Art of Illumination: Glossary Patricia Benivoglio, Suzanne Hertzberg and Sue Sullivan the ARCHER SCHOOL for GIRLS LOS ANGELES, CALIFORNIA

Total Page：16

File Type：pdf, Size：1020Kb

Art of Illumination: Glossary Patricia Benivoglio, Suzanne Hertzberg and Sue Sullivan the ARCHER SCHOOL for GIRLS LOS ANGELES, CALIFORNIA

AIA EDUCATION DEPARTMENT ILLUMINATION PROJECT LESSON PLANS Art of Illumination: Glossary Patricia Benivoglio, Suzanne Hertzberg and Sue Sullivan THE ARCHER SCHOOL FOR GIRLS LOS ANGELES, CALIFORNIA Learn and use these key terms in discussing illuminated manuscripts, both the medieval manuscripts you observe and your own and your peers’ manuscripts. atelier: (secular) workshop where illuminated manuscripts historiated initial: initial containing an identifiable scene were produced or figures, sometimes relating to the text border: decorative pattern around the perimeter (or part inhabited initial: initial that contains human or animal of the perimeter) of an illumination figures but not a narrative scene Book of Hours: medieval prayer-book manuscript: a book written by hand miniature: (from the Latin “miniare,” to color with red, as chrysography: (from the Greek chrysographia, “writing in books were originally adorned in red) an independent gold”) gold (or silver) mixed with glue and used for illu- illustration that is not part of a border or initial minated writing parchment: writing surface made from sheep or goat skin drollery: an amusing figure (“vellum” is the term used for a writing surface made from calf skin) foliated: decorated with leaves or vines provenance: the history of a book (or work of art) fully painted: an illumination entirely in color rather than wholly or partly in line or outline script: the handwriting used in manuscripts illumination: (from the Latin illuminare, to enlighten or bilinear script: script confined between two horizontal illuminate) embellishment of a manuscript with luminous lines (uppercase) colors quadrilinear script: script that extends between four horizontal lines (lowercase) initial: an enlarged and decorated letter introducing an important section of a text; anthropomorphic initial: initial scriptorium: room in a monastery devoted to producing composed wholly or partly of human figures manuscripts decorated initial: an initial embellished with non-figural zoomorphic: in the shape of an animal, real or imaginary designs ARCHAEOLOGICAL INSTITUTE of AMERICA 1 .

Copy Link

Recommended publications

Book Reviews
BOOK REVIEWS THE JEWS IN THE GREEK AGE. By Elias J. Bickerman. Cambridge, Mass.: Harvard University, 1988. Pp. xiii + 338. $30. The late Professor Bickerman (1897-1981) was recognized as a leading authority not only in the study of Hellenism but also in the particular area of Hellenistic Judaism. His most famous books were Der Gott der Makkabàer (1937; English, 1979) and Institutions des Séleucides (1938). His technical articles have been gathered in the three-volume collection Studies in Jewish and Christian History (1976, 1980, 1986). He was widely admired for his mastery of the primary sources pertaining to the Hellenistic era and for his breadth of learning. He was indeed a scholar's scholar. In his latter years he served as professor of ancient history at Columbia University in New York and research fellow at Jewish Theo logical Seminary of America. Although B. had completed the first draft of this survey of pre- Maccabean Judaism in 1963, he was revising his manuscript until shortly before his death. His manuscript has been prepared for publication by Shari Friedman, a member of the Jewish Theological Seminary research staff. Albert Baumgarten, professor of Jewish history at Bar-Ilan Uni versity, assisted with the final preparation and compiled a 15-page general bibliography. The theme of the volume is stability and change in Jewish society during the first centuries of the Greek age, from the fourth century B.C. until approximately 175 B.C. The first part ("before and after Alex ander") surveys the evidence for the early encounters between Jews and Greeks in the land of Israel and the Diaspora.
[Show full text]
The Making of the Book of Kells: Two Masters and Two Campaigns
The making of the Book of Kells: two Masters and two Campaigns Vol. I - Text and Illustrations Donncha MacGabhann PhD Thesis - 2015 Institute of English Studies, School of Advanced Study, University of London 1 Declaration: I hereby declare that this thesis has not been submitted as an exercise for a degree at any other university, and that it is entirely my own work. _________________________________ Donncha MacGabhann 2 Abstract This thesis investigates the number of individuals involved in the making of the Book of Kells. It demonstrates that only two individuals, identified as the Scribe-Artist and the Master-Artist, were involved in its creation. It also demonstrates that the script is the work of a single individual - the Scribe-Artist. More specific questions are answered regarding the working relationships between the book’s creators and the sequence of production. This thesis also demonstrates that the manuscript was created over two separate campaigns of work. The comprehensive nature of this study focuses on all aspects of the manuscript including, script, initials, display-lettering, decoration and illumination. The first part of chapter one outlines the main questions addressed in this thesis. This is followed by a summary of the main conclusions and ends with a summary of the chapter- structure. The second part of chapter one presents a literature review and the final section outlines the methodologies used in the research. Chapter two is devoted to the script and illumination of the canon tables. The resolution of a number of problematic issues within this series of tables in Kells is essential to an understanding of the creation of the manuscript and the roles played by the individuals involved.
[Show full text]
A Medieval Scriptorium Sancta Maria Magdalena De
Legal A Medieval Scriptorium Sancta Maria Magdalena De Frankendal Wolfenbutteler Mittelalter Studien EBook For Free And You Can Read Online At Online Ebook Library A MEDIEVAL SCRIPTORIUM SANCTA MARIA MAGDALENA DE FRANKENDAL WOLFENBUTTELER MITTELALTER STUDIEN PDF A MEDIEVAL SCRIPTORIUM SANCTA MARIA MAGDALENA DE FRANKENDAL WOLFENBUTTELER MITTELALTER STUDIEN PDF DATABASE ID GQZO - Are you looking for ebook A Medieval Scriptorium Sancta Maria Magdalena De Frankendal Wolfenbutteler Mittelalter Studien Pdf database id gqzo in pdf? You will be glad to know that right now A Medieval Scriptorium Sancta Maria Magdalena De Frankendal Wolfenbutteler Mittelalter Studien Pdf database id gqzo in pdf is available on our online library. With our online resources, you can find A Medieval Scriptorium Sancta Maria Magdalena De Frankendal Wolfenbutteler Mittelalter Studien Pdf in or just about any type of ebooks, for any type of product. Best of all, they are entirely free to find, use and download, so there is no cost or stress at all. A Medieval Scriptorium Sancta Maria Magdalena De Frankendal Wolfenbutteler Mittelalter Studien Pdf database id gqzo in pdf may not make exciting reading, but A Medieval Scriptorium Sancta Maria Magdalena De Frankendal Wolfenbutteler Mittelalter Studien Pdf database id gqzo in is packed with valuable instructions, information and warnings. We also have many ebooks and user guide is also related with A Medieval Scriptorium Sancta Maria Magdalena De Frankendal Wolfenbutteler Mittelalter Studien Pdf database id gqzo in pdf, include : Will The Future Workplace Still Need You An Essential Career Survival Guide For The Imminent Future English Edition , Wild Highland Magic The Celtic Legends Series Book 3 , Advances In Chemical Physics Jortner Joshua Bixon M , Grand Oeuvre Grande Luce Libro Emile Grillot De Givry Huai Nan Tze , Western Snow Plow Wiring Instructions and many other ebooks.
[Show full text]
The History of Books and Libraries in Bohemia
Digital Editing of Medieval Manuscripts - Intellectual Output 1: Resources for Editing Medieval Texts (Paleography, Codicology, Philology) The history of books and libraries in Bohemia Michal Dragoun (Charles Univeristy in Prague) While books were initially rare in medieval Bohemia, they would come to play an important role in the lives of all social classes by the end of the Middle Ages. The pace of that advancement was not, however, constant. Many factors contributed to spread of books and to their use, some of them pushed the advancement forward significantly, others less significantly. Books were initially a monopoly of the Church and its institutions but gradually, the circle of book users extended to the laity and more and more texts came to be written in vernacular languages. Acknowledging the abundance or research into medieval books and libraries more generally, this overview will comment only on the most significant moments in the book culture of medieval Bohemia. There are two fundamental turning points in the history of Medieval Bohemian book culture – these were the establishment of a university in Prague, and the Hussite Reformation. To provide a brief overview of types of libraries, it is necessary to categorize them and study the development of individual categories. In any case, the Hussite period was the real turning point for a number of them. Sources The sheer abundance of sources provides the basis for a comprehensive overview of Bohemian book culture. The manuscripts themselves are the most significant source. However, the catalogues used to study Bohemian collections tend to be very old. As a result, the records are often incomplete and contextual information is often unavailable.
[Show full text]
Reading Monastic History in Bookbinding Waste
Fragmentology A Journal for the Study of Medieval Manuscript Fragments Fragmentology is an international, peer-reviewed Open Access journal, dedicated to publishing scholarly articles and reviews concerning medieval manuscript frag- ments. Fragmentology welcomes submissions, both articles and research notes, on any aspect pertaining to Latin and Greek manuscript fragments in the Middle Ages. Founded in 2018 as part of Fragmentarium, an international research project at the University of Fribourg (Switzerland) funded by the Swiss National Science Foundation, the Stavros Niarchos Foundation, and the Zeno-Karl-Schindler Foun- dation, Fragmentology is owned and published by Codices Electronici AG and controlled by the Editorial Board in service to the scholarly community. Authors of articles, research notes, and reviews published in Fragmentology retain copyright over their works and have agreed to publish them in open access under a Creative Commons Attribution license. Submissions are free, and Fragmentology does not require payment or membership from authors or institutions. Editors: Christoph Flüeler (Fribourg) William Duba (Fribourg) Book Review Editor: Veronika Drescher (Fribourg/Paris) Editorial Board: Lisa Fagin Davis, (Boston, MA), Christoph Egger (Vienna), Thomas Falmagne (Frankfurt), Scott Gwara (Columbia, SC), Nicholas Herman (Philadelphia), Christoph Mackert (Leipzig), Marilena Maniaci (Cassino), Stefan Morent (Tübingen), Åslaug Ommundsen (Bergen), Nigel Palmer (Oxford) Instructions for Authors: Detailed instructions can be found at http://fragmen- tology.ms/submit-to-fragmentology/. Authors must agree to publish their work in Open Access. Fragmentology is published annually at the University of Fribourg. For further information, inquiries may be addressed to [email protected]. Editorial Address: Fragmentology University of Fribourg Rue de l’Hôpital 4 1700 Fribourg, Switzerland.
[Show full text]
Illuminated Manuscripts in an Illuminated Manuscript Text Is
Illuminated Manuscripts In an illuminated manuscript text is supplemented by the addition of decorated initials, borders (marginalia), and miniature illustrations. Page from the Book of Hours, ca. 1400 The book of hours, a devotional book popular in the later Middle Ages, is the most common type of surviving medieval illuminated manuscript. The major varieties and historic periods of illuminated manuscripts include Late Antique, Insular, Carolingian manuscripts, Ottonian manuscripts, Romanesque manuscripts, Gothic manuscripts, and Renaissance manuscripts. The earliest surviving illuminated manuscripts were produced in Italy and the Eastern Roman Empire ca. 400 - 600. Illuminated manuscripts increased during the Gothic Period, including many secular works of literature and educational texts. Early illuminated manuscripts were produced by masterful monks working in solitude; as demand increased, secular scribes were increasingly employed for this task. Illuminated Manuscripts became obsolete with the advent of printing. Illuminated Manuscript An illuminated manuscript is a manuscript in which the text is supplemented by the addition of decoration, such as decorated initials, borders (marginalia), and miniature illustrations. In the most strict definition of the term, an illuminated manuscript only refers to manuscripts decorated with gold or silver, but in both common usage and Source URL: https://www.boundless.com/art-history/gothic-art/english-gothic-art/illuminated-manuscripts/ Saylor URL: http://www.saylor.org/courses/arth401#3.1.2 Attributed to: Boundless www.saylor.org Page 1 of 2 modern scholarship, the term is now used to refer to any decorated or illustrated manuscript from the Western traditions. Vellum A type of parchment paper made from the skin of a lamb, baby goat, or calf.
[Show full text]
Scriptorium: the Term and Its History Scriptorium : Le Terme Et Son Histoire
Perspective Actualité en histoire de l’art 1 | 2014 L’atelier Scriptorium: the term and its history Scriptorium : le terme et son histoire Alison Stones Electronic version URL: http://journals.openedition.org/perspective/4401 DOI: 10.4000/perspective.4401 ISSN: 2269-7721 Publisher Institut national d'histoire de l'art Printed version Date of publication: 1 June 2014 Number of pages: 113-120 ISSN: 1777-7852 Electronic reference Alison Stones, « Scriptorium: the term and its history », Perspective [Online], 1 | 2014, Online since 31 December 2015, connection on 01 October 2020. URL : http://journals.openedition.org/perspective/ 4401 ; DOI : https://doi.org/10.4000/perspective.4401 Débat Travaux Actualité Scriptorium: the term (c. 485-585) at Vivarium have a purpose- and its history designated room set aside for writing? What was it called? Although a tinted drawing of Alison Stones Cassiodorus’s monastery in a manuscript in Bamberg (Staatsbibliothek Msc. Patr. 61, f. 29v) does not indicate the location of the scriptorium, What is a scriptorium and how does it fit into the we do know that it was important enough for notion of atelier? Broadly speaking, both terms one of its products, a prized pandect (a complete have come to refer to places where people met in Bible in one volume) to be acquired a century the past or meet today to work together on col- later in Rome in 679-680 by Benedict Biscop laborative projects. While the term scriptorium and Ceolfrith of Wearmouth-Jarrow and used in is usually associated with the writing of religious Northumbria as a model for three more pandects, books in a monastic context in the early Middle of which one, the Codex Amiatinus, survives in Ages, the notion of a place of communal work, the Biblioteca Medicea-Laurenziana in Florence workshop or atelier is in place in the Livre des (MS Amiatinus 1).
[Show full text]
The Dominican Scriptorium at Saint-Jacques, and Its Production of Liturgical Exemplars
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Limerick Institutional Repository The Dominican Scriptorium at Saint-Jacques, and its Production of Liturgical Exemplars Eleanor Giraud A notable feature of the Dominican Order is the long-lasting uniformity achieved in its liturgy. Key to this success was the copying and distribution of a number of liturgical ‹exemplars›, produced following a reform of the Dominican liturgy in the mid-thirteenth century. These authoritative manuscripts of the new liturgy were cop- ied at the Dominican convent of Saint-Jacques in Paris, but would have employed the skills of local book-makers as well as Dominican brothers. This paper will ex- plore what the three surviving exemplars can tell us about book-making practices at Saint-Jacques, and in particular about the music copyists employed there. After receiving papal approval in 1216, the Dominican Order was quick to grow and establish convents across Europe.1 When settling in new towns, early Dominicans tended to adopt the local practices for their liturgical celebrations.2 The Dominican Order has a highly mobile nature, with brothers travelling for edu- cation, administrative duties and preaching, so the fact that convents had different liturgical traditions soon led to difficulties and confusion. To resolve the matter, it was decided that the whole Order should follow the same liturgy. The process of unification was begun in 1244, but, with much opposition to early revisions, it took until 1256 for the final version of the revised Dominican liturgy to be constitutionally accepted.3 This final revision was completed by the newly-elected Master General of the Order, Humbert of Romans.
[Show full text]
Flexible Learning Content with the DITA Learning and Training Specialization
Flexible learning content with the DITA Learning and Training specialization Kaitlyn Heath March 2, 2020 Executive summary Executive summary Learning content professionals spend a lot of time creating content for instructor guides, presentations, assessments, and other deliverables. To adapt that content for multiple contexts, these content developers often: • Copy and paste content from one part of a course to another • Develop multiple different delivery methods • Create and maintain multiple versions of similar content This white paper discusses learning content solutions with the DITA XML standard, which facilitates efficient content authoring through content reuse. The DITA XML standard includes the Learning and Training specialization (L&T) which provides predefined structures that support all kinds of learning content: study guides, assessments, e-learning, and so on. It allows learning content creators to: • Quickly reuse learning content • Simultaneously write and store multiple versions of learning content • Easily publish multiple delivery formats Quickly reusing learning content When content creators write learning materials, they usually reference a main information source—a textbook, a handbook, product procedures, or set of regulations. This source usually informs the supporting content that the creator may have to write: • Presentations • Worksheets • Quizzes and tests • Other assessments The source, the presentation, and the assessments often repeat information, and yet content developers usually write each of these deliverables independently. They may author the presentation with an application such as PowerPoint and then copy—or retype—the information from another source. Then when they create assessments, such as worksheets or tests, they will write them in an application such as Word, perhaps, with information from the Copyright © 2020 Scriptorium Publishing Services, Inc.
[Show full text]
The Grimoire of Grimoires
The Grimoire of Grimoires A Book of Spell Books and Rules For Spell Books Credits Design and Writing: Jeremiah McCoy Art: Jeremiah McCoy An OGL rulebook for useSample with Dungeons file and Dragons 5th edition fi nd more by the author at jeremiahmccoy.com Feel free to email the author at [email protected] with any questions or corrections. 2 You have been admitted theSample library file staff here at Candlekeep. Congrat- Spell Book Rules ulations and welcome! It is possible In addition, we will be looking at I should off er condolences as well, some alternate rules for handling but you will need to come to that wizard spell books, and learn- conclusion on your own. I am Galia. ing spells. These are intended to I your guide and the keeper of the make spell books more important spell books here in the library. That in your game. is one of the most dangerous jobs for any librarian. I love spell books. They are fas- cinating bits of fantasy. Wizards are supposed to be wise. They got that way because of of what they learned. Books are where you store knowledge. The most arcane knowl- edge is stored in spell books. 3 The books themselves can often be dangerous. The book’s arcane lore could often drive one mad, and hold terrible truths about the universe. They can be a bane as well as a boon. With that in mind, I will present a few tomes of arcane power and lore. Some of these are dangerous to own and read.
[Show full text]
Stereoscopic Comparison As the Long-Lost Secret to Microscopically Detailed Illumination Like the Book of Kells'
Perception, 2009, volume 38, pages 1087 ^ 1103 doi:10.1068/p6311 Stereoscopic comparison as the long-lost secret to microscopically detailed illumination like the Book of Kells' John L Cisne Department of Earth and Atmospheric Sciences, Cornell University, Ithaca, NY 14853, USA; e-mail: [email protected] Received 19 October 2008, in revised form 15 January 2009; published online 17 July 2009 Abstract. The idea that the seventh- and eighth-century illuminators of the finest few Insular manuscripts had a working knowledge of stereoscopic images (otherwise an eighteenth- and nineteenth-century discovery) helps explain how they could create singularly intricate, micro- scopically detailed designs at least five centuries before the earliest known artificial lenses of even spectacle quality. An important clue to this long-standing problem is that interlace patterns drawn largely freehand in lines spaced as closely as several per millimeter repeat so exactly across whole pages that repetitions can be free-fused to form microscopically detailed stereo- scopic images whose relief in some instances indicates precision unsurpassed in astronomical instruments until the Renaissance. Spacings between repetitions commonly harmonize closely enough with normal interpupillary distances that copying disparities can be magnified tens of times in the stereoscopic relief of the images. The proposed explanation: to copy a design, create a pattern, or perfect a design's template, the finest illuminators worked by successive approximation, using their presumably unaided eyes first as a camera lucida to fill a measured grid with multiple copies from a design, and then as a stereocomparator to detect and minimize disparities between repetitions by minimizing the relief of stereoscopic images, in the manner of a Howard ^ Dolman stereoacuity test done in reverse.
[Show full text]
Old English Libraries; the Making, Collection and Use of Books During
Presented to the UNIVERSITY OF TORONTO LIBRARY by the ONTARIO LEGISLATIVE LIBRARY 1980 THE ANTIQUARY'S BOOKS GENERAL EDITOR: J. CHARLES COX, LL.D., F.S.A. OLD ENGLISH LIBRARIES tame antcotflttnrt mcrrto Arm to ABBOT WHETHAMSTEDE OLD ENGLIS1 LIBRARIES a!U. THE MAKING, COLLECTION, AND USE OF BOOKS DURING THE MIDDLE AGES BY ERNEST A. SAVAGE WITH FIFTY-TWO ILLUSTRATIONS METHUEN & CO. LTD. 36 ESSEX STREET W.C. LONDON First Published in ipn PREFACE the arrangement and equipment of WITHlibraries this essay has little to do : the ground being already covered adequately by Dr. Clark in his admirable monograph on The Care of Books. Herein is described the making, use, and circulation of books considered as a means of literary culture. It seemed possible to throw a useful sidelight on literary history, and to introduce some human interest into the study of bibliography, if the place held by books in the life of the Middle Ages could be indicated. Such, at all events, was my aim, but I am far from sure of my success in it out and I offer this book as carrying ; merely a discursive and popular treatment of a subject which seems to me of great interest. The book has suffered from one unhappy circum- stance. It was planned in collaboration with my friend Mr. James Hutt, M.A., but unfortunately, owing to a breakdown of health, Mr. Hutt was only able to help me in the composition of the chapter on the Libraries of Oxford, which is chiefly his work. Had it been possible for Mr.
[Show full text]