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The Artist and the American Land
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sheldon Museum of Art Catalogues and Publications Sheldon Museum of Art 1975 A Sense of Place: The Artist and the American Land Norman A. Geske Director at Sheldon Memorial Art Gallery, University of Nebraska- Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/sheldonpubs Geske, Norman A., "A Sense of Place: The Artist and the American Land" (1975). Sheldon Museum of Art Catalogues and Publications. 112. https://digitalcommons.unl.edu/sheldonpubs/112 This Article is brought to you for free and open access by the Sheldon Museum of Art at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sheldon Museum of Art Catalogues and Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME I is the book on which this exhibition is based: A Sense at Place The Artist and The American Land By Alan Gussow Library of Congress Catalog Card Number 79-154250 COVER: GUSSOW (DETAIL) "LOOSESTRIFE AND WINEBERRIES", 1965 Courtesy Washburn Galleries, Inc. New York a s~ns~ 0 ac~ THE ARTIST AND THE AMERICAN LAND VOLUME II [1 Lenders - Joslyn Art Museum ALLEN MEMORIAL ART MUSEUM, OBERLIN COLLEGE, Oberlin, Ohio MUNSON-WILLIAMS-PROCTOR INSTITUTE, Utica, New York AMERICAN REPUBLIC INSURANCE COMPANY, Des Moines, Iowa MUSEUM OF ART, THE PENNSYLVANIA STATE UNIVERSITY, University Park AMON CARTER MUSEUM, Fort Worth MUSEUM OF FINE ARTS, BOSTON MR. TOM BARTEK, Omaha NATIONAL GALLERY OF ART, Washington, D.C. MR. THOMAS HART BENTON, Kansas City, Missouri NEBRASKA ART ASSOCIATION, Lincoln MR. AND MRS. EDMUND c. -
Contemporary American Painting and Sculpture
AT UR8ANA-GHAMPAIGN ARCHITECTURE The person charging this material is responsible for .ts return to the library from which it was withdrawn on or before the Latest Date stamped below '"" """"""'"9 "< "ooks are reason, ™racTo?,'l,°;'nary action and tor di,elpl(- may result in dismissal from To renew the ""'*'e™«y-University call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN I emp^rary American Painting and Sculpture University of Illinois Press, Urbana, 1959 Contemporary American Painting and Scuipttfre ^ University of Illinois, Urbana March 1, through April 5, 195 9 Galleries, Architecture Building College of Fine and Applied Arts (c) 1959 by the Board of Trustees of the University of Illinois Library of Congress Catalog Card No. A4 8-34 i 75?. A^'-^ PDCEIMtBieiiRr C_>o/"T ^ APCMi.'rri'Ht CONTEMPORARY AMERICAN PAINTING AND SCULPTURE DAVID D. HENRY President of the University ALLEN S. WELLER Dean, College of Fine and Applied Arts Chairman, Festival of Contemporary Arts N. Britsky E. C. Rae W. F. Doolittlc H. A. Schultz EXHIBITION COMMITTEE D. E. Frith J. R. Shipley \'. Donovan, Chairman J. D. Hogan C. E. H. Bctts M. B. Martin P. W. Bornarth N. McFarland G. R. Bradshaw D. C. Miller C. W. Briggs R. Perlman L. R. Chesney L. H. Price STAFF COMMITTEE MEMBERS E. F. DeSoto J. W. Raushenbergcr C. A. Dietemann D. C. Robertson G. \. Foster F. J. Roos C. R. Heldt C. W. Sanders R. Huggins M. A. Sprague R. E. Huh R. A. von Neumann B. M. Jarkson L. M. Woodroofe R. Youngman J. -
Ku Po'e Ha'ole: Striving to Reach the Pu'uku: Claire Robinson Highest
A. A. A. K U p U NA EC SEQ HE S TE Q LEDG OFOURK U , L S Oc ober 22 - 29, 2006·Wa i i i Beac Marrio Reso an S a· onolu u a ari .,.. 2 Association of Hawaiian Civic Clubs P..O.Box 1135, Honolulu, Hawai'i 96807 Aloha Kakou, On behalf of the Board of Directors of the Association, I welcome you back to The Waikl'kl Beach Marriott Resort and Spa ·our home away from home". This is ourthird convention at this hotel. let us all reaoquaimourseNes with Waikl'kl' under the watchful eyes of our fOUnder, Prince Jonah KOhi6Kalaniana'ole as we welcome Lono-i-ka-makahiki at the start of the makahiki season, The Oahu CounCil has put together outstanding pre-oonvention activities for all to enjoy and to reconnect with our kOpOnaas we continue to strengthen the values of wisdom for the future... "Ho'ikabka waiwaina'auao 0 na 'aiM", There are some workshops and activities that are not in your brochure so please make note and try not to miss them. The Association continues to grow, even with the.merger of four clubs into two.1 We will charter at least three new dubs at this convention and reinstate the charter of the Lana'i Hawaiian Civic Club. Ho'omab'i, dubs who have increased your membership this yearl The AssociatiOn's Officers and Committee Chairs have worked hard all year, We held a successful Education Summit, completed an Economic Development Survey and sponsored a Puwalu NoNa.La' elua. This first Puwalu provided a forum for our distinguished KOpOna,. -
1856 1877 1881 1888 1894 1900 1918 1932 Box 1-1 JOHANN FRIEDRICH HACKFELD
M-307 JOHANNFRIEDRICH HACKFELD (1856- 1932) 1856 Bornin Germany; educated there and served in German Anny. 1877 Came to Hawaii, worked in uncle's business, H. Hackfeld & Company. 1881 Became partnerin company, alongwith Paul Isenberg andH. F. Glade. 1888 Visited in Germany; marriedJulia Berkenbusch; returnedto Hawaii. 1894 H.F. Glade leftcompany; J. F. Hackfeld and Paul Isenberg became sole ownersofH. Hackfeld& Company. 1900 Moved to Germany tolive due to Mrs. Hackfeld's health. Thereafter divided his time betweenGermany and Hawaii. After 1914, he visited Honolulu only threeor fourtimes. 1918 Assets and properties ofH. Hackfeld & Company seized by U.S. Governmentunder Alien PropertyAct. Varioussuits brought againstU. S. Governmentfor restitution. 1932 August 27, J. F. Hackfeld died, Bremen, Germany. Box 1-1 United States AttorneyGeneral Opinion No. 67, February 17, 1941. Executors ofJ. F. Hackfeld'sestate brought suit against the U. S. Governmentfor larger payment than was originallyallowed in restitution forHawaiian sugar properties expropriated in 1918 by Alien Property Act authority. This document is the opinion of Circuit Judge Swan in The U.S. Circuit Court of Appeals forthe Second Circuit, February 17, 1941. M-244 HAEHAW All (BARK) Box 1-1 Shipping articleson a whaling cruise, 1864 - 1865 Hawaiian shipping articles forBark Hae Hawaii, JohnHeppingstone, master, on a whaling cruise, December 19, 1864, until :the fall of 1865". M-305 HAIKUFRUIT AND PACKlNGCOMP ANY 1903 Haiku Fruitand Packing Company incorporated. 1904 Canneryand can making plant installed; initial pack was 1,400 cases. 1911 Bought out Pukalani Dairy and Pineapple Co (founded1907 at Pauwela) 1912 Hawaiian Pineapple Company bought controlof Haiku F & P Company 1918 Controlof Haiku F & P Company bought fromHawaiian Pineapple Company by hui of Maui men, headed by H. -
The Art Digest 1945-10-15: Vol 20 Iss 2
THE offs (=S5 am Sentimental Awarded Moment First Prize ’ by Philip Guston - of $1,000 at | " (Oil on Canvas, 1945 Carnegie : 1943) American Show i See Article on Page §& THE NEWS MAGAZINE OF ART eS ae ee WILDENSTEIN and co... MAU SEUM INC. | OF NON-OBJECTIVE PAINTING 24 EAST 54TH STREET NEW YORK CITY EXHIBITION OF CAMILLE PISSARRO HIS PLACE IN ART ror the Beet of MATTERN THE GODDARD NEIGHBORHOOD CENTER | Ky E AY SS 2 tf £ tt October 24 to November 24 19 East 64th Street, New York City Paris London | SOLOMON R. GUGGENHEIM FOUNDATION OPEN SUNDAYS 12-6 DAILY EXCEPT MONDAYS 10-6 WO ENTRANCE FEE DUVEEN BROTHERS, Inc. MASTERPIECES — OF PAINTING SCULPTURE PORCELAIN FURNITURE TAPESTRIES GOTHIC - RENAISSANCE EIGHTEENTH CENTURY New York - 720 Fifth Avenue the Salmagundi Club at which prizes are awarded those who PEYTON BOSWELL make the best record during American Art Week. I have attended several of these dinners, and have always come away Comments: with the feeling there should be prizes for everyone who has contributed time and thought to this worthy cause. This department expresses the personal opinion of Peyton Boswell, Jr., writing as an individual. Philadelphia’s Record Any reader is invited to take issue with what Oo" OF OUR MOST HUMAN TRAITS, perhaps sired of mental he says. Controversy revitalizes the spirit of art. laziness, is the tendency to judge groups by individuals. For example, because a certain museum finds it more con- Television in Color venient to dwell in the past, some of us fall into the habit i ans New York TiMEs on the morning of October 11 of using the words museum and mausoleum interchange- termed it a radio “miracle.” It did so advisedly, for the ably. -
Translating Revolution: U.S
A Spiritual Manifestation of Mexican Muralism Works by Jean Charlot and Alfredo Ramos Martínez BY AMY GALPIN M.A., San Diego State University, 2001 B.A., Texas Christian University, 1999 THESIS Submitted as partial fulfillment of the requirements for the degree of Doctor of Philosophy in Art History in the Graduate College of the University of Illinois at Chicago, 2012 Chicago, Illinois Defense Committee: Hannah Higgins, Chair and Advisor David M. Sokol Javier Villa-Flores, Latin American and Latino Studies Cristián Roa-de-la-Carrera, Latin American and Latino Studies Bram Dijkstra, University of California San Diego I dedicate this project to my parents, Rosemary and Cas Galpin. ii ACKNOWLEDGEMENTS My committee deserves many thanks. I would like to recognize Dr. Hannah Higgins, who took my project on late in the process, and with myriad commitments of her own. I will always be grateful that she was willing to work with me. Dr. David Sokol spent countless hours reading my writing. With great humor and insight, he pushed me to think about new perspectives on this topic. I treasure David’s tremendous generosity and his wonderful ability to be a strong mentor. I have known Dr. Javier Villa-Flores and Dr. Cristián Roa-de-la-Carrera for many years, and I cherish the knowledge they have shared with me about the history of Mexico and theory. The independent studies I took with them were some of the best experiences I had at the University of Illinois-Chicago. I admire their strong scholarship and the endurance they had to remain on my committee. -
Encyklopédia Kresťanského Umenia
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day -
Hawaiian Mele.Xlsx
Hawaiian Mele シリーズ INDEX ・Hawaiian Mele 1001(上)(下) ・Hawaiian Mele 301 ・Hawaiian Mele 298 ※表記にカハコーは省略してあります。 曲名 本 ページ 曲名 本 ページ A A Hawaiian Like Me 298 16 Aloha Chant (Oli Aloha) 1001上 60 A He Nani Kaua‘i 301 16 Aloha E Kohala 1001上 61 A He Nani Ni‘ihau 298 17 Aloha E Pele 1001上 63 A Hilo Au 298 19 Aloha Hawai‘i Ku‘u One Hanau 1001上 65 A Ka Luna I Kilauea 298 20 Aloha Honaunau 298 35 A Ka Luna O Pu‘uonioni 301 18 Aloha I Love You 301 32 A Kona Hema O Kalani 1001上 22 Aloha ‘Ia Hawai‘i 1001上 67 A Ko‘olau Au 1001上 24 Aloha ‘Ia No ‘O Maui 301 33 A Luna Wau A‘o 298 22 Aloha ‘Ia ‘O Wai‘anae 1001上 68 A Million Moons Over Hawai 1001上 25 Aloha Is 298 37 ‘A ‘Oia 1001上 26 Aloha Ka Leo O Kahi Manu 298 39 A Song of Old Hawaii 1001上 27 Aloha Ka Manini 1001上 69 ‘A‘ali‘i Kumakani O Ka‘u 298 14 Aloha Ka‘eo 1001上 70 Adios Ke Aloha 1001上 28 Aloha Kaho‘olawe 301 35 Adventures in Paradise 1001上 29 Aloha Kaua‘i 1001上 71 Ahe Lau Makani 1001上 30 Aloha Kona Hema 1001上 72 Ahi Wela 1001上 32 Aloha Ko‘olau 298 40 Ahi Wela (Fire Love) 298 23 Aloha Ko‘olau 1001上 73 ‘Ahia 301 19 Aloha Ku‘u Home 1001上 74 ‘Ahulili 1001上 33 Aloha Ku‘u Home A I Ke‘alohi 1001上 75 ‘Ai Kakou Me Ke Aloha 301 20 Aloha Ku‘u Pua 301 37 Aia I Ka Malu 298 24 Aloha Mai E Ka Haku 1001上 77 Aia I Ka Mau‘i 1001上 35 Aloha Nanakuli 1001上 80 Aia I Lihau Ko Lei Nani 301 22 Aloha No 1001上 81 Aia I Moloka‘i Ku‘u Lei Nani 301 23 Aloha No Au I Ko Maka 1001上 82 Aia I Nu‘uanu Ko Lei Nani 1001上 36 Aloha No Kalakaua 1001上 84 Aia I ‘Ola‘a Ku‘u Aloha 024 301 24 Aloha No Ka‘u 301 38 Aia Ka La‘i I Ka‘uiki 298 26 Aloha -
Paintings by Streeter Blair (January 12–February 7)
1960 Paintings by Streeter Blair (January 12–February 7) A publisher and an antique dealer for most of his life, Streeter Blair (1888–1966) began painting at the age of 61 in 1949. Blair became quite successful in a short amount of time with numerous exhibitions across the United States and Europe, including several one-man shows as early as 1951. He sought to recapture “those social and business customs which ended when motor cars became common in 1912, changing the life of America’s activities” in his artwork. He believed future generations should have a chance to visually examine a period in the United States before drastic technological change. This exhibition displayed twenty-one of his paintings and was well received by the public. Three of his paintings, the Eisenhower Farm loaned by Mr. & Mrs. George Walker, Bread Basket loaned by Mr. Peter Walker, and Highland Farm loaned by Miss Helen Moore, were sold during the exhibition. [Newsletter, memo, various letters] The Private World of Pablo Picasso (January 15–February 7) A notable exhibition of paintings, drawings, and graphics by Pablo Picasso (1881–1973), accompanied by photographs of Picasso by Life photographer David Douglas Duncan (1916– 2018). Over thirty pieces were exhibited dating from 1900 to 1956 representing Picasso’s Lautrec, Cubist, Classic, and Guernica periods. These pieces supplemented the 181 Duncan photographs, shown through the arrangement of the American Federation of Art. The selected photographs were from the book of the same title by Duncan and were the first ever taken of Picasso in his home and studio. -
Hawaii Island Delegate Candidate Information
Hawaii Island Delegate Candidate Information Hawaii Island - Delegate Candidate Information P a g e 1 o f 60 SOLOMON AIKAU Date of birth: 1948-06-22 Hawaiian ancestry 3/4 Hawaiian my family comes from the Hewa Hewa line Educational background 12 grade Rosevelt high school Employment history Retired lifguard Criminal record Went to jail in 1993/1998 Personal statement About what The delegate candidate represent these 10 people are eligible voters who have nominated them : Myra Aikau Clyde Aikau Cynthia Kahooilihala Pilago Kaalakahi Hawaii Island - Delegate Candidate Information P a g e 2 o f 60 Arcas Aikau Zane Aikau Gerald Aikau Christy Aikau Linda Gillette Linda Ipsen Hawaii Island - Delegate Candidate Information P a g e 3 o f 60 MOANIKEALA AKAKA Date of birth: 1944-07-04 Hawaiian ancestry Rebecca Mellish Mossman Akaka three quarters native Hawaiian — Mother descended from Abner Paki — Father of Bernice Pauahi Bishop— Abner’s father was Kalani Hele Mai Iluna Educational background Attended Kamehameha School, City College of San Francisco and University of Hawai’i at Manoa Employment history 12 years Office of Hawaiian Affairs Trustee, Hawaiʻi Island - 1984 to 1996 Criminal record No Criminal record Personal statement My commitment is to Aloha ‘Aina: our relationship to nature and our environment and to obtain justice through peaceful means for Native Hawaiians for the theft of our Hawaiian Nation 1970: Founding member Kokua Hawaiʻi-Kalama Valley, Oʻahu-first movement in modern times-to advocate for Native Hawaiians and protect rural -
Annual SHA Conference, Kauaʻi Community College Puhi, Kauaʻi, October 11-13, 2002
152 15th Annual SHA Conference, Kauaʻi Community College Puhi, Kauaʻi, October 11-13, 2002 The ECS Files: Culture, Biology, and Complexity Dr. Robert J. Hommon, National Park Service Culture, no matter how you view this elusive concept, is fundamental to the proper study of our species. For archaeologists to think of human beings as well-adapted organisms is not all wrong, but it is only half right. Our cultural behavior differs from that of all other organisms in fundamental ways in that we reverse Nature’s direction of control. We have only poorly appreciated our behavioral differences not because they are obscure, rare, or difficult to decipher, but because, like water for fish, they so totally envelop us, hidden in plain sight. The evolved human brain is the adaptation to end adaptations. Using our brain’s enormous capacity, we have fundamentally transformed how we interact with each other and with our environments in the following three ways. First, we have developed a powerful approach to dealing with the environment that reverses the process of adaptation. An adapting organism responds to selective pressures by modifying its form or behavior to fit its environment. In contrast, we human beings practice what we can call ecaptation, the process of altering the environment to fit ourselves by inventing taro fields, compressed air, Boeing 767s, ice sculpture, screwdrivers, beagles, tattoos, Mexico City, and all else that we modify from naturally occurring raw materials. The second uniquely human process of interest is “appropriatizing,” or "proping" for short. The behavior of other organisms is determined almost entirely by their genes and by individual experience of the environment. -
80 Things to Do on Oahu - the Bucket List
80 THINGS TO DO ON OAHU - THE BUCKET LIST The Ultimate Oahu bucket list has the best things to do on Oahu with your friends and family! What to do on Oahu? No idea where to start? I have created the ultimate Oahu bucket list for some inspiration about the best things to do on Oahu, Hawaii. I have done almost all of the activities and been to most locations on the list. You can click on underlined bucket list items for a more detailed blog post with directions, tips and photos. Want to save this post to Pinterest for later? Pin it! 1 / 68 Where to stay on Oahu? These are the most popular hotels on Oahu by category: Hilton Hawaiian Village Beach Resort (High-end): In the heart of Waikiki, this high-end resort is right on the beach. Luxury rooms overlooking the beach, a private lagoon and a free fireworks and dance performance show. Hilton is easily the most recognizable hotel on the Island. Click here to check availability. Sheraton Waikiki (High-end): A luxury resort with the most amazing infinity pool on the island, which overlooks the beach. The bar and nightclub at the Sheraton is a great place to relax after a long day of island adventures. Click here to check availability. Ramada Plaza Waikiki (Mid-Range): The perfect way to enjoy Oahu in a beautiful hotel without blowing the bank. This hotel has a rooftop pool and a restaurant but will only set you back around $100. Click here to check availability. 2 / 68 Waikiki Beachside Hostel (Budget): A budget alternative, which is still in an amazing location.