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2 the Assyrian Empire, the Conquest of Israel, and the Colonization of Judah 37 I
ISRAEL AND EMPIRE ii ISRAEL AND EMPIRE A Postcolonial History of Israel and Early Judaism Leo G. Perdue and Warren Carter Edited by Coleman A. Baker LONDON • NEW DELHI • NEW YORK • SYDNEY 1 Bloomsbury T&T Clark An imprint of Bloomsbury Publishing Plc Imprint previously known as T&T Clark 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com Bloomsbury, T&T Clark and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2015 © Leo G. Perdue, Warren Carter and Coleman A. Baker, 2015 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Leo G. Perdue, Warren Carter and Coleman A. Baker have asserted their rights under the Copyright, Designs and Patents Act, 1988, to be identified as Authors of this work. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury or the authors. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: HB: 978-0-56705-409-8 PB: 978-0-56724-328-7 ePDF: 978-0-56728-051-0 Library of Congress Cataloging-in-Publication Data A catalogue record for this book is available from the British Library. Typeset by Forthcoming Publications (www.forthpub.com) 1 Contents Abbreviations vii Preface ix Introduction: Empires, Colonies, and Postcolonial Interpretation 1 I. -
A Retrospective of Sculpture by CLOSE PROXIMITY: Neil Goodman
PRESENTS CLOSE PROXIMITY: A Retrospective of Sculpture by Neil Goodman Contents Introduction ............................. 10 Foreword ..................................19 Artist’s Statement ..................... 33 PRESENTS Interview ................................. 38 Neil Goodman Biography .......... 48 CLOSE PROXIMITY: Artwork Plates ......................... 50 A Retrospective of Sculpture by Founded in 1981 with the mission of “making art a part of everyday life”, the Museum of Outdoor Arts (MOA) is a forerunner in the placement of site-specific sculpture in Colorado. Our art collection is located at public locations throughout the Denver metro area. From commercial office parks to botanic gardens, city parks and traditional sculpture gardens; art is placed to interpret space as Neil Goodman “a museum without walls.” MOA also curates indoor galleries and hosts world-class art exhibitions and educational programs. Please visit our website to learn more about MOA. MOAonline.org MOA INDOOR GALLERY Follow Us @OutdoorArts 1000 Englewood Parkway, Second Floor, Englewood, CO 80110 Exhibiting September 15 – November 17, 2018 OUTDOOR INSTALLATION AT WESTLANDS PARK All photography by 5701 South Quebec Street, Greenwood Village, CO 80111 Heather Longway Exhibiting September 2018 – August 2019 2 CLOSE PROXIMITY: A Retrospective of Sculpture by Neil Goodman MOA, September 15 - November 17, 2018 3 4 CLOSE PROXIMITY: A Retrospective of Sculpture by Neil Goodman MOA, September 15 - November 17, 2018 5 6 CLOSE PROXIMITY: A Retrospective of Sculpture by Neil Goodman MOA, September 15 - November 17, 2018 7 8 CLOSE PROXIMITY: A Retrospective of Sculpture by Neil Goodman MOA, September 15 - November 17, 2018 9 INTRODUCTION retrospective exhibition. We all became fast the massive sculptures frame the landscape. friends and enthusiastic collaborators. -
Frank O'hara's Oranges : Poetry, Painters and Painting
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2001 Frank O'Hara's oranges : poetry, painters and painting. Karen Ware 1973- University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Recommended Citation Ware, Karen 1973-, "Frank O'Hara's oranges : poetry, painters and painting." (2001). Electronic Theses and Dissertations. Paper 1531. https://doi.org/10.18297/etd/1531 This Master's Thesis is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. FRANK O'HARA'S ORANGES: Poetry, Painters and Painting By Karen Ware B.A., Spalding University, 1994 A Thesis Submitted to the Faculty of the Graduate School of the University of Louisville In Partial Fulfillment of the Requirements For the Degree of Master of Arts Department of English University of Louisville Louisville, Kentucky August 2001 FRANK O'HARA'S ORANGES: Poetry, Painters and Painting By Karen Ware B.A., Spalding University, 1994 A Thesis Approved on by the following Reading Committee: Thesis MrectO'r 11 DEDICATION This thesis is dedicated to Clare Pearce, because I promised, and to Kyle, through all things. III ACKNOWLEDGMENTS Many amazing individuals have taken a seat in the roller coaster construction of this long-awaited project. -
Final Report of the Return to Flight Task Group
Return to Flight Task Group Final Report July 2005 Final Report of the Return to Flight Task Group Assessing the Implementation of the Columbia Accident Investigation Board Return-to-Flight Recommendations July 2005 Final Report of the Return to Flight Task Group On the Front Cover The STS-114 patch design signifies the return of the Space Shuttle to flight and honors the memory of the STS-107 Columbia crew. The blue Shuttle rising above Earth’s horizon includes the Columbia constellation of seven stars, echoing the STS-107 patch and commemorating the seven members of that mission. The crew of STS-114 will carry the memory of their friends on Columbia and the legacy of their mission back into Earth orbit. The dominant design element of the STS-114 patch is the planet Earth, which represents the unity and dedication of the many people whose efforts allow the Space Shuttle to safely return to flight. Against the background of the Earth at night, the blue orbit represents the International Space Station (ISS), with the EVA crewmembers named on the orbit. The red sun on the orbit signifies the contributions of the Japanese Space Agency to the mission and to the ISS program. The multi-colored Space Shuttle plume represents the broad spectrum of challenges for this mission, including Orbiter inspection and repair experiments, and bringing supplies to the International Space Station. (Courtesy of NASA) On the Title Page Discovery heads for the International Space Station during the STS-114 return-to-flight launch on July 26, 2005. On the Back Cover The seven stars of the Columbia constellation are in memory of the crewmembers lost on STS-107. -
Days & Hours for Social Distance Walking Visitor Guidelines Lynden
53 22 D 4 21 8 48 9 38 NORTH 41 3 C 33 34 E 32 46 47 24 45 26 28 14 52 37 12 25 11 19 7 36 20 10 35 2 PARKING 40 39 50 6 5 51 15 17 27 1 44 13 30 18 G 29 16 43 23 PARKING F GARDEN 31 EXIT ENTRANCE BROWN DEER ROAD Lynden Sculpture Garden Visitor Guidelines NO CLIMBING ON SCULPTURE 2145 W. Brown Deer Rd. Do not climb on the sculptures. They are works of art, just as you would find in an indoor art Milwaukee, WI 53217 museum, and are subject to the same issues of deterioration – and they endure the vagaries of our harsh climate. Many of the works have already spent nearly half a century outdoors 414-446-8794 and are quite fragile. Please be gentle with our art. LAKES & POND There is no wading, swimming or fishing allowed in the lakes or pond. Please do not throw For virtual tours of the anything into these bodies of water. VEGETATION & WILDLIFE sculpture collection and Please do not pick our flowers, fruits, or grasses, or climb the trees. We want every visitor to be able to enjoy the same views you have experienced. Protect our wildlife: do not feed, temporary installations, chase or touch fish, ducks, geese, frogs, turtles or other wildlife. visit: lynden.tours WEATHER All visitors must come inside immediately if there is any sign of lightning. PETS Pets are not allowed in the Lynden Sculpture Garden except on designated dog days. -
Crisis Intervention Services
CRISIS INTERVENTION SERVICES Milwaukee County Department of Health & Human Services MILWAUKEE COUNTY BEHAVIORAL HEALTH DIVISION Empowering safe, healthy and meaningful lives by ensuring that everyone gets connected to great behavioral health care. The Milwaukee County Behavioral Health Division (BHD) is the community’s connection point to vital, high-quality behavioral health care. We provide care and treatment to adults, adolescents, and children with mental illness, substance abuse disorders and co-occurring illnesses. It’s in our DNA to constantly and courageously push for better in our community because everyone in Milwaukee County deserves access to behavioral health services that can help them and change their lives. Because every single person deserves access to compassionate, quality care, no matter their ability to pay. milwaukee.gov/bhd Crisis Intervention Services connects residents who are experiencing a mental health or substance use crisis with meaningful services that can help them and change their lives. Milwaukee County Department of Health & Human Services The Crisis Line Is Available 24/7 414-257-7222 | Hearing-Impaired: 9-711 CRISIS INTERVENTION SERVICES PSYCHIATRIC CRISIS SERVICES (PCS)/OBSERVATION UNIT CRISIS RESOURCE CENTERS Crisis Line 414-257-7222 | Hearing-Impaired: 9-711 414-257-7260 | 9499 Watertown Plank Road 414-643-8778 | 2057 S. 14th St. 24 hours a day, 7 days a week 24 hours a day, 7 days a week 414-539-4024 | 5409 W. Villard St. 24 hours a day, 7 days a week OTHER IMPORTANT NUMBERS Individuals and family members who are facing a Personal crisis can happen at any time and without Through our partnership with the Milwaukee Center mental health or co-occurring crisis can speak with warning. -
113897 LASC Adventure Planner.Indd
Louisiana Art & Science Museum 2019- 2020 Educational Programs for Pre-Kindergarten–Grade 12 An Educator’s Guide to School Group Programming ❑ V Join us and discover how art & science shape Page 2 each other, our Planning Your Visit lives, and the world. Pages 3 - 4 Planetarium Shows Pages 5 - 7 Journey through the cosmos in the Irene W. Classes Pennington Planetarium, explore a mummy’s tomb, Page 8 Interactive and encounter a 65-million-year-old Triceratops skull. Educational Theater Our school group experiences can be transformative for your students because programs Page 9 build on one another, bridge disciplines, and create connections between objects, ideas, and Guided Tours & experiences. Participate in hands-on classes, immerse yourselves in extraordinary stories under Guided Explorations the planetarium dome, and discover the world through interpretation of art and museum objects in our galleries. Page 10 Exhibitions & Galleries Layered experiences open new worlds at the Louisiana Art & Science Museum. Our programs spark big ideas and give meaning to what your students learn. We have designed them to meet Page 11 your educational expectations, address Hands-On Galleries curriculum requirements, and foster a Page 12 lifelong love of learning. Please consider our Discovery Dome Special Fall Offer sample itineraries of layered programming on page 13 of this Adventure Planner. Page 13 Free 30-minute Guided Tour! Museum Store & We offer a wide range of educational Schedule any class, planetarium show, or Sample Itineraries interactive educational theater for the Fall programs for students in Pre-Kindergarten 2019 semester, and your group will receive through grade 12, including: Page 14 School Reservation one free 30-minute Guided Tour or Hands- • Hands-On Classes (1.5 hours) Request Form On Gallery experience of your choice. -
Operator's Manual M18 Porc M18™ Packout™ Radio +
OPERATOR'S MANUAL Cat. No. M18 PORC M18™ PACKOUT™ RADIO + CHARGER WARNING To reduce the risk of injury, user must read and understand operator's manual. IMPORTANT SAFETYre sulINSTt in the risk oRUf fire andC eleTIctricalONS shock. Make CHARGER SAFETY sure that the extension cord is in good electrical 1) This appliance is not intended for use by condition. persons (including children) with reduced physical, sensory or mental capabilities, or 13) USE ONLY RECOMMENDED ATTACHMENTS. lack of experience and knowledge, unless Use of an attachment not recommended or sold they have been given supervision or by the battery charger or battery pack manufac- turer may result in a risk of fire, electric shock or instruction concerning use of the appliance personal injury. by a person responsible for their safety. 14) UNPLUG CHARGER when not in use. Remove 2) Children should be supervised to ensure that battery packs from unplugged chargers. they do not play with the appliance. 15) TO REDUCE THE RISK OF ELECTRIC SHOCK, 3) Do not recharge 'primary batteries' always unplug charger before cleaning or main- (non-rechargeable batteries) tenance. Use a Residual Current Device (RCD) 4) SAVE THESE INSTRUCTIONS - THIS OP- to reduce shock hazards. ERATOR’S MANUAL CONTAINS IMPORTANT 16) STORE YOUR BATTERY PACK AND CHARGER SAFETY AND OPERATING INSTRUCTIONS in a cool, dry place. Do not store battery pack FOR MILWAUKEE® LI-ION M18™ RADIO where temperatures may exceed 50°C (120°F) + CHARGER. such as in direct sunlight, a vehicle or metal build- 5) BEFORE USING, READ THIS OPERATOR’S ing during the summer. -
Kindred and a Canticle for Leibowitz As Palimpsestic Novels Sue Vander Hook Minnesota State University - Mankato
Minnesota State University, Mankato Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato Theses, Dissertations, and Other Capstone Projects 2011 Kindred and A Canticle for Leibowitz as Palimpsestic Novels Sue Vander Hook Minnesota State University - Mankato Follow this and additional works at: http://cornerstone.lib.mnsu.edu/etds Part of the History Commons, and the Modern Literature Commons Recommended Citation Vander Hook, Sue, "Kindred and A Canticle for Leibowitz as Palimpsestic Novels" (2011). Theses, Dissertations, and Other Capstone Projects. Paper 111. This Thesis is brought to you for free and open access by Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in Theses, Dissertations, and Other Capstone Projects by an authorized administrator of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Kindred and A Canticle for Leibowitz as Palimpsestic Novels By Sue Vander Hook A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts In English Studies Minnesota State University, Mankato Mankato, Minnesota May 2011 Kindred and A Canticle for Leibowitz as Palimpsestic Novels Sue Vander Hook This thesis has been examined and approved by the following members of the thesis committee. John Banschbach, PhD, Chairperson and Advisor Anne O’Meara, PhD, Committee Member © Copyright by Sue Vander Hook April 8, 2011 All Rights Reserved An Abstract of the Thesis of Sue Vander Hook for the degree of Master of Arts in English Studies Presented April 8, 2011 Title: Kindred and A Canticle for Leibowitz as Palimpsestic Novels ________________________________________________________________________ This thesis is an investigation of a possible new categorization under the speculative fiction umbrella—a genre called palimpsestic novels. -
Red Dragon Operations Manual 2013 Version E
RED DRAGON OPERATIONS MANUAL 2013 VERSION E RED DRAGON OPERATIONS MANUAL - Version E Issue Date: JULY 2013 PLEASE READ BEFORE USING. SEI INDUSTRIES LTD. 7400 Wilson Avenue Delta, B.C. Canada V4G 1E5 Phone: (604) 946-3131 Fax: (604) 940-9566 E-Mail: [email protected] Website: www.sei-ind.com COPYRIGHT © 2013 SEI INDUSTRIES LTD. ALL RIGHTS RESERVED PRINTED IN CANADA Red Dragon from SEI Industries 2013 Red Dragon Operations Manual (Version E) Table of Contents Section 1: Dragon System Overview 1 Dragon Eggs .................................................................................................................1 Red Dragon Dispenser .................................................................................................2 Operational Features ......................................................................................2 Safety Features ..............................................................................................2 Standard Components ....................................................................................3 Optional Components ...................................................................................11 Section 2: Operations 12 Pilot and Operator Responsibilities ............................................................................12 Pilot Duties and Responsibilities ..................................................................12 Operator Duties and Responsibilities ...........................................................13 Pre-Flight Procedures .................................................................................................13 -
Kindred Spirits: Stories of Sister Relationships
KINDRED SPIRITS: STORIES OF SISTER RELATIONSHIPS MELANIE L. MAUTHNER INSTITUTE OF EDUCATION UNIVERSITY OF LONDON A DISSERTATION SUBM11 1ED TO LONDON UNIVERSITY FOR THE DEGREE OF DOCTOR IN PHILOSOPHY APRIL 1998 1 Abstract This sociological study explores the construction of feminine subjectivities within biological sister relationships - a neglected, socially invisible tie. The qualitative research design, data collection and analysis are embedded in feminist standpoint theory and feminist post-structuralism. Sociological work in auto/biography is applied as a method for collecting and analysing sister life histories. Four methods were used to collect data from 37 women from varied class and ethnic backgrounds across six decades aged between 6 and 50 in the UK: a questionnaire; an Ecomap; a Flowchart; and a semi-structured depth interview. Five elements of the bond were documented: contact patterns, types of tie, factors affecting these ties, comparisons with female friendship, and changes over time. The data from 29 interviews were analysed through case studies, the auto/biographical method and grounded theory. A typology of four strands was developed to analyse the women's narratives: best friendship, close and distant companionship, the positioned and shifting positions discourses. Contact patterns between sisters were associated with forms of female friendship: some ties recalled the intensity of best friendship; others, the positive and negative aspects of distance and separateness of close and distant companionship. Sister ties evolve over time, moving from best friendship during girlhood to companionship in womanhood, or vice-versa. Change stems from circumstances external to the tie, and from internal shifts. These external changes - oscillating patterns of dependence and independence - are linked to turning-points and life events: changing school, acquiring and losing girlfriends and boyfriends, leaving home, starting work, divorce, bereavement, and mothering. -
The Sculpture of Jacques Lipchitz
The sculpture of Jacques Lipchitz Author Hope, Henry R. (Henry Radford), 1905- 1989 Date 1954 Publisher The Museum of Modern Art: Distributed by Simon & Schuster Exhibition URL www.moma.org/calendar/exhibitions/2913 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art The Sculpture of Jacques Lipchitz 96 pages; 100 plates $3.00 The Sculpture of Jacques Lipchitz BY HENRY R. HOPE No other sculptor of Lipchitz' generation can show such multifarious variety of style or so great a range of feeling. His art matured under the stimulus, and within the discipline, of cubism whose sculptural potentialities he brilliantly ex plored for over ten years. Since the thirties, his work has shown a vigor and eloquence which allies him with the tradition of Bernini and Rodin. Central to Lipchitz' evolution as an artist is the transition from the impersonal collective style of cubism to an art more personal in accent and theme. This transition is studied in detail by Mr. Hope, who gives special attention to his transparents, the revolutionary, small, open- form bronzes, cast in the difficult "lost wax" technique which marked the turning point in his own art and were to have widespread influence. In this first monograph on the artist in English, one hundred plates illustrate all periods of his career, including each of his major large-scale sculptures. Related drawings supplement the sculpture, and many small terracotta sketches document the original inspiration for several master works.