DOCSLIB.ORG

Intimacy and Autonomy: Twentieth Century American Women and the Quest for Self-Realization" (2015)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Intimacy and Autonomy: Twentieth Century American Women and the Quest for Self-Realization Purdue University Purdue e-Pubs Open Access Dissertations Theses and Dissertations January 2015 INTIMACY AND AUTONOMY: TWENTIETH CENTURY AMERICAN WOMEN AND THE QUEST FOR SELF- REALIZATION Mary Florence Barford Purdue University Follow this and additional works at: https://docs.lib.purdue.edu/open_access_dissertations Recommended Citation Barford, Mary Florence, "INTIMACY AND AUTONOMY: TWENTIETH CENTURY AMERICAN WOMEN AND THE QUEST FOR SELF-REALIZATION" (2015). Open Access Dissertations. 1088. https://docs.lib.purdue.edu/open_access_dissertations/1088 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. INTIMACY AND AUTONOMY: TWENTIETH CENTURY AMERICAN WOMEN AND THE QUEST FOR SELF-REALIZATION A Dissertation Submitted to the Faculty of Purdue University by Mary F. V. Barford In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December, 2015 Purdue University West Lafayette, Indiana ii For my parents ii iii ACKNOWLEDGEMENTS It is a rare joy to be able in some formal capacity to thank the people in your life that deserve your thanks. I finished this project as a 38 year-old single mother of two. My route toward completion was circuitous and along that twisty path I acquired many a debt of gratitude that I am happy to pay back if just slightly in these few pages. First, I want to thank my phenomenal advisor, Dr. Susan Curtis. Dr. Curtis has been a mentor to me, not only as a scholar and a teacher, but ultimately as a human being. She carries all the accouterments of a great historian – curiosity, intelligence, perseverance, and an undeniable work ethic. My first moments in her class I knew immediately that she was the kind of historian that I wanted to be – engaged with ideas, innovative, and determined that our work be meaningful to the present. Beyond her intellectual gifts she is a person of tremendous openness and compassion. At every turn iii she was there as a force that both challenged and supported me. I want to thank my two spectacular daughters, Sofia Rose and Johanna Florence. It is impossible to relate in words how much I love these two beings. So much of my effort is with the hopes of providing a life of opportunity for them as well as setting an example for them of all a woman can do. The many nights I spent writing instead of doing so many other things I hope that they will some day see was worth the effort in the iv end. They were and always are both muse and motivation. They are the embodiment of delight and as Hettie Jones says of her daughters, I fall on my knees in front of them. I have gained a great deal from many dear friendships in the past few years. My Lafayette ladies including Stacey Gable, Sasha Reel, Kate Sweeney, Sarah Casto, Kayla Carlson, Ashley Watson, Megan Wells, and Andrea Sullivan have always been places to turn for warmth or laughs or conversation that helped me through many a difficult time. I also want to thank the Miller/Van Gorder families for taking me in as one of your own and always making me and the girls feel like part of the family. I want to thank my friend, Chris Hanlon, for talking to me seriously and being hilarious and encouraging all at the same time. I also want to thank my friend, Siggy Zahner, who appeared one evening and made life so much better. I also want to give a huge shout out here to my students at Lafayette Jefferson High School. You all don’t know it, but you really taught me who I was. You drove me crazy, but made me laugh every day and what we achieved in our time together is one of the greatest accomplishments of my life. It has been a great honor to be your teacher. iv I want to thank my brother Ian. He is the closest thing I have to an unwavering supporter since my Dad passed away in 2010. He is a man with a huge capacity for love and he has shared his love with me from the moment I was born. Sometimes we fight, but he is in my corner like nobody’s business and I have leaned on that many times. Thank you so much, Ianny for being an incredible big brother. I also want to thank my older brother, Dan. From the time I was a very little child he talked to me as an equal, he valued my ideas and my personhood and shared of himself in ways that enchanted and delighted me from the time I was very young. I v learned so much from Dan about beauty, and about ideas, and even about pain. I miss him every day. Dru Alkire joined my journey two years ago. He suffered through some of the pains of me writing this dissertation, when I couldn’t really relax or just hang out for months on end. He supported my efforts, made dinners and celebrated the final triumph by my side. He also did math homework with Sofie when I didn’t have time and filled our lives with his humor and generous spirit. More than anything he has loved my daughters and me, truly and sincerely. We all three love him and we are so glad that he and his family are now a part of our lives. I want to thank my daughter’s father, Jesse, as well. Our marriage did not work out, but we have both worked hard to work well together as parents and that is something to really value and appreciate. The other members of my committee, Dr. Nancy Gabin, Dr. Ryan Schneider, and Dr. Yvonne Pitts are all faculty that I worked closely with at one point or another and from all of them I have benefitted enormously. v Lastly, but not the least this dissertation is wholly dedicated to my incredible parents. My Mom has been tremendously supportive of me as a mother and as a scholar. She supported this effort whole-heartedly and was willing to help in all manner of ways. Though she lives a few hours away she would come to visit bringing food and comfort and care for all of us. She would walk the dog and pick the girls up from school. She has been a kind of partner to me for all the years that I’ve been a single parent, supporting me in every way that she could manage from far away. My Dad passed away in 2010, but this project is his in every way as well. He planted all the seeds that manifest in any vi success that I ever have in my life. My Dad loved and fought for the things that moved him – social justice, philosophy, the arts, and me. He listened to me from the time I was very little. Even though he was a Philosophy professor he took my ideas very seriously and his strength I try to access every day. Writing this dissertation is without a doubt one of the most meaningful experiences of my life. It's so much more than a paper, it's an expression of myself and my capacities as a woman, the wake of which will reverberate on to my own daughters and hopefully to theirs as well. My Mom and Dad are the roots and the source of this whole experience and their love is alive in every word that I write. This dissertation is written in their honor. vi TABLE OF CONTENTS Page ABSTRACT ..................................................................................................................... viii PREFACE...........................................................................................................................ix INTRODUCTION .............................................................................................................. 1 JOYCE JOHNSON AND JACK KEROUAC .................................................................. 50 HETTIE JONES AND LEROI JONES ............................................................................ 96 LEE KRASNER AND JACKSON POLLOCK ............................................................. 152 ETTA MOTEN AND CLAUDE BARNETT ................................................................. 232 BIBLIOGRAPHY ........................................................................................................... 278 VITA................................................................................................................................296 viii ABSTRACT Barford, Mary Florence Virginia. PhD, Purdue University, December, 2015. Intimacy and Autonomy: Twentieth Century American Women and the Quest for Self-Realization. Major Professor: Susan Curtis. This dissertation examines the effects of culturally managed gender expectations on intimate spaces. The study of these intimate spaces is rooted in the biographies of four relationships in the post-war period. Through exploration of these individual stories an understanding emerges of how monolithic cultural paradigms work for men and for women in very different ways. For purposes of archival availability and continuity, this dissertation focuses on a very specific group of people, namely women of great talent and ambition who were either married to or in a relationship with a man whose fame eclipsed her own. My question became how have women managed their own fulfillment within the limitations of a culture that so heavily promoted marriage and family as the only avenues for true feminine satisfaction. Furthermore, how did these women compromise or assert themselves in their quest for self-realization. Each relationship examined in this dissertation sheds light on a different aspect of the same cultural dilemma. The first couple examined is Joyce Johnson and Jack Kerouac. Joyce Johnson was a young writer herself when she met Kerouac, and was with him during his leap into fame after the publication of On the Road. This chapter explores the idea of privilege and the female attempt to find identity through connection to a man. The second chapter looks at Hettie ix and LeRoi Jones. This chapter uncovers the complications of race in the post-war period and the way that cultural antagonisms can seep into otherwise neutral or even loving environments. Hettie and LeRoi Jones also shared two children and that aspect of intimacy is also developed in this chapter.
Load more

Recommended publications
  • Copyright by Cary Cordova 2005
    Copyright by Cary Cordova 2005 The Dissertation Committee for Cary Cordova Certifies that this is the approved version of the following dissertation: THE HEART OF THE MISSION: LATINO ART AND IDENTITY IN SAN FRANCISCO Committee: Steven D. Hoelscher, Co-Supervisor Shelley Fisher Fishkin, Co-Supervisor Janet Davis David Montejano Deborah Paredez Shirley Thompson THE HEART OF THE MISSION: LATINO ART AND IDENTITY IN SAN FRANCISCO by Cary Cordova, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2005 Dedication To my parents, Jennifer Feeley and Solomon Cordova, and to our beloved San Francisco family of “beatnik” and “avant-garde” friends, Nancy Eichler, Ed and Anna Everett, Ellen Kernigan, and José Ramón Lerma. Acknowledgements For as long as I can remember, my most meaningful encounters with history emerged from first-hand accounts – autobiographies, diaries, articles, oral histories, scratchy recordings, and scraps of paper. This dissertation is a product of my encounters with many people, who made history a constant presence in my life. I am grateful to an expansive community of people who have assisted me with this project. This dissertation would not have been possible without the many people who sat down with me for countless hours to record their oral histories: Cesar Ascarrunz, Francisco Camplis, Luis Cervantes, Susan Cervantes, Maruja Cid, Carlos Cordova, Daniel del Solar, Martha Estrella, Juan Fuentes, Rupert Garcia, Yolanda Garfias Woo, Amelia “Mia” Galaviz de Gonzalez, Juan Gonzales, José Ramón Lerma, Andres Lopez, Yolanda Lopez, Carlos Loarca, Alejandro Murguía, Michael Nolan, Patricia Rodriguez, Peter Rodriguez, Nina Serrano, and René Yañez.
    [Show full text]
  • The Negro Press and the Image of Success: 1920-19391 Ronald G
    the negro press and the image of success: 1920-19391 ronald g. waiters For all the talk of a "New Negro," that period between the first two world wars of this century produced many different Negroes, just some of them "new." Neither in life nor in art was there a single figure in whose image the whole race stood or fell; only in the minds of most Whites could all Blacks be lumped together. Chasms separated W. E. B. DuBois, icy, intellectual and increasingly radical, from Jesse Binga, prosperous banker, philanthropist and Roman Catholic. Both of these had little enough in common with the sharecropper, illiterate and bur­ dened with debt, perhaps dreaming of a North where—rumor had it—a man could make a better living and gain a margin of respect. There was Marcus Garvey, costumes and oratory fantastic, wooing the Black masses with visions of Africa and race glory while Father Divine promised them a bi-racial heaven presided over by a Black god. Yet no history of the time should leave out that apostle of occupational training and booster of business, Robert Russa Moton. And perhaps a place should be made for William S. Braithwaite, an aesthete so anonymously genteel that few of his White readers realized he was Black. These were men very different from Langston Hughes and the other Harlem poets who were finding music in their heritage while rejecting capitalistic America (whose chil­ dren and refugees they were). And, in this confusion of voices, who was there to speak for the broken and degraded like the pitiful old man, born in slavery ninety-two years before, paraded by a Mississippi chap­ ter of the American Legion in front of the national convention of 1923 with a sign identifying him as the "Champeen Chicken Thief of the Con­ federate Army"?2 In this cacaphony, and through these decades of alternate boom and bust, one particular voice retained a consistent message, though condi­ tions might prove the message itself to be inconsistent.
    [Show full text]
  • Mason Williams
    City of Ambition: Franklin Roosevelt, Fiorello La Guardia, and the Making of New Deal New York Mason Williams Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 Mason Williams All Rights Reserved Abstract City of Ambition: Franklin Roosevelt, Fiorello La Guardia, and the Making of New Deal New York Mason Williams This dissertation offers a new account of New York City’s politics and government in the 1930s and 1940s. Focusing on the development of the functions and capacities of the municipal state, it examines three sets of interrelated political changes: the triumph of “municipal reform” over the institutions and practices of the Tammany Hall political machine and its outer-borough counterparts; the incorporation of hundreds of thousands of new voters into the electorate and into urban political life more broadly; and the development of an ambitious and capacious public sector—what Joshua Freeman has recently described as a “social democratic polity.” It places these developments within the context of the national New Deal, showing how national officials, responding to the limitations of the American central state, utilized the planning and operational capacities of local governments to meet their own imperatives; and how national initiatives fed back into subnational politics, redrawing the bounds of what was possible in local government as well as altering the strength and orientation of local political organizations. The dissertation thus seeks not only to provide a more robust account of this crucial passage in the political history of America’s largest city, but also to shed new light on the history of the national New Deal—in particular, its relation to the urban social reform movements of the Progressive Era, the long-term effects of short-lived programs such as work relief and price control, and the roles of federalism and localism in New Deal statecraft.
    [Show full text]
  • The Pulitzer Prizes 2020 Winne
    WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70
    [Show full text]
  • PIER 34 Something Possible Everywhere Something Possible
    NYC 1983–84 NYC PIER 34 Something Possible Everywhere Something Possible PIER 34 Something Possible Everywhere NYC 1983–84 PIER 34 Something Possible Everywhere NYC 1983–84 Jane Bauman PIER 34 Mike Bidlo Something Possible Everywhere Paolo Buggiani NYC 1983–84 Keith Davis Steve Doughton John Fekner David Finn Jean Foos Luis Frangella Valeriy Gerlovin Judy Glantzman Peter Hujar Alain Jacquet Kim Jones Rob Jones Stephen Lack September 30–November 20 Marisela La Grave Opening reception: September 29, 7–9pm Liz-N-Val Curated by Jonathan Weinberg Bill Mutter Featuring photographs by Andreas Sterzing Michael Ottersen Organized by the Hunter College Art Galleries Rick Prol Dirk Rowntree Russell Sharon Kiki Smith Huck Snyder 205 Hudson Street Andreas Sterzing New York, New York Betty Tompkins Hours: Wednesday–Sunday, 1–6pm Peter White David Wojnarowicz Teres Wylder Rhonda Zwillinger Andreas Sterzing, Pier 34 & Pier 32, View from Hudson River, 1983 FOREWORD This exhibition catalogue celebrates the moment, thirty-three This exhibition would not have been made possible without years ago, when a group of artists trespassed on a city-owned the generous support provided by Carol and Arthur Goldberg, Joan building on Pier 34 and turned it into an illicit museum and and Charles Lazarus, Dorothy Lichtenstein, and an anonymous incubator for new art. It is particularly fitting that the 205 donor. Furthermore, we could not have realized the show without Hudson Gallery hosts this show given its proximity to where the the collaboration of its many generous lenders: Allan Bealy and terminal building once stood, just four blocks from 205 Hudson Sheila Keenan of Benzene Magazine; Hal Bromm Gallery and Hal Street.
    [Show full text]
  • National Urban League Records
    National Urban League A Finding Aid to the Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 2011 Revised 2013 October Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms997012 LC Online Catalog record: http://lccn.loc.gov/mm73040774 Prepared by Joseph Sullivan, Clarencetta Jelks, and Harry G. Heiss with the assistance of Paul Colton, Patrica Craig, Patrick Kerwin, Melissa Little, Lisa Madison, Sherralyn McCoy, John Monagle, and William Parham Collection Summary Title: National Urban League Records Span Dates: 1900-1988 Bulk Dates: (bulk 1930-1979) ID No.: MSS40774 Creator: National Urban League Extent: 616,000 items ; 2,002 containers ; 821 linear feet ; 18 microfilm reels Language: Collection material in English Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: Civil rights organization. Correspondence, minutes of meetings, speeches, reports, surveys, statistical data, financial and legal records, scrapbooks, printed material, and other records relating to the programs and policies of the league and its affiliates. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Alston, Harry L., 1914- Barnett, Claude, 1890- --Correspondence. Bell, William Y. (William Yancy) Bethune, Mary McLeod, 1875-1955--Correspondence. Coleman, Clarence D. Granger, Lester B. (Lester Blackwell), 1896-1976--Correspondence. Granger, Lester B. (Lester Blackwell), 1896-1976. Lester B. Granger papers. Harrington, Oliver W.
    [Show full text]
  • Summer Camp's Color Line
    SUMMER CAMP’S COLOR LINE: RACIALIZED LANDSCAPES AND THE STRUGGLE FOR INTEGRATION, 1890-1950 By Amanda Suzanne Hardin A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History MONTANA STATE UNIVERSITY Bozeman, Montana April 2017 ©COPYRIGHT by Amanda Suzanne Hardin 2017 All Rights Reserved ii DEDICATION This thesis is dedicated to the subjects and creators of An American Ascent, the documentary film that prompted my initial research question. iii ACKNOWLEDGEMENTS I could not have completed this project without the tremendous encouragement and guidance I received from many. I sincerely thank my graduate student peers in the Department of History and Philosophy who listened to my ideas and critiqued my scholarship. I also received a treasure-trove of feedback and reassurance along the way from professors, including Mary Murphy, Janet Ore, and Mark Fiege. My committee— Catherine Dunlop, Amanda Hendrix-Komoto, and Robert Rydell—generously offered their time and invaluable assistance. Special thanks is reserved for my committee chair, Billy Smith, who has sacrificed innumerable hours editing my writing and helping me to refine my argument. I thank him for his steadfast mentorship and refreshing comedic presence. Archivists and librarians at the Rare Books and Manuscript Collection at Columbia University, the Schomburg Center for Research in Black Culture, the Howard Gotlieb Archival Research Center, and the Library of Congress offered access to their collections, without which my thesis would not be possible. I received financial support from several organizations, including the Charles Redd Center for an Off-Campus Graduate Student Award, the History and Philosophy Department at Montana State University for a research travel grant, and the College of Letters and Sciences at Montana State University for a research travel grant.
    [Show full text]
  • NABS 2020 Souvenir Journal
    38th Annual National Black Storytelling Festival and Conference Our First Virtual Festival November 18-21, 2020 “The Authentic Voice of Black Storytelling” For More Information Visit Our Website www.nabsinc.org Co-Founders Mother Mary Carter Smith Mama Linda Goss Black Storytellers Alliance Congratulates NABS for their 38th Annual “In The Tradition…” Conference and Festival! Due to the Covid 19 pandemic, we missed seeing you in Minneapolis in September and we miss seeing you in Richmond in November. STAY TUNED for these Fantastic Storytellers that we had planned for you this year. We will preset them –hopefully, Spring 2021 — via Zoom! Watch our website: www.blackstorytellers.com and watch for future notifications through NABS membership. Our theme this year: “Now’s The Time To Get Into Good Trouble!” credit to the late great Congressman from Georgia, Brother John Robert Lewis Mama Koku Baba Jamal Atiba & Oceana Len Cabral Toni Simmons Oba King Gran’Daddy Kathy Culmer Mother Minter Val Tutson The murder of George Floyd catapulted Minneapolis/St. Paul MN Special appearance by into the epicenter of the movement to eradicate systemic racism. We National Recording Gospel know that the hard work must & R & B Artists continue - and will! This Festival is constructed to uplift our people throughout the world to Get in Good Trouble! “Eddie” Robinson & Gwen Matthews Co-Founders Mother Mary Carter Smith Mama Linda Goss NABS History Mama Linda Goss of Philadelphia, PA and beloved ancestor Mother Mary Carter Smith of Baltimore, MD are co-founders of the National Association of Black Storytellers, Inc. They conceived the idea in 1982 to increase opportunities for African American storytellers to be heard and to expand opportunities for the rich heritage of the African American Oral Tradition to be shared.
    [Show full text]
  • Oxford Conference for the Book Participants, 2003–2012
    Oxford Conference for the Book Participants, 2003–2012 JEFFREY RENARD ALLEN is the author of two collections of poetry, Stellar Places and Harbors and Saints, and a novel, Rails Under My Back, which won the Chicago Tribune’s Heartland Prize for Fiction. He has also published essays, poems, and short stories in numerous publications and is currently completing his second novel, Song of the Shank, based on the life of Thomas Greene Wiggins, a 19th-century African American piano virtuoso and composer who performed under the stage name Blind Tom. Allen is an associate professor of English at Queens College of the City University of New York and an instructor in the MFA writing program at New School University. (2008) STEVE ALMOND is the author of the story collections My Life in Heavy Metal and The Evil B. B. Chow and Other Stories, as well as the nonfiction work Candyfreak. Almond has published stories and poems in such publications as Playboy, Tin House, and Zoetrope: All-Story; and many have been anthologized. He is a regular commentator on the NPR affiliate WBUR in Boston and teaches creative writing at Boston College. (2005) STEVEN AMSTERDAM is the author of Things We Didn’t See Coming, a debut collection of stories published to rave reviews in February 2009. Amsterdam, a native New Yorker, moved to Melbourne, Australia, in 2003, where he is employed as a psychiatric nurse and is writing his second book. (2010) BILL ANDERSON is the second child and older son of Walter Anderson and his wife, Agnes Grinstead Anderson.
    [Show full text]
  • From Beat to Bad Connections: Joyce Johnson's (Feminist) Response To
    Faculteit Letteren & Wijsbegeerte Valérie Partoens From Beat to Bad Connections: Joyce Johnson’s (Feminist) Response to Kerouac’s On the Road Masterproef voorgedragen tot het behalen van de graad van Master in de American Studies 2014 Promotor Prof. Isabel Meuret Vakgroep Letterkunde Expression of thanks First of all, I would not have been able to complete this dissertation without the time and guidance of my supervisor Isabel Meuret. In addition, I would also like to thank the Master Program of American Studies and its team of professors for giving me the opportunity to gain more knowledge about a field of studies in which I have always been extremely interested. Likewise, I would also want to express my gratitude towards my classmates, of whom many now have become close friends, for their friendship and for their help during this year. Evidently, I would not be able to finish this thesis and this year of higher education without the support of my family and friends, who always believed in me even when I did not. Last but not least, I would like to express my sincere gratitude to Joyce Johnson, who took the time to personally discuss her novel Bad Connections and as a result gave me the opportunity to gain a more comprehensive insight into the particular setting of the novel and her life within the Beat movement. 2 Table of Contents EXPRESSION OF THANKS ..................................................................................................2 1 INTRODUCTION .................................................................................................................4
    [Show full text]
  • How I Became Hettie Jones Free
    FREE HOW I BECAME HETTIE JONES PDF Hettie Jones | 239 pages | 01 Jan 1997 | Avalon Travel Publishing | 9780802134967 | English | Chicago, United States Grace Before Jones review – a peek behind the mask of megastardom | Art and design | The Guardian B efore there was Grace Jones — icon, goddess, warrior, megastar — there was a different Grace, young and awkward. Aged 21 or 22, she greets us through a doorway in an early modelling shot: head tilted appealingly; hair in a polite chignon; a nervous smile. This Grace Jones is bare shouldered but for two lengths of thick gold chain wound tight around her neck: a clumsy bit of styling, and one that is chokingly uncomfortable. Twenty-one years later, on stage at the Palladium, she will perform Slave to the Rhythm costumed entirely in chains: cowl, dress and long strands of linked metal dangling from cuffs on her wrists. Jones quickly How I Became Hettie Jones to understand the power of the image, and has worked it brutally hard for more than 50 years to retain her place in the spotlight. Getting into that spotlight in the first place meant performing for the camera and impressing the men who controlled it. Struck off the How I Became Hettie Jones after a brief stint with the Black Beauty model agency in New York, she found an early champion in the photographer Anthony Barbozawho captured her angular beauty in an early black and white portrait tightly cropped to her face, all humid skin and structural drama. Within a few years, Jones had transformed herself so totally into a mythic object that you forget the young woman avidly constructing this Kevlar- tough image around herself.
    [Show full text]
  • AN EXAMINATION of ART FORGERY and the LEGAL TOOLS PROTECTING ART COLLECTORS Leila A
    ARE YOU FAUX REAL? AN EXAMINATION OF ART FORGERY AND THE LEGAL TOOLS PROTECTING ART COLLECTORS Leila A. Amineddoleh | Cardozo Arts and Entertainment Law Journal Document Details All Citations: 34 Cardozo Arts & Ent. L.J. 59 Search Details Jurisdiction: National Delivery Details Date: July 19, 2016 at 9:02 PM Delivered By: kiip kiip Client ID: KIIPLIB02 Status Icons: © 2016 Thomson Reuters. No claim to original U.S. Government Works. ARE YOU FAUX REAL? AN EXAMINATION OF ART..., 34 Cardozo Arts &... 34 Cardozo Arts & Ent. L.J. 59 Cardozo Arts and Entertainment Law Journal 2016 Article ARE YOU FAUX REAL? AN EXAMINATION OF ART FORGERY AND THE LEGAL TOOLS PROTECTING ART COLLECTORS r1 Leila A. Amineddoleh a1 Copyright (c) 2016 Yeshiva University; Leila A. Amineddoleh INTRODUCTION 61 I. BACKGROUND 62 A. Rise in Authorship 62 B. The Existence of Forgeries 64 C. A Robust Art Market Leads to Increasing Prices and the Prevalence of Forgeries 66 1. The Current Market is Full of Forgeries 66 2. There is a Circular Relationship: The Art Market Thrives, Prices Increase, and 69 Connoisseurship Gains Greater Importance II. HOW THE LAW GRAPPLES WITH AUTHENTICITY 70 A. The First High Profile Authentication Battle in US Courts: Hahn v. Duveen 70 III. WHAT DOES IT MEAN TO BE “AUTHENTIC”? 72 A. Authenticity as a Three-Legged Stool 72 B. The Vulnerability of Modern Masters Leads to the Shuttering of One of the Most 74 Prestigious American Galleries C. Sometimes There is No Definitive Answer Regarding Authorship 79 D. Authenticity Disputes Have Altered the Landscape for Art Experts 80 E.
    [Show full text]