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October 18, 1979
OCTO ' BE~ 18, 1979 ISSUE 353 '- _. UNIVERSITY Of MISSOURI/SAINT LOUIS - Homecoming not ready for burial "The only thing we are not Rick.Jackoway going to have is a dinner," Blanton explained. Also the tra In a grave message to UMSL ditional soccer game will not be students, a tombstone was e involved in this year's festivities. rected last week near the out This year, Blanton said, the . door basketball court. homecoming will be part of a Etched on the tombstone are spirit week from Nov. 26 to 3~. the words " R.LP./UMSLlHC/ There will be some sort of social 1979/ Do you care?" Much spec· function where the king and ulation centered over who or Queen of homecoming will be what is He. But for some people announced, he said. But the the meaning was quite clear. traditional dinner/ dance will not For the past few months there be included because of lack of has been much concern about funds. the future of homecoming at The Student Budget Commit UMSL. The tombstone caused tee, Blanton explained, cut out more vocal discussion of home dinner subsidies for all organiza coming. tions. But, to abuse an old line, the Blanton said the Second An . reports of homecomings death nual Boat Race, an intercollegate .. PAYING HOMAGE: Curious students view a grave marldng the rumored death of UMSL Homecoming are ·greatly exagerated, accord tug-of-war, and other activities activities. Despite the monument's ImpUcations, such activities will be held this year [photo by WOey ing to Rick Blanton, director ' of will be included during Spirit PrIce]. -
Volume XII-XIII (2013-2015) ______
South Central Music Bulletin XII-XIII (2013-2015) • A Refereed Journal • ISSN 1545-2271 • http://www.scmb.us _________________________________________________________________________________________ South Central Music Bulletin A Refereed, Open-Access Journal ISSN 1545-2271 Volume XII-XIII (2013-2015) __________________________________________________________________________________________ Editor: Dr. Nico Schüler, Texas State University Music Graphics Editor: Richard D. Hall, Texas State University Editorial Review Board: Dr. Paula Conlon, University of Oklahoma Dr. Stacey Davis, University of Texas – San Antonio Dr. Lynn Job, North Central Texas College Dr. Kevin Mooney, Texas State University Dr. Dimitar Ninov, Texas State University Ms. Sunnie Oh, Independent Scholar & Musician Dr. Robin Stein, Texas State University Dr. Leon Stefanija, University of Ljubljana (Slovenia) Dr. Paolo Susanni, Yaşar University (Turkey) Dr. Lori Wooden, University of Central Oklahoma Subscription: Free This Open Access Journal can be downloaded from http://www.scmb.us. Publisher: South Central Music Bulletin http://www.scmb.us Ó Copyright 2015 by the Authors. All Rights Reserved. 1 South Central Music Bulletin XII-XIII (2013-2015) • A Refereed Journal • ISSN 1545-2271 • http://www.scmb.us _________________________________________________________________________________________ Table of Contents Message from the Editor by Nico Schüler … Page 3 Research Article: Using Electric Light Orchestra as a Model for Popular Music Analysis – Part 2: Theoretical Analysis -
Jeff Lynne’S Elo Signs with Columbia...”
Jeff Lynne Jeffrey “Jeff” Lynne (born 30 December 1947) is an 1.2 1970–86: ELO English songwriter, composer, arranger, singer, multi- instrumentalist and record producer who gained fame in the 1970s as the leader and sole constant member of Main article: Electric Light Orchestra Electric Light Orchestra. In 1988, under the pseudonyms Otis Wilbury and Clayton Wilbury, he co-founded the Lynne contributed many songs to the Move's last two al- supergroup Traveling Wilburys with George Harrison, bums while formulating, with Roy Wood and Bev Be- Bob Dylan, Roy Orbison and Tom Petty. van, a band built around a fusion of rock and classi- After ELO’s original disbandment in 1986, Lynne re- cal music, with the original idea of both bands existing [5] leased two solo albums: Armchair Theatre (1990) and in tandem. This project would eventually become the Long Wave (2012). In addition, he began producing var- highly successful Electric Light Orchestra (ELO). Prob- ious artists, with his songwriting and production collab- lems led to Wood’s departure in 1972, after the band’s orations with ex-Beatles leading him to co-produce their eponymous first album, leaving Lynne as the band’s domi- [5] mid 1990s reunion singles "Free as a Bird" (1995) and nant creative force. Thereafter followed a succession of "Real Love" (1996). band personnel changes and increasingly popular albums: 1973’s ELO 2 and On the Third Day, 1974’s Eldorado and 1975’s Face the Music. By 1976’s A New World Record, Lynne had almost developed the roots of the group into 1 Musical career a more complex and unique pop-rock sound mixed with studio strings, layered vocals, and tight, catchy pop sin- gles. -
Electric Light Orchestra Eldorado - a Symphony by the Electric Light Orchestra Mp3, Flac, Wma
Electric Light Orchestra Eldorado - A Symphony By The Electric Light Orchestra mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop / Classical Album: Eldorado - A Symphony By The Electric Light Orchestra Country: US Released: 1974 Style: Symphonic Rock MP3 version RAR size: 1665 mb FLAC version RAR size: 1287 mb WMA version RAR size: 1791 mb Rating: 4.6 Votes: 754 Other Formats: AHX APE TTA MP3 MP2 RA MMF Tracklist A1 Eldorado Overture 2:12 A2 Can't Get It Out Of My Head 4:26 A3 Boy Blue 5:17 A4 Laredo Tornado 5:26 A5 Poorboy (The Greenwood) 2:56 B1 Mister Kingdom 5:50 B2 Nobody's Child 3:40 B3 Illusions In G Major 2:36 B4 Eldorado 5:20 B5 Eldorado - Finale 1:20 Companies, etc. Phonographic Copyright (p) – United Artists Records, Inc. Mastered At – The Mastering Lab Pressed By – Columbia Records Pressing Plant, Terre Haute Manufactured By – United Artists Records, Inc. Published By – Yellow Dog Music, Inc. Copyright (c) – Jeff Lynne Music Ltd. Copyright (c) – Carlin Music Corp. Recorded At – De Lane Lea Studios Credits Arranged By, Conductor [Orchestra] – Louis Clark Arranged By, Piano, Synthesizer [Moog], Guitar, Backing Vocals – Richard Tandy Art Direction – John Williams Bass – Michael de Albuquerque* Cello – Hugh McDowall*, Michael Edwards* Design [Album Design] – John Kehe Drums, Percussion – Bev Bevan Engineer [Assistant Engineer] – Mike Pela Engineer [Recording Engineer] – Dick Plant Guitar, Vocals, Synthesizer [Moog], Backing Vocals, Arranged By, Words By, Music By, Producer – Jeff Lynne Photography By [Photograph] – Norman Seeff Violin – Mik Kaminski Voice [Prologue Spoken By] – Peter Ford-Robertson Notes Columbia, Terre Haute pressing denoted by "T" and "T2" etches in runouts. -
Cash” in Order to Insure Suc- Expect ‘Giants’ to Get Bigger: WASHINGTON
- i&£S* mmWM i WSmm I ; , .s>» r A:/ sM| iflauM , /// . KB jjo./ '** - 7 : •• •. Artist Mriiy GRITTY DIRT BAND 'Senderling Testifies In 2nd Week-of Payola Hearings £ Capitol Raises List on Key Catalogue, Classics / Securities Analysts' View industry K'.- S *. AS(gA& ’76'Revenues Hit $94 Million Proliferate / V NeilDiastion’b Ads - AlexandeHs Expands; A&S Closes ? , Ex.fiansio&l(t Hoqsfon Retail Market * y >$f.98 For^fJj^Cdn^ume^oves Closer (Ed) . March 5, 1977 Weeks Weeks Weeks On On On 2/26 2/19 Chart 2/19 Chart 2/26 2/19 Chart LOVE THEME FROM “A DISCO LUCY (! LOVE LUCY FANCY DANCER STAR IS BORN” THEME) COMMODORES (Motown 1408) 63 63 11 WILTON PLACE STREET BAND (Island 078) 41 48 7 THIS SONG (EVERGREEN) GEORGE BARBRA STREISAND (Columbia 3-10450) 4 5 13 35 HARD HARRISON LUCK WOMAN (Dark Horse/WB DRC 8294) 61 53 16 TORN BETWEEN TWO KISS (Casablanca 873) 25 24 12 36 DAZZ BABY DON’T YOU KNOW LOVERS WILD CHERRY (Sweet City/Epic 8-50306) 68 67 9 MARY MACGREGOR BRICK (Bang 727) 26 25 20 IT (Ariola America/Capitol 7638) 1 1 17 37 CAR COULDN’T GET RIGHT WASH CLIMAX BLUES BAND (Sire/ABC SAA 736) 87 93 4 FLY LIKE AN EAGLE ROSE ROVCE (MCA 40615) 31 29 18 STEVE MILLER (Capitol 4372) 3 3 12 38 !’VE GOT LOVE MY YOU KNOW LIKE I KNOW ON OZARK MOUNTAIN DAREDEVILS (A&M 1888) 75 78 7 S LIKE DREAMIN’ MIND KENNY NOLAN (20th Century 2287) 5 6 17 YOU + ME = LOVE NATALIE COLE (Capitol 4360) 50 59 5 UNDISPUTED TRUTH YEAR OF THE CAT 39 ALL STRUNG OUT ON YOU (Whitfield/WB WHI 8306) 76 79 5 AL STEWART (Janus J266) 6 7 13 JOHN TRAVOLTA HEY (Midland Inti /RCA MB 10907) -
Electric Light Orchestra Electric Light Orchestra II Mp3, Flac, Wma
Electric Light Orchestra Electric Light Orchestra II mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Electric Light Orchestra II Country: US Style: Classic Rock, Symphonic Rock MP3 version RAR size: 1849 mb FLAC version RAR size: 1197 mb WMA version RAR size: 1618 mb Rating: 4.2 Votes: 197 Other Formats: MP2 AIFF DTS ASF VQF AU MP4 Tracklist A1 In Old England Town (Boogie #2) 6:51 A2 Mama 7:00 A3 Roll Over Beethoven 8:05 B1 From The Sun To The World (Boogie #1) 8:17 B2 Kuiama 11:14 Companies, etc. Manufactured By – United Artists Records, Inc. Produced For – Move Enterprises, Ltd. Phonographic Copyright (p) – United Artists Records, Inc. Copyright (c) – United Artists Records, Inc. Pressed By – Columbia Records Pressing Plant, Terre Haute Published By – Anne-Rachel Music Corp. Published By – Yellow Dog Music, Inc. Published By – Arc Music Corp. Recorded At – AIR Studios Credits Art Direction – Mike Salisbury Bass – Mike Alberquerque* Cello – Colin Walker , Mike Edwards Design – Lloyd Ziff Drums – Bev Bevan Guitar – Richard Tandy (tracks: A1, A3) Guitar, Vocals – Jeff Lynne Harmonium – Richard Tandy (tracks: B2) Liner Notes – Greg Shaw Photography By – Al Vandenberg, Marty Evans Piano – Richard Tandy Producer – Jeff Lynne Synthesizer [Moog Synthesizer] – Jeff Lynne (tracks: A2, B1, B2), Richard Tandy Violin – Wilf Gibson Vocals – Mike Alberquerque* (tracks: B2) Words By, Music By – Chuck Berry (tracks: A3), Jeff Lynne (tracks: A1, A2, B1, B2) Notes Pressing variation Columbia Records Pressing Plant, Terre Haute Recorded at AIR Studios, London. A1, A2, B1, B2: Anne-Rachel Music Corp. / Yellow Dog Music, Inc. ASCAP A3: Arc Music Corp. -
Electric-Light-Orchestra-A-New-World-Record-Songbook.Pdf
t. 8rv Bev;ir:. jr:(f Lynre . HughMrDowell . MelvynGale . Mik Kaminski RichardTandy ' KellyG roucutt -. ELECTRICLIGHT ORCHESTRA Sincethe Electric Light orchestra's debut album in 1972,the lnglish group led by guitar- ist, c0mposer,vocalist and songwriter Jeff Lynne, has been an innovatingfurce at everystep of theircareer. Begunas an experimenklattempt to usestrings and some classical influences in the contextof a rockand roll group,ELo has become one 0I the giantsof today'smusic scene, bothcommercially and artistically. Withtheir n€w album "A NewWorld Record," the group's lourth "gold" album in a row, coupledwith theirlast tour leaturinq sell-0uts across the UnitedStates, ELo's superstar credentialsare beyond question. "A NewWorld Record," released in 0ctoberof 1976,contains sone oI Lynne'smosl originalideas. 0n "TelephoneLine," a songabout a guytrying to calla girland perpetually gettingno answer.he usedthe soundtrom an Americanphone system. Fecording in Germany,he taped a ringingphone from six thousand miles away, and lhen Tandy re-created the soundon the moog.0n "Rockaria,"a song about 8n opera sinqer trying to singrock' he useda soDmnolrom the London0pera. "She really got otf on hearingher voice 0n a rock track,"says Lynne.other classical musicians have not been as involved.0nan earlierELo session,a string section slopped playing right in the middle of a song,because the clock had struckthe hour,and as unionmembers, they were playing strictly according t0 the rules Alsoon the newalbum is "DoYa." a re-makeof themost popular hit Jeffhad with The l\40ve in the U.S."l wantedt0 makeit anELo song," he says. Unlikemany olher English rock groups, ELo does not throwtelevision sets out ot windows,make embarrassing scenes in publicplaces or losetheir tempers irrationally at perfectstrangers. -
Jeff Lynne, Bev Bevan, Roy Wood, and Richard Tandy (Clockwise from Top Left), 1972
Jeff Lynne, Bev Bevan, Roy Wood, and Richard Tandy (clockwise from top left), 1972 2828 PERFORMERS THEY ASSIMILATE DIVERSE MUSICAL ELEMENTS AND EPOCHS ELOINTO A SEAMLESS POP WHOLE. BY PARKE PUTERBAUGH Imagine a marriage of tuneful, rocking pop songs with instruments from the symphonic realm, and you’ve got the blueprint for what made ELO one of the most popular groups of the 1970s and beyond. Jeff Lynne, ELO’s vocalist, guitarist, songwriter, co founder, and frontman, conceived of a rarefied musical sphere in which cellos coexisted with guitars, and where classically tinged progressive rock intersected with hook-filled, radio-friendly pop. The result: ELO’s boundary-breaking approach to rock that resonated with a global audience, both as a pop singles act and as album-oriented rockers with deep-track appeal. ELO can variously be described as a Beatles-esque pop band, a classic rock band, a classical- rock band, and an act whose sprightliest hits filled dance floors. 29 Bevan, Lynne, and Wood (from left) during ELO’s performance on the U.K.’s Top of the Pops, 1972 It takes a rare talent to achieve the success Lynne pool and London, but a few of the local “Brum Beat” has had with a band that included two cellos and a bands – notably the Moody Blues and the Spencer Davis violin along with a conventional array of guitar, key- Group – made significant impact beyond the city’s bor- boards, bass, and drums: ELO landed twenty songs in ders. In 1966, after stints in the Andicaps and the Chads, the U.S. -
The ELO Story
The ELO Story Jeff Lynne was born in industrial Birmingham, England, on December 30, 1947. He grew up in the then- new Shard End City Council housing estate, a high-density residential development built on the eastern edge of the city right after the Second World War, with his parents Philip and Nancy.1 He had a brother and two sisters.2 Lynne’s grandparents in his father’s side were vaudevillian performers.3 More than thirty years later, Lynne would pay tribute to his birthplace in the ELO song “All Over the World,” which mentions Shard End alongside other cities like London, Paris, Amsterdam, Rio de Janiero, and Tokyo. Lynne was a Brummie, a nickname for those blessed with the notoriously thick local Birmingham accent.4 Brummie is shorthand for Brummagem, the popular West Midlands way of pronouncing Birmingham.5 Brummie also has an unfortunate alternative dictionary definition: “counterfeit, cheap, and showy.”6 The accent, which not everyone in the city shares, has even been described as representing the least intelligent dialect in the British Isles.7 Lynne grew up listening to Del Shannon, Roy Orbison,8 Chuck Berry, and The Shadows records.9 His parents did not always approve. About Roy Orbison’s “Only the Lonely” playing on the radio, Jeff said “[t]hey were complaining that it was too sexy, or something, but that voice just made the hairs go up on my neck.”10 At age thirteen, Lynne attended a concert by Del Shannon at Birmingham Town Hall, and from that point on dedicated his life to music.11 He noticed immediately that live performances -
The Way of St
SPRING 2017 • VOL. 22, NO. 2 The Way of St. Francis OUTREACH Brother Ivo Toneck, OFM in Guaymas, Mexico BUILDING COMMUNITIES OF PROMISE THE FRANCISCAN FRIARS PROVINCE OF SAINT BARBARA The Way of Saint Francis SPRING 2017, Vol. 22, No. 2 on the cover Brother Ivo Toneck stands in front of his vintage pickup parked at the entrance of the Bellas Artes/School of Fine Arts which bears his name. (SEE ARTICLE, STARTING ON PAGE 10) In his work as a missionary in Guaymas, Mexico for more than 30 years, Brother Ivo has become an icon of the community’s faith and hopes. This article about his eff orts to build community is in itself a community eff ort by his Franciscan brothers. Brother David Buer interviewed our confrere extensively and provided the text, while the photography of Brother Richard (Dick) Tandy captures the spirit of the man and the people he serves. Thanks as well to other community members: Friars Tommy King, Gerard Saunders, and Hajime Okuhara for their contributions to this article. PHOTO: ©BROTHER RICHARD TANDY 2017 Publisher Art Direction and Design Very Reverend David Gaa, OFM Paul Tokmakian Graphic Design Provincial Minister Contributors Editor Brother David Buer, OFM Father Dan Lackie, OFM Father Dan Lackie, OFM Father Warren Rouse, OFM Editorial Team Harold Schroeder, OFS Mr. Kevin Murray Brother Mark Schroeder, OFM Father Dan Lackie, OFM Father Charles Talley, OFM Father Charles Talley, OFM Brother Richard Tandy, OFM The Way of St. Francis is published by the Franciscan Friars of California, Inc. It is a free magazine to those who provide their time, treasure, and talent to friars in the Province of Saint Barbara. -
Electric Light Orchestra out of the Blue Mp3, Flac, Wma
Electric Light Orchestra Out Of The Blue mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Out Of The Blue Country: UK Style: Prog Rock MP3 version RAR size: 1154 mb FLAC version RAR size: 1479 mb WMA version RAR size: 1439 mb Rating: 4.9 Votes: 219 Other Formats: MP1 FLAC WAV RA AHX MPC AAC Tracklist A1 Turn To Stone 3:48 A2 It's Over 4:08 A3 Sweet Talkin' Woman 3:48 A4 Across The Border 3:52 B1 Night In The City 4:02 B2 Starlight 4:30 B3 Jungle 3:51 B4 Believe Me Now 1:21 B5 Steppin' Out 4:38 Concerto For A Rainy Day C1 Standin' In The Rain 4:20 C2 Big Wheels 5:10 C3 Summer And Lightning 4:13 C4 Mr. Blue Sky 5:05 D1 Sweet Is The Night 3:26 D2 The Whale 5:05 D3 Birmingham Blues 4:21 D4 Wild West Hero 4:40 Companies, etc. Copyright (c) – United Artists Music And Records Group, Inc. Phonographic Copyright (p) – United Artists Music And Records Group, Inc. Manufactured By – United Artists Music And Records Group, Inc. Distributed By – United Artists Music And Records Group, Inc. Manufactured By – RCA Music Service – R 223719 Licensed To – RCA Music Service – R-223719 Published By – Unart Music Corp. Published By – Jet Music Inc Recorded At – Musicland Studios Mixed At – Musicland Studios Pressed By – RCA Records Pressing Plant, Indianapolis Credits Arranged By [Orchestra And Choral Arrangements] – Jeff Lynne, Louis Clark, Richard Tandy Art Direction, Design – Kosh*, Ria Lewerke Artwork [Portraits] – Michael Bryan Conductor [Orchestra Conducted By] – Louis Clark Engineer, Effects [Special Effects] – Mack Illustration – Shusei Nagaoka Mastered By – Kev* Music By, Lyrics By – Jeff Lynne Producer – Jeff Lynne Notes RCA Music Service pressing. -
Aleksandar Janjić FRAMEWORK FOR
Преглед НЦД 32 (2018), 1–26 Aleksandar Janji ć Faculty of Mechanical Engineering, University of Banjaluka FRAMEWORK FOR FUZZY CLASSIFICATION OF DIGITIZED DOCUMENTS Abstract. The classification of a text document with respect to a predefined set of classes is an assignment of one of the values 0 or 1 to each ordered pair (document, class), depending on whether the document belongs to the class or not. Fuzzy classification generalizes this notion by enabling the membership to be expressed by any real number between 0 and 1. In this paper, we show one possible method of fuzzy classification by using the existing formulas for calculating the distance of a document from a class. As an illustration, we use this method to form a fuzzy classification of a subset of documents from Ebart-hier corpus. After that, we briefly describe the current state of the National Center for Digitization virtual library and show by an example how fuzzy classification can be used to improve the organization of the Library data and extend the querying possibilities . 1 Introduction Since Zadeh’s Fuzzy Sets theory was formulated in mid-60-ties of the 20 th century, as well as Codd's relational model of data in 1970, different approaches have been proposed to extend databases, especially relational ones, in such a way as to manage incomplete, vague, unknown, imprecise data, giving rise to different fuzzy database models. Still, implementation of fuzzy database management systems has not been a well-established practice yet, and applications in different areas that may benefit from such systems are still under exploration.