History of Nyasa
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Code-Switching in Contemporary Nigerian Hip
University of Ghana http://ugspace.ug.edu.gh CODE-SWITCHING IN CONTEMPORARY NIGERIAN HIP HOP SONGS BY KUPONIYI ADERIYIKE OREOLUWA (10361991) THIS DISSERTATION IS SUBMITTED TO THE UNIVERSITY OF GHANA, LEGON, IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE AWARD OF M.A ENGLISH DEGREE. JULY 2013 University of Ghana http://ugspace.ug.edu.gh DECLARATION I, Kuponiyi Aderiyike Oreoluwa, do hereby declare that apart from the acknowledged references cited, this work is the result of my own research. It has neither been partly nor wholly submitted for the award of another degree elsewhere. CANDIDATE ……………………………… DATE………………………… KUPONIYI, ADERIYIKE OREOLUWA SUPERVISOR……………………………. DATE…………………………... PROFESSOR A.B.K. DADZIE SUPERVISOR……………………………... DATE……………………………. PROFESSOR KARI DAKO i University of Ghana http://ugspace.ug.edu.gh DEDICATION This work is dedicated to my late Mother, Mrs Olajide Ilori-Kuponiyi. ii University of Ghana http://ugspace.ug.edu.gh ACKNOWLEDGEMENTS I give all the glory to God Almighty. My sincere gratitude goes to my father, Professor F.A. Kuponiyi for his total and unwavering support. Thank you to all my siblings, for their love, support and prayers. Special appreciations go to my supervisor, Professor A. B. K Dadzie for his help, advice and guidance and also to Professor Kari Dako. Again I say thank you to Mr Kenneth Igiri for his prompt response each time I call on him for help and for making my first few months in Ghana comfortable and remarkable. Also I thank everyone that has in one way or the other contributed to the achievement of this work. God bless you all. iii University of Ghana http://ugspace.ug.edu.gh ABSTRACT Most Nigerian hip hop artistes use a combination of English and one or more local language(s) in writing the lyrics of their songs. -
Annual Report
COUNCIL ON FOREIGN RELATIONS ANNUAL REPORT July 1,1996-June 30,1997 Main Office Washington Office The Harold Pratt House 1779 Massachusetts Avenue, N.W. 58 East 68th Street, New York, NY 10021 Washington, DC 20036 Tel. (212) 434-9400; Fax (212) 861-1789 Tel. (202) 518-3400; Fax (202) 986-2984 Website www. foreignrela tions. org e-mail publicaffairs@email. cfr. org OFFICERS AND DIRECTORS, 1997-98 Officers Directors Charlayne Hunter-Gault Peter G. Peterson Term Expiring 1998 Frank Savage* Chairman of the Board Peggy Dulany Laura D'Andrea Tyson Maurice R. Greenberg Robert F Erburu Leslie H. Gelb Vice Chairman Karen Elliott House ex officio Leslie H. Gelb Joshua Lederberg President Vincent A. Mai Honorary Officers Michael P Peters Garrick Utley and Directors Emeriti Senior Vice President Term Expiring 1999 Douglas Dillon and Chief Operating Officer Carla A. Hills Caryl R Haskins Alton Frye Robert D. Hormats Grayson Kirk Senior Vice President William J. McDonough Charles McC. Mathias, Jr. Paula J. Dobriansky Theodore C. Sorensen James A. Perkins Vice President, Washington Program George Soros David Rockefeller Gary C. Hufbauer Paul A. Volcker Honorary Chairman Vice President, Director of Studies Robert A. Scalapino Term Expiring 2000 David Kellogg Cyrus R. Vance Jessica R Einhorn Vice President, Communications Glenn E. Watts and Corporate Affairs Louis V Gerstner, Jr. Abraham F. Lowenthal Hanna Holborn Gray Vice President and Maurice R. Greenberg Deputy National Director George J. Mitchell Janice L. Murray Warren B. Rudman Vice President and Treasurer Term Expiring 2001 Karen M. Sughrue Lee Cullum Vice President, Programs Mario L. Baeza and Media Projects Thomas R. -
Ali a Mazrui on the Invention of Africa and Postcolonial Predicaments1
‘My life is One Long Debate’: Ali A Mazrui on the Invention of Africa and Postcolonial Predicaments1 Sabelo J. Ndlovu-Gatsheni2 Archie Mafeje Research Institute University of South Africa Introduction It is a great honour to have been invited by the Vice-Chancellor and Rector Professor Jonathan Jansen and the Centre for African Studies at the University of the Free State (UFS) to deliver this lecture in memory of Professor Ali A. Mazrui. I have chosen to speak on Ali A. Mazrui on the Invention of Africa and Postcolonial Predicaments because it is a theme closely connected to Mazrui’s academic and intellectual work and constitute an important part of my own research on power, knowledge and identity in Africa. Remembering Ali A Mazrui It is said that when the journalist and reporter for the Christian Science Monitor Arthur Unger challenged and questioned Mazrui on some of the issues raised in his televised series entitled The Africans: A Triple Heritage (1986), he smiled and responded this way: ‘Good, [...]. Many people disagree with me. My life is one long debate’ (Family Obituary of Ali Mazrui 2014). The logical question is how do we remember Professor Ali A Mazrui who died on Sunday 12 October 2014 and who understood his life to be ‘one long debate’? More importantly how do we reflect fairly on Mazrui’s academic and intellectual life without falling into the traps of what the South Sudanese scholar Dustan M. Wai (1984) coined as Mazruiphilia (hagiographical pro-Mazruism) and Mazruiphobia (aggressive anti-Mazruism)? How do we pay tribute -
Liberian Studies Journal
VOLUME XIV 1989 NUMBER 2 LIBERIAN STUDIES JOURNAL r 8 °W LIBERIA -8 °N 8 °N- MONSERRADO MARGIBI MARYLAND Geography Department 10 °W University of Pittsburgh at Johnstown 8oW 1 Published by THE LIBERIAN STUDIES ASSOCIATION, INC. PDF compression, OCR, web optimization using a watermarked evaluation copy of CVISION PDFCompressor Cover map: compiled by William Kory, cartography work by Jodie Molnar; Geography Department, University of Pittsburgh at Johnstown. PDF compression, OCR, web optimization using a watermarked evaluation copy of CVISION PDFCompressor VOLUME XIV 1989 NUMBER 2 LIBERIAN STUDIES JOURNAL Editor D. Elwood Dunn The University of the South Associate Editor Similih M. Cordor Kennesaw College Book Review Editor Dalvan M. Coger Memphis State University EDITORIAL ADVISORY BOARD Bertha B. Azango Lawrence B. Breitborde University of Liberia Beloit College Christopher Clapham Warren L. d'Azevedo Lancaster University University of Nevada Reno Henrique F. Tokpa Thomas E. Hayden Cuttington University College Africa Faith and Justice Network Svend E. Holsoe J. Gus Liebenow University of Delaware Indiana University Corann Okorodudu Glassboro State College Edited at the Department of Political Science, The University of the South PDF compression, OCR, web optimization using a watermarked evaluation copy of CVISION PDFCompressor CONTENTS THE LIBERIAN ECONOMY ON APRIL 1980: SOME REFLECTIONS 1 by Ellen Johnson Sirleaf COGNITIVE ASPECTS OF AGRICULTURE AMONG THE KPELLE: KPELLE FARMING THROUGH KPELLE EYES 23 by John Gay "PACIFICATION" UNDER PRESSURE: A POLITICAL ECONOMY OF LIBERIAN INTERVENTION IN NIMBA 1912 -1918 ............ 44 by Martin Ford BLACK, CHRISTIAN REPUBLICANS: DELEGATES TO THE 1847 LIBERIAN CONSTITUTIONAL CONVENTION ........................ 64 by Carl Patrick Burrowes TRIBE AND CHIEFDOM ON THE WINDWARD COAST 90 by Warren L. -
Download Tshedi Mholo Full Biography
The Queen of Auditoriums TSHEDI MHOLO South African-born Afro-pop singer An Artist, Entertainer & Philanthropist Ambassador for UnicefSA SmileFoundationSA “Lead to Read Campaign” Email: [email protected] Telephone: (+27) 82 494 8422 TSHEDI MHOLO PROFILE Matshediso Florence Mholo (born Septem- enthusiasm, and unwavering energy are ber 27, 1976) well known as “Tshedi”’ is a attributes that constantly help her to carve South African-born Afro-pop singer, a new paths, mother and a woman who wears so many follow them and make a success of it. hats and is so many things to so many p eople. Though she burst onto the scene with Her rapidly increasing number of fans is her former group Malaika as lead singer, testimony to Tshedi’s she has been able to sustain her relevance personality. She attracts people with her and credibility in the music industry beyond aura and makes them fall in love with her the group’s successes and glories. She has gift, passion, charisma and determination. been able to carve an identity for herself She remains a very modest girl-next-door and emerged as a star in her own right. despite her fame and colourful career. Tshedi is a true survivor who projects It is the combination of humility and a bright confidence, strength, and genuine talent, spark about her that draws people to her. making her a true package deal. She has As a result, she is regularly gracing red earned the reputation of a woman who can carpets and stages at high-profile make a difference wherever it is required, events and TV shows, where she and to those whose lives she touches. -
1 REITH LECTURES 1979: the African Condition Ali Mazrui
REITH LECTURES 1979: The African Condition Ali Mazrui Lecture 1: The Garden of Eden in Decay TRANSMISSION: 7 November 1979 – Radio 4 In the first Reith Lectures to be focused primarily on Africa, in 1961, Dame Margery Perham, the Oxford historian, decided to use a metaphor from accounting. She attempted a ‘colonial reckoning’, a kind of balance sheet of the costs and benefits of the colonial experience for both the colonised and the imperial powers. My own metaphor for these lectures is from the medical field. It is as if I were a doctor and Africa had come to me for a comprehensive medical examination on the eve of a particular anniversary. The most important century in Africa’s relations with Europe has been from the 1880s to the 1980s. It was from the 1880s that the map of Africa began to acquire more decisively the different flag colours of the occupation powers of Europe. Let us assume Africa has come to my clinic for varied medical tests on the eve of the 100th anniversary of Europe’s rape of her body and her possessions. I have therefore called this series of lectures The African Condition for two major reasons. One is diagnostic. To some extent this series is about Africa’s aches and pains: what is Africa’s state of health after 100 years of intense interaction with Europe? I also chose the title because it echoed the philosophical phrase ‘the human condition’. I want to examine the state of Africa partly as a way of measuring the state of the world. -
Intellectual Contributions of John Glover Jackson, an African
ABSTRACT AFRICAN AND AFRICAN AMERICAN STUDIES USHER, C. ANTHONY B.S., VIRGINIA STATE UNIVERSITY, 1991 EXPLORING THE CONTRIBUTIONS OF JOHN G. JACKSON TO AFRICAN HISTORIOGRAPHY Advisor: Dr. Keith E. Baird Thesis dated May, 1994 This thesis offers a comprehensive examination of the intellectual contributions of John Glover Jackson, an African American historian. Jackson, similiar to many other African American scholars, is self trained in the field of African history. This self training is a crucial element in this presentation for it is an attempt to present the autodidact's efforts and contributions as valid. This attempt reviews the archeological, anthropological, and cultural evidence presented by Jackson relating to his interpretations of man, God, and civilization. The methodology utilized in this research consists mainly of examining secondary data. Primary materials include interviews, video recordings, and recorded lectures. Critiques of the scholarly content of these materials are included in the assessment of Jackson's work. Iconographic, linguistic and ethnological evidence will be presented as interpreted by Jackson. The findings demonstrate that Jackson's contributions were virtually ignored. The reasons for this disregard are several. The dissenting nature of his presentation, his atheist reasoning and his lack of diplomacy contributed to his neglect. The results of this study carry wide reaching implications in the different fields of historical research. An Important finding, for example, is that formal university training is not an absolute prerequisite in the writing of history. Of greater significance is the evidence presented and the integrity of the historian's scholarship. The autodidact and the formally trained scholar have much to offer historiography. -
No. 250, 12 Avril 2010
Observatory of Cultural Policies in Africa The Observatory is a Pan African international NGO created in 2002 with the support of African Union, the Ford Foundation, and UNESCO. Its aim is to monitor cultural trends and national cultural policies in the region and to enhance their integration in human development strategies through advocacy, information, research, capacity building, networking, co-ordination, and co- operation at the regional and international levels. O C P A OCPA NEWS No 250 12 April 2010 Published with the support of the Spanish Agency for International Co-operation for Development (AECID) This issue is sent to 10985 addresses * VISIT THE OCPA WEB SITE http://www.ocpanet.org * We wish to promote interactive information exchange within Africa and between Africa and the other regions. Please send us information for dissemination about new initiatives, meetings, research projects and publications of interest for cultural policies for development in Africa. Thank you for your co-operation. * Nous souhaitons promouvoir un échange d’information interactif en Afrique ainsi qu’entre l’Afrique et les autres régions. Envoyez-nous des informations pour diffusion sur des initiatives novelles, réunions, projets de recherches, publications intéressant les politiques culturelles pour le développement en Afrique. Merci de votre coopération. Máté Kovács, editor: [email protected] *** Contact: OCPA Secretariat, 725, Avenida da Base N'Tchinga, P. O. Box 1207 Maputo, Mozambique Tel: +258- 21- 41 86 49, Fax: +258- 21- 41 86 50 E-mail: [email protected] or Executive Director: Lupwishi Mbuyamba: [email protected] You can subscribe or unsubscribe to OCPA News via the online form at http://ocpa.irmo.hr/activities/newsletter/index-en.html. -
S. Africa's Koras by STEVE Mcclure Maruyama Is Also a Director of SMEJ Oct
T H E L A T E S T N E S I nternationaW A N D V E W S F R O M A R O U N D T H E W O R L D SMEJ Takes New A &R Focus Evora Top Winner At 1st CEO Aims To Keep Market Leadership S. Africa's KORAs BY STEVE McCLURE Maruyama is also a director of SMEJ Oct. 1 also saw Sony's release of a BY DIANE COETZER France International, the South African subsidiary Antinos Management, whose DCT greatest -hits compilation, which Broadcasting Corp. (responsible for the TOKYO -The appointment of Shigeo best -known artist is Tetsuya Komuro. led the group and its management, MS JOHANNESBURG- Cesaria Evora, KORAs' television broadcast), MCM Maruyama to the new post of repre- In the last few years, Komuro has Artist Products, to seek a court injunc- the veteran singer from the Western Africa, the BBC World Service, and sentative director /CEO at Japan's achieved unprecedented success with tion forcing Sony to halt the release - African territory of Cape Verde, domi- Radio France Internationale. biggest record label, Sony Music independent label Avex as a freelance an unprecedented move in the usually nated this year's KORA All Africa Organizers say the prime motivation Entertainment Japan (SMEJ), is being producer and as a member of the top- non -litigious Japanese music industry. Music Awards, held Oct. 4 at South is to provide a continental awards cere- seen here as a product of Sony's deter- selling group globe. He is still signed to The injunction has not been granted, Africa's Sun City resort. -
Zur Entwicklung Des Rap Im Senegal
Stichproben. Wiener Zeitschrift für kritische Afrikastudien 4/2002, Jg. 2 Sozialpolitische Wende? Zur Entwicklung des Rap im Senegal Caroline Maraszto Zusammenfassung In Dakar, wo der Handel mit illegal produzierten Musikkassetten blüht, hat sich der lokale Produktionsmarkt seit etwa 15 Jahren um eine neue Musikrichtung erweitert: den senegalesischen HipHop. Diese urbane Kunstform erfüllt eine ganz wesentliche Funktion in der senegalesischen Gesellschaft. Es handelt sich dabei um die Enttabuisierung von Themen, die sich aus der starken Verstrickung von Staat und Religion ergeben. Es geht aber auch um das Einfordern von Rechten für die Menschen in den verarmten Ballungszentren der Metropole und um das Aufzeigen von Missständen. Als eindrucksvollstes Beispiel ihrer politischen Einfluss- nahme, nennen Rapper selbst gerne den Machtwechsel anlässlich der Prä- sidentschaftswahlen im März 2000, wo über verschiedenste private Ra- diosender mit Hilfe des Raps die Bevölkerung zum Wählen und zum Wahrnehmen des Wahlrechts aufgefordert wurde. Einleitung “ku xamul fa nga jem delul fa nga joge” („Si tu ne sais pas où tu vas, retourne d’où tu viens.“) Leitmotiv vieler Raptexte (nach Daouda Ndao) Viele, die an senegalesische Musik denken, assoziieren damit am ehesten Mbalax-Klänge von Youssou Ndour, melodiöse Balladen von Ismael Lo oder die charismatische Stimme der Hal Pulaar - Baaba Maal. Diesen Künstlern ist trotz ihrer sehr unterschiedlichen Stile eines gemeinsam: der Durchbruch, die internationale Bekanntheit auf dem Weltmusiksektor (in den Termini der Plat- tenproduzenten gesprochen) und die Popularität im Inland. Weitere Protago- nistinnen junger senegalesischer Musik sind Coumba Gawlo Seck, Trägerin des renommierten Kora-Awards 1999 als „Most Promising Female Artist“, 82 Stichproben und Vivianne Ndour, die sich als Mauretanierin mittlerweile an die Spitze der heimischen Stars singen konnte. -
(504) 615-9018 [email protected] EDUC
ROBERT ST. MARTIN WESTLEY P.O. Box 4082 New Orleans, LA 70178 Work: (504) 862-8801 Home: (504) 615-9018 [email protected] EDUCATION Yale University, New Haven, CT Ph.D. in Philosophy, May 1993 M.Phil., May 1987; M.A., December 1986 Dissertation, "FOURTEENTH AMENDMENT JURISPRUDENCE: RACE AND THE RIGHTS OF GROUPS." Boalt Hall School of Law University of California, Berkeley J.D., May 1992 President, Boalt Hall Student Association Member, Black Law Student Association Northwestern University, Evanston, IL B.A. in Philosophy with Honors Distinction, 1984 Phi Beta Kappa Editor and Co-Founder of Nous TEACHING EXPERIENCE Tulane University School of Law New Orleans, LA 1995-present Louisiana Outside Counsel Health and Ethic Foundation (LOCHEF) Professor in Legal Ethics and Professional Responsibility. Lecture courses on Legal Profession, Fourteenth Amendment, Constitutional Criminal Procedure, and Transnational Legal Practice. Taught seminars on Critical Race Theory, Law and Literature and Aging Studies. DePaul University College of Law Chicago, IL Spring 2007 Visiting Professor of Law. Lecture course on Legal Profession. Department of Ethnic Studies, University of California San Diego, CA 1992-93 Research Fellow/Lecturer. Taught seminar on Critical Race Theory. Lectured on Law and Minority Rights, and Race and Public Policy. Department of Philosophy, Yale University New Haven, CT 1986-87 Teaching Assistant. Assisted philosophy department faculty and led discussions for undergraduate courses in the areas of classical philosophy and introductory ethics. 1 FELLOWSHIPS AND HONORS School of Law, Tulane University New Orleans, LA 2007 Louisiana Outside Counsel Health and Ethic Foundation Professorship in Legal Ethics and Professional Responsibility Humanities Research Institute University of California, Irvine 2003 Research Fellow School of Law, Tulane University New Orleans, LA 1996 The Order of the Coif Department of Philosophy, University of California San Diego, CA 1993-95 UC President's Postdoctoral Fellowship. -
Shared Journey
The Rockefeller Foundation, Human Capital, and Development in Africa the rockefeller foundation centennial series shared journey the rockefeller foundation, human capital, and development in africa By Kathryn Mathers, Ph.D. Innovation for the Next 100 Years Rockefeller Foundation Centennial Series Shared Journey Preface from Dr. Judith Rodin 14 Foreword – Archbishop Desmond Tutu 18 Introduction 22 1 Fighting Hookworm in Egypt 34 11 Public Health for the World 48 111 Promoting Understanding 64 1v Africa Advancing 84 v Turning Toward Postcolonial Africa 104 © 2013 by Rockefeller Foundation in this publication. Images held by the v1 Training Health Workers in 118 The Rockefeller Foundation Centennial Series Rockefeller Archive Center have been Foreword copyright Books published in the Rockefeller deemed to be owned by the Rockefeller the Congo and South Africa Desmond Tutu, 2013 Foundation Centennial Series provide Foundation unless we were able to All rights reserved. case studies for people around the determine otherwise. Specific permis- v11 Academic Explorations 134 world who are working “to promote the sion has been granted by the copyright Cover: well-being of humankind.” Three books holder to use the following works: Top: Photo by Anthony Pappone. highlight lessons learned in the fields v111 Champions of Higher Education 156 Getty Images. of agriculture, health, and philanthropy. Jonas Bendiksen: 2-3, 22, 62-63, Bottom: Photo by Image Source. Three others explore the Foundation’s 98-101, 190-191, 207, 208, 212, 213, 1x Apartheid and South Africa 178 Getty Images. work in Africa, Thailand, and the United 225, 244-245, 250 States. For more information about Antony Njuguna: 6-7, 17, 132-133, 214-215 Africa and the Green Revolution 192 Book design by Pentagram.