{PDF} on the Road : the Original Scroll
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Writings by of the Beat Generation Edited by Richard Peabody
a edited by richard peabody writings by women of the beat generation eat BOOKS Contents Introduction 1 Mimi Albert from The Second Story Man 4 Carol Berge tessa's song 12 Pavane for the White Queen 15 Chant for Half the World 18 Etching 21 Carolyn Cassady from Off the Road: My Years with Cassady, Kerouac, and Ginsberg 22 Elise Cowen "At the acting class" 27 "Dear God of the bent trees of Fifth Avenue" 27 "Death I'm coming" 28 "I took the skin of corpses" 29 "I wanted a cunt of golden pleasure" 30 "If it weren't for love I'd snooze all day" 31 "The sound now in the street is the echo of a long" 31 "Trust yourself—but not too far" 32 LeoSkir Elise Cowen: A Brief Memoir of the Fifties 33 Diane di Prima The Quarrel 46 Requiem 47 Minor Arcana 48 The Window 49 For Zella, Painting 50 from Memoirs of a Beatnik 51 Brenda Frazer Breaking out of D.C. (1959) 60 Sandra Hochman Farewell Poems 65 About My Life at That Time 66 Postscript 66 Julian 67 The Seed 68 Cancer 69 Burning with Mist 70 There Are No Limits to Mv Svstem 71 Joyce Johnson from Minor Characters 72 Contents I vii Kay Johnson Proximity 80 poems from paris 84 Hettie Jones from How I Became Hettie Jones 88 Lenore Kandel First They Slaughtered the Angels 100 Love-Lust Poem 103 Junk/Angel 105 Blues for Sister Sally 106 Eileen Kaufman from Who Wouldn't Walk with Tigers 108 Frankie "Edie" from You'll Be Okay 115 Kerouac-Parker Jan Kerouac from Baby Driver 124 from Trainsong 132 Joan Haverty Kerouac from Nobody's Wife 134 Joanne Kyger Tapestry 140 "Waiting again" 140 "They are constructing a -
KEROUAC, JACK, 1922-1969. John Sampas Collection of Jack Kerouac Material, Circa 1900-2005
KEROUAC, JACK, 1922-1969. John Sampas collection of Jack Kerouac material, circa 1900-2005 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Creator: Kerouac, Jack, 1922-1969. Title: John Sampas collection of Jack Kerouac material, circa 1900-2005 Call Number: Manuscript Collection No. 1343 Extent: 2 linear feet (4 boxes) and 1 oversized papers box (OP) Abstract: Material collected by John Sampas relating to Jack Kerouac and including correspondence, photographs, and manuscripts. Language: Materials entirely in English. Administrative Information Restrictions on Access Special restrictions apply: Use copies have not been made for audiovisual material in this collection. Researchers must contact the Rose Library at least two weeks in advance for access to these items. Collection restrictions, copyright limitations, or technical complications may hinder the Rose Library's ability to provide access to audiovisual material. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Related Materials in Other Repositories Jack Kerouac papers, New York Public Library Related Materials in This Repository Jack Kerouac collection and Jack and Stella Sampas Kerouac papers Source Purchase, 2015 Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. John Sampas collection of Jack Kerouac material, circa 1900-2005 Manuscript Collection No. 1343 Citation [after identification of item(s)], John Sampas collection of Jack Kerouac material, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. -
On the Borderline of Expectation and Desire in Joyce Johnson's
Archived thesis/research paper/faculty publication from the University of North Carolina at Asheville’s NC DOCKS Institutional Repository: http://libres.uncg.edu/ir/unca/ “Mad to Be Saved”: On the Borderline of Expectation and Desire in Joyce Johnson’s Come and Join the Dance Senior Paper Presented in Partial Fulfillment of the Requirements For a Degree Bachelor of Arts with A Major in Literature at The University of North Carolina at Asheville Spring 2016 By Jessica Nicole Pringle ____________________ Thesis Director Dr. Evan Gurney ____________________ Thesis Advisor Dr. Lori Horvitz Pringle 1 The year is 1955 in America the Great. Dwight Eisenhower is president, the Battle of Dienbienphu is underway, and Allen Ginsberg is reading his first draft of “Howl” at the Gallery Six. The Seven Year Itch has hit the big screen, women are stationed in their houses, and the economy has been struck by a momentous deflation. Vagabonds are scouring the states, their right thumbs in the air, while the abomunists1 perform their 9-5’s in the center of an emergent poetic riff-raff. The 1950s was jazz, was finger-snapping stanzas; it was the year of the creative delinquent. The 1950s was The Beat Generation, and a fraction of that beat feeling can be attributed to 1950’s America being wrought with strict stereotypical roles for men and women, which produced alarming consequences. To give context, men were oftentimes the ‘breadwinners,’ and were afforded the opportunities to establish careers, to explore the world in a multitude of ways, and to realize the capacity of their talents and traits, all which worked together in cultivating a sense of identity (Lindsey 17). -
The Bird That Flew Backwards
Ursinus College Digital Commons @ Ursinus College English Honors Papers Student Research 4-15-2018 The irB d That Flew Backwards Robin Gow Ursinus College, [email protected] Adviser: Meredith Goldsmith Follow this and additional works at: https://digitalcommons.ursinus.edu/english_hon Part of the American Studies Commons, Digital Humanities Commons, English Language and Literature Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, and the Other Feminist, Gender, and Sexuality Studies Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Gow, Robin, "The irB d That Flew Backwards" (2018). English Honors Papers. 7. https://digitalcommons.ursinus.edu/english_hon/7 This Paper is brought to you for free and open access by the Student Research at Digital Commons @ Ursinus College. It has been accepted for inclusion in English Honors Papers by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. Gow 1 The Bird that Flew Backwards Robin F. Gow 04/20/2018 Submission Statement: Submitted to the Faculty of Ursinus College in fulfillment of the requirements for Honors in English Gow 2 Abstract: The Bird that Flew Backwards examines women poets from literary Modernism in the 1910s and Beat culture in the 1950s. Analyzing these eras in tandem reveals contrasting historical constructions of American womanhood and how sociocultural trends influenced how the “poetess” constructed herself and her work and illustrates the retrograde nature of women’s rights in the 1950s. Through close reading, digital mapping, and historical background, The Bird that Flew Backwards establishes a new critical perspective by linking the more well-known Modernists with lesser-known women in 1910s Greenwich Village Bohemia. -
INTRODUCTION in 2007, the Fiftieth Anniversary of the Publication Of
INTRODUCTION In 2007, the fiftieth anniversary of the publication of Jack Kerouac’s On the Road , the original scroll on which the novel was based toured the country and was published for the first time in book form by Viking. This literary document, which was purchased for a record sum of $2.43 million, has taken on a mythology befitting its scripture-like appearance. According to the legend, after three furious and Benzedrine-fueled weeks in April 1951, Kerouac emerged from a New York City apartment with a complete novel of more than 120,000 words. The work represented a radical challenge to conventional literary tastes: it was typed on a 120-foot-long scroll of teletype paper and contained virtually no punctuation. After his publisher Harcourt Brace rejected it, Kerouac replied, “It was dictated by the Holy Spirit! It doesn’t need editing!” As the legend has it, the novel that was eventually published as On the Road six years later was but a tame, heavily censored version of the original. The reality of the story is quite different. Howard Cunnell in his introduction to On the Road: The Original Scroll punctures several myths surrounding the scroll, including Kerouac’s use of Benzedrine (he took nothing stronger than coffee), its physical appearance (it was actually typed on long sheets of drawing paper not teletype paper), and its disregard of punctuation (it is for the most part conventionally punctuated). More importantly, the scroll did not emerge out of thin air – since 1947, Kerouac had made several attempts to begin his road novel, all of which he came to realize were false starts. -
You'll Be Okay: My Life with Jack Kerouac, 2007, 286 Pages, Edie Kerouac-Parker, 0872864642, 9780872864641, City Lights Books, 2007
You'll Be Okay: My Life with Jack Kerouac, 2007, 286 pages, Edie Kerouac-Parker, 0872864642, 9780872864641, City Lights Books, 2007 DOWNLOAD http://bit.ly/16BAeYu http://www.barnesandnoble.com/s/?store=book&keyword=You%27ll+Be+Okay%3A+My+Life+with+Jack+Kerouac "Sad and funny, full of pathos and the lost dreams of youth, 'You'll Be Okay' will find it's way to the short list of exceptional books by women of the Beat Generation that includes Carolyn Cassady's 'Off the Road' and Joyce Johnson's 'Minor Characters.' This year, on the 50th anniversary of the publication of 'On the Road,' readers may well want to turn to Edie's long-overdue memoir for one woman's soulful view of Kerouac, Carr, Ginsberg and Burroughs, whom she knew intimately and describes in her own inimitable style." Jonah Raskin, The San Francisco Chronicle"You have a unique viewpoint from which to write about Jack as no one else has or could write. I feel very deeply that this book must be written. And no one else, I repeat, can write it." William S. BurroughsEdie Parker was eighteen years old when she met Jack Kerouac at Columbia University in 1940. A young socialite from Grosse Pointe, Michigan, she had come to New York to study art and quickly found herself swept up in the excitement and new freedoms that the big city offered a sheltered young woman of that time.Jack Kerouac was also eighteen, attending Columbia on a football scholarship, impressing his friends with his intelligence and knowledge of literature. -
Department of English and American Studies Representation of Female
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Bc. Magdalena Šedrlová Representation of Female Characters in Jack Kerouac’s On the Road and Its Film Adaptations Master’s Diploma Thesis Supervisor: doc. PhDr. Tomáš Pospíšil, Ph. D. 2016 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature Acknowledgement I would like to thank my supervisor, doc. PhDr. Tomáš Pospíšil, Ph.D., for his guidance, invaluable advice, useful remarks, and, above all, for not giving up on me. Table of Contents 1) THE BEAT GENERATION ........................................................................... 5 2) JACK KEROUAC ....................................................................................... 9 3) ON THE ROAD ....................................................................................... 19 3.1 On the Road – plot summary ....................................................................................... 19 3.2 On the Road – writing and publication ....................................................................... 26 3.3 Women in On the Road ................................................................................................. 29 3.3.1 Marylou..................................................................................................................... 30 3.3.2 Camille ..................................................................................................................... -
Stewart, Katie Jennifer (2007) 'A Kind of Singing in Me' : a Critical Account of Women Writers of the Beat Generation
Stewart, Katie Jennifer (2007) 'A kind of singing in me' : a critical account of women writers of the Beat generation. PhD thesis. http://theses.gla.ac.uk/2805/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] 'A Kind of Singing in Me': A Critical Account of Women Writers of the Beat Generation Katie Jennifer Stewart Thesis submitted for the degree of Doctor of Philosophy to the University of Glasgow Department of English Literature June 2007 © Katie Jennifer Stewart, 2007 ABSTRACT This thesis provides a critical account of women writers of the Beat generation. Writers such as Diane di Prima, Hettie Jones, Joanne Kyger, Joyce Johnson, Bonnie Bremser, and Janine Pommy Vega were part of the 1950s Beat literary culture and had social relationships with the more famous male Beat writers such as Jack Kerouac and Allen Ginsberg. To differing degrees the women writers have also been influenced by the aesthetics of the male writers, and since the 1950s their work has been contextualised alongside the men's in literary magazines, anthologies and more recent academic studies. -
The Women of the Beat Writers Symposium - Mania: the Lives, Literature, and Law of the Beats: Session I: Weaving Lives Into Literature
Alabama Law Scholarly Commons Articles Faculty Scholarship 2013 On the Road without a Map: The Women of the Beat Writers Symposium - Mania: The Lives, Literature, and Law of the Beats: Session I: Weaving Lives into Literature Jean Stefancic University of Alabama - School of Law, [email protected] Follow this and additional works at: https://scholarship.law.ua.edu/fac_articles Recommended Citation Jean Stefancic, On the Road without a Map: The Women of the Beat Writers Symposium - Mania: The Lives, Literature, and Law of the Beats: Session I: Weaving Lives into Literature, 37 Seattle U. L. Rev. xv (2013). Available at: https://scholarship.law.ua.edu/fac_articles/321 This Article is brought to you for free and open access by the Faculty Scholarship at Alabama Law Scholarly Commons. It has been accepted for inclusion in Articles by an authorized administrator of Alabama Law Scholarly Commons. On the Road Without a Map: The Women of the Beat Writers Jean Stefancic* 1. INTRODUCTION During a tribute to Allen Ginsberg' at the Naropa Institute in Boul- der in July 1994, a woman in the audience asked: "Why are . so few women on this panel? Why . .. so few women in this whole week's pro- gram? Why . so few . among the Beat writers?" Corso, suddenly utterly serious, leaned forward and said: There were women, they were there, I knew them, their families put them in institutions, they were given electric shock. In the '50s if you were male you could be a rebel, but if you were female, your families had you locked up. -
Mmubn000001 086195107.Pdf
PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/113712 Please be advised that this information was generated on 2021-09-24 and may be subject to change. «•• 1* \ ν ^i',i JAAP VAN DER BENT A HUNGER TO PARTICIPATE THE WORK OF JOHN CLELLON HOLMES 1926-1988 A HUNGER TO PARTICIPATE THE WORK OF JOHN CLELLON HOLMES 1926-1988 A HUNGER TO PARTICIPATE THE WORK OF JOHN CLELLON HOLMES 1926-1988 Een wetenschappelijke proeve op bet gebied van de letteren PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Katholieke Universiteit te Nijmegen, volgens besluit van het college van decanen in het openbaar te verdedigen op maandag 4 december 1989 des namiddags te 1.30 uur precies door JACOB WILLEM VAN DER BENT geboren op 14 september 1948 te Den Haag Promotor: Prof. dr. G.A.M. Janssene Privately printed Copyright Jaap van der Bent, 1989 CIP Data Koninklijke Bibliotheek, The Hague Bent, Jacob Willem van der A hunger to participate : the work of John Clellon Holmes, 1926-1988 / Jacob Willem van der Bent. - [S.l. : s.n.] Proefschrift Nijmegen. - Met blbliogr., lit. opg. ISBN 90-9003140-5 SISO eng-a 857.6 UDC в20(73)"19"(043.3) Trefw.: Holmes, John Clellon (werken). oonnrs ACKNOWLEDGMENTS 111 Chapter One INTRODUCTION 1 Chapter Two GO 6 Chapter Three THE HORN 52 Chapter Four GET HOME FREE 87 Chapter Five NOTHING MORE TO DECLARE 13A Chapter Six WALKING AWAT FROM THE WAR 161 Chapter Seven TWO UNPUBLISHED NOVELS 195 Chapter Eight MISCELLANEOUS PROSE 243 Chapter Nine POETRt 302 Chapter Ten CONCLUSION 348 ROTES 353 SELECTED BIBLIOGRAPHY 376 SUMMART 381 CURRICULUM VITAE 385 AauKNumoKHTS I wish to acknowledge my gratitude to the Fulbrlght Program and the Netherlands Organization for Scientific Research, which both provided grants that enabled me to carry out an essential part of my research in the United States. -
The Women of the Beat Writers
Alabama Law Scholarly Commons Working Papers Faculty Scholarship 2-28-2014 On the Road Without a Map: The Women of the Beat Writers Jean Stefancic University of Alabama - School of Law, [email protected] Follow this and additional works at: https://scholarship.law.ua.edu/fac_working_papers Recommended Citation Jean Stefancic, On the Road Without a Map: The Women of the Beat Writers, (2014). Available at: https://scholarship.law.ua.edu/fac_working_papers/675 This Working Paper is brought to you for free and open access by the Faculty Scholarship at Alabama Law Scholarly Commons. It has been accepted for inclusion in Working Papers by an authorized administrator of Alabama Law Scholarly Commons. THE UNIVERSITY OF ALABAMA SCHOOL OF LAW On the Road Without a Map: The Women of the Beat Writers Jean Stefancic 37 SEATTLE UNIVERSITY LAW REVIEW xv (2013) This paper can be downloaded without charge from the Social Science Research Network Electronic Paper Collection: http://ssrn.com/abstract=2401930 Electronic copy available at: http://ssrn.com/abstract=2401930 On the Road Without a Map: The Women of the Beat Writers Jean Stefancic* 1. INTRODUCTION During a tribute to Allen Ginsberg' at the Naropa Institute in Boul- der in July 1994, a woman in the audience asked: "Why are . so few women on this panel? Why . .. so few women in this whole week's pro- gram? Why . so few . among the Beat writers?" Corso, suddenly utterly serious, leaned forward and said: There were women, they were there, I knew them, their families put them in institutions, they were given electric shock. -
Female Representation in the Beat Generation
Vulkers 1 Voices From off the Beaten Track: Female Representation in the Beat Generation An analysis of Joyce Johnson, Diane di Prima and Joanne Kyger Joyce Johnson and Jack Kerouac. (Minor Characters cover photo. Picador, 1983) Master Thesis Literature Today Utrecht University Author: Wesley Vulkers Student number: 5684382 Supervisor: Codruta Pohrib, MA Second reader: Dr. Birgit Kaiser 27 June 2019 Vulkers 2 Table of Contents Abstract 3 Introduction 4 Chapter 1: The Beat Generation and Bourdieu’s notion of “habitus” 6 1.1. Generations and “habitus” 6 1.2. Bourdieu’s field theory 9 1.3. The Beat Generation’s timeframe 11 1.4. The Beat Generation in a feminist perspective 17 Chapter 2: The Unheard Voices 21 2.1. Joyce Johnson 21 2.2. Diane di Prima 26 2.3. Joanne Kyger 31 Chapter 3: Heroines in Retrospect? 36 3.1. Memoirs and agency 36 3.2. Johnson’s “Minor Characters” 40 3.3. Di Prima’s “Memoirs of a Beatnik” 45 Conclusion 50 Works cited 53 Vulkers 3 Abstract This thesis examines the exclusion of female authors and their literary works from the Beat Generation discourse. The authors associated with the Beat Generation are all male. Authors such as Jack Kerouac, Allen Ginsberg and William S. Burroughs are often names coming up in debates around the Beat Generation. However, during the rise of the movement, several interesting works were written by female authors. The aim of this thesis is to expose these female authors and to find a possible explanation for their ignored presence within the Beat Generation discourse.