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t. 8rv Bev;ir:. jr:(f Lynre . HughMrDowell . MelvynGale . Mik Kaminski RichardTandy ' KellyG roucutt -. ELECTRICLIGHT ORCHESTRA Sincethe Electric Light orchestra's debut album in 1972,the lnglish group led by guitar- ist, c0mposer,vocalist and songwriter Jeff Lynne, has been an innovatingfurce at everystep of theircareer. Begunas an experimenklattempt to usestrings and some classical influences in the contextof a rockand roll group,ELo has become one 0I the giantsof today'smusic scene, bothcommercially and artistically. Withtheir n€w album "A NewWorld Record," the group's lourth "gold" album in a row, coupledwith theirlast tour leaturinq sell-0uts across the UnitedStates, ELo's superstar credentialsare beyond question. "A NewWorld Record," released in 0ctoberof 1976,contains sone oI Lynne'smosl originalideas. 0n "TelephoneLine," a songabout a guytrying to calla girland perpetually gettingno answer.he usedthe soundtrom an Americanphone system. Fecording in Germany,he taped a ringingphone from six thousand miles away, and lhen Tandy re-created the soundon the moog.0n "Rockaria,"a song about 8n opera sinqer trying to singrock' he useda soDmnolrom the London0pera. "She really got otf on hearingher voice 0n a rock track,"says Lynne.other classical musicians have not been as involved.0nan earlierELo session,a string section slopped playing right in the middle of a song,because the clock had struckthe hour,and as unionmembers, they were playing strictly according t0 the rules Alsoon the newalbum is "DoYa." a re-makeof themost popular hit Jeffhad with The l\40ve in the U.S."l wantedt0 makeit anELo song," he says. Unlikemany olher English rock groups, ELo does not throwtelevision sets out ot windows,make embarrassing scenes in publicplaces or losetheir tempers irrationally at perfectstrangers. lf Lynnedislikes the term"classical rock." he certainlyrealizes he has createdsomething far more progressive than most rock and roll ln a calegoryall their own, the ElectricLight 0rchestra continues to blazetrails rather than copy yesterday's heroes Evenso, Lynnedespairs that "Weall havethe sametwenty chords to workwith..." CONTENTS ABOVETHE CLOUDS..48 D0YA..52 LIVIN'THING..42 MlSSl0N(A World Record)..28 R0cKARtA!..18 SHANGRI.LA..61 SOFINE..35 TELEPHONELINE..12 TIGHTROPE..6 8ookDesiqn Sotomon neno CopyrightO 1977 UNART MUSIC CORPORATTON/JETMUSTC tNCORPORA,TED New York. New Yo.k Madein U.S.A. All righlsres€rved InternationalCopyriglr Secured Phot rplic|tion or cop!,ngofde pborogrJph\.rexr. m0tir. tyn.s..r an\{hiiB turernc{nam.d i\ Dnrhibiri TIGHTROPE JEFFLYI{NE Mod€rately, with a b€d G Gb F F t]m ffi ffi f+fl+ H+IH ffi somedays you're gon ' n3 l. They say _ got-ta gave,- someday3 you got ra G Gb G Gb F I]f]! I:]m ffi ffi H+H] w ffi H{l t tell you I qol lf that's the waY ii s :T r, G c T]]ID ffi t1++t ffi The cit ta- F Fm trtm ffi t-ffij bet ' lef pur ) CoDviqhraO 13T6 lsl7 UNTEoAflnSTS MUSIC UD andJET MUSIC lNCoRPoBArm Alliqhrs ldr thsU SA aid Caiad?adn risredd bY UNARI MUSIC 0oFPoRAT 0N NewYork NY AllRiqhcResedsd )111 InismationalCopisht Sacurcd MtdonlSA E F ffi ffi H++l H+H'] you got Gsr off yourTight - rcPeuP the ground, ' The ch.ng€fromni0ht to day ly hours, itt iutt a long the I'm r' Gr!I MD ffi fffrf H{# D7 ffi F++ Fllfl F ffi Cm F.--*'*-'f-J.'r F G l]m MF ffi stn Etl{ lm+nffiffitr t-ffi Wonl som€. bod y thm$/ me down- a f lnu,u,*nu,so* 8"es........-----. ED4E. Htf.l s4r Dm7-5 Cm G ffi'" m atm ft++ft +H# G Gb F F ffi tlm l:m ffi HII-H ffi G Gb F G ItrE ffi ffi Hd# ffi ffi H#t F G ffi ffi ffi F Fm ffi ffi ffifl FlH: peo- c x F ffiff Hfl# ffi The changefrom night 2172 10 F Fm @iD m ml]n H#fl FH ffi ^l D7 c ,"3,", e* ,cco"?.,r olE ffi+t ffi F+fHffi"ffi f.'Hi nr'lrffi^ffi F D7 Fl] mtFsl ffi FM ffiffi ffi H++ff ffi /:\ Some bod v had thrown me down ths line. /:\ .)llrl a;\ .ti+Il -q- t2 TELEPHONELINE JEFFLYNNE Slowly Amaj ? ffi#l .IIE H+f righl through all those Bm olul at it lttH l ^ffi J .l{{fi ':rrF ,lt+I/^i t t r-? P ,? q i,, :- _- '_' : G-l 11 # 1--l d saY, r""' ly, lone lY, lone rY, lone rY, lore ly niqhts?" Thatl whal I I 3 )9iut e | ?^r-: ? -? ,T; t? t ? e r i t .. _-a-= '_' : '-/-,--. \l -- I a t. t t ; r '. I l- T ;* ri Amql? "{": P ilt"ri tiut rfrih rhil ul1l HLi, ll+n 2 r1+in ffi , :i:1, ', 'j,-' .i.5:-',ria' :L F-= ,&"' fr^. L-tt : : l" l- ph0ns o lelr You ev r.7 lhinq llI yori'dpick up thal- lel ' e vsah, I ' j l2'z' . 2^t o t i =J-. l"' ,j j^:^?1 j l-:- a ;:"' --i J (J I fr. lljt'r , I l,l rt i| t| lr, Trl Amaj ? :-f Dmaj ? :l] t:l H+h ,'{{{ HIIfi . rt-..-t r.,^t t ? ,--t t r ' ',j- a--: i EJ1e t&':TL5/1; - I -L-l | *"t. ve"t'. 2 hcl, r(^ co0d,oh' rq,6 rsrTr Nrlo Aqr|.r vucrrl0 d o Jn M lNroeponllro r\!P roN \e* vo+ Nw A,l tro \ ro-r'c usr d d c. oocddr rh'd 0 vu r'' oeeoqA 1111 1",r,n. ,0""' ..pr' qh' s" Bm F# |tfi-nffi ++ti the same,don'l you rc - a- Ine the lhinqs- we did,we did Bm c{m D FIE crE H+ffi FUfl ffi -3- jusl canl be lieve-, .-r:- D Dma.i? Amaj 7 Dmaj 7 D ffi FHt il lang.- E Flm FIm ffi Fffi ffi ffi H+fl Hffi H+t Ft+f doowah doo lang.- F$m ffi Ffffl Fade (aftet 3td verc) GE ffi FFq ^ F*n b,s) D Flm tEx ffi I:m Fffi m ffi mrn Ffl+ H+TH 3. 0. K., E A{dim Bm FM ffi lat' lle long . er, Bm D ffi ffi ffi FI+H Hf+t1 Fl+l lel rt nng_ r0r oh hoh DT'j7 ROCKARIA! JEFFIYNNE Mod€rat€ly, with motion D Bm t]m ffi HI+H -J- simulaaeforcign ,, !-- J-- -i. copyiqhio 1976,1977UNITED AST|SIS MUSIC LTo aid JEIMUSIC |NCoRPoRArEo A||rishi iorihe u sA md caEdardmiiis&@d bv UNAFT Muslc CoFPoRAT]oN New Yort' Nv ReseMd 217Z Inlsnarionalcopynghrsmsed Madein u sA al Fshrs l9 right D I]@ ffi yeah, I'm, read hey, Are You rcad Ffm ffi ire+il rcal. ly son na rock lo. nighll show you how to rcck ry:1= D ffi ffi f+++E Sweel la dy sinss 2112 like sons bnd, she sin$s the me at the 0p ta G7 ffitffi 8ut she ain'i D ffi +H+l no, She ain't tedd Bm t:El rflE aint qon na rock and gon na show you how to sing-- oo LI][t t .ttf l H+iF lays down a tune. And Ver di's al ways creep In D Bm ffiffi ffiH D lla l]E G D ffi ffi f++f+l G D Emz ffi ffi wFl G D trm? ffi ffi ffii+l 2772 .D G D Em7 ffi ffi Hffi] ftl+tl ffi +H+ Fll+l Jusl to the op ?a T G D EI'].? Httr ffi ffi f]+ul Bm rrns) G EE] ffi s#fi D ffi -9 00. ====f I f 2a MISSION(A WorldRecord) JTFf TYNNE Slowly Bm EM man . y daYs we trav eled r{n G r{- IIm t:::E l+lr ll Ft++ Bm Lrin :::f I flfE F:+l tlllt Bm tr# - andlloat-inq o Copyiqhrii') ls76 l97r LINITEDABTSTS MUSrc LTD !nd JETM!S C NC0RP0RAIE0 A l isht; lo, rheu sa andcrrda admn *md bv UNARIMUS C CoRPoFAI0N NewYorN N Y dtrmrdEtc0pynshl s{rcd ftdemusa A Pqrlsfreseded F*m I{m [rm ffiffi c1+l #H soft ly througha Bulwhen you rouLh downLhings lo0. drt lle irhe'e And some0ne's sing . inq from a win .dow G $t+l trtll] Ftlr H#',C a G F.l7 t+t++? t+ttu Bm D trIE tffiffi Wl'o de you who .m la "ad 2ll2 Gm6 D Gm6 Eb7 ETE ffi tffi ffil How'slile on earth? D7 Eb7 D7 Eb7 ffi cr][n ffi tml ffil F1++ Ffl +1 D7 Eb7 D7 H{1 ffi HHiffi tffl cy ting ?rs down on /----:> :: =_ l -''f lic-? r t_ I tTlT+r r | {1+m f #o"a ,'7----"'- 2. Gm7 Bm m FIIIl] f,Fp --'---l---- G r{- ffit-- gE q++l Bm G n:tli rffi t1#1 2772 G t++l+t Bm citTr Who are you and- who am l? Gmo ffitl a:\ SOFINE JIFF LYNNE Moderately, with a beat c G D Gt- H+l ffig tfit+ Ffl H+IN G D rllTl-r t+1llJ ffi E D ffi G D ffifl ffi t++t? Copydqhr(-i 1976,19r7 UN IED aRTISTS MlS CLTD €nd JET MUS C NC0RPoRATE0 Alrdh6torrheUSAand Canada admnislered bvUNARI MlS CCoRPoRATIoN NewYorl,NY 2772 ntemdionaCopyright Secured E E Flm? ffi :ffi ffil ffil ffiffi cl+t H:$: wl fF+f w r{+n - E qll+ffi E fttttl ditl sing ,,,---__a:> F{m E I{m clltr FT] i=tTl tl;f,] Whensum.mer breez .
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  • Electric Light Orchestra Eldorado - a Symphony by the Electric Light Orchestra Mp3, Flac, Wma

    Electric Light Orchestra Eldorado - a Symphony by the Electric Light Orchestra Mp3, Flac, Wma

    Electric Light Orchestra Eldorado - A Symphony By The Electric Light Orchestra mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop / Classical Album: Eldorado - A Symphony By The Electric Light Orchestra Country: US Released: 1974 Style: Symphonic Rock MP3 version RAR size: 1665 mb FLAC version RAR size: 1287 mb WMA version RAR size: 1791 mb Rating: 4.6 Votes: 754 Other Formats: AHX APE TTA MP3 MP2 RA MMF Tracklist A1 Eldorado Overture 2:12 A2 Can't Get It Out Of My Head 4:26 A3 Boy Blue 5:17 A4 Laredo Tornado 5:26 A5 Poorboy (The Greenwood) 2:56 B1 Mister Kingdom 5:50 B2 Nobody's Child 3:40 B3 Illusions In G Major 2:36 B4 Eldorado 5:20 B5 Eldorado - Finale 1:20 Companies, etc. Phonographic Copyright (p) – United Artists Records, Inc. Mastered At – The Mastering Lab Pressed By – Columbia Records Pressing Plant, Terre Haute Manufactured By – United Artists Records, Inc. Published By – Yellow Dog Music, Inc. Copyright (c) – Jeff Lynne Music Ltd. Copyright (c) – Carlin Music Corp. Recorded At – De Lane Lea Studios Credits Arranged By, Conductor [Orchestra] – Louis Clark Arranged By, Piano, Synthesizer [Moog], Guitar, Backing Vocals – Richard Tandy Art Direction – John Williams Bass – Michael de Albuquerque* Cello – Hugh McDowall*, Michael Edwards* Design [Album Design] – John Kehe Drums, Percussion – Bev Bevan Engineer [Assistant Engineer] – Mike Pela Engineer [Recording Engineer] – Dick Plant Guitar, Vocals, Synthesizer [Moog], Backing Vocals, Arranged By, Words By, Music By, Producer – Jeff Lynne Photography By [Photograph] – Norman Seeff Violin – Mik Kaminski Voice [Prologue Spoken By] – Peter Ford-Robertson Notes Columbia, Terre Haute pressing denoted by "T" and "T2" etches in runouts.
  • At All) Retrospective by GREG SHAW Leftto Right: Bev Bevan, Jeff Lynne, and Roy Wood

    At All) Retrospective by GREG SHAW Leftto Right: Bev Bevan, Jeff Lynne, and Roy Wood

    IN my more than eighteen years as a rock mous publicity which followed succeeded in duplicate the sound of anybody they want to fan, I have never encountered a musical making the Move heroes of the emerging (as they proved in California Man, a dead group with a history more confused, more London underground. ringer for a Jerry Lee Lewis song), but pre- singular, than that of the Move. They are During the ensuing months they were to fer to synthesize their own in songs that, for unique. Their sound is the essence of the be seen as one of the resident house bands at alltheir eclectic influences, can only be, Seventies -a dense, molten mixture, burst- the Marquee Club, dressed to the hilt in unmistakably and unforgettably, products of ing with trace elements of every stylistic paisleys and Day-Glo. They were one of the the Move. ingredient in popular music's lastfifteen first groups to be signed to the Decca label's But in 1968 the trend was to wear torn years, the whole poured over a foundation new psychedelic subsidiary Deram (the first Levis and play the blues for FM radio con- of timeless rock archetypes. They are the was Cat Stevens), but by the time their first sumption. By then the Move had almost two ultimate synthesis of commercial pop, heavy album appeared, in early 1968, they were years of solid accomplishment behind them, metal, underground rock, and experimental working for another new label, Regal-Zono- but they didn'tfitthis new image; they engineering technology, the perfect setting phone.