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Paintings, WATERCOLOURS, DRAWINGS and PRINTS

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Paintings, WATERCOLOURS, DRAWINGS and PRINTS SECOND DAY’S SALE WEDNESDAY 30th JANUARY 2013 PAINTINGS, WATERCOLOURS, DRAWINGS AND PRINTS Commencing not before 2.00pm Pictures will be on view on: Saturday 26th January 9.00am to 1.00pm Sunday 27th January 2.00pm to 4.00pm Monday 28th January 9.00am to 5.15pm Tuesday 29th January 9.00am to 5.15pm Limited viewing on sale day Enquiries: Martin Scadgell Enquiries: Daniel Goddard Tel: 01392 413100 Tel: 01392 413100 Email: [email protected] Email: [email protected] 351 351 Laurie Taylor [19/20th Century] Reclining nude signed bottom right oil on canvas 54 x 110cm £250 - 350 352 • Romain de Tirtoff Erte [1882-1990] Melisande, from the Theatre Suite signed in pencil and inscribed AP along the bottom margin embossed serigraph print in colour from an artist’s proof edition of 50 published by Kane Fine Art Ltd image size 58 x 43cm. £250 – 350 352 78 353 • Sir William Russell Flint [1880 - 1969] Seated nude signed bottom left chalk drawing 24.7 x 19.7cm. 353 354 Albert Aublet [1851-1938] Le delicieux parfum signed bottom left mixed media watercolour en grisaille 38.5 x 30cm. £300 – 500 355 No Lot. 354 79 356 Circle of Angelica Kaufmann [1741-1807] An Allegory of Autumn; a lady holding a string of fruit in one hand and a bowl of apples standing by a large urn in a garden oil on canvas 76 x 59cm. £800 - 1200 Provenance: A Glasgow loan exhibition label verso, also a label inscribed ‘Glasgow Loan Exhibition in aid of The Royal Infirmary, lent by ..... worth, No.7, Title of Picture, Portrait of a C......., artist name Angelica Kaufman’ 356 357 Circle of Gustave Pope [1852-1910] Study of an elegant lady, full length standing, wearing a long silk dress with a dog at her side sketch in oils on board 34 x 21.5cm. £150 -250 357 80 358 • Noel Denholm Davis [1876-1950] ‘Red Riding Hood’; portrait of a young lady said to be Miss Butcher of Nottingham signed and dated 1901 top right oil on canvas 89.5 x 64cm. £600 - 800 358 359 Edward Radford [1831-1920] Portrait of a young lady three- quarter length standing wearing a silk gown with rose adornment, pearl necklace and holding a peacock feather fan signed bottom left watercolour 24.5 x 19.5cm. £400 - 600 359 81 360 English School 18th century Portrait of a clergyman, head and shoulders wearing a powdered wig oil on canvas oval, 71.5 x 58.5cm. £300 - 500 360 361 English School 18th century Portrait of a young lady, half- length seated with long fair hair and holding two cherries and a peach oil on canvas oval, 73 x 59cm £300 - 500 361 362 English School 18th century Portrait of a young lady, bust- length with long fair hair and wearing a pale blue dress oil on canvas oval, 68.5 x 58cm. £300 - 500 82 362 363 English School 19th century Portrait of a young lady, bust-length standing in a landscape, with plaited hair dressed with roses, wearing a pink lace dress oil on canvas 75 x 62cm, contained within a carved wood and gilded frame. £250 - 350 363 364 Catherine Gray [19th century] Portrait of three sisters in a Summer landscape, one holding a doll, another a rose signed and dated Catherine Gray June 28. ‘51 watercolour over pencil drawing, heightened with white 67 x 51cm, with arched top, unframed. £150 -250 365 No Lot 364 83 366 Follower of Sir Anthony Van Dyck Portrait of a young man wearing a broad brimmed hat, oil on board oval, 21 x 17cm. £150 - 200 366 367 Louis Alexandre [1759-1827] Miniature portrait of a gentleman, head and shoulders with close cropped hair and brown eyes wearing a brown coat, yellow waistcoat and white neckerchief signed lower right tondo, 7cm. Provenance: Maison Alphonse Giroux, Paris £400 - 600 367 368 T Robins [early 18th century] Portraits of a lady and a gentleman each half-length standing signed and dated T Robins Delin 1714 a pair of pencil drawings ovals, each 9.5 x 7.5cm, within contemporary moulded wood frames. £200 - 300 368 84 369 Attributed to Gustav Pope [fl.1852-1895] Portrait of a gentleman, bust-length signed and indistinctly dated Gustav Pope 1880 bottom right chalk drawing on coloured paper 42 x 36cm. £300 - 500 369 370 Felix Stone Moscheles [1833-1917] Portrait of a gentleman, head and shoulders signed and dated Mai 30 1871 bottom left oil on board 32 x 26.5cm. £200 - 300 370 371 English School Circa 1800 Portrait of a Naval officer in uniform holding a sword, half- length; with a companion portrait of a lady wearing a lace dress and holding a child a pair, oils on canvas ovals, each 30 x 23cm, unframed. [2] £300 - 500 371 85 372 Henry Gillard Glendoni [1852-1913] ‘A Tight fit’; a huntsman preparing for the day signed and dated 1877 bottom left oil on panel 35 x 24.5cm. £600 - 800 372 373 Attributed to Mrs Amy Godfrey [c.1900] ‘A Breezy Day’; two young girls walking in a landscape signed A.Godfrey bottom right oil on canvas 35 x 50cm, £200 - 300 373 374 J B Surgey [c.1851-1883] Three Friends at an old farm near Buckland in the Moor, Devonshire signed and dated 1865 bottom right further signed, inscribed with title and dated on a label attached to the reverse oil on panel 16 x 24cm. £250 - 350 374 86 375 Attributed to Nicholas Matthew Condy [1816-1851] Groom lunching in stable interior oil on panel 29 x 24cm. £500 - 700 375 376 Arnaldo Tamburini [1843-1908] ‘Off Duty’; a guardsman drinking from a flagon in an interior indistinctly signed oil on panel 36.5 x 28.5cm. £300 - 400 377 No Lot 376 87 378 Colonel Edmund Gilling Hallewell [1822-1869] Gibraltar watercolour over pencil heightened with white 67.5 x 89cm. £300 - 500 378 379 379 379 Colonel Edmund Gilling Hallewell [1822-1869] Niagara Falls with the old Terrapin Tower and Horseshoe Falls signed bottom right watercolour over pencil heightened with white 23.5 x 34cm, together with two other watercolours [3] 379 £400 - 600 88 Colonel Hallewell, Malta, 1863 Colonel Edmund Gilling Hallewell (1822-1869) was a career soldier, joining the 20th Regiment of Foot as a young ensign in 1839. He served with distinction in the Crimea, where he was Deputy Acting Quartermaster General of the Light Division at the battles of Alma, Inkerman and Sebastopol, and it was during the Crimean campaign that he became acquainted with the photographer, Roger Fenton, and is the subject of no less than four of Fenton’s tableaux of camp life. Hallewell was by this time a noted amateur artist, mainly of topographical subjects [see lots 378 and 379]. As Fenton’s early training was as an artist, the two were no doubt drawn together by their mutual interests, remaining in contact after the Crimean campaign, when Hallewell, by then a lieutenant colonel, was appointed Deputy Quartermaster General in Malta. That he maintained his interest in photography is manifest from the album offered here, and while on home leave in 1860, when he was confirmed as full colonel, he records in his diary (see lot 383) “I went to see the Fentons, he gave me some Photographs. He is also going to do the Photo from my mother’s portrait, which I left with him.” Fenton fulfilled his promise and Hallewell later records that on his return to Malta he sent him a case of oranges in gratitude. It is believed that the images of Bolton Abbey included in this album may have been the gift of Roger Fenton to Col. Hallewell. 89 380. Colonel Edmund Gilling Hallewell’s Photographic Album A mixed photographic album of the 1850s and 1860s, elephant folio, lacking front board and some leaves. Notable images include Colonel Hallewell DCMG, Malta, 1863. Portrait in full dress uniform. Titled in pencil below the image. Albumen print, 19.8 x 15.7cm (illustrated page 89). Sir George Brown and a portion of the Light Division Staff, a nine-man group portrait in civilian attire. (A soldier since 1806, Brown commanded the Light Division throughout the Crimean War). Albumen print, 24 x 29.5cm. (illustrated opposite). Bolton Abbey, the ruins of the cloister. An untitled large-scale salt print 26.5 x 37.5cm., from a paper negative (illustrated opposite). Near Bolton Abbey, Yorks. Titled in pencil below the image. Salt print, 18 x 25.5cm. The Strid, Bolton. Titled in pencil below the image. Salt print, 20.8 x 29cm. At Bolton Abbey, a woodland scene. Titled in pencil below the image. Salt print, 24 x 19cm. Gibraltar General view of town. Titled in pencil below the image. 2-plate panorama 20 x 45.5cm., Albumen prints. At Bolton Abbey, Yorks. Titled in pencil below the image. Salt print, 26 x 36.5cm (illustrated opposite). Bolton Abbey, Yorks, ruins of the priory. Titled in pencil below the image. Albumen print, 26.5 x 35.5cm. into rounded corners (illustrated opposite). Road at the back of the Hall, Bolton. Titled in pencil below the image. Albumen print, 29 x 36 cm., into arched corners (illustrated opposite). The album also contains over 120 other mainly albumen prints, but including a small number of salt prints (including further images of Bolton Abbey and its environs), varying sizes up to 30 x 24cm. Assorted images by amateur and commercial photographers, including Francis Bedford and James Robertson; subject matter being a variety of topographical, portrait and other subjects, (including Robertson: the Crimean war) and various locations in UK, Malta, Gibraltar and the Mediterranean.
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