Sample Linen Colors Rev 2

Total Page:16

File Type:pdf, Size:1020Kb

Sample Linen Colors Rev 2 Table Linen- Polyester White Black Blue Navy Blue Royal Blue Sunflower Neon Yellow Gold Yellow Neon Orange Neon Green Hunter Green Lime Light Lime Purple Red Brick Red Fuchsia Pink Table Linen- Lamours / Satins White Ivory Lamour Black Charcoal Silver Lamour Champagne Ivory Satin Gold Brown Satin Gold Lamour Blue Bengaline Navy Royal Satin Light Blue Satin Royal Lamour Light Teal Lamour Baja Turquoise Lamour Seafoam Green Lamour Seafoam Green Satin Yellow Moss Green Citron Green Emerald Green Table Linen- Lamours / Satins Blush Satin Blush Satin Lamour Light Pink Satin Creamy Blush Satin Hot Pink Lamour Fuchsia Satin Red Lamour Burgundy Lamour Burgundy Wine Satin Rust Satin Pumpkin Lamour Tiger Lily Lamour Papaya Lamour Orange Lamour Lavender Purple Violet Lamour Eggplant Satin Plum Satin Purple Lamour Eggplant Lamour Table Linen- Pintuck Black White Ivory Off White Champagne Brown Iridescent Brown Chocolate Bright Yellow Butter Yellow Turquoise French Blue Royal Blue Navy Aqua Ocean Blue Peacock Bright Green Apple Lime Fuchsia Raspberry Plum Eggplant Table Linen- Pintuck Rust Dark Orange Orange Small Red Large Red Table Linen- Crushed / Iridescent Black White Off-White Silver Copper Gold Navy Moss Table Linen- Damasks / Brocade/ Stripes Black White Damask Taupe Brocade Gold Swirl Brocade Peach Damask Celadon Damask Raisin Damask Navy and White Strips Red and White Strips Table Linen- Print/Specialty Linens White Burlap White Accordion White Chiffon Rose White Sequin Ivory Crinkle Silver Sterling Silver Petal Silver Cosmo Black/ Silver Broadway Silver Sequins Jacquard Jacquard Charcoal Majestic Silver Extreme Crush Silver Wave Black/Swirl Silver Crinkle Dupioni Reversible Charcoal Taffeta Black Circle Sequin Black Sequins Milky Way Black and White Crinkle Paragon Table Linen- Print/Specialty Linens Champagne Crinkle Taupe Accordion Gold Eclipse Jacquard Champagne Sequin Sand Sequin Reversible Camel Burlap Gold Wave Gold/Silver Circle Gold/Silver Woven Gold Petal Gold Sequins Reversible Copper Zion Jacquard Copper Bentley Gold/Brown Static Camel Burlap Vintage Burlap Jacquard Jacquard Caramel Suede Garnet/Gold Sequin Red Petal Red Sequins Red Flame Circle Table Linen- Print/Specialty Linens Orange Sequins Orange Fetti Orange Flame Lemon Navy Accordion Taffeta Light Blue Accordion Turquoise Bentley Teal Petal Royal Blue Sequin Navy Gatsby Lamour Taffeta Jacquard Blue Locus Leaf Oasis Accordion Taffeta Teal Sequin Turquoise Sequin Turquoise Accordion Taffeta Navy Twinkle Tinsel Tiffany Twinkle Tinsel Sage Crinkle Taffeta Light Lime Crinkle Olive Crinkle Taffeta Taffeta Table Linen- Print/Specialty Linens Lime Green Leaf Emerald Accordion Plum Majestic Dupioni Hanging Taffeta Taffeta Green Lynx Avocado Halo Eggplant Petal Purple Valor Table Overlays Zebra Cow Milk Leopard Animal Patchwork Chambray Sand Burlap Teal Burlap Tan Burlap Natural Burlap Charcoal Burlap Lime Green/White Black/White Checker Red/White Gingham Black/White Gingham Checker Table Overlays Black/White Striped Red/White Stripe White Lace Yellow Poly Neon Yellow Poly Neon Orange Poly Lime Green Poly Emerald Green Poly Blue Poly Taupe Satin Orange Satin Milky Way Silver Sequin Circles Table Pattern Overlays Tropical Birds Tropical Flowers Tropical Leaves Green Tropical Delft Blue Country Graffiti Persian Pattern Gold Sheer Branch Gold Chain Link Spandex- Chair Covers White Black Dark Gold Light Gold Yellow French Blue Aqua Purple Citron Lime Chair Pumpkin Chair Dark Orange Chair Papaya Chair Fuchsia Red Ruched-Chair Covers Black Silver White Champagne Gold Rouged Orange Turquoise Royal Blue Eggplant Red Burgundy Crush/Patterned -Chair Covers Black White Moss Iridescent Green/Purple Iridescent Emerald Iridescent Blue/Gold Iridescent French Blue Navy Iridescent Leopard Suede Iridescent Spandex- Table Covers Black White Silver Royal Blue Navy Orchid Purple Aqua Blue Tiffany Blue Green Spandex- Table Caps Orange Cap Orchid Purple Cutout Red Cap Dark Red Yellow Cap Cutout ! Brown Plaid- Cap Green/Blue Aquatic Table Cap Orange Hologram Checkered - Cap Table Cap.
Recommended publications
  • Modh-Textiles-Scotland-Issue-4.Pdf
    A TEXTILES SCOTLAND PUBLICATION JANUARY 2013 AN ENCHANTING ESCAPE IN SCOTLAND FABULOUS FABRIC AND DETAILED DESIGN FASHION FOUNDRY NURTURING SCOTTISH TALENT contents Editor’s Note Setting the Scene 3 Welcome from Stewart Roxburgh 21 Make a statement in any room with inspired wallpaper Ten Must-Haves for this Season An Enchanting Escape 4 Some of the cutest products on offer this season 23 A fashionable stay in Scotland Fabulous Fabric Fashion Foundry 6 Uncovering the wealth of quality fabric in Scotland 32 Inspirational hub for a new generation Fashion with Passion Devil is in the Detail 12 Guest contributor Eric Musgrave shares his 38 Dedicated craftsmanship from start to fi nish thoughts on Scottish textiles Our World of Interiors Find us 18 Guest contributor Ronda Carman on why Scotland 44 Why not get in touch – you know you want to! has the interiors market fi rmly sewn up FRONT COVER Helena wears: Jacquard Woven Plaid with Herringbone 100% Merino Wool Fabric in Hair by Calzeat; Poppy Soft Cupsilk Bra by Iona Crawford and contributors Lucynda Lace in Ivory by MYB Textiles. Thanks to: Our fi rst ever guest contributors – Eric Musgrave and Ronda Carman. Read Eric’s thoughts on the Scottish textiles industry on page 12 and Ronda’s insights on Scottish interiors on page 18. And our main photoshoot team – photographer Anna Isola Crolla and assistant Solen; creative director/stylist Chris Hunt and assistant Emma Jackson; hair-stylist Gary Lees using tecni.art by L’Oreal Professionnel and the ‘O’ and irons by Cloud Nine, and make-up artist Ana Cruzalegui using WE ARE FAUX and Nars products.
    [Show full text]
  • Weaving Twill Damask Fabric Using ‘Section- Scale- Stitch’ Harnessing
    Indian Journal of Fibre & Textile Research Vol. 40, December 2015, pp. 356-362 Weaving twill damask fabric using ‘section- scale- stitch’ harnessing R G Panneerselvam 1, a, L Rathakrishnan2 & H L Vijayakumar3 1Department of Weaving, Indian Institute of Handloom Technology, Chowkaghat, Varanasi 221 002, India 2Rural Industries and Management, Gandhigram Rural Institute, Gandhigram 624 302, India 3Army Institute of Fashion and Design, Bangalore 560 016, India Received 6 June 2014; revised received and accepted 30 July 2014 The possibility of weaving figured twill damask using the combination of ‘sectional-scaled- stitched’ (SSS) harnessing systems has been explored. Setting of sectional, pressure harness systems used in jacquard have been studied. The arrangements of weave marks of twill damask using the warp face and weft face twills of 4 threads have been analyzed. The different characteristics of the weave have been identified. The methodology of setting the jacquard harness along with healds has been derived corresponding to the weave analysis. It involves in making the harness / ends in two sections; one section is to increase the figuring capacity by scaling the harness and combining it with other section of simple stitching harnessing of ends. Hence, the new harness methodology has been named as ‘section-scale-stitch’ harnessing. The advantages of new SSS harnessing to weave figured twill damask have been recorded. It is observed that the new harnessing methodology has got the advantages like increased figuring capacity with the given jacquard, less strain on the ends and versatility to produce all range of products of twill damask. It is also found that the new harnessing is suitable to weave figured double cloth using interchanging double equal plain cloth, extra warp and extra weft weaving.
    [Show full text]
  • January 2020
    SHERRILL FABRIC CATALOG January 2020 Fabric List Fabric Catalog January 2020 GENERAL INFORMATION (1) RAFT: It has been determined by the Joint Industry Fabric Standards Committee that various fabric treatment processes are detrimental to the performance of fabrics. Therefore, neither Sherrill Furniture Company nor the fabric mill can be responsible for any claims made involving fabrics that have Retail Applied Fabric Treatment. (2) The manufacturers of upholstered fabrics do not guarantee their products for wearability or colorfastness; whether "Teflon" treated or not; therefore, we cannot assume this responsibility. We also cannot guarantee match in color items ordered at separate times because of dye lot variations. (3) We do not in any way guarantee that Teflon finish will definitely improve cleaning quality of fabrics. (4) We buy the best quality covers available in each grade, consistent with the present day styles, and cannot guarantee fabric for cleanability, fastness of color, or wearing quality. (5) A number or letter opposite the colors in the different patterns indicate the color set in which you may locate the pattern. Example: P-PRINTS 4-BEIGE/WHITE 7-MELON/RED 2-GREEN 5-GOLD/YELLOW 8-BLUE/BLACK 3-TOAST/CAMEL 6-TURQUOISE Also, italicized numbers following the color set (example: Multi 7 - 17963) indicate the fabric's SKU number. (6) Special features of each (content, repeats, etc.) are listed directly under the pattern colors. (7) All current fabrics are 54 inches wide unless otherwise noted. (8) When "Railroaded" is noted on the list, this denotes that the fabric is shown railroaded in swatches and on furniture.
    [Show full text]
  • Color Chart Colorchart
    Color Chart AMERICANA ACRYLICS Snow (Titanium) White White Wash Cool White Warm White Light Buttermilk Buttermilk Oyster Beige Antique White Desert Sand Bleached Sand Eggshell Pink Chiffon Baby Blush Cotton Candy Electric Pink Poodleskirt Pink Baby Pink Petal Pink Bubblegum Pink Carousel Pink Royal Fuchsia Wild Berry Peony Pink Boysenberry Pink Dragon Fruit Joyful Pink Razzle Berry Berry Cobbler French Mauve Vintage Pink Terra Coral Blush Pink Coral Scarlet Watermelon Slice Cadmium Red Red Alert Cinnamon Drop True Red Calico Red Cherry Red Tuscan Red Berry Red Santa Red Brilliant Red Primary Red Country Red Tomato Red Naphthol Red Oxblood Burgundy Wine Heritage Brick Alizarin Crimson Deep Burgundy Napa Red Rookwood Red Antique Maroon Mulberry Cranberry Wine Natural Buff Sugared Peach White Peach Warm Beige Coral Cloud Cactus Flower Melon Coral Blush Bright Salmon Peaches 'n Cream Coral Shell Tangerine Bright Orange Jack-O'-Lantern Orange Spiced Pumpkin Tangelo Orange Orange Flame Canyon Orange Warm Sunset Cadmium Orange Dried Clay Persimmon Burnt Orange Georgia Clay Banana Cream Sand Pineapple Sunny Day Lemon Yellow Summer Squash Bright Yellow Cadmium Yellow Yellow Light Golden Yellow Primary Yellow Saffron Yellow Moon Yellow Marigold Golden Straw Yellow Ochre Camel True Ochre Antique Gold Antique Gold Deep Citron Green Margarita Chartreuse Yellow Olive Green Yellow Green Matcha Green Wasabi Green Celery Shoot Antique Green Light Sage Light Lime Pistachio Mint Irish Moss Sweet Mint Sage Mint Mint Julep Green Jadeite Glass Green Tree Jade
    [Show full text]
  • 70 SOLID COLORS for All Rubber Tile and Tread Profiles (Excluding Smooth and Hammered R24); Rubber and Vinyl Wall Base; and Rubber Accessories)
    70 SOLID COLORS For all rubber tile and tread profiles (excluding Smooth and Hammered R24); rubber and vinyl wall base; and rubber accessories) Q 100 177 Q 150 Q 193 Q 123 Q 114 Q 129 Q 178 black steel blue dark gray black brown charcoal lunar dust dolphin pewter Q 194 148 Q 175 Q 174 197 Q 110 burnt umber steel gray slate smoke iceberg brown Q 147 Q 182 Q 623 Q 624 Q 140 Q 191 Q 125 171 light brown toffee nutmeg chameleon fawn camel fig sandstone Q 130 Q 198 Q 632 Q 184 Q 170 Q 131 127 Q 631 buckskin ivory flax almond white bisque harvest yellow sahara Q 639 640 Q 122 Q 195 663 648 647 646 beigewood creekbed natural light gray aged fern pear green spring dill gecko 160 649 169 662 118 187 139 627 forest green sweet basil hunter green envy peacock blue deep navy mariner 618 665 664 656 654 638 637 655 aubergine horizon blue jay bluebell lagoon cadet night mist peaceful blue 657 658 621 659 186 137 188 617 sorbet berry ice merlin grape red cinnabar brick terracotta 660 661 643 644 642 645 Q 641 Q 161 citrus marmalade mimosa sunbeam jonquil blonde moonrise snow MARBLEIZED COLORS For all rubber tile and tread profiles (excluding Hammered R24). M100 M177 M150 M193 M123 M114 M129 M178 black steel blue dark gray black brown charcoal lunar dust dolphin pewter M194 M148 M175 M174 M197 M110 burnt umber steel gray slate smoke iceberg brown M147 M182 M623 M624 M140 M191 M125 M171 light brown toffee nutmeg chameleon fawn camel fig sandstone M130 M198 M632 M184 M170 M131 M127 M631 buckskin ivory flax almond white bisque harvest yellow sahara M639 M640
    [Show full text]
  • African Textiles in the V&A 1852- 2000
    Title Producing and Collecting for Empire: African Textiles in the V&A 1852- 2000 Type Thesis URL http://ualresearchonline.arts.ac.uk/6141/ Date 2012 Citation Stylianou, Nicola Stella (2012) Producing and Collecting for Empire: African Textiles in the V&A 1852-2000. PhD thesis, University of the Arts London and the Victoria and Albert Museum. Creators Stylianou, Nicola Stella Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected]. License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author Producing and Collecting for Empire: African Textiles in the V&A 1852-2000 Nicola Stella Stylianou Submitted to University of the Arts London for PhD Examination October 2012 This is an AHRC funded Collaborative PhD between Research Centre for Transnational Art, Identity and Nation (TrAIN) at UAL and the Victoria and Albert Museum. Volume 1 Abstract Producing and collecting for Empire: African textiles in the V&A 1850-2000 The aim of this project is to examine the African textiles in the Victoria and Albert Museum and how they reflect the historical and cultural relationship between Britain and Africa. As recently as 2009 the V&A’s collecting policy stated ‘Objects are collected from all major artistic traditions … The Museum does not collect historic material from Oceania and Africa south of the Sahara’ (V&A 2012 Appendix 1). Despite this a significant number of Sub-Saharan African textiles have come into the V&A during the museum’s history. The V&A also has a large number of textiles from North Africa, both aspects of the collection are examined.
    [Show full text]
  • COOLWALL® Colors
    CLEAR TO MISTY COLORS White Lavender 1A-2P Whisper Pink 3A-2P Pink Hibiscus 4A-2P Feminique 5A-2P Sunset Snow 6A-2P Peach Frosting 15A-2P Burgundy Dash 7A-1A Pink Frost 7A-2P Cosmetic Pink 14A-2P Lover’s Knot 14A-3P Santa Fe 14B-3D Mineral Red 14B-4D September Cream 17A-2P Invanhoe Ivory 16A-2P Peach Dust 15A-3P Pleasant Pebble 16A-3P Peach Beige 18A-2P Peach Whisper 17A-3P Abbeystone 18A-3P Candelabra 19A-3P Orange Scent 19A-2P Orange Paste 18B-1P Frothy Orange 18B-2T Orange Drop 18B-3D Apricot Liquer 18C-1P Colonial Peach 18C-2T Mango 18C-3D Lacquer Orange 18C-4D Banana Split 27A-2P Candleglow 19B-1P Orange Gem 19B-2T Tangerine 19B-3D Moon Morn 19C-1P Gobi Sands 19C-2T Squash 19C-3D Indian Corn 19C-4D Patio Brick 20A-1A Vanilla Ice 20A-2P Powder Puff 20A-3P Honey Rose 20B-1P Calfskin 20B-2T Smoked Seville 20B-3D Cattail 20B-4D Vicuna 20C-1P Italian Earth 20C-2T Copper Kettle 20C-3D Hash Brown 20C-4D Abigail 27C-1T Golden Corn 27C-2T Clarion 27C-3D These sample reproductions are an approximation of color and do not denote the actual texture or sheen and vary according to material type and specific batch. Colors also vary depending upon lighting conditions, substrate, exposure, and on-line viewing. On-line viewing is for reference purposes and is not intended for final color choice; it is recommended to refer to Tex-Cote's physical fan deck for final color selection.
    [Show full text]
  • Campus Approved Paint Colors
    Texas A&M University-Corpus Christi Interior Color Schemes The following color schemes have been developed and adopted by TAMU-CC and are to be implemented, when applicable, during construction, renovations or repainting any space on campus. Please Note: 1. For a more accurate representation of paint color, please contact Planning & Construction. Colors may vary on indi- vidual computer screens. 2. Faculty and Staff may choose from the approved pallet; one field color for three walls, and one accent color for one wall in private offices and office suites. 3. The Dining Hall and University Center are not included in this binder. Once construction and renovations are complete, they will be added. 4. Classroom East, Classroom West, University Police Department Substation and Recreational Sports Buildings are not included. 5. All pallets shown are based on Glidden Professional Paints. 6. Given that each building cannot be completely repainted at once, the new pallets are based on existing colors for the most part, and show proposed accents and/or a more unified field color. In several cases, existing paint colors have been removed from the new pallet and simplified to one-two neutrals with optional accents. 7. All FMR’s and work orders for painting will follow these pallets only. If a new color is proposed at that time, it will be presented to the Space Committee Chair for approval prior to commencement of work, and then updated in each binder. Revised 04.09.14 Student Services Center SSC, Building 0103 Interior Color Schemes Lobby 1E. Field: White Lagoon #A1039 2E. Accent 1/Various Doors and Frames: Blue Crab #A1421 3E.
    [Show full text]
  • DAMASK: a Firm, Glossy, Jacquard-Patterned Fabric That May Be Made from Linen, Cotton, Rayon, Silk, Or a Combination of These with Various Manufactured Fibers
    D DAMASK: A firm, glossy, Jacquard-patterned fabric that may be made from linen, cotton, rayon, silk, or a combination of these with various manufactured fibers. Similar to brocade, but flatter and reversible, damask is used for napkins, tablecloths, draperies, and upholstery. DAMPENING (IN TIRE CORD): The relative ability to absorb energy and deaden oscillation after excitation. DECATING MARK: A crease mark or impression extending fillingwise across the fabric near the beginning or end of the piece. DECATIZING: A finishing process in which fabric, wound tightly on a perforated roller, either has hot water circulated through it (wet decatizing), or has steam blown through it (dry decatizing). The process is aimed chiefly at improving the hand and removing wrinkles. DECITEX: One tenth of a tex. DECORTICATING: A mechanical process for separating the woody matter from the bast fiber of such plants as ramie and hemp. DEEP-DYEING VARIANTS: Polymers that have been chemically modified to increase their dyeability. Fibers and fabrics made therefrom can be dyed to very heavy depth. DEFECTS: A general term that refers to some flaw in a textile product that detracts from either performance or appearance properties. DEFORMATION: A change in the shape of a specimen, e.g., an increase in length produced as the result of the application of a tensile load or force. Deformation may be immediate or delayed, and the latter may be recoverable or nonrecoverable. DEGRADATION: The loss of desirable physical properties by a textile material as a result of some process or physical/chemical phenomenon. DEGREE OF ESTERIFICATION: The extent to which the acid groups of terephthalic and/or other acids have reacted with diols to form ester groups in polyester polymer production.
    [Show full text]
  • Brand Identification-Ext.Embellish
    Brand Identification External Embellishment Heat Transfer Labels Heat Transfers Agility Agility HD Agility Industrial Agility Industrial HD Agility Reflective Vinyl Anti-Dye Migration Printed Fabric Labels Urethane Woven Edge Polyester Special Cotton Woven Edge Cotton Woven LabelsJackron & Tyvec Awesome Qualities Rinascimento Qualities Supreme Qualities Noble Qualities Royal Qualities Satin Qualities Damask Qualities Taffeta Qualities Twill Qualities Special Qualities Sewn Heat-Applied Cotton / Mixed Fabrics Cotton blends with less than 10% Lycra / Spandex / Elastane Cotton blends with more than 10% Lycra / Spandex / Elastane Key: Blank = Not Recommended, = Medium = High Polyester Performance Knits & Wovens (piece-dyed) Polyester Dye-Sublimated Fabric Nylon Chiffon and lightweight fabrics Denim Fleece PU, PVC-Coated subject to evaluation Leather Brand Identification External Embellishment Heat Transfer Labels Heat Transfers Agility Agility HD Agility Industrial Agility Industrial HD Agility Reflective Vinyl Anti-Dye Migration Printed Fabric Labels Urethane Woven Edge Polyester Special Cotton Woven Edge Cotton Woven LabelsJackron & Tyvec Awesome Qualities Rinascimento Qualities Supreme Qualities Noble Qualities Royal Qualities Satin Qualities Damask Qualities Taffeta Qualities Twill Qualities Special Qualities Stretchable Tearable Substrate Softness 1-2 Color Design 2+ Color Design Anti-Dye Migration Brand Protection Options Home Laundering Resistance Key: Blank = Not Recommended, = Medium = High Stonewash Resistance Overdye Resistance
    [Show full text]
  • Carlhian Records, 1867-1988
    http://oac.cdlib.org/findaid/ark:/13030/c8z89dsn No online items Finding aid for the Carlhian records, 1867-1988 Teresa Morales and Karen Meyer-Roux Finding aid for the Carlhian 930092 1 records, 1867-1988 Descriptive Summary Title: Carlhian records Date (inclusive): 1867-1988 Number: 930092 Creator/Collector: Carlhian (Firm) Physical Description: 1331.62 Linear Feet(837 boxes, 627 flatfile folders, 86 rolls) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: Records of the Paris-based interior design firm, including ledgers, stock books, furniture designs, correspondence, photographs, fabric samples, drawings, and business records for the firms' Paris, London, New York, and Buenos Aires offices. Request Materials: Request access to the physical materials described in this inventory through the library catalog record for this collection. Click here for access policy . Language: Collection material is in French Organizational / Historical Note The Carlhian family operated a leading Paris-based interior design firm that specialized in interiors in the French eighteenth-century style. The firm's foundation is traced back to 1867, when Anatole Carlhian and his brother-in-law, Albert Dujardin-Beaumetz, founded the export commission business Carlhian & Beaumetz located in Paris at 30, rue Beaurepaire, close to the place de la République. The firm initially made purchases on behalf of its clients and later specialized in reproductions of period French furniture. The London dealer Duveen Brothers became an important client, using Carlhian & Beaumetz as an intermediary for its dealings in the French market not involving fine art and antique objects.
    [Show full text]
  • Sailing the Great Sand Sea
    People and Place Curriculum Resources on Human-Environmental Interactions Hemispheres is a joint project of: Teresa Lozano Long Institute of Latin American Studies Center for Middle Eastern Studies Center for Russian, East European & Eurasian Studies South Asia Institute in the College of Liberal Arts at The University of Texas at Austin Hemispheres People and Place Curriculum Resources on Human-Environmental Interactions Primary Authors: Natalie Arsenault, Outreach Coordinator Teresa Lozano Long Institute of Latin American Studies Christopher Rose, Outreach Coordinator Center for Middle Eastern Studies Allegra Azulay, Outreach Coordinator Center for Russian, East European & Eurasian Studies Jordan Phillips, Outreach Coordinator South Asia Institute People and Place Curriculum Resources on Human-Environmental Interactions Final Version Original Compilation Date: June 2005 Final Publication Date: April 2007 Permission is granted to reproduce this unit for classroom use only. Please do not redistribute this unit without prior permission. For more information, please see: http://www.utexas.edu/cola/orgs/hemispheres/ Permission to include copyrighted materials in this unit is indicated in citations. sailing the great sand sea TEACHER NOTES GOALS In this unit, students will understand the ways in which North African traders were able to adapt to the harsh environment of the Sahara desert in order to extract natural resources and engage in trans-desert trade for economic gain. They will understand: (1) the factors that define a desert and the different types of deserts; (2) that the introduction of the camel to North Africa provided a solution that made trans-Saharan trade possible; and (3) the natural resources available in the desert and the advantages to be had from harnessing them.
    [Show full text]