Economic Impact Assessment of the Broadcaster’S Activities
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DJ Tiiny, Capital XTRA, Various Dates, 1900
v Issue 424 12 April 2021 DJ Tiiny Type of case Broadcast Standards Outcome Resolved Service Capital XTRA Date & time Various dates, 19:00 Category Commercial communications on radio Summary The presenter played music tracks in return for payment. The Broadcasting Code prohibits any payment that may influence the selection or rotation of music for broadcast. In view of the action taken by the Licensee when it became aware of the presenter’s actions, we considered the matter resolved. Introduction Capital XTRA is a local radio station providing an urban contemporary black music service for African and Afro-Caribbean communities in North London. It is simulcast nationally on DAB, satellite and cable services. Capital XTRA’s licence is held by Capital Xtra Limited, which is owned by Global Media & Entertainment Limited (“Global”). DJ Tiiny was a show broadcast weekly on Friday evenings. A complainant alleged that the presenter played some artists’ music tracks in return for payment. Global contacted Ofcom and confirmed the allegation, saying that it had been alerted to the matter on 27 January 2021 and that the presenter’s contract of employment had been terminated the following day. Ofcom considered the matter raised potential issues under the following Code rule: Rule 10.5: “No commercial arrangement that involves payment, or the provision of some other valuable consideration, to the broadcaster may influence the selection or rotation of music for broadcast”. Issue 424 of Ofcom’s Broadcast and On Demand Bulletin 12 April 2021 1 We therefore requested comments from Global on how programmes in which the presenter had played music tracks in return for payment complied with this rule. -
Ebook Download the Archers Miscellany
THE ARCHERS MISCELLANY PDF, EPUB, EBOOK Joanna Toye | 256 pages | 01 Feb 2010 | Ebury Publishing | 9781846077548 | English | London, United Kingdom The Archers Miscellany PDF Book Friend Reviews. This certainly is a miscellany. Retrieved 26 February Archived from the original on 14 March Given that GE and Apple were unlikely to start sponsoring U. In February , a panel of 46 broadcasting industry experts, of which 42 had a professional connection to the BBC, listed The Archers as the second-greatest radio programme of all time. Stefano added it May 03, When John Archer died no music was played. Music artist and CCM pioneer Erick Nelson defined The Archers' role in the development of contemporary Christian music as representing one- half of a convergence: traditional vocal groups like The Archers got hipper while the hippie rock groups like the Maranatha bands got more mellow —eventually both evinced the polished, commercial sound that would be identified as stereotypical contemporary Christian music. Retrieved 28 June Since Easter Sunday , there have been six episodes a week, from Sunday to Friday, broadcast at around following the news summary. Historians note an exception: China, where archers were so highly skilled and well equipped that they continued to prove useful in battling nomads on the open steppe. The history of the different families and the homes was useful. An elite archer does not grip her bow tightly, fearing what anxious jitters might do; she attaches it to a string that wraps around her hand, extends her arm forward, and holds the bow in place with the skin between her thumb and index finger. -
Monday 7 January 2019 FULL CASTING ANNOUNCED for THE
Monday 7 January 2019 FULL CASTING ANNOUNCED FOR THE WEST END TRANSFER OF HOME, I’M DARLING As rehearsals begin, casting is announced for the West End transfer of the National Theatre and Theatr Clwyd’s critically acclaimed co-production of Home, I’m Darling, a new play by Laura Wade, directed by Theatre Clwyd Artistic Director Tamara Harvey, featuring Katherine Parkinson, which begins performances at the Duke of York’s Theatre on 26 January. Katherine Parkinson (The IT Crowd, Humans) reprises her acclaimed role as Judy, in Laura Wade’s fizzing comedy about one woman’s quest to be the perfect 1950’s housewife. She is joined by Sara Gregory as Alex and Richard Harrington as Johnny (for the West End run, with tour casting for the role of Johnny to be announced), reprising the roles they played at Theatr Clwyd and the National Theatre in 2018. Charlie Allen, Susan Brown (Sylvia), Ellie Burrow, Siubhan Harrison (Fran), Jane MacFarlane and Hywel Morgan (Marcus) complete the cast. Home, I’m Darling will play at the Duke of York’s Theatre until 13 April 2019, with a press night on Tuesday 5 February. The production will then tour to the Theatre Royal Bath, and The Lowry, Salford, before returning to Theatr Clwyd following a sold out run in July 2018. Home, I’m Darling is co-produced in the West End and on tour with Fiery Angel. How happily married are the happily married? Every couple needs a little fantasy to keep their marriage sparkling. But behind the gingham curtains, things start to unravel, and being a domestic goddess is not as easy as it seems. -
House of Commons Welsh Affairs Committee
House of Commons Welsh Affairs Committee S4C Written evidence - web List of written evidence 1 URDD 3 2 Hugh Evans 5 3 Ron Jones 6 4 Dr Simon Brooks 14 5 The Writers Guild of Great Britain 18 6 Mabon ap Gwynfor 23 7 Welsh Language Board 28 8 Ofcom 34 9 Professor Thomas P O’Malley, Aberystwth University 60 10 Tinopolis 64 11 Institute of Welsh Affairs 69 12 NUJ Parliamentary Group 76 13 Plaim Cymru 77 14 Welsh Language Society 85 15 NUJ and Bectu 94 16 DCMS 98 17 PACT 103 18 TAC 113 19 BBC 126 20 Mercator Institute for Media, Languages and Culture 132 21 Mr S.G. Jones 138 22 Alun Ffred Jones AM, Welsh Assembly Government 139 23 Celebrating Our Language 144 24 Peter Edwards and Huw Walters 146 2 Written evidence submitted by Urdd Gobaith Cymru In the opinion of Urdd Gobaith Cymru, Wales’ largest children and young people’s organisation with 50,000 members under the age of 25: • The provision of good-quality Welsh language programmes is fundamental to establishing a linguistic context for those who speak Welsh and who wish to learn it. • It is vital that this is funded to the necessary level. • A good partnership already exists between S4C and the Urdd, but the Urdd would be happy to co-operate and work with S4C to identify further opportunities for collaboration to offer opportunities for children and young people, thus developing new audiences. • We believe that decisions about the development of S4C should be made in Wales. -
Introduction to Ascential Our Investment Case
INTRODUCTION TO ASCENTIAL OUR INVESTMENT CASE Clear long-term vision. Helping leading global brands connect with their customers in a data-driven world. Structural growth. Demand for information, data & analytics driven by growth of digital commerce. Market leaders. We are leaders, with a unique blend of specialisms, in the high growth areas in which we operate. Robust business model. High recurring and repeat revenue, with more than 50% revenues from digital subscription and platforms, across diverse global customer base. Attractive financial profile. Track record of high single digit revenue growth, strong margins and cash generation, supported by sound capital allocation. Introduction to Ascential 2 OUR CUSTOMER PROPOSITION Our information products and platforms support our customers to do three simple things… CREATE THE RIGHT MAXIMISE THE OPTIMISE DIGITAL PRODUCTS BRAND MARKETING COMMERCE IMPACT Know which products Know how to get Know how to execute the consumer wants maximum creativity with with excellence on the tomorrow. optimised media. winning platforms. 1. 2. 3. Introduction to Ascential 3 SEGMENTAL OVERVIEW –2019 Segment Revenue % Revenue1 Growth1 EBITDA2 Margin Business Model Advisory 10% Digital Subscriptions Product £86m 21% +8% £36m 42% & Platforms 90% Design Digital Subscriptions Advisory & Platforms 11% Marketing £136m 32% +9% £51m 37% 37% Events 52% Advisory 6% Digital Subscriptions & Sales - Platforms 94% Digital £90m 22% +21% £13m 15% Commerce Sales - Digital Subscriptions & Events Platforms 4% Non Digital £68m 16% -
BT Group (WACC Response, Oxera Report)
Quantifying the relative risk differences between FTTP and FTTC Prepared for BT Group plc 14 January 2021 Final: public www.oxera.com Final: public Quantifying the relative risk differences between FTTP and FTTC Oxera Contents 1 Introduction 2 1.1 Summary of main findings 2 1.2 Structure of the report 3 2 Ofcom’s proposals on WACC and relative systematic risk differentials 4 2.1 Theoretical support for differences in systematic risk 4 2.2 Overview of Ofcom’s analysis and proposals 7 3 Income elasticities and asset betas 10 3.1 BT consumer experiment and income elasticities 10 3.2 Calculating the relationship between income elasticity and asset beta 12 3.3 Predicting the asset beta wedge between FTTC and FTTP 13 3.4 Conclusions 15 4 Conclusion 16 A1 Details of consumer choice experiment 17 Boxes, figures and tables Box 2.1 Illustration of the relationship between operating leverage and systematic risk 6 Table 2.1 Summary of Ofcom’s proposals 9 Box 3.1 The field experiment commissioned by BT 10 Table 3.1 FTTP regression coefficients 11 Table 3.2 FTTC regression coefficients 11 Table 3.3 Projection of income elasticity for copper 12 Table 3.4 US panel regression’s results 13 Table 3.5 Estimated asset beta wedge due to income elasticity 14 Table A1.1 FTTC’s products summary statistics 17 Table A1.2 FTTP’s products summary statistics 17 Table A1.3 Respondents’ income in FTTC survey 18 Table A1.4 Respondents’ income in FTTP survey 18 Final: public Quantifying the relative risk differences between FTTP and FTTC 2 Oxera 1 Introduction Oxera has -
WAQ48309 the First Minister DATE LOCATION OF
WAQ48309 The First Minister DATE LOCATION OF VISIT PURPOSE OF VISIT Officially Open the 9th Annual Brecon 01/10/2005 The Market Hall, Brecon Beacons Food Festival Launch of Primestart - Neath Rugby's 01/10/2005 Neath Rugby Club Schools Initiative Attend the National Police Memorial 02/10/2005 St. Davids Hall, Cardiff Service Address & attend the WLGA 03/10/2005 Brangwyn Hall, Swansea Conference Dinner Address & Present the 2005 European Quality Award at the EFQM Forum 04/10/2005 Millennium Stadium, Cardiff Gala Dinner Forge Side, Blaenavon, 06/10/2005 Pontypool Opening Doncasters Blaenavon Attend & Address the Bishopston 06/10/2005 Bishopston, Swansea Comprehensive Annual School Awards Address the Legal Wales Annual 07/10/2005 UWIC, Cyncoed Campus Conference 10/10/2005 Hilton Hotel, Cardiff Launch the Heineken Cup 2006 Cardiff Business Club Dinner in Honour 10/10/2005 St. Davids Hotel & Spa, Cardiff of Rihcard Kirk CEO Peacocks Address & Present Awareds at the 12/10/2005 County Hall, Cardiff Youth Building Conference BHP Billiton Visitor Centre, Launch the Danger point Safety 14/10/2005 Flintshire Education Centre Jim Hancock Retirement Reception/ 14/10/2005 Millennium Stadium, Cardiff Dinner 15/10/2005 Sherman Theatre Theatr Iolo 18 Years Celebration Event Official Opening of the National 17/10/2005 Maritime Quarter, Swansea Waterfront Museum Attend the Glantaf High School 21/10/2005 Ysgol Glantaf Debating Society Attend the National Trafalgar Beacon 21/10/2005 HMS Cambria, Sully Lighting in Wales Ceremony 23/10/2005 St. Paul's Cathedral, London Attend the National Trafalgar Service 24/10/2005 Wales Millennium Centre Send off event on the 72 Mile Walk Health Challenge Wales - WRU Launch 25/10/2005 Millennium Stadium, Cardiff Event Attend the INA Bearing Company 26/10/2005 Bynea, Llanelli Golden Jubilee Launch Event 26- Celebration of the Eisteddfod in 31/10/2005 Argentina Patagonia/ Trade Mission Attend the National Service of 01/11/2005 St. -
Capital Birmingham Should Not Be Allowed to Make the Changes to The
Spence, Mr Consultation question: Should regional radio station Capital FM (Birmingham) be permitted to make the changes to its Character of Service as proposed with particular regard to the statutory criteria as set out in the summary? (The Broadcasting Act 1990 Section 106 (1A) (b) and (d) relating to Format changes). Capital Birmingham should not be allowed to make the changes to the Character of Service as this would essentially change the station from am urban/black music station to a hit music station format which can potentially stop playing urban music if they wanted to if in the future it becomes less mainstream. The format change represents a real danger to the radio landscape in Birmingham as it can so significantly reduce the choice of music available in the area over time. It will make the station sound too similar to it's main competitors in the area on FM. I am not happy with the decision in particular to remove the commitment to listeners of African or Afro-Caribbean origin in terms of content and music. I do not believe the music output of Capital Birmingham should be allowed to be aligned to that of Yorkshire or London without a readvertisement of the license as the change requested is far too significant. I believe that the format must retain the words 'URBAN CONTEMPORARY BLACK MUSIC' and 'REGGAE, RnB AND HIP HOP' in order to be an acceptable request. The new requested format is already provided in much better quality by BBC Radio 1. I am not happy with the way the station has been allowed to gradually change from Choice FM in the mid 90s to the present day Capital FM with such a dramatic change in music output despite only slight changes to the official OFCOM agreed station format, while Choice London and Capital FM co-exist in London providing 2 very different sounding services. -
Ofcom Audio Survey 2021: Questionnaire
Survey name: Ofcom Audio Survey 2021 Timings: 3-7 March 2021 Methodology: Online survey We are conducting research on behalf of the UK's communications regulator Ofcom, who are looking to understand use of and attitudes towards different types of radio and audio services. ASK ALL 1. How often, if at all, do you do any of the following? GRID ROWS – RANDOMISE ORDER 1. A. Listen to radio (at the time of broadcast: not catch-up/podcast) 2. B. Listen to catch-up radio 3. C. Listen to music online 4. D. Listen to music stored or downloaded on a device 5. E. Listen to personal music collection (e.g. CDs, vinyls) 6. F. Listen to podcasts 7. G. Listen to audiobooks (digital/online and physical) 8. H. Use music videos as background listening (i.e. music video channels or sites such as YouTube or MTV) 9. GRID COLUMNS – SINGLE CODE 1. Several times a day 2. About once a day 3. Several times a week 4. About once a week 5. Several times a month 6. About once a month 7. Less often 8. Never ASK ALL (BACK FILTER ANYONE WHO LISTS A STATION HERE BUT DID NOT CODE ‘A RADIO STATION’ IN Q1) 2. Which, if any, of these radio stations have you listened to in the last 7 days? MULTICODE BBC Radio 1 BBC Radio 2 BBC Radio 3 BBC Radio 4 BBC Radio 5 live BBC 6 Music BBC Asian Network BBC Radio 1Xtra BBC Radio 4 Extra BBC Radio 5 live sports extra BBC World Service BBC radio for your nation / region (e.g. -
Industry Outlook
Industry outlook 39 Resilience, recovery, acceleration by Sir Martin Sorrell S4Capital Annual Report and Accounts 2020 37 Industry outlook 38 S4Capital Annual Report and Accounts 2020 2 Digital adoption has accelerated On the whole, covid-19 didn’t create Resilience, new trends; it accelerated existing ones. Digital adoption was stepped up by consumers. During the early days of the pandemic some 30% of US households recover y, went online for groceries for the first time; online education took off; and streaming went through the roof. Disney+ was targeting 70-80 million consumers by 2024, but it acceleration rapidly went to 100 million (and forecasts 240 million for 2024) and found itself competing with Netflix. By Sir Martin Sorrell Alan Jope tells the story that when he was running Unilever in China during the SARS outbreak, there was this massive surge among You have to find the silver linings Chinese online; in 2020 we saw a similarity The nature of our client base contributed when Nike gave away their fitness app to significantly to our resilience during the the Chinese consumer for free – it sparked a pandemic. Technology and healthcare significant uptick in online activity. together account for more than half of our The tech giants, whether Google, Facebook client spend and those were sectors that and Amazon, or Alibaba, Tencent and Tik- didn’t stop their marketing and in some Tok are all set to emerge from the pandemic cases reinforced it. Our people played a huge stronger than ever. Digital adoption has part; they are entrepreneurial and can turn also been stepped up at enterprise level. -
Annual Report 2002 Doc 1A
GWASANAETH RHAGLENNI CYMRAEG Drama Ein hamcan yw cynnig cyfres ddrama estynedig (tri chwarter awr neu awr o hyd) bob nos Sul ynghyd ag o leiaf un, os nad dwy, gyfres hanner awr yn ystod corff yr wythnos, yn ogystal ag ‘opera sebon’. Llwyddwyd eleni i gyflwyno arlwy oedd yn cyfuno’r newydd a’r traddodiadol, y dwys a’r ysgafn – gan gynnwys cyfresi newydd sbon ynghyd â nifer o gyfresi a oedd yn dychwelyd. Cyfres ffug wyddonol oedd Arachnid (Elidir) gyda chryfderau mawr o ran gwaith cyfrifiadurol gwreiddiol, cyfarwyddo llawn dychymyg a stori gymhleth ddifyr. Roedd yn braf edrych ar ddrama ‘sci-fi’ Gymraeg a oedd yn argyhoeddi. Cymhlethdodau bod yn wraig ifanc â dyheadau cyfoes tra’n byw yng nghefn gwlad yn wraig i weinidog, oedd canolbwynt y gyfres ddychmygus Fondue, Rhyw a Deinosors (HTV). Denodd ymateb a oedd yn pegynnu’r gynulleidfa gyda llawer yn ei mwynhau yn arw iawn tra oedd eraill yn wrthwynebus i’w chynnwys a’i harddull. Cafwyd cyfres ardderchog o Amdani (Nant) - sy’n seiliedig ar helyntion tîm rygbi merched - a ddenodd ymateb gwerthfawrogol dros ben. Dwy gyfres arall boblogaidd a ddychwelodd oedd Iechyd Da (Bracan), a oresgynnodd newidiadau gorfodol yn y cast sylfaenol yn llwyddiannus, a Talcen Caled (Nant) sy’n llwyddo i gynnwys cryn dipyn o hiwmor er gwaethaf y cefndir teuluol a chymdeithasol tywyll. Cyfres yn seiliedig ar nofel Marion Eames am y Crynwyr ym Meirionnydd yn yr ail ganrif ar bymtheg oedd Y Stafell Ddirgel (Llifon/HTV). Denodd ymateb ffafriol gan wylwyr yn enwedig wrth i’r gyfres fynd yn ei blaen, er efallai nad oedd y gyfres drwyddi draw mor llwyddiannus â dramâu cyfnod eraill o’r un stabl. -
BAFTA Cymru Nominations 2010
Yr Academi Brydeinig o Gelfyddydau Ffilm a Theledu Yng Nghymru Gwobrwyon Prif Noddwr The British Academy of Film and Television Arts in Wales Awards Principal Sponsor Enwebiadau 2010 eg 19 Gwobrau Ffilm Teledu A Chyfryngau Rhyngweithiol Nos Sul 23 Mai, Canolfan Mileniwm Cymru, Cardiff 2010 Nominations 19th Film, Television & Interactive Media Awards Sunday 23 May, Wales Millennium Centre, Cardiff Y Ffilm/Drama Gorau Best Film/Drama Noddir Gan/Sponsored By A BIT OF TOM JONES? ANDREW "SHINKO" JENKINS / PETER WATKINS- HUGHES CWCW DELYTH JONES / BETHAN EAMES RYAN A RONNIE BRANWEN CENNARD / MARC EVANS Y Cyfres Ddrama Orau ar gyfer Teledu / Best Drama Series / Serial for Television DOCTOR WHO TRACIE SIMPSON THE END OF TIME PART ONE TORCHWOOD PETER BENNETT CHILDREN OF THE EARTH DAY ONE TEULU RHYS POWYS / BRANWEN CENNARD Y Newyddion a Materion Cyfoes Gorau / Best News & Current Affairs Noddir Gan/Sponsored By ONE FAMILY IN WALES JAYNE MORGAN / KAREN VOISEY PANORAMA JAYNE MORGAN SAVE OUR STEEL Y BYD AR BEDWAR GERAINT EVANS MEWNFUDWYR Contact: BAFTA Cymru T: 02920 223898 E: [email protected] Dydd Iau 8 Ebrill, 2010 W: www.bafta-cymru.org.uk Thursday 8 April, 2010 ENWEBIADAU 2010 NOMINATIONS Y Rhaglen Ffeithiol Orau Best Factual Programme COMING HOME 'JOHN PRESCOTT' PAUL LEWIS FIRST CUT: THE BOY WHO WAS BORN A GIRL JULIA MOON / JOHN GERAINT FRONTLINE AFGHANISTAN GARETH JONES Y Rhaglen Ddogfen / Ddrama Ddogfen Orau Best Documentary / Drama Documentary CARWYN DYLAN RICHARDS / JOHN GERAINT DWY WRAIG LLOYD GEORGE, GYDA FFION HAGUE CATRIN EVANS A PLOT TO KILL THE PRINCE STEFFAN MORGAN Yr Adloniant Ysgafn Gorau Best Light Entertainment DUDLEY - PRYD O SER DUDLEY NEWBERY / GARMON EMYR TUDUR OWEN O'R DOC ANGHARAD GARLICK / BETH ANGELL FFERM FACTOR NEVILLE HUGHES / NON GRIFFITH Y Rhaglen Gerddorol Orau Best Music Programme Noddir Gan/Sponsored By LLYR YN CARNEGIE HEFIN OWEN PAPA HAYDN RHIAN A.