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Press Contacts: Madelyn Gardner, (413) 448-8084 X15 [email protected]
Press Contacts: Madelyn Gardner, (413) 448-8084 x15 [email protected] www.BerkshireTheatreGroup.org Rebecca Brighenti, (413) 448-8084 x11 [email protected] www.BerkshireTheatreGroup.org For immediate release, please: October 3, 2017 Jefferson Airplane, Jefferson Starship, Hot Tuna and Grateful Dead Alumni Reunite for The Airplane Family with Live Dead ’69 at the Colonial Pittsfield, MA– Berkshire Theatre Group welcomes The Airplane Family with Live Dead ’69 to The Colonial Theatre on Friday, October 27 at 8pm. Tickets are $25 and $50. The Airplane Family reunites Jefferson Airplane, Jefferson Starship, Hot Tuna, Grateful Dead & New Riders of The Purple Sage alumni & legacy/family, and other musical luminaries, comprising a veritable “Who’s Who” of “The Summer of Love’s” legendary musicians. The Airplane Family with Live Dead ’69 fresh off their critically acclaimed 2016 inaugural tour, add 2 members of The New Riders, and continue in 2017 to celebrate the 50th Anniversary of “The San Francisco Sound." The halcyon era performers are: Tom Constanten, Grateful Dead’s original pianist, inducted into The Rock Hall of Fame in 1995. Slick Aguilar, Jefferson Starship lead guitarist (1992-2015), also David Crosby Band lead guitarist (1983-1986). Since co founding The Kantner, Balin, Casady Band in 1985, Aguilar performed longer with the late Paul Kantner & with Marty Balin - and played the songs of Jefferson Airplane and Jefferson Starship more than any other musician ever. Mark Karan, lead guitarist with Bob Weir’s Rat Dog and The Other Ones for 14 years, now also appears with Phil Lesh & the Terrapin Family Band. Mike Falzarano, a long time member of Jefferson Airplane spinoff Hot Tuna in the 1980s; and, in recent years, helped forge and lead a resurgent, acclaimed iteration of Grateful Dead spinoff, The New Riders Of The Purple Sage. -
Jerry Garcia Song Book – Ver
JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106. -
Grateful Dead Records: Artwork MS.332.Ser
http://oac.cdlib.org/findaid/ark:/13030/c8ff3qrq Online items available Grateful Dead Records: Artwork MS.332.Ser. 9 Wyatt Young, Alix Norton University of California, Santa Cruz 2018 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Grateful Dead Records: Artwork MS.332.Ser. 9 1 MS.332.Ser. 9 Contributing Institution: University of California, Santa Cruz Title: Grateful Dead Records: Artwork Creator: Grateful Dead Productions Identifier/Call Number: MS.332.Ser. 9 Physical Description: 178 Linear Feet42 boxes, 9 map-case drawers, and 103 oversized items Date (inclusive): 1972-2012 Date (bulk): 1980-2008 Language of Material: English . https://www.gdao.org/ Access Collection is open for research. Advance notice is required to access large and framed items so that they can be retrieved from storage. Please contact Special Collections and Archives in advance to request access. Accruals The first accrual was received in 2008. A second accrual was received in June 2012. Acquisition Information Gift of Grateful Dead Productions, 2008 and 2012. Arrangement This collection is arranged in three series: Series 1: Business Art Series 2: Fan Art Series 3: Band Art Materials within each series are arranged alphabetically by last name of artist, where identified. Biography The Grateful Dead were an American rock band that formed in 1965 in Northern California. They came to fame as part of author Ken Kesey's Acid Tests, a series of multimedia happenings centered around then-legal LSD. Famed for their concerts, the band performed more than 2,300 shows over thirty years, disbanding after the death of lead guitarist Jerry Garcia in August 1995. -
Stigma and the Inappropriately Stereotyped: the Deadhead Professional By
Stigma and the Inappropriately Stereotyped: The Deadhead Professional By: Rebecca G. Adams Adams, R. G. 2003. Stigma and the Inappropriately Stereotyped: The Deadhead Professional. Sociation Today. v.1, no.1. Made available courtesy of NC Sociological Association: http://www.ncsociology.org/sociationtoday/deadhead.htm ***Note: Figures may be missing from this format of the document The Grateful Dead, a North American rock band that stopped performing in 1995 after thirty years together, was as well known for its fans as it was for its music. Deadheads, as these fans are called, traveled from venue to venue to hear the band play, sometimes staying "on tour" with them for extended periods of time. Although there is still a large concentration of Deadheads in the San Francisco Bay area where the band originally performed, there are now Deadheads everywhere in the United States and in many foreign countries as well. The community claims at least a half million members (Adams & Rosen-Grandon, 2002). It is not only remarkable among music communities because of the length of time it has survived, how geographically dispersed it is, and how large it is, it is also noteworthy because of the length and intensity of involvement of individual fans. When the band stopped playing together as the Grateful Dead, the average Deadhead had been attending their concerts for 10 or 11 years, and more than half of them had traveled at least 800 miles to attend a show (Adams, 1998b). In 2003, almost eight years after the death of Jerry Garcia, the band's lead guitarist, Deadheads remain loyal to the community and continue to attend concerts given by surviving members. -
This Is a Great Band, and I Had a Great Time” Bob Weir, Grateful Dead Founding Member (Guitar/Vocalist)
“This is a great band, and I had a great time” Bob Weir, Grateful Dead founding member (guitar/vocalist) “Inspired and accomplished musical discourse at such a deep and serious level: I had no problem at all believing that this was what the Grateful Dead sounded like 40 years ago.” David Gans, Grateful Dead Hour “I've always been impressed by DSO, but the other night I thought they'd taken it to a new level. It was some of the best Grateful Dead music I've heard in the past 20 years, and that covers some ground. Somehow, Jeff Mattson manages to play Jerry's parts perfectly in the spirit, but without any sense of being imitative. And boy, does the band pick up on this energy. Big fun!” Dennis McNally, Grateful Dead publicist & biographer 1980 – 1995; Author “A Long Strange Trip: The History of the Grateful Dead” “As one who is classically trained, I actually always thought that DSO was very cool, treating Grateful Dead music as repertoire- much as I've tried to do in my various bands.” Phil Lesh, Grateful Dead founding member (bass/vocals) “Playing with Dark Star Orchestra is something that feels just exactly like it felt when I was playing with the Grateful Dead.” Donna Jean Godchaux, Grateful Dead vocalist, frequent DSO guest “There are moments where I can close my eyes and go back 30 years and have it be every bit as rewarding and satisfying. Dark Star is an amazingly legitimate representation of the Dead.” Dan Healy, Grateful Dead sound engineer 1966 -1994 “Thank you for a real good time.” Jon Fishman, Phish drummer after sitting in with DSO “The Dark Star Orchestra re-creates Grateful Dead shows with a flashback-inducing meticulousness.” The New Yorker “...recreates the Dead concert experience with uncanny verisimilitude. -
The Other Ones the Strange Remain (Arista)
The Other Ones The Strange Remain (Arista) The recipe for a successful jam-band reunion reads something like this: three parts Grateful Dead, two parts Bruce Hornsby and the Range, a splash of sax, garnish with a couple of guitarists, serve chilled. As the Other Ones' performance at last year's Furthur Festival proved, you can't keep a good band down. Three years after the death of Jerry Garcia, founding members of the Grateful Dead–Phil Lesh, Bob Weir and Mickey Hart–put the act back on the road. Bruce Hornsby, who joined the band temporarily in 1990, played keyboards and brought along longtime drummer John Molo from the Range (and, recently, Hart's Planet Drum). John Ellis of Weir's Ratdog added some brass. Steve Kimock (who played with former Dead members Keith and Donna Godchaux) and Mark Karan filled in on guitars. This project is hardly a Dead rehash; the two-CD set collects recordings made at the Furthur Festival, spotlighting the new, the old and the different. Weir struts his stuff on "Jack Straw," and on the unreleased "Corrina." Hornsby's "White-Wheeled Limousine" and "Rainbow's Cadillac" get the full-out Dead jam treatment. "Only the Strange Remain," an eerie trip, is originally from Mickey Hart's Mystery Box. The bluesy "Banyan Tree," penned by Weir, Hart and Dead lyricist Robert Hunter, debuted just last year. Lesh shines vocally on "Mountains of the Moon," where fans insist his voice sounds better than it has in decades. Jerry is obviously not on this album, and on tunes such as "Friend of the Devil," "St. -
2002 Annual Report – Return to Active Funding
Fostering the Power of Community, Service and the Arts 2002 Annual Report – Return to Active funding t was with great pleasure that work of Latino artists interested in the Rex Foundation announced creating symbols and language for a Iits 2002 Awards and Grants in new society and a new time. November, the first year of substan- 510 South First Street, San Jose, CA 95113. tial grant giving since 1995. This re- 408-998-2783. www.maclaweb.org port describes the beneficiaries, the RALPH J. GLEASON AWARD fund raising activities, and the com- In memory of music journalist Ralph J. Gleason, a major figure in the advancement of music in munity support which has enabled America in the 1960s, whose openness to new this. A list of grants since 1984 and music and ideas transcended differences between updates on current activities are generations and styles. available on the website. Save Our Sounds, The Zuni Tapes American Folklife Center BILL GRAHAM AWARD In memory of pioneering producer and founding Save Our Sounds is a project of the Rex board member Bill Graham, himself a refugee, American Folklife Center of the Li- this award is for those working to assist children who are victims of political oppression and human brary of Congress, which strives to rights violations. preserve and digitize the most en- Clowns Without Borders dangered sound recordings in the Center’s deteriorating analog media “No child without a smile.” Clowns Photo: Moshe Cohen collections. As a result, these song Without Borders seeks to improve and story collections will be perma- the psychological condition of popu- JERRY GARCIA AWARD nently available to the public, re- lations living in refugee camps and In memory of Grateful Dead guitarist and found- searchers and musicologists. -
Understanding ‗It': Affective Authenticity, Space, and the Phish
Understanding ‗It‘: Affective Authenticity, Space, and the Phish Scene By C2010 Elizabeth Anne Yeager Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson, Sherrie J. Tucker ________________________________ Ben Chappell ________________________________ Henry Bial ________________________________ Eric Weisbard ________________________________ Nicole Hodges Persley Date Defended: December 14, 2010 ii The Dissertation Committee for Elizabeth Anne Yeager certifies that this is the approved version of the following dissertation: Understanding ‗It‘: Affective Authenticity, Space, and the Phish Scene ________________________________ Chairperson, Sherrie J. Tucker Date approved: April 18, 2011 iii Abstract ―Understanding It: Affective Authenticity, Space, and the Phish Scene‖ is an ethnographic study of ―scene identity‖ around the contemporary rock band Phish. Utilizing data generated from six years of ethnographic fieldwork, including over one hundred and fifty interviews with Phish scene participants, this project explores how the production of space at Phish shows works to form a Phish scene identity. I contend that the identity of the Phish scene, what the band members and fans refer to as ―it‖ and I call a spatial articulation of affective authenticity, is produced and formed by scene members themselves, drawing from the interrelations between the production of space (practices that create a specific environment) at shows and a white, middle and upper-middle class cultural memory of the Grateful Dead scene. I situate this process amidst a cultural backdrop of 1980s and 1990s identity politics and in particular, multiculturalism and suggest that Phish scene identity be analyzed as a middle class performance of resistance that achieves community and meaning without resisting class privilege. -
The Grateful Dead, Environmental Activism, and Sustainable Concerts
ONE MAN GATHERS WHAT ANOTHER MAN SPILLS: THE GRATEFUL DEAD, ENVIRONMENTAL ACTIVISM, AND SUSTAINABLE CONCERTS by Allison Gatyas A Thesis Submitted to the Faculty of The Wilkes Honors College in Partial Fulfillment of the Requirements for the Degree of Bachelor of Science in Liberal Arts and Sciences with a Concentration in Environmental Science Wilkes Honors College of Florida Atlantic University Jupiter, Florida May 2018 ONE MAN GATHERS WHAT ANOTHER MAN SPILLS: THE GRATEFUL DEAD, ENVIRONMENTAL ACTIVISM, AND SUSTAINABLE CONCERTS by Allison Gatyas This thesis was prepared under the direction of the candidate’s thesis advisor, Dr. William O’Brien, and has been approved by members of her supervisory committee. It was submitted to the faculty of The Honors College and was accepted in partial fulfillment of the requirements for the degree of Bachelor of Arts in Liberal Arts and Sciences. SUPERVISORY COMMITTEE: ___________________________ Dr. William O’Brien ___________________________ Dr. Christopher Strain ___________________________ Dean Ellen Goldey, Wilkes Honors College ___________ Date ii Acknowledgements: I would like to thank my mom for always pushing me to challenge myself in all things academic and in life, and my dad for shaping my most cherished possession: taste in music. I’d also like to thank my boyfriend Josh, for always truckin’ with me to every single concert and sharing a love for the Grateful Dead, and still loving me when this project stressed me out. When I had no wings to fly, you flew to me. A big thank you to Bob, Mickey, Bill, Jeff, John, and Oteil for keeping the Dead alive long enough for me to experience a part of the Grateful Dead I thought I would only get from recordings and videos. -
The Sweet Tones of Toni Brown by Dean Budnick
The Sweet Tones of Toni Brown by Dean Budnick This is this month's installment in an ongoing series that you may have noticed I am putting together. One of the missions of the site is not only to introduce you to the bands, review the shows and give you tour dates but we're really trying to let you see what goes on in all phases of the scene, from booking shows (read my Andrew Stahl article) to helping publicize them (yet to come) to playing jam bands on the radio (again just wait...). This month, I continue the series with a Toni Brown interview. Toni, as I am sure you well know, is the publisher of Relix magazine. She's been involved with Relix for more than eighteen years now and she has a fine perspective on what's happening with this music. However Toni also brings a bit more to the table as she is currently gigging with her Toni Brown Band and is currently recording a follow-up to her debut disc (in which she enlisted the very fine David Nelson Band to join her in the studio). Here are Toni's thoughts on her own music, the jam band scene and a bit on running Relix... D- Let's start with the newest phase of your career. When did you start performing with your current band? What inspired you to come out from behind the desk and allow people to start writing about you? T- It seems like I've been doing Relix forever. It's been eighteen years. -
Good Old Days Program
GPACIFIC GRoOVE CoHAMBEdR OF CO MMOERCE 59THl ANdNUAL April 9 & 10, 2016 Saturday and Sunday Days Downtown Pacific Grove STREET FESTIVAL and FAIR g or . E V O R G C I F I PG Rotary Parade • Carnival Rides • Petting Zoo • Pony Rides • YMCA Fair Beer & Wine Garden • Kiwanis Pancake Breakfast • Pie Eating Contest Quilt Show • Classic Car Display • Fireman Challenge • Mustache Competition C A P . w w w | 4 0 3 3 . 3 FREE ADMISSION S P O N S O R S : Project Bella/Domaine Hospitality, California American Water, Central Avenue Pharmacy, 37 . 1 3 8 J.R. Rouse of Sotheby’s International Realty, & Asilomar Conference Grounds This program is brought to you FREE by Pacific Grove’s only weekly NEWSpaper Marge Ann Jameson, Publisher • Dixie Lane, Editorial • With Peter Mounteer and Others Page 2 Good Old Days 2016 Welcome to Good Old Days! On behalf of the City of Pacific Grove at the event. Please patronize these great Free Fingerprinting for Children and the Pacific Grove Chamber of Com- organizations. A special thanks to the vol- The Pacific Grove Masonic Lodge #331 merce, we wish to thank Alan Cohen for unteer groups, the Good Old Days Plan- will again fingerprint children free of chairing the Good Old Days celebration ning Committee, and Chairman Alan charge in an effort to promote child safety for over 14 years. We greatly appreciate Cohen. Finally, we wish to acknowledge and defense against abduction and preda- your time and energy. the hard work and dedication of all city tion. This service will be conducted at the Now in our 59th year, Good Old Days staff and department heads, especially the Masonic Lodge during the hours of 10:00 continues to be the largest music and arts City’s public works crew. -
Of MONTREALUR FUN TOUR
! " MARCH 2020 ! g VOL. 32 #3 + WOWHALL.ORG" FUN’s final moments bring the self-exami- nation of the record full circle with some darker numbers that lament a lost friend- ship and slips of mental clarity. If the album’s bleak ending leaves you feeling hopeless, flip the record over again and remind yourself “Hush, hush, don’t let’s be negative.” This is all for fun after all. LOCATE S,1 Buoyed by her desire to create the same “crazy, powerful feeling” she gets when she hears an ABBA or Kate Bush song, Christina Schneider has dedicated her life to creating subversive, genre-fluid pop music. Working under various aliases since 2014 — includ- ing CE Schneider Topical, Jepeto Solutions, Christina Schneider’s Genius Grant and UR FUN TOUR now Locate S,1 — she’s explored everything of MONTREAL from groovy garage rock to minimalist On Thursday, April 2, Eugenius Presents ate relationship with songwriter Christina layered vocal harmonies. Inspired by bedroom pop to Syd Barrett-style welcomes of Montreal back to the WOW Schneider of Locate S,1. This ramped-up albums like Cyndi Lauper’s She’s So psychedelia. Hall along with special guests Locate S, 1. vulnerability has inspired Barnes to strip his Unusual and Janet Jackson’s Control, Schneider reached again for the outer Athens, Georgia adventure-pop project stage persona of costumes and drag, just Barnes set out to make UR FUN into the limits of pop music when she record- of Montreal is touring in support of their appearing as himself on recent tours for the kind of album where every song could be a ed Personalia, her sophomore album as newly released album UR FUN.