3 Computational Propaganda in Russia: The Origins of Digital Misinformation Sergey Sanovich, New York University 1 Table of Contents Abstract ............................................................................................................................................................... 3 Introduction.......................................................................................................................................................... 3 Domestic Origins of Russian Foreign Digital Propaganda ......................................................................... 5 Identifying Russian Bots on Twitter .............................................................................................................. 13 Conclusion ......................................................................................................................................................... 15 Author Acknowledgements ............................................................................................................................ 17 About the Author ............................................................................................................................................. 17 References ........................................................................................................................................................ 18 Citation ............................................................................................................................................................ -
Operating Expenses
CTC Media, Inc. Investor Presentation Fourth Quarter 2011 and Full Year 2011 Results A Leading Independent Broadcaster in Russia Doctor Zaytseva’s Diary – new sitcom, CTC Network (Doctor’s Dairy format) 2 We Fully Capture the Value Chain by Being a Vertically Integrated TV Broadcaster CTC – target audience All 6-54 Domashny – target audience Females 25-59 FREE-TO-AIR (RUSSIA) Peretz* – target audience All 25-59 Kazakhstan Channel 31 FREE-TO-AIR (CIS) Moldova СTС/TV Dixi channel CONTENT PRODUCTION Story First Production AD-SALES Internal advertising sales house Everest CTC-INTERNATIONAL (PAY-TV) International version of CTC channel Various digital projects NEW MEDIA Social TV Network Videomore.ru Women’s portal Note: (*) DTV Network operates under Peretz brand name & logo starting from October 2011 3 Group Highlights for the FY 2011 GROUP FINANCIAL HIGHLIGHTS . Consolidated revenues up 13% to $766.4 million . Adjusted OIBDA* of $246.7 million with margin of 32.2% . Adjusted net income* of $152.6 million, adjusted fully diluted EPS of $0.97 . Payment of $130 million of cash dividends in 2011 . Board of Directors intends to pay an aggregate cash dividend of $80 million in 2012 . Net cash position of $112.6 million at Dec 31, 2011 GROUP OPERATIONAL HIGHLIGHTS . Successful relauch of DTV Network under the “Peretz” brand name and logo in October . Significant increases in technical penetration of all Russian networks, acquisition of 14 regional TV stations in 12 Russian cities . Establishment of new unified content production company Story First Production (merge Costafilm and Soho Media platforms) . Launch of CTC-international in Germany, Baltics and North America . -
Sergey Shanovich
SERGEY SHANOVICH ARTIST GRAPHIC DESIGNER DIRECTOR PRODUCER FOUNDER AND CREATIVE DIRECTOR OF SHANDESIGN STUDIO AUTHOR OF THE ORIGINAL FONTS AND CYRILLIC VERSIONS OF LATIN TYPEFACES The Academician of the Russian Television Academy The Chairman of the Board of Television Designers and Promoters Eurasian Guild The Member of the International Association of TV designers and promoters «PromaxBda» The Member of the Documentary Film Guild The Curator of the Moscow International Biennale of Graphic Design «Golden Bee» The General partner of the International Typography Video Festival «TYPOMANIA» The Curator of TV design course at British Higher School of Art and Design THE HEAD OF THE CREATIVE TEAM WORKING CREATIVE DIRECTOR OF TV PROJECTS: ON THE CREATION OF FOLLOWING CAMPAIGNS: Eurovision Song Contest Baku (EBU) 2012 Elections of the President of the Russian Federation *advertising campaign 2008 Dance show (TNT) 2014 Advertising campaigns for Gazprom OJSC: The Power of Siberia, National Treasure; Lukoil; THE HEAD OF THE CREATIVE TEAM, PRODUCER Rosneft; Transaero; Rusnano; Troika Dialog; SBERBANK; AND DIRECTOR WORKING ON THE CREATION Azerbaijan*state branding OF SPORTS PROMOTIONAL CAMPAIGNS: SPORT EVENTS MEDIA BRANDING Battle of champions (REN TV / RUSSIA 2) 2006 - 2011 An advertising campaign and branding for MATCH, TNT, NTV, CTC, DOMASHNIY, TVC, REN TV, World Combat Games Saint Petersburg 2013, media holding BRIDGE MEDIA and many others Opening Ceremony 2013 Fight Nights (REN TV / DTV / RUSSIA 2) 2010 - 2015 PRODUCER AND DIRECTOR OF TV PROJECTS: -
«My Favourite TV Program»
«My Favourite TV Program» student: Kurdina Anna Grade 6 "L" class teacher Kokurina Elena Olegovna Dubna, 2017 Preface It's not a secret that most people of all ages today can't live without TV. Children, their parents,teachers and other people watch TV every day. But not all of them watch everything that is on. Despite the fact that in Russia there are hundreds of TV channels, most of viewers watch the TOP 50 channels. More than 34% of the audience prefer the first three channels "the First channel" "Russia 1" and NTV. The TOP 10 includes TNT, TV-3, STS, Home, Ren TV, Channel Five and TV Center. In my family my parents and I prefer different channels. Sometimes we even argue what to watch. And I wondered whether my classmates and teachers have similar problems at home. So I began to ask them about their preferences. And today I'd like to tell you about it because it turned out to be rather interesting. Main part 1. Why do we watch TV? Some people use TV as a background Others switch on the TV sets just to waste time. We can watch TV to learn something new. .We watch TV for entertainment 2. A variety of TV channels. As I have already mentioned today we have a lot of TV channels. Almost every channel specialise on different genres Genre Name of TV channels Entertainment CTC, TNT , Friday Scientific Animal planet ,Russia Culture Cartoon Cartoon TV, Disney , Cartoon Network Everyday First channel, Russia1 Sitcom Russian Novel, Home News Russia 24 Sport Match TV, EuroSport 3. -
Elisa Elamus Ja Elisa Klassik Kanalipaketid Kanalid Seisuga 25.09.2021
Elisa Elamus ja Elisa Klassik kanalipaketid kanalid seisuga 25.09.2021 XL/XLK 99 telekanalit + 7 HD kanalit L/LK 99 telekanalit M/MK 61 telekanalit S/SK 40 telekanalit PROGRAMM KANAL AUDIO SUBTIITRID PROGRAMM KANAL AUDIO SUBTIITRID ETV 1 EST 3+ 66 RUS Kanal 2 2 EST STS 71 RUS TV3 3 EST Dom kino 87 RUS ETV2 4 EST TNT4 90 RUS TV6 5 EST TNT 93 RUS Duo4 6 EST Pjatnitsa 104 RUS Duo5 7 EST Kinokomedia HD 126 RUS Elisa 14 EST Eesti Kanal 150 EST Cartoon Network 17 ENG; RUS Meeleolukanal HD 300 EST KidZone TV 20 EST; RUS Euronews 704 RUS Euronews HD 21 ENG 3+ HD 931 RUS CNBC Europe 32 ENG TV6 HD 932 EST ALO TV 46 EST TV3 HD 933 EST MyHits HD 47 EST Duo7 HD 934 RUS Deutsche Welle 56 ENG Duo5 HD 935 EST ETV+ 59 RUS Duo4 HD 936 EST PBK 60 RUS Kanal 2 HD 937 EST RTR-Planeta 61 RUS ETV+ HD 938 RUS REN TV Estonia 62 RUS ETV2 HD 939 EST NTV Mir 63 RUS ETV HD 940 EST Fox Life 8 ENG; RUS EST Discovery Channel 37 ENG; RUS EST Fox 9 ENG; RUS EST BBC Earth HD 44 ENG-DD Duo3 10 ENG; RUS EST VH 1 48 ENG TLC 15 ENG; RUS EST TV 7 57 EST Nickelodeon 18 ENG; EST; RUS Orsent TV 69 RUS CNN 22 ENG TVN 70 RUS BBC World News 23 ENG 1+2 72 RUS Bloomberg TV 24 ENG Eurosport 1 HD 905 ENG; ENG-DD; RUS Eurosport 1 28 ENG; RUS Duo3 HD 917 ENG; RUS EST Viasat History 33 ENG; RUS EST; FIN; LAT Viasat History HD 919 ENG; RUS EST; FIN History 35 ENG; RUS EST Duo6 11 ENG; RUS EST Eurochannel HD 52 ENG EST FilmZone 12 ENG; RUS EST Life TV 58 RUS FilmZone+ 13 ENG; RUS EST TV XXI 67 RUS AMC 16 ENG; RUS Kanal Ju 73 RUS Pingviniukas 19 EST; RUS 24 Kanal 74 UKR HGTV HD 27 ENG EST Belarus -
Democracy in Russia: Trends and Implications for U.S
Order Code RL32662 CRS Report for Congress Received through the CRS Web Democracy in Russia: Trends and Implications for U.S. Interests Updated January 28, 2005 Jim Nichol Specialist in Russian and Eurasian Affairs Foreign Affairs, Defense, and Trade Division Congressional Research Service ˜ The Library of Congress Democracy in Russia: Trends and Implications for U.S. Interests Summary U.S. attention has focused on Russia’s fitful democratization since Russia emerged in 1991 from the collapse of the Soviet Union. Many observers have argued that a democratic Russia with free markets would be a cooperative bilateral and multilateral partner rather than an insular and hostile national security threat. Concerns about democratization progress appeared heightened after Vladimir Putin became president in 2000. Since then, there has been increased government interference in elections and campaigns, restrictions on freedom of the media, civil as well as human rights abuses in the breakaway Chechnya region, and the arrest of businessman Mikhail Khodorkovskiy as an apparent warning to other entrepreneurs not to support opposition parties or otherwise challenge government policy. Following terrorist attacks in Russia that culminated in the deaths of hundreds of school-children in the town of Beslan, President Putin on September 13, 2004, proposed restructuring all three branches of government and strengthening federal powers to better counter the terrorist threat to Russia. The proposed restructuring included integrating security agencies, switching to party list voting for the Duma (lower legislative chamber), eliminating direct elections of the heads of federal subunits, asserting greater presidential control over the judiciary, and mobilizing social support for the government by strengthening political parties and eliciting the views of non-governmental organizations.