The Story of Abraham (Page from Heiligenleben)
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Investigating Illuminated Manuscripts
Art A Day CHALLENGE: You are a Bright Light! Investigating Illuminated Manuscripts Washington County Museum of Fine Arts Stuff you’ll need: Materials are up to you! Read through the challenge and make your decision based on your idea! If it is a nice day, draw it in chalk on your driveway! Words to know: Illuminated Manuscript are hand-written books with painted decoration and can include gold or silver. The pages were made from animal skin and were made between 1100 and 1600. Monasteries were the first to create these books and pages. Historiated initials is an initial, an enlarged letter at the beginning of a paragraph or other section of text and can contain a picture. LOOK at this hand-made page from Book of Hours (1440s). Before the invention of the printing press, books were created by hand! Books that held great importance to people were often created with great details. These details often included gold and had detailed initial decorations, miniature illustrations, and extravagantly detailed borders. Sometimes the gold made the page look like it was glowing. People started calling them Illuminated Manuscripts. Illuminated means lit up and manuscript means writing. Usually, these books were made by monks that were educated, could read and write. People who could afford the books paid a lot of money to have the pages made just for them, this included: psalms, prayers, calendars of feast days, and prayers for the dead. The first letter on the page usually was the most decorated. We call this the historiated initial. It is usually larger than the other Unknown (French, ca. -
Introduction to Printing Technologies
Edited with the trial version of Foxit Advanced PDF Editor To remove this notice, visit: www.foxitsoftware.com/shopping Introduction to Printing Technologies Study Material for Students : Introduction to Printing Technologies CAREER OPPORTUNITIES IN MEDIA WORLD Mass communication and Journalism is institutionalized and source specific. Itfunctions through well-organized professionals and has an ever increasing interlace. Mass media has a global availability and it has converted the whole world in to a global village. A qualified journalism professional can take up a job of educating, entertaining, informing, persuading, interpreting, and guiding. Working in print media offers the opportunities to be a news reporter, news presenter, an editor, a feature writer, a photojournalist, etc. Electronic media offers great opportunities of being a news reporter, news editor, newsreader, programme host, interviewer, cameraman,Edited with theproducer, trial version of Foxit Advanced PDF Editor director, etc. To remove this notice, visit: www.foxitsoftware.com/shopping Other titles of Mass Communication and Journalism professionals are script writer, production assistant, technical director, floor manager, lighting director, scenic director, coordinator, creative director, advertiser, media planner, media consultant, public relation officer, counselor, front office executive, event manager and others. 2 : Introduction to Printing Technologies INTRODUCTION The book introduces the students to fundamentals of printing. Today printing technology is a part of our everyday life. It is all around us. T h e history and origin of printing technology are also discussed in the book. Students of mass communication will also learn about t h e different types of printing and typography in this book. The book will also make a comparison between Traditional Printing Vs Modern Typography. -
Contemporary Islamic Graffiti: the New Illuminated Manuscript
Contemporary Islamic Graffiti: The New Illuminated Manuscript Click the following video link on contemporary Graffiti artist Mohammed Ali. Mohammed was invited to be a part of the Eid Festival at the Riksatern Theatre in Gothenburg Sweden, by the British Council in Seden. He painted a unique cube over a 2 day period outside of the museum, where he engages with the people around him while he paints. http://www.aerosolarabic.com/portfolio/mohammed-ali-in- sweden/ Overview The following lesson is part of a Visual Arts instructional unit exploring Graffiti as a visual art form expressing contemporary ideas of Islamic culture. Historically, Illuminated manuscripts (especially Illuminated Qur’ans) were instrumental in spreading ideas of Islam. The function, form and style development of Illuminated manuscripts correlated with the need to not only record and spread the revelations bestowed upon the prophet Muhammad, but also to signify the importance and reverence of the word of Allah. Contemporary Islamic Graffiti developed in response to a need to illuminate contemporary ideas of Islam in a visual platform that is not only visually captivating, but in the public sphere. Graffiti tends to challenge perceptions and hold a visual mirror up for society to reflect upon cultural practices and structures. Contemporary Islamic Graffiti artists Muhammed Ali and eL Seed are creating a platform for spreading contemporary ideas of Islam and challenging stereotypes and perceptions of Muslims and Islam as a monolithic religion. In this unit, students will first explore the visual art form of historic Illuminated Manuscripts and engage in critical analysis of at least one historic work. -
Illuminated Manuscripts Lisa Hudgins University of South Carolina - Columbia, [email protected]
University of South Carolina Scholar Commons Archaeology and Anthropology, South Carolina Faculty & Staff ubP lications Institute of 2007 Illuminated Manuscripts Lisa Hudgins University of South Carolina - Columbia, [email protected] Follow this and additional works at: https://scholarcommons.sc.edu/sciaa_staffpub Part of the Anthropology Commons Publication Info Published in The Oxford Encyclopedia of Maritime History, ed. John B. Hattendorf, Volume 2, 2007, pages 177-179. http://www.oup-usa.org © 2007 by Oxford University Press This Article is brought to you by the Archaeology and Anthropology, South Carolina Institute of at Scholar Commons. It has been accepted for inclusion in Faculty & Staff ubP lications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Illuminated Manuscripts 177 Illuminated Manuscripts The word "manuscript" can be literally translated as "written by hand." Books that were written or transcribed by hand were produced between the fifth and fifteenth centuries (dates determined by the limits of bibliographic tech nology). The earliest manuscripts developed with the THE OXFORD ENCYCLOPEDIA OF MARITIME HISTORY 178 Illuminated Manuscripts transition from the scroll to the rectangular book form around the fifth century C.E. The decline of handwritten books occurred with the development of movable type and. the subsequent growth of pri.nting, around. the 1450s, which coincided historically with the end of the medieval period. The phrase "illuminated manuscript" originally referred to a manuscript decorated with initial letters, borders, or miniature illustration in gold or silver. In modern usage, the term has come to mean any illustrated manuscript. Maritime subjects and images existed throughout the span of manuscript production, though the specific topics were dependent upon the nature of the illuminated work in which the images were found. -
Illuminated Manuscripts in an Illuminated Manuscript Text Is
Illuminated Manuscripts In an illuminated manuscript text is supplemented by the addition of decorated initials, borders (marginalia), and miniature illustrations. Page from the Book of Hours, ca. 1400 The book of hours, a devotional book popular in the later Middle Ages, is the most common type of surviving medieval illuminated manuscript. The major varieties and historic periods of illuminated manuscripts include Late Antique, Insular, Carolingian manuscripts, Ottonian manuscripts, Romanesque manuscripts, Gothic manuscripts, and Renaissance manuscripts. The earliest surviving illuminated manuscripts were produced in Italy and the Eastern Roman Empire ca. 400 - 600. Illuminated manuscripts increased during the Gothic Period, including many secular works of literature and educational texts. Early illuminated manuscripts were produced by masterful monks working in solitude; as demand increased, secular scribes were increasingly employed for this task. Illuminated Manuscripts became obsolete with the advent of printing. Illuminated Manuscript An illuminated manuscript is a manuscript in which the text is supplemented by the addition of decoration, such as decorated initials, borders (marginalia), and miniature illustrations. In the most strict definition of the term, an illuminated manuscript only refers to manuscripts decorated with gold or silver, but in both common usage and Source URL: https://www.boundless.com/art-history/gothic-art/english-gothic-art/illuminated-manuscripts/ Saylor URL: http://www.saylor.org/courses/arth401#3.1.2 Attributed to: Boundless www.saylor.org Page 1 of 2 modern scholarship, the term is now used to refer to any decorated or illustrated manuscript from the Western traditions. Vellum A type of parchment paper made from the skin of a lamb, baby goat, or calf. -
Plant Dye Identification in Japanese Woodblock Prints
Plant Dye Identification in Japanese Woodblock Prints Michele Derrick, Joan Wright, Richard Newman oodblock prints were first pro- duced in Japan during the sixth Wto eighth century but it was not until the Edo period (1603–1868) that the full potential of woodblock printing as a means to create popular imagery for mass consumption developed. Known broadly as ukiyo-e, meaning “pictures of the float- ing world,” these prints depicted Kabuki actors, beautiful women, scenes from his- tory or legend, views of Edo, landscapes, and erotica. Prints and printed books, with or without illustrations, became an inte- gral part of daily life during this time of peace and stability. Prints produced from about the 1650s through the 1740s were printed in black line, sometimes with hand-applied color (see figure 1). These col- ors were predominantly mineral (inorganic) pigments supplemented by plant-based (organic) colorants. Since adding colors to a print by hand was costly and slowed pro- duction, the block carvers eventually hit upon a means to create a multicolor print using blocks that contained an “L” shaped groove carved into the corner and a straight groove carved further up its side in order to align the paper to be printed (see figure 2). These guides, called kento, are located Figure 1. Actors Sanjō Kantarō II and Ichimura Takenojō IV, (MFA 11.13273), about 1719 (Kyōho 4), designed by Torii Kiyotada I, and published by in the same location on each block. They Komatsuya (31.1 x 15.3 cm). Example of a beni-e Japanese woodblock ensure consistent alignment as each color print with hand-applied color commonly made from the 1650s to 1740s. -
Decorative Style
mc NO 11 2018 mc NO 11 2018 manuscript cultures manuscript Hamburg | Centre for the Study of Manuscript Cultures ISSN 1867–9617 cultures Natural Sciences and Technology in Manuscript Analysis Technology Sciences and Natural ISSN 1867–9617 © SFB 950 ‘Manuskriptkulturen in Asien, Afrika und Europa’ Universität Hamburg Warburgstraße 26 www.manuscript-cultures.uni-hamburg.de D-20354 Hamburg N O 11 PUBLISHING INFORMATION | MANUSCRIPT CULTURES Publishing Information Editors Editorial Office Studies in Manuscript Cultures (SMC) Prof Dr Michael Friedrich Dr Irina Wandrey Universität Hamburg Universität Hamburg Ed. by Michael Friedrich, Harunaga Isaacson, and Jörg B. Quenzer Asien-Afrika-Institut Sonderforschungsbereich 950 Writing is one of the most important cultural techniques, Western) book, thus not only denying manuscripts their Edmund-Siemers-Allee 1/ Flügel Ost ‘Manuskriptkulturen in Asien, Afrika und Europa’ and writing has been handwriting throughout the greater part distinct status as carrier medium, but also neglecting the D-20146 Hamburg Warburgstraße 26 of human history, in some places even until very recently. rich heritage of Asian and African manuscript cultures from Tel. No.: +49 (0)40 42838 7127 D-20354 Hamburg Manuscripts are usually studied primarily for their contents, which, according to conservative estimates, more than ten Fax No.: +49 (0)40 42838 4899 Tel. No.: +49 (0)40 42838 9420 that is, for the texts, images and notation they carry, but they million specimens survive until today. [email protected] Fax No.: +49 (0)40 42838 4899 are also unique artefacts, the study of which can reveal how The series Studies in Manuscript Cultures (SMC) is they were produced and used. -
View PDF Transcript
VELLUM THROUGH THE AGES – TRANSCRIPTION. This segment, I think, could be entitled Vellum through the Ages. It ought to begin with what may seem like a startling statement that there were books long before there was printing. Most people think about books as printed objects, but we have always dealt with and been fascinated with illuminated and decorated manuscripts, the earlier the better. The more splendid the better in terms of their decoration. The earliest book that we have in inventory right now is a 13th century lectionary. It was produced in Lombardy. It's got 220 leaves, and it is a monster. It's 445 – Well, you can see how tall it is. 445 millimeters tall, 221 leaves. It's got lots of decorative initials. It's a liturgical book, a book that would have been used in an Ecclesiastical context. Finding single leaves from a book like this in today's marketplace happens from time to time, but to find a book this grand, basically intact – There are eight leaves missing, but 221 that are there – is a special kind of experience. The book later belonged to a 16th century humanist named Paolo Giovio, whose name is important, especially if you're interested in history and illustration. The oldest item in inventory now is leaf from the ninth century. We think it was probably done about 850. A time not far removed from a special moment in the Carolingian Renaissance. Charlemagne, in 1796, appointed Alcuin of York to be the supervisor of the scriptoria at Tours. In the scriptoria at Tours, he supervised what was basically the evolution of the Carolingian Minuscule. -
Mokuhanga - Japanese Woodblock Printing- Tomoko Murakami Material List 2018
Mokuhanga - Japanese Woodblock Printing- Tomoko Murakami Material list 2018 The material fee covers the following materials: • Two blocks of Shina plywood (9”x12”) – You will be cutting them into four 6”x9” blocks. • Paper “Masa” and Shin-trinoko • Akua-Kolor Water-based Ink • Tracing paper • Paper towel • Foam plates • Brushes • Newsprint • Carving tools (for classroom use only) General Art Supply & etc. (Please bring them to the class.) • Notebook, journal or sketchbook • Apron or work cloth • Design ideas (6” x 9” is highly recommended.) • Wood carving tools (if you have any) • A bag lunch Carving Tools (optional) If you would like to purchase your own woodcutting tools, here are two recommended sets. o Mikisho Brand Power Grip Carving - set of 5 ($39.90) or set of 7 ($55.90) o Michihamono Brand Gakudo Carving Knife Set – set of 5 ($25.90) or set of 7 ($33.90) DO NOT purchase “Niji” brand at an art-store! (Sharpening stones – get both if you can.) • Naniwa Brand 1000 Grit Carving Tool Stone ($26.20) • Honyama Brand Natural Finish Slip Stone Woodworking Water Stone 75x30x3 mm ($11.60) Hida Tool & Hardware Co., Inc. (http://www.hidatool.com) 1333 San Pablo Avenue Berkeley, CA 94702, (510) 524-3700 or (800) 443-5512 If you have time to order tools online: McClain’s printmaking supplies: http://www.imcclains.com/ Printing Paper (optional) If you would like to purchase printing paper for your own, here is a list of recommended printing paper for hand printing (Ukiyo-E technique) Blick Art • Rives Light white (115gsm) 26”x40” $ 3.25 • Chiri paper 23”x35” $ 5.76 • Hosho paper 19”x24” $ 4.99 • Kinwashi 25”x37” $4.09 • Kitakata 16”x20” $3.10 • Masa 21”x31” $ 1.29 • Mulberry 24”x33½” $5.99 • Okawara 12”x16” $4.50 You can order “Masa” and Shin-trinoko from one of the companies below. -
Laser Printer - Wikipedia, the Free Encyclopedia
Laser printer - Wikipedia, the free encyclopedia http://en. rvi kipedia.org/r,vi ki/Laser_pri nter Laser printer From Wikipedia, the free encyclopedia A laser printer is a common type of computer printer that rapidly produces high quality text and graphics on plain paper. As with digital photocopiers and multifunction printers (MFPs), Iaser printers employ a xerographic printing process but differ from analog photocopiers in that the image is produced by the direct scanning of a laser beam across the printer's photoreceptor. Overview A laser beam projects an image of the page to be printed onto an electrically charged rotating drum coated with selenium. Photoconductivity removes charge from the areas exposed to light. Dry ink (toner) particles are then electrostatically picked up by the drum's charged areas. The drum then prints the image onto paper by direct contact and heat, which fuses the ink to the paper. HP I-aserJet 4200 series printer Laser printers have many significant advantages over other types of printers. Unlike impact printers, laser printer speed can vary widely, and depends on many factors, including the graphic intensity of the job being processed. The fastest models can print over 200 monochrome pages per minute (12,000 pages per hour). The fastest color laser printers can print over 100 pages per minute (6000 pages per hour). Very high-speed laser printers are used for mass mailings of personalized documents, such as credit card or utility bills, and are competing with lithography in some commercial applications. The cost of this technology depends on a combination of factors, including the cost of paper, toner, and infrequent HP LaserJet printer drum replacement, as well as the replacement of other 1200 consumables such as the fuser assembly and transfer assembly. -
History of the Book in China Oxford Reference
9/1/2016 40 The History of the Book in China Oxford Reference Oxford Reference The Oxford Companion to the Book Edited by Michael F. Suarez, S.J. and H. R. Woudhuysen Publisher: Oxford University Press Print Publication Date: 2010 Print ISBN13: 9780198606536 Published online: 2010 Current Online Version: 2010 eISBN: 9780199570140 40 The History of the Book in China J. S. EDGREN 1 The book before paper and printing 2 Tang to Yuan (7th–14th centuries) 3 Ming to Qing (14th–19th centuries) 4 The 20th century 1 The book before paper and printing nd th Although the early invention of true paper (2 century BC) and of textual printing (late 7 century) by *woodblock printing profoundly influenced the development of the book in China, the materials and manufacture of books before paper and before printing also left some traces. Preceding the availability of paper as a writing surface, the earliest books in China, known as jiance or jiandu, were written on thin strips of prepared bamboo and wood, which were usually interlaced in sequence by parallel bands of twisted thongs, hemp string, or silk thread. The text was written with a *writing brush and lampblack *ink in vertical columns from right to left—a *layout retained by later MSS and printed books—after which the strips were rolled up to form a primitive *scroll binding (see 17). The surviving specimens of jiance are mostly the result of 20th th rd century scientific archaeological recovery, and date from around the 6 century BC to the 3 century AD. -
CAROLINGIAN ILLUMINATED MANUSCRIPT (C. 850)1
Image 6.2 CAROLINGIAN ILLUMINATED MANUSCRIPT (c. 850)1 Codices, or bound books, were less expensive than papyrus rolls, could contain longer texts, and were far easier to use for reference purposes. The early Christians constantly dis- puted with pagans and Jews on the basis of philosophical and religious texts, in particular the Old Testa- ment. The shift to codices doubtless simplified these efforts enormously. Codices could also be made much smaller than scrolls, to the ad- vantage of itinerant missionaries. The success of the codex followed— and perhaps helped—that of Chris- tianity. By the time Emperor Theo- dosius I proclaimed Christianity as the official religion of the Roman Empire in 380, the codex had be- come the predominant form for books in the Roman world. Medieval European artists (for the most part monks) “illuminated” thousands of ancient and revered texts with lovely illustrations and ornamentation. A small number of illuminated manuscripts descend from antiquity, but the vast majority has been handed down from the medieval period when monks lovingly copied and recopied cherished texts. They probably saved many books from destruction by illiterate warlords who presumably attributed more value to illustrated volumes than to ones filled on- ly with text. (Alas, monks also condemned to slow obliteration those texts they failed to copy, like most works by Marcus Varro, a celebrated Roman author). The image reproduced above comes from a Carolingian manuscript dubbed the Drogo Sacramentary, a prayer book. It is named after an illegitimate son of Charlemagne, Drogo of Metz (801–855), a bishop of the French city of Metz and a great patron of the arts.