University of Richmond UR Scholarship Repository Classical Studies Faculty Publications Classical Studies 2018 Epic Performance through Invenção de Orfeu and ‘An Iliad:’ Two Instantiations of Epic as Embodiment in the Americas Patrice Rankine University of Richmond,
[email protected] Follow this and additional works at: https://scholarship.richmond.edu/classicalstudies-faculty- publications Part of the Classical Literature and Philology Commons Recommended Citation Rankine, Patrice. "Epic Performance through Invenção de Orfeu and ‘An Iliad:’ Two Instantiations of Epic as Embodiment in the Americas." In Epic Performances from the Middle Ages into the Twenty-First Century, edited by Fiona Macintosh, Justine McConnell, Stephen Harrison, and Claire Kenward, 389-403. New York: Oxford University Press, 2018. This Book Chapter is brought to you for free and open access by the Classical Studies at UR Scholarship Repository. It has been accepted for inclusion in Classical Studies Faculty Publications by an authorized administrator of UR Scholarship Repository. For more information, please contact
[email protected]. 27 Epic Performance through Invenrao de Orfeu and An Iliad Two Instantiations of Epic as Embodiment in the Americas Patrice Rankine For classical epic, the body is a problem: an absence, a barrier to the modern audience's full participation. That is, we know from our reading of ancient texts that epic performance was a communal, embodied affair. In addition to the examples of Phemius and Demodocus from the Odyssey, Odysseus and Achilles in the Iliad are storyteller and singer respectively too, embodiments of a long-standing cultural institution ubiquitous in the poems.1 Performers in this context represent values of an immediate audience that is physically present.