Grateful Dead Records: Artwork MS.332.Ser
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Art Nouveau Revival 1960S-1990S
Art Nouveau Revival 1960s-1990s Stanley Mouse & Alton Kelly Kathleen James | ADM-103 – The Essay | 13 January 2020 Introduction ................................................................................................................................. 1 Social Context .............................................................................................................................. 1 The Rise and Fall of Art Nouveau ............................................................................................... 2 Origins & Revival ...................................................................................................................... 2 Le style Mucha .......................................................................................................................... 2 ContemPorary Artists .................................................................................................................. 3 Kelley Mouse Studios & the Grateful dead ............................................................................. 3 Stephanie young and street art ............................................................................................... 5 Bibliography ................................................................................................................................. 7 Table of Figures ............................................................................................................................ 7 Introduction This essay investigates the relationshiP between the Art -
Grateful Dead Records: Realia
http://oac.cdlib.org/findaid/ark:/13030/c8k64ggf No online items Guide to the Grateful Dead Records: Realia Wyatt Young, Maureen Carey University of California, Santa Cruz 2012 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Note Finding aid updated in 2018, 2020, 2021 Guide to the Grateful Dead MS.332.Ser.10 1 Records: Realia Contributing Institution: University of California, Santa Cruz Title: Grateful Dead Records: Realia Creator: Grateful Dead Productions Identifier/Call Number: MS.332.Ser.10 Physical Description: 178 Linear Feet128 boxes, 21 oversize items Date (inclusive): 1966-2012 Stored in Special Collections and Archives. Language of Material: English Access Restrictions Collection open for research. Advance notice is required for access. Use Restrictions Property rights for this collection reside with the University of California. Literary rights, including copyright, are retained by the creators and their heirs. The publication or use of any work protected by copyright beyond that allowed by fair use for research or educational purposes requires written permission from the copyright owner. Responsibility for obtaining permissions, and for any use rests exclusively with the user. Preferred Citation Grateful Dead Records: Realia. MS 332 Ser. 10. Special Collections and Archives, University Library, University of California, Santa Cruz. Acquisition Information Gift of Grateful Dead Productions, 2008. Accurals The first accrual was received in 2008. Second accrual was received in June 2012. Biography The Grateful Dead were an American rock band that formed in 1965 in Northern California. They came to fame as part of author Ken Kesey's Acid Tests, a series of multimedia happenings centered around then-legal LSD. -
Publicsite.R?Scontinent=USA&Screen=
Results and Description Print Page 1 of 4 Print Results Close Screen Sale 15537 - Life on the Golden Road with the Grateful Dead: The Ram Rod Shurtliff Collection, 8 May 2007 220 San Bruno Avenue, San Francisco, California Prices are inclusive of Buyer's Premium and sales tax (VAT, TVA etc) and may be subject to change. Lot Description Hammer Price 1 A Bob Seidemann mounted-to-board photographic print of The Grateful Dead, $1,680 1971 2 Two color photographs of Jerry Garcia and Bob Weir, circa 1968 $900 3 Five black and white photographs of The Grateful Dead, circa 1969 $780 4 A massive display piece of The Grateful Dead from The Winterland Ballroom, circa $9,600 1966-1978 5 A poster of Pig Pen and Janis Joplin, 1972 $720 6 A Herb Greene signed black and white photograph of The Grateful Dead, 1965, $1,320 1988 7 A Herb Greene signed black and white photograph of Jerry Garcia, 1966, 1980s $960 8 A Herb Greene signed limited edition black and white photograph of The Grateful $2,400 Dead with Bob Dylan, 1987, 1999 9 A Herb Greene signed black and white photograph of The Grateful Dead and Bob $1,440 Dylan, 1987, 1999 10 A Herb Greene signed and numbered limited edition poster of Jerry Garcia, 1966, $900 2003 11 A group of photographs of The Grateful Dead, 1960s-1990s $480 12 A William Smythe signed color photograph of Phil Lesh, 1983 $360 13 A Bob Thomas group of original paintings created for The Grateful Dead album $87,000 jacket "Live/Dead," 1969 14 An RIAA gold record given to The Grateful Dead for "Grateful Dead" (aka "Skull $11,400 and -
How Do the Grateful Dead and Deadheads 'Mean'?
Matthew Tift University of Wisconsin-Madison “How Do the Grateful Dead and Deadheads ‘Mean’?” 09 March 2001 What exactly is a work of music? Is it the sounds we hear? Is it the sounds we are intended to hear? Is a musical work something that can only be defined using metaphors? Must it be organized sound? Is it beyond definition? About the only acceptable answer to these ontological questions is that the nature of a musical work is not universally understood. Nevertheless, by phrasing questions of musical identity differently, some popular music scholars find answers that are more rewarding. Richard Middleton, a well-respected popular music scholar, points out, “popular music analysis has insisted . on the priority of meaning.”1 One method for discussing meaning is to foreground questions of process, thereby avoiding questions of product. Simon Frith, another doyen of popular music studies, writes, “too often attempts to relate musical forms to social processes ignore the ways in which music is itself a social process.”2 By concentrating on social processes, one can more easily address such issues as musical meaning and social significance. This variety of analysis is sometimes described as process philosophy.3 Christopher Small’s advocation of process philosophy is perhaps the most resonant. Small is concerned with questions that address how musical activities are interconnected. In his 1998 book, Musicking, Christopher Small challenges the dominant Western idea of music as a thing and explores the idea of music as an activity. In fact, he creates a new word specifically for 1 Middleton, Reading Pop, 104. -
Press Contacts: Madelyn Gardner, (413) 448-8084 X15 [email protected]
Press Contacts: Madelyn Gardner, (413) 448-8084 x15 [email protected] www.BerkshireTheatreGroup.org Rebecca Brighenti, (413) 448-8084 x11 [email protected] www.BerkshireTheatreGroup.org For immediate release, please: October 3, 2017 Jefferson Airplane, Jefferson Starship, Hot Tuna and Grateful Dead Alumni Reunite for The Airplane Family with Live Dead ’69 at the Colonial Pittsfield, MA– Berkshire Theatre Group welcomes The Airplane Family with Live Dead ’69 to The Colonial Theatre on Friday, October 27 at 8pm. Tickets are $25 and $50. The Airplane Family reunites Jefferson Airplane, Jefferson Starship, Hot Tuna, Grateful Dead & New Riders of The Purple Sage alumni & legacy/family, and other musical luminaries, comprising a veritable “Who’s Who” of “The Summer of Love’s” legendary musicians. The Airplane Family with Live Dead ’69 fresh off their critically acclaimed 2016 inaugural tour, add 2 members of The New Riders, and continue in 2017 to celebrate the 50th Anniversary of “The San Francisco Sound." The halcyon era performers are: Tom Constanten, Grateful Dead’s original pianist, inducted into The Rock Hall of Fame in 1995. Slick Aguilar, Jefferson Starship lead guitarist (1992-2015), also David Crosby Band lead guitarist (1983-1986). Since co founding The Kantner, Balin, Casady Band in 1985, Aguilar performed longer with the late Paul Kantner & with Marty Balin - and played the songs of Jefferson Airplane and Jefferson Starship more than any other musician ever. Mark Karan, lead guitarist with Bob Weir’s Rat Dog and The Other Ones for 14 years, now also appears with Phil Lesh & the Terrapin Family Band. Mike Falzarano, a long time member of Jefferson Airplane spinoff Hot Tuna in the 1980s; and, in recent years, helped forge and lead a resurgent, acclaimed iteration of Grateful Dead spinoff, The New Riders Of The Purple Sage. -
Nassau Thrive Apr 2020 Calendar
KEY: Weekly Groups New at Thrive Monthly Repeating Special Events 1025 Old Country Road, Suite 400, Westbury, NY,11590 April 2020 Virtual Groups Thrive Nassau Entrance located on the corner of Bond St. & Old Country Rd @ 516-765-7600 For our most current information/updates, please visit www.ThriveLI.org TEMP ABRIDGED CENTER HOURS: Mon-Sat: 12pm-4pm KEY: Weekly/Bi-weekly Groups New at Thrive Special Events Activities/Events Sunday Monday Tuesday Wednesday Thursday Friday Saturday In response to the current NY Department of Health guidelines, THRIVE NASSAU has FREE 1-on-1 RECOVERY COACHING! paused all in-person groups and has abridged emergency open hours for the center. 15 (By appointment 1only)6 17 A THRIVE representative can be reached via Schedule with THRIVE’S Recovery Coaches Today! phone at 516-765-7600 during the times below: Call 516-765-7600 Mon-Thu – 10 am - 8pm // Fri-Sat – 10am - 10pm // Sun Closed APRIL 1st 2 3 4 Daily Rise & Shine Zoom Daily Rise & Shine Zoom Daily Rise & Shine Zoom meeting – 10-10:45 am meeting – 10-10:45 am meeting – 10-10:45 am Recovery Science Theater JOIN OUR COMMUNITY ON FACEBOOK! Community Integration and LGBT+ Rainbow Recovery New Group!: Creativity 3000 – 8pm-10pm – https://www.facebook.com/groups/ThriveNassau/ Support ZOOM – 6PM Zoom - 7 pm Hour – ZOOM – 2 PM Facebook Watch Coping with Anger and Wharf Rats/ Yellow Balloon One Recovery Meeting Zoom - 6:30pm Other Emotions in Recovery Zoom – 7:30pm ALL GROUPS LISTED ARE ONLINE ZOOM – 7:30 PM THRIVE GAME NIGHT Call if you have questions. -
124720 Aaron Read Lowres
Dead Hart Live Beat by Amy Brown Born in the war year of 1943 in New York, Mickey bearded guitar player who had a voice that finger touched your Hart's parents were drummers. soul and kissed your neck. Jerry stepped up when R & B genius Although he didn't stay around to enjoy Mickey's birth, Pigpen McKernan forgot there were closing times and his dad was a 'rudimental' drummer, a master of establishing checked out of the band and life too early. Bob Weir was there, tempo through percussion and acting as the backbone of an too, the cute one with an edge, who alternated vocals with ensemble. Mickey was raised by his mother, who was what Jerry, and Phil Lesh and hey…they all had their following, but Mickey calls an 'intramural' player, a musician with a true love for this article at least and a sense of Rock history, it is of rhythm and its many artistic expressions. impossible to ignore the impact that Mickey Hart has had on Whether it was in his blood or an imprint of early the world of rhythm and percussion beginning with his days memory, Hart embarked on a lifetime of exploration into the with “The Dead” and continuing with the groups he has either artistry and healing powers of drumming. In 1967, with the joined or founded since Jerry Garcia's challenged heart gave Summer of Love in full blossom, Mickey fell in with a group out in 1995. of musicians from Northern California. They were a free- “ My teacher took me aside when I was in spirited and experimental group of high school and asked, “Do you want to guys who would become his lifelong play drums for the rest of your life?” companions. -
Nobility in Middle English Romance
Nobility in Middle English Romance Marianne A. Fisher A dissertation submitted for the degree of PhD Cardiff University 2013 Summary of Thesis: Postgraduate Research Degrees Student ID Number: 0542351 Title: Miss Surname: Fisher First Names: Marianne Alice School: ENCAP Title of Degree: PhD (English Literature) Full Title of Thesis Nobility in Middle English Romance Student ID Number: 0542351 Summary of Thesis Medieval nobility was a compound and fluid concept, the complexity of which is clearly reflected in the Middle English romances. This dissertation examines fourteen short verse romances, grouped by story-type into three categories. They are: type 1: romances of lost heirs (Degaré, Chevelere Assigne, Sir Perceval of Galles, Lybeaus Desconus, and Octavian); type 2: romances about winning a bride (Floris and Blancheflour, The Erle of Tolous, Sir Eglamour of Artois, Sir Degrevant, and the Amis– Belisaunt plot from Amis and Amiloun); type 3: romances of impoverished knights (Amiloun’s story from Amis and Amiloun, Sir Isumbras, Sir Amadace, Sir Cleges, and Sir Launfal). The analysis is based on contextualized close reading, drawing on the theories of Pierre Bourdieu. The results show that Middle English romance has no standard criteria for defining nobility, but draws on the full range on contemporary opinion; understandings of nobility conflict both between and within texts. Ideological consistency is seldom a priority, and the genre apparently serves neither a single socio-political agenda, nor a single socio-political group. The dominant conception of nobility in each romance is determined by the story-type. Romance type 1 presents nobility as inherent in the blood, type 2 emphasizes prowess and force of will, and type 3 concentrates on virtue. -
Join Us in Venice, Italy
JOIN US IN VENICE, ITALY — October 2015 — Benefiting the Rex Foundation Get Out & Get In It Experiences Musical Ambassadors October 8–18, 2015 Confirmed lineup to date: • Nicki Bluhm (Nicki Bluhm & the Gramblers, Venice Music and Art Biennales Brokedown in Bakersfield, Phil Lesh and Friends) Experiential Residency • Tim Bluhm (Phil Lesh and Friends, Brokedown in Bakersfield, Nicki Bluhm & the Gramblers, The Mother Hips, for Benefit of Rex Foundation Rhythm Devils) Book your travel now! (Limited spots available.) • John Kadlecik (Furthur, Dark Star Orchestra, Golden Gate Wingmen, John K Band) Prospective guests can now reserve slots for this unique • Scott Law (Phil Lesh and Friends, Brokedown in Bakersfield) and exciting opportunity. In depth information is available at the IGE website: http://innogiven.org. • Leonardo Suarez Paz (Wynton Marsalis, Cuartetango, Placido Domingo, Ruben Blades, Savion Glover, Venice Package Stanley Jordan, Jim Hall, Jazz at Lincoln Center Orchestra) The Venice Package includes, but is not limited to the following: • Olga Suarez Paz (Principal Dancer Cuartetango, • Transfer from Marco Polo airport—guests will be met by IGE Circo de Arrabal, Lincoln Center, Metropolitan Museum of Art) staff on October 8 (given on time arrival) • Arthur Steinhorn (David Nelson Band, NRPS, Kingfish) • 10 days single or double accommodation in palazzos or villas • Expect lineup additions TBD • Welcome package—including wine, flowers, snacks, maps, Booking and Payments suggested itineraries, shopping suggestions, etc. Book your travel now: https://innogiven.org/travel/booking • Opening dinner Taverna La Fenice Presidential Room You will need to register on the website prior to making • Dinner and jam session at Gam Gam restaurant in Veniceʼs payment. -
Jerry Garcia Song Book – Ver
JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106. -
The Grateful Dead and the Long 1960S – Syllabus Department of Music, University of California – Santa Cruz, Spring Quarter 2018
Music 80N: The Grateful Dead and the Long 1960s – Syllabus Department of Music, University of California – Santa Cruz, Spring Quarter 2018 Instructor: Dr. Melvin Backstrom [email protected] Teaching Assistants: Marguerite Brown [email protected] Ike Minton [email protected] Class Schedule: MWF, 12pm-1:05pm, Music 101 (Recital Hall) OFFICE HOURS & LOCATION INSTRUCTOR Room 126 Mondays 2-3pm or by appointment TEACHING ASSISTANTS TBA Course Description This music history survey course uses the seminal Bay Area rock band/improvisational ensemble the Grateful Dead as a lens to understand the music and broader history of countercultural music from the 1950s to the present. It combines an extensive engagement with the music of the Grateful Dead, as well as other related musicians, along with a wide variety of readings from non- musical history, political science, philosophy and cultural studies in order to encourage a deep reflection on what the countercultures of the 1960s meant in their heyday, and what their descendants continue to mean today in both musical and non-musical realms. It aims to be both an introduction to those interested in the Grateful Dead, though largely born after the group’s disbandment in 1995, as well as to appeal to those with a broader interest in recent cultural history. Because the University of California – Santa Cruz is the home of the Grateful Dead Archive, students are encouraged to make use of it. However, given the number of students in the course and limitations of UCSC Special Collections its use will not be required. Readings All texts will be available through UCSC’s online system. -
Alan Lomax: Selected Writings 1934-1997
ALAN LOMAX ALAN LOMAX SELECTED WRITINGS 1934–1997 Edited by Ronald D.Cohen With Introductory Essays by Gage Averill, Matthew Barton, Ronald D.Cohen, Ed Kahn, and Andrew L.Kaye ROUTLEDGE NEW YORK • LONDON Published in 2003 by Routledge 29 West 35th Street New York, NY 10001 www.routledge-ny.com Published in Great Britain by Routledge 11 New Fetter Lane London EC4P 4EE www.routledge.co.uk Routledge is an imprint of the Taylor & Francis Group. This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” All writings and photographs by Alan Lomax are copyright © 2003 by Alan Lomax estate. The material on “Sources and Permissions” on pp. 350–51 constitutes a continuation of this copyright page. All of the writings by Alan Lomax in this book are reprinted as they originally appeared, without emendation, except for small changes to regularize spelling. All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publisher. Library of Congress Cataloging-in-Publication Data Lomax, Alan, 1915–2002 [Selections] Alan Lomax : selected writings, 1934–1997 /edited by Ronald D.Cohen; with introductory essays by Gage Averill, Matthew Barton, Ronald D.Cohen, Ed Kahn, and Andrew Kaye.