Jeff Lynne's Elo Announces 2018 U.S. Tour
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Entertain Ent 'Gatsby' a Spectacular Disappointment and a Case of Mistaken Identity Premonition Was Correct
Pa.ge 14, The Retriever, April 22, 1974 Entertain_ent 'Gatsby' a spectacular disappointment and a case of mistaken identity premonition was correct. Mia. For those planning to see the new Sam Waterston delivered a good (Gatsby for Tom), at the time of her Farrow, an appreciably better Daisy,' performance as Nick, but the ly released film version of The Great' death. was good, but Mia Farrow is Mia Gatsby, having been taken by' the . Robert Redford portraying the Farrow and a star actress she is not. novel, several words of caution: character appears to be so pathetic desperate Jay Gatsby is as credible Managing to convey Daisy that he is almost repulsive by the end prepare to be disappointed. The as John Wayne attempting the role of fairly well, there is still enough Paramount film, despite a $6.4 million of the movie. Bruce Dern as Tom-is Father Carras (Exorcist). Redford 'lacking in her "money-voiced another major example of poor budget and a reputable cast of himself realized the possibility of elegance" to make one feel that she casting; Tom Buchanan is supposedly character.s, falls short of portrayingi criticism of his part ;unfortunately his ,short-changes the role. a big, athletic, aggressive individual, the of the most widely ~yshque but Dern appears for' the most part ac~lalmed F. Scott Fitzgerald work., SImply e~ough the film's main ."Tartuffe" opens passive and beaten. pr?blem is following too closely to the novel. Much of the dialogue is lifted Without a doubt, the finest act verbatum from the novel, whict next at theater ing should be credited to Karen Black and Scott Wilson. -
The Electric Light Orchestra ELO 2 Mp3, Flac, Wma
The Electric Light Orchestra ELO 2 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: ELO 2 Country: Japan Released: 1973 Style: Classic Rock, Symphonic Rock MP3 version RAR size: 1614 mb FLAC version RAR size: 1966 mb WMA version RAR size: 1609 mb Rating: 4.5 Votes: 273 Other Formats: AAC MOD VQF VOC MP2 MOD RA Tracklist Hide Credits In Old England Town (Boogie No. 2) A1 6:49 Written-By – Jeff Lynne Momma A2 7:12 Written-By – Jeff Lynne Roll Over Beethoven A3 7:47 Written-By – Chuck Berry From The Sun To The World (Boogie No. 1) B1 8:14 Written-By – Jeff Lynne Kuiama B2 11:11 Written-By – Jeff Lynne Credits Bass, Vocals – Michael D'Albuquerque Cello – Colin Walker , Mike Edwards Design – Hipgnosis Percussion – Bev Bevan Synthesizer [Moog], Piano, Guitar, Harmonium, Vocals – Richard Tandy Violin – Wilf Gibson Vocals, Guitar, Synthesizer [Moog], Harmonium, Producer – Jeff Lynne Barcode and Other Identifiers Label Code: LC 1305 Rights Society: GEMA Other versions Category Artist Title (Format) Label Category Country Year SHVL 806, The Electric Light ELO 2 (LP, Album, Harvest, SHVL 806, UK 1973 OC064 o 05243 Orchestra* M/Print, Gat) Harvest OC064 o 05243 The Electric Light ELO 2 (LP, Album, SHVL 806 Harvest SHVL 806 UK 1973 Orchestra* Gat) Electric Light United Electric Light UA-LA040-F Orchestra II (LP, Artists UA-LA040-F US 1973 Orchestra Album, Gat) Records The Electric Light E.L.O. 2 (LP, FA 3003 Fame FA 3003 UK 1982 Orchestra* Album, RE) Electric Light Electric Light JZ 35533 Orchestra II (LP, Jet Records JZ 35533 US 1978 Orchestra Album, RE) Related Music albums to ELO 2 by The Electric Light Orchestra Yukio Yung - Jeff Lynne EP Electric Light Orchestra - Electric Light Orchestra II Electric Light Orchestra - The Electric Light Orchestra Electric Light Orchestra - Face The Music The Electric Light Orchestra - E.L.O. -
Every Purchase Includes a Free Hot Drink out of Stock, but Can Re-Order New Arrival / Re-Stock
every purchase includes a free hot drink out of stock, but can re-order new arrival / re-stock VINYL PRICE 1975 - 1975 £ 22.00 30 Seconds to Mars - America £ 15.00 ABBA - Gold (2 LP) £ 23.00 ABBA - Live At Wembley Arena (3 LP) £ 38.00 Abbey Road (50th Anniversary) £ 27.00 AC/DC - Live '92 (2 LP) £ 25.00 AC/DC - Live At Old Waldorf In San Francisco September 3 1977 (Red Vinyl) £ 17.00 AC/DC - Live In Cleveland August 22 1977 (Orange Vinyl) £ 20.00 AC/DC- The Many Faces Of (2 LP) £ 20.00 Adele - 21 £ 19.00 Aerosmith- Done With Mirrors £ 25.00 Air- Moon Safari £ 26.00 Al Green - Let's Stay Together £ 20.00 Alanis Morissette - Jagged Little Pill £ 17.00 Alice Cooper - The Many Faces Of Alice Cooper (Opaque Splatter Marble Vinyl) (2 LP) £ 21.00 Alice in Chains - Live at the Palladium, Hollywood £ 17.00 ALLMAN BROTHERS BAND - Enlightened Rogues £ 16.00 ALLMAN BROTHERS BAND - Win Lose Or Draw £ 16.00 Altered Images- Greatest Hits £ 20.00 Amy Winehouse - Back to Black £ 20.00 Andrew W.K. - You're Not Alone (2 LP) £ 20.00 ANTAL DORATI - LONDON SYMPHONY ORCHESTRA - Stravinsky-The Firebird £ 18.00 Antonio Carlos Jobim - Wave (LP + CD) £ 21.00 Arcade Fire - Everything Now (Danish) £ 18.00 Arcade Fire - Funeral £ 20.00 ARCADE FIRE - Neon Bible £ 23.00 Arctic Monkeys - AM £ 24.00 Arctic Monkeys - Tranquility Base Hotel + Casino £ 23.00 Aretha Franklin - The Electrifying £ 10.00 Aretha Franklin - The Tender £ 15.00 Asher Roth- Asleep In The Bread Aisle - Translucent Gold Vinyl £ 17.00 B.B. -
Jeff Lynne’S Elo Signs with Columbia...”
Jeff Lynne Jeffrey “Jeff” Lynne (born 30 December 1947) is an 1.2 1970–86: ELO English songwriter, composer, arranger, singer, multi- instrumentalist and record producer who gained fame in the 1970s as the leader and sole constant member of Main article: Electric Light Orchestra Electric Light Orchestra. In 1988, under the pseudonyms Otis Wilbury and Clayton Wilbury, he co-founded the Lynne contributed many songs to the Move's last two al- supergroup Traveling Wilburys with George Harrison, bums while formulating, with Roy Wood and Bev Be- Bob Dylan, Roy Orbison and Tom Petty. van, a band built around a fusion of rock and classi- After ELO’s original disbandment in 1986, Lynne re- cal music, with the original idea of both bands existing [5] leased two solo albums: Armchair Theatre (1990) and in tandem. This project would eventually become the Long Wave (2012). In addition, he began producing var- highly successful Electric Light Orchestra (ELO). Prob- ious artists, with his songwriting and production collab- lems led to Wood’s departure in 1972, after the band’s orations with ex-Beatles leading him to co-produce their eponymous first album, leaving Lynne as the band’s domi- [5] mid 1990s reunion singles "Free as a Bird" (1995) and nant creative force. Thereafter followed a succession of "Real Love" (1996). band personnel changes and increasingly popular albums: 1973’s ELO 2 and On the Third Day, 1974’s Eldorado and 1975’s Face the Music. By 1976’s A New World Record, Lynne had almost developed the roots of the group into 1 Musical career a more complex and unique pop-rock sound mixed with studio strings, layered vocals, and tight, catchy pop sin- gles. -
At All) Retrospective by GREG SHAW Leftto Right: Bev Bevan, Jeff Lynne, and Roy Wood
IN my more than eighteen years as a rock mous publicity which followed succeeded in duplicate the sound of anybody they want to fan, I have never encountered a musical making the Move heroes of the emerging (as they proved in California Man, a dead group with a history more confused, more London underground. ringer for a Jerry Lee Lewis song), but pre- singular, than that of the Move. They are During the ensuing months they were to fer to synthesize their own in songs that, for unique. Their sound is the essence of the be seen as one of the resident house bands at alltheir eclectic influences, can only be, Seventies -a dense, molten mixture, burst- the Marquee Club, dressed to the hilt in unmistakably and unforgettably, products of ing with trace elements of every stylistic paisleys and Day-Glo. They were one of the the Move. ingredient in popular music's lastfifteen first groups to be signed to the Decca label's But in 1968 the trend was to wear torn years, the whole poured over a foundation new psychedelic subsidiary Deram (the first Levis and play the blues for FM radio con- of timeless rock archetypes. They are the was Cat Stevens), but by the time their first sumption. By then the Move had almost two ultimate synthesis of commercial pop, heavy album appeared, in early 1968, they were years of solid accomplishment behind them, metal, underground rock, and experimental working for another new label, Regal-Zono- but they didn'tfitthis new image; they engineering technology, the perfect setting phone. -
Jeff Lynne's Elo Announces 2019 North American
JEFF LYNNE’S ELO ANNOUNCES 2019 NORTH AMERICAN SUMMER TOUR TICKETS AVAILABLE TO GENERAL PUBLIC STARTING OCTOBER 29 (Download here) (October 22, 2018) – After returning this summer with their first extensive North American tour since 1981, Jeff Lynne’s ELO is set to bring their outstanding live show to even more audiences with a 20-date summer 2019 tour. The trek, produced by Live Nation, will kick off June 20 in Anaheim, CA and travel across North America to cities liKe Vancouver, Nashville, Atlanta, Washington DC, Toronto, Philadelphia, NewarK, Detroit and Chicago before concluding in Pittsburgh, PA on August 1. American Express® Card Members can purchase ticKets before the general public beginning Wed, October 24 @ 10am local time, through Sun, October 28 @ 10pm local time. General ticKets will be available to the public on Mon, October 29 @ 10am local time. Please visit www.livenation.com for all details. Anticipation was at an all-time high surrounding their 10+ date North American tour this summer, with fan and critical acclaim pouring in: “Jeff Lynne’s ELO revives ‘70s symph-pop greatness… a brilliant catalog returns to U.S. stages and gives the strings-starved people what they want. The ELO catalog speaks for itself… and it was a glorious thing to behold… in a 19-song set that reprised the closest thing to truly Beatle-level pop the 1970s had to offer.” – Variety “Jeff Lynne’s ELO proves timeless & spectacular… When Lynne came out with the group, the crowd went wild. The show was loaded with virtually every top hit the band recorded. -
Smash Hits Volume 14
k. HSIKkmHHHH^H '•-'«s3s ^^^^IMP^™ FORTNIGHTLY %Mm* ," June 14-27 1979 25p ,,, %r BOOMTOWtf TUBES Words to the TOP SINGLES /.•*-*§ including r k » * <«#£. -* # A6 ** *•' ** * ..I \J*- * 1% It <* IfeM <?* *-V *° •a W^ I worked all through the winter Up The The weather brass and bitter I put away a tenner Each week to make her better Junction And when the time was ready We had to sell the telly By Squeeze on A&M Records Make evenings by the fire Her little kicks inside her I never thought it would happen This morning at 4.50 With me and a girl from Clapham I took her rather nifty Out on a windy common Down to an incubator That night I ain't forgotten Where thirty minutes later When she dealt out the rations She gave birth to a daughter With some or other passions Within a year a walker I said you are a lady She looked just like her mother Perhaps, she said, I may be If there could be another We moved into a basement And now she's two years older With thoughts of our engagement Her mother's with a soldier We stayed in by the telly She left me when my drinking * Although the room was smelly Became a proper stinging We spent our time just kissing The devil came and took me The Railway Arms we're missing From bar to street to bookie But love had got us hooked up No more nights by the telly And all our time it took up No more nights nappies smelling I got a job with Stanley Alone here in the kitchen He said I'd come in handy I feel there's something missing And started me on Monday I beg for some forgiveness So I had a bath on Sunday But begging's not my business I worked eleven hours And she won't write a letter And bought the girl some flowers Words and music by Chris Difford/Glenn Although I always tell her She said she'd seen a doctor Tilbrook. -
Electric-Light-Orchestra-A-New-World-Record-Songbook.Pdf
t. 8rv Bev;ir:. jr:(f Lynre . HughMrDowell . MelvynGale . Mik Kaminski RichardTandy ' KellyG roucutt -. ELECTRICLIGHT ORCHESTRA Sincethe Electric Light orchestra's debut album in 1972,the lnglish group led by guitar- ist, c0mposer,vocalist and songwriter Jeff Lynne, has been an innovatingfurce at everystep of theircareer. Begunas an experimenklattempt to usestrings and some classical influences in the contextof a rockand roll group,ELo has become one 0I the giantsof today'smusic scene, bothcommercially and artistically. Withtheir n€w album "A NewWorld Record," the group's lourth "gold" album in a row, coupledwith theirlast tour leaturinq sell-0uts across the UnitedStates, ELo's superstar credentialsare beyond question. "A NewWorld Record," released in 0ctoberof 1976,contains sone oI Lynne'smosl originalideas. 0n "TelephoneLine," a songabout a guytrying to calla girland perpetually gettingno answer.he usedthe soundtrom an Americanphone system. Fecording in Germany,he taped a ringingphone from six thousand miles away, and lhen Tandy re-created the soundon the moog.0n "Rockaria,"a song about 8n opera sinqer trying to singrock' he useda soDmnolrom the London0pera. "She really got otf on hearingher voice 0n a rock track,"says Lynne.other classical musicians have not been as involved.0nan earlierELo session,a string section slopped playing right in the middle of a song,because the clock had struckthe hour,and as unionmembers, they were playing strictly according t0 the rules Alsoon the newalbum is "DoYa." a re-makeof themost popular hit Jeffhad with The l\40ve in the U.S."l wantedt0 makeit anELo song," he says. Unlikemany olher English rock groups, ELo does not throwtelevision sets out ot windows,make embarrassing scenes in publicplaces or losetheir tempers irrationally at perfectstrangers. -
Jeff Lynne, Bev Bevan, Roy Wood, and Richard Tandy (Clockwise from Top Left), 1972
Jeff Lynne, Bev Bevan, Roy Wood, and Richard Tandy (clockwise from top left), 1972 2828 PERFORMERS THEY ASSIMILATE DIVERSE MUSICAL ELEMENTS AND EPOCHS ELOINTO A SEAMLESS POP WHOLE. BY PARKE PUTERBAUGH Imagine a marriage of tuneful, rocking pop songs with instruments from the symphonic realm, and you’ve got the blueprint for what made ELO one of the most popular groups of the 1970s and beyond. Jeff Lynne, ELO’s vocalist, guitarist, songwriter, co founder, and frontman, conceived of a rarefied musical sphere in which cellos coexisted with guitars, and where classically tinged progressive rock intersected with hook-filled, radio-friendly pop. The result: ELO’s boundary-breaking approach to rock that resonated with a global audience, both as a pop singles act and as album-oriented rockers with deep-track appeal. ELO can variously be described as a Beatles-esque pop band, a classic rock band, a classical- rock band, and an act whose sprightliest hits filled dance floors. 29 Bevan, Lynne, and Wood (from left) during ELO’s performance on the U.K.’s Top of the Pops, 1972 It takes a rare talent to achieve the success Lynne pool and London, but a few of the local “Brum Beat” has had with a band that included two cellos and a bands – notably the Moody Blues and the Spencer Davis violin along with a conventional array of guitar, key- Group – made significant impact beyond the city’s bor- boards, bass, and drums: ELO landed twenty songs in ders. In 1966, after stints in the Andicaps and the Chads, the U.S. -
Call the Midwife P
MARCH 2019 Programming Guide Call the Midwife P. 4 ViewFinder: Food for Thought - Food Allergies P. 18 Great Performances: Michael Bublé P. 9 Two getaways to the coast… Volume 43 · Issue 03 | March 2019 Oregon’s Coast, Carousels & Covered Bridges Water from the Wilderness 6 Days • June 23-28 • Walk in the steps of Lewis & Clark March 3 at 7:30PM • 2 nights each Astoria & Newport, overnight P. 7 Eugene, 12 meals and non-stop air included • Lewis & Clark History – Cape Disappointment, President & General Manager: David Lowe Josh Groban: In Concert from Fort Clatsop OnSix Production: Sara Yeffa, Lindsey Fiore, Madison Square Garden Chris Jacobs March 4 at 8PM • Ride the beautiful carousels in Seaside & P. 5 Albany, lunch on a Covered Bridge, Yaquina KVIE Board of Directors Board Chair: Frank Myers Head Lighthouse, Oregon Aquarium, Marine Secrets of the Dead: Board Vice Chair: Laura Lewis King Arthur’s Lost Kingdom Discovery Cruise on Newport Harbor Board Secretary: Roy Brewer March 27 at 10PM $2335 p.p./dbl.occ., $2650 single Board Treasurer: Cyril Shah P. 4 Tracy Beckwith Greg Larsen Dream In’ of Santa Cruz Jonathan Breslau, MD LeShelle May Cassandra Ferrannini Nancy Miller 3 Days • Sept. 10-12 • See the Santa Cruz Follies Hedy Govenar Michelle Odell • 2 nights at the Dream Inn, “The only Hotel on the beach” in Santa Cruz Ben Gumpert Brad Simmons President’s • Tickets to the Santa Cruz Follies – with a cast all 50+ years old Dr. Frederika Harmsen Erica Taylor • Roaring Camp Railroad, lunch at Poppy Ridge (3 inc. meals) Rick Heron R. -
The ELO Story
The ELO Story Jeff Lynne was born in industrial Birmingham, England, on December 30, 1947. He grew up in the then- new Shard End City Council housing estate, a high-density residential development built on the eastern edge of the city right after the Second World War, with his parents Philip and Nancy.1 He had a brother and two sisters.2 Lynne’s grandparents in his father’s side were vaudevillian performers.3 More than thirty years later, Lynne would pay tribute to his birthplace in the ELO song “All Over the World,” which mentions Shard End alongside other cities like London, Paris, Amsterdam, Rio de Janiero, and Tokyo. Lynne was a Brummie, a nickname for those blessed with the notoriously thick local Birmingham accent.4 Brummie is shorthand for Brummagem, the popular West Midlands way of pronouncing Birmingham.5 Brummie also has an unfortunate alternative dictionary definition: “counterfeit, cheap, and showy.”6 The accent, which not everyone in the city shares, has even been described as representing the least intelligent dialect in the British Isles.7 Lynne grew up listening to Del Shannon, Roy Orbison,8 Chuck Berry, and The Shadows records.9 His parents did not always approve. About Roy Orbison’s “Only the Lonely” playing on the radio, Jeff said “[t]hey were complaining that it was too sexy, or something, but that voice just made the hairs go up on my neck.”10 At age thirteen, Lynne attended a concert by Del Shannon at Birmingham Town Hall, and from that point on dedicated his life to music.11 He noticed immediately that live performances -
Ad Jeff Lynne Been Merely a Great Bandleader, Singer/Songwriter, Multi-Instrumentalist, Or Producer, His Place in the Pop Pantheon Would Be Secure
40 Years Str angeof MagıBc ad Jeff Lynne been merely a great bandleader, singer/songwriter, multi-instrumentalist, or producer, his place in the pop pantheon would be secure. But Lynne has excelled in all those areas, crafting four decades of great rock music Hdistinguished by irrepressible hooks, manic energy, and glorious production. Lynne grew up in Birmingham, England, where he made a splash as guitarist/vocalist and producer/songwriter for the Idle Race in the late ‘60s. In 1970, he joined the great British cult band Move, where he co-produced, wrote songs, sang, played guitar and keyboards. The same year, he co-founded the Electric Light Orchestra with Move bandleader Roy Wood. When Wood left to form a new group, Lynne assumed control of E.L.O., writing, producing, and singing hit after hit throughout the decade. Even today, it’s hard not to be bowled over by the impact and innovation of “Evil Woman,” “Mr. Blue Sky,” or “Strange Magic,” a song whose title perfectly summarizes the Lynne mystique. As E.L.O. wound down in the ’80s, Lynne was contacted by George Harrison to work with him on his album Cloud Nine . “We became great friends, and I had the greatest of times doing that album”, says Lynne. “It was while we were mak - ing the album that George suggested we should form a group. And to this day, George and me are the founding mem - bers of the Traveling Wilburys. A group I’m very proud to be in.” In 1990, Lynne unveiled his only solo album, Armchair Theatre , which was critically acclaimed.