Nassau Thrive Apr 2020 Calendar

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Nassau Thrive Apr 2020 Calendar KEY: Weekly Groups New at Thrive Monthly Repeating Special Events 1025 Old Country Road, Suite 400, Westbury, NY,11590 April 2020 Virtual Groups Thrive Nassau Entrance located on the corner of Bond St. & Old Country Rd @ 516-765-7600 For our most current information/updates, please visit www.ThriveLI.org TEMP ABRIDGED CENTER HOURS: Mon-Sat: 12pm-4pm KEY: Weekly/Bi-weekly Groups New at Thrive Special Events Activities/Events Sunday Monday Tuesday Wednesday Thursday Friday Saturday In response to the current NY Department of Health guidelines, THRIVE NASSAU has FREE 1-on-1 RECOVERY COACHING! paused all in-person groups and has abridged emergency open hours for the center. 15 (By appointment 1only)6 17 A THRIVE representative can be reached via Schedule with THRIVE’S Recovery Coaches Today! phone at 516-765-7600 during the times below: Call 516-765-7600 Mon-Thu – 10 am - 8pm // Fri-Sat – 10am - 10pm // Sun Closed APRIL 1st 2 3 4 Daily Rise & Shine Zoom Daily Rise & Shine Zoom Daily Rise & Shine Zoom meeting – 10-10:45 am meeting – 10-10:45 am meeting – 10-10:45 am Recovery Science Theater JOIN OUR COMMUNITY ON FACEBOOK! Community Integration and LGBT+ Rainbow Recovery New Group!: Creativity 3000 – 8pm-10pm – https://www.facebook.com/groups/ThriveNassau/ Support ZOOM – 6PM Zoom - 7 pm Hour – ZOOM – 2 PM Facebook Watch Coping with Anger and Wharf Rats/ Yellow Balloon One Recovery Meeting Zoom - 6:30pm Other Emotions in Recovery Zoom – 7:30pm ALL GROUPS LISTED ARE ONLINE ZOOM – 7:30 PM THRIVE GAME NIGHT Call if you have questions. We are here to help! on ZOOM! – 8PM t 5 6 7 8 9 10 11 Daily Rise & Shine Zoom Daily Rise & Shine Zoom Daily Rise & Shine Zoom Daily Rise & Shine Zoom Daily Rise & Shine Zoom meeting – 10-10:45 am meeting – 10-10:45 am meeting – 10-10:45 am meeting – 10-10:45 am meeting – 10-10:45 am Recovery Science Theater 3000 – 8pm-10pm – FIST/LICADD Family Community Integration and LGBT+ Rainbow Recovery Creativity Hour – 2 PM Support Group (Grief and Support ZOOM – 6PM Zoom - 7 pm Facebook Watch Loss)- Zoom - 6:00pm One Recovery Meeting Coping with Anger and Wharf Rats/ Yellow Balloon Zoom - 6:30pm Other Emotions in Recovery Zoom – 7:30pm THRIVE GAME NIGHT on ZOOM – 7:30 PM ZOOM! – 8PM Activities/Events Sunday Monday Tuesday Wednesday Thursday Friday Saturday 12 13 14 15 16 17 18 Daily Rise & Shine Zoom Daily Rise & Shine Zoom Daily Rise & Shine Zoom Daily Rise & Shine Zoom Daily Rise & Shine Zoom meeting – 10-10:45 am meeting – 10-10:45 am meeting – 10-10:45 am Recovery Science Theater meeting – 10-10:45 am meeting – 10-10:45 am 3000 – 8pm-10pm – FIST/LICADD Family Community Integration and Creativity Hour – 2 PM Facebook Watch LGBT+ Rainbow Recovery Support Group (SMART Support ZOOM – 6PM Zoom - 7 pm Recovery)- Zoom - 6:00pm One Recovery Meeting Coping with Anger and Zoom - 6:30pm Wharf Rats/ Yellow Balloon Other Emotions in Recovery Zoom – 7:30pm Voices of Empowerment ZOOM – 7:30 PM Facebook Watch Party! – 8:00 PM 19 20 21 22 23 24 25 Daily Rise & Shine Zoom Daily Rise & Shine Zoom Daily Rise & Shine Zoom Daily Rise & Shine Zoom meeting – 10-10:45 am meeting – 10-10:45 am meeting – 10-10:45 am Recovery Science Theater meeting – 10-10:45 am Daily Rise & Shine Zoom 3000 – 8pm-10pm – meeting – 10-10:45 am Community Integration and LGBT+ Rainbow Recovery Creativity Hour – 2 PM Facebook Watch Support ZOOM – 6PM Zoom - 7 pm FIST/LICADD Family One Recovery Meeting Support Group (Grief and Coping with Anger and Wharf Rats/ Yellow Balloon Zoom - 6:30pm Loss)- Zoom - 6:00pm Other Emotions in Recovery Zoom – 7:30pm ZOOM – 7:30 PM THRIVE GAME NIGHT on ZOOM! – 8PM 26 27 28 29 30 Daily Rise & Shine Zoom Daily Rise & Shine Zoom Daily Rise & Shine Zoom Daily Rise & Shine Zoom meeting – 10-10:45 am meeting – 10-10:45 am meeting – 10-10:45 am meeting – 10-10:45 am FIST/LICADD Family Community Integration and LGBT+ Rainbow Recovery Support Group (SMART Support ZOOM – 6PM Zoom - 7 pm Recovery)- Zoom - 6:00pm Coping with Anger and Wharf Rats/ Yellow Balloon Other Emotions in Recovery Zoom – 7:30pm ZOOM – 7:30 PM You can also follow us on Facebook @ https://www.facebook.com/groups/ThriveNassau/ & Instagram @ thrive_recovery. Please flip over for all group descriptions à MONDAY - FRIDAY LGBT+ Rainbow Recovery: Everyone recovers on their own Daily Rise & Shine Morning Meeting: Gathering of the terms and in their own ways - your recovery supports should be HOW DO YOU JOIN?: Come to THRIVE Nassau Facebook Fellowship: Click to join meeting: https://zoom.us/j/615516887 as personal as you. Recovering as a person in the LGBT+ Group and join the watch party. This is a non-judgmental and supportive group that holds online communities comes with a host of challenges you can process space to discuss topics of life, explore spirituality and to share with us, Tuesdays at 7pm. Lead by an out gay social worker. A Mark yourself as "Going" on our event and don't forget to join our own experience, strengths, vulnerabilities and growth. support and process group committed to the spirit of affirmation, our Facebook Group! Please join us every weekday morning at 10am. acceptance, and recovery. Meet us in our Facebook Group at Click to join Meeting: https://zoom.us/j/141727891?pwd=WUhEMnB1QnYwblVycWZZ https://www.facebook.com/groups/thrivenassau TUESDAY: cWh2RUEydz09 FIST Family Support: If you are a family member, loved ones or Meeting ID: 141 727 891 friend who has been impacted by someone else’s addiction, join Password: 948460 us for support and discussion. (First and Third Wednesday focus on SMART Recovery. Second and Fourth focus on This month: THRIVE will be launching a series of online Grief and Loss.) FRIDAY: workshops on Google Classroom! Topics include growing Join Zoom Meeting: Voices of Empowerment-Open Mic Night: Our monthly your gratitude and finding your recovery in famous stories, https://zoom.us/j/315982169?pwd=VUpjbkFHcytiNjM3RUhtdGhV Voices of Empowerment event is a night dedicated to self- films and pop culture. YjlOZz09 expression! Through the written word, poetry, music, etc. we Meeting ID: 315 982 169 share our stories, our triumphs, our mistakes, our strengths Password: 748552 and our vulnerabilities with each other. We are a supportive community that listens without judgment and inspires without demands! WEDNESDAY Community Re-integration and Support: After incarceration, Join our host NickeL on Facebook LIVE at 8:00 PM on April coming home can be harder than we think - the old people, 17th. If you are interested in performing/reading/speaking/etc!, places and things make re-adjustment a challenge; our family upload a short video to your Facebook (make sure it's marked and friends have trouble understanding the barriers we face; our Public!) and send us the link (no more than 8 minutes, please) communities rarely welcome us with open arms. Join us to talk of yourself by the 26th of March. about the challenges of re-entry and find support from people going through the same things. Mark yourself as "Going" on our event and don't forget to join Join Zoom Meeting: our Facebook Group! https://zoom.us/j/141727891?pwd=WUhEMnB1QnYwblVycWZ ZcWh2RUEydz09 Meet us in our Facebook Group at Meeting ID: 141 727 891 https://www.facebook.com/groups/thrivenassau Password: 948460 Creativity Hour: This group will be launching April 3rd. Our facilitator invites you to bring any and every creative endeavor Coping with Anger and Other Emotions in Recovery: that enriches your recovery to a zoom group where we can all Recovery can be a tough road - managing our emotions on top work together and chat. Think of it like a knitting club, but with of everything can make things feel even tougher. Keeping Cool the creative outlet of your choice! is a group for people in all stages of recovery to find mutual support and learn skills to manage anger, frustration, boredom, sadness, excitement, and all the feelings that can get overwhelming at times. Join us! One Recovery Meeting: A meeting that welcomes all who struggle with addiction, are affected by addiction, and/or support Join Zoom Meeting: the recovery lifestyle. All pathways of recovery are embraced; https://zoom.us/j/381150872?pwd=Nm5aZHk2VnY3VERHYmR not affiliated with any particular approach mM1B0akRzdz09 Join Zoom Meeting: Meeting ID: 381 150 872 https://zoom.us/j/146157979 Password: 422402 Meeting ID: 146 157 979 THURSDAY Game Night! – Join us for some fun and relaxing times with friends on Zoom. We’ve got some fun planned for you! Wharf Rats / Yellow Balloon Group- A group of concert-goers who have chosen to live drug and alcohol free. They arose out of Join URL: https://zoom.us/j/661306041 the environment around the rock group The Grateful Dead and their followers the Deadheads, both of which were rooted in the drugs-embracing counterculture of the 1960s. Now weekly! SATURDAY Join Zoom Meeting - https://zoom.us/j/9176730008 Recovery Science Theater 3000 – Do you love watching movies that are SO BAD that they're GOOD?? Do you love Meeting ID: 917 673 0008 making fun of them even more??? Join us for a safe and sober fun time gawking and joking at some of the best-worst movies of all time in our Facebook Watch Party every Saturday Night during the stay-at-home period. .
Recommended publications
  • How Do the Grateful Dead and Deadheads 'Mean'?
    Matthew Tift University of Wisconsin-Madison “How Do the Grateful Dead and Deadheads ‘Mean’?” 09 March 2001 What exactly is a work of music? Is it the sounds we hear? Is it the sounds we are intended to hear? Is a musical work something that can only be defined using metaphors? Must it be organized sound? Is it beyond definition? About the only acceptable answer to these ontological questions is that the nature of a musical work is not universally understood. Nevertheless, by phrasing questions of musical identity differently, some popular music scholars find answers that are more rewarding. Richard Middleton, a well-respected popular music scholar, points out, “popular music analysis has insisted . on the priority of meaning.”1 One method for discussing meaning is to foreground questions of process, thereby avoiding questions of product. Simon Frith, another doyen of popular music studies, writes, “too often attempts to relate musical forms to social processes ignore the ways in which music is itself a social process.”2 By concentrating on social processes, one can more easily address such issues as musical meaning and social significance. This variety of analysis is sometimes described as process philosophy.3 Christopher Small’s advocation of process philosophy is perhaps the most resonant. Small is concerned with questions that address how musical activities are interconnected. In his 1998 book, Musicking, Christopher Small challenges the dominant Western idea of music as a thing and explores the idea of music as an activity. In fact, he creates a new word specifically for 1 Middleton, Reading Pop, 104.
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  • Grateful Dead Records: Artwork MS.332.Ser
    http://oac.cdlib.org/findaid/ark:/13030/c8ff3qrq Online items available Grateful Dead Records: Artwork MS.332.Ser. 9 Wyatt Young, Alix Norton University of California, Santa Cruz 2018 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Grateful Dead Records: Artwork MS.332.Ser. 9 1 MS.332.Ser. 9 Contributing Institution: University of California, Santa Cruz Title: Grateful Dead Records: Artwork Creator: Grateful Dead Productions Identifier/Call Number: MS.332.Ser. 9 Physical Description: 178 Linear Feet42 boxes, 9 map-case drawers, and 103 oversized items Date (inclusive): 1972-2012 Date (bulk): 1980-2008 Language of Material: English . https://www.gdao.org/ Access Collection is open for research. Advance notice is required to access large and framed items so that they can be retrieved from storage. Please contact Special Collections and Archives in advance to request access. Accruals The first accrual was received in 2008. A second accrual was received in June 2012. Acquisition Information Gift of Grateful Dead Productions, 2008 and 2012. Arrangement This collection is arranged in three series: Series 1: Business Art Series 2: Fan Art Series 3: Band Art Materials within each series are arranged alphabetically by last name of artist, where identified. Biography The Grateful Dead were an American rock band that formed in 1965 in Northern California. They came to fame as part of author Ken Kesey's Acid Tests, a series of multimedia happenings centered around then-legal LSD. Famed for their concerts, the band performed more than 2,300 shows over thirty years, disbanding after the death of lead guitarist Jerry Garcia in August 1995.
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  • The Grateful Dead and the Long 1960S – Syllabus Department of Music, University of California – Santa Cruz, Spring Quarter 2018
    Music 80N: The Grateful Dead and the Long 1960s – Syllabus Department of Music, University of California – Santa Cruz, Spring Quarter 2018 Instructor: Dr. Melvin Backstrom [email protected] Teaching Assistants: Marguerite Brown [email protected] Ike Minton [email protected] Class Schedule: MWF, 12pm-1:05pm, Music 101 (Recital Hall) OFFICE HOURS & LOCATION INSTRUCTOR Room 126 Mondays 2-3pm or by appointment TEACHING ASSISTANTS TBA Course Description This music history survey course uses the seminal Bay Area rock band/improvisational ensemble the Grateful Dead as a lens to understand the music and broader history of countercultural music from the 1950s to the present. It combines an extensive engagement with the music of the Grateful Dead, as well as other related musicians, along with a wide variety of readings from non- musical history, political science, philosophy and cultural studies in order to encourage a deep reflection on what the countercultures of the 1960s meant in their heyday, and what their descendants continue to mean today in both musical and non-musical realms. It aims to be both an introduction to those interested in the Grateful Dead, though largely born after the group’s disbandment in 1995, as well as to appeal to those with a broader interest in recent cultural history. Because the University of California – Santa Cruz is the home of the Grateful Dead Archive, students are encouraged to make use of it. However, given the number of students in the course and limitations of UCSC Special Collections its use will not be required. Readings All texts will be available through UCSC’s online system.
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  • 2017 High Sierra Music Festival Program
    WELCOME! Festivarians, music lovers, friends old and new... WELCOME to the 27th version of our annual get-together! This year, we can’t help but look back 50 years to the Summer of Love, the summer of 1967, a year that brought us the Monterey Pop Festival (with such performers as Jimi Hendrix, The Who, Otis Redding, Janis Joplin and The Grateful Dead) which became an inspiration and template for future music festivals like the one you find yourself at right now. But the hippies of that era would likely refer to what’s going on in the political climate of these United States now as a “bad trip” with the old adage “the more things change, the more they stay the same” coming back into play. Here we are in 2017 with so many of the rights and freedoms that were fought long and hard for over the past 50 years being challenged, reinterpreted or revoked seemingly at warp speed. It’s high time to embrace the two basic tenets of the counterculture movement. First is PEACE. PEACE for your fellow human, PEACE within and PEACE for our planet. The second tenet brings a song to mind - and while the Beatles Sgt. Pepper’s Lonely Hearts Club Band gets all the attention on its 50th anniversary, it’s the final track on their Magical Mystery Tour album (which came out later the same year) that contains the most apropos song for these times. ALL YOU NEED IS LOVE. LOVE more, fear less. LOVE is always our answer. Come back to LOVE.
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  • 2019 High Sierra Program for Download
    Welcome! Greetings music lovers and WELCOME to the 29th Annual High Sierra Music Festival. What makes High Sierra so special is that everyone truly brings their “A GAME” to High Sierra, the best versions of themselves – starting with the musicians, on down to the staff and production crews, the vendors and volunteers, to the Quincy community and the patrons! It’s such an amazing aggregate of people and passion, and we’re grateful to all for making it happen! We hope you thoroughly enjoy the weekend while practicing self-care. Please stay hydrated! Thanks to our friends at Klean Kanteen, we have filtered drinking water stations conveniently located throughout the fairgrounds and it’s FREE! (check the festival map in the center of this booklet for locations of the Hydration Stations). If you’re an experienced High Sierra festivarian we consider you an ambassador of the festival and one who upholds the high standard that you have helped set with regard to being “kind neighbors and good people.” We thank you for honoring the unwritten FESTIQUETTE code! (See Festival Guidelines towards the back of this booklet for some specific dos and don’ts.) There’s so much to take in at High Sierra besides the four daytime stages and after midnight venues, so go at a pace that suits you, and if you just feel like relaxing at your campsite you can tune in to Grizzly Radio to listen to what’s happening on stage (see this booklet for station frequencies). Nourish yourself with tasty treats from a wide array of food vendors, shop for yourself or a loved at one of our creative crafts vendor booths, take a young one over to the Family Village, enjoy a swim at Pioneer pool out by Shady Grove, recharge with a yoga or Pilates class, or sample some delicious wine and beer at the High Sierra Swirl – our daily late afternoon beer and wine tasting adjacent to the food court in the Tulsa E.
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  • Grateful Dead Marathon ‘Thank You’ Gift Description
    2020 GRATEFUL DEAD MARATHON ‘THANK YOU’ GIFT DESCRIPTION Once again, in the essence of Time & Space, please peruse this document highlighting the modest sampling of Cosmic Artifacts we are offering as “Thank- You Gifts” from The Undisputed Psychedelic Kings of San Francisco and Company. As several Items are in extremely limited supply, please check the main “Marathon Thank-You Gifts” Listing on KKUP’s website to verify the minimum pledge needed to secure one of these Celestial Beauties as well as their availability. As we predict again that additional Sonic Artifacts will cosmically materialize in course of this celebration, please continue to check for the next Inter-Galactic Update!!! May the Unparalleled Legendary Status of the Grateful Dead in All Their Sonic Percolations Live and Prosper Forever … Table of Contents KKUP 2018 GRATEFUL DEAD THANK YOU GIFTS All Gifts include One KKUP Grateful Dead Marathon (available in both Women's & Men's Sizes) KKUP THANK YOU GIFT WITH KKUP MINIMUM ITEM PAGE YEAR ARTIST / DESCRIPTION TOTE BAG PLEDGE GDM20001 5 1966 Grateful Dead / The Grateful Dead 50th Anniversary 2-CD Limited Deluxe Edition Yes $ 100.00 GDM20002 7 1967 Grateful Dead / Anthem Of The Sun 50th Anniversary 2-CD Limited Deluxe Edition Yes $ 100.00 GDM20003 9 1970 Grateful Dead / Road Trips Vol. 3 No. 3 -- Fillmore East 5-15-70 Limited Edition 3-CD Set $ 100.00 GDM20004 9 1970 Grateful Dead / Road Trips Vol. 3 No. 3 -- Fillmore East 5-15-70 Limited Edition 3-CD Set $ 100.00 GDM20005 9 1970 Grateful Dead / Road Trips Vol. 3 No.
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  • The Wharf Rats: Concert-Goers and Drug-Free Culture” from Mountainside.Com
    Handout 1 - “The Wharf Rats: Concert-Goers and Drug-Free Culture” From Mountainside.com For music-loving, concert-going folks in recovery, the idea of setting foot in a music festival or any concert arena feels uneasy. It can be a tough environment to navigate with all the triggers for a major setback. After all, rock ‘n’ roll and drugs have always walked hand-in-hand. But, it doesn’t have to feel that way. Follow the “yellow balloon” and you might discover a whole new way to enjoy the music you love, find sober living support, and experience kind fellowship. It all started in the ‘80s, with a small group of Grateful Dead fans (aka deadheads) in recovery. They had given up the binge drinking and the high but weren’t ready to give up the music. With Alcoholics Anonymous and Narcotic Anonymous meetings under their belt, they started getting together at concerts to support each other’s sobriety. The group would hold meetings inspired by the 12 Step program right in the middle of a concert’s intermission, signaling its presence by flying yellow balloons marked with the letters NA or AA. The group’s name is a reference to a 1971 song from The Grateful Dead called “The Wharf Rat,” which sings the story of a down-and-out dockside alcoholic. Fast forward. Today The Wharf Rats are a well-established group of concert-goers, with more than three thousand Facebook members who have chosen to live alcohol- and drug-free. They define themselves as “a group of friends sharing a common bond, providing support, information, and hope in a rather slippery environment.” They are not affiliated with AA, NA, or any other 12 Step group.
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  • Catalog 033 Adstoyscoinopp
    September 19 & 20 2015 • I II • Potter & Potter Auctions Public Auction #033 Advertising, Toys Coin-Op, and Posters Including Vending, Arcade, Slot, and Gum Machines; Vintage Chewing Gum Advertising; Circus Posters and Ephemera; Movie Posters & Memorabilia; Autographs, Photographs and Ephemera; Vintage Battery-Operated and Wind-Up Toys, Puzzles, and Vent Figures; Porcelain and Trade Signs, Vintage Advertising, Antiques, and Miscellaneous Collectibles Auction September 19 & 20 2015 v 10:00 Am Exhibition Sept 14 - 18 2015 v 10:00 am - 5:00 pm Inquiries [email protected] Phone: 773-472-1442 Potter & Potter Auctions, Inc. 3759 N. Ravenswood Ave. -Suite 121- Chicago, IL 60613 1 3 4 5 6 2 7 2 • Potter & Potter Auctions 8 SESSION ONE - SEPTEMBER 19, 2015 AT 10AM CINEMA - BROADSIDES 5. Town Hall Hartlepool. Theatrical broadside (35 x 11”) 1. Argyle Theatre of Varieties. Liverpool, England: S. Griffith, for September 16, 1907, in a film exhibition by the Excelsior Printer, 1897. Theatrical letterpress broadside (30 x 10”) Animated Picture Company, including The Giant Cunard Liner advertising “The Marvel of the Century” – Edison’s latest Lusitania, released several years before the vessel was sunk; La Novelty: the Autograph, Life Size Pictures, 20 feet square. Ten Milo; and Life in the Sandwich Islands, a Hawaiian documentary; different Edison movies advertised. Edge-wear with some plus others. Very good condition except for edge chips not darkening, linen backed. B. affecting printed image. Linen mounted. B. 150/200 200/300 2. Palladium News Theatre. Hartlepool, England: F. W. Mason 6. Town Hall Hartlepool. Theatrical broadside (35 x 11”) for the Printer, ca.
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  • Hs18 Web.Pdf
    Welcome! Greetings everyone and WELCOME to the 28th Annual High Sierra Music Festival. This year we celebrate our 20th festival in Quincy, CA, a community where we feel more and more at home every year. We thank you for growing with us here in Quincy, and for being the best festival audience in the country! What you hold in your hands is our handy dandy pocket guide, it contains everything you’ll need to navigate your days and nights at the festival. We hope you’ll immerse yourself in all High Sierra has to offer and take the opportunity to check out some of the goings-on you haven’t had a chance to check out before. Perhaps one of the intimate late night acoustic Troubadour sessions in the Mineral Building, or the High Sierra Swirl—our daily late afternoon beer and wine tast- ing adjacent to the food court in the Tulsa E. Scott Building, or a stroll to Pioneer pool out by Shady Grove for a refreshing swim, or our evening Stretch Salon to work out the kinks, or maybe you just want “be here” in NOW, a space we’ve designed for you to decom- press. While you’re busy catching your favorite High Sierra bands be sure you make time to check out an act you’ve never heard before because discovery is always a big part of what makes High Sierra... High Sierra! A new activity of interest this year is the opportunity to participate in an environmental action at the Keen bus in the Grandstand Meadow.
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  • Theater of Jambands: Performance of Resistance
    THEATER OF JAMBANDS: PERFORMANCE OF RESISTANCE by CHRISTINA L. ALLABACK A DISSERTATION Presented to the Department ofTheater Arts and the Graduate School ofthe University ofOregon in partial fulfillment ofthe requirements for the degree of Doctor ofPhilosophy June 2009 11 University of Oregon Graduate School Confirmation ofApproval and Acceptance ofDissertation prepared by: Christina Allaback Title: "Theatre ofJambands: Performance ofResistance" This dissertation has been accepted and approved in partial fulfillment ofthe requirements for the Doctor ofPhilosophy degree in the Department ofTheater Arts by: John Schmor, Chairperson, Theater Arts John Watson, Member, Theater Arts Theresa May, Member, Theater Arts Daniel Wojcik, Outside Member, English and Richard Linton, Vice President for Research and Graduate Studies/Dean ofthe Graduate School for the University of Oregon. June 13,2009 Original approval signatures are on file with the Graduate School and the University of Oregon Libraries. III © 2009 Christina L. Allaback IV An Abstract ofthe Dissertation of Christina L. Allaback for the degree of Doctor ofPhilosophy in the Department ofTheater Arts to be taken June 2009 Title: THEATER OF JAMBANDS: PERFORMANCE OF RESISTANCE Approved: _ Dr. John Schmor Jambands were born in the Haight-Ashbury district ofSan Francisco with the Grateful Dead, who dominated this musical geme until the mid-nineties. Jamband expert Dean Budnick coined the term shortly thereafter to describe bands that perform long, improvised jams during their live shows. As these improvised shows have increased in popularity, they have become great spectacles, featuring light shows, filmed images, dancing, storytelling, and short plays. While the performance happening inside the arena deserves study, there is an equally interesting performance that takes place in parking lots before and after the shows.
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  • Geographic Perspectives on the Grateful Dead Daniel R
    Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2004 "Never could read no road map": geographic perspectives on the Grateful Dead Daniel R. Culli Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Social and Behavioral Sciences Commons Recommended Citation Culli, Daniel R., ""Never could read no road map": geographic perspectives on the Grateful Dead" (2004). LSU Master's Theses. 2331. https://digitalcommons.lsu.edu/gradschool_theses/2331 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. “NEVER COULD READ NO ROAD MAP”: GEOGRAPHIC PERSPECTIVES ON THE GRATEFUL DEAD A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Science in The Department of Geography and Anthropology by Daniel R. Culli B.A., Southern Illinois University at Edwardsville B.S., Southern Illinois University at Edwardsville August 2004 ACKNOWLEDGEMENTS I would like to thank all of my family and friends, especially my parents and Sandra, for their support while continuing my education and writing my thesis. I must thank Dr. Kent Mathewson for agreeing to take me on and allowing me to pursue this topic, as many professors would frown upon such research. Thanks also to my other committee members, Dr.
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  • Is There Life After the Dead? Deadheads and the Death of Jerry Garcia
    Is There Life After the Dead? 73 Is There Life After The Dead? Deadheads and the Death of Jerry Garcia Maryanne Pearce Department ofAnthropology The University ofWestern Ontario Abstract: The Grateful Dead is a rock and roll band formed in 1965. For thirty years the Grateful Dead have attracted a following of faithful fans, numbering in the hundreds of thousands, known as Deadheads. The lead singer, gUitarist, composer and figurehead of the band was Jerry Garcia. Beginning in the late 1960s, a community grew around the band. To some Deadheads, Jerry represented a father, grandfather, guru, spiritual leader or a god. I argue that this community of fans constitutes a subculture. A discussion and description of this subculture is included. In August of 1995, Garcia died in his sleep. Six months later the sul'Jiving band members announced their decision not to continue as the Grateful Dead. Many Deadheads were deeply affected by the loss of Jerry and the end of the Grateful Dead. This paper examines the mouming of Deadheads: who was affected, how it was expressed, and the reasons behind it. Many feared the loss of the subculture, although a strong commitment to continue was evident. A discussion of the future of Deadheads, the possible role of cyberspace, and the commitment of Deadheads to retaining their community is included. Accepted for Publication in 1998 Introduction We're not human beings having a spiritual experience, we are spiritual beings having a human experience.} This paper is a summary of a much longer work and is based on fieldwork undertaken between February of 1996 and April 1997.2 This paper examines the reaction to and the mourning surrounding the death of Jerry Garcia of the Grateful Dead.
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