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October to Deceember 2012 Preleme).P65 Ama. EZ². Am`. \$m°a B§{S>`m ISSN - 2229 - 4929 Zdr {X„r a. Z§. - 37218 / 2010 Aja dmL²>_` Zm Q>ç {d eo fm§ H$ df© : {Vgao Owb¡ 2012 Vo _mM© 2013 g§nmXH$ : S>m°. ZmZmgmho~ gy`©d§er g§nmXH$ _§S>i : S>m°. gVre H$X_, S>m°. Ho$ed nmQ>rb, S>m°. {dO` dmaH$S>, S>m°. {edmOramd Xoe_wI, S>m°. XrnH$ {MÔadma àH$meH$ : gm¡. aoImVmB© ZmZmgmho~ gy`©d§er, gm{hË` d dJ©Ur nmR>{dÊ`mMm nÎmm : àVrH$ àH$meZ, "àUd', éŠ_o ZJa, WmoS>Jm amoS>, S>m°. ZmZmgmho~ gy`©d§er Ah_Xnya, {O. bmVya - 413515. "àUd', éŠ_o ZJa, WmoS>Jm amoS>, Ah_Xnya _wÐH$ : AmZ§X qM. bmQ>H$a, H$m°ån-{àÝQ> H$ënZm àm.{b. {O. bmVya - 413515. ^«_UÜdZr : 9423655841 461/4, gXm{ed noR>, nwUo 30. B. _ob : [email protected] dm{f©H$ dJ©Ur : é. 500/ {Ûdm{f©H$ é.900/ n§Mdm{f©H$ dJ©Ur é. 2000 `m A§H$mMo _yë` : é. 350 `m A§H$mVrb boIm§VyZ ì`º$ Pmboë`m boIH$m§À`m _Vmer g§nmXH$, àH$meH$ d _wÐH$ gh_V AgVrbM Ago Zmhr. & Richard Foreman’s War With Words & 1 & R. N. I. FOR INDIA ISSN - 2229 - 4929 New Delhi R. No. – 37218 / 2010 A K S H A R W A N G M A Y Drama Special Issue Year : 3 July 2012 to March 2013 Editor : Dr. Nanasaheb Suryawanshi Editorial Board : Dr. Satish Kadam, Dr. Keshav Patil, Dr. Vijay Warkad, Dr. Shivajirao Deshmukh, Dr. Deepak Chiddarwar Publisher : Address for sending articles and fees : Sou. Rekhatai Nanasaheb Suryawanshi, Dr. Nanasaheb Suryawanshi Pratik Prakashan, ‘Pranav’, Rukme Nagar, ‘Pranav’, Rukme Nagar, Thodga Road, Thodga Road, Ahmedpur 413515 Ahmedpur 413515 District : Latur, Printer : Comp- Print Kalpana Private Ltd., Cell phone : 9423655841 461/4 Sadashiv Peth, Pune - 30 E-mail : [email protected] Subscription Rates Yearly : Rs. 500/ Two Years Rs. 900/ Five Years Rs. 2000 Current Volume Rs. 350 The content and opinions expressed in the articles are the views of the authors and do not necessarily reflect the views and opinions of the periodical’s editorial board, publisher or the advisor. The authors are solely responsible for the facts and accuracy of the content of the articles. ZmQ>ç{deofm§H$ ^maVr` Am{U OmJ{VH$ `m {deofm§H$mMo A{VWr g§nmXH$ S>m°. AéU à^wUo Drama Special Issue Exprimental Drama : Indian & International Guest Editor Dr. Arun Prabhune ❍ _wIn¥ð>m{df`r................................................................... ghm ❍ About the Coverpage .................................................. Six ❍ g§nmXH$s` .................................................. AmR> ❍ Editorial................................................................. Sixteen ❍ qhXr a§J^y_rMr nÞmg df] - lr. Xod|Ð amO A§Hw$a ....................................Vrg /Thrity ❍ lr. AéU H$mH$S>o `m§Mr _wbmIV - S>m°. AéU à^wUo ............................................... 1 / 1 ❍ àm. AÀ`wV dPo `m§Mr _wbmIV - S>m°. AéU à^wUo, lr. àgmX dZmago ........................ 35 / 35 ❍ lr_Vr à{V_m Hw$bH$Uu `m§Mr _wbmIV - S>m°. AéU à^wUo, lr. adrÝÐ bmIo.......................... 57 / 57 ❍ "ZdZmQ>çm'Mr gwédmV - am_Xmg ^Q>H$i ........................................... 69 / 69 ❍ _mPr ZmQ>çboIZ à[H«$`m - M§. à. Xoenm§S>o ............................................. 73 / 73 ❍ A{^Z` H$aVmZm - JrVm§Obr Hw$bH$Uu ........................................ 95 / 95 ❍ ZmQ>H$, H$nS>o Am{U [S>PmBZa - ZraOm nQ>dY©Z .......................................... 103 / 103 ❍ Ogo hdo VgoM - à^mH$a ZrbH§$R> ^mdo ................................... 109 / 109 ❍ Rang Vardhan : Looking for Cultural Alternatives - Prof. Prasad Vanarse ........................................ 115 / 115 ❍ Experimental Drama in Marathi - Dr. Ajay Joshi...................................................123 / 123 ❍ àm`mo{JH$ [h¨Xr ZmQ>H$ Am{U a§J^y_r - S>m°. dgwYm ghó~wÕo .................................... 145 / 145 ❍ H$ÞS> a§J^y_r : H$mhr {dMma - àm. S>r. Eg. Mm¡Jbo ..................................... 157 / AZwH«$_{UH$m 157 ❍ M§ÐmdbmoH$Z H$aUmam Am§Yim (Š`moJoZ ZmQ>H$) AZwdmX d g_rjm - S>m°. AéU à^wUo ......................................... 165 / 165 & Mma & Aja dmL²>_` & Owb¡ 2012 Vo _mM© 2013 & ZmQ>ç{deofm§H$ & ❍ Mansaku Nomura: The Kyogen Master - Interview with Mansaku Nomura - by Dr. Arun Prabune ..................................................................................... 185 / 185 ❍ Commitment to Experimental Theatre - Interview with Rob Melrose - by Dr. Arun Prabune ...................................................................................... 189 / 189 ❍ Paratheatre - Interview with Antero Alli - by Dr. Arun Prabune ...................................................................................... 201 / 201 ❍ Japanese Theatre in USA - Interview with Yuriko Doi - by Dr. Arun Prabune ...................................................................................... 217 / 217 ❍ Director with Difference - Interview with Paige Rogers - by Dr. Arun Prabune ...................................................................................... 269 / 269 ❍ Drummer's Significant Contribution - Interview with Kenny Perkins - by Dr. Arun Prabune ...................................................................................... 275 / 275 ❍ Directing Indian Plays - by Prof. Farley Richmond .................................... 281 / 281 ❍ Odin Theatre in Perspective : A Global Theatre in Denmark - by Prof. Arik Exe Christoffersen and Prof. Annelis Kuhlmann .................. 299 / 299 ❍ Contemporary Theatre in Catalonia : A story of Creative Struggles - by Prof. Sharon G. Feldman........................................................................... 313 / 313 ❍ My Love of Painting the Stage with Light - by Prof. Kathy Parkins................................................................................... 325 / 325 ❍ Theory Trouble : Towards a Manifesto for 'Critical' Feminism, Theory and Theatre Relationship - by Prof. Elaine Aston ..................................................................................... 339 / 339 ❍ The Nature of Social Problems Reflected in the Plays of J. Okoh - by Prof. Juliana Okoh .................................................................................... 359 / 359 ❍ Richard Foreman's War With Words - by Prof. Kimberly Jannarone......................................................................... 375 / 375 & Aja dmL²>_` & Owb¡ 2012 Vo _mM© 2013 ZmQ>ç{deofm§H$ & nmM & OrdZ åhUOo nmUr. M¡VÝ`nyU©. ew^«. erVb. nmUr åhUOo JVr. doJ. àdmhrnU. nmÊ`mMm Y_© dmhUo. dmhV amhUo. gVV nwT>o dmhUo. gVV ZmdrÝ`mMr AmoT> AgUo. dmhVmZm Zì`m dmQ>m emoYUo. Zì`m Zì`m àXoemVyZ àdmg H$aUo. diUo KoV KoV Zdo AZmoiIr àXoe nmXmH«$m§V H$aUo. `m Am{U Aem nmÊ`mMm ñd^mdY_© OmUyZM _mZdr Am`wî`mgmR>r Am{U EHy$UM Am`wî`ì`dhmamgmR>r "OrdZ' hm gmW© eãX bjUoZo ñdrH$mabm Jobm Agmdm. _mZdr OrdZmbmhr nmÊ`mà_mUoM gVV ZmdrÝ`mMr AmoT> AgVo. OrdZ OJVmZm nmÊ`mà_mUoM _mZdr OrdZ Zì`m dmQ>m emoYV AgVo. Zdr Zdr diUo KoV AgVo. OrdZmMr hr àH¥$VrM AgVo. Aem Zì`m dmQ>m emoYë`m, Zdr diUo KoVbr, Zì`m àXoem§Mm emoY KoVbm, Am{U Zdo AZmoiIr àXoe nmXmH«$m§V Ho$bo VaM OrdZ M¡VÝ`_` ~ZV AgVo. M¡VÝ`nyU© amhV AgVo. OrdZmMm Am{dîH$ma H$aUmao b{bV dmL²>_` åhUyZM Ago àdmhr nmÊ`mgmaIo AgVo. _iboë`m dmQ>m gmoSy>Z diUo KoV AgVo. OrdZmà_mUoM Zì`m dmQ>m emoYV AgVo. Aem dmQ>m emoYÊ`mMr b{bV dmL²>_`mMr gVV YS>nS> Mmby AgVo. `m dmQ>m éiboë`m Zgë`mZo Ë`m emoYÊ`mgmR>r gVV H$mhr Var {deof ñdê$nmMr YS>nS> H$amdr bmJV AgVo. hr YS>nS> åhUOoM Ho$bobo Zdo Zdo à`moJ AgVmV. Ago Zdo à`moJM b{bV dmL²>_`mbm bm^bobr g§OrdZr AgVo. gd© H$mimV, gd© Xoem§V, gd© ^mfm§V OÝ_V Agboë`m b{bV dmL²>_`mÀ`m gd© àH$mam§V Ago à`moJ H$aÊ`mMm à`ËZ Ho$bm OmV AgVmo. {ZË` ~XbV OmUmè`m OrdZmbm H$doV KoÊ`mgmR>r _iboë`m Am{U éiboë`m dmQ>m {Zén`moJr AgVmV. åhUyZ b{bV dmL²>_` Zì`m Zì`m à`moJm§Zm Zoh_r gm_moao OmV AgVo. VaM Vo H$mV Q>mHy$ eHy$Z ZdVéU ê$n YmaU H$ê$ eH$V AgVo. b{bV dmL²>_`mbm {MaVméÊ`mMo daXmZ bm^bobo AgVo Vo b{bV dmL²>_`mÀ`m {R>H$mUr Agboë`m `m JwUm_wioM. Aem à`moJerb b{bVH¥$VrM {Ma`m¡dZm hmoÊ`mMr, AI§S> gm¢X`©dVr ~ZÊ`mMr eŠ`Vm AgVo. ZmQ>H$ ho b{bV dmL²>_` Agë`mZo Am{U OJ^amVrb {d{dY ^mfm§_YyZ ZmQ>Ho$ à`moJ ê$nmV Ho$br OmV Agë`mZo Ë`mV Ho$ë`m OmV Agboë`m à`moJm§Mm emoY KoUmam hm ZmQ>ç{deofm§H$ Agë`mZo, n¥Ïdrbm åhUOo OJmbm ì`mnyZ CaUmar, _wIn¥ð>m{df`r H$doV KoUmar, nañnam§Zm gm_moar OmUmar, nañnam§V {_giy nmhUmar, nañnam§Vrb _Zmohmar {d{dY gwa§Jr gm¢X`m©À`m XodmU-KodUrbm àm`mo{JH$ ZmQ>H$m§à_mUoM AmVwa _wIn¥ð> g§H$ënZm Agbobr, gai aofoV AgÊ`mEodOr _Zmoha dH«$Vm YmaU H$ê$Z Amåhr gai d éiboë`m _mJm©darb nm§WñW Zmhr AmhmoV ho gwMdUmar Ajao, ObmMr AWm§JVm, _wIn¥ð>H$Wm gImobVm Am{U A_brZVm Xe©dUmar nmœ©^y_rdarb a§Jg§JVr Am{U `m gdmªbm A{^ì`º$ H$aUmar d åhUyZM H|$ÐñWmZr Agbobr Aja dmL²>_` hr Ajao `m - S>m°. AéU à^wUoo {deofm§H$s {Z`VH$m{bH$mMo A§Va§J gwMdUmar AmhoV. g°Z hmoOo, H°${b\$mo{Z©`m, A_o[aH$m & ghm & Aja dmL²>_` & Owb¡ 2012 Vo _mM© 2013 & ZmQ>ç{deofm§H$ & Water means life. Full of spirit. Snow-white. Cool. Water means momentum. Speed. Flowing. The nature of water is to flow. To keep flowing. To keep moving forward. To seek something new always. To discover new paths. To traverse new geographies. To conquer the newer, unknown lands by taking newer twists and turns. Perhaps with the knowledge of this nature of water, the word ‘jeevan’ in Sanskrit, meaning ‘life’ has been accepted symbolically for the human life and the overall dynamics of life. A human life too, like water, seeks novelty all the time. That’s the nature of life. Life becomes full of spirit when new paths are found, new geographies are traversed, new twists and turns are taken, new lands are discovered and new, unknown areas are conquered. It remains full of spirit as a result of it. The creative literature that is an expression of life is therefore also like the flowing water. It leaves the beaten paths and takes newer turns.
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