Writings by of the Beat Generation Edited by Richard Peabody
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On the Borderline of Expectation and Desire in Joyce Johnson's
Archived thesis/research paper/faculty publication from the University of North Carolina at Asheville’s NC DOCKS Institutional Repository: http://libres.uncg.edu/ir/unca/ “Mad to Be Saved”: On the Borderline of Expectation and Desire in Joyce Johnson’s Come and Join the Dance Senior Paper Presented in Partial Fulfillment of the Requirements For a Degree Bachelor of Arts with A Major in Literature at The University of North Carolina at Asheville Spring 2016 By Jessica Nicole Pringle ____________________ Thesis Director Dr. Evan Gurney ____________________ Thesis Advisor Dr. Lori Horvitz Pringle 1 The year is 1955 in America the Great. Dwight Eisenhower is president, the Battle of Dienbienphu is underway, and Allen Ginsberg is reading his first draft of “Howl” at the Gallery Six. The Seven Year Itch has hit the big screen, women are stationed in their houses, and the economy has been struck by a momentous deflation. Vagabonds are scouring the states, their right thumbs in the air, while the abomunists1 perform their 9-5’s in the center of an emergent poetic riff-raff. The 1950s was jazz, was finger-snapping stanzas; it was the year of the creative delinquent. The 1950s was The Beat Generation, and a fraction of that beat feeling can be attributed to 1950’s America being wrought with strict stereotypical roles for men and women, which produced alarming consequences. To give context, men were oftentimes the ‘breadwinners,’ and were afforded the opportunities to establish careers, to explore the world in a multitude of ways, and to realize the capacity of their talents and traits, all which worked together in cultivating a sense of identity (Lindsey 17). -
The Bird That Flew Backwards
Ursinus College Digital Commons @ Ursinus College English Honors Papers Student Research 4-15-2018 The irB d That Flew Backwards Robin Gow Ursinus College, [email protected] Adviser: Meredith Goldsmith Follow this and additional works at: https://digitalcommons.ursinus.edu/english_hon Part of the American Studies Commons, Digital Humanities Commons, English Language and Literature Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, and the Other Feminist, Gender, and Sexuality Studies Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Gow, Robin, "The irB d That Flew Backwards" (2018). English Honors Papers. 7. https://digitalcommons.ursinus.edu/english_hon/7 This Paper is brought to you for free and open access by the Student Research at Digital Commons @ Ursinus College. It has been accepted for inclusion in English Honors Papers by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. Gow 1 The Bird that Flew Backwards Robin F. Gow 04/20/2018 Submission Statement: Submitted to the Faculty of Ursinus College in fulfillment of the requirements for Honors in English Gow 2 Abstract: The Bird that Flew Backwards examines women poets from literary Modernism in the 1910s and Beat culture in the 1950s. Analyzing these eras in tandem reveals contrasting historical constructions of American womanhood and how sociocultural trends influenced how the “poetess” constructed herself and her work and illustrates the retrograde nature of women’s rights in the 1950s. Through close reading, digital mapping, and historical background, The Bird that Flew Backwards establishes a new critical perspective by linking the more well-known Modernists with lesser-known women in 1910s Greenwich Village Bohemia. -
Department of English and American Studies Representation of Female
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Bc. Magdalena Šedrlová Representation of Female Characters in Jack Kerouac’s On the Road and Its Film Adaptations Master’s Diploma Thesis Supervisor: doc. PhDr. Tomáš Pospíšil, Ph. D. 2016 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature Acknowledgement I would like to thank my supervisor, doc. PhDr. Tomáš Pospíšil, Ph.D., for his guidance, invaluable advice, useful remarks, and, above all, for not giving up on me. Table of Contents 1) THE BEAT GENERATION ........................................................................... 5 2) JACK KEROUAC ....................................................................................... 9 3) ON THE ROAD ....................................................................................... 19 3.1 On the Road – plot summary ....................................................................................... 19 3.2 On the Road – writing and publication ....................................................................... 26 3.3 Women in On the Road ................................................................................................. 29 3.3.1 Marylou..................................................................................................................... 30 3.3.2 Camille ..................................................................................................................... -
Stewart, Katie Jennifer (2007) 'A Kind of Singing in Me' : a Critical Account of Women Writers of the Beat Generation
Stewart, Katie Jennifer (2007) 'A kind of singing in me' : a critical account of women writers of the Beat generation. PhD thesis. http://theses.gla.ac.uk/2805/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] 'A Kind of Singing in Me': A Critical Account of Women Writers of the Beat Generation Katie Jennifer Stewart Thesis submitted for the degree of Doctor of Philosophy to the University of Glasgow Department of English Literature June 2007 © Katie Jennifer Stewart, 2007 ABSTRACT This thesis provides a critical account of women writers of the Beat generation. Writers such as Diane di Prima, Hettie Jones, Joanne Kyger, Joyce Johnson, Bonnie Bremser, and Janine Pommy Vega were part of the 1950s Beat literary culture and had social relationships with the more famous male Beat writers such as Jack Kerouac and Allen Ginsberg. To differing degrees the women writers have also been influenced by the aesthetics of the male writers, and since the 1950s their work has been contextualised alongside the men's in literary magazines, anthologies and more recent academic studies. -
Mmubn000001 086195107.Pdf
PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/113712 Please be advised that this information was generated on 2021-09-24 and may be subject to change. «•• 1* \ ν ^i',i JAAP VAN DER BENT A HUNGER TO PARTICIPATE THE WORK OF JOHN CLELLON HOLMES 1926-1988 A HUNGER TO PARTICIPATE THE WORK OF JOHN CLELLON HOLMES 1926-1988 A HUNGER TO PARTICIPATE THE WORK OF JOHN CLELLON HOLMES 1926-1988 Een wetenschappelijke proeve op bet gebied van de letteren PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Katholieke Universiteit te Nijmegen, volgens besluit van het college van decanen in het openbaar te verdedigen op maandag 4 december 1989 des namiddags te 1.30 uur precies door JACOB WILLEM VAN DER BENT geboren op 14 september 1948 te Den Haag Promotor: Prof. dr. G.A.M. Janssene Privately printed Copyright Jaap van der Bent, 1989 CIP Data Koninklijke Bibliotheek, The Hague Bent, Jacob Willem van der A hunger to participate : the work of John Clellon Holmes, 1926-1988 / Jacob Willem van der Bent. - [S.l. : s.n.] Proefschrift Nijmegen. - Met blbliogr., lit. opg. ISBN 90-9003140-5 SISO eng-a 857.6 UDC в20(73)"19"(043.3) Trefw.: Holmes, John Clellon (werken). oonnrs ACKNOWLEDGMENTS 111 Chapter One INTRODUCTION 1 Chapter Two GO 6 Chapter Three THE HORN 52 Chapter Four GET HOME FREE 87 Chapter Five NOTHING MORE TO DECLARE 13A Chapter Six WALKING AWAT FROM THE WAR 161 Chapter Seven TWO UNPUBLISHED NOVELS 195 Chapter Eight MISCELLANEOUS PROSE 243 Chapter Nine POETRt 302 Chapter Ten CONCLUSION 348 ROTES 353 SELECTED BIBLIOGRAPHY 376 SUMMART 381 CURRICULUM VITAE 385 AauKNumoKHTS I wish to acknowledge my gratitude to the Fulbrlght Program and the Netherlands Organization for Scientific Research, which both provided grants that enabled me to carry out an essential part of my research in the United States. -
The Women of the Beat Writers
Alabama Law Scholarly Commons Working Papers Faculty Scholarship 2-28-2014 On the Road Without a Map: The Women of the Beat Writers Jean Stefancic University of Alabama - School of Law, [email protected] Follow this and additional works at: https://scholarship.law.ua.edu/fac_working_papers Recommended Citation Jean Stefancic, On the Road Without a Map: The Women of the Beat Writers, (2014). Available at: https://scholarship.law.ua.edu/fac_working_papers/675 This Working Paper is brought to you for free and open access by the Faculty Scholarship at Alabama Law Scholarly Commons. It has been accepted for inclusion in Working Papers by an authorized administrator of Alabama Law Scholarly Commons. THE UNIVERSITY OF ALABAMA SCHOOL OF LAW On the Road Without a Map: The Women of the Beat Writers Jean Stefancic 37 SEATTLE UNIVERSITY LAW REVIEW xv (2013) This paper can be downloaded without charge from the Social Science Research Network Electronic Paper Collection: http://ssrn.com/abstract=2401930 Electronic copy available at: http://ssrn.com/abstract=2401930 On the Road Without a Map: The Women of the Beat Writers Jean Stefancic* 1. INTRODUCTION During a tribute to Allen Ginsberg' at the Naropa Institute in Boul- der in July 1994, a woman in the audience asked: "Why are . so few women on this panel? Why . .. so few women in this whole week's pro- gram? Why . so few . among the Beat writers?" Corso, suddenly utterly serious, leaned forward and said: There were women, they were there, I knew them, their families put them in institutions, they were given electric shock. -
Female Representation in the Beat Generation
Vulkers 1 Voices From off the Beaten Track: Female Representation in the Beat Generation An analysis of Joyce Johnson, Diane di Prima and Joanne Kyger Joyce Johnson and Jack Kerouac. (Minor Characters cover photo. Picador, 1983) Master Thesis Literature Today Utrecht University Author: Wesley Vulkers Student number: 5684382 Supervisor: Codruta Pohrib, MA Second reader: Dr. Birgit Kaiser 27 June 2019 Vulkers 2 Table of Contents Abstract 3 Introduction 4 Chapter 1: The Beat Generation and Bourdieu’s notion of “habitus” 6 1.1. Generations and “habitus” 6 1.2. Bourdieu’s field theory 9 1.3. The Beat Generation’s timeframe 11 1.4. The Beat Generation in a feminist perspective 17 Chapter 2: The Unheard Voices 21 2.1. Joyce Johnson 21 2.2. Diane di Prima 26 2.3. Joanne Kyger 31 Chapter 3: Heroines in Retrospect? 36 3.1. Memoirs and agency 36 3.2. Johnson’s “Minor Characters” 40 3.3. Di Prima’s “Memoirs of a Beatnik” 45 Conclusion 50 Works cited 53 Vulkers 3 Abstract This thesis examines the exclusion of female authors and their literary works from the Beat Generation discourse. The authors associated with the Beat Generation are all male. Authors such as Jack Kerouac, Allen Ginsberg and William S. Burroughs are often names coming up in debates around the Beat Generation. However, during the rise of the movement, several interesting works were written by female authors. The aim of this thesis is to expose these female authors and to find a possible explanation for their ignored presence within the Beat Generation discourse. -
Jack Kerouac Myth Goes Viral
The Kerouac Myth Goes Viral With three up-coming movies and a new biography, the author of On The Road is poised to become the all-time iconic American writer By Jonah Raskin What is it about Jack Kerouac? Why have generations flocked repeatedly to his novel, On the Road, for inspiration ever since it was first published? Why do biographers continue to write books about him? And why have moviemakers always sought to turn his novels into films? There isn’t a better time than right now to answer those questions about the author who was born in 1922 and who died in 1969 at the age of 47 from internal bleeding in the house he shared with his third wife Stella and his mother Gabrielle who taught him how to tell a good story. Fifty-five years after it became a best seller, On The Road comes to movie screens later this year. A cinematic version of Kerouac’s Big Sur is on its way, too, and there’s a forthcoming feature film entitled Kill Your Darlings about Kerouac and his buddies that stars Jack Huston as Jack Kerouac and Daniel Radcliffe as Allen Ginsberg. Moreover, there’s a new biography out by Kerouac’s ex- lover Joyce Johnson that’s entitled The Voice Is All (Viking; $32.95) that recounts his evolution as a writer but doesn’t tell all about his personal life. Johnson did that already in her memoir, Minor Characters, and in a collection of her correspondence with Kerouac entitled The Door Is Open. -
Variations on Magical Realism in the Beat Generation
“BLESSED ARE THE PURE OF HEART” VARIATIONS ON MAGICAL REALISM IN THE BEAT GENERATION: PATHWAYS TO CRITIQUE AND RESISTANCE BY Copyright 2009 Elizabeth M. Lagarón Submitted to the graduate degree program in English And the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor in Philosophy ______________________ Chairperson, Giselle Anatol Committee members _______________________ Marta Caminero-Santangelo _______________________ Kenneth Irby _______________________ Maryemma Graham _______________________ Yajaira Padilla Date defended: _April 28, 2009 ___ ii The Dissertation committee for Elizabeth Lagarón certifies That this is the approved version of the following dissertation “BLESSED ARE THE PURE OF HEART” VARIATIONS ON MAGICAL REALISM IN THE BEAT GENERATION: PATHWAYS TO CRITIQUE AND RESISTANCE Committee: ______________________ Chairperson, Giselle Anatol _______________________ Marta Caminero-Santangelo _______________________ Kenneth Irby _______________________ Maryemma Graham _______________________ Yajaira Padilla Date approved: __April 28,2009___ iii Abstract This dissertation explores literary depictions of characters experiencing self discovery as they are presented by three of the writers of the Beat Generation: Jack Kerouac, Elise Cowen, and Diane di Prima. Each of the texts—Dr. Sax , Loba , and Cowen’s poetry— demonstrates how disempowered or oppressed characters evolve, learn to define themselves, and discover a truer sense of self during times of war, struggle, conflict or difficulty. The types of oppression the protagonists and speakers face in these texts is wide-ranging and diverse, but magical realism, and variations on the literary themes presented in magical realism, becomes for these writers a weapon their characters employ for critique and for self preservation against the existing social order. -
Literature of the Beat Generation ENGLISH 5355.061 / Spring 2017 (Online)
Literature of the Beat Generation ENGLISH 5355.061 / Spring 2017 (online) FACULTY: Dr. Anett Jessop OFFICE & PHONE: BUS 256A; 903-566-7460 OFFICE HOURS: By appointment EMAILS: [email protected] “Artists . are the real architects of change, and not political legislators who implement change after the fact.” – William Burroughs “The point of Beat is that you get beat down to a certain nakedness where you actually are able to see the world in a visionary way.” – Allen Ginsberg “We are now contending technicians in what may well be a little American Renaissance of our own and perhaps a pioneer beginning for the Golden Age of American Writings.” – Jack Kerouac COURSE DESCRIPTION & GOALS Welcome! During the 1950s a group of experimental American writers living in New York City (and later San Francisco) began to publish literary works depicting an underground of alienated restless characters who celebrated freedom of expression, wanderlust, and the search for euphoria of body and mind in stream-of- consciousness narration. This Beat literary ‘school’ would expand into a cultural movement that was predecessor to the counter-culture hippies of the Sixties and punks of the Seventies, not to mention the developing civil and equal rights movements, among others. Largely perceived as a ‘fraternity’ of male voices, the Beat movement did include many women writers and participants whose involvement was not fully documented until the women’s movement introduced revisionist histories. In this course, we will read broadly as well as deeply in order to acquaint ourselves with the many Beat writers, their styles and influences. In the process we will analyze multiple literary genres: fiction, poetry, nonfiction, memoir, as well as academic criticism and film. -
THE COLD WAR and the BIRTH of the BEAT GENERATION a Thesis
“LEARNING TO BE MAD, IN A DREAM”: THE COLD WAR AND THE BIRTH OF THE BEAT GENERATION A Thesis Submitted to the Committee on Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Faculty of Arts and Science TRENT UNIVERSITY Peterborough, Ontario, Canada © Copyright by Sara Gallagher 2014 English (Public Texts) M.A. Graduate Program September 2014 “Learning to Be Mad, In a Dream”: The Cold War and the Birth of the Beat Generation Sara Gallagher The Beat Generation shaped, and was shaped by, the post-WWII containment culture that arose in 1950s America. This so-called cultural containment reflected the social, political, and economic factors that were unique to the post-WWII period and are often considered concurrent to post-war McCarthyism, which promoted a national ideology of exclusionism that was foremost opposed to the threat of Communism. I propose in my thesis that containment was a major influence in the rhetoric of resistance that is found within the most prominent works of the Generation. My thesis also looks at the how Beat literature shifted from the counterculture to the mainstream and the impact that celebrity had on the Generation. When the Beats achieved literary fame their counterculture represented the forefront of the New Left and was synonymous with succeeding protest cultures of the 1960s. Keywords: Beat Generation; Cold War; McCarthyism; Containment Culture; Postmodernism; Jack Kerouac; On the Road ; Allen Ginsberg; Howl ; William S. Burroughs; Naked Lunch ; Second Wave Feminism ii ACKNOWLEDGMENTS To Dr. Mike Epp, my supervisor, for your mentorship, constructive criticism, and encouragement during the entire process. -
Jeffrey Meikle Class: Wed
1 AMS 370 (31165) Spring 2019 The Beats and American Culture, 1945-90 Instructor: Jeffrey Meikle Class: Wed. 6:30-9:30 pm, Burdine 436A Office hours: Wed. 2:30-4:30, or by appt., Burdine 424 Contact info: [email protected], 512-232-2166 Flags: Independent Inquiry; Writing Historians and literary critics have long debated the significance—both literary and cultural—of such Beat Generation writers as Jack Kerouac, Allen Ginsberg, and William Burroughs. Their novels and poems revealed the underside of a post-World War II generation that rewarded conformity and careerism. The Beats were not so much in protest against the status quo as oblivious to it. However, their writings served as a subversive call to the cultural and political radicals of the counterculture and the New Left during the 1960s and later. This seminar addresses the impact and significance of the Beat literary movement by examining several classics of Beat writing and tracing their influence on popular art and culture from the 1960s through the 1980s. First we will examine the social and political background from which a Beat subculture emerged during the late 1940s and early 1950s. Next we will assess several key texts both as literary works and as documents of social and cultural history from the 1940s through the early 1960s. Then, using an interdisciplinary approach, we will ask whether a Beat aesthetic spread from literature to other areas of cultural production. Finally, we will examine survivals, influences, and appropriations of Beat or neo-Beat modes of expression in popular arts from the 1960s through the 1980s.