The Grateful Dead Evolved Into an Ensemble of Highly Accomplished Musicians of World Renown, Spawning a Community with Global Pe
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Grateful Dead Records: Realia
http://oac.cdlib.org/findaid/ark:/13030/c8k64ggf No online items Guide to the Grateful Dead Records: Realia Wyatt Young, Maureen Carey University of California, Santa Cruz 2012 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Note Finding aid updated in 2018, 2020, 2021 Guide to the Grateful Dead MS.332.Ser.10 1 Records: Realia Contributing Institution: University of California, Santa Cruz Title: Grateful Dead Records: Realia Creator: Grateful Dead Productions Identifier/Call Number: MS.332.Ser.10 Physical Description: 178 Linear Feet128 boxes, 21 oversize items Date (inclusive): 1966-2012 Stored in Special Collections and Archives. Language of Material: English Access Restrictions Collection open for research. Advance notice is required for access. Use Restrictions Property rights for this collection reside with the University of California. Literary rights, including copyright, are retained by the creators and their heirs. The publication or use of any work protected by copyright beyond that allowed by fair use for research or educational purposes requires written permission from the copyright owner. Responsibility for obtaining permissions, and for any use rests exclusively with the user. Preferred Citation Grateful Dead Records: Realia. MS 332 Ser. 10. Special Collections and Archives, University Library, University of California, Santa Cruz. Acquisition Information Gift of Grateful Dead Productions, 2008. Accurals The first accrual was received in 2008. Second accrual was received in June 2012. Biography The Grateful Dead were an American rock band that formed in 1965 in Northern California. They came to fame as part of author Ken Kesey's Acid Tests, a series of multimedia happenings centered around then-legal LSD. -
Join Us in Venice, Italy
JOIN US IN VENICE, ITALY — October 2015 — Benefiting the Rex Foundation Get Out & Get In It Experiences Musical Ambassadors October 8–18, 2015 Confirmed lineup to date: • Nicki Bluhm (Nicki Bluhm & the Gramblers, Venice Music and Art Biennales Brokedown in Bakersfield, Phil Lesh and Friends) Experiential Residency • Tim Bluhm (Phil Lesh and Friends, Brokedown in Bakersfield, Nicki Bluhm & the Gramblers, The Mother Hips, for Benefit of Rex Foundation Rhythm Devils) Book your travel now! (Limited spots available.) • John Kadlecik (Furthur, Dark Star Orchestra, Golden Gate Wingmen, John K Band) Prospective guests can now reserve slots for this unique • Scott Law (Phil Lesh and Friends, Brokedown in Bakersfield) and exciting opportunity. In depth information is available at the IGE website: http://innogiven.org. • Leonardo Suarez Paz (Wynton Marsalis, Cuartetango, Placido Domingo, Ruben Blades, Savion Glover, Venice Package Stanley Jordan, Jim Hall, Jazz at Lincoln Center Orchestra) The Venice Package includes, but is not limited to the following: • Olga Suarez Paz (Principal Dancer Cuartetango, • Transfer from Marco Polo airport—guests will be met by IGE Circo de Arrabal, Lincoln Center, Metropolitan Museum of Art) staff on October 8 (given on time arrival) • Arthur Steinhorn (David Nelson Band, NRPS, Kingfish) • 10 days single or double accommodation in palazzos or villas • Expect lineup additions TBD • Welcome package—including wine, flowers, snacks, maps, Booking and Payments suggested itineraries, shopping suggestions, etc. Book your travel now: https://innogiven.org/travel/booking • Opening dinner Taverna La Fenice Presidential Room You will need to register on the website prior to making • Dinner and jam session at Gam Gam restaurant in Veniceʼs payment. -
Grateful Dead Records: Artwork MS.332.Ser
http://oac.cdlib.org/findaid/ark:/13030/c8ff3qrq Online items available Grateful Dead Records: Artwork MS.332.Ser. 9 Wyatt Young, Alix Norton University of California, Santa Cruz 2018 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Grateful Dead Records: Artwork MS.332.Ser. 9 1 MS.332.Ser. 9 Contributing Institution: University of California, Santa Cruz Title: Grateful Dead Records: Artwork Creator: Grateful Dead Productions Identifier/Call Number: MS.332.Ser. 9 Physical Description: 178 Linear Feet42 boxes, 9 map-case drawers, and 103 oversized items Date (inclusive): 1972-2012 Date (bulk): 1980-2008 Language of Material: English . https://www.gdao.org/ Access Collection is open for research. Advance notice is required to access large and framed items so that they can be retrieved from storage. Please contact Special Collections and Archives in advance to request access. Accruals The first accrual was received in 2008. A second accrual was received in June 2012. Acquisition Information Gift of Grateful Dead Productions, 2008 and 2012. Arrangement This collection is arranged in three series: Series 1: Business Art Series 2: Fan Art Series 3: Band Art Materials within each series are arranged alphabetically by last name of artist, where identified. Biography The Grateful Dead were an American rock band that formed in 1965 in Northern California. They came to fame as part of author Ken Kesey's Acid Tests, a series of multimedia happenings centered around then-legal LSD. Famed for their concerts, the band performed more than 2,300 shows over thirty years, disbanding after the death of lead guitarist Jerry Garcia in August 1995. -
Alan Lomax: Selected Writings 1934-1997
ALAN LOMAX ALAN LOMAX SELECTED WRITINGS 1934–1997 Edited by Ronald D.Cohen With Introductory Essays by Gage Averill, Matthew Barton, Ronald D.Cohen, Ed Kahn, and Andrew L.Kaye ROUTLEDGE NEW YORK • LONDON Published in 2003 by Routledge 29 West 35th Street New York, NY 10001 www.routledge-ny.com Published in Great Britain by Routledge 11 New Fetter Lane London EC4P 4EE www.routledge.co.uk Routledge is an imprint of the Taylor & Francis Group. This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” All writings and photographs by Alan Lomax are copyright © 2003 by Alan Lomax estate. The material on “Sources and Permissions” on pp. 350–51 constitutes a continuation of this copyright page. All of the writings by Alan Lomax in this book are reprinted as they originally appeared, without emendation, except for small changes to regularize spelling. All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publisher. Library of Congress Cataloging-in-Publication Data Lomax, Alan, 1915–2002 [Selections] Alan Lomax : selected writings, 1934–1997 /edited by Ronald D.Cohen; with introductory essays by Gage Averill, Matthew Barton, Ronald D.Cohen, Ed Kahn, and Andrew Kaye. -
IMPACT: the Journal of the Center for Interdisciplinary Teaching and Learning. Volume 8, Issue 1, Winter 2019
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Boston University Institutional Repository (OpenBU) Boston University OpenBU http://open.bu.edu College of General Studies CGS: IMPACT: The Journal of the Center for Interdisciplinary Teaching & Learning 2019-02 IMPACT: The Journal of the Center for Interdisciplinary Teaching and Learning. Volume 8, Issue 1, Winter 2019 IMPACT 8(1), Winter 2019. Boston University College of General Studies https://hdl.handle.net/2144/36023 Boston University Impact About Us ....................................................................................................................................................................... 3 Editorial Statement ....................................................................................................................................................... 4 About This Issue’s Authors ........................................................................................................................................... 5 Announcements ............................................................................................................................................................ 6 Impact Essay Competition ............................................................................................................................................ 7 Essays: Diagnosing the American Dream: Trouble in the Vibrations of The Great Gatsby By Peter W. Wakefield ……………………………………………………………………………………………….8 Incarcerated -
2008 Annual Report “Get on Board the Rex Caravan!” Has Increase, As the Rex Community of Expanded
Furthering a Tradition of Grassroots Giving 2008 Annual Report “Get on board the Rex Caravan!” has increase, as the Rex community of expanded. And coming into more been our rallying cry for several supporters at large has grown. The focus has been the Human Rights years. Many more have taken this Rex Musical Caravan of musicians, Framework, an overarching context to heart in 2008; the buses are roll- bands and festivals, who support for Rex mission areas, with The World ing down the road. Donations to the Rex’s work with their benefit perfor- As It Could Be Human Rights Educa- Rex Community Caravan are on the mances and other initiatives has also tion Project gathering momentum. RALPH J. GLEASON AWarD BILL GraHAM AWarD JErrY GarcIA AWarD In memory of music journalist Ralph J. Gleason, a In memory of pioneering producer and founding Rex In memory of Grateful Dead guitarist and founding Rex major figure in the advancement of music in America in board member Bill Graham, himself a refugee, this award board member Jerry Garcia, this award is designed to the 1960s, whose openness to new music and ideas tran- is for those working to assist children who are victims honor and support individuals and groups that work scended differences between generations and styles. of political oppression and human rights violations. to encourage creativity in young people. Ali Akbar College of Music The Beat Within All Stars Project (ASP) The mission of the Ali Akbar College The Beat Within provides incarcer- The All Stars Project, San Francisco, of Music is to teach, perform and ated youth the means for self-ex- brings the All Stars “performatory” preserve the classical music of North pression and positive connection approach to inner-city youth devel- India, specifically the Seni Baba Al- with their community through opment to California’s Bay Area. -
Bob Weir of Dead & Co. Plays D'angelico
For Immediate Release: BOB WEIR OF DEAD & CO. PLAYS D’ANGELICO GUITAR ON STAGE TO HELP PROMOTE CHARITY AUCTION Weir Performed “Peggy-O” with the Signed, Customized Guitar in Worcester, MA Last Night WORCESTER, MA – With Dead & Company getting rave reviews across the Northeast, Bob Weir continued a relatively-new tradition of playing a signed guitar on stage to help boost a charity auction. Last night at the DCU Center in Worcester, MA, Weir played “Peggy-O” with a D’Angelico guitar signed by all the members of Dead & Company. The one-of-a-kind EX-SS guitar, which also features the Dead & Company logo on its pick guard, is being auctioned on the tour to benefit more than a half- dozen charities. Currently, the high bid sits at $11,500. The guitar will be “Truckin’, up to Buffalo, ”on display and open for bidding tonight on the concourse as the First Niagara Center, and then will continue across the country with stops in Columbus, OH, Greensboro, NC, Atlanta, GA and more. HeadCount, a non-profit organization that promotes civic engagement and voter registration through music, organized the auction and is bringing it to most cities on the Dead & Company tour. The person with the highest bid by the end of the tour – from any city – will become the guitar’s proud owner. Weir first played a D’Angelico guitar on stage during the Grateful Dead's Fare Thee Well shows last summer. That guitar sold at auction for $526,000, making it the 18th most expensive guitar ever sold and netting nearly $30,000 each for 17 different charities. -
'PARTICIPATION ROW' to DEAD & COMPANY SHOWS at MSG Signed D'angelico Guitar and Remo Drum Head Wi
For Immediate Release: HEADCOUNT WILL BRING ‘PARTICIPATION ROW’ TO DEAD & COMPANY SHOWS AT MSG Signed D’Angelico Guitar and Remo Drum Head Will Be Auctioned for Charities NEW YORK, NY – A half-dozen charities will be making an appearance at the Dead & Company concerts at Madison Square Garden this weekend, part of the “Participation Row” social action area organized by the non-profit group HeadCount. To support the charities, instrument makers D’Angelico and Remo donated custom-made Dead & Co. items to be signed by the band and auctioned in select cities on the tour. Similar items generated hundreds of thousands of dollars in Participation Row auctions at the Lockn’ festival and the Grateful Dead 50th Anniversary concerts. A signed D’Angelico guitar sold for an eye-popping $526,000 at the final Grateful Dead concert in Chicago in July. The next installment of Participation Row will be staged in the Madison Square Garden concourse outside sections 108 to 118. Concert-goers will be invited to visit any of the organizations and take socially conscious actions such as registering to vote, joining the bone-marrow donation registry, or petitioning for tighter environmental regulations. For every action completed, the attendee’s name will be entered into a raffle to win a Dead & Company tour poster signed by the band. The organizations featured on Participation Row will include the Rex Foundation a charitable non- profit established by members of the Grateful Dead in 1983, the bone marrow donor screening organization Love Hope Strength, environmental groups Reverb and Mom’s Clean Air Force, the Multidisciplinary Associations for Psychedelic Studies (MAPS), and HeadCount, which specializes in voter registration and civic engagement through music. -
2011 Annual Report
Furthering a Tradition of Grassroots Giving 2011 Annual Report RALPH J. GLEASON AWARD BILL GRAHAM AWARD JERRY GARCIA AWARD In memory of music journalist Ralph J. Gleason, a In memory of pioneering producer and founding Rex In memory of Grateful Dead guitarist and founding major figure in the advancement of music in America in board member Bill Graham, himself a refugee, this award Rex board member Jerry Garcia, this award is designed the 1960s, whose openness to new music and ideas tran- is for those working to assist children who are victims to honor and support individuals and groups that work scended differences between generations and styles. of political oppression and human rights violations. to encourage creativity in young people. Diane di Prima FAIR Fund San Francisco Mime Troupe Fellow Bay Area Beat poet Michael A Washington D.C. based interna- – Youth Theater Project McClure says: “In Diane di Prima’s tional nonprofit organization, FAIR The primary goal of the SFMT’s luminous poetry, wars are against Fund works to prevent human Youth Theater Project is to use the flesh of living beings, the so- trafficking and sexual violence in theater as a means to artistically cially and personally enslaved, and the lives of youth, especially girls, express the opinions of young consciousness itself…. This is poetry around the world. FAIR Fund builds people on topics that are relevant in of bio-widom – a part of a great- the capacity of communities to better their schools and communities. The hearted consciousness.... Her music identify and assist youth aged 11 to project promotes creative alterna- on the page reverberates in the voice 24 who are at high risk or have been tives to drugs, gangs, prejudice, and and mind. -
Rex Foundation Executive Director Job Description April 2013 from The
Furthering a Tradition of Grassroots Giving Rex Foundation Executive Director Job Description April 2013 From the Beginning: The Rex Foundation was born of the Grateful Dead’s generosity and desire to provide support to creative endeavors in the arts, sciences, and education. In the fall of 1983, the Rex Foundation was established as a non-profit charitable organization by members of the Grateful Dead and friends to further this tradition. Since our founding, the Rex Foundation has granted $8.8 million to over 1,000 worthy recipients. The Rex Foundation Mission: The Rex Foundation aims to help secure a healthy environment, promote individuality in the arts, provide support to critical and necessary social services, assist others less fortunate than ourselves, protect the rights of indigenous people and ensure their cultural survival, build a stronger community, and educate children and adults everywhere. Guiding Principles and Values: We respect traditional wisdom cultures. We respect individual rights and differences. We are willing to take risks and trust people. We help people who are helping others and are trying to make a difference. We help people develop bold new solutions to problems. We benefit the broader community and the broader good. We practice inclusiveness and open-mindedness. We support organizations committed to grassroots action. We seek to identify entities doing good work that might otherwise be overlooked. Our support helps beyond direct funding by boosting the visibility of the recipient’s work. We want to be a catalytic agent of change, where our involvement helps leverage greater impact. We are non-partisan. We promote an active, informed citizenry. -
2003 Annual Report
Fostering the Power of Community, Service and the Arts 2003 Annual Report – A Year of Engagement ver the last year, Rex has benefit concerts and a doubling of ties and community support which reached out to its wider contributions have increased our have made them possible. A list of O community and collabo- grant giving capacity. This report awards and grants since 1984 and rated with other groups in new and describes the 2003 Rex Awards and updates on current activities are productive ways. Two successful Grants, and the fund raising activi- available on our web site. RALPH J. GLEASON AWARD The High School Lecture Series has In memory of music journalist Ralph J. Gleason, a major figure in the advancement of music in proven to be a highly effective America in the 1960s, whose openness to new tool in introducing youth to no- music and ideas transcended differences between generations and styles. tions of tolerance and compro- mise as a means to solving the Chris Strachwitz, conflict, of choosing reconcilia- The Arhoolie Foundation tion over revenge. Chris Strachwitz established Parents’ Circle, Gon Kafri, Dir. of Develop- the Arhoolie Foundation for the ment, 30 Wall St., New York, NY 10005, 212- purpose of helping to docu- 509-2407 www.theparentscircle.com ment, present, and disseminate JERRY GARCIA AWARD authentic traditional and re- In memory of Grateful Dead guitarist and found- ing Rex board member Jerry Garcia, this award gional vernacular music. The is designed to honor and support individuals and goal is to educate the public groups that work to encourage creativity in about the history and present young people. -
SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films.