Illuminated Manuscripts in an Illuminated Manuscript Text Is

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Illuminated Manuscripts In an illuminated manuscript text is supplemented by the addition of decorated initials, borders (marginalia), and miniature illustrations. Page from the Book of Hours, ca. 1400 The book of hours, a devotional book popular in the later Middle Ages, is the most common type of surviving medieval illuminated manuscript. The major varieties and historic periods of illuminated manuscripts include Late Antique, Insular, Carolingian manuscripts, Ottonian manuscripts, Romanesque manuscripts, Gothic manuscripts, and Renaissance manuscripts. The earliest surviving illuminated manuscripts were produced in Italy and the Eastern Roman Empire ca. 400 - 600. Illuminated manuscripts increased during the Gothic Period, including many secular works of literature and educational texts. Early illuminated manuscripts were produced by masterful monks working in solitude; as demand increased, secular scribes were increasingly employed for this task. Illuminated Manuscripts became obsolete with the advent of printing. Illuminated Manuscript An illuminated manuscript is a manuscript in which the text is supplemented by the addition of decoration, such as decorated initials, borders (marginalia), and miniature illustrations. In the most strict definition of the term, an illuminated manuscript only refers to manuscripts decorated with gold or silver, but in both common usage and Source URL: https://www.boundless.com/art-history/gothic-art/english-gothic-art/illuminated-manuscripts/ Saylor URL: http://www.saylor.org/courses/arth401#3.1.2 Attributed to: Boundless www.saylor.org Page 1 of 2 modern scholarship, the term is now used to refer to any decorated or illustrated manuscript from the Western traditions. Vellum A type of parchment paper made from the skin of a lamb, baby goat, or calf. Scriptorium A room in a monastery set aside for the copying, writing, or illuminating of manuscripts and records. Source URL: https://www.boundless.com/art-history/gothic-art/english-gothic-art/illuminated-manuscripts/ Saylor URL: http://www.saylor.org/courses/arth401#3.1.2 Attributed to: Boundless www.saylor.org Page 2 of 2 .

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mc NO 11 2018 mc NO 11 2018 manuscript cultures manuscript Hamburg | Centre for the Study of Manuscript Cultures ISSN 1867–9617 cultures Natural Sciences and Technology in Manuscript Analysis Technology Sciences and Natural ISSN 1867–9617 © SFB 950 ‘Manuskriptkulturen in Asien, Afrika und Europa’ Universität Hamburg Warburgstraße 26 www.manuscript-cultures.uni-hamburg.de D-20354 Hamburg N O 11 PUBLISHING INFORMATION | MANUSCRIPT CULTURES Publishing Information Editors Editorial Office Studies in Manuscript Cultures (SMC) Prof Dr Michael Friedrich Dr Irina Wandrey Universität Hamburg Universität Hamburg Ed. by Michael Friedrich, Harunaga Isaacson, and Jörg B. Quenzer Asien-Afrika-Institut Sonderforschungsbereich 950 Writing is one of the most important cultural techniques, Western) book, thus not only denying manuscripts their Edmund-Siemers-Allee 1/ Flügel Ost ‘Manuskriptkulturen in Asien, Afrika und Europa’ and writing has been handwriting throughout the greater part distinct status as carrier medium, but also neglecting the D-20146 Hamburg Warburgstraße 26 of human history, in some places even until very recently. rich heritage of Asian and African manuscript cultures from Tel. No.: +49 (0)40 42838 7127 D-20354 Hamburg Manuscripts are usually studied primarily for their contents, which, according to conservative estimates, more than ten Fax No.: +49 (0)40 42838 4899 Tel. No.: +49 (0)40 42838 9420 that is, for the texts, images and notation they carry, but they million specimens survive until today. [email protected] Fax No.: +49 (0)40 42838 4899 are also unique artefacts, the study of which can reveal how The series Studies in Manuscript Cultures (SMC) is they were produced and used.
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VELLUM THROUGH THE AGES – TRANSCRIPTION. This segment, I think, could be entitled Vellum through the Ages. It ought to begin with what may seem like a startling statement that there were books long before there was printing. Most people think about books as printed objects, but we have always dealt with and been fascinated with illuminated and decorated manuscripts, the earlier the better. The more splendid the better in terms of their decoration. The earliest book that we have in inventory right now is a 13th century lectionary. It was produced in Lombardy. It's got 220 leaves, and it is a monster. It's 445 – Well, you can see how tall it is. 445 millimeters tall, 221 leaves. It's got lots of decorative initials. It's a liturgical book, a book that would have been used in an Ecclesiastical context. Finding single leaves from a book like this in today's marketplace happens from time to time, but to find a book this grand, basically intact – There are eight leaves missing, but 221 that are there – is a special kind of experience. The book later belonged to a 16th century humanist named Paolo Giovio, whose name is important, especially if you're interested in history and illustration. The oldest item in inventory now is leaf from the ninth century. We think it was probably done about 850. A time not far removed from a special moment in the Carolingian Renaissance. Charlemagne, in 1796, appointed Alcuin of York to be the supervisor of the scriptoria at Tours. In the scriptoria at Tours, he supervised what was basically the evolution of the Carolingian Minuscule.
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