SECOND DAY’S SALE
WEDNESDAY 30th JANUARY 2013
Paintings, WATERCOLOURS, DRAWINGS AND PRINTS
Commencing not before 2.00pm Pictures will be on view on: Saturday 26th January 9.00am to 1.00pm Sunday 27th January 2.00pm to 4.00pm Monday 28th January 9.00am to 5.15pm Tuesday 29th January 9.00am to 5.15pm Limited viewing on sale day
Enquiries: Martin Scadgell Enquiries: Daniel Goddard Tel: 01392 413100 Tel: 01392 413100 Email: [email protected] Email: [email protected] 351 351 Laurie Taylor [19/20th Century] Reclining nude signed bottom right oil on canvas 54 x 110cm £250 - 350
352 • Romain de Tirtoff Erte [1882-1990] Melisande, from the Theatre Suite signed in pencil and inscribed AP along the bottom margin embossed serigraph print in colour from an artist’s proof edition of 50 published by Kane Fine Art Ltd image size 58 x 43cm. £250 – 350
352 78 353 • Sir William Russell Flint [1880 - 1969] Seated nude signed bottom left chalk drawing 24.7 x 19.7cm.
353 354 Albert Aublet [1851-1938] Le delicieux parfum signed bottom left mixed media watercolour en grisaille 38.5 x 30cm. £300 – 500
355 No Lot. 354 79 356 Circle of Angelica Kaufmann [1741-1807] An Allegory of Autumn; a lady holding a string of fruit in one hand and a bowl of apples standing by a large urn in a garden oil on canvas 76 x 59cm. £800 - 1200
Provenance: A Glasgow loan exhibition label verso, also a label inscribed ‘Glasgow Loan Exhibition in aid of The Royal Infirmary, lent by ..... worth, No.7, Title of Picture, Portrait of a C...... , artist name Angelica Kaufman’
356
357 Circle of Gustave Pope [1852-1910] Study of an elegant lady, full length standing, wearing a long silk dress with a dog at her side sketch in oils on board 34 x 21.5cm. £150 -250
357 80 358 • Noel Denholm Davis [1876-1950] ‘Red Riding Hood’; portrait of a young lady said to be Miss Butcher of Nottingham signed and dated 1901 top right oil on canvas 89.5 x 64cm. £600 - 800
358
359 Edward Radford [1831-1920] Portrait of a young lady three- quarter length standing wearing a silk gown with rose adornment, pearl necklace and holding a peacock feather fan signed bottom left watercolour 24.5 x 19.5cm. £400 - 600
359
81 360 English School 18th century Portrait of a clergyman, head and shoulders wearing a powdered wig oil on canvas oval, 71.5 x 58.5cm. £300 - 500
360 361 English School 18th century Portrait of a young lady, half- length seated with long fair hair and holding two cherries and a peach oil on canvas oval, 73 x 59cm £300 - 500
361 362 English School 18th century Portrait of a young lady, bust- length with long fair hair and wearing a pale blue dress oil on canvas oval, 68.5 x 58cm. £300 - 500
82 362 363 English School 19th century Portrait of a young lady, bust-length standing in a landscape, with plaited hair dressed with roses, wearing a pink lace dress oil on canvas 75 x 62cm, contained within a carved wood and gilded frame. £250 - 350
363
364 Catherine Gray [19th century] Portrait of three sisters in a Summer landscape, one holding a doll, another a rose signed and dated Catherine Gray June 28. ‘51 watercolour over pencil drawing, heightened with white 67 x 51cm, with arched top, unframed.
£150 -250
365 No Lot 364 83 366 Follower of Sir Anthony Van Dyck Portrait of a young man wearing a broad brimmed hat, oil on board oval, 21 x 17cm. £150 - 200
366
367 Louis Alexandre [1759-1827] Miniature portrait of a gentleman, head and shoulders with close cropped hair and brown eyes wearing a brown coat, yellow waistcoat and white neckerchief signed lower right tondo, 7cm. Provenance: Maison Alphonse Giroux, Paris £400 - 600
367
368 T Robins [early 18th century] Portraits of a lady and a gentleman each half-length standing signed and dated T Robins Delin 1714 a pair of pencil drawings ovals, each 9.5 x 7.5cm, within contemporary moulded wood frames. £200 - 300
368
84 369 Attributed to Gustav Pope [fl.1852-1895] Portrait of a gentleman, bust-length signed and indistinctly dated Gustav Pope 1880 bottom right chalk drawing on coloured paper 42 x 36cm. £300 - 500
369 370 Felix Stone Moscheles [1833-1917] Portrait of a gentleman, head and shoulders signed and dated Mai 30 1871 bottom left oil on board 32 x 26.5cm. £200 - 300
370 371 English School Circa 1800 Portrait of a Naval officer in uniform holding a sword, half- length; with a companion portrait of a lady wearing a lace dress and holding a child a pair, oils on canvas ovals, each 30 x 23cm, unframed. [2] £300 - 500
371 85 372 Henry Gillard Glendoni [1852-1913] ‘A Tight fit’; a huntsman preparing for the day signed and dated 1877 bottom left oil on panel 35 x 24.5cm. £600 - 800
372
373 Attributed to Mrs Amy Godfrey [c.1900] ‘A Breezy Day’; two young girls walking in a landscape signed A.Godfrey bottom right oil on canvas 35 x 50cm, £200 - 300
373
374 J B Surgey [c.1851-1883] Three Friends at an old farm near Buckland in the Moor, Devonshire signed and dated 1865 bottom right further signed, inscribed with title and dated on a label attached to the reverse oil on panel 16 x 24cm. £250 - 350
374
86 375 Attributed to Nicholas Matthew Condy [1816-1851] Groom lunching in stable interior oil on panel 29 x 24cm. £500 - 700
375
376 Arnaldo Tamburini [1843-1908] ‘Off Duty’; a guardsman drinking from a flagon in an interior indistinctly signed oil on panel 36.5 x 28.5cm. £300 - 400
377 No Lot
376 87 378 Colonel Edmund Gilling Hallewell [1822-1869] Gibraltar watercolour over pencil heightened with white 67.5 x 89cm. £300 - 500
378
379
379
379 Colonel Edmund Gilling Hallewell [1822-1869] Niagara Falls with the old Terrapin Tower and Horseshoe Falls signed bottom right watercolour over pencil heightened with white 23.5 x 34cm, together with two other watercolours [3] 379 £400 - 600 88 Colonel Hallewell, Malta, 1863
Colonel Edmund Gilling Hallewell (1822-1869) was a career soldier, joining the 20th Regiment of Foot as a young ensign in 1839. He served with distinction in the Crimea, where he was Deputy Acting Quartermaster General of the Light Division at the battles of Alma, Inkerman and Sebastopol, and it was during the Crimean campaign that he became acquainted with the photographer, Roger Fenton, and is the subject of no less than four of Fenton’s tableaux of camp life. Hallewell was by this time a noted amateur artist, mainly of topographical subjects [see lots 378 and 379]. As Fenton’s early training was as an artist, the two were no doubt drawn together by their mutual interests, remaining in contact after the Crimean campaign, when Hallewell, by then a lieutenant colonel, was appointed Deputy Quartermaster General in Malta. That he maintained his interest in photography is manifest from the album offered here, and while on home leave in 1860, when he was confirmed as full colonel, he records in his diary (see lot 383) “I went to see the Fentons, he gave me some Photographs. He is also going to do the Photo from my mother’s portrait, which I left with him.” Fenton fulfilled his promise and Hallewell later records that on his return to Malta he sent him a case of oranges in gratitude. It is believed that the images of Bolton Abbey included in this album may have been the gift of Roger Fenton to Col. Hallewell.
89 380. Colonel Edmund Gilling Hallewell’s Photographic Album
A mixed photographic album of the 1850s and 1860s, elephant folio, lacking front board and some leaves.
Notable images include
Colonel Hallewell DCMG, Malta, 1863. Portrait in full dress uniform. Titled in pencil below the image. Albumen print, 19.8 x 15.7cm (illustrated page 89).
Sir George Brown and a portion of the Light Division Staff, a nine-man group portrait in civilian attire. (A soldier since 1806, Brown commanded the Light Division throughout the Crimean War). Albumen print, 24 x 29.5cm. (illustrated opposite).
Bolton Abbey, the ruins of the cloister. An untitled large-scale salt print 26.5 x 37.5cm., from a paper negative (illustrated opposite).
Near Bolton Abbey, Yorks. Titled in pencil below the image. Salt print, 18 x 25.5cm.
The Strid, Bolton. Titled in pencil below the image. Salt print, 20.8 x 29cm.
At Bolton Abbey, a woodland scene. Titled in pencil below the image. Salt print, 24 x 19cm.
Gibraltar General view of town. Titled in pencil below the image. 2-plate panorama 20 x 45.5cm., Albumen prints.
At Bolton Abbey, Yorks. Titled in pencil below the image. Salt print, 26 x 36.5cm (illustrated opposite).
Bolton Abbey, Yorks, ruins of the priory. Titled in pencil below the image. Albumen print, 26.5 x 35.5cm. into rounded corners (illustrated opposite).
Road at the back of the Hall, Bolton. Titled in pencil below the image. Albumen print, 29 x 36 cm., into arched corners (illustrated opposite).
The album also contains over 120 other mainly albumen prints, but including a small number of salt prints (including further images of Bolton Abbey and its environs), varying sizes up to 30 x 24cm. Assorted images by amateur and commercial photographers, including Francis Bedford and James Robertson; subject matter being a variety of topographical, portrait and other subjects, (including Robertson: the Crimean war) and various locations in UK, Malta, Gibraltar and the Mediterranean.
In addition, approximately 200 cartes de visite of British and European royalty, family, topographical, army officers various, Crimean war generals, etc., and a rare image of a white- bearded Roger Fenton c.1865. For a variant of this portrait by John Eastham of Manchester see All the Mighty World, The Photographs of Roger Fenton 1852-1860, Yale University Press, 2004, p.30.
£4000 - 6000
90 Sir George Brown and a portion of the Light Division Staff
Bolton Abbey; the ruins of the Cloister
At Bolton Abbey, Yorks
Bolton Abbey, Yorks: ruins of the Priory
Road at the back of the Hall, Bolton
Lot 380 91 381 John Edward Sache [1840-1882] The New Monument adjacent to the residency, Lucknow. Albumen print, c.1860s, 28.5 x 23cm., signed Sache and numbered 666 in the negative, mounted on an album page, together with four further leaves comprising the cantonment, with military parade; an informal group of enlisted men and NCOs; three officers at leisure, surrounded by camp servants; nine carte de visite portraits of soldiers unidentified by name and regiment. (5) £150 - 250
382 James Robertson [1813-1888] Two salt print photographs (i) The Fountain of Ahmed III, Constantinople. Salt print, 29 x 26.2cm, card mount. c.1853, signed Robertson in the negative. (ii) The Imperial Gate of the Seraglio, Constantinople. Salt print, 25 x 29.8cm card mount. c.1853, signed Robertson in the negative. [2] £150 - 250
383 The diaries of Col. Edmund Gilling Hallewell 1857 - 1865, covering the years of his posting in Malta as Deputy Quartermaster General, which lasted until his return to England and appointment as Commandant of the Royal Military College at Sandhurst, in 1863. The diaries are wide-ranging, covering army administration, family life (his wife and children were with him in Malta), friends, Hallewell’s monthly domestic accounts, and his own appalling sufferings from gout. The diaries provide a particularly rich anecdotal account of military life in the Mediterranean theatre at this critical period in European history, which includes the invasion of Italy by the emperor, Napoleon III, and the Risorgimento. £400 - 600
384-5. No Lots. 92 386 J King (19/20th century British School) Milford Sound, New Zealand signed and inscribed along the bottom watercolour heightened with white oval, 28 x 20cm, together with a companion watercolour, signed. [2] £80 - 120
386
387
387 Attributed to Charles Cooper Henderson [1803-877] Coaching party outside the Kings Arms Stables; The London Road a pair, watercolours each 7.5 x 11.5cm. (2) £400 - 600 387
93 388 J King (19/20th century British School) Laguna Helada Catamarca, Argentina; an extensive upland landscape with lake in the distance signed, inscribed and dated 1898 watercolour heightened with white 35.5 x 52cm, together with a companion watercolour signed 388 and dated 1900, 28 x 47cm. [2] £150 - 250
388
389 Carl Werner [1808-1894, German] View from a hilltop fortification across a plain to the sea signed and dated C Werner 1856 watercolour 26.5 x 48cm, arched top, unframed. £300 - 400
389
94 390 J King (19/20th century British School) Catamarca, Argentina; an upland landscape signed, inscribed and dated 1898 along the bottom watercolour, 15.5 x 27cm, together with two other larger watercolours, both signed and dated 1900. [3] £80 – 120
390
390
391 No Lot. 390
95 392 James Duffield Harding [1798-1863] Gypsy Girl inscribed top right watercolour 18 x 20.5cm, unframed. £250 - 350
392
393 James Duffield Harding [1798-1863] The Hirsh....Heidelberg initialled bottom right inscribed and dated June 21st 1841 bottom left pencil drawing heightened with white 24.5 x 30cm. £250 - 350
393
394 James Duffield Harding [1798-1863] Allahafigen, a ruined abbey inscribed bottom left, dated 1843 bottom right watercolour and crayon 24 x 32cm, unframed. £250 - 350
394
96 395 James Duffield Harding [1798-1863] The Quarries Opposite Norheim, figures in a cornfield in the foreground initialled and inscribed bottom right pencil and crayon 33.5 x 23.5cm, unframed. £250 - 350
395 396
396 James Duffield Harding [1798-1863] Neckarsteenach, figures by a ruined castle initialled, inscribed and dated 1841 bottom left watercolour and crayon 34.5 x 24cm, unframed. £250 - 350
397 James Duffield Harding [1798-1863] Nears...... stein, a path through rocks and trees initialled bottom right indistinctly inscribed bottom left pencil drawing 30 x 22cm, unframed £250 - 350 397
398 James Duffield Harding [1798-1863] Still life of jars, plates and candlesticks watercolour over pencil 12.5 x 10cm, unframed. £250 - 350
398
97 399 James Duffield Harding [1798-1863] Nombach, a chateau at the edge of a town initialled J.D.H and inscribed bottom left pencil and crayon 17.5 x 28.5cm, unframed. £250 - 350
399
400 James Duffield Harding [1798-1863] Old Quarries, Heidelberg inscribed and dated June 20th 1841 bottom right pencil drawing 24.5 x 33.5cm, unframed. £250 - 350
400
401 Attributed to Peter De Wint [1784-1849] Trees and cottage, a study watercolour 10 x 20cm. £200 - 300
Believed to have been authenticated by Sotheby’s in 1964 on behalf of William Norris Simm. 401 402 No Lot.
98 403 403 Benjamin Barker of Bath [1776-1838] Highland river view signed and dated Benj Barker 1791 bottom right watercolour 24 x 34cm, together with one other watercolour by the same hand. [2] £200 – 300
404 Attributed to George Clarkson Stanfield [1828-1878] Greenwich; figures on a quayside in the foreground watercolour 26 x 36.5cm. 404 £400 - 600
405 John Gendall [1790-1865] View on the Seine; figures in the foreground, a cathedral beyond watercolour heightened with bodycolour 21 x 29cm. £300 - 500
405 406 No Lot
99 407 Attributed to Nicholas Matthew Condy [1816-1851] Looe; two views of the harbour both inscribed pencil drawings each 26 x 35cm. [2] £120 - 180
407 (part)
408 Attributed to Nicholas Matthew Condy [1816-1851] Polperro; two views of the harbour both inscribed pencil drawings each 26 x 35cm. [2] £120 - 180
408 (part)
409 Attributed to Nicholas Matthew Condy [1816-1851] Stonehouse Pool inscribed, pencil drawing 26 x 35cm, together with three other drawings, two inscribed ‘from the Hoe’, the other ‘in Plymouth Sound’. [4] £250 – 350
410 No Lot
409 (part)
100 411 Attributed to Nicholas Matthew Condy [1816-1851] The Eddystone inscribed, pencil drawing 26 x 35cm, together with three other drawings, two inscribed ‘from the Hoe’, the other ‘in Plymouth Sound’. [4] £250 - 350
411 (part)
412 Attributed to Nicholas Matthew Condy [1816-1851] Mount Edgcombe from the Hoe inscribed, pencil drawing 26 x 35cm, together with two other drawings, inscribed ‘on Mount Edgcombe’ and ‘from Stonehouse Bridge’. [3] £200 - 300
412 (part)
413 • Claude Graham Muncaster [1903-1974] The Manchester Shipper in Manchester Docks signed and dated Jan 1953 bottom left further signed, inscribed and dated on the reverse monochrome watercolour 36 x 56.5cm, unframed, together with one other watercolour titled ‘Heavy Weather in the Bay’ and a drawing of a ‘steamer, schooner and trawler’, both signed. [3] £120 - 180 413
413 413 101 414 • Claude Graham Muncaster [1903-1974] Rochester and Chatham from Star Hill signed and dated Aug 1927 inscribed with title and dated on the reverse watercolour over pen and ink drawing 34 x 51cm unframed. £150 - 250
414
415 • Claude Graham Muncaster [1903-1974] Barges at Strood signed and dated Aug 1927 inscribed with title and dated on the reverse watercolour over pen and ink drawing 38 x 54cm, unframed. £150 - 250
415
416 • Claude Graham Muncaster [1903-1974] The Gear Room, H.M.S Rodney signed bottom left watercolour over pen and ink drawing 27 x 37cm, unframed. £120 - 180
417 No Lot.
416
102 418 418 419 • Mark R. Myers [b.1945] The Southampton Frigate off the Needles signed Mark Myers watercolour 35.5 x 54cm. £300 - 400
419 • Mark R. Myers [b.1945] The Marian of Padstow on Appledore Bar signed Mark Myers oil on canvas 39 x 54cm. £250 - 350
420 Attributed to John Wilson 420 Carmichael [1800-1868] An East Indiaman and other shipping in choppy seas off a foreland with prominent lighthouse oil on canvas 34.5 x 52.5cm £800 - 1200
421 J. Samaas [?] [19th century] Three masted clipper in heavy seas signed and dated 1863 bottom left oil on canvas 64 x 89cm. £600 - 800
421
103 422 Luigi M. Galea (1847 - 1914, Maltese) Approaching harbour in choppy seas signed and dated 1904 bottom left oil on board 38 x 64cm £400 - 600
423 G Gianni [19/20th century] The Grand Harbour, Malta 422 signed and indistinctly dated bottom right oil on paper laid down on board 16.5 x 41.5cm, unframed. £250 – 350
423
424 424 Girolamo Gianni [1837-1895] Alexandria, The lighthouse and fortifications, British Fleet offshore signed and dated 1882 lower left oil on canvas 32 x 64cm. £1200 - 1800 425 No Lot 104 426 James Baker Pyne [1800-1870] On the Nile oil on canvas 24 x 36cm. £500 - 700
426
427 Louis Alphonse Ernest Bouche [b.1823] Italian coastal landscape with fisherfolk on the shore, fishing craft and view to a town beyond signed bottom left oil on canvas 55 x 93cm. £250 - 350
427
428 Samuel Lawson Booth [1836-1928] Whitby signed and dated 1910 bottom right oil on canvas 39.5 x 59.5cm. £400 - 600
428
105 429 William Albert Clark [fl.1895-1930] ‘Lady Alice’; study of a bay mare in a landscape signed and dated W.A.Clark, R.A.S 1915 bottom right also inscribed ‘Lady Alice 2539 Bred by J.Ryder’ bottom centre oil on canvas 50 x 60cm. £500 - 700
430 George Edward Lodge [1860-1954] Lion and lioness in savannah landscape signed GE Lodge bottom left oil on board 429 24 x 38cm.
George Edward Lodge was born in Lincolnshire and educated by private tutors at home. He was a conservationist, artist and print maker and collaborated with Archibald Thorburn on Lord Lifords Birds of Northamptonshire. An accomplished taxidermist who worked on a number of specimens in the Natural History Museum and one of his last acts was to institute a trust fund for the publication 430 of original works in natural history. The first publication was The Birds of The British Isles by Dr David Bannerman for which Lodge painted 377 illustrations. £400 - 600
431 British School 19th century, signed AD Terrier, bone and butterfly on a sandy bank signed with initials and dated AD 1865 bottom right watercolour 28 x 37.5cm £800 - 1200
431 106 432 Circle of Henry Alken [19th century] A Fighting Cock oil on panel 17 x 13.5cm. £250 - 350
432
433 Circle of Simon van Den Berg [1812-1891] Cattle resting, view to shipping and a windmill beyond oil on canvas 34.5 x 43cm. £300 – 500
433
434 No Lot
107 435 Alfred Leyman [1856-1933] Gittisham signed bottom left watercolour 53.5 x 75cm. £300 - 500
435
436 Alfred Leyman [1856-1933] Cathedral Close, Exeter signed and dated 1914 bottom left watercolour 53.5 x 75cm. £300 – 500
437 No Lot
436
108 438 Attributed to William Payne [fl. circa 1776-1830] Teignmouth from the west; a view down to the town and along the coast, fishermen netting bass on the beach, a fish market in progress and shipping in the harbour watercolour 39.5 x 49.5cm, unframed. £400 - 600
438
439 British School 19th century Mackerel in the bay signed with a monogram CRH? watercolour 33 x 50cm. £300 - 500
439
440 • Emile Axel Krause [1871-1945] Near Ilfracombe, Devon Coast signed and inscribed bottom right watercolour 40 x 59.5cm. £250 – 350
440
109 441 Attributed to Alfred H Vickers [1853-1907] Summer landscape with figures and a thatched cottage in the foreground, distant view to hills beyond oil on canvas 29 x 44.5cm. £200 - 300
441
442 William Williams of Plymouth [1808-1895] View of Torbay signed and dated W.Williams Plymouth 1857 bottom right oil on board 21.5 x 49cm. £300 - 500
442
443 Frank Beswick [1881-1929] A Summer river landscape signed and dated 1892 bottom left watercolour 37 x 53.5cm £200 - 300
443
110 444 Marinus Adrianus Koekkoek [1807-1870] Figures resting in a landscape, view to a farm, windmill, village and spires beyond signed M.A.Koekkoek bottom right oil on canvas 44.5 x 55.5cm. £2000 - 3000
444 445 Amy Eliza Krause [early 20th centuy] Howth, Ireland; summer landscape with crofter’s cottage signed bottom left further signed and inscribed with the artist’s address in Clifton, Bristol on a label attached to the reverse oil on board 21.5 x 29.5cm. £200 - 300
445 446 John Rathbone Harvey [1866-1933] Figure and cattle in a Summer landscape signed bottom right oil on board 24 x 33.5cm. £200 - 300
446 111 448 Attributed to Henry Shayer [fl.1825-1864] Fishermen by a weir, view to a ruined castle beyond oil on canvas 67 x 88cm £600 - 800
448
449 English School 19th century An upland loch scene with fisherman in the foreground and cattle watering oil on canvas 85 x 146cm. £1000 - 1500
450 George F. Buchanan [mid 19th century British] Highland loch scenes a pair, both signed 449 oils on canvas each 59.5 x 90cm. [2] £250 - 350
450
112 451 James Orrock [1829-1913] View along a highland valley, cattle watering in the foreground signed and dated 1856 bottom left oil on canvas 55 x 74.5cm. £250 - 350
451
452 James Poole [1804-1886] Near Capel Curig, North Wales; figures by a river in the foreground signed bottom right inscribed with title on the reverse oil on canvas tondo, 80cm, unframed £250 - 350
452
453 William Widgery [1822-1893] A wooded river landscape with figures on a footbridge and a farm in the distance signed bottom left oil on board 33 x 43.5cm £300 - 500
453
113 454 William Williams of Plymouth [1808-1895] On The Erme, Ivy-bridge, Devonshire signed and dated W.Williams, Plymouth 1852 bottom right inscribed with title on the stretcher oil on canvas 54.5 x 68cm. £1000 – 1500
455 No Lot
454
456 Edmund Morison Wimperis [1835-1900] Moorland with rocky stream in the foreground and a shepherd on a pony in the distance signed with initials EMW bottom right oil on canvas 59 x 90cm £800 – 1200
457 No Lot
456
114 458 Circle of Jacob More [c.1740-1793] Rebecca and Eliezer at the Well, attendants close by a classical landscape beyond oil on canvas 70 x 92cm £1200 - 1800
458
459 Circle of John Rathbone [1750-1807] A river scene; fisherman on a bank in the foreground, castle on a hill and view to a town beyond oil on board 19 x 23.5cm. £250 – 350
459
460 Circle of George Mullins [fl.1756-1790, Irish] An upland river landscape, cattle watering in the foreground oil on canvas 29.5 x 38cm. £250 - 350
460
115 461 Manner of Melchior Hondecoeter [early 19th century] Peacock and other exotic fowl, view to an island and bay beyond oil on canvas 103 x 135cm. £1000 - 1500
116 462 Attributed to Roelof Van Vries [c.1631-1681, Dutch] A wooded landscape horseman with dog and figure on a path in the foreground traveller with pack mule beyond, cottage in the distance oil on panel 108 x 138cm. £6000 - 8000
Provenance: Sotheby’s 31st October, 2006 for £13000 Christies 10th December, 2004 for £16000 (as Roelof Van Vries signed lower left)
117 463 • Luke Piper [b.1966] Cottage Garden signed bottom right watercolour and bodycolour 54 x 72.5cm. £400 - 600
464 • Mary Martin [b.1951] River landscape signed and dated ‘94 bottom right oil on board 55 x 75cm. £250 - 350 463 465 • Mary Martin [b.1951] The Lane from Metherell in Sun and Shade - May signed and dated ‘04 bottom right oil on board 55 x 44cm. £200 - 300
466 • Keith Stuart Baynes [1887-1977] Sesimbra; a beach scene signed, inscribed and dated 1969 watercolour 37 x 27.5cm. 464 £200 - 300
465 466 118 467 • Keith Stuart Baynes [1887-1977] Figures, boats and palm trees on a beach signed watercolour 25 x 34cm. £200 - 300
Keith Stuart Baynes, N.E.A.C. [1887-1977]. Born in Reigate, Surrey and educated at Harrow School and Trinity College Cambridge. Studied at the Slade School 1912-1915, and after WWI became a member of the circle around the art critic Roger Fry and was 467 strongly influenced by French Post-Impressionism.
468 • Keith Stuart Baynes [1887-1977] The Tagus from Cacilhas signed and dated 1966 watercolour 27 x 37cm. £200 - 300
Exhibited: The Minories, Colchester, 50th Retrospective 1969 Worthing Art Gallery 1970 Provenance: Cambridge Fine Art
468
469 • Keith Stuart Baynes [1887-1977] Man on park bench signed and inscribed watercolour 16.5 x 27.5cm. £100 - 200
470 No Lot
469
119 471 • Jack Simcock [b.1929] Roofs, tree and figure in the foreground signed and dated ‘61 bottom left oil on board 59.5 x 75cm. £300 - 500
471 472 • Howard Hodgkin [b.1932] Day aquatint in colours signed and dated Hodgkin ‘74 AP bottom right 45.5 x 60.5cm, in a perspex frame £300 - 400
472 473 • Sine Mackinnon [1901-1996] La Trinite Sur Mer, Brittany oil on board 22.5 X 31.5cm. £300 - 500
Provenance: Alex, Reid & Lefevre Ltd., St James’s SW1
473 120 474 • Jose Christopherson [b.1914] Circus signed bottom right oil on canvas 91 x 30cm. £300 - 500
474
Jose Christopherson [b.1914] Born in Barton-on-Irwell. Studied 475 at Manchester College of Art and Design and London, most notably with Iain Macnab at the Grosvenor School of Modern Art. Much influenced by Marc Chagall and Christopher Wood. Appeared in group exhibitions put on by Lucy Wetheim and exhibited with the Manchester Group. The circus and the landscape were leading features of her pictures. Lived latterly in Vaud, Switzerland.
475 • Peter Alexandrovitch Nilouss [1869-1943] Sill life of hare, vegetables and bowl inscribed bottom right oil on canvas 61 x 37.5cm. £600 - 900 Provenance: Brought from Russia by the family of the vendor. 476
476 • John Anthony Park [1880-1962] St Ives; fisherfolk in a street signed JA Park bottom right oil on board 28 x 21cm. £250 - 350 477 • Alan Cotton [b.1936] The River Otter signed bottom right oil on canvas 59.5 x 44.5cm. £600 - 800
477 121 478 • Robert O Lenkiewicz [1941-2002] Denim jeans on a bed embossed studio stamp bottom right watercolour, pen and ink drawing 29.5 x 30cm. £400 - 600
Provenance: Lenkiewicz Studio Sale 12 April 2008, Bearnes, Exeter
478 479 • Robert O Lenkiewicz [1941-2002] Karen by the Window - Barbican signed and inscribed as titled pen, ink and watercolour drawing 29 x 22.5cm. £800 - 1200
479 122 480 • Robert O Lenkiewicz [1941-2002] Study/Girl with blonde hair signed twice and inscribed on the reverse oil on canvas 58 x 58cm. £8000 - 12000
123 481 • Robert O Lenkiewicz [1941-2002] Leather shoes and calipers signed LENKIEWICZ bottom right oil on board 56.5 x 59.5cm. £1500 – 2500
124 482 • Robert O Lenkiewicz [1941-2002] Mary oil on board 30 x 36cm. £1500 - 2500
482
483 • Robert O Lenkiewicz [1941-2002] Lisa Stokes Painting signed twice and inscribed on the reverse oil on canvas 61 x 61cm £3000 - 5000
483
125 484 • Robert O Lenkiewicz [1941-2002] The Bishop asleep on Red Chair signed bottom left oil on canvas 60 x 39.5cm. £8000 – 12000
Exhibited Project 1 Vagrancy 1974 126 Vagrancy Retrospective 1996 485 • Robert O Lenkiewicz [1941-2002] Anna at the Compton Studio signed twice and inscribed with title on the reverse further inscribed ‘Non Project Piece’ and marked with a yellow triangle oil on canvas 48.5 x 23cm. £6000 - 8000
127 INDEX OF ARTISTS
ARTIST LOT ARTIST LOT Alexandre, L. 367 Lodge, G.E. 430 Aublet, A. 354 Mackinnon, S 473 Barker (of Bath), B. 403 Martin, M. 464, 465 Baynes, K.S. 466 – 469 Moscheles, F.S. 370 Beswick, F. 443 Muncaster, C.G. 413 – 416 Booth, S.L. 428 Myers, M.R. 418, 419 Bouche, L.A.E. 427 Nilouss, P.A. 475 Buchanan, G.F. 450 Orrock, J. 451 Christopherson, J. 474 Park, J.A. 476 Clark, W.A. 429 Piper, L. 463 Cotton, A. 477 Poole, J. 452 Davis, N.D. 358 Pyne, J.B. 426 Flint, Sir W.R. 353 Radford, E. 359 Galea, L.M. 422 Robertson, J. 382 Gendall, J. 405 Robins, T. 368 Gianni, G. 423, 424 Sache, J.E. 381 Glendoni, H.G. 372 Samass, J. 421 Gray, C. 364 Simcock, J. 471 Hallewell, Col. E.G. 378 – 380 Surgey, J.B. 374 Harding, J.D. 392 – 400 Tamburini, A. 376 Harvey, J.R. 446 Taylor, L. 351 Hodgkin, H. 472 Tirtoff Erte, R. de 352 King, J. 386, 388, 390 Van Vries, R. 462 Koekkoek, M.A. 444 Werner, C. 389 Krause, A.E. 445 Widgery, W. 453 Williams (of Plymouth), Kruase, E.A. 440 442, 454 W. Lenkiewicz, R.O. 478 - 485 Wimperis, E.M. 456 Leyman, A. 435, 436
128 Our next major picture sale in Exeter on 24th April 2013 includes a private collection of
Modern British and St Ives Pictures and Sculpture
Paul Feiler [b.1918] Cornish Harbour signed and dated Feiler ‘53 bottom left oil on board 48 x 72.5cm
Provenance: The Leicester Galleries 1953 Estimate £30,000-£50,000
To discuss the sale of a single picture or a collection please call Dan Goddard or Martin Scadgell 01392 413100
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