The 7 Countries of “Yugoslavia” Tour
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Emir Kusturica and the No Smoking Orchestra
07-14 Kusturica:Gp 3.qxt 6/30/10 10:50 AM Page 1 Sponsor Welcome to Lincoln Center Festival 2010. We have searched the world to bring you some of the best the performing arts have to offer. Over the 18 days of this month’s Festival, we present 45 performances by artists and ensembles from 12 countries, and expand our venues to include a new site on Governors Island. The Lincoln Center Festival opened with the wel come back the Bill T. Jones/Arnie Zane North American premiere of Musashi , a lavish Dance Company. Bill has never been one to shy Noh-inspired drama. Yukio Ninagawa directed away from difficult subjects, and his Fondly Do the late Hisashi Inoue’s reworking and revital - We Hope… Fervently Do We Pray is an inspiring ization of a traditional Japanese tale based on and emotionally wrenching work. Dancer and the life of a real samurai warrior. choreographer Saburo Teshigawara, who made his Lincoln Center Festival debut in 2006, brings If we had a musical survivors series, it would back his laser-like focus for the compelling one- undoubtedly include three groups making man tour-de-force Miroku , and Pichet Klunchun Festival debuts this month: The Blind Boys of brings his brilliant company from Bangkok for Alabama, Orchestre Poly-Rythmo de Cotonou, Chui Chai . The title, meaning “transformation,” and Emir Kusturica and The No Smoking is as much a metaphor for Pichet’s own mod - Orchestra. The Blind Boys have inspired musi - ernization of Thai classical dance as it is a cians and music lovers of all tastes for decades, description of the Ramayana, an Indian epic on and over three nights we’ll celebrate their con - which it is based. -
Drina Euroregion
Crossing the borders. Studies on cross-border cooperation within the Danube Region Case Study of cross-border cooperation along the Serbian–Croatian border Drina Euroregion Contents 1. Introduction ......................................................................................................................... 2 2. The development of the cross-border cooperation .............................................................. 7 2.1 Establishment of the Drina Euroregion ......................................................................... 8 3. Determination of geographical confines ............................................................................ 11 3.1 The Serbian–Bosnian border section of the Drina Euroregion .................................. 11 3.2 The Serbian–Croatian border section of the Drina Euroregion ................................. 12 3.3 The Croatian–Bosnian border section of the Drina Euroregion ................................ 12 3.4 The Montenegrin–Bosnian border section of the Drina Euroregion......................... 13 3.5 The Montenegrin–Serbian border section of the Drina Euroregion ......................... 14 3.6 Geographic features of the Drina Euroregion area .................................................... 15 3.7 Administrative units – members ................................................................................. 20 4. Organisational and institutional structure, operation ......................................................... 28 Assembly ................................................................................................................................ -
Springer Series in Physical Environment 2
Springer Series in Physical Environment 2 Managing Editor D. Barsch, Heidelberg Editors I. Douglas, Manchester' F. Joly, Paris M. Marcus, Tempe· B. Messerli, Bern Advisory Board F. Ahnert, Aachen' V. R. Baker, Tucson R. G. Barry, Boulder' H. Bremer, Knln D. Brunsden, London' R. U. Cooke, London' R. Co que, Paris Y. Dewolf, Paris' P. Fogelberg, Helsinki· O. Franzle, Kiel I. Gams, Ljubljana' A. Godard, Meudon' A. Guilcher, Brest H. Hagedorn, Wiirzburg' J. Ives, Boulder S. Kozarski, Poznan' H. Leser, Basel' J. R. Mather, Newark J. Nicod, Aix-en-Provence' A. R. Orme, Los Angeles G. 0strem, Oslo' T. L. Pewe, Tempe· P. Rognon, Paris H. Rohdenburgt, Braunschweig· A. Semmel, Frankfurt/Main G. SUiblein, Bremen' H. Svensson, K0benhavn M. M. Sweeting, Oxford' R. W. Young, Wollongong Ognjen Bonacci Karst Hydrology With Special Reference to the Dinaric Karst With 119 Figures Springer-Verlag Berlin Heidelberg New York London Paris Tokyo Professor Dr. OGNJEN BONACCI Civil Engineering Institute Faculty of Civil Engineering Sciences University of Split 58000 Split, V. Maslese b.b. Yugoslavia Translated by Zjena Vidovic-Culic ISBN-13: 978-3-642-83167-6 e-ISBN-13: 978-3-642-83165-2 DOl: 10.1007/978-3-642-83165-2 Library of Congress Cataloging-in-Publication Data. Bonacci, Ognjen, 1942- Karst hydrology, with special reference to the Dinaric karst. (Springer series in physical environment ; 2) Bibliography: p. Includes index. 1. Hydrology, Karst. 2. Hydrology, Karst-Dinaric Alps. I. Title. II. Series. GB843.B66 1987 551.49 This work is subject to copyright. All rights are reserved, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illus trations, recitation, broadcasting, reproduction on microfilms or in other ways, and stor age in data banks. -
Buk-Bijela” Case for Montenegro
TransboundaryTransboundary SEASEA (or(or lacklack ofof it)it) inin decisiondecision--makingmaking onon ““BUKBUK--BIJELABIJELA”” powerpower plantplant (case(case study)study) Prof dr Maja Kostic-Mandic, University of Montenegro Issues addressed in the presentation: • decision-making on disposal of natural resources under special legal regime • transboundary context • SEA and EIA constraints • public participation The project of building a dam that would flood part of: • the Tara River Basin Biosphere Reserve • the Tara River Canyon, a World Heritage Site and • Durmitor National Park World Heritage Site Applicable international conventions: • World Heritage Convention • Danube River Protection Convention • draft protocol regarding the Sava countries Relevant legislation: • Bosnia and Herzegovina entity Republika Srpska (no SEA and EIA provisions) and entity B&H Federation (SEA and EIA provisions in Environmental Protection Law) • State union Serbia and Montenegro Serbia (SEA and EIA laws) • the Republic of Montenegro (draft SEA and EIA laws) International legal documents setting standards, not binding between the parties • Espoo Convention • Aarhus Convention • EIA and SEA EU Directives “SEA and EIA procedure” in Montenegro • 1997 Physical Plan • No Strategy for the Energy sector • Agreement between the Republic of Srpska and the Republic of Montenegro • Environmental Study • joint commission The public participation issue • imposed by the affected local community, wide public, NGOs and scientists • “Tara Declaration” adopted • the role of UNESCO and international community Mayor gains of the “Buk-Bijela” case for Montenegro • Montenegrin government has halted plans to build a dam • raising public awareness regarding environmental issues • draft SEA and EIA laws to be adopted • the new draft Physical Plan encompassed SEA Further reading: • UNESCO-IUCN Report http://whc.unesco.org/archive/2005/mis100- 2005.pdf • M. -
Introduction
WILD SOUL OF EUROPE Introduction The Chamber of Commerce & Industry of Serbia and the Chamber of Economy of Montenegro, on the initiative of the Embassy of Montenegro in Belgrade, and in cooperation with the Tourist Organisation of Serbia and the National Tourism Organisation of Montenegro, have created this unique tourist offer. The programmes presented in this brochure are based on the specific natural and cultural heritage of Montenegro and the Republic of Serbia. The aim of this joint tourism product is to promote regional cooperation in the field of tourism, to achieve greater recognition for the region, to extend the tourist season and to ensure the better presentation of tourist programmes on third markets. The seven tours presented in this brochure were developed by the two Chambers with the idea of addressing a wide range of tourists, thus the offer includes some tough adventurous experiences, hiking, cycling, off-road jeep tours, traditional dishes and wine tasting etc. This brochure is confirmation that tourism is well-recognised as an important instrument of regional cooperation and a powerful catalyst for the European integration process. We are confident that our joint tourist product will enrich the tourism offer as a whole, with consideration for all of our peculiarities, specificities and diversities. WILD SOUL OF EUROPE Wheels of steel 9-DAY CYCLING TOUR HIGHLIGHT With its many gorges and steep cliffs, the Tresnjica area resembles a canyon. Of extraordinary importance to the wildlife of the area is the fact that it has been designated as a nature reserve in order to preserve the natural habitat of the very rare, endangered griffon vulture, dubbed ‘The Emperor of the Heights and the Nature Cleaner’ Day 3 TRESNJICA RIVER Mountain cycling tour over the Tresnjica River Gorge. -
SOME METHODOLOGICAL CONCERNS REGARDING the STUDY of BALKANISM in CINEMA Mario Slugan University of Chicago 1
SOME METHODOLOGICAL CONCERNS REGARDING THE STUDY OF BALKANISM IN CINEMA Mario Slugan University of Chicago 1 It was in the early 1990s that Balkanism came to the attention of Slavic studies. As early as 1990, Milica Bakid-Hayden drew on Edward Said’s Orientalism to describe the rhetoric employed by many a Slovenian and Croatian politician and writer to discuss the Yugoslav crisis of the 1980s. Regardless of whether Balkanism was treated as a variation of Orientalism (Bakid-Hayden and Hayden 1992, Bakid-Hayden 1995) or as a rhetorical paradigm specific to the Balkans (Todorova 1994), Orientalism has remained the conceptual paradigm behind Balkanism well after the most detailed analysis of the phenomenon has been written (Todorova 1997). According to Todorova, Balkanism dominated western perceptions of the region from the early twentieth century until the beginning of World War II and then again from the demise of the Soviet Union onward. During the communist era, the Balkans had been an indistinguishable part of the monolith of Eastern Europe. After 1989, the Balkans reappeared as the ‘Other’ of the newly forming Central Europe. It was often connected with the notion of Balkanization, denoting the fragmentation of viable larger political entities as well as the return to the primitive, backward and tribal. While Todorova is careful not to identify Balkanism as a mere variation of Orientalism, both discourses serve to reinforce a western style of domination through description, learning and authorization of viewpoints. Todorova lists a number of features that distinguish the Balkans from the Orient: central among them, the manner in which the construction of Balkan identities takes place. -
Grbavica Press English.Pdf
GRBAVICA is a story about contemporary Sarajevo… Single mother Esma wants to grant her twelve-year-old daughter Sara's wish to participate in a school trip. A certificate proving her father is a war martyr would allow her a dis- count. But Esma continues to avoid Sara's requests for the certificate. She would rather find a way to pay full price for the trip. She believes not telling the truth about Sara's father is a way to protect both her and her daughter. DIRECTOR'S STATEMENT I am fascinated by everyday life, but compared to war, it can seem ordinary, non-dramatic, even banal. Yet when the surface of this everyday life is scratched, the whole power of human emotions - - past, present and future -- starts to leak out. GRBAVICA is first of all a story about LOVE. About love that is not pure, because it has been mixed with hate, disgust, trauma, despair. It's also about VICTIMS who, though they did not com- mit any crime, they are still not entirely innocent in relation to future generations. GRBAVICA is also about TRUTH, a cosmic power necessary to progress, and very much needed by society in Bosnia and Herzegovina who must strive to reach maturity. INTERVIEW Grbavica is a word which foreigners will probably nounce - I thought that these unattractive letters give a very break their tongues on. What is Grbavica? good sound picture of Esma's world. Grbavica is a neighborhood just across from the building where I live. During the war this area was held under siege by What is the origin of the story? the Serbo-Montenegrin Army, and transformed into a special When the war started, I was happy because my maths test war camp where the population was tortured. -
Grbavica-Pressbook.Pdf (1.6 Mib)
press_english_korr.qxd 24.10.2006 15:45 Uhr Seite 1 press_english_korr.qxd 24.10.2006 15:45 Uhr Seite 2 GRBAVICA is a story about contemporary Sarajevo.. Single mother Esma wants to grant her twelve-year-old daughter Sara's wish to participate in a school trip. A certificate proving her father is a war martyr would allow her a dis- count. But Esma continues to avoid Sara's requests for the certificate. She would rather find a way to pay full price for the trip. She believes not telling the truth about Sara's father is a way to protect both her and her daughter. press_english_korr.qxd 24.10.2006 15:45 Uhr Seite 3 DIRECTOR'S STATEMENT I am fascinated by everyday life, but compared to war, it can seem ordinary, non-dramatic, even banal. Yet when the surface of this everyday life is scratched, the whole power of human emotions - - past, present and future -- starts to leak out. GRBAVICA is first of all a story about LOVE. About love that is not pure, because it has been mixed with hate, disgust, trauma, despair. It's also about VICTIMS who, though they did not com- mit any crime, they are still not entirely innocent in relation to future generations. GRBAVICA is also about TRUTH, a cosmic power necessary to progress, and very much needed by society in Bosnia and Herzegovina who must strive to reach maturity. press_english_korr.qxd 24.10.2006 15:45 Uhr Seite 4 INTERVIEW Grbavica is a word which foreigners will probably nounce - I thought that these unattractive letters give a very break their tongues on. -
Download Itinerary
13d10n13d10n TreasuresTreasures ofof Bosnia,Bosnia, SerbiaSerbia && RomaniaRomania (ESJJS) 30 PLANNED MEALS SARAJEVO / BELGRADE / TIMISOARA 10 BREAKFASTS / SIBIU / SIGHISOARA / PIATRA NEAMT 10 LUNCHES / BRASOV / SINAIA / BUCHAREST MEAL PLAN 10 DINNERS 2 PIATRA NEAMT ROMANIA 1 SIGHISOARA 1 TIMISOARA THE BALKANS 1 SIBIU BRASOV 1 Bran BOSNIA AND DAY 1 wooden fountain, Sebilj. Walk through the old bazaar to the HERZEGOVINA BELGRADE 2 1 BUCHAREST SINGAPORE SARAJEVO (BOSNIA) Latin bridge where the assassination of Franz Ferdinand Welcome to a unique experience! sparked World War 1. 1 SARAJEVO SERBIA Lunch / Dinner • Assemble at Changi Airport for our flight toSarajevo , the capital of Bosnia. DAY 3 DAY 2 SARAJEVO MOKRA GORA BELGRADE SARAJEVO (SERBIA) • Drive towards the small eastern Bosnian town, Visegrad. Make • Depart the airport to the Tunnel of Hope and Museum, an a photo stop at the famous Mehmed Pasa Sokolovic Bridge N underground tunnel constructed under a local house during START/END spanning 180 metres over the River Drina. the Siege of Sarajevo in the midst of the Bosnian War. • Cross the border into Serbia and the village of Mokra Gora NIGHT STAY • Drive to the old town after the visit. which became popular after a reconstruction of a narrow gauge by Dynasty Travel BY FLIGHT • Sarajevo walking tour: Start from Coopersmith’s Street railway called Sargan Eight as its route viewed from the sky into the old town to see the famous pseudo-Ottoman style looks like the number 8. BY COACH EUROPE 116 117 www.dynastytravel.com.sg | Book Online. Anytime, Anywhere! DAY 8 • Travel to Sinaia, a little town which has always been linked to the SIGHISOARA PIATRA NEAMT Romanian royal family. -
Bybeauty Welcome Republic of Srpska Is a Magical Land of Mountains, Valleys, Fresh Water Streams and Some of the Last Remnants of Europe’S Old Growth Forests
SURROUNDED byBEAUTY Welcome Republic of Srpska is a magical land of mountains, valleys, fresh water streams and some of the last remnants of Europe’s old growth forests. Tucked into the heart of the Central Dinaric Alps this tiny country is a nature lover heaven. We invite you to come and discover our untouched corner of the world – to a friendly place that feels like home. Our crystal clear rivers will give you the thrill of your life and the amazing taste of Mother Nature. Welcome Facts Location: Republic of Srpska Area: 25 053 km², or 49% territory of Bosnia and Herzegovina Population: around 1.350.000 Official languages: Serbian, Croatian and Bosnian National parks: two The highest peak: Maglić, 2386 m Time zone: GMT+1hour Currency: Convertible Mark – 1 EUR=1.95KM Climate Mediterranean and alpine influences meet and create different types of climate in a relatively small area. In the south weather is warm, sunny and dry, with very mild winters. In the more con- tinental areas summers are generally warm, occasionally hot, cool springs and autumns, and cold winters with considerable snowfall. The alpine climate rules the mountain terrains of the high Dinaric Alps above 1700meters. The average temperature in January is -1°C and in July is 20°C Path sign Most mountain and other paths in Republic of Srpska are marked with a round sign, which consist of white cicrle and red lining. It has been used from 1922, when it was intodused by the mountaineer Alojz Knafelc to uniform the paths signs.The sign is called Knafelc ’s sign after its creator. -
Tragedy and Farce in Dušan Kovačević's Post-Yugoslav
The Journal of Kitsch, Camp and Mas Culture The Journal of Kitsch, Camp and Mass Culture Volume 1 / 2020 TRAGEDY AND FARCE IN DUŠAN KOVAČEVIĆ’S POST-YUGOSLAV SCREENPLAYS Aleš Čakalić Doctoral Candidate at AMEU – ISH, Ljubljana, Slovenia, [email protected] Aleš Čakalić TRAGEDY AND FARCE IN DUŠAN KOVAČEVIĆ’S POST-YUGOSLAV SCREENPLAYS Aleš Čakalić Abstract Commenting on Hegel’s remark that all great world-historic facts and personages appear twice, Marx famously appended that they do so the first time as tragedy, and the second time as farce. This paper intends to show how the film scripts by popular Serbian playwright Dušan Kovačević (b. 1948) can be read as a specific post-Yugoslav and post-communist artistic commentary on Marx’s claim. Kovačević’s scripts for three well-known post-Yugoslav films are discussed: Emir Kusturica’s controversial Underground (1995), Goran Marković’s The Tragic Burlesque (1995), and Kovačević’s own The Professional (2003). Within the larger frame of post-Yugoslav cinema, these three films constitute an important segment of the ideological current of self-Balkanization, which seemed to be all over the place especially in the Serbian cinema of the 1990s. What these self-Balkanizing films have in common, according to Pavičić, is a perception of the Balkans as a zone of permanent and inveterate chaos, a zone to which occasional wars are actually rather endemic. The three Kovačević’s scripts in question are very much in the same vein, yet they are substantially more farcical in nature when compared to self- Balkanizing films that were not written by Kovačević. -
Roma on the Screen the Roma on Europe’S Cinema Screens - Images of Freedom
ROMA ON THE SCREEN THE ROMA ON EUROPE’S CINEMA SCREENS - IMAGES OF FREEDOM DOMINIQUE CHANSEL 2 CONTENTS Page Introduction 5 1. Big-screen portrayals - from the Romanesque to the fantastic. A general study on a small number of themes 9 1.1. The beautiful rebels of French historical films 10 1.1.1. “The Hunchback of Notre Dame” by J. Delannoy (France / Italy, 1956) 10 1.1.2. “Cartouche” by Ph. de Broca (France / Italy, 1962) 13 1.2. Tales of love and death. From Russia to Spain 16 1.2.1. “Queen of the Gypsies” by E. Loteanu (USSR, 1976) 16 1.2.2. “Carmen” by F. Rosi (France / Italy, 1984) 20 2. Preoccupation with the sordid aspects of Roma life or real empathy? The uncertain paths of recognition 27 2.1. Between grandeur and destitution 27 2.1.1. “Kriss romani” by J. Schmidt (France, 1962) 27 2.1.2. “I Even Met Happy Gypsies” by A. Petrovi (Yugoslavia, 1967) 31 2.2. A lesson in freedom 34 2.2.1. “Devils, Devils” by D. Kdzierzawska (Poland, 1991) 34 2.2.2. “Into the West” by M. Newell (USA / Ireland, 1992) 36 3. An exuberant, baroque vision - the films of Emir Kusturica 41 3.1. Emir Kusturica or the lure of excess 41 3.2. “Time of the Gypsies” (Yugoslavia, 1988) 42 3.3. “Black Cat, White Cat” (France / Germany / Serbia, 1998) 47 4. A view from the inside? - the successes and contradictions of the films of Tony Gatlif 53 4.1. Tony Gatlif, music at heart 53 4.2.