Concert Rock Violinist Aaron Meyer
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The Portland Spectator, February 2003
Portland State University PDXScholar University Archives: Campus Publications & Portland Spectator Productions 2-15-2003 The Portland Spectator, February 2003 Portland State University. Student Publications Board Follow this and additional works at: https://pdxscholar.library.pdx.edu/spectator Let us know how access to this document benefits ou.y Recommended Citation Portland State University. Student Publications Board, "The Portland Spectator, February 2003" (2003). Portland Spectator. 2. https://pdxscholar.library.pdx.edu/spectator/2 This Book is brought to you for free and open access. It has been accepted for inclusion in Portland Spectator by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. THE AGE OF WHITE GUILT • FOCUS ON DIVERSITY • SEX & THE CITY The Portland Spectator FEBRUARY 2003 Why Greed is Good FEBRUARY 2003 MISSION STATEMENT The purpose of the Portland Spectator is to provide the students, faculty, and staff with the alternative viewpoint to the left-wing mentality forced upon all at Portland State University. The Portland Spectator is concerned with the defense LIFE LIBERTY PROPERTY and advancement of the ideals under which our great Republic was founded. Our viewpoint originates from the following principles: Editor-in-Chief Individual Liberty Napoleon Linardatos Limited Government Managing Editor Free Market Economy and Free Trade Joey Coon The Rule of Law Senior Editor Shahriyar Smith The Portland Spectator is published by the Portland State University Copy Editor Publication Board; and is staffed solely by volunteer editors and writers. The Mary McShane Portland Spectator is funded through incidental student fees, advertisement rev- enue, and private donations. -
Grateful Dead Records: Artwork MS.332.Ser
http://oac.cdlib.org/findaid/ark:/13030/c8ff3qrq Online items available Grateful Dead Records: Artwork MS.332.Ser. 9 Wyatt Young, Alix Norton University of California, Santa Cruz 2018 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Grateful Dead Records: Artwork MS.332.Ser. 9 1 MS.332.Ser. 9 Contributing Institution: University of California, Santa Cruz Title: Grateful Dead Records: Artwork Creator: Grateful Dead Productions Identifier/Call Number: MS.332.Ser. 9 Physical Description: 178 Linear Feet42 boxes, 9 map-case drawers, and 103 oversized items Date (inclusive): 1972-2012 Date (bulk): 1980-2008 Language of Material: English . https://www.gdao.org/ Access Collection is open for research. Advance notice is required to access large and framed items so that they can be retrieved from storage. Please contact Special Collections and Archives in advance to request access. Accruals The first accrual was received in 2008. A second accrual was received in June 2012. Acquisition Information Gift of Grateful Dead Productions, 2008 and 2012. Arrangement This collection is arranged in three series: Series 1: Business Art Series 2: Fan Art Series 3: Band Art Materials within each series are arranged alphabetically by last name of artist, where identified. Biography The Grateful Dead were an American rock band that formed in 1965 in Northern California. They came to fame as part of author Ken Kesey's Acid Tests, a series of multimedia happenings centered around then-legal LSD. Famed for their concerts, the band performed more than 2,300 shows over thirty years, disbanding after the death of lead guitarist Jerry Garcia in August 1995. -
Introduction in Their Thirty Years Together, the Grateful Dead Forever
Introduction In their thirty years together, the Grateful Dead forever altered the way in which popular music is performed, recorded, heard, marketed, and shared. Founding members Jerry Garcia, Bill Kreutzmann, Phil Lesh, Ron “Pigpen” McKernan, and Bob Weir took the name Grateful Dead in 1965, after incarnations as Mother McCree’s Uptown Jug Champions and The Warlocks. Despite significant changes in the band’s lineup, including the addition of Mickey Hart and the death of Ron McKernan, the band played together until Jerry Garcia’s death in 1995. From the beginning, the Grateful Dead distinguished themselves by their preference for live performance, musical and business creativity, and an unprecedented dedication to their fans. Working musicians rather than rock stars, the Dead developed a distinctive sound while performing as latter-day American troubadours, bringing audio precision to their live performances and the spontaneity of live performances to their studio work. Side-stepping the established rules of the recording industry, the Dead took control of the production and distribution of their music. With a similar business savvy, they introduced strategic marketing innovations that strengthened the bond with their fans. This exhibition, the first extensive presentation of materials from the Grateful Dead Archive housed at the University of California, Santa Cruz, testifies to the enduring impact of the Grateful Dead and provides a glimpse into the social upheavals and awakenings of the late twentieth century—a transformative period that profoundly shaped our present cultural landscape. Amalie R. Rothschild, Fillmore East Marquee, December 1969. Courtesy Amalie R. Rothschild Beginnings The Grateful Dead began their musical journey in the San Francisco Bay Area at a pivotal time in American history, when the sensibilities of the Beat generation coincided with the spirit of the burgeoning hippie movement. -
New York Clipper (Jul 1923)
"* V J'l Mr f^^apfeff\^ "#c/x<7^ JNEW TvaRiv ^ j ^ THE QLpgST THEA1:R1CA1^ lu Hi it i ivi III ii ii tij lii ^11 in Iff fjfs ^» wr-m '' - 2 THE NEW YORK CLIPPER July 4, 1923 FOREIGN NEWS NEAR RIOT AT THOMPSON OPENING CUTTING VARIETY PRICES "AREN'T WE ALL" CLOSING REVWINC WAGNER OPERAS London, July 2.—A small-sized riot London', July 2.—Various provincial London July Z—"Aren't We All," Berlin, Jul/ 2.—The Wagner Festival witnessed the opemnK of "Phanis, the theatre centers are seriously thinking of Frederick Lonsdale's comedy will close here Committee has reached a dennite decision Egyptian," known in America as "Tbomp- lowering the prices of admission of varie^ shortly. It is not a big success here and to revive thi< great musical event next son. the Egyptian," at the Palladimn shows in an effort to stimulate more busi- theatregoers are surprised at the enthusias- year with the presentation of "Parsifal," theatre here. "Pharos" pifesents an offer- ness for the houses, which is admittedly at tic reports received from the United States "Lohengrin," and the "Meistersinger," and ing exploiting "nerve-therapy," by which a very low ebb. If the quality of the where at the Gaiety Theatre^ New York; the singers- started rehearsals today at he dauns to relieve pain by means of shows in question are kept up the move Cyril Maude is scoring one of the biggest Bayreuth. The Festival will be held from simple nerve-pressure, without the use ot is believed to be a good one for the in- hits of his entire career. -
Still on the Road 1980 a Musical Retrospective Tour
STILL ON THE ROAD 1980 A MUSICAL RETROSPECTIVE TOUR NOVEMBER 9 San Francisco, California Fox Warfield Theatre 10 San Francisco, California Fox Warfield Theatre 11 San Francisco, California Fox Warfield Theatre 12 San Francisco, California Fox Warfield Theatre 13 San Francisco, California Fox Warfield Theatre 15 San Francisco, California Fox Warfield Theatre 16 San Francisco, California Fox Warfield Theatre 17 San Francisco, California Fox Warfield Theatre 18 San Francisco, California Fox Warfield Theatre 19 San Francisco, California Fox Warfield Theatre 21 San Francisco, California Fox Warfield Theatre 22 San Francisco, California Fox Warfield Theatre 24 Tucson, Arizona Tucson Community Center Arena 26 San Diego, California Golden Hall 29 Seattle, Washington Paramount Northwest Theatre 30 Seattle, Washington Paramount Northwest Theatre DECEMBER 2 Salem, Oregon The Armory 3 Portland, Oregon Paramount Theater 4 Portland, Oregon Paramount Theater Still On The Road: 1980 A Musical Retrospective Tour 5920 Fox Warfield Theatre San Francisco, California 9 November 1980 1. Gotta Serve Somebody 2. I Believe In You 3. Like A Rolling Stone Carolyn Dennis: Walk Around Heaven All Day (Cassietta George) 4. Man Gave Names To All The Animals 5. Precious Angel 6. Ain't Gonna Go To Hell For Anybody 7. Girl From The North Country 8. Slow Train Regina McCrary: Till I Get It Right (Red Lane/Larry Henley) 9. Abraham, Martin And John (Dick Holler) 10. Let's Keep It Between Us 11. Covenant Woman 12. Solid Rock 13. Just Like A Woman 14. When You Gonna Wake Up 15. Señor (Tales Of Yankee Power) 16. In The Garden — 17. Blowin' In The Wind First concert of A Musical Retrospective Tour. -
1. Name 3. Classification 4. Owner of Property
NPS Form 10-900 OMB No. 1024-0018 Exp. 1O-31-84 United States Department off the Interior National Park Service National Register of Historic Places t 3 Inventory—Nomination Form APR I 0 See instructions in How to Complete National Register Forms Type all entries—complete applicable sections_______________ 1. Name historic Market Street Theatre and Loft District NOV Z 0 1985 and/or common None 2. Location UHB Roughly: 982-1112 Market St. (northwest side), 973-1105 Market St. street & number (southeast side). One Jones St. and 1-35 Taylor St. #/A not for publication city, town San Francisco N/A vicinity of N/A state California code 06 county San Francisco code 075 3. Classification Category Ownership Status Present Use y district public x occupied agriculture museum building(s) x private unoccupied x commercial park Structure both work in progress educational private residence $itp Public Acquisition Accessible x entertainment religious object . in process yes: restricted government scientific W/A being considered x yes: unrestricted industrial transportation no military otherr 4. Owner of Property name Multiple, see continuation page 1 street & number city, town vicinity of state 5. Location of Legal Description courthouse, registry of deeds, etc. Hall of Records City Hall street & number city, town San Francisco state California 6. Representation in Existing Surveys__________ title Multiple, see continuation page 6 . has this property been determined eligible? __ yes _x_ no date _______________________^—federal __state __county local city, town state 7. Description Condition Check one Check one deteriorated unaltered x original s ite excellent N/A ——x — aoody »»»»•— .: , , . ruins x altered moved date fair __ unexposed Describe the present and original (iff known) physical appearance The Market Street Theatre and Loft District is an imposing but somewhat rundown group of commercial buildings on both sides of Market Street, San Francisco, for nearly 1200 feet from Sixth Street to Seventh Street and a little beyond in both directions. -
Jerry Garcia from Wikipedia, the Free Encyclopedia
Jerry Garcia From Wikipedia, the free encyclopedia Background information Birth name Jerome John Garcia Born August 1, 1942, San Francisco, California, United States Died August 9, 1995 (aged 53), Forest Knolls, California, United States Genres Folk rock, bluegrass, progressive rock Occupation(s) Musician, songwriter Instruments Guitar, vocals, pedal steel guitar, banjo Years active 1960–1995 Labels Rhino, Arista, Warner Bros., Acoustic Disc, Grateful Dead Associated acts Grateful Dead, Legion of Mary, Reconstruction, Jerry Garcia Band, Old and in the Way, Jerry Garcia Acoustic Band, New Riders of the Purple Sage͵ Garcia Grisman Band Notable instruments Fender Stratocaster "Alligator" Doug Irwin-modified Alembic "Wolf" Gibson SGs Guild Starfire 1957 Gibson Les Paul Gold-top Les Paul with P-90 Doug Irwin Custom "Tiger" Doug Irwin Custom "Rosebud" Stephen Cripe Custom "Lightning Bolt," Martin D-28, Takamine acoustic-electric guitars Travis Bean TB1000S, TB500[1] Jerome John "Jerry" Garcia (August 1, 1942 – August 9, 1995) was an American musician best known for his lead guitar work, singing and songwriting with the band the Grateful Dead, which came to prominence during the counterculture era. Though he disavowed the role, Garcia was viewed by many as the leader or "spokesman" of the group. One of its founders, Garcia performed with the Grateful Dead for their entire thirty-year career (1965–1995). Garcia also founded and participated in a variety of side projects, including the Saunders-Garcia Band (with longtime friend Merl Saunders), the Jerry Garcia Band, Old and in the Way, the Garcia/Grisman acoustic duo, Legion of Mary, and the New Riders of the Purple Sage (which Garcia co-founded with John Dawson and David Nelson). -
Grateful Dead Marathon ‘Thank You’ Gift Description
2020 GRATEFUL DEAD MARATHON ‘THANK YOU’ GIFT DESCRIPTION Once again, in the essence of Time & Space, please peruse this document highlighting the modest sampling of Cosmic Artifacts we are offering as “Thank- You Gifts” from The Undisputed Psychedelic Kings of San Francisco and Company. As several Items are in extremely limited supply, please check the main “Marathon Thank-You Gifts” Listing on KKUP’s website to verify the minimum pledge needed to secure one of these Celestial Beauties as well as their availability. As we predict again that additional Sonic Artifacts will cosmically materialize in course of this celebration, please continue to check for the next Inter-Galactic Update!!! May the Unparalleled Legendary Status of the Grateful Dead in All Their Sonic Percolations Live and Prosper Forever … Table of Contents KKUP 2018 GRATEFUL DEAD THANK YOU GIFTS All Gifts include One KKUP Grateful Dead Marathon (available in both Women's & Men's Sizes) KKUP THANK YOU GIFT WITH KKUP MINIMUM ITEM PAGE YEAR ARTIST / DESCRIPTION TOTE BAG PLEDGE GDM20001 5 1966 Grateful Dead / The Grateful Dead 50th Anniversary 2-CD Limited Deluxe Edition Yes $ 100.00 GDM20002 7 1967 Grateful Dead / Anthem Of The Sun 50th Anniversary 2-CD Limited Deluxe Edition Yes $ 100.00 GDM20003 9 1970 Grateful Dead / Road Trips Vol. 3 No. 3 -- Fillmore East 5-15-70 Limited Edition 3-CD Set $ 100.00 GDM20004 9 1970 Grateful Dead / Road Trips Vol. 3 No. 3 -- Fillmore East 5-15-70 Limited Edition 3-CD Set $ 100.00 GDM20005 9 1970 Grateful Dead / Road Trips Vol. 3 No. -
This Newspaper Is Ready to Go the Extra Mile
Contemporary ‘Wives’ Bag&Baggage stages new twist on old comedy — See Page A7 FRIDAY, MARCH 15, 2013 • SERVING HILLSBORO • WWW.HILLSBOROTRIBUNE.COM • VOL. 02, NO. 06 • FREE Orenco poised to expand again project will include at least 579 units the council to take the necessary Nearly 600 housing in three new buildings, up to 25,000 steps to allow Orenco to grow. square feet of retail space, and an out- “This project delivers on council units set to be added door plaza for public events. The de- priorities,” Cooper told the council on Hillsboro’s north side velopment agreement approved by members. “It is transit-oriented and the council last week calls for fi ve eat- close to high employment centers. I ing establishments to be built facing feel the benefi ts to the community By JIM REDDEN and DOUG BURKHARDT the plaza, which will be located near are signifi cant.” The Hillsboro Tribune the MAX station. Cooper added that the city could To pave the way for the develop- get a substantial economic boost re- Signs of residential and em- ment, the council first needed to lated to the housing expansion. He ployment growth in Hillsboro just adopt a resolution allowing for ex- noted that as much as 80 percent of keep coming. pansion of the “vertical housing de- those working in Hillsboro commute In a unanimous vote on the evening velopment zone” in the Orenco Sta- here from nearby towns. of March 5, the Hillsboro City Council tion area. “That’s fine, but a tremendous gave fi nal approval to a proposed $120 Before the council voted, Colin amount of money is being spent million mixed-use development at Cooper, assistant planning director somewhere else as a result,” he said. -
Teens to Queens Workshop June 28Th- June 30Th, 2017
Teens to Queens Workshop June 28th- June 30th, 2017. 9am-12pm Participation Requirements: * $200.00 Participation Fee * Between Ages 12-16 * Completed Registration Packet * All Funds and Forms * Energetic and Enthusiastic Attitude Workshop Includes: * Introduction to the Miss Oregon State and Local Volunteers/ Directors * Meeting Miss Oregon 2016, Miss Oregon’s Outstanding Teen 2016 as well as this years Contestants *Free Entrance to the Princess Tea- Featuring Katie Harman Ebner, Miss America 2002 *Official T-Shirt * Three days of Workshop Seminars which is designed to help you with: -Communty Service/ Platform Development -Resume and Paltform Paperwork Construcution -Interview and Public Speech Development -Talent selection and presentation Tips -Signiture Style/ Personal Branding Tips -Walk the Runway- All the Time -Scholarships. Questions/ reserve you spot: Questions can be directed to Stephenie West, Executive Teen Director, at [email protected] Send your completed registration information via email or Mail to: Teens to Queens Camp: 51195 SW Klompen St. Scappoose, OR 97056 Official Workshop Agenda to be given at Check-in, 9:00am, June 28th, 2017! We look forward to seeing you all in Seaside! 1 Teens to Queens Registration Forms and non-refundable payment must be received on or before June 21st, 2017 *Keeping a copy of completed/ submitted forms for reference is recommended. Teen Name: Home Phone: Cell Phone: Parents Names: Address: City: State: Zip Code: Birth Date: Age on 8/1/2017: School: Grade: E-Mail Address: Who may we thank for referring you to our Teen Workshop: Wardrobe: Teens are provided with one Official Program T-shirt. if you would like to purchase any additional t-shirts, they are an additional $25.00. -
Religion, Miss America, and the Construction of Evangelical Womanhood
Religion, Miss America, and the Construction of Evangelical Womanhood by Mandy Ellene McMichael Graduate Program in Religion Duke University Date: April 8, 2014 Approved: ___________________________ Grant Wacker, Supervisor ___________________________ Mark Chaves ___________________________ Randy L. Maddox ___________________________ Thomas A. Tweed ___________________________ Timothy B. Tyson Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate Program in Religion in the Graduate School of Duke University 2014 ABSTRACT Religion, Miss America, and the Construction of Evangelical Womanhood by Mandy Ellene McMichael Graduate Program in Religion Duke University Date: April 8, 2014 Approved: ___________________________ Grant Wacker, Supervisor ___________________________ Mark Chaves ___________________________ Randy L. Maddox ___________________________ Thomas A. Tweed ___________________________ Timothy B. Tyson An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate Program in Religion in the Graduate School of Duke University 2014 Copyright by Mandy Ellene McMichael 2014 Abstract Christian engagement with beauty contests shifted dramatically between the initial Miss America pageant in 1921 and its 90 th anniversary in 2011. This dissertation explores how and why many Christians found the organization an institution worthy of partnership with the church. It examines three aspects of Christian involvement in the contest: the long history of beauty pageants, the persistent emphasis on individual physical attractiveness, and the idea of witness in southern evangelical culture. It argues that after 1965, at least two factors enabled the unlikely marriage of Christians and the Miss America Organization: the perceived threat of second-wave feminism and evangelicalism’s increasing desire to engage culture. -
Hibbing Public Library
Bob Dylan Exhibit Cover Art was used with the permission of Lori Nicolelli-Harter This timeline may not be sold or copied for redistribution without written permission of the Hibbing Public Library. The Bob Dylan Exhibit was originally created with funds from Hilligoss Family Foundation Minnesota Library Association Foundation National Endowments for the Humanities Upper Midwest Conservation Association Revised May 2013 Hibbing Public Library May 2013 Bob Dylan Exhibit Photographs 1. Birth Certificate of Robert Allen Zimmerman. 1941 2. Feldman’s Clothing Store in Robert Allen Zimmerman (aka Bob Dylan is born to Abram H. Zimmerman and Hibbing. Beatrice worked Beatrice Stone Zimmerman at St. Mary’s Hospital in Duluth, Minnesota on May here as a clerk. (Aubin 24th. Photography) 3. Beatrice and Abram Zimmerman, 1939. 1946 (Photographer unknown) 4. Bob Zimmerman is on the far In February, brother, David Benjamin Zimmerman is born. right with his mother, Beatty Bob attends Kindergarten at Duluth Nettleton School in Septem- behind him. (Photographer ber. unknown) 5. Stone’s Clothing Store in Hibbing. Run by Bob’s 1947 grandmother, Florence and The Zimmerman family moves to Hibbing, Minnesota. his Uncle Lewis. (Aubin Photography) Bob attends first grade at Alice School in Hibbing. 6. State Theater at 301 East Howard Street in 1950s. (Aubin Photography) 1954 7. Ad for Zimmerman Furniture On May 24th after having studied Hebrew with Rabbi Reuben Maier, above the and Electric from a 1950s L&B Café, Bob is Bar Mitzvahed. That evening the Zimmermans, along with 400 Hibbing Daily Tribune. guests, celebrate at the Androy Hotel in Hibbing.