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Finding Aid for the Sheldon Harris Collection (MUM00682)
University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Sheldon Harris Collection (MUM00682) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. University of Mississippi Libraries Finding aid for the Sheldon Harris Collection MUM00682 TABLE OF CONTENTS SUMMARY INFORMATION Summary Information Repository University of Mississippi Libraries Biographical Note Creator Scope and Content Note Harris, Sheldon Arrangement Title Administrative Information Sheldon Harris Collection Related Materials Date [inclusive] Controlled Access Headings circa 1834-1998 Collection Inventory Extent Series I. 78s 49.21 Linear feet Series II. Sheet Music General Physical Description note Series III. Photographs 71 boxes (49.21 linear feet) Series IV. Research Files Location: Blues Mixed materials [Boxes] 1-71 Abstract: Collection of recordings, sheet music, photographs and research materials gathered through Sheldon Harris' person collecting and research. Prefered Citation Sheldon Harris Collection, Archives and Special Collections, J.D. Williams Library, The University of Mississippi Return to Table of Contents » BIOGRAPHICAL NOTE Born in Cleveland, Ohio, Sheldon Harris was raised and educated in New York City. His interest in jazz and blues began as a record collector in the 1930s. As an after-hours interest, he attended extended jazz and blues history and appreciation classes during the late 1940s at New York University and the New School for Social Research, New York, under the direction of the late Dr. -
Downbeat.Com September 2010 U.K. £3.50
downbeat.com downbeat.com september 2010 2010 september £3.50 U.K. DownBeat esperanza spalDing // Danilo pérez // al Di Meola // Billy ChilDs // artie shaw septeMBer 2010 SEPTEMBER 2010 � Volume 77 – Number 9 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser AdVertisiNg sAles Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] offices 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] customer serVice 877-904-5299 [email protected] coNtributors Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Atlanta: Jon Ross; Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, How- ard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Jennifer -
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent. -
Preservation April 2011
The Official Publication of the Barbershop Harmony Society’s Historical Archives Volume 2, No. 2 Nostalgia Isn’t What It Used to Be April 2011 TheThe ChordettesChordettes ConnectionConnection In This Issue Pages Remembering Wendell Heiny -Hearsemen 2 A Difference of Opinion about Cash 3 Barber Pole Cat Burglars 4 A Special Singing Valentine 5 Vintage Music Books Catalogued 7-8 Society CEO Ed Watson Retires 9 Society Executives through the Years 9 Barbershop Beauties 11-17 SeeSee pagepage 1111 All articles herein - unless otherwise credited - were written by the editor 2 Volume 2, No. 2 April 2011 Hearsemen Tenor Dead at 99 RIP Wendell Heiny Wendell Heiny, the great tenor Published by the Society Archives Committee of the of the 1955 International Barbershop Harmony Society for all those interested in Champion Four Hearsemen, preserving, promoting and educating others as to the passed away on February 7th. rich history of the Barbershop music genre and the organization of men that love it. He had been living at St. Andrews Village, an assisted Society Archives Committee living center in Aurora, Grady Kerr - Texas (Chairman) Colorado for many years. His Bob Sutton - Virginia Steve D'Ambrosio - Tennessee daughter Jan was with him Bob Davenport - Tennessee when he passed. He was buried Bob Coant - New York Ed Dierdorff - Washington in his hometown of Amarillo, Ed Watson - Tennessee (Staff Liaison) Texas. Society Historian / Editor / Layout The Hearsemen are remembered for their great Grady Kerr singing and their popular stage act as four deadpan 9498 East Valley Ranch Pkwy #1107 undertakers. They even included an imaginary Irving, Texas 75063 214 57 GKERR (214.574.5377) casket which they ceremoniously carried on stage. -
Downbeat.Com July 2010 U.K. £3.50
.K. £3.50 .K. u downbeat.com July 2010 2010 July DownBeat Victor Wooten // clauDio RoDiti // Frank Vignola // Duke RoBillarD // John Pizzarelli // henry ThreaDgill July 2010 JULY 2010 Volume 77 – Number 7 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser AdVertisiNg Sales Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] offices 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] customer serVice 877-904-5299 [email protected] coNtributors Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Marga- sak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Nor- man Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Go- logursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Jennifer Odell, Dan Ouellette, -
POLITICS and JAZZ by Ian Muldoon* ______
POLITICS AND JAZZ by Ian Muldoon* __________________________________________________________ "Mankind’s sole salvation lies in everyone making everything their business.” -Anonymous "I ask you this question Cause I want to know How long I got to fight BOTH HITLER-AND JIM CROW.” -Langston Hughes Jazz poet (James Mercer) Langston Hughes… __________________________________________________________ *Ian Muldoon has been a jazz enthusiast since, as a child, he heard his aunt play Fats Waller and Duke Ellington on the household piano. At around ten years of age he was given a windup record player and a modest supply of steel needles, on which he played his record collection, consisting of two 78s, one featuring Dizzy Gillespie and the other Fats Waller. He listened to Eric Child’s ABC radio programs in the 1950s and has been a prolific jazz records collector wherever he lived in the world, including Sydney, Kowloon, Winnipeg, New York and Melbourne. He has been a jazz broadcaster on a number of community radio stations in various cities, and now lives in Coffs Harbour. 1 “The thing that’s really great about jazz is that it’s a real, vital, contemporary music. It’s representative of everyone on this planet. This is the first music that is technically, and spiritually, representative of all of us.” -Lester Bowie American trumpeter Lester Bowie… PHOTO CREDIT JORGE KRUGER “No human motion reveals more of what is human and how it interacts with the non- human than improvisation on musical instruments.” -Brian Morton Scottish jazz writer Brian Morton…PHOTO COURTESY JAZZ JOURNAL 2 'Today more jazz musicians than ever are expressing social engagement through music. -
Rick L. Pope Phonograph Record Collection 10 Soundtrack/WB/Record
1 Rick L. Pope Phonograph Record Collection 10 soundtrack/WB/record/archives 12 Songs of Christmas, Crosby, Sinatra, Waring/ Reprise/record/archives 15 Hits of Jimmie Rodgers/Dot / record/archives 15 Hits of Pat Boone/ Dot/ record/archives 24 Karat Gold From the Sound Stage , A Double Dozen of All Time Hits from the Movies/ MGM/ record/archives 42nd Street soundtrack/ RCA/ record/archives 50 Years of Film (1923-1973)/WB/ record set (3 records and 1 book)/archives 50 Years of Music (1923-1973)/WB/ record set (3 records and 1 book)/archives 60 years of Music America Likes Best vols 1-3/RCA Victor / record set (5 pieces collectively)/archives 60 Years of Music America Likes Best Vol.3 red seal/ RCA Victor/ record/archives 1776 soundtrack / Columbia/ record/archives 2001 A Space Oddyssey sound track/ MGM/ record/archives 2001 A Space Oddyssey sound track vol. 2 / MCA/ record/archives A Bing Crosby Christmas for Today’s Army/NA/ record set (2 pieces)/archives A Bing Crosby Collection vol. 1/ Columbia/record/archives A Bing Crosby Collection vol. 2/ Columbia/record/archives A Bing Crosby Collection vol. 3/ Columbia/record/archives A Bridge Too Far soundtrack/ United Artists/record/archives A Collector’s Porgy and Bess/ RCA/ record/archives A Collector’s Showboat/ RCA/ record/archives A Christmas Sing with Bing, Around the World/Decca/record/archives A Christmas Sing with Bing, Around the World/MCA/record/archives A Chorus Line soundtrack/ Columbia/ record/ archives 2 A Golden Encore/ Columbia/ record/archives A Legendary Performer Series ( -
2012 Catalogue
Catalogue Rollercoaster Records was founded in RRC 2006 1976. Since our first release by the SINGLES Crickets in 1977 we have continued to Vinyl still lives at Rollercoaster! The HARDROCK release what we feel are important re- following RRC series 7” 45rpm singles are GUNTER issues together with releases featuring new all in picture sleeves, except where noted. JUKEBOX material, mostly from 50s and 60s artists. HELP ME With only a few releases every year we try RRC 2001 FIND MY to make each one worthwhile and BABY interesting with quality sound and THE informative packaging. If you have any CRICKETS comments, we’d like to hear from you. We have recently discovered a few forgotten CRUISE IN IT Our email address is copies of this great 45s in our warehouse - order [email protected]. now if you'd like one. And isn't that our very Or you can send letters the old-fashioned own design and artwork master, David Gibsone, way to: in the background next to the Rock-Ola on the cover - another reason to buy a copy! Rollercoaster Records Ltd, Rock House, Jukebox help me find my baby/Fiddle bop London Road, St Marys, Stroud, A 1979 single, recorded in Nashville with Gloucestershire, GL6 8PU England Sonny Curtis, JI Allison and Joe B Mauldin Barcode 5 012814 000065 Please note we do not have retail sales Cruise In It/Rock Around With Ollie Vee RRC 2007 premises and all enquiries should be made Barcode 5 012814 000010 to the above address by mail. The Crickets THE RRC 2004 CRICKETS If you telephone please note that our lines Forever in mind (PLAIN COVER) are open from 10am to 4.30pm Monday to BILL HALEY The weekend Friday only. -
MIAMI UNIVERSITY the Graduate School Certificate for Approving The
MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of __________Peter McClelland Robinson__________ Candidate for the Degree: Doctor of Philosophy ____________________________________________ Director (Allan M. Winkler) ____________________________________________ Reader (Sheldon Anderson) ____________________________________________ Reader (Andrew R. L. Cayton) ____________________________________________ Reader (Marguerite S. Shaffer) ____________________________________________ Graduate School Representative (William J. Doan) ABSTRACT THE DANCE OF THE COMEDIANS: THE PEOPLE, THE PRESIDENT, AND THE PERFORMANCE OF POLITICAL STANDUP COMEDY IN AMERICA by Peter McClelland Robinson This dissertation argues that the emergent performance of political standup comedy became a significant agent for mediating and complicating the relationship between the American people and the American presidency, particularly during the middle half of the twentieth century. The Dance of the Comedians examines standup comedy—particularly its ramifications for the presidency and Americans’ perceptions of that institution—as a uniquely compelling form of cultural performance. Part ceremonial ritual and part playful improvisation, the performance of political comedy in its diverse forms became a potent site of liminality that empowered all of its constituents—the comic, the audience, and the object of the joke—to reexamine and renegotiate the roles of all concerned. It is this tripartite bond of reciprocal -
With Am-Fm-Fm Stereo Radio
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Archie Bleyer - Wikipedia, the Free Encyclopedia Page 1 of 2
Archie Bleyer - Wikipedia, the free encyclopedia Page 1 of 2 Archie Bleyer From Wikipedia, the free encyclopedia Archie Bleyer (June 12, 1909 - March 20, 1989) was an American song arranger and bandleader. He was born in the Corona section of the New York City borough of Queens. He began playing the piano when he was only seven years old. In 1927 he went to Columbia College, intending to become an electrical engineer, but as a sophomore switched to a music major. Without graduating, he left to become an arranger. In 1934 he started leading a band of his own at Earl Carroll's club in Hollywood, California. Bleyer's orchestra recorded for Brunswick Records, and one of the vocalists who worked with this orchestra was Johnny Mercer, who became better known as a songwriter and co-founder of Capitol Records. He became musical director for Arthur Godfrey in 1946, serving in this role until 1953. Many close to Godfrey considered Bleyer's creativity and understanding of music to be pivotal to the success of Godfrey's radio and TV programs. And while Godfrey was known to be short-fused and controlling, he often deferred to Bleyer's judgment in the areas of presentation and production. In 1952 he founded Cadence Records, whose first artist was Godfrey alumnus Julius La Rosa. Along with several instrumental hit singles of his own, Bleyer went on to sign many other artists who had performed on Godfrey's programs (including The Chordettes, one of whose members, Janet Ertel, became his wife). In the fall of 1953, Godfrey dismissed La Rosa on the air and later claimed the young singer "lacked humility," doing his own popularity considerable damage. -
I at the Vanguard of Vinyl: a Cultural History of the Long-‐‑Playing
At the Vanguard of Vinyl: A Cultural History of the Long-Playing Record in Jazz by Darren Mueller Department of Music Duke University Date:_______________________ Approved: ___________________________ Louise Meintjes, Supervisor ___________________________ Paul F. Berliner ___________________________ Mark Anthony Neal ___________________________ Philip Rupprecht ___________________________ Jacqueline Waeber Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in The Graduate School of Duke University 2015 i v ABSTRACT At the Vanguard of Vinyl: A Cultural History of the Long-Playing Record in Jazz by Darren Mueller Department of Music Duke University Date:_______________________ Approved: ___________________________ Louise Meintjes, Supervisor ___________________________ Paul F. Berliner ___________________________ Mark Anthony Neal ___________________________ Philip Rupprecht ___________________________ Jacqueline Waeber An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in The Graduate School of Duke University 2015 Copyright by Darren Mueller 2015 Abstract At the Vanguard of Vinyl investigates the jazz industry’s adoption of the long-playing record (LP), 1948–1960. The technological advancements of the LP, along with the incipient use of magnetic tape recording, made it feasible to commercially issue recordings running beyond the three-minute restrictions of the 78-rpm record. LPs began to feature extended improvisations, musical mistakes, musicians’ voices, and other moments of informal music making, revolutionizing the standard recording and production methods of the previous recording era. As the visual and sonic modes of representation shifted, so too did jazz’s relationship to white mainstream culture, Western European musical aesthetics, US political structures, and streams of Afro-modernism.