The Book of Kells Primary School Teachers' Guide
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Book Reviews
BOOK REVIEWS THE JEWS IN THE GREEK AGE. By Elias J. Bickerman. Cambridge, Mass.: Harvard University, 1988. Pp. xiii + 338. $30. The late Professor Bickerman (1897-1981) was recognized as a leading authority not only in the study of Hellenism but also in the particular area of Hellenistic Judaism. His most famous books were Der Gott der Makkabàer (1937; English, 1979) and Institutions des Séleucides (1938). His technical articles have been gathered in the three-volume collection Studies in Jewish and Christian History (1976, 1980, 1986). He was widely admired for his mastery of the primary sources pertaining to the Hellenistic era and for his breadth of learning. He was indeed a scholar's scholar. In his latter years he served as professor of ancient history at Columbia University in New York and research fellow at Jewish Theo logical Seminary of America. Although B. had completed the first draft of this survey of pre- Maccabean Judaism in 1963, he was revising his manuscript until shortly before his death. His manuscript has been prepared for publication by Shari Friedman, a member of the Jewish Theological Seminary research staff. Albert Baumgarten, professor of Jewish history at Bar-Ilan Uni versity, assisted with the final preparation and compiled a 15-page general bibliography. The theme of the volume is stability and change in Jewish society during the first centuries of the Greek age, from the fourth century B.C. until approximately 175 B.C. The first part ("before and after Alex ander") surveys the evidence for the early encounters between Jews and Greeks in the land of Israel and the Diaspora. -
The Making of the Book of Kells: Two Masters and Two Campaigns
The making of the Book of Kells: two Masters and two Campaigns Vol. I - Text and Illustrations Donncha MacGabhann PhD Thesis - 2015 Institute of English Studies, School of Advanced Study, University of London 1 Declaration: I hereby declare that this thesis has not been submitted as an exercise for a degree at any other university, and that it is entirely my own work. _________________________________ Donncha MacGabhann 2 Abstract This thesis investigates the number of individuals involved in the making of the Book of Kells. It demonstrates that only two individuals, identified as the Scribe-Artist and the Master-Artist, were involved in its creation. It also demonstrates that the script is the work of a single individual - the Scribe-Artist. More specific questions are answered regarding the working relationships between the book’s creators and the sequence of production. This thesis also demonstrates that the manuscript was created over two separate campaigns of work. The comprehensive nature of this study focuses on all aspects of the manuscript including, script, initials, display-lettering, decoration and illumination. The first part of chapter one outlines the main questions addressed in this thesis. This is followed by a summary of the main conclusions and ends with a summary of the chapter- structure. The second part of chapter one presents a literature review and the final section outlines the methodologies used in the research. Chapter two is devoted to the script and illumination of the canon tables. The resolution of a number of problematic issues within this series of tables in Kells is essential to an understanding of the creation of the manuscript and the roles played by the individuals involved. -
Investigating Illuminated Manuscripts
Art A Day CHALLENGE: You are a Bright Light! Investigating Illuminated Manuscripts Washington County Museum of Fine Arts Stuff you’ll need: Materials are up to you! Read through the challenge and make your decision based on your idea! If it is a nice day, draw it in chalk on your driveway! Words to know: Illuminated Manuscript are hand-written books with painted decoration and can include gold or silver. The pages were made from animal skin and were made between 1100 and 1600. Monasteries were the first to create these books and pages. Historiated initials is an initial, an enlarged letter at the beginning of a paragraph or other section of text and can contain a picture. LOOK at this hand-made page from Book of Hours (1440s). Before the invention of the printing press, books were created by hand! Books that held great importance to people were often created with great details. These details often included gold and had detailed initial decorations, miniature illustrations, and extravagantly detailed borders. Sometimes the gold made the page look like it was glowing. People started calling them Illuminated Manuscripts. Illuminated means lit up and manuscript means writing. Usually, these books were made by monks that were educated, could read and write. People who could afford the books paid a lot of money to have the pages made just for them, this included: psalms, prayers, calendars of feast days, and prayers for the dead. The first letter on the page usually was the most decorated. We call this the historiated initial. It is usually larger than the other Unknown (French, ca. -
Fleming-The-Book-Of-Armagh.Pdf
THE BOOK OF ARMAGH BY THE REV. CANON W.E.C. FLEMING, M.A. SOMETIME INCUMBENT OF TARTARAGHAN AND DIAMOND AND CHANCELLOR OF ARMAGH CATHEDRAL 2013 The eighth and ninth centuries A.D. were an unsettled period in Irish history, the situation being exacerbated by the arrival of the Vikings1 on these shores in 795, only to return again in increasing numbers to plunder and wreak havoc upon many of the church settlements, carrying off and destroying their treasured possessions. Prior to these incursions the country had been subject to a long series of disputes and battles, involving local kings and chieftains, as a result of which they were weakened and unable to present a united front against the foreigners. According to The Annals of the Four Masters2, under the year 800 we find, “Ard-Macha was plundered thrice in one month by the foreigners, and it had never been plundered by strangers before.” Further raids took place on at least seven occasions, and in 941 they record, “Ard-Macha was plundered by the same foreigners ...” It is, therefore, rather surprising that in spite of so much disruption in various parts of the country, there remained for many people a degree of normality and resilience in daily life, which enabled 1 The Vikings, also referred to as Norsemen or Danes, were Scandinavian seafarers who travelled overseas in their distinctive longships, earning for themselves the reputation of being fierce warriors. In Ireland their main targets were the rich monasteries, to which they returned and plundered again and again, carrying off church treasures and other items of value. -
A Medieval Scriptorium Sancta Maria Magdalena De
Legal A Medieval Scriptorium Sancta Maria Magdalena De Frankendal Wolfenbutteler Mittelalter Studien EBook For Free And You Can Read Online At Online Ebook Library A MEDIEVAL SCRIPTORIUM SANCTA MARIA MAGDALENA DE FRANKENDAL WOLFENBUTTELER MITTELALTER STUDIEN PDF A MEDIEVAL SCRIPTORIUM SANCTA MARIA MAGDALENA DE FRANKENDAL WOLFENBUTTELER MITTELALTER STUDIEN PDF DATABASE ID GQZO - Are you looking for ebook A Medieval Scriptorium Sancta Maria Magdalena De Frankendal Wolfenbutteler Mittelalter Studien Pdf database id gqzo in pdf? You will be glad to know that right now A Medieval Scriptorium Sancta Maria Magdalena De Frankendal Wolfenbutteler Mittelalter Studien Pdf database id gqzo in pdf is available on our online library. With our online resources, you can find A Medieval Scriptorium Sancta Maria Magdalena De Frankendal Wolfenbutteler Mittelalter Studien Pdf in or just about any type of ebooks, for any type of product. Best of all, they are entirely free to find, use and download, so there is no cost or stress at all. A Medieval Scriptorium Sancta Maria Magdalena De Frankendal Wolfenbutteler Mittelalter Studien Pdf database id gqzo in pdf may not make exciting reading, but A Medieval Scriptorium Sancta Maria Magdalena De Frankendal Wolfenbutteler Mittelalter Studien Pdf database id gqzo in is packed with valuable instructions, information and warnings. We also have many ebooks and user guide is also related with A Medieval Scriptorium Sancta Maria Magdalena De Frankendal Wolfenbutteler Mittelalter Studien Pdf database id gqzo in pdf, include : Will The Future Workplace Still Need You An Essential Career Survival Guide For The Imminent Future English Edition , Wild Highland Magic The Celtic Legends Series Book 3 , Advances In Chemical Physics Jortner Joshua Bixon M , Grand Oeuvre Grande Luce Libro Emile Grillot De Givry Huai Nan Tze , Western Snow Plow Wiring Instructions and many other ebooks. -
Lost Incunable Editions: Closing in on an Estimate
chapter 3 Lost Incunable Editions: Closing in on an Estimate Jonathan Green and Frank McIntyre Imagine, if you will, that you are a lepidopterist stationed in the butterfly-rich environment of a tropical Malaysian island. You hope to determine the number of butterfly species that live on the island, and so you resolve to survey an acre- sized patch of it for a month and record the number of individuals of each spe- cies that you find. At the end of the month, you find that a few species of butterfly are represented by a large number of specimens, while many species are repre- sented by only one or a few specimens. These results lead you to suspect that there remain many species of butterfly on the island that your survey has missed, but how many? And how many more species can you expect to discover with additional months of observation? As your opportunity to spend additional months on a tropical island depends on your presenting a convincing argument to your funding agency, these questions are of some urgency for you. This is a brief statement of what is known as the unseen species problem, which has been an area of intense study both within and well outside of the field of ecology for several decades. The example above concerning Malaysian butterflies is drawn from a pathbreaking article published in 1943 by Ronald Fisher, one of the founders of modern biology and statistics, who proposed statistical methods for estimating the number of unseen butterfly species.1 Since then, the development and implementation of these methods has con- tinued, so that several current statistical software packages can provide both an estimate of the number of missing species and determine the confidence interval of that estimation, that is, the range within which one is reasonably certain the actual number lies.2 In an ideal situation, the number of observed butterfly species will rise with each additional month of observation, but the estimate of total species will change only modestly as the confidence interval 1 R.A. -
Contemporary Islamic Graffiti: the New Illuminated Manuscript
Contemporary Islamic Graffiti: The New Illuminated Manuscript Click the following video link on contemporary Graffiti artist Mohammed Ali. Mohammed was invited to be a part of the Eid Festival at the Riksatern Theatre in Gothenburg Sweden, by the British Council in Seden. He painted a unique cube over a 2 day period outside of the museum, where he engages with the people around him while he paints. http://www.aerosolarabic.com/portfolio/mohammed-ali-in- sweden/ Overview The following lesson is part of a Visual Arts instructional unit exploring Graffiti as a visual art form expressing contemporary ideas of Islamic culture. Historically, Illuminated manuscripts (especially Illuminated Qur’ans) were instrumental in spreading ideas of Islam. The function, form and style development of Illuminated manuscripts correlated with the need to not only record and spread the revelations bestowed upon the prophet Muhammad, but also to signify the importance and reverence of the word of Allah. Contemporary Islamic Graffiti developed in response to a need to illuminate contemporary ideas of Islam in a visual platform that is not only visually captivating, but in the public sphere. Graffiti tends to challenge perceptions and hold a visual mirror up for society to reflect upon cultural practices and structures. Contemporary Islamic Graffiti artists Muhammed Ali and eL Seed are creating a platform for spreading contemporary ideas of Islam and challenging stereotypes and perceptions of Muslims and Islam as a monolithic religion. In this unit, students will first explore the visual art form of historic Illuminated Manuscripts and engage in critical analysis of at least one historic work. -
The History of Books and Libraries in Bohemia
Digital Editing of Medieval Manuscripts - Intellectual Output 1: Resources for Editing Medieval Texts (Paleography, Codicology, Philology) The history of books and libraries in Bohemia Michal Dragoun (Charles Univeristy in Prague) While books were initially rare in medieval Bohemia, they would come to play an important role in the lives of all social classes by the end of the Middle Ages. The pace of that advancement was not, however, constant. Many factors contributed to spread of books and to their use, some of them pushed the advancement forward significantly, others less significantly. Books were initially a monopoly of the Church and its institutions but gradually, the circle of book users extended to the laity and more and more texts came to be written in vernacular languages. Acknowledging the abundance or research into medieval books and libraries more generally, this overview will comment only on the most significant moments in the book culture of medieval Bohemia. There are two fundamental turning points in the history of Medieval Bohemian book culture – these were the establishment of a university in Prague, and the Hussite Reformation. To provide a brief overview of types of libraries, it is necessary to categorize them and study the development of individual categories. In any case, the Hussite period was the real turning point for a number of them. Sources The sheer abundance of sources provides the basis for a comprehensive overview of Bohemian book culture. The manuscripts themselves are the most significant source. However, the catalogues used to study Bohemian collections tend to be very old. As a result, the records are often incomplete and contextual information is often unavailable. -
The Story of Abraham (Page from Heiligenleben)
TITLE: The Story of Abraham (page from Heiligenleben) ARTIST: Unknown DATE: 1496 SIZE: 10 x 6 ½ inches MEDIUM: Woodcut and Moveable Type ACQUISITION #: 2001.1.102 ADDITIONAL WORK IN COLLECTION BY ARTIST: No. VOCABULARY Illuminated Manuscript: a manuscript in which the text is supplemented with decoration such as initials, borders, and miniature illustrations. Woodblock print: technique for printing text, images, or patterns used. It is a block of wood engraved in relief which is used to print. Hagiography: The writing of the lives of saints. The word comes from the Greek “hagios” which means “holy” and “graphia” which means “writing.” The word literally means “holy writing.” CONTEXTUAL INFORMATION Just like books of gospels and biblical illuminated manuscripts, this page contains the detail and precision of other religious works. The literal meaning for “Heiligenleben” is “holy life.” This page, which tells the story of Abraham is an example of hagiography. This page is possibly a part of a hagiographic illuminated manuscript, such as Der SOURCES Heiligen Leben or The Lives of Saints, produced by a Dominican monastery in Nuremberg, Germany during the 1400s.This manuscript https://en.wikipedia.org/wiki/Movable_type was as large as a bible and provided readings over the course of a year http://education.asianart.org/explore-resources/background- information/ukiyo-e-woodblock-printing-process and included saints’ feast days as well. Many such illuminated https://www.inksaver.co.za/en/blog/History‐of‐printing‐part‐1‐ manuscripts were created simply to teach people about saints and/or woodblock‐printing.php https://www.degruyter.com/view/product/24901 martyrs. -
Illuminated Manuscripts Lisa Hudgins University of South Carolina - Columbia, [email protected]
University of South Carolina Scholar Commons Archaeology and Anthropology, South Carolina Faculty & Staff ubP lications Institute of 2007 Illuminated Manuscripts Lisa Hudgins University of South Carolina - Columbia, [email protected] Follow this and additional works at: https://scholarcommons.sc.edu/sciaa_staffpub Part of the Anthropology Commons Publication Info Published in The Oxford Encyclopedia of Maritime History, ed. John B. Hattendorf, Volume 2, 2007, pages 177-179. http://www.oup-usa.org © 2007 by Oxford University Press This Article is brought to you by the Archaeology and Anthropology, South Carolina Institute of at Scholar Commons. It has been accepted for inclusion in Faculty & Staff ubP lications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Illuminated Manuscripts 177 Illuminated Manuscripts The word "manuscript" can be literally translated as "written by hand." Books that were written or transcribed by hand were produced between the fifth and fifteenth centuries (dates determined by the limits of bibliographic tech nology). The earliest manuscripts developed with the THE OXFORD ENCYCLOPEDIA OF MARITIME HISTORY 178 Illuminated Manuscripts transition from the scroll to the rectangular book form around the fifth century C.E. The decline of handwritten books occurred with the development of movable type and. the subsequent growth of pri.nting, around. the 1450s, which coincided historically with the end of the medieval period. The phrase "illuminated manuscript" originally referred to a manuscript decorated with initial letters, borders, or miniature illustration in gold or silver. In modern usage, the term has come to mean any illustrated manuscript. Maritime subjects and images existed throughout the span of manuscript production, though the specific topics were dependent upon the nature of the illuminated work in which the images were found. -
Johannes Gyllenmun – En Senmedeltida Ikonografisk Förvirring
Johannes Gyllenmun – en senmedeltida ikonografisk förvirring Eva Lindqvist Sandgren Title Saint John, the Golden-mouthed – a Late Mediaeval Iconographical Confusion Abstract The pictorial program in Thott 113, an illuminated French book of hours from c. 1400 in the Royal Library, Copenhagen, is fairly conventional. But instead of the usual evangelist portrait at the beginning of the gospel, St. John is placed on the island of Patmos, where his writing is inter- rupted by a devil who steals his ink. This motif became popular around the middle of the 15th cen- tury in northern France and Flanders, a fact previously noticed by scholars. In this article, however, the motif is connected to Parisian book illumination from a slightly earlier period, i.e. the late 14th or early 15th century, and to some of the illuminators working for Duke Jean de Berry (d. 1416). The motif originated through a confusion of John the evangelist with John Chrysostom. It can be con- nected to a Miracle play, performed annually by the goldsmiths’ guild in Paris during the 14th cen- tury. The book illuminators who used the scene included, for example, the Vergil Master, although the painter of the Thott hours in Copenhagen, the Ravenelle Master, seems to have used it even more frequently. Keywords Miniatures, late medieval book illumination, John the evangelist, John of Patmos, John Chrysostom, Jean bouche d’or, devil, ink horn, Miracle play, Parisian book illumination, Bible his- toriale, book of hours, gold smiths’ guild Author Associate prof./senior lecturer, Dept. of Art History, Uppsala University Email [email protected] Iconographisk Post Nordisk tidskrift för bildtolkning • Nordic Review of Iconography Nr 1, 2015, pp. -
Myths and Legends of the Celtic Race by Thomas William Rolleston
The Project Gutenberg EBook of Myths and Legends of the Celtic Race by Thomas William Rolleston This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: Myths and Legends of the Celtic Race Author: Thomas William Rolleston Release Date: October 16, 2010 [Ebook 34081] Language: English ***START OF THE PROJECT GUTENBERG EBOOK MYTHS AND LEGENDS OF THE CELTIC RACE*** MYTHS & LEGENDS OF THE CELTIC RACE Queen Maev T. W. ROLLESTON MYTHS & LEGENDS OF THE CELTIC RACE CONSTABLE - LONDON [8] British edition published by Constable and Company Limited, London First published 1911 by George G. Harrap & Co., London [9] PREFACE The Past may be forgotten, but it never dies. The elements which in the most remote times have entered into a nation's composition endure through all its history, and help to mould that history, and to stamp the character and genius of the people. The examination, therefore, of these elements, and the recognition, as far as possible, of the part they have actually contributed to the warp and weft of a nation's life, must be a matter of no small interest and importance to those who realise that the present is the child of the past, and the future of the present; who will not regard themselves, their kinsfolk, and their fellow-citizens as mere transitory phantoms, hurrying from darkness into darkness, but who know that, in them, a vast historic stream of national life is passing from its distant and mysterious origin towards a future which is largely conditioned by all the past wanderings of that human stream, but which is also, in no small degree, what they, by their courage, their patriotism, their knowledge, and their understanding, choose to make it.