October 2020

Total Page:16

File Type:pdf, Size:1020Kb

October 2020 October 2020 Find out about all the exciting things that have been happening since the end of August. Don’t forget – if you have any stories/articles which you would like everyone to hear about, please email them to me at [email protected] A Sea Kayaking Trip to Anglesey - September 2020 Award-winning design, cutting-edge innovation This year’s planned sea kayaking trips were & world-class paddlesport equipment in the cancelled due to the Coronavirus. However, heart of the Derbyshire Dales. after restrictions were eased and desperate Peak UK have always had a close affiliation to get back on the sea this finally happened. with Midland Canoe Club Three days, two fizzy 'christenings', a maidens READ MORE … first voyage, a birthday, a soap opera and several dizzy blondes…. READ MORE… River Spey 5 Day Kayak Multi-Day Kayak Wild Camping Trip Have you ever fancied going on a wild camping trip and need to know what to take with you? THANK YOU Click here to find out what Simon Taylor, one of As you are aware Midland Canoe Club is run our coaches, recommends you need to take with solely by volunteers who work behind the you…. scenes to keep the club running. This includes Trustees, Committee, Coaches, Membership as well as a lot of many other wonderful people. In this edition, I would like to say a special PERSONAL PERFORMANCE AWARDS thank you to Pete Whitehouse for carrying out the MCC Equipment Inventory 2020 and Iris If you are looking for a fun way to learn to Marles, one of our new members, for painting paddle then you need a Start, Discover, or our benches. Explore course. FIND OUT MORE… READ MORE… October 2020 CONGRAGULATONS! Despite all the restrictions we have had, a number of our members have achieved the following: Alex Allen Canoe Leader Gary Chalklin Paddle Explore Provider Andy Clark Paddle Explore Provider Elaine Nicolson Paddle Explore Provider Joe McDermott Paddlesport Instructor and Paddlesport Leader Alan Perkins Paddlesport Instructor Alex McDermott Paddlesport Instructor Craig Govan Sheltered Water SUP Award Mary O’Halloran-Brown Paddle Explore Award Click on the following link to our website to see all our coaches/instructors: https://midlandcanoeclub.com/new/Documents/MCC_coaches_20200929.pdf POOL SESSIONS General Pool Sessions 2020 28 October 11 November 25 November 9 December 2021 20 January 3 February 17 February 3 March 17 March 31 March 14 April Coached Pool Sessions Capsize Confidently 14 April 2021 Support Stroke Development 25 November 2020 Learn how to Roll* 11 November 2020 9 December 2020 3 February 2021 Paddle Stroke Improvement 17 February 2021 Don’t forget that you need to book in advance via the booking system on the club website. https://midlandcanoeclub.com/new/index.html#wednesdays All sessions can be booked a week in advance and the price is £6 per session. *NB If you would like to book on the Learn how to Roll, all 3 sessions need to be paid for at the time of booking. October 2020 'Anyone fancy a weekend paddling in The Lake District?' What could be simpler to organise I thought as I sent out the email, how wrong was I!!! Normally it would be book a rental property to accommodate numbers, job done. Enter stage left Covid19 restrictions! So now we need separate rooms, no communal areas such as kitchens etc., etc., so a hotel is required. Try finding a hotel with four double rooms and two single rooms available in The Lake District in September. Add to that people's availability, budget and secure parking for cars and kayaks and the task becomes near impossible. After much searching it became clear that The Lake District was a non-starter and eight of us ended up in Anglesey for two nights, Sunday and Monday, at The Gazelle Hotel on the shore of The Menai Straits. The group consisted of Clare and Glen Byram, Teresa and Andy Clark, Karen and John Devonport, Nick Cave and last but not least, John Chamberlin. We arrived early Sunday afternoon in the hope of doing an afternoon paddle. However as we sat outside the hotel drinking coffee looking at the white caps on the Menai Straits I turned to Andy and said tongue in cheek, 'There are eight of us, seven haven't been on the sea this year and one has never been on the sea. Two are in new untried boats and it's blowing force six gusting force eight, what could possibly go wrong!!' We decided plenty, and that paddling was out of the question. So off we went for coffee and biscuits at Dave and Helen Martin's recently purchased home at Bull Bay. A full viewing of their recent property purchase took place and without being asked we all offered suggestions where beds could be positioned to accommodate MCC members on future trips to Anglesey!! A short clifftop walk followed, whilst trying to remain upright against the wind. A large seal and dolphins were spotted amongst the white-caps before we returned to the hotel for our evening meal and the odd shandy. Sunrise from The Gazelle Hotel, Glyngarth onto the shore of the Menai Straits We woke the next day to a totally different outlook, the sun was shining, there was little to no wind and the Menai Straits looked near mirror flat. In addition to which it was Andy's birthday so after a hearty birthday breakfast we set off for Porth Eilian on the north coast planning to paddle west to the abandoned brick works at Porth Wen. October 2020 After unloading the kayaks and taking them down the slipway to the beach, together with all the usual accompanying gear, we gathered around the line of kayaks for a launching ceremony for the two new kayaks prior to their first outing on the sea; Nick Cave's Valley Sirona 15.10 and Karen Devonport's P&H Cetus LV. John Chamberlin had spared no expense by supplying the traditional bottle of champagne for the ceremony (actually it was prosecco from Aldi, but the thought was there!!) John resisted the urge to smash the bottle on the bow, instead opting for more of a christening by pouring a little on to each bow whilst wishing well and safe paddling to all who paddled in them. Fortunately, he didn't use all of the fizz in the ceremony, and by chance we all had a glass ready for our own toast to Teresa Clark who, whilst not in a new boat, was about to undertake her first sea paddle. Once glasses were emptied and stowed we set off for Porth Wen. There was a gentle swell with what wind there was behind us; not challenging, but ideal conditions to get us used to being back on the sea. We paddled close to the shore- line until Llam Carw, a headland just before the entrance to Amlwch harbour, at which point we headed out to East Mouse, a small island some 400 metres out. After paddling round the island we paddled across Bull Bay to the next headland, Ogof Goch, practising using transits, and then on to the disused brickworks at Porth Wen for a sunny lunch stop. Whilst waiting for the tide to turn for our return journey we were entertained by Glen doing his sea otter impression trying to cool off in his dry suit. At the allotted hour we set off but this time the wind that had pushed us along on the way out had picked up in strength and was against us but made the paddling more predictable. We followed a very similar course back with the exception of a detour into Amlwch harbour at Andy's request to search for ice cream. The entrance to Amlwch harbour is very foreboding with its high, grey concrete walls. However, venturing in further to look around at what remains of the old harbour buildings it's possible to get a sense of what the harbour would have looked like in the past, which in my opinion would have been quite picturesque. Returning to Porth Eilian we loaded the kayaks and headed back to the hotel for the early evening chat about the next day's paddle helped along by a Dizzy Blonde a rather nice Robinson's golden ale. October 2020 The Tuesday morning held a couple of surprises; firstly it was calmer than the previous day, resulting in the straits having a mirror surface, and secondly the cars and kayaks were surrounded by a film crew. Obviously we thought they had come to do an in-depth interview about Midland Canoe Club, but alas they were filming an episode of the longest- running Welsh soap opera, Rownd a Rownd. Following breakfast and checking out of the hotel we unloaded the kayaks and, leaving them on the beach outside the hotel, drove to Moel-y-don where we left the majority of the cars. On returning to the hotel we found the film crew still trying to film what appeared to be a lover's tiff on the beach, with the backdrop of Bangor pier in the distance. They did ask us to let them know when we were launching: fame at last I thought, but no, it was to make sure we didn't spoil the scene they were filming!! We set off down the Menai Straits pointing out which of the highly desirable properties we would buy if a Lotto win came our way. We soon arrived at Menai suspension bridge, the start of The Swelłies, which John described the water movements 'like a set of dominoes being moved around on a table top'.
Recommended publications
  • Ebook Download the Archers Miscellany
    THE ARCHERS MISCELLANY PDF, EPUB, EBOOK Joanna Toye | 256 pages | 01 Feb 2010 | Ebury Publishing | 9781846077548 | English | London, United Kingdom The Archers Miscellany PDF Book Friend Reviews. This certainly is a miscellany. Retrieved 26 February Archived from the original on 14 March Given that GE and Apple were unlikely to start sponsoring U. In February , a panel of 46 broadcasting industry experts, of which 42 had a professional connection to the BBC, listed The Archers as the second-greatest radio programme of all time. Stefano added it May 03, When John Archer died no music was played. Music artist and CCM pioneer Erick Nelson defined The Archers' role in the development of contemporary Christian music as representing one- half of a convergence: traditional vocal groups like The Archers got hipper while the hippie rock groups like the Maranatha bands got more mellow —eventually both evinced the polished, commercial sound that would be identified as stereotypical contemporary Christian music. Retrieved 28 June Since Easter Sunday , there have been six episodes a week, from Sunday to Friday, broadcast at around following the news summary. Historians note an exception: China, where archers were so highly skilled and well equipped that they continued to prove useful in battling nomads on the open steppe. The history of the different families and the homes was useful. An elite archer does not grip her bow tightly, fearing what anxious jitters might do; she attaches it to a string that wraps around her hand, extends her arm forward, and holds the bow in place with the skin between her thumb and index finger.
    [Show full text]
  • House of Commons Welsh Affairs Committee
    House of Commons Welsh Affairs Committee S4C Written evidence - web List of written evidence 1 URDD 3 2 Hugh Evans 5 3 Ron Jones 6 4 Dr Simon Brooks 14 5 The Writers Guild of Great Britain 18 6 Mabon ap Gwynfor 23 7 Welsh Language Board 28 8 Ofcom 34 9 Professor Thomas P O’Malley, Aberystwth University 60 10 Tinopolis 64 11 Institute of Welsh Affairs 69 12 NUJ Parliamentary Group 76 13 Plaim Cymru 77 14 Welsh Language Society 85 15 NUJ and Bectu 94 16 DCMS 98 17 PACT 103 18 TAC 113 19 BBC 126 20 Mercator Institute for Media, Languages and Culture 132 21 Mr S.G. Jones 138 22 Alun Ffred Jones AM, Welsh Assembly Government 139 23 Celebrating Our Language 144 24 Peter Edwards and Huw Walters 146 2 Written evidence submitted by Urdd Gobaith Cymru In the opinion of Urdd Gobaith Cymru, Wales’ largest children and young people’s organisation with 50,000 members under the age of 25: • The provision of good-quality Welsh language programmes is fundamental to establishing a linguistic context for those who speak Welsh and who wish to learn it. • It is vital that this is funded to the necessary level. • A good partnership already exists between S4C and the Urdd, but the Urdd would be happy to co-operate and work with S4C to identify further opportunities for collaboration to offer opportunities for children and young people, thus developing new audiences. • We believe that decisions about the development of S4C should be made in Wales.
    [Show full text]
  • Annual Report 2002 Doc 1A
    GWASANAETH RHAGLENNI CYMRAEG Drama Ein hamcan yw cynnig cyfres ddrama estynedig (tri chwarter awr neu awr o hyd) bob nos Sul ynghyd ag o leiaf un, os nad dwy, gyfres hanner awr yn ystod corff yr wythnos, yn ogystal ag ‘opera sebon’. Llwyddwyd eleni i gyflwyno arlwy oedd yn cyfuno’r newydd a’r traddodiadol, y dwys a’r ysgafn – gan gynnwys cyfresi newydd sbon ynghyd â nifer o gyfresi a oedd yn dychwelyd. Cyfres ffug wyddonol oedd Arachnid (Elidir) gyda chryfderau mawr o ran gwaith cyfrifiadurol gwreiddiol, cyfarwyddo llawn dychymyg a stori gymhleth ddifyr. Roedd yn braf edrych ar ddrama ‘sci-fi’ Gymraeg a oedd yn argyhoeddi. Cymhlethdodau bod yn wraig ifanc â dyheadau cyfoes tra’n byw yng nghefn gwlad yn wraig i weinidog, oedd canolbwynt y gyfres ddychmygus Fondue, Rhyw a Deinosors (HTV). Denodd ymateb a oedd yn pegynnu’r gynulleidfa gyda llawer yn ei mwynhau yn arw iawn tra oedd eraill yn wrthwynebus i’w chynnwys a’i harddull. Cafwyd cyfres ardderchog o Amdani (Nant) - sy’n seiliedig ar helyntion tîm rygbi merched - a ddenodd ymateb gwerthfawrogol dros ben. Dwy gyfres arall boblogaidd a ddychwelodd oedd Iechyd Da (Bracan), a oresgynnodd newidiadau gorfodol yn y cast sylfaenol yn llwyddiannus, a Talcen Caled (Nant) sy’n llwyddo i gynnwys cryn dipyn o hiwmor er gwaethaf y cefndir teuluol a chymdeithasol tywyll. Cyfres yn seiliedig ar nofel Marion Eames am y Crynwyr ym Meirionnydd yn yr ail ganrif ar bymtheg oedd Y Stafell Ddirgel (Llifon/HTV). Denodd ymateb ffafriol gan wylwyr yn enwedig wrth i’r gyfres fynd yn ei blaen, er efallai nad oedd y gyfres drwyddi draw mor llwyddiannus â dramâu cyfnod eraill o’r un stabl.
    [Show full text]
  • Girl from the North Country to Return to the West End for Eight Weeks Only
    PRESS RELEASE – 21 June 2019 GIRL FROM THE NORTH COUNTRY TO RETURN TO THE WEST END FOR EIGHT WEEKS ONLY Written and Directed by Conor McPherson Music and Lyrics by Bob Dylan Gielgud Theatre Previews from 10 December, press night 16 December The critically-acclaimed hit Girl from the North Country, written and directed by Conor McPherson with music and lyrics by Bob Dylan, is to play at the Gielgud Theatre in the West End for a limited season from 10 December 2019 to 1 February 2020. Girl from the North Country opens in the West End following a run at the Royal Alexandra Theatre, Toronto, opening 28 September 2019, and prior to the Broadway production opening in March 2020 at The Belasco Theatre. ‘An instant classic’ The Times ***** ‘Piercingly beautiful’ The Independent ***** ‘Conor McPherson weaves magic with Bob Dylan’s songs’ The Observer ***** ‘A Ravishing Production! Bob Dylan’s songs have never sounded so heartbreakingly personal and universal. As close as mortals come to heaven on earth’ New York Times The full cast for Girl from the North Country at the Gielgud Theatre includes Daniel Bailey (Ensemble), Colin Bates (Gene Laine), Katie Brayben (Elizabeth Laine), Anna Jane Casey (Mrs Burke), Nicholle Cherrie (Ensemble), David Ganly (Mr Burke), Simon Gordon (Ensemble), Steffan Harri (Elias Burke), David Haydn (Ensemble), Rachel John (Mrs Neilsen), Sidney Kean (Mr Perry), Finbar Lynch (Reverend Marlowe), Donald Sage Mackay (Nick Laine), Gloria Obianyo (Marianne), Ferdy Roberts (Dr Walker), Wendy Somerville (Ensemble), Gemma Sutton (Katherine Draper), Shaq Taylor (Joe Scott) and Alan Vicary (Ensemble). Girl from the North Country opened at The Old Vic in July 2017 to huge critical acclaim and playing to sold out audiences.
    [Show full text]
  • S4C Authority Bulletin - March 2002
    S4C Authority Bulletin - March 2002 OPEN MEETING - AMMANFORD The Authority held an Open Meeting on Thursday evening, 28 February 2002 at the Miners Theatre, Ammanford, attended by over fifty people. In addition to the Chair of the Authority, Elan Closs Stephens, the Chief Executive, Huw Jones, and the Director of Programmes, Huw Eirug, also took part in the discussion. Other members of the Authority were also present to listen to the discussion and to meet and talk to members of the public on an informal basis prior to and after the meeting. Amongst the matters discussed were: Use of English in Welsh language Programmes A member of the audience expressed dissatisfaction with the use of English in programmes such as Porc Peis Bach and Pam fi Duw? It was felt that if they were Welsh language programmes they should not contain any English. Another viewer expressed a different view by saying that there was a place for such use of English in some Welsh language programmes. It could be argued, for example, that the use of language in a programme such as Pam fi Duw? is a reflection of the society in which the programme is located. Another member of the audience claimed that programmes such as Pam fi Duw could also attract people who were learning Welsh or people who did not have complete confidence in their use of the language. Such programmes could therefore help to expand the audience base for Welsh language programmes. As a result, some people believed that it was important to provide programmes reflecting different levels of linguistic fluency.
    [Show full text]
  • Praxis Makes Perfect
    Praxis Makes Perfect NATIONaL tHEATRE WaLES & NeON NeON NationaL Theatre WaLes & Neon Neon Praxis Makes Perfect Conceived aNd PerfOrMed by Gruff Rhys aNd Boom biP LooseLy based on tHe book seNiOr service by carlo feLtriNelli B #Ntwneonneon Neon Neon bryaN Hollon ‘Boom biP’ Gruff Rhys In 2007, Gruff Rhys and Boom Bip launched Bryan is originally from Cincinnati, Ohio Gruff Rhys is a Welsh musician, performing Cerddor Cymreig yw Gruff Rhys, sy’n perfformio the electro-pop collaboration Neon Neon. and is currently based in Los Angeles. After solo and with several bands. He was born ar ei ben ei hun a gyda sawl band. Cafodd Their first album, Stainless Style, was released starting his career as a DJ – presenting on in Haverfordwest, Pembrokeshire and grew ei eni yn Hwlffordd, Sir Benfro ac fe’i magwyd in 2008 and is a concept album based on the the radio and hosting club nights – he met up in Bethesda, Gwynedd in north Wales. Gruff ym Methesda, Gwynedd yng ngogledd Cymru. life of John DeLorean, founder of the DeLorean and collaborated with other producers and first found his voice as the front man of the Daeth Gruff i’r amlwg fel prif ganwr Ffa Coffi Motor Company. The album included high-profile artists including rapper Doseone. Boom Bip band Ffa Coffi Pawb (Everyone’s Coffee Beans), Pawb (Everyone’s Coffee Beans), oedd wedi’u guest appearances from the likes of The Strokes’ and Doseone’s collaborative album Circle who were signed to Ankst and became one cofrestru ag Ankstmusik a ddaethant yn un Fab Moretti, Har Mar Superstar, Cate Le Bon was noted by John Peel in the UK, and the of the leading bands on the Welsh language o brif fandiau’r byd cerddoriaeth yng Nghymru.
    [Show full text]
  • Top 10 Live Programmes by TV Player Week Ending 22Nd January 2017 All 4 Platforms Included: Android App, Ios App, Website Player
    Top 10 live programmes by TV player Week ending 22nd January 2017 All 4 Platforms included: Android app, iOS app, Website player Channel and Average Rank Programme Name Platform Programme Streams 1 First Dates Hotel 2017-01-16 22:03:17 Channel 4/ALL 4 7,628 2 The Undateables 2017-01-16 21:02:00 Channel 4/ALL 4 6,298 3 Homeland 2017-01-22 21:02:25 Channel 4/ALL 4 5,273 4 Hollyoaks 2017-01-16 18:59:29 E4/ALL 4 4,915 5 Hollyoaks 2017-01-17 18:59:06 E4/ALL 4 4,465 6 Hollyoaks 2017-01-18 18:59:03 E4/ALL 4 4,299 7 Hollyoaks 2017-01-19 18:59:10 E4/ALL 4 4,276 8 Film: Trainspotting 2017-01-22 22:06:09 Channel 4/ALL 4 3,995 9 Hollyoaks 2017-01-20 18:59:10 E4/ALL 4 3,554 10 Hollyoaks 2017-01-16 18:30:28 Channel 4/ALL 4 3,488 BBC iPlayer (includes iPlayer Kids) Platforms included: Android app, iOS app, Website player Channel and Average Rank Programme Name Platform Programme Streams 1 Match Of The Day 2017-01-21 22:32:30 BBC1/BBC 70,537 2 Match Of The Day 2 2017-01-22 22:30:16 BBC1/BBC 47,014 3 President Trump: The Inauguration 2017-01-20 16:00:00 BBC1/BBC 42,084 4 Weather 2017-01-21 22:28:43 BBC1/BBC 40,035 5 Eastenders 2017-01-16 20:01:14 BBC1/BBC 33,108 6 Silent Witness 2017-01-18 21:01:47 BBC1/BBC 32,940 7 Silent Witness 2017-01-16 21:01:35 BBC1/BBC 30,822 8 Fa Cup Match Of The Day Live 2017-01-17 19:59:00 BBC1/BBC 28,821 9 BBC News 2017-01-21 22:12:15 BBC1/BBC 28,414 10 Apple Tree Yard 2017-01-22 21:01:25 BBC1/BBC 27,286 Only viewing time for audited platforms is included.
    [Show full text]
  • Task and Finish Group on the Future Outlook for the Media in Wales
    Media 16 Task and Finish Group on the future outlook for the media in Wales Response from Rondo Media INTRODUCTION AND INFORMATION ABOUT RONDO MEDIA Rondo Media welcomes the invitation to contribute to the work of the task and finish group at the National Assembly for Wales in order to inquire into the future outlook for the media in Wales. Rondo was established in April 2008, and it employs 60 full-time staff in offices in Caernarfon, Menai Bridge and Cardiff. The company produces a number of popular series, including the youth drama series Rownd a Rownd , the football series Sgorio , and the provision of events such as the Llangollen International Eisteddfod and the Côr Cymru competition. At present the company is working on producing a second series of the drama series The Indian Doctor for BBC1, a film version of Michael Sheen’s production of The Passion , the FA Cup match between Wrexham and Cambridge, the new youth drama series Zanzibar for S4C, the popular cookery format Pryd o Sêr and a documentary on the singer Wynne Evans for BBC Wales. With a turnover of £14.6 million, the company was ranked number 19 in a recent review of production companies in Britain: ‘Production 100’ by Televisual. 3 1. The current state of the media in Wales and how new technology and other developments are impacting on this, in the context of continuing concerns about the future of the Welsh broadcast and print media. The Ofcom Report on the communications market published in August this year gives a fairly negative picture of broadcasting, and offers evidence that raises serious questions about levels of funding and the commitment of public broadcasters to services in Wales: Although television viewing hours per head are higher in Wales and Scotland than the rest of the UK (4.5 hours a day on average in 2010) the total spend by public service broadcasters on television content being broadcast for the first time for viewers in Wales has fallen by 13%.
    [Show full text]
  • Spotlight on British Series 1St February 2019
    SPOTLIGHT ON BRITISH SERIES 1ST FEBRUARY 2019 BRITISH AMBASSADOR’S RESIDENCE IN PARIS 39 Rue du Faubourg Saint-Honoré, 75008 Paris PROGRAMME OVERVIEW @Main Room 9:00 > 9:45 Breakfast 9:45 > 9:50 Welcome address by the Ambassador 9:50 > 10:20 Innovative Storytelling: opportunities for narrative driven content in an immersive environment in the UK With Mark Leaver, Creative industries sector specialist, Department for International Trade, British Embassy, Will Saunders, CCO, Story Futures Academy & Catherine Allen, CEO, Limina Immersive 10:30 > 12:30 Works in progress Channel 4 Line up Ackley Bridge (season 3), The End of the F*****g World (season 2), Baghdad Central, The Virtues, Traitors, Chimerica, Pure With Lee Mason, Commissioning Editor, Channel 4 Respectable Girls (Merched Parchus) With Hanna Jarman, creator, actress, Mari Beard, creator, actress, Catryn Ramasut, Executive Producer, CEO ie ie productions & Alice Lusher, producer, ie ie productions. Deep Water With Karen Wilson, Chief Creative Officer, Kudos Dark Mon£y With Erika Hossington, Producer & Rachel Glaister, EVP International Brands & Press, All3media World on Fire With Helen Ziegler, Executive Producer, Mammoth Screen Chaired by Marie Barraco, Managing Director, Série Series 12:30 > 13:30 Networking lunch 13:30 > 14:30 Round table: Franco-British collaborations with the support of With Jimmy Desmarais, ex. producer and co-managing director, Atlantique Productions, Thomas Vincent, director, Tchéky Karyo, actor, Frank Spotnitz, CEO, Big Light Productions. Chaired by: Franck Philippon, screenwriter. 14:30 > 15:00 Discussion with Clare Sumner, Director, Policy, BBC & Carole Bienaimé-Besse, Commissionner and board member, CSA 15:00 > 16:30 Masterclass: Jed Mercurio, screenwriter and showrunner Chaired by Claire Lemaréchal, screenwriter 16:30 > 17:30 Closing cocktail @Salon Throughout the day VR demonstrations by Limina Immersive.
    [Show full text]
  • Economic Impact Assessment of the Broadcaster’S Activities
    Assessing the economic impact of S4C in Wales and the UK A report to S4C By Arad Research 4 March 2021 Arad Research 8 Columbus Walk Brigantine Place Cardiff / Caerdydd CF10 4SD 029 2044 0552 www.aradresearch.com Summary • S4C generated an economic impact of £197.4m in the UK economy in 2019-20. This included (figures have been rounded): o A direct impact of £96.7m generated through S4C’s spending on goods, services and wages (including freelancers) in the UK. o An indirect impact of £0.8m through S4C’s influence as an anchor tenant at Yr Egin centre in Carmarthenshire, serving Value of S4C to as a catalyst for expenditure by the centre and its visitors. the UK economy o Induced impacts of £99.9m generated through expenditure by UK businesses, stimulated by the above. • Production companies reported that S4C co-productions had enabled them to gain commissions with other networks, including international broadcasters and production companies. o Production companies reported that their track record of working on S4C commissions had provided them with a good foundation for winning further work internationally. • Production companies highlighted the value of S4C productions in enabling them to attract further capital investment from partners (e.g. for new studio space). • S4C generated an economic impact of £141.1m in the Welsh economy in 2019-20. This included: o A direct impact of £77.6m generated through S4C’s spending on goods, services and wages (including freelancers) in Wales. Value of S4C to the Welsh o An indirect impact of £0.8m generated through S4C’s economy influence as an anchor tenant at Yr Egin centre in Carmarthenshire, serving as a catalyst for expenditure by the centre and its visitors.
    [Show full text]
  • Fow Cast Biogs
    Stephanie Back is a profoundly Deaf actress, theatre maker and workshop leader; her first language is British Sign Language. She is the lead facilitator in Wales’s first and only youth theatre for Deaf and Hard of hearing young people for Taking Flight Theatre company; something that she is extremely passionate about. Since graduating in 2016 she has worked with Taking Flight (as Juliet in Romeo and Juliet, Miranda in The Tempest, Cherish in Honour and Cherish, a Dragon in You’ve Got Dragons and Morfran in First Three Drops) and additionally with companies such as National Theatre Wales, Mousetrap Theatre, Illumine Theatre, PAD Productions, Sherman Theatre and Handprint Theatre. Stephanie has been working on Fow!! (Previously known as "I Said I Love You") alongside Elise Davison and Alun Saunders since early 2017. Stephanie also leads Deaf awareness training with Elise sectorwide. She is a Welsh language learner . Jed O’Reilly trained in Cardiff at the University of Wales Trinity Saint David's. He graduated in 2018 with a 1st degree Bachelor of Arts in Performing. As well as acting Jed has a background in music & singing as he performs regularly with his band. Jed's theatre work includes: The Ugly Duckling / Yr Hwyaden Fach Hyll (Sherman Theatre), The Bernie Roadshow (Bollo Ltd), Winter Wonder World, (Taking Flight / Mess Up The Mess); Into The Woods, Undod, SweeneyTodd. (Canolfan Berfformio Cymru); 10 Minute Musicals (Leeway Productions). Jed is recognisable from his television and film work including Mabinogi Ogi 3, Stwnsh S+DWRN. (Boom Cymru, S4C), Gwaith Cartref (S4C) and Lawr a Lan (BBC It’s My Shout).
    [Show full text]
  • Working Word and Cymraeg Entry Title: Dydd Miwsig
    Category: Integrated Campaign Company: Working Word and Cymraeg Entry title: Dydd Miwsig Cymru 2018 Brief and objectives: Dydd Miwsig Cymru supported the Welsh Language Strategy – a long-term vision of reaching 1 million Welsh speakers by 2050. Our brief was to deliver a bilingual, integrated PR and social media campaign that raises awareness of the day and Welsh language music and to: Drive 2,000+ visits to Cymraeg website Reach 5m people through campaign hashtags: #DyddMiwsigCymru #WelshLanguageMusicDay 20+ pieces of media coverage Rationale behind campaign, including research and planning: A key way to reach 1m Welsh speakers is by increasing the normalcy of Welsh in day-to-day life. Music is a great way to do that, helping us learn, remember, feel part of a culture, a nation. In our first year working with Cymraeg, focus was on reaching more people through an integrated method- we find new music in all kinds of places. We knew that using celebrity ambassadors to introduce audiences to Welsh language artists would help vouch for new music the way a friend does. Strategy and tactics, including creativity and innovation: Wales is the land of song but we knew that audiences might have preconceptions Welsh language music was limited to folk and choirs. Our strategy was three-pronged: 1. Create playlists to showcase the diversity of music 2. Use ambassadors to promote the day and playlists 3. Take the music to grassroots communities across Wales. Playlists Working with a famous Welsh DJ we created six playlists (acoustic, electronica etc) sharing them where people listen in 2018- platforms like Spotify and Apple Music.
    [Show full text]