On the Borderline of Expectation and Desire in Joyce Johnson's
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Writings by of the Beat Generation Edited by Richard Peabody
a edited by richard peabody writings by women of the beat generation eat BOOKS Contents Introduction 1 Mimi Albert from The Second Story Man 4 Carol Berge tessa's song 12 Pavane for the White Queen 15 Chant for Half the World 18 Etching 21 Carolyn Cassady from Off the Road: My Years with Cassady, Kerouac, and Ginsberg 22 Elise Cowen "At the acting class" 27 "Dear God of the bent trees of Fifth Avenue" 27 "Death I'm coming" 28 "I took the skin of corpses" 29 "I wanted a cunt of golden pleasure" 30 "If it weren't for love I'd snooze all day" 31 "The sound now in the street is the echo of a long" 31 "Trust yourself—but not too far" 32 LeoSkir Elise Cowen: A Brief Memoir of the Fifties 33 Diane di Prima The Quarrel 46 Requiem 47 Minor Arcana 48 The Window 49 For Zella, Painting 50 from Memoirs of a Beatnik 51 Brenda Frazer Breaking out of D.C. (1959) 60 Sandra Hochman Farewell Poems 65 About My Life at That Time 66 Postscript 66 Julian 67 The Seed 68 Cancer 69 Burning with Mist 70 There Are No Limits to Mv Svstem 71 Joyce Johnson from Minor Characters 72 Contents I vii Kay Johnson Proximity 80 poems from paris 84 Hettie Jones from How I Became Hettie Jones 88 Lenore Kandel First They Slaughtered the Angels 100 Love-Lust Poem 103 Junk/Angel 105 Blues for Sister Sally 106 Eileen Kaufman from Who Wouldn't Walk with Tigers 108 Frankie "Edie" from You'll Be Okay 115 Kerouac-Parker Jan Kerouac from Baby Driver 124 from Trainsong 132 Joan Haverty Kerouac from Nobody's Wife 134 Joanne Kyger Tapestry 140 "Waiting again" 140 "They are constructing a -
From Beat to Bad Connections: Joyce Johnson's (Feminist) Response To
Faculteit Letteren & Wijsbegeerte Valérie Partoens From Beat to Bad Connections: Joyce Johnson’s (Feminist) Response to Kerouac’s On the Road Masterproef voorgedragen tot het behalen van de graad van Master in de American Studies 2014 Promotor Prof. Isabel Meuret Vakgroep Letterkunde Expression of thanks First of all, I would not have been able to complete this dissertation without the time and guidance of my supervisor Isabel Meuret. In addition, I would also like to thank the Master Program of American Studies and its team of professors for giving me the opportunity to gain more knowledge about a field of studies in which I have always been extremely interested. Likewise, I would also want to express my gratitude towards my classmates, of whom many now have become close friends, for their friendship and for their help during this year. Evidently, I would not be able to finish this thesis and this year of higher education without the support of my family and friends, who always believed in me even when I did not. Last but not least, I would like to express my sincere gratitude to Joyce Johnson, who took the time to personally discuss her novel Bad Connections and as a result gave me the opportunity to gain a more comprehensive insight into the particular setting of the novel and her life within the Beat movement. 2 Table of Contents EXPRESSION OF THANKS ..................................................................................................2 1 INTRODUCTION .................................................................................................................4 -
Joyce Johnson: Pasajera En Trance
ANDAR A LA REDONDA ◊ carlos velázquez Joyce Glassman, pareja sentimental de Jack Kerouac durante un breve periodo, compartió con otras chicas, como Joan Vollmer e Irene May (Mardou Fox en Los subterráneos) el epítome de chicas beat. El papel de las mujeres dentro del movimiento estaba en segundo plano. Sin embargo, como Carolyn Cassady, Joyce se inscribió en la primera línea del fenómeno al recoger su vida junto a Jack Kerouac en su libro de memoria beat Minor Characters. Memoria beat Joyce Johnson: pasajera en trance 52 € ANDAR A LA REDONDA 1. Jack y sus affairs era capaz de prodigarla hacia un amigo, a un varón. a relación de Jack Kerouac con el mundo Arriesgarse hasta tal punto, con cierta inconsciencia femenino fue siempre tormentosa. de por medio, fue un acto que sólo podía obsequiarle Desde la devoción edípica profesada con a quien considerara un igual, intelectual y de género. religiosidad hacia su madre, pasando por Jamás realizaría una hazaña así por ninguna de sus su desvarío amoroso con Carolyn Cassady, parejas amorosas. Lesposa de Neal, su mejor amigo, hasta la negación de Al producirse este contratiempo, no fue ninguno de la paternidad de Janet, su única descendencia, los sus amigos ni su padre quien sacó a Kerouac de la cárcel, problemas para interactuar con el sexo opuesto sino Edie Parker (Edna “Johnnie” Palmer en Vagos serían una constante durante toda su existencia. Dharma). Pareja ocasional, novia idílica, Edie solucionó Por otra parte, Jack se mantenía en un perpetuo la situación penal de Jack a cambio de que se casara estado de misterio con las mujeres. -
The Bird That Flew Backwards
Ursinus College Digital Commons @ Ursinus College English Honors Papers Student Research 4-15-2018 The irB d That Flew Backwards Robin Gow Ursinus College, [email protected] Adviser: Meredith Goldsmith Follow this and additional works at: https://digitalcommons.ursinus.edu/english_hon Part of the American Studies Commons, Digital Humanities Commons, English Language and Literature Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, and the Other Feminist, Gender, and Sexuality Studies Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Gow, Robin, "The irB d That Flew Backwards" (2018). English Honors Papers. 7. https://digitalcommons.ursinus.edu/english_hon/7 This Paper is brought to you for free and open access by the Student Research at Digital Commons @ Ursinus College. It has been accepted for inclusion in English Honors Papers by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. Gow 1 The Bird that Flew Backwards Robin F. Gow 04/20/2018 Submission Statement: Submitted to the Faculty of Ursinus College in fulfillment of the requirements for Honors in English Gow 2 Abstract: The Bird that Flew Backwards examines women poets from literary Modernism in the 1910s and Beat culture in the 1950s. Analyzing these eras in tandem reveals contrasting historical constructions of American womanhood and how sociocultural trends influenced how the “poetess” constructed herself and her work and illustrates the retrograde nature of women’s rights in the 1950s. Through close reading, digital mapping, and historical background, The Bird that Flew Backwards establishes a new critical perspective by linking the more well-known Modernists with lesser-known women in 1910s Greenwich Village Bohemia. -
The Importance of Neal Cassady in the Work of Jack Kerouac
BearWorks MSU Graduate Theses Spring 2016 The Need For Neal: The Importance Of Neal Cassady In The Work Of Jack Kerouac Sydney Anders Ingram As with any intellectual project, the content and views expressed in this thesis may be considered objectionable by some readers. However, this student-scholar’s work has been judged to have academic value by the student’s thesis committee members trained in the discipline. The content and views expressed in this thesis are those of the student-scholar and are not endorsed by Missouri State University, its Graduate College, or its employees. Follow this and additional works at: https://bearworks.missouristate.edu/theses Part of the English Language and Literature Commons Recommended Citation Ingram, Sydney Anders, "The Need For Neal: The Importance Of Neal Cassady In The Work Of Jack Kerouac" (2016). MSU Graduate Theses. 2368. https://bearworks.missouristate.edu/theses/2368 This article or document was made available through BearWorks, the institutional repository of Missouri State University. The work contained in it may be protected by copyright and require permission of the copyright holder for reuse or redistribution. For more information, please contact [email protected]. THE NEED FOR NEAL: THE IMPORTANCE OF NEAL CASSADY IN THE WORK OF JACK KEROUAC A Masters Thesis Presented to The Graduate College of Missouri State University TEMPLATE In Partial Fulfillment Of the Requirements for the Degree Master of Arts, English By Sydney Ingram May 2016 Copyright 2016 by Sydney Anders Ingram ii THE NEED FOR NEAL: THE IMPORTANCE OF NEAL CASSADY IN THE WORK OF JACK KEROUAC English Missouri State University, May 2016 Master of Arts Sydney Ingram ABSTRACT Neal Cassady has not been given enough credit for his role in the Beat Generation. -
Beat Women Poets and Writers: Countercultural Urban Geographies and Feminist Avant-Garde Poetics
JOURNAL OF ENGLISH STUDIES - VOLUME 14 (2016), 47-72. http://doi.org/10.18172/jes.2816 BEAT WOMEN POETS AND WRITERS: COUNTERCULTURAL URBAN GEOGRAPHIES AND FEMINIST AVANT-GARDE POETICS ISABEL CASTELAO-GÓMEZ National Distance Education University (UNED) [email protected] ABSTRACT. The work of Beat women poets and their contribution to the Beat canon was neglected for decades until the late nineties. This study presents a critical appreciation of early Beat women poets and writers’ impact on contemporary US literature drawing from theoretical tools provided by feminist literary and poetry criticism and gender studies on geography. The aim is to situate this female literary community, in specific the one of late 1950s and 1960s in New York, within the Beat generation and to analyze the characteristics of their cultural and literary phenomena, highlighting two of their most important contributions from the point of view of gender, cultural and literary studies: their negotiation of urban geographies and city space as bohemian women and writers, and their revision of Beat aesthetics through a feminist avant-garde poetics. Keywords: Beat women, women’s poetry, avant-garde poetics, feminist criticism, feminist geographies. 47 Journal of English Studies, vol. 14 (2016), 47-72 ISABEL CASTELAO-GÓMEZ MUJERES POETAS Y ESCRITORAS BEAT: GEOGRAFÍAS URBANAS CONTRACULTURALES Y POÉTICA FEMINISTA AVANT-GARDE RESUMEN. El trabajo de las mujeres poetas Beat y su contribución al canon Beat fue desatendido durante décadas hasta el final de los noventa. Este estudio presenta una apreciación crítica del impacto de las mujeres poetas y escritoras Beat en la literatura contemporánea estadounidense desde las perspectivas teóricas de la crítica feminista literaria y los estudios de género sobre espacio geográfico. -
“One's-Self I Sing”: the Theme of Individualism As a Part of the American Experience in the Works of Mark Twain, Ernest H
“ONE’S-SELF I SING”: THE THEME OF INDIVIDUALISM AS A PART OF THE AMERICAN EXPERIENCE IN THE WORKS OF MARK TWAIN, ERNEST HEMINGWAY, AND JACK KEROUAC By L. LEE LINDSEY Bachelor of Arts in History Oklahoma State University Stillwater, Oklahoma 2010 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS May, 2012 “ONE’S-SELF I SING”: THE THEME OF INDIVIDUALISM AS A PART OF THE AMERICAN EXPERIENCE IN THE WORKS OF MARK TWAIN, ERNEST HEMINGWAY, AND JACK KEROUAC Thesis Approved: Dr. Michael F. Logan Thesis Adviser Dr. William Bryans Dr. Richard C. Rohrs Dr. Sheryl A. Tucker Dean of the Graduate College ii TABLE OF CONTENTS Chapter Page I. INTRODUCTION—“SELF-RELIANCE” ................................................................1 II. MARK TWAIN—THE DEVELOPMENT OF AN AMERICAN VOICE ............12 III. ERNEST HEMINGWAY—THE EARTH ABIDES ............................................41 IV. JACK KEROUAC—THE ROAD TO REDEMPTION ........................................76 V. CONCLUSION—“A SONG OF AMERICA” ....................................................110 REFERENCES ..........................................................................................................124 iii CHAPTER I INTRODUCTION—“SELF-RELIANCE” We have yet had no genius in America, with tyrannous eye, which knew the value of our incomparable materials, and saw, in the barbarism and materialism of the times, another carnival of the same gods whose picture he so much admires in Homer; then in the middle age; then in Calvinism. Ralph Waldo Emerson 1 Much like the people of America, the American character is an amalgamation of heritages that spans time and place, including not only “British but European [aspects], not only . the seventeenth and eighteenth centuries but . -
Department of English and American Studies Representation of Female
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Bc. Magdalena Šedrlová Representation of Female Characters in Jack Kerouac’s On the Road and Its Film Adaptations Master’s Diploma Thesis Supervisor: doc. PhDr. Tomáš Pospíšil, Ph. D. 2016 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature Acknowledgement I would like to thank my supervisor, doc. PhDr. Tomáš Pospíšil, Ph.D., for his guidance, invaluable advice, useful remarks, and, above all, for not giving up on me. Table of Contents 1) THE BEAT GENERATION ........................................................................... 5 2) JACK KEROUAC ....................................................................................... 9 3) ON THE ROAD ....................................................................................... 19 3.1 On the Road – plot summary ....................................................................................... 19 3.2 On the Road – writing and publication ....................................................................... 26 3.3 Women in On the Road ................................................................................................. 29 3.3.1 Marylou..................................................................................................................... 30 3.3.2 Camille ..................................................................................................................... -
Stewart, Katie Jennifer (2007) 'A Kind of Singing in Me' : a Critical Account of Women Writers of the Beat Generation
Stewart, Katie Jennifer (2007) 'A kind of singing in me' : a critical account of women writers of the Beat generation. PhD thesis. http://theses.gla.ac.uk/2805/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] 'A Kind of Singing in Me': A Critical Account of Women Writers of the Beat Generation Katie Jennifer Stewart Thesis submitted for the degree of Doctor of Philosophy to the University of Glasgow Department of English Literature June 2007 © Katie Jennifer Stewart, 2007 ABSTRACT This thesis provides a critical account of women writers of the Beat generation. Writers such as Diane di Prima, Hettie Jones, Joanne Kyger, Joyce Johnson, Bonnie Bremser, and Janine Pommy Vega were part of the 1950s Beat literary culture and had social relationships with the more famous male Beat writers such as Jack Kerouac and Allen Ginsberg. To differing degrees the women writers have also been influenced by the aesthetics of the male writers, and since the 1950s their work has been contextualised alongside the men's in literary magazines, anthologies and more recent academic studies. -
The Women of the Beat Writers Symposium - Mania: the Lives, Literature, and Law of the Beats: Session I: Weaving Lives Into Literature
Alabama Law Scholarly Commons Articles Faculty Scholarship 2013 On the Road without a Map: The Women of the Beat Writers Symposium - Mania: The Lives, Literature, and Law of the Beats: Session I: Weaving Lives into Literature Jean Stefancic University of Alabama - School of Law, [email protected] Follow this and additional works at: https://scholarship.law.ua.edu/fac_articles Recommended Citation Jean Stefancic, On the Road without a Map: The Women of the Beat Writers Symposium - Mania: The Lives, Literature, and Law of the Beats: Session I: Weaving Lives into Literature, 37 Seattle U. L. Rev. xv (2013). Available at: https://scholarship.law.ua.edu/fac_articles/321 This Article is brought to you for free and open access by the Faculty Scholarship at Alabama Law Scholarly Commons. It has been accepted for inclusion in Articles by an authorized administrator of Alabama Law Scholarly Commons. On the Road Without a Map: The Women of the Beat Writers Jean Stefancic* 1. INTRODUCTION During a tribute to Allen Ginsberg' at the Naropa Institute in Boul- der in July 1994, a woman in the audience asked: "Why are . so few women on this panel? Why . .. so few women in this whole week's pro- gram? Why . so few . among the Beat writers?" Corso, suddenly utterly serious, leaned forward and said: There were women, they were there, I knew them, their families put them in institutions, they were given electric shock. In the '50s if you were male you could be a rebel, but if you were female, your families had you locked up. -
Mmubn000001 086195107.Pdf
PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/113712 Please be advised that this information was generated on 2021-09-24 and may be subject to change. «•• 1* \ ν ^i',i JAAP VAN DER BENT A HUNGER TO PARTICIPATE THE WORK OF JOHN CLELLON HOLMES 1926-1988 A HUNGER TO PARTICIPATE THE WORK OF JOHN CLELLON HOLMES 1926-1988 A HUNGER TO PARTICIPATE THE WORK OF JOHN CLELLON HOLMES 1926-1988 Een wetenschappelijke proeve op bet gebied van de letteren PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Katholieke Universiteit te Nijmegen, volgens besluit van het college van decanen in het openbaar te verdedigen op maandag 4 december 1989 des namiddags te 1.30 uur precies door JACOB WILLEM VAN DER BENT geboren op 14 september 1948 te Den Haag Promotor: Prof. dr. G.A.M. Janssene Privately printed Copyright Jaap van der Bent, 1989 CIP Data Koninklijke Bibliotheek, The Hague Bent, Jacob Willem van der A hunger to participate : the work of John Clellon Holmes, 1926-1988 / Jacob Willem van der Bent. - [S.l. : s.n.] Proefschrift Nijmegen. - Met blbliogr., lit. opg. ISBN 90-9003140-5 SISO eng-a 857.6 UDC в20(73)"19"(043.3) Trefw.: Holmes, John Clellon (werken). oonnrs ACKNOWLEDGMENTS 111 Chapter One INTRODUCTION 1 Chapter Two GO 6 Chapter Three THE HORN 52 Chapter Four GET HOME FREE 87 Chapter Five NOTHING MORE TO DECLARE 13A Chapter Six WALKING AWAT FROM THE WAR 161 Chapter Seven TWO UNPUBLISHED NOVELS 195 Chapter Eight MISCELLANEOUS PROSE 243 Chapter Nine POETRt 302 Chapter Ten CONCLUSION 348 ROTES 353 SELECTED BIBLIOGRAPHY 376 SUMMART 381 CURRICULUM VITAE 385 AauKNumoKHTS I wish to acknowledge my gratitude to the Fulbrlght Program and the Netherlands Organization for Scientific Research, which both provided grants that enabled me to carry out an essential part of my research in the United States. -
Jeffrey Meikle Class: Wed
1 AMS 370 (30315) Spring 2018 The Beats and American Culture, 1945-90 Instructor: Jeffrey Meikle Class: Wed. 6:30-9:30 pm, Burdine 436A Office hours: Wed. 2:30-4:30, or by appt., Burdine 424 Contact info: [email protected], 512-232-2166 Historians and literary critics have long debated the significance—both literary and cultural—of such Beat Generation writers as Jack Kerouac, Allen Ginsberg, and William Burroughs. Their novels and poems revealed the underside of a post-World War II generation that rewarded conformity and careerism. The Beats were not so much in protest against the status quo as oblivious to it. However, their writings served as a subversive call to the cultural and political radicals of the counterculture and the New Left during the 1960s and later. This seminar addresses the impact and significance of the Beat literary movement by examining several classics of Beat writing and tracing their influence on popular art and culture from the 1960s through the 1980s. First we will examine the social and political background from which a Beat subculture emerged during the late 1940s and early 1950s. Next we will assess several key texts both as literary works and as documents of social and cultural history from the 1940s through the early 1960s. Then, using an interdisciplinary approach, we will ask whether a Beat aesthetic spread from literature to other areas of cultural production. Finally, we will examine survivals, influences, and appropriations of Beat or neo-Beat modes of expression in popular arts from the 1960s through the 1980s.