DOCSLIB.ORG

Hong Kong Filmmakers Search: LAU Koon-Wai

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Hong Kong Filmmakers Search: LAU Koon-Wai LAU Koon-wai 劉觀偉（b. 1949.12.20） Director, Cinematographer Lau’s family was originally from Zhongshan, Guangdong, but he was born and raised in Hong Kong. He quit school in Form 3. Since Lau’s father was a filmmaker, he literally ‘grew up’ at Diamond Hill’s Grandview Studio, and later worked as a technician at Chow Sze-ching’s camera equipment shop. He entered the film industry as an assistant cinematographer in 1967, and apprenticed under Japanese cinematographer Nishimoto Tadashi at a time. His first credit as cinematographer was the Taiwanese film 17 Years Desperate Search (1971), directed by Liang Chefu. In 1978, he worked the cameras for Sammo Hung’s Enter the Fat Dragon. From then on, he became a cinematographer Hung came to depend upon, resulting in films such as Warriors Two (1978), Knockabout (1979), The Prodigal Son (1981) and Winners & Sinners (1983); as well as productions of Hung’s Bo Ho Films, such as Pom Pom (1984) and Hocus Pocus (1984). Sammo Hung, Karl Maka, Wu Ma and Barry Wong used to discuss and vex scripts together, which inspired Lau to be a director. Lau’s early works as a director include Crazy Couple (1979) and Two Toothless Tigers (1980). In 1985, he directed the horror-comedy Mr Vampire for Bo Ho Films, which scored HK$20 million, thus starting a craze for vampire films in Hong Kong and Taiwan. Riding on this wave, he followed it with sequels Mr Vampire II (1986), Mr Vampire III (1987) and Mr Vampire Saga IV (1988). After Hung left Golden Harvest, Lau continued to direct films for Hung’s Bojon Films, including Encounter of the Spooky Kind II (1990). Later he directed films for various studios, such as Mr Vampire 1992 (1992), The Romance of the Vampires (1994) and Life in Last Hour (1999). After 2007, he mostly worked in the Mainland, directing such works as I Am Chinese (2012) and Celestial Return (2017). .
Load more

Recommended publications
  • DPA CIRCUIT 2021 Salon Ireland
    CATALOGUE DPA CIRCUIT 2021 2021-1346 Salon Ireland 8th International Exhibition of Photography DPA International Circuit 2021 2021-1346 Salon Ireland 2 8th International Exhibition of Photography DPA International Circuit 2021 2021-1346 Salon Ireland DISCLAIMER Neither PSA nor the exhibition sponsors assume any responsibility for misuse of copyright by anyone. ORGANISER Digital Photo Archive, Sligo, Ireland SECTIONS - There are six sections, all digital: A) OPEN COLOUR (colour digital) PSA PID Colour B) WOMAN (colour/monochrome digital) PSA PID Colour C) PORTRAIT (colour/monochrome digital) PSA PID Colour D) OPEN MONOCHROME (monochrome digital) PSA PID Monochrome E) NATURE (colour/monochrome digital) PSA ND F) PHOTO TRAVEL (colour/monochrome digital) PSA PTD JURY MEMBERS William GLEESON, ARPS, David BUTLER, MFIAP, EPSA, Hendro HIOE, ARPS, MPSA2, EFIAP, AIPF, PPSA, Ireland ARPS, England EFIAP/s, GPU CR3, AFPSI* - Indonesia Ivy Cecez, Salon chairman, exhibition closed: 20 June 2021 3 8th International Exhibition of Photography DPA International Circuit 2021 2021-1346 Salon Ireland DPA Badge for the best Author: Ching Ching Chan, Hong Kong 4 8th International Exhibition of Photography DPA International Circuit 2021 2021-1346 Salon Ireland Awards Theme A) OPEN COLOUR PSA Gold medals - Raul Villalba , Argentina, Clowns SALON Gold Medal - Steve Proctor , England , The Final Hurdle SALON Silver Medal - Manfred Kluger , Germany , golden girl-1 SALON Bronze Medal - Yuyun Cai, China , Struggle between two tigers SALON HM - Chau Kei Checky Lam ,
    [Show full text]
  • Hong Kong Filmmakers Search: Sammo Hung
    Sammo HUNG 洪金寶（b. 1952.1.7） Director, Actor, Martial Arts Choreographer, Executive Producer A native of Ningbo, Zhejiang, Hung was born in Hong Kong. His grandfather, Hung Chung-ho was a director in the 1930s and 40s. Hung enrolled in Yu Zhanyuan’s Hong Kong-China Opera Institute to study Peking opera before he was ten. He was the captain of the school’s performing troupe ‘Seven Little Fortunes’. Under the screen name Chu Yuen-lung, Hung appeared in Education of Love (1961) and The Seven Little Valiant Fighters (1962). He began working as a stuntman in the late 1960s, and served as the martial arts choreographer for Shaw Brothers (Hong Kong) Ltd’s The Golden Sword (1969). After Golden Harvest (HK) Limited was established, Hung took part in Lo Wei, Huang Feng and Chung Chang-hwa’s features as both a martial arts choreographer and actor. He was also the martial arts choreographer of King Hu’s The Valiant Ones (1975). In 1977, he made his directorial debut The Iron-Fisted Monk for Golden Harvest. Its box-office catapulted Hung to stardom. In addition to his comedic genius, he won over audiences with his remarkable, fluid action despite his bulk size. The box-office success was followed by a series of action comedies, including Warriors Two (1978), Knockabout (1979) and The Prodigal Son (1981), all directed and played by Hung himself. In 1978, Hung set up Gar Bo Films with Karl Maka and Lau Kar-wing and produced features such as Dirty Tiger, Crazy Frog! (1978). In 1979, he founded Bo Ho Films Company Limited, a satellite company of Golden Harvest.
    [Show full text]
  • Music from the 1990S to the Present
    j：,/ � • .. ….......:._. ‘. • '1- ;V . jn/w Tnn • ft ¾( ! \ ..' � •'. I . I .广, I n . .....Vv'Z …'.J I O > 3 . • • I •• . ^ • jr ,' ‘:'. ； , ''Jr ... Hong Kong Film Music from the 1990s to the Present CHENG LingYan A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Philosophy in Ethnomusicology © The Chinese University of Hong Kong June 2004 The Chinese University of Hong Kong holds the copyright of this thesis. Any person(s) intending to use a part or whole of the materials in the thesis in a proposed publication must seek copyright release from the Dean of the Graduate School. ^ST university~7^// ^XLIBRARy SYSTEM^W Abstract i Hong Kong Film Music from the 1990s to the Present Submitted by LingYan CHENG for the degree of Master of Philosophy in Ethnomusicology at The Chinese University of Hong Kong in June 2004 Abstract This thesis focuses on Hong Kong film music from the 1990s to the 2000s. In recent years, there has been much research and theory on western film music, especially the Hollywood film industry, by musicologists and scholars in film studies, popular music studies, and other fields. However, there has been little research on Hong Kong Film music, the system of which is different from that of western film music, and therefore I will apply basic film music concepts, but using the real situation of Hong Kong film music to formulate my own argument. The methodology used in this thesis will include the application of basic concepts used by scholars of film music, such as the functions of music in film, combined with fieldwork and analysis of films.
    [Show full text]
  • Va.Orgjackie's MOVIES
    Va.orgJACKIE'S MOVIES Jackie starred in his first movie at the age of eight and has been making movies ever since. Here's a list of Jackie's films: These are the films Jackie made as a child: ·Big and Little Wong Tin-Bar (1962) · The Lover Eternal (1963) · The Story of Qui Xiang Lin (1964) · Come Drink with Me (1966) · A Touch of Zen (1968) These are films where Jackie was a stuntman only: Fist of Fury (1971) Enter the Dragon (1973) The Himalayan (1975) Fantasy Mission Force (1982) Here is the complete list of all the rest of Jackie's movies: ·The Little Tiger of Canton (1971, also: Master with Cracked Fingers) · CAST : Jackie Chan (aka Chen Yuen Lung), Juan Hsao Ten, Shih Tien, Han Kyo Tsi · DIRECTOR : Chin Hsin · STUNT COORDINATOR : Chan Yuen Long, Se Fu Tsai · PRODUCER : Li Long Koon · The Heroine (1971, also: Kung Fu Girl) · CAST : Jackie Chan (aka Chen Yuen Lung), Cheng Pei-pei, James Tien, Jo Shishido · DIRECTOR : Lo Wei · STUNT COORDINATOR : Jackie Chan · Not Scared to Die (1973, also: Eagle's Shadow Fist) · CAST : Wang Qing, Lin Xiu, Jackie Chan (aka Chen Yuen Lung) · DIRECTOR : Zhu Wu · PRODUCER : Hoi Ling · WRITER : Su Lan · STUNT COORDINATOR : Jackie Chan · All in the Family (1975) · CAST : Linda Chu, Dean Shek, Samo Hung, Jackie Chan · DIRECTOR : Chan Mu · PRODUCER : Raymond Chow · WRITER : Ken Suma · Hand of Death (1976, also: Countdown in Kung Fu) · CAST : Dorian Tan, James Tien, Jackie Chan · DIRECTOR : John Woo · WRITER : John Woo · STUNT COORDINATOR : Samo Hung · New Fist of Fury (1976) · CAST : Jackie Chan, Nora Miao, Lo Wei, Han Ying Chieh, Chen King, Chan Sing · DIRECTOR : Lo Wei · STUNT COORDINATOR : Han Ying Chieh · Shaolin Wooden Men (1976) · CAST : Jackie Chan, Kam Kan, Simon Yuen, Lung Chung-erh · DIRECTOR : Lo Wei · WRITER : Chen Chi-hwa · STUNT COORDINATOR : Li Ming-wen, Jackie Chan · Killer Meteors (1977, also: Jackie Chan vs.
    [Show full text]
  • A Different Brilliance—The D & B Story
    1. Yes, Madam (1985): Michelle Yeoh 2. Love Unto Wastes (1986): (left) Elaine Jin; (right) Tony Leung Chiu-wai 3. An Autumn’s Tale (1987): (left) Chow Yun-fat; (right) Cherie Chung 4. Where’s Officer Tuba? (1986): Sammo Hung 5. Hong Kong 1941 (1984): (from left) Alex Man, Cecilia Yip, Chow Yun-fat 6. It’s a Mad, Mad, Mad World (1987): (front row from left) Loletta Lee, Elsie Chan, Pauline Kwan, Lydia Sum, Bill Tung; (back row) John Chiang 7. The Return of Pom Pom (1984): (left) John Sham; (right) Richard Ng 8. Heart to Hearts (1988): (from left) Dodo Cheng, George Lam, Vivian Chow Pic. 1-8 © 2010 Fortune Star Media Limited All Rights Reserved Contents 4 Foreword Kwok Ching-ling, Wong Ha-pak 〈Chapter I〉 Production • Cinema Circuits 10 D & B’s Development: From Production Company to Theatrical Distribution Po Fung Circuit 19 Retrospective on the Big Three: Dickson Poon and the Rise-and-Fall Story of the Wong Ha-pak D & B Cinema Circuit 29 An Unconventional Filmmaker—John Sham Eric Tsang Siu-wang 36 My Days at D & B Shu Kei In-Depth Portraits 46 John Sham Diversification Strategies of a Resolute Producer 54 Stephen Shin Targeting the Middle-Class Audience Demographic 61 Linda Kuk An Administrative Producer Who Embodies Both Strength and Gentleness 67 Norman Chan A Production Controller Who Changes the Game 73 Terence Chang Bringing Hong Kong Films to the International Stage 78 Otto Leong Cinema Circuit Management: Flexibility Is the Way to Go 〈Chapter II〉 Creative Minds 86 D & B: The Creative Trajectory of a Trailblazer Thomas Shin 92 From
    [Show full text]
  • SUN YAT-SENS: CONTESTED IMAGES of a POLITICAL ICON By
    SUN YAT-SENS: CONTESTED IMAGES OF A POLITICAL ICON by THOMAS EVAN FISCHER A THESIS Presented to the Asian Studies Program and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Arts September 2020 THESIS APPROVAL PAGE Student: Thomas Evan Fischer Title: Sun Yat-sens: Contested Images of a Political Icon This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Arts degree in the Asian Studies Program by: Bryna Goodman Chairperson Ina Asim Member Daniel Buck Member and Kate Mondloch Interim Vice Provost and Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2020 ii © 2020 Thomas Evan Fischer iii THESIS ABSTRACT Thomas Evan Fischer Master of Arts Asian Studies Program September 2020 Title: Sun Yat-sens: Contested Images of a Political Icon This thesis explores the afterlives of the Chinese revolutionary icon Sun Yat- sen and their relevant contexts, arguing that these contexts have given rise to different images of the same figure. It serves as a gallery in which these different images are put into conversation with one another, revealing new insights into each. Key to the discussion, Sun is first introduced in a short biography. Then, the thesis moves to his different afterlives: Sun and the fight for his posthumous approval in the Republic of China before 1949; Sun and his usage in Chinese Communist political rhetoric from 1956 through 2016; Sun and his changing image in the ROC-Taiwan, a change that reflects the contentious political environment of an increasingly bentu Taiwan; Sun and two of his images among the overseas Chinese of Hawaii and Penang.
    [Show full text]
  • Proceedings of the 18Th SIGMORPHON Workshop on Computational Research in Phonetics, Phonol- Ogy, and Morphology
    SIGMORPHON 2021 18th SIGMORPHON Workshop on Computational Research in Phonetics, Phonology, and Morphology Proceedings of the Workshop August 5, 2021 Bangkok, Thailand (online) ©2021 The Association for Computational Linguistics and The Asian Federation of Natural Language Processing Order copies of this and other ACL proceedings from: Association for Computational Linguistics (ACL) 209 N. Eighth Street Stroudsburg, PA 18360 USA Tel: +1-570-476-8006 Fax: +1-570-476-0860 [email protected] ISBN 978-1-954085-62-6 ii Preface Welcome to the 18th SIGMORPHON Workshop on Computational Research in Phonetics, Phonology, and Morphology, to be held on August 5, 2021 as part of a virtual ACL. The workshop aims to bring together researchers interested in applying computational techniques to problems in morphology, phonology, and phonetics. Our program this year highlights the ongoing investigations into how neural models process phonology and morphology, as well as the development of finite-state models for low- resource languages with complex morphology. We received 25 submissions, and after a competitive reviewing process, we accepted 14. The workshop is privileged to present four invited talks this year, all from very respected members of the SIGMORPHON community. Reut Tsarfaty, Kenny Smith, Kristine Yu, and Ekaterina Vylomova all presented talks at this year’s workshop. This year also marks the sixth iteration of the SIGMORPHON Shared Task. Following upon the success of last year’s multiple tasks, we again hosted 3 shared tasks: Task 0: SIGMORPHON’s sixth installment of its inflection generation shared task is divided into two parts: Generalization, and cognitive plausibility. In the first part, participants designed a model that learned to generate morphological inflections from a lemma and a set of morphosyntactic features of the target form, similar to previous year’s tasks.
    [Show full text]
  • 主席報告 · 黃凱旋 Chairman's Report ∙ Hoytson Wong
    主席報告 · 黃凱旋 Chairman's Report ∙ Hoytson Wong 2013年是充滿了轉變的一年。先是萬民堂於年 The year 2013 was a year of transition: Peo- 初脫離恩典堂正式自立，繼而恩福幼兒園雖然 ples Gospel Church be- 仍附屬恩典堂，但實際上已變成獨立機構；隨 came independent and 著萬民堂的自立，執事會成員亦由15人減為7 ceased to have any in- volvement with Grace 人；葉牧師由本堂主任牧師轉為顧問牧師，而 Chinese Gospel Church; 主任牧師一職則由陳訓民牧師接任；李建國牧 Grace Christian School became independent 師由主力兒童事工轉為主理外展事工；江維楢 although still acting as a 傳道及孫姫淑姊妹分別受聘為國語堂實習傳道 subsidiary; the board 及兒童事工的實習同工。 members decreased from 15 to 7 due to PGC’s de- 執事會正為著提交教會在加拿大非牟利持續法 parture; Rev. George Yip became our consulting Pas- tor; Rev. Fanco Chan became our Senior Pastor; Pastor 案的文件及已修改的教會章程而忙碌，這些都 Lee switched from Children’s Pastor to Outreach Pastor; 可望於明年完成。執事會歡迎譚紅秀姊妹安息 and Pastor Frank Chiang and Heesook Sohn were hired 年假完畢復職，及陳旭輝弟兄加入成為新成 as Mandarin Assistant Pastor and Children Ministry In- tern respectively. 員。同時，執事會祝願譚慎誠弟兄有一個美好 The Board has been busy preparing to file the Article of 的安息年假期。 Not For Profit Act Continuance and the revised Church Constitutions. Hopefully these can be finished by next 教會的新運動場館已全面開放被使用。年初我 year. The Board welcomed Judy Hum’s return after a 們曾經聘請譚瀚儒傳道為此館的外展事工總 year of sabbatical, and Enoch Chan as new member 監，但可惜其後接獲他的辭呈。運動場除可作 of the board. At the same time, the board wished Al- fred Tam a good year of sabbatical leave. 籃球場外，亦可作羽毛球場、排舞及太極等活 Our new basketball court became fully operational at 動。當教會舉辦一些來賓人數遠超主禮堂能容 the beginning of the year. Pastor Jeff Tam was hired as 納的聚會時，這運動場亦可作為聚會地點。 a director to run the gym. Unfortunately he resigned shortly after. Many activities besides basketball, such as 財政方面，在接近年底時，教會曾陷入嚴峻的 badminton, line dance, tai chi, etc., were carried out. It 財赤，當時如要達至收支平衡的話，需要於五 held a few big events when attendance surpassed the sitting capacity at the sanctuary.
    [Show full text]
  • "DPW SUMMER CIRCUIT 2021" Salon Podgorica FIAP 2021/282 PSA 2021-1416
    7th Circular Exhibition of Photography "DPW SUMMER CIRCUIT 2021" Salon Podgorica FIAP 2021/282 PSA 2021-1416 Accepted Theme A) Woman Australia Bao Guo Zhang - Radiant Keith O'Brien - Sylph Sia on the table Paul Thompson - Mother Paul Thompson - Mother and Child II Austria Helmut Resch - Musikerinnen Manfred Pillik - Ball im Blick Manfred Pillik - Mit Sonnenhut Manfred Pillik - Uebersprungen Belgium Aurele De Fauw - Rode vaas Claude Simon - Himba burial ceremony 4 Jean Luc LEGRAND - La sirene de Canet Luc Stalmans - Dreams Luc Stalmans - Inner Happiness is a State of Mind Weytens Eric - LA FEMME VIOLON China Guangsheng Zhai - Light up a cigarette Jiangbin Chang - Falling snow Jianping Li - Beachcombing women Jianxin Wu - Miao female craftsman Ming Liu - Face-tattooed woman Ming Liu - People on water Mingzai Su - True feeling for century_1 Qingcun Zhang - Beauties Qingcun Zhang - Beauty in Red Weining Lin - Graceful Bearing Wenxin Xu - Attachment to the Silk Road Xuebiao Yang - Busy with Salt Drying Xuebiao Yang - Miao women's embroidered towels Yanben Feng - Beautiful woman and withered lotus Yanben Feng - Blue Ribbon Yanben Feng - In full bloom Yanben Feng - The peafowl goddess Yi Huang - About the Ethiopian tribe 17 Yiliang Yang - Family 19 Yiliang Yang - Family 23 Zhi Xu - Ethereal land Czech Republic Jiri Koci - Comfort territory Denmark Jorgen Kristensen - Karoline 4 Jorgen Kristensen - Miss Blond 1 England Barbara Jenkin - Elegant Sirenna Barbara Jenkin - Meadowsweet Dancer BARRY MEAD - FUR WRAP BARRY MEAD - GIRL IN RED Colin Dixon
    [Show full text]
  • Repartitie Speciala Intermediara Septembrie 2019 Aferenta Difuzarilor Din Perioada 01.04.2009 - 31.12.2010 DACIN SARA
    Repartitie speciala intermediara septembrie 2019 aferenta difuzarilor din perioada 01.04.2009 - 31.12.2010 DACIN SARA TITLU TITLU ORIGINAL AN TARA R1 R2 R3 R4 R5 R6 R7 R8 R9 S1 S2 S3 S4 S5 S6 S7 S8 S9 S10 S11 S12 11:14 11:14 2003 US/CA Greg Marcks Greg Marcks 11:59 11:59 2005 US Jamin Winans Jamin Winans 007: partea lui de consolare Quantum of Solace 2008 GB/US Marc Forster Neal Purvis - ALCS Robert Wade - ALCS Paul Haggis - ALCS 10 lucruri nu-mi plac la tine 10 Things I Hate About You 1999 US Gil Junger Karen McCullah Kirsten Smith 10 produse sau mai putin 10 Items or Less 2006 US Brad Silberling Brad Silberling 10.5 pe scara Richter I - Cutremurul I 10.5 I 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 10.5 pe scara Richter II - Cutremurul II 10.5 II 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 10.5: Apocalipsa I 10.5: Apocalypse I 2006 US John Lafia John Lafia 10.5: Apocalipsa II 10.5: Apocalypse II 2006 US John Lafia John Lafia 100 de pusti 100 Rifles / 100 de carabine 1969 US Tom Gries Clair Huffaker Tom Gries 100 milioane i.Hr / Jurassic in L.A. 100 Million BC 2008 US Griff Furst Paul Bales EG/FR/ GB/IR/J 11 povesti pentru 11 P/MX/U Alejandro Gonzalez Claude Lelouch - Danis Tanovic - Alejandro Gonzalez Claude Lelouch - Danis Tanovic - Marie-Jose Sanselme septembrie 11'09''01 - September 11 2002 S Inarritu Mira Nair Amos Gitai - SACD SACD SACD/ALCS Ken Loach Sean Penn - ALCS Shohei Imamura Youssef Chahine Samira Makhmalbaf Idrissa Quedraogo Inarritu Amos Gitai - SACD SACD SACD/ALCS Ken
    [Show full text]
  • DPW SUMMER CIRCUIT 2020" Salon Novi Sad FIAP 2020/297 PSA 2020-319 FSS 2020/43
    7th Circular Exhibition of Photography "DPW SUMMER CIRCUIT 2021" Salon Novi Sad FIAP 2021/280 PSA 2021-1416 FSS 2021/41 Accepted Theme A) Woman Australia Paul Thompson - I Am Woman Austria Helmut Resch - Musikerinnen Manfred Pillik - Mit Sonnenhut Manfred Pillik - Uebersprungen Thomas Pichler - Suzanna Belgium Jean Luc LEGRAND - La sirene de Canet Jean Luc LEGRAND - Les casiers et Anna Jean Luc LEGRAND - Romantisme au bois de Sly Luc Stalmans - Dreams Luc Stalmans - Inner Happiness is a State of Mind Luc Stalmans - Sensitive Confusion Vincianne Ramut - Zerra Weytens Eric - PRUDE China Andy Cheung - drinking Chunhui Jiang - My youth Chunhui Jiang - Rhyme Chunhui Jiang - The nude 58 Fang Liu - Harvest season Fang Liu - Toufu Xi Shi Huifen Shao - waiting Huifen Shao - weaving Huifen Shao - Yi girl Huijun Liang - Wait for Jianlin Liu - Smiling woman Jianlin Liu - take a rest Jianlin Liu - wait for client Jing Guo - Dialogue Min Li - Believers in the Rock Church79 Ming Liu - Waiting Qingcun Zhang - Beauties by the Train Qingcun Zhang - Beauty in Red Tianming Zhang - Beauty Weining Lin - Graceful Bearing Weining Lin - Life by the Sea Wenxin Xu - Attachment to the Silk Road Wenxin Xu - Chinese red Yanben Feng - Beautiful woman and withered lotus Yanben Feng - Blue Ribbon Yanben Feng - In full bloom Yanben Feng - The peafowl goddess Yi Huang - Read Yiliang Yang - Family 19 Yiliang Yang - Family 23 Yizhuang He - Magical World Yizhuang He - The Girl Zhi Xu - Ethereal land Zhi Xu - Meditate alone Zhi Xu - Saintess Cyprus KLEA KYPRIANOU - Looking
    [Show full text]
  • King's Research Portal
    King’s Research Portal DOI: 10.18573/j.2017.10096 Document Version Publisher's PDF, also known as Version of record Link to publication record in King's Research Portal Citation for published version (APA): Wong, W. (2017). Synthesizing Zhenshi (Authenticity) and Shizhan (Combativity): Reinventing Chinese Kung Fu in Donnie Yen’s Ip Man Series. Martial Arts Studies Journal, (3), 71-88. https://doi.org/10.18573/j.2017.10096 Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim.
    [Show full text]